View allAll Photos Tagged Lab
Op het Lieve Vrouwenkerkhof in Amersfoort oftewel de Slaapkamer was het zaterdagavond een gezellige drukte met een muziekpodium, eet- en drinkgelegenheid, diverse doorlopende voorstellingen, een informatiebalie en de Cineramatent waar ik de voorstelling 'The Washing Powder Conspiracy' zag van PIPS:lab. Zie ook de recensie op Cultuurpodium.nl.
13th -17th February 2017
Calouste Gulbenkian Foundation, Lisbon, Portugal
Following the Orpheus’ workshop cycle where young writers and composers were invited to work on the myth of Orpheus and present an opera project, the creative team composed of Nuno da Rocha (composer) and Rita Fernandes (writer) met again in Helsinki for their first LAB in August 2016. For their second LAB they were joined by Portuguese director Pedro Ribeiro.
The creative team had the opportunity to develop further their project with the presence of an instrumental ensemble and an actress for the spoken role.
© Márcia Lessa
Source flange and cooling jacket. Helium flows around the source nozzle, inside the liquid nitrogen jacket (visible). The white "ribbon" is a heater to boil off the nitrogen and prevent condensation when the chamber is brought up to atmospheric pressure.
Vulnerability Research Labs endeavors to be the most respected source on Cyber Threat Intelligence.
Design by: Dan Rok
Third annual Tri-Lab fundraiser event benefiting Holland Project, Reno Bike Project, and Craft. At Craft Wine & Beer, June 24th, 2021.
ห้องปฏิบัติการคอมพิวเตอร์ 1 คณะเทคโนโลยีสารสนเทศและการสื่อสาร มหาวิทยาลัยศิลปากร ชั้น 4 อาคารบริหาร วิทยาเขตสารสนเทศเพชรบุรี (ตุลาคม 2552 Photo by ICT Silpakorn Webdevelopment Team)
หากพูดถึงแขนกลหรือโรโบติกส์อาร์ม เชื่อว่าหลายๆ คนอาจคิดถึงเครื่องจักรขั้นสูงที่ โทนี่ สตาร์ก ใช้ในการสร้างชุดเกราะไอรอนแมน เราแทบจะจินตนาการไม่ออกเลยว่ามันจะเข้ามาเกี่ยวข้องกับชีวิตประจำวันของเราได้อย่างไร งาน “Lab - Robot TRAINING” ที่จัดโดย M4 LAB ที่ FabCafe Bangkok เมื่อวาน ได้ชี้ให้เราเห็นการใช้แขนกลอย่างไร้ขีดจำกัด และมันไม่ได้ใช้ยากอย่างที่คิด แขนคนทำอะไรได้ แขนกลก็ทำได้ แต่แขนกลไม่รู้จักเหนื่อย ไม่รู้จักร้อน มีพละกำลังเหลือพอ และที่สำคัญสามารถทำงานที่มีความละเอียดอ่อนได้อย่างแม่นยำ เราเชื่อว่าไม่นานเกินรอหรอกน่า เราจะได้เห็น โทนี่ สตาร์ก กับ จาร์วิสตัวเป็นๆ เกิดขึ้นแน่นอน
ใครที่สนใจทดลองใช้หรือหัดใช้แขนกลก่อนใครอย่าได้รีรอรีบติดต่อไปที่ #M4LAB ที่ on.fb.me/1N2B7hm โดยไว
Gmail launched "GMail Labs" with invited guests that included Tech Crunch, News Week, BBC, Wired, CNet, Fortune, Life Hacker, Business Week, Info Week, PC World, and Gizmodo
13th -17th February 2017
Calouste Gulbenkian Foundation, Lisbon, Portugal
Following the Orpheus’ workshop cycle where young writers and composers were invited to work on the myth of Orpheus and present an opera project, the creative team composed of Nuno da Rocha (composer) and Rita Fernandes (writer) met again in Helsinki for their first LAB in August 2016. For their second LAB they were joined by Portuguese director Pedro Ribeiro.
The creative team had the opportunity to develop further their project with the presence of an instrumental ensemble and an actress for the spoken role.
© Márcia Lessa
Official opening of the new biosciences lab at the Univeristy of Gloucestershire's Francis Close Hall in Cheltenham by Deputy Vice-Chancellor Jackie Labbe and Andrew Usher lead biomedical scientist at Gloucestershire Hospitals NHS Foundation Trust
Pictures by Mikal Ludlow Photography
Tel; 07855177205
24-9-21
As usual I started out with my standard bits and bobs – gesso, acrylic paint, cheap watercolour paper and paintbrushes and whatnot, then I chose my other bits and bobs to use to create texture, and then I decided on my colours and mixed my washes. It was at this point I realised I may have some difficulty with the spraying as I didn’t have a little bottle – on the contrary I used one of those suitable for watering the leaves of plants because it was the only one I could find. I also only used acrylic paint, as I don’t have inks in general and I wouldn’t know what sort to use or anything so I didn’t want to risk it, really. I may try with inks in the future. So, anyway, I decided on my colours and mixed my washes…
reaction of sumthing i don't know..i',m doing another experiment that time... prepration of dibenzalacetone...
The FOUNDING LAB is a collaborative effort between the Institute of Digital Sciences Austria (IDSA) and Ars Electronica. Its aim is to identify, develop, and present new areas, approaches, and formats that address the challenges of digital transformation. By overcoming disciplinary boundaries, it confronts the contradictory and conflicting realities of today and cultivates the skills to navigate an increasingly digital world.
Photo: Patrick Münnich
The FOUNDING LAB is a collaborative effort between the Institute of Digital Sciences Austria (IDSA) and Ars Electronica. Its aim is to identify, develop, and present new areas, approaches, and formats that address the challenges of digital transformation. By overcoming disciplinary boundaries, it confronts the contradictory and conflicting realities of today and cultivates the skills to navigate an increasingly digital world.
Photo: Patrick Münnich
mui Lab draws upon its “Calm Technology & Design” principles and engineering expertise to enable peaceful digital living in which technology performs in a perfect harmony with humans. We envision the technology of the future as one that make people happier by further bringing out the humanness of human life.
The FOUNDING LAB is a collaborative effort between the Institute of Digital Sciences Austria (IDSA) and Ars Electronica. Its aim is to identify, develop, and present new areas, approaches, and formats that address the challenges of digital transformation. By overcoming disciplinary boundaries, it confronts the contradictory and conflicting realities of today and cultivates the skills to navigate an increasingly digital world.
Photo: Patrick Münnich
Lab 2 - Fail.
I melted the nylon rope using a lighter. It turned into a liquid which quickly dried. I also streched it into thin lines while it was liquified.
The FOUNDING LAB is a collaborative effort between the Institute of Digital Sciences Austria (IDSA) and Ars Electronica. Its aim is to identify, develop, and present new areas, approaches, and formats that address the challenges of digital transformation. By overcoming disciplinary boundaries, it confronts the contradictory and conflicting realities of today and cultivates the skills to navigate an increasingly digital world.
Photo: Patrick Münnich