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Zoom into the "Mandelbrot set" for the map zn+1=Mi(zn)2, where Mi(z) are three Möbius transforms cyclically applied after each other. The transforms are -1/z, (-0.43-i)/((3-.1i)z - i), (wz-i)/(iz+.3+.1*i) where w is used as the control parameter varying across the images. z starts from zero, and the location after 300 iterations derermines the color (angle determines hue, magnitude value). The colored blobs represent areas where zero is attracted to the same limit cycle.
The next iteration of the Kaiser Permanente Center for Total Health in Washington, DC will bring our members and patients to life in 3 dimensional form, so that their stories can be told better. Follow the #CTHNext hashtag or the @KPTotalHealth handle to follow our progress
The next iteration of the Kaiser Permanente Center for Total Health in Washington, DC will bring our members and patients to life in 3 dimensional form, so that their stories can be told better. Follow the #CTHNext hashtag or the @KPTotalHealth handle to follow our progress
This iteration of Batman will give fans a first-hand opportunity to dive deeper into the complex life and mind of Bruce Wayne, the duality of his own identity, and the struggle of responsibility in saving a city overcome with corruption and villainy.
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Early iterations of a quick self portrait made with Processing. Made using a modification of a tool from the book Generative Design: www.generative-gestaltung.de/code Pretty happy with the painterly effects.
Belgian Stout @ 7.0% ABV
"The Black is Beautiful initiative is a collaborative effort amongst the brewing community and its customers, in an attempt to bring awareness to the injustices that many people of color face daily. Our mission is to bridge the gap that's been around for ages and provide a platform to show that the brewing community is an inclusive place for everyone of any color. We are asking for all breweries and brewers far and wide to raise a glass with us in unison and participate in this collaboration."
if you're not familiar, here { blackisbeautiful.beer/ } is a link to the Black Is Beautiful website so you can get involved or learn more if you'd like. Basically, Weathered Souls brewed this delicious stout and provided the base to any brewer that wanted to join in. The collaborating brewer gives their unique vision to the recipe, and donates all proceeds to local foundations that support police brutality reform or legal defenses for those who have been wronged. Each brewery can choose their own local foundation to donate to, and commits to the long term work of raising awareness and equality!
Seldom do you see an entire industry come together to support a cause quite like we've seen the craft beer industry support this one. I've been inspired and incredibly impressed by all the different iterations of this recipe but have only tried a few so far!
If you see this beer being offered at your local BUY IT. Not only are you getting a delicious brew, but you're supporting an incredible cause both locally & nationally. CHEERS Y'ALL!!! 🍺✊
Partitions itératives is a series of performances consisting of composing music with data streams, generally from outer space objects.
Photo showing:Guillaume Pascale
@POSTCITY
Photo: tom mesic
Fourth iteration of this. The first was built mostly studs-up to withstand some preschooler attention; version 2 was rebuilt with a studs-down lower fuselage; version 3 was rewinged and re-engined (and spawned a black LDD cousin). The current version picks up the engine nacelles from an otherwise failed recent project.
Nope, it's not a photograph. I got tired of editing, so I opened a new Ps file and doodled in layers, added drop and inner shadows for depth, created a smart-object, and then created iterations of the doodle in the filters gallery and composited them.
OK. I'm ready to go back to editing.
Partitions itératives is a series of performances consisting of composing music with data streams, generally from outer space objects.
Photo showing:Guillaume Pascale
@POSTCITY
Photo: tom mesic
Some additional iterations inspired by an accident.
www.kickerstudio.com/blog/2009/03/case-study-gestural-ent...
Just generated my first Buddhabrot.
Parameters:
- iterations: 1,024
- points: 1,000,000
C program will be available soon.
After creating the data iteration I decided to try making it f an infographic. I have not fully written all the information on this iteration but I quite like how the mix of visuals and text allows for more information to be shown. Again it does not have enough flow or hierarchy, but I think with an infographic this could be more easily achieved.
Meeting Andy and Annabel in their recommended Ealing Indian restaurant. It's actually in the shop that was Posh Punjab a decade or more ago. No dancing in this iteration, but the food is spot on!
(aka day 957-1096)
Camera info: Pentax K200D – 50mm – f/4 – ISO100 – 1/2000 s
Hand held – RawTherapee & Gimp
Comments & tips are welcomed. Thanks.
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Last night, one of my first calculus students had his senior photography exhibit at Bradley University. As I left the exhibit, I noticed this building and was inspired to get out my camera. As I started to edit the photo this morning, I began to experiment and came up with ten iterations of the same photo that I hope each evoke a different response.
The lesson that I have learned from this...don't let the way that you look at something get in the way of seeing it.
Please take a moment to look at all ten variations.
The next iteration of the Kaiser Permanente Center for Total Health in Washington, DC will bring our members and patients to life in 3 dimensional form, so that their stories can be told better. Follow the #CTHNext hashtag or the @KPTotalHealth handle to follow our progress
The next iteration of the Kaiser Permanente Center for Total Health in Washington, DC will bring our members and patients to life in 3 dimensional form, so that their stories can be told better. Follow the #CTHNext hashtag or the @KPTotalHealth handle to follow our progress
Partitions itératives is a series of performances consisting of composing music with data streams, generally from outer space objects.
Photo showing:Guillaume Pascale
@POSTCITY
Photo: tom mesic
Art that Iterates
September 4 – 28, 2012
MACY GALLERY
Teachers College Columbia University
Proposition
What is an open art? What is an art that becomes itself as a condition of its being? How can immanence, as a characteristic, be present in a work of art?
The problem is that art usually resolves as a condition of its being. The picture, sculpture, symphony, is — it is this, or that. As such, in the gallery or the concert hall, the exhibited work is complete and passive, awaiting only a viewer.
But in the studio the work becomes.
As artists we approach a kind of blankness, call out to it, fall into it, sometimes tentatively and sometimes passionately, but full of wonder and delight and mystery and agony. As artists this fullness is the condition of art that echoes most profoundly and keeps us longing for…what? What is the object of art’s longing? Can we speak of a longing that is not defined by an end-point? Can the openness of this evolving, not-yet-final condition be sustained?
Maxine Green and John Dewey (among many others) argue that there is a way of knowing that is rooted in openness, an ever-new becoming, an immanent exploration that releases the imagination. As artists we strive after this kind of knowing through our making and re-making. As artists we intuit this way of knowing as a necessary and, perhaps, even an obvious condition of our lives.
But as actors in the world we recognize art’s collapse. That is, again and again we realize that through our very actions we succumb to the worldly insistence that knowing be objectified, and instrumentalized. And we satisfy ourselves with an art that is finished.
Is there a doing that remains undone?
Goal of the Exhibit
My goal with Art that Iterates is to explore openness as a condition of the artist’s way of knowing, making, and doing. I hope the objects you encounter in the gallery will prompt reconsiderations of the artifact itself, and smear the boundaries between viewer/participant, art/non-art, and mediate/immediate.
We are crossing into a new age. We hesitate to leave anything behind—and perhaps we don’t have to—but moving fluently through our times calls for new understandings of learning, thinking, and doing.
I am deeply honored and indebted to all the artists who have so generously given of their time and energy to join me in this exploration. Thank you!
Sean Justice
Curator, Artist, Educator