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The single-domed Qila-i-Kuna Mosque, built by Sher Shah in 1541 is an excellent example of a pre-Mughal design, and an early example of the extensive use of the pointed arch in the region as seen in its five doorways with the 'true' horseshoe-shaped arches. It was designed as a Jami Mosque, or Friday mosque for the Sultan and his courtiers. The prayer hall inside, the single-aisled mosque, measures 51.20m by 14.90m and has five elegant arched prayer niches or mihrabs set in its western wall. Marble in shades of red, white and slate is used for the calligraphic inscriptions on the central iwan, marks a transition from Lodhi to Mughal architecture. At one time, the courtyard had a shallow tank, with a fountain..
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A second storey, accessed through staircases from the prayer hall, with a narrow passage running along the rectangular hall, provided space for female courtiers to pray, while the arched doorway on the left wall, framed by ornate jharokas, was reserved for members of the royal family.[18] On a marble slab within the mosque an inscription reads: "As long as there are people on the earth, may this edifice be frequented and people be happy and cheerful in it"..
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Today it is the best preserved building in Purana Qila.
November - December 2014.
Holiday in Morocco.
The Hassan II Mosque, completed in 1993, is the largest mosque in Africa and the 7th largest in the world. Its minaret is the world's tallest.
November - December 2014.
Holiday in Morocco.
The Hassan II Mosque, completed in 1993, is the largest mosque in Africa and the 7th largest in the world. Its minaret is the world's tallest.
El-Harrawi House built in 1731 by Ahmed Ben Youssef El -Serafi is considered to be one of the fine examples of the Islamic houses representing the Ottoman era. It is named after its last owner, Abd El-Rahman El-Harrawi, who was the Hakim (Doctor) of Qasr El-Ayini Medical School.
The house is located in the heart of a well known quarter in Cairo. Behind the Azhar Mosque, in Darb EL-Ahmar area, El-Harrawi is situated between two narrow Haraa (Alleys), Harat Al Madrasa and Zuqaq Al Ayini. Several other Islamic houses and monuments are found in the Darb El-Ahmar surroundings. The house has a common wall with Sitt Wasila house (i.e.Lady Wasila) (17th century). It is adjacent to the house of Zeinab Khatoun (15th, 17th century), and to the Ghannamiah Hall (14th century). Also at a near distance is Al-Ayini Mosque (15th century)
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© Zahid Farooq Photography
Photograph of the Mosque of al-Lu'lu'a after Bohras restoration of the mid 1990's.
Format
Photograph
Credit
Image courtesy of Nasser Rabbat of the Aga Khan Program at MIT.
MIT OpenCourseWare Course of Origin
4.615 The Architecture of Cairo, Spring 2002
MIT Course Instructor
Rabbat, Nasser O.
MIT Department
Architecture
License
Publisher
Quwwat-ul-Islam was sponsored by Qutb-ud-din Aibak, founder of the Mamluk dynasty. Born a slave in Turkey, Qutb rose to prominence as a general during Muhammed Ghari's invasion of India in the 1180s. After Muhammed's assasination in 1206, Qutb seized the throne and crowned himself Sultan of the Mamluk dynasty, often disparagingly called the "Slave Dynasty" after Qutb's origins. Although the dynasty lasted for only a few centuries, Muslim rule in India endured up to the British occuption in 1858.
Qutb was a fanatical Muslim. When his garison occupied Delhi under the command of Muhammed Ghari in 1192, he ordered the destruction of twenty-seven Hindu and Jain temples to furnish building materials for the construction of Delhi's first mosque. Quwwat-ul-Islam, the "Glory of Islam," was hastily erected by the young amir, who conscripted an army of local craftsmen, presumably Hindus, to assemble the structure. The Hindu stonemasons re-used columns from the destroyed temples, but adapting them to use in a mosque proved problematic given Islam's injunction against the use of images in temples. The masons were forced to plaster over the highly sculpted Hindu columns and presumably cover them with geometric designs. However, after centuries of neglect the plaster has fallen away, revealing the original Hindu carvings.
