View allAll Photos Tagged IslamicArchitecture

Quwwat-ul-Islam was sponsored by Qutb-ud-din Aibak, founder of the Mamluk dynasty. Born a slave in Turkey, Qutb rose to prominence as a general during Muhammed Ghari's invasion of India in the 1180s. After Muhammed's assasination in 1206, Qutb seized the throne and crowned himself Sultan of the Mamluk dynasty, often disparagingly called the "Slave Dynasty" after Qutb's origins. Although the dynasty lasted for only a few centuries, Muslim rule in India endured up to the British occuption in 1858.

 

Qutb was a fanatical Muslim. When his garison occupied Delhi under the command of Muhammed Ghari in 1192, he ordered the destruction of twenty-seven Hindu and Jain temples to furnish building materials for the construction of Delhi's first mosque. Quwwat-ul-Islam, the "Glory of Islam," was hastily erected by the young amir, who conscripted an army of local craftsmen, presumably Hindus, to assemble the structure. The Hindu stonemasons re-used columns from the destroyed temples, but adapting them to use in a mosque proved problematic given Islam's injunction against the use of images in temples. The masons were forced to plaster over the highly sculpted Hindu columns and presumably cover them with geometric designs. However, after centuries of neglect the plaster has fallen away, revealing the original Hindu carvings.

 

The Quwwat-ul-Islam is best known for its tower of victory, celebrating the Muslim conquest of India. It is built of red sandstone, gray quartz, and white marble, but is probably inspired by the iron "Pillar of the Law" that stands on the site. Built in the Mauryan dynasty in the 6th century, it is the only piece of the temple that stands in its original location. Qutb built around it when he constructed the mosque. Although made of iron, it has resisted rust for over 1,500 years, evidence of the Mauryan's superb knowledge of metallurgy.

 

Expansion of the mosque continued after the death of Qutb. His son-in-law Altamash (or Illtutmish) extended the original prayer hall screen by three more arches (image 8). By the time of Altamash the Mamluk empire had stablized enough that the Sultan could replace most of his conscripted Hindu masons with Islamic ones. This explains why the arches added under Altamash are stylistically more Islamic than the ones erected under Qutb's rule.

 

Just to the west of the expanded mosque, Altamash built his own tomb, the first to be erected for the Delhi Sultanate. Despite the presence of Muslim craftsman, the tomb is mostly Hindu in design if not in execution. Much of the superstructure and most of the walls are built of pillaged building material. Altamash's body was laid to rest in a subterranean chamber beneath the tomb.

 

The decline of Quwwat-ul-Islam began during the rule of Ala-ud-din (1296-1316), known to the West as "Alladin". Ala-ud-din at first seemed inclined to patronize the mosque, even adding an enormous new courtyard wall and erecting the base of a huge new minar (tower). However, Ala-ud-dins dreams were so grand that he decided to abandon the Lal Kot (Delhi) capital and move to nearby Siri, whereupon Quwwat-ul-Islam lost its pre-eminence.

Sheikh Lotfollah Mosque, Isfahan, Iran.

 

Taken with Canon EOS 10 QD (film camera)

Scanned with Nikon SUPER COOLSCAN 9000 ED

This tomb considered to be built in "classic proportions" is located next to the Bade Khan's tomb, which has a wonderful well maintained interior. The exterior walls of the tomb, particularly at the entry, has carved plasterwork.[1]

This is incredibly beautiful in person. The dome is covered with gold, and the tiling is stunning.

Photograph of the tile representation of the Ka`ba inside the Sabil-Khuttab.

 

Format

Photograph

 

Credit

Image courtesy of Nasser Rabbat of the Aga Khan Program at MIT.

 

MIT OpenCourseWare Course of Origin

4.615 The Architecture of Cairo, Spring 2002

 

MIT Course Instructor

Rabbat, Nasser O.

 

MIT Department

Architecture

 

License

http://ocw.mit.edu/terms

 

Publisher

MIT OpenCourseWare

Upper reaches of interior wall detail, showing one of the windows in the drum under the dome, as well as a good bit of the muqarnas ceiling.

