This is a photograph from the 8th annual Kinnegad 5KM Road Race and Fun Run 2017 which was held in the town of Kinnegad, Co. Westmeath, Ireland on Wednesday 5th July 2017 at 20:00. This race has firmly established itself on the local race calendar and yet again the race retains wonderful support from local clubs and runners. The race was first run in 2010 and has used the same route for each of the eight runnings of the race. The race is a right handed course, flat and fast and takes runners on a traffic free route which includes 3KM on the local road 'Boreen Bradach'. The boreen is a flat and sheltered by hedgerow and is a well used local walking and running route. The boreen benefits from a new surface which was applied over the last two years. The boreen emerges onto the main street with the finish is on this famous main street of Kinnegad in front of Harry's Hotel. This streetscape will be well known to many many people who traveled between the east and west of Ireland before the arrival of the motorway system which we have today. Kinnegad is situated at the intersection of the both the M6 Galway bound motorway and the M4 Sligo/Mayo bound motorway.

Something about WEATHER

Overall the race was very well organised and there was Garda help with traffic control in the town for the start and finish of the race. The race is organised by Coralstown Kinnegad GAA Club with proceeds from the race going towards the development of the club.

The location of the START (goo.gl/maps/JWpnK) and FINISH (goo.gl/maps/es2Up) of the race are shown on Google Maps. Prize giving, refreshments, parking and registration is at Kinnegad GAA club just off the old Mullingar Road about 500m from the start (goo.gl/Ia9cIR)

Our full set of photographs from tonight's race is available here www.flickr.com/photos/peterm7/albums/72157685768130326

Photographs from Previous Kinnegad 5km Road Races

2016: www.flickr.com/photos/peterm7/albums/72157671016784465

2015: www.flickr.com/photos/peterm7/sets/72157653300652864

2014: www.flickr.com/photos/peterm7/albums/72157645584938282

2013: www.flickr.com/photos/peterm7/sets/72157634580196967/

2012: www.flickr.com/photos/peterm7/sets/72157630534171096/

2011: www.flickr.com/photos/peterm7/sets/72157627186893850/

2010: www.flickr.com/photos/peterm7/sets/72157624580703513

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Can I use these photographs directly from Flickr on my social media account(s)?

Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Instagram, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.

BUT..... Wait there a minute....

We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.

This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.

I want to download these pictures to my computer or device?

You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.

I want get full resolution, print-quality, copies of these photographs?

If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.

Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.

In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.

I would like to contribute something for your photograph(s)?

Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.

Let's get a bit technical: We use Creative Commons Licensing for these photographs

We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?

The explaination is very simple.

Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.

ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.

Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/

I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?

As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:

     ►You were hidden behind another participant as you passed our camera

     ►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set

     ►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone

     ►We simply missed you - sorry about that - we did our best!

You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.

Don't like your photograph here?

That's OK! We understand!

If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.

I want to tell people about these great photographs!

Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets

This is a manipulated photo for the Down Under Challenge

Spring is sprung. Boys are excited. Two pairs of tundra swans are entangled in a group fight on Detroit River on their way back to arctic tundra

Black Drongo

The black drongo (Dicrurus macrocercus) is a small Asian passerine bird of the drongo family Dicruridae. It is a common resident breeder in much of tropical southern Asia from southwest Iran through India and Sri Lanka east to southern China and Indonesia. It is a wholly black bird with a distinctive forked tail and measures 28 cm (11 in) in length. It feeds on insects, and is common in open agricultural areas and light forest throughout its range, perching conspicuously on a bare perch or along power or telephone lines. The species is known for its aggressive behaviour towards much larger birds, such as crows, never hesitating to dive-bomb any bird of prey that invades its territory. This behaviour earns it the informal name of king crow. Smaller birds often nest in the well-guarded vicinity of a nesting black drongo. Previously grouped along with the African fork-tailed drongo (Dicrurus adsimilis), the Asian forms are now treated as a separate species with several distinct populations.

The black drongo has been introduced to some Pacific islands, where it has thrived and become abundant to the point of threatening and causing the extinction of native and endemic bird species there.

The black drongo was once considered a subspecies of the fork-tailed drongo (Dicrurus adsimilis), a close relative that diverged relatively recently. The two are now considered distinct species, with the fork-tailed drongo restricted to Africa and separated from the Asian range of the black drongo.