The Quwwat-ul-Islam is best known for its tower of victory, celebrating the Muslim conquest of India. It is built of red sandstone, gray quartz, and white marble, but is probably inspired by the iron "Pillar of the Law" that stands on the site. Built in the Mauryan dynasty in the 6th century, it is the only piece of the temple that stands in its original location. Qutb built around it when he constructed the mosque. Although made of iron, it has resisted rust for over 1,500 years, evidence of the Mauryan's superb knowledge of metallurgy.
Expansion of the mosque continued after the death of Qutb. His son-in-law Altamash (or Illtutmish) extended the original prayer hall screen by three more arches (image 8). By the time of Altamash the Mamluk empire had stablized enough that the Sultan could replace most of his conscripted Hindu masons with Islamic ones. This explains why the arches added under Altamash are stylistically more Islamic than the ones erected under Qutb's rule.
Just to the west of the expanded mosque, Altamash built his own tomb, the first to be erected for the Delhi Sultanate. Despite the presence of Muslim craftsman, the tomb is mostly Hindu in design if not in execution. Much of the superstructure and most of the walls are built of pillaged building material. Altamash's body was laid to rest in a subterranean chamber beneath the tomb.
The decline of Quwwat-ul-Islam began during the rule of Ala-ud-din (1296-1316), known to the West as "Alladin". Ala-ud-din at first seemed inclined to patronize the mosque, even adding an enormous new courtyard wall and erecting the base of a huge new minar (tower). However, Ala-ud-dins dreams were so grand that he decided to abandon the Lal Kot (Delhi) capital and move to nearby Siri, whereupon Quwwat-ul-Islam lost its pre-eminence.
Quwwat-ul-Islam was sponsored by Qutb-ud-din Aibak, founder of the Mamluk dynasty. Born a slave in Turkey, Qutb rose to prominence as a general during Muhammed Ghari's invasion of India in the 1180s. After Muhammed's assasination in 1206, Qutb seized the throne and crowned himself Sultan of the Mamluk dynasty, often disparagingly called the "Slave Dynasty" after Qutb's origins. Although the dynasty lasted for only a few centuries, Muslim rule in India endured up to the British occuption in 1858.
Qutb was a fanatical Muslim. When his garison occupied Delhi under the command of Muhammed Ghari in 1192, he ordered the destruction of twenty-seven Hindu and Jain temples to furnish building materials for the construction of Delhi's first mosque. Quwwat-ul-Islam, the "Glory of Islam," was hastily erected by the young amir, who conscripted an army of local craftsmen, presumably Hindus, to assemble the structure. The Hindu stonemasons re-used columns from the destroyed temples, but adapting them to use in a mosque proved problematic given Islam's injunction against the use of images in temples. The masons were forced to plaster over the highly sculpted Hindu columns and presumably cover them with geometric designs. However, after centuries of neglect the plaster has fallen away, revealing the original Hindu carvings.
The Quwwat-ul-Islam is best known for its tower of victory, celebrating the Muslim conquest of India. It is built of red sandstone, gray quartz, and white marble, but is probably inspired by the iron "Pillar of the Law" that stands on the site. Built in the Mauryan dynasty in the 6th century, it is the only piece of the temple that stands in its original location. Qutb built around it when he constructed the mosque. Although made of iron, it has resisted rust for over 1,500 years, evidence of the Mauryan's superb knowledge of metallurgy.
Expansion of the mosque continued after the death of Qutb. His son-in-law Altamash (or Illtutmish) extended the original prayer hall screen by three more arches (image 8). By the time of Altamash the Mamluk empire had stablized enough that the Sultan could replace most of his conscripted Hindu masons with Islamic ones. This explains why the arches added under Altamash are stylistically more Islamic than the ones erected under Qutb's rule.
Just to the west of the expanded mosque, Altamash built his own tomb, the first to be erected for the Delhi Sultanate. Despite the presence of Muslim craftsman, the tomb is mostly Hindu in design if not in execution. Much of the superstructure and most of the walls are built of pillaged building material. Altamash's body was laid to rest in a subterranean chamber beneath the tomb.