As it is most days it rains here. On the road to Surabaya's national, Al-Akbar Mosque, the largest in Surabaya & Indonesia.

  

Quwwat-ul-Islam was sponsored by Qutb-ud-din Aibak, founder of the Mamluk dynasty. Born a slave in Turkey, Qutb rose to prominence as a general during Muhammed Ghari's invasion of India in the 1180s. After Muhammed's assasination in 1206, Qutb seized the throne and crowned himself Sultan of the Mamluk dynasty, often disparagingly called the "Slave Dynasty" after Qutb's origins. Although the dynasty lasted for only a few centuries, Muslim rule in India endured up to the British occuption in 1858.

 

Qutb was a fanatical Muslim. When his garison occupied Delhi under the command of Muhammed Ghari in 1192, he ordered the destruction of twenty-seven Hindu and Jain temples to furnish building materials for the construction of Delhi's first mosque. Quwwat-ul-Islam, the "Glory of Islam," was hastily erected by the young amir, who conscripted an army of local craftsmen, presumably Hindus, to assemble the structure. The Hindu stonemasons re-used columns from the destroyed temples, but adapting them to use in a mosque proved problematic given Islam's injunction against the use of images in temples. The masons were forced to plaster over the highly sculpted Hindu columns and presumably cover them with geometric designs. However, after centuries of neglect the plaster has fallen away, revealing the original Hindu carvings.

 

The Quwwat-ul-Islam is best known for its tower of victory, celebrating the Muslim conquest of India. It is built of red sandstone, gray quartz, and white marble, but is probably inspired by the iron "Pillar of the Law" that stands on the site. Built in the Mauryan dynasty in the 6th century, it is the only piece of the temple that stands in its original location. Qutb built around it when he constructed the mosque. Although made of iron, it has resisted rust for over 1,500 years, evidence of the Mauryan's superb knowledge of metallurgy.

 

Expansion of the mosque continued after the death of Qutb. His son-in-law Altamash (or Illtutmish) extended the original prayer hall screen by three more arches (image 8). By the time of Altamash the Mamluk empire had stablized enough that the Sultan could replace most of his conscripted Hindu masons with Islamic ones. This explains why the arches added under Altamash are stylistically more Islamic than the ones erected under Qutb's rule.

 

Just to the west of the expanded mosque, Altamash built his own tomb, the first to be erected for the Delhi Sultanate. Despite the presence of Muslim craftsman, the tomb is mostly Hindu in design if not in execution. Much of the superstructure and most of the walls are built of pillaged building material. Altamash's body was laid to rest in a subterranean chamber beneath the tomb.

 

The decline of Quwwat-ul-Islam began during the rule of Ala-ud-din (1296-1316), known to the West as "Alladin". Ala-ud-din at first seemed inclined to patronize the mosque, even adding an enormous new courtyard wall and erecting the base of a huge new minar (tower). However, Ala-ud-dins dreams were so grand that he decided to abandon the Lal Kot (Delhi) capital and move to nearby Siri, whereupon Quwwat-ul-Islam lost its pre-eminence.

Photograph of Riad House: Interior view of the dome showing the construction technique.

 

Format

Photograph

 

Credit

Image courtesy of Nasser Rabbat of the Aga Khan Program at MIT.

 

MIT OpenCourseWare Course of Origin

4.615 The Architecture of Cairo, Spring 2002

 

MIT Course Instructor

Rabbat, Nasser O.

 

MIT Department

Architecture

 

License

http://ocw.mit.edu/terms

 

Publisher

MIT OpenCourseWare

the medersa bou-inania in fes, morocco.

Minbar: A pulpit near the mihrab, from which the prayer leader gives the sermon on Fridays.

 

Format

Photograph

 

Credit

Image courtesy of Nasser Rabbat of the Aga Khan Program at MIT.

 

MIT OpenCourseWare Course of Origin

4.614 Religious Architecture and Islamic Cultures, Fall 2002

 

MIT Course Instructor

Rabbat, Nasser O.