Seven subspecies have been named but the largely contiguous populations show clinal variation and intergrade with each other. Individuals from northern India (ssp. albirictus) are larger than those from the Sri Lankan population minor while those from the peninsular India (nominate subspecies) are intermediate in size. Race cathoecus is found in Thailand, Hong Kong and China. This race has a much smaller rictal spot and the wings are dark with a greenish gloss. In southern Siam a race thai is resident, but overlaps with wintering cathoecus. Race javanus is found on the islands of Java and Bali. Race harterti found in Formosa has the tail length less than the wing.

This bird is glossy black with a wide fork to the tail. Adults usually have a small white spot at the base of the gape. The iris is dark brown (not crimson as in the similar ashy drongo). The sexes cannot be told apart in the field. Juveniles are brownish and may have some white barring or speckling towards the belly and vent, and can be mistaken for the white-bellied drongo. First-year birds have white tips to the feathers of the belly, while second-years have these white-tipped feathers restricted to the vent.

They are aggressive and fearless birds, and although only 28 cm (11 in) in length, they will attack much larger species that enter their nesting territory, including crows and birds of prey. This behaviour led to their former name of king crow. They fly with strong flaps of the wing and are capable of fast manoeuvres that enable them to capture flying insects. With short legs, they sit upright on thorny bushes, bare perches or electricity wires. They may also perch on grazing animals.

They are capable of producing a wide range of calls but a common call is a two note tee-hee call resembling that of the Shikra (Accipiter badius).

The black drongo is found predominantly in open country and usually perches and hunts close to the ground. They are mostly aerial predators of insects but also glean from the ground or off vegetation. They are found as summer visitors to northeastern Afghanistan and northern Pakistan but are residents from the Indus Valley until Bangladesh and into India and Sri Lanka. Some populations show seasonal movements that are poorly understood. The black drongo can be found in savannas, fields, and urban habitats.

Black drongos were introduced just before the Second World War from Taiwan to the island of Rota to help in the control of insects. It is believed that they dispersed over the sea to the island of Guam in the 1950s. By 1967, they were the fourth most commonly seen birds in roadside counts on Guam and are today the most abundant bird there. Predation by and competition from black drongos have been suggested as factors in the decline of endemic bird species such as the Rota bridled white-eye and the Guam flycatcher.

Being common, they have a wide range of local names. The older genus name of Buchanga was derived from the Hindi name of Bhujanga. Other local names include Thampal in Pakistan, Gohalo/Kolaho in Baluchistan, Kalkalachi in Sindhi, Kotwal (=policeman) in Hindi; Finga in Bengali; Phenshu in Assamese; Cheiroi in Manipuri; Kosita/ Kalo koshi in Gujarati; Ghosia in Marathi; Kajalapati in Oriya; Kari kuruvi (=charcoal bird), Erettai valan (=two tail) in Tamil; Passala poli gadu in Telugu; Kaaka tampuratti (=queen of crows) in Malayalam; Kari bhujanga in Kannada and Kalu Kawuda in Sinhalese.[70] A superstition in central India is that cattle would lose their horn if a newly fledged bird alighted on it. It is held in reverence in parts of Punjab in the belief that it brought water to Husayn ibn Ali, revered by Shī‘a Muslims.

The Lloyd LP 250 is a small car introduced in June 1956 and offered for sale till 1957 by Lloyd Motoren Werke G.m.b.H. of Bremen. The body and running gear came from the existing Lloyd LP 400. The LP 250 differed in having the size of its two cylinder two stroke engine reduced to 250 cc. This produced a claimed maximum power of just 8 kW (11 PS) at 5000 rpm, less, even, than the 9.8 kW (13 PS) of the LP 400.

The Lloyd LP 250 became known in Germany as the “Driving Test Nerves Car” („Prüfungsangst-Auto“ ) because, under the licence classifications then in force, vehicles having an engine capacity below 250 cc fell into a more accessible drivers’ licence category (Licence Category 4) than larger engined cars.[1] Presumably at the time when the drivers’ licence categories were devised it had not occurred to the legislators that such a category might include a four seater passenger car. In later years elderly motorists who had never acquired a more conventional drivers’ licence were happy to spell out that "vehicles" in this case included cars as evidence that they were indeed licensed to drive cars and did not need to take the additional test normally necessary for driving passenger cars (Licence Category 3).