The decline of Quwwat-ul-Islam began during the rule of Ala-ud-din (1296-1316), known to the West as "Alladin". Ala-ud-din at first seemed inclined to patronize the mosque, even adding an enormous new courtyard wall and erecting the base of a huge new minar (tower). However, Ala-ud-dins dreams were so grand that he decided to abandon the Lal Kot (Delhi) capital and move to nearby Siri, whereupon Quwwat-ul-Islam lost its pre-eminence.
El-Harrawi House built in 1731 by Ahmed Ben Youssef El -Serafi is considered to be one of the fine examples of the Islamic houses representing the Ottoman era. It is named after its last owner, Abd El-Rahman El-Harrawi, who was the Hakim (Doctor) of Qasr El-Ayini Medical School.
The house is located in the heart of a well known quarter in Cairo. Behind the Azhar Mosque, in Darb EL-Ahmar area, El-Harrawi is situated between two narrow Haraa (Alleys), Harat Al Madrasa and Zuqaq Al Ayini. Several other Islamic houses and monuments are found in the Darb El-Ahmar surroundings. The house has a common wall with Sitt Wasila house (i.e.Lady Wasila) (17th century). It is adjacent to the house of Zeinab Khatoun (15th, 17th century), and to the Ghannamiah Hall (14th century). Also at a near distance is Al-Ayini Mosque (15th century)
I'll be rebuilding this, replacing the Sand Blue w/Sand Green and the Dark Grey with White, for use atop a structure I'm currently building. You can see how I built it out of four components - a drum/base surmounted by two more hinged rings and then a cap made of slopes, 1x3 plates (mostly), and 1x1 round bricks. The dishes here really don't add anything - I was trying to see if I could make the inside decorated (I haven't solved that yet). The quarter plates do help to hold together the structure somewhat.
In 1646 AD, the brothers Abdul Haq and Lotfi Mohammad Kanani children. Qama to build a house in the Alley Aini Street next to the house Abdul Rahman Hirawi and just a few meters from the Al-Azhar mosque. Where the text indicates the Constitutive the wrapper roof seat this house, that the origin is Haji Abdul Haq and brother Lotfy boys Mohammad Kanani year 1074 AH / 1664 AD and then took ownership of the house to move even signed its key in the hands of el-set Wasela "Khatun girl Abdullah Al Beida Matoukh" The last of the inhabited house and therefore knew her name
The Tomb of Ghiyath al-Din Tughluq at Delhi-Tughluqabad (1325). Built in a fort in an artificial lake, this mausoleum is made of a red sandstone cube, with heavily slanted sides, and a white marble dome on top.
Format
Photograph
Credit
Image courtesy of Nasser Rabbat of the Aga Khan Program at MIT.
MIT OpenCourseWare Course of Origin
4.614 Religious Architecture and Islamic Cultures, Fall 2002
MIT Course Instructor
Rabbat, Nasser O.
MIT Department
Architecture
License
Publisher
Photograph of the Mosque of Muhammad Bey Abu al-Zahab.
Format
Photograph
Credit
Image courtesy of Nasser Rabbat of the Aga Khan Program at MIT.
MIT OpenCourseWare Course of Origin
4.615 The Architecture of Cairo, Spring 2002
MIT Course Instructor
Rabbat, Nasser O.
MIT Department
Architecture
License
Publisher
Photograph of the general view the citadel of Aleppo.
Format
Photograph
Credit
Image courtesy of Nasser Rabbat of the Aga Khan Program at MIT.
MIT OpenCourseWare Course of Origin
4.615 The Architecture of Cairo, Spring 2002
MIT Course Instructor
Rabbat, Nasser O.
MIT Department
Architecture
License
Publisher
Showcasing Islamic Architecture with it's four minarets, this landmark also known as the Grand Mosque of Cotabato is the grandiest Islamic place of worship in the Philippines.