 

MIT Department

Architecture

 

License

http://ocw.mit.edu/terms

 

Publisher

MIT OpenCourseWare

Mom, Mrs Sarwat Mushtaq and her first grandson, Hamza. At the liberty round about in Lahore.

the medersa bou-inania in fes, morocco.

Al-Ashraf Sayf-ad-Din Barsbay was the ninth Burji Mamluk sultan of Egypt from AD 1422 to 1438. He was Circassian by birth and a former slave of the first Burji Sultan, Barquq.

 

He was responsible for a number of administrative reforms in the Mamluk state, including the consolidation of the sultanate as a military magistrature and securing for Egypt exclusive rights over the Red Sea trade between Yemen and Europe.[1]

 

His Red Sea activity included the final destruction in 1426 of ‘Aydhab, a once important port which had been in decline in the previous century.

 

His mausoleum, which included a madrasa and khanqah, was built in Cairo's Northern Cemetery, and has survived to this day.[2]

Al-Ashraf Sayf-ad-Din Barsbay was the ninth Burji Mamluk sultan of Egypt from AD 1422 to 1438. He was Circassian by birth and a former slave of the first Burji Sultan, Barquq.

 

He was responsible for a number of administrative reforms in the Mamluk state, including the consolidation of the sultanate as a military magistrature and securing for Egypt exclusive rights over the Red Sea trade between Yemen and Europe.[1]

 

His Red Sea activity included the final destruction in 1426 of ‘Aydhab, a once important port which had been in decline in the previous century.

 

His mausoleum, which included a madrasa and khanqah, was built in Cairo's Northern Cemetery, and has survived to this day.[2]

Hüdavendigar Complex, Bursa (1366-86). A multiple iwan zawiya-mosque topped by a madrasa. It was built by Murad I who extended the empire into Europe, organized it with the help of the ulema class (hence the madrasa) and introduced the Janissaries system.

 

Format

Photograph

 

Credit

Image courtesy of Yasser Tabbaa.

 

MIT OpenCourseWare Course of Origin

4.614 Religious Architecture and Islamic Cultures, Fall 2002

 

MIT Course Instructor

Rabbat, Nasser O.

 

MIT Department

Architecture

 

License

http://ocw.mit.edu/terms

 

Publisher

MIT OpenCourseWare

In 1646 AD, the brothers Abdul Haq and Lotfi Mohammad Kanani children. Qama to build a house in the Alley Aini Street next to the house Abdul Rahman Hirawi and just a few meters from the Al-Azhar mosque. Where the text indicates the Constitutive the wrapper roof seat this house, that the origin is Haji Abdul Haq and brother Lotfy boys Mohammad Kanani year 1074 AH / 1664 AD and then took ownership of the house to move even signed its key in the hands of el-set Wasela "Khatun girl Abdullah Al Beida Matoukh" The last of the inhabited house and therefore knew her name

The Headquarters of the Ain Al Fijeh Water in An-Nassr Street occupy a beautiful building that was erected in 1942 and decorated with the beautiful artwork of Mohamad Ali Khayat and calligraphy of Mohamad Badawi Al-Dirani. The script on the top is a verse from the Holy Quran: "And we made from water every living thing"

Üç Serefeli Cami at Edirne (1438-47): Built by Murat II, it is a turning point in Ottoman architecture: a hypostyle mosque with a large, domed maqsura that dominates both the interior space and exterior profile of the mosque.

 

Format

Photograph

 

Credit

Image courtesy of Nasser Rabbat of the Aga Khan Program at MIT.

 

MIT OpenCourseWare Course of Origin

4.614 Religious Architecture and Islamic Cultures, Fall 2002

 

MIT Course Instructor

Rabbat, Nasser O.