On its introduction in summer 1956 the car lacked some of the relatively luxurious features included on the LP 400 sister model. It came without hubcaps, bumpers or a backrest for passengers in the back seat. The car was offered for sale at just DM 2,980, though the missing features were available at extra cost as options. A more fully equipped version, the LP 250 V, replaced the basic LP 250 in April 1957, the formerly optional fittings becoming standard features: the price was increased to DM 3,350, however, which was the same as the price quoted for the more powerful LP 400.

In total, 3,768 Lloyd LP 250 / LP 250Vs were produced.

(Wikipedia)

- - -

Der Lloyd LP 250 ist ein Kleinwagen der Lloyd Motoren Werke G.m.b.H. in Bremen. Fahrwerk und Karosserie entsprechen weitestgehend denen des Lloyd LP 400. Wesentlicher Unterschied ist der auf 250 cm³ verkleinerte Zweizylinder-Zweitaktmotor, dessen Leistung mit 8 kW (11 PS) bei 5000/min noch geringer ausfällt als die des ohnehin schon schwachen LP 400.

Der Lloyd LP 250 wurde „Prüfungsangstauto“ genannt, da er mit dem bis 1954 ausgegebenen alten Führerschein der Klasse 4 („Fahrzeuge ... bis 250 cm³“) gefahren werden durfte. Bei Einführung dieser Klasse dachte wahrscheinlich niemand an viersitzige Personenkraftwagen mit derart geringem Hubraum. Später wurde die Auslegung „Fahrzeuge = (auch) Autos“ gern von Leuten genutzt, die sich in fortgeschrittenem Alter keine Führerscheinprüfung der Klasse 3 (Pkw) mehr zutrauten.

Als der Lloyd LP 250 im Juni 1956 angeboten wurde, kostete er 2.980,00 DM, allerdings mit einer gegenüber dem LP 400 verringerten Ausstattung ohne Radkappen, Stoßstangen, Dachhimmel und Rücksitzbank. Diese Teile konnten nachgerüstet werden. In Vollausstattung (LP 250 V), die ab April 1957 ausschließlich erhältlich war, kostete der Wagen 3.350,00 DM bzw. genauso viel wie der LP 400.

3768 LP 250 bzw. LP 250 V wurden gebaut.

(Wikipedia)

“North Park” is a magnificent 42 room Queen Anne style mansion built on what is the most elevated section in the Borough of Essendon along Woodland Street. Still in remarkably original condition both inside and out, with its gardens well maintained, “North Park” is one of Melbourne’s grandest mansions and is representative of “Marvellous Melbourne”.

Built between 1888 and 1889 for Melbourne brewing magnate Alexander McCracken (1856 – 1915) and his family, the mansion was designed by architects Oakden, Addison and Kemp. The contract was let to builder D. Sinclair for £10,750. The foundations of the house are of bluestone and above that, the walls are faced with picked red Northcote bricks, relieved by dressing and bands. The residence is an excellent example of Federation Queen Anne style, as seen by the asymmetry in its design, terracotta ridge cresting, prominent gables and half-timbering to gables, and the tall chimneys. The entrance is central and reached by a wide flight of Malmsbury steps. The roof treatment is elaborate, with dormer windows, a steep central pavilion, cresting, and a widow’s walk. The roof of “North Park” still has its original imported Marseilles terracotta roof tiles made by the French company, Guichard Carvin de Cie, St Andrew. Apparently these unique tiles feature the firm's signature bee imprint on each one. Alterations and extensions were undertaken in 1906, including the complete redecoration of the interior to the design of Billing, Son and Peck. One magnificent edition to the house as part of the 1906 extension was a ballroom. It has a high domed, metal Arts and Crafts ceiling, Art Nouveau stained glass windows and French doors leading out into the garden to the estate’s ornamental fish pond, which is still as it was in 1900 when it was created. The ballroom was built by Alexander McCracken for the debut into society of his favourite daughter.

The estate grounds retain much of its original form, with a sweeping drive from the front gates on Woodland Street and the front of the house overlooking three curved terraces which are symmetrical about a central axis with the main towered entrance. The planting is a fine example of the Gardenesque style developed by John Claudius Loudon (1783 – 1843) in the early Nineteenth Century to display plants for their individual beauty. The grounds contain many mature trees which were planted when “North Park” was first constructed including; a pair of Himalayan Cedars, cypress trees, palm trees (almost as tall as the house itself) and a huge Moreton Bay Fig. All are surrounded by beds full of perennials which border a number of terraced lawns.

Alexander McCracken died at “North Park” in 1915. The mansion was sold to Harvey Patterson (1848 -1931), an executive of the Broken Hill Proprietary Company, in the early 1920s. He and his wife lived there for a short while after his retirement. “North Park” was then purchased by the Society for Saint Columban in December 1923. It is them we have to thank for the house remaining in such excellent condition. Most of the rooms are still in-tact with original interior decoration and furniture.

When I visited and asked permission to photograph “North Park”, I was amazed by the completeness of the interior. It was almost like stepping back in time. The hallway still has its heavy Arts and Crafts wallpaper, tiled floor and original Victorian hall furniture. It is illuminated by a group of stained glass windows above the stairway is the glory of the house. Their theme is the golden age of ancient Greece. A smaller set of windows shows the golden age of ancient Ireland. I would dearly love to have photographed them, but that was not something the Father would have permitted.

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In response to the Congressional budget debacle which proved that DC is but a colony -- prone to being singled out unlike any other city in the country -- a number of activists, elected officials, and general citizens came out in force upon the grounds of Capitol Hill.

The crowd first formed on the sidewalk, but after some opening remarks by elected officials and activists: they quickly spilled into the street. The Capitol Police had been on hand & I'd thought it amusing that a couple were taking photos & videos... it wasn't until I saw the wristbands come out when I realised these weren't officers enjoying the moment; they were recording evidence.

With many minutes of warning, large portions of the group shifted over the sidewalk; whilst a core of dedicated supporters -- including our Mayor, a number of councilmembers, and members of DC Vote -- remained behind to block the roadway. The officers began to surround the group & repeated their warnings to get back on the sidewalk or face arrest.

Now in all fairness to the Capitol Police: they were doing their job. They were quite courteous about it & the protest was similarly jubilant right back. One woman was first to be bound, soon followed by several other activists. Then came Muriel Bowser: first councilmember to be arrested.

In general, I tend to dislike political grandstanding... but this was different. If our council was being arrested by our own police, I'd think it a cheesy photo op... but now our locally-elected officials were being arrested by the very forces we were out to protest: the Feds. This wasn't a mere photo op arrest; this was actually a legitimate arrest... the kind of thing that goes on your record; the kind of thing you spent a night in jail for.

Now granted, I don't expect anyone will be in jail longer than tomorrow; I'd be surprised if any were still locked up by midnight tonight. But it was Councilmember Bowser's arrest which really hit a moment... you could see the look on her face was of some worried concern: someone who had never been arrested before & didn't show up here today expecting to be arrested. As she was placed into the police van: her look of concern changed to a bit more worry. I mean this as no knock against Councilmember Bowser's committment; rather I felt it really help to humanise the entire event. It made me respect her all the more.

Yvette Alexander stood right beside us for quite some time, complicated in that she didn't have her ID on her. While it was entertaining to see our top officials being frisked, it was also quite entertaining that our easily-recognisable councilmember needed her ID... prompting a standerby to call one of her staffers with the best introduction I've ever heard over a phone: "Hi, your councilmember has been arrested." Also, kudos to Councilmember Alexander for going to jail in high heels!

There is a lot I can complain about with the council in general; and certainly with individual councilmembers & even the mayor. Heck, that's what politicians are for: you're not supposed to always like them. But this was an opportunity to set aside some of those issues (frankly, I'd say DC was glad to have a unifying moment after the past couple weeks) and cheer on our own brothers & sisters as they stood up in support of our rights.

It was certainly a proud moment to be a DC resident and a fine boost to our collective esteem after several weeks of turmoil within our local & federal levels of government. It's aggravating that my support for small & local government is inhibited by those in Congress whom advocate small & local government. If I wanted to live in a colony, I'd have moved to Williamsburg.

"The South End is a neighborhood of Boston, Massachusetts. It is bordered by Back Bay, Chinatown, and Roxbury. It is distinguished from other neighborhoods by its Victorian style houses and the many parks in and around the area. The South End is the largest intact Victorian row house district in the country, as it is made up of over 300 acres. Eleven residential parks are contained within the South End. In 1973, the South End was listed in the National Register of Historic Places. Much of the South End was originally marshlands in Boston's South Bay. After being filled in, construction of the neighborhood began in 1849.

It is home to many diverse groups, including immigrants, young families, and professionals, and it is very popular with the gay and lesbian community of Boston. Since the 1880s the South End has been characterized by its diversity, with substantial Irish, Jewish, African-American, Puerto Rican (in the San Juan Street area), Chinese, and Greek populations. In 2010, the population was 55.2% white, 13.3% Hispanic, 12.5% Black or African American, 16.2% Asian, and 2.7% other; 55.2% of its residents had a bachelor's degree or higher; the median household income was $57,699; the median age was 36; 65.6% were primarily English speakers; and 12.9% were primarily Spanish speakers.

Boston (US: /ˈbɔːstən/), officially the City of Boston, is the state capital and most populous city of the Commonwealth of Massachusetts, as well as the cultural and financial center of the New England region of the United States. It is the 24th-most populous city in the country. The city boundaries encompass an area of about 48.4 sq mi (125 km2) and a population of 675,647 as of 2020. It is the seat of Suffolk County (although the county government was disbanded on July 1, 1999). The city is the economic and cultural anchor of a substantially larger metropolitan area known as Greater Boston, a metropolitan statistical area (MSA) home to a census-estimated 4.8 million people in 2016 and ranking as the tenth-largest MSA in the country. A broader combined statistical area (CSA), generally corresponding to the commuting area and including Providence, Rhode Island, is home to approximately 8.2 million people, making it the sixth most populous in the United States.

Boston is one of the oldest municipalities in America, founded on the Shawmut Peninsula in 1630 by Puritan settlers from the English town of the same name. It was the scene of several key events of the American Revolution and the nation's founding, such as the Boston Massacre, the Boston Tea Party, the Battle of Bunker Hill, and the siege of Boston. Upon American independence from Great Britain, the city continued to be an important port and manufacturing hub as well as a center for education and culture. The city has expanded beyond the original peninsula through land reclamation and municipal annexation. Its rich history attracts many tourists, with Faneuil Hall alone drawing more than 20 million visitors per year. Boston's many firsts include the United States' first public park (Boston Common, 1634), first public or state school (Boston Latin School, 1635) first subway system (Tremont Street subway, 1897), and first large public library (Boston Public Library, 1848).

Today, Boston is a center of scientific research; the area's many colleges and universities, notably Harvard and MIT, make it a world leader in higher education, including law, medicine, engineering and business, and the city is considered to be a global pioneer in innovation and entrepreneurship, with nearly 5,000 startups. Boston's economic base also includes finance, professional and business services, biotechnology, information technology, and government activities. Boston is a hub for LGBT culture and LGBT activism in the United States. Households in the city claim the highest average rate of philanthropy in the United States. Boston businesses and institutions rank among the top in the country for environmental sustainability and new investment." - info from Wikipedia.

The fall of 2022 I did my 3rd major cycling tour. I began my adventure in Montreal, Canada and finished in Savannah, GA. This tour took me through the oldest parts of Quebec and the 13 original US states. During this adventure I cycled 7,126 km over the course of 2.5 months and took more than 68,000 photos. As with my previous tours, a major focus was to photograph historic architecture.

Now on Instagram.

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Once upon a time, I guess Kingsnorth was a small leafy village, set in loamy countryside, rarely visited. Indeed this is what Hasted suggests.

Set a mile or two outside Ashford, all was calm and peaceful until the railways came to Ashford and the town grew and grew.

In the 21st century, Kingsnorth is found from the main road into the town centre, along a busy road to where the old village pub still sits. And opposite is the start of Church Hill, at the top, not surprisingly, sits the church.

Inbetween now is a large and modern housing estate, and beside the church, a busy school, even busy on a Saturday morning due to football practice and the fleet of MPVs and Soccer Moms taking their darlings for a kickabout.

It is the modern way, after all.

St Michael sits quietly next door to the school, the end of a footpath leading to another housing development on the Brenzett road, were an old friend once had a house. And I can remember him leading us on a walk over the fields through clouds of Gatekeepers where we found, as today, the church open.

I took a few shots then, but am back now to complete the task.

First highlight was the 17th century graffiti in the porch.

In truth it is a small and simple church, mostly clear what looks like modern glass, though a single panel of ancient glass is in one of the north have windows and a single panel of wall painting on the side of the north chancel arch.

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KINGSNOTH,

THE next parish south-eastward is Kingsnoth, sometimes called Kingsnode, and by Leland written Kinges-snode.

THIS PARISH is so obscurely situated as to be but little known, the soil in it is throughout a deep miry clay; it is much interspersed with woodlands, especially in the south-east part of it, the whole face of the country here is unpleasant and dreary, the hedge rows wide, with spreading oaks among them; and the roads, which are very broad, with a wide space of green swerd on each side, execrably bad; insomuch, that they are dangerous to pass except in the driest time of summer; the whole of it is much the same as the parishes adjoining to it in the Weald, of which the church, which stands on the hill nearly in the middle of the parish, is the northern boundary, consequently all that part of it southward is within that district. There is no village, the houses standing single, and interspersed throughout it At no great distance eastward from the church is the manor house of Kingsnoth, still called the Park-house, the antient mansion, which stood upon a rise, at some distance from the present house, seems from the scite of it, which is moated round, to have been large, remains of Mosaic pavement, and large quantities of stone have been at times dug up from it. South-eastward from the church is Mumfords, which seems formerly to have been very large, but the greatest part of it has been pulled down and the present small farm-house built out of it; westward from the church stands the court-lodge, now so called, of East Kingsnoth manor, it is moated round, and seems likewise to have been much larger than it is at present, and close to the western boundary of the parish is the manor-house of West Halks, which has been a large antient building, most probably of some consequence in former times, as there appears to have been a causeway once from it, wide enough for a carriage, which led through the courtlodge farm towards Shadoxhurst, Woodchurch, and son on to Halden, remains of which are often turned up in ploughing the grounds. In the low grounds, near the meadows, is the scite of the manor of Moorhouse, moated round. The above mansions seem to have been moated round not only for defence, but to drain off the water from the miry soil on which they were built, which was no doubt the principal reason why so many of the antient ones, in this and the like situations were likewise moated round. There is a streamlet, which rises in the woods near Bromley green, and slows along the eastern par to this parish northward, and joining the Postling branch of the Stour near Sevington, runs with it by Hockwood barn and under Alsop green, towards Ashford. Leland in his Itinerary says, vol. vii. p. 145, "The river of Cantorbury now cawled Sture springeth at Kinges Snode the which standeth sowthe and a lytle by west fro Cantorbury and ys distant of Cant. a xiiii or xv myles."

THE ROYAL MANOR OF WYE claims paramount over this parish. The lord of that manor, George Finch Hatton, esq. of Eastwell, holds a court leet here for the borough of East Kingsnoth, which claims over this parish, at which a borsholder is yearly appointed; subordinate to which is THE MANOR OF KINGSNOTH, which in early times was the residence of a family to which it gave name, who bore for their coat armour, as appeared by seals appendant to their antient deeds, Ermine, upon a bend, five chevronels; and John de Kingsnoth, who lived here about the latter end of king Edward I. sealed with that coat of arms; yet I find that Bartholomew de Badlesmere, who was attainted about the 17th year of king Edward II had some interest in this manor, which upon his conviction escheated to the crown, and remained there until Richard II. granted it to Sir Robert Belknap, the judge, who had, not long before, purchased that proportion of this manor which belonged to the family of Kingsnoth, by which he became possessed of the whole of it; but he being attainted and banished in the 11th year of that reign, that part which had belonged to Badlesmere, and was granted by the king to Sir Robert Belknap, returned again to the crown, a further account of which may be seen hereafter. (fn. 1) But the other part of this estate, which belonged to the family of Kingsnoth likewise, henceforward called the manor of Kingsnoth, which seems to have been the greatest part of it, on the petition of Hamon Belknap his son to parliament, to be enabled in blood and lands to his father, notwithstanding the judgement against him, was restored to him, and he was found by inquisition to die possessed of it in the 7th year of king Henry VI. Soon after which I find Sir Thomas Browne, of Beechworth castle, treasurer of the king's houshold, to have become possessed of it; for in the 27th year of that reign, he obtained licence for a fair in this parish, on the feast of St. Michael, and that same year he had another to embattle his mansion here and to inclose a park, and for freewarren in all his demesne lands within this manor; and in a younger branch of his descendants this manor continued down to Richard Browne, esq. of Shingleton, in Great Chart, who married Elizabeth, daughter of Sir William Andrews, of Lathbury, in Buckinghamshire, and dying soon after the death of king Charles I. Elizabeth, their only daughter and heir, carried it in marriage to Thomas, lord Leigh, of Stoneleigh, who afterwards alienated it again to Andrews, in which name it continued till Alexander Andrews, executor and devisee of William Andrews, in 1690, conveyed this manor, with the farm called the Park, the manor of Morehouse, and other lands in this parish, being enabled so to do by act of parliament, to the company of haberdashers of London, as trustees, for the support of the hospital at Hoxton, commonly called Aske's hospital, in whom they are now vested. There is not any court held for this manor.

THE OTHER PART of the above-mentioned estate, which had formerly belonged to the family of Badlesmere, and had escheated to the crown on the attainder of Bartholomew de Badlesmere in the 17th year of king Edward II. remained there until Richard II. granted it to Sir Robert Belknap, on whose attainder and banishment in the 11th year of that reign it returned again to the crown, whence it seems, but at what time I have not found, to have been granted to the abbot and convent of Battel, in Sussex, by the name of THE MANOR OF EAST KINGSNOTH, together with the manors of West Kingenoth, in Pluckley; Morehouse, in this parish; and Wathenden, in Biddenden, lately belonging to that monastery, in as ample a manner as the late abbot, or any of his predecessors had possessed them, (fn. 2) and they continued part of the possessions of it till its dissolution in the 30th year of Henry VIII. when they came into the hands of the crown, where they staid but a short time; for the king that year granted these manors to Sir Edw. Ringsley for his life, without any rent or account whatsoever; and four years afterwards the king sold the reversion of them to Sir John Baker, one of his council, and chancellor of the first fruits and tenths, to hold in capite by knight's service. He died in 1558, possessed of this manor, with the advowson of the church of Kingsnoth, and the manors of West Kingsnoth and Morehouse, held in capite, in whose descendants the manor of East Kingsnoth, with the advowson of the church, descended down to Sir John Baker, bart. who, in the reign of king Charles I. passed it away by sale to Mr. Nathaniel Powell, of Ewehurst, in Sussex, and afterwards of Wiarton, in this county, who was in 1661 created a baronet; and in his descendants it continued down to Sir Christopher Powell, bart. who died possessed of it in 1742, s.p. leaving his widow surviving, whose trustees sold this manor and advowson, after her death, to Mrs. Fuller, widow of Mr. David Fuller, of Maidstone, attorney-at-law, who in 1775 devised them by will to her relation William Stacy Coast, esq. now of Sevenoke, the present owner of them. There is not any court held for this manor.

MUMFORDS, as it is now called, though its proper and more antient name is Montfort's, is a manor in this parish, which was once the residence of the family of Clerc, written in antient deeds le Clerc, and afterwards both Clerke and Clarke, in which it continued till about the latter end of the reign of king Edward I. when Henry le Clerc leaving no issue male, Susan his daughter and heir carried it, with much other inheritance, in marriage to Sir Simon de Woodchurch, whose descendants, out of gratitude for such increase of fortune, altered their paternal name from Woodchurch to Clerke, and in several of their deeds subsequent to this marriage, were written Clerke, alias Woodchurch. They resided at Woodchurch till Humphry Clerke, esq. removed hither in Henry VIII.'s reign. (fn. 3) His son Humphry Clerke, about the end of queen Elizabeth's reign, sold this manor to John Taylor, son of John Taylor, of Willesborough, who afterwards resided here. His son John Taylor, gent. of Winchelsea, alienated it, about the beginning of king Charles I.'s reign, to Edward Wightwick, gent. descended of a family originally of Staffordshire, who bore for their arms, Argent, on a chevron, argent, between three pheons, or, as many crosses patee, gules, granted in 1613. He afterwards resided here, as did his descendants, till at length Humphry Wightwick, gent. about the beginning of king George II.'s reign removed to New Romney, of which town and port he was jurat, in whose descendants this manor became afterwards vested in several undivided shares. At length Mr. William Whitwick, the only surviving son of Humphry, having purchased his mother's life estate in it, as well as the shares of his brother Martin's children, lately sold the whole property of it to Mr. Swaffer, the present possessor and occupier of it.

WEST HALKS, usually called West Hawks, is a manor, situated near the western bounds of this parish, being held of the manor of Kenardington; it formerly was the residence of a family of the name of Halk, who bore on their seals a fess, between three bawks, and sometimes only one, and were of no contemptible account, as appears by old pedigrees and writings, in which they are represented as gentlemen for above three hundred years. Sampson de Halk, gent. died possessed of this manor about the year 1360, and held besides much other land at Petham and the adjoining parishes; but about the latter end of king Henry VI.'s reign, this manor had passed from this family into that of Taylor, in which name it continued till the latter end of king Henry VII. when it was alienated to Clerc, whose descendant Humphry Clerke, esq. about the end of queen Elizabeth's reign, passed it away to Robert Honywood, esq, of Charing, who settled it on his fourth son by his second marriage Colonel Honywood. How long it continued in his descendants, I cannot learn; but it has been for some length of time in the name of Eaton, of. Essex, Mr. Henry Eaton being the present owner of it.

Charities.

HUMPHRY CLARKE, gent. of this parish, left by will in 1637, a parcel of land, called Pightland, containing about three acres, in the eastern part of this parish, for the benefit of the poor of it.

MRS. ELIZABETH MAY, in 1721, gave by will 9l. every third year, chargeable on Bilham farm, to be paid, clear of all deductions, to this parish in turn, during a term of years therein mentioned, to be applied yearly towards the binding out a child an apprentice, of the poorest people in three parishes in turn, as has been already mentioned more at large under Sevington. One girl only has as yet been put out apprentice from this charity, by this parish.

The number of poor constanly relieved are about twentyfive, casually twelve.

KINGSNOTH is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Limne.

The church, which is dedicated to St. Michael, is small, consisting only of one isle and one chancel, having a square tower steeple at the west end, in which are five bells. In the isle is an antient gravestone, coffin-shaped, with old French capitals round it, now illegible. In the chancel is a stone, with an inscription on it in brass, for Thomas Umfrey, rector, no date; and a monument for Thomas Reader, A. M. son of Thomas Reader, gent. of Bower, in Maidstone, obt. 1740. Against the north wall is the tomb of Humphry Clarke, esq. made of Bethersden marble, having the figures of him and his wife remaining in brass on it, and underneath four sons and five daughters. Over the tomb, in an arch in the wall, is an inscription to his memory, set up by his daughter's son Sir Martin Culpeper, over it are the arms of Clarke, Two pales wavy, ermine, impaling Mayney. In the glass of the south window of the isle are several heads remaining, and in the north-west window the figure of St. Michael with the dragon. The north chancel fell down about thirty years ago. It belonged to the manor of Mumfords, and in it were interred the Wightwicks, owners of that manor; the gravestones of them, nine in number, yet remain in the church-yard, shut out from the church; and on one next to theirs, formerly within this chancel, is the figure of a knight in armour, with a lion under his feet, and an inscription in brass, for Sir William Parker, son of William Parker, esq. citizen and mercer of London, obt. 1421; arms, On a fess, three balls.

The advowson of the rectory of this church was formerly parcel of the possessions of the priory of Christ-church, and at the dissolution of it in the 31st year of Henry VIII. came into the king's hands, where it remained till that king in his 34th year, granted it in exchange, among other premises, to archbp. Cranmer, (fn. 4) who did not keep it long; for four years afterwards, he reconveyed it, with the consent of his chapter, back again to the king, (fn. 5) who soon afterwards granted it to Sir John Baker, one of his council, and chancellor of his first-fruits and tenths, who died possessed of