No part of the photograph or image may be reproduced, duplicated, manipulated and transmitted without prior written permission of the owner. If you wish to use the image for commercial ads, academic and scientific journals, feel free to be in contact.
star light.. star bright..
the first star i see tonight..
i wish i may..
i wish i might..
have the wish..
i wish tonight.. :)
Bayt Al-Suhaymi ("House of Suhaymi") is an old Ottoman era house museum in Cairo, Egypt. It was originally built in 1648 by Abdel Wahab el Tablawy along the Darb al-Asfar, a very prestigious and expensive part of Medieval Cairo. In 1796 it was purchased by Sheikh Ahmed as-Suhaymi whose family held it for several subsequent generations. The Sheikh greatly extended the house from its original through incorporating neighbouring houses into its structure.
The single-domed Qila-i-Kuna Mosque, built by Sher Shah in 1541 is an excellent example of a pre-Mughal design, and an early example of the extensive use of the pointed arch in the region as seen in its five doorways with the 'true' horseshoe-shaped arches. It was designed as a Jami Mosque, or Friday mosque for the Sultan and his courtiers. The prayer hall inside, the single-aisled mosque, measures 51.20m by 14.90m and has five elegant arched prayer niches or mihrabs set in its western wall. Marble in shades of red, white and slate is used for the calligraphic inscriptions on the central iwan, marks a transition from Lodhi to Mughal architecture. At one time, the courtyard had a shallow tank, with a fountain..
.
A second storey, accessed through staircases from the prayer hall, with a narrow passage running along the rectangular hall, provided space for female courtiers to pray, while the arched doorway on the left wall, framed by ornate jharokas, was reserved for members of the royal family.[18] On a marble slab within the mosque an inscription reads: "As long as there are people on the earth, may this edifice be frequented and people be happy and cheerful in it"..
.
Today it is the best preserved building in Purana Qila.
November - December 2014.
Holiday in Morocco.
The Hassan II Mosque, completed in 1993, is the largest mosque in Africa and the 7th largest in the world. Its minaret is the world's tallest.
In 1646 AD, the brothers Abdul Haq and Lotfi Mohammad Kanani children. Qama to build a house in the Alley Aini Street next to the house Abdul Rahman Hirawi and just a few meters from the Al-Azhar mosque. Where the text indicates the Constitutive the wrapper roof seat this house, that the origin is Haji Abdul Haq and brother Lotfy boys Mohammad Kanani year 1074 AH / 1664 AD and then took ownership of the house to move even signed its key in the hands of el-set Wasela "Khatun girl Abdullah Al Beida Matoukh" The last of the inhabited house and therefore knew her name
This mosque was so beautiful. Damascus has layers of history, as does all of Syria, dating from the Roman empire to modern Syria.
The Ark is a large earthen fortification located in the northwestern part of contemporary Bukhara. In layout it resembles a modified rectangle, a little elongated from the west to the east. The perimeter of the external walls is 789.6 metres (2,591 ft), the area enclosed being 3.96 hectares (9.8 acres). The height of the walls varies from 16 to 20 metres (52 to 66 ft).
In legend, the creator of the Ark was the epic hero Siyavusha. As a youth, he hid in the rich oasis country of Turana from his stepmother. Siyavusha and the daughter of the local ruler of Afrosiaba fell in love. The girl's father agreed to permit them to marry provided that Siyavusha would first build a palace on the area bounded by a bull skin, obviously intended as an impossible task. But Siyavusha cut the bull skin into slender strips, connected the ends, and inside this boundary built the palace. (This is essentially the classical legend of Dido and the founding of Carthage in North Africa, as recorded in antiquity.)
Photograph of the Complex of Sultan Barquq: Qibla Wall with Mihrab and Minbar.
Format
Photograph
Credit
Image courtesy of Nasser Rabbat of the Aga Khan Program at MIT.
MIT OpenCourseWare Course of Origin
4.615 The Architecture of Cairo, Spring 2002
MIT Course Instructor
Rabbat, Nasser O.
MIT Department
Architecture
License
Publisher