 

MIT Department

Architecture

 

License

http://ocw.mit.edu/terms

 

Publisher

MIT OpenCourseWare

While trawling through my external drives to find good examples of my past obsessions I have decided to select one each week. This first IOTW image from 2013 is a 'pattern image' from within the Grand Mosque of Cordoba - the view taken from within its 'forest' of 856 pillars and arches. The marble Corinthian columns were reclaimed from Roman buildings on the site

Jama Masjid is oldest Mosque in INDIA, it can accupt 20,000 prayers, its dome is formed white and black marbel stone, it has caracterestic Islamic Architecture, CANON EOS 550D, OCT 2013

- one of the tombs of the Qutubshahi dynasty -

Quwwat-ul-Islam was sponsored by Qutb-ud-din Aibak, founder of the Mamluk dynasty. Born a slave in Turkey, Qutb rose to prominence as a general during Muhammed Ghari's invasion of India in the 1180s. After Muhammed's assasination in 1206, Qutb seized the throne and crowned himself Sultan of the Mamluk dynasty, often disparagingly called the "Slave Dynasty" after Qutb's origins. Although the dynasty lasted for only a few centuries, Muslim rule in India endured up to the British occuption in 1858.

 

Qutb was a fanatical Muslim. When his garison occupied Delhi under the command of Muhammed Ghari in 1192, he ordered the destruction of twenty-seven Hindu and Jain temples to furnish building materials for the construction of Delhi's first mosque. Quwwat-ul-Islam, the "Glory of Islam," was hastily erected by the young amir, who conscripted an army of local craftsmen, presumably Hindus, to assemble the structure. The Hindu stonemasons re-used columns from the destroyed temples, but adapting them to use in a mosque proved problematic given Islam's injunction against the use of images in temples. The masons were forced to plaster over the highly sculpted Hindu columns and presumably cover them with geometric designs. However, after centuries of neglect the plaster has fallen away, revealing the original Hindu carvings.

 

The Quwwat-ul-Islam is best known for its tower of victory, celebrating the Muslim conquest of India. It is built of red sandstone, gray quartz, and white marble, but is probably inspired by the iron "Pillar of the Law" that stands on the site. Built in the Mauryan dynasty in the 6th century, it is the only piece of the temple that stands in its original location. Qutb built around it when he constructed the mosque. Although made of iron, it has resisted rust for over 1,500 years, evidence of the Mauryan's superb knowledge of metallurgy.

 

Expansion of the mosque continued after the death of Qutb. His son-in-law Altamash (or Illtutmish) extended the original prayer hall screen by three more arches (image 8). By the time of Altamash the Mamluk empire had stablized enough that the Sultan could replace most of his conscripted Hindu masons with Islamic ones. This explains why the arches added under Altamash are stylistically more Islamic than the ones erected under Qutb's rule.

 

Just to the west of the expanded mosque, Altamash built his own tomb, the first to be erected for the Delhi Sultanate. Despite the presence of Muslim craftsman, the tomb is mostly Hindu in design if not in execution. Much of the superstructure and most of the walls are built of pillaged building material. Altamash's body was laid to rest in a subterranean chamber beneath the tomb.

 

The decline of Quwwat-ul-Islam began during the rule of Ala-ud-din (1296-1316), known to the West as "Alladin". Ala-ud-din at first seemed inclined to patronize the mosque, even adding an enormous new courtyard wall and erecting the base of a huge new minar (tower). However, Ala-ud-dins dreams were so grand that he decided to abandon the Lal Kot (Delhi) capital and move to nearby Siri, whereupon Quwwat-ul-Islam lost its pre-eminence.

In 1646 AD, the brothers Abdul Haq and Lotfi Mohammad Kanani children. Qama to build a house in the Alley Aini Street next to the house Abdul Rahman Hirawi and just a few meters from the Al-Azhar mosque. Where the text indicates the Constitutive the wrapper roof seat this house, that the origin is Haji Abdul Haq and brother Lotfy boys Mohammad Kanani year 1074 AH / 1664 AD and then took ownership of the house to move even signed its key in the hands of el-set Wasela "Khatun girl Abdullah Al Beida Matoukh" The last of the inhabited house and therefore knew her name

the medersa bou-inania in fes, morocco.

The Gol Gumbaz is so huge, it wouldn't fit into the frame afforded by my 18mm lens initially. Shot this with half my body leaning over a wrought iron fence that separated the tourist area from a restricted garden space.

1 2 ••• 48 49 51 53 54 ••• 79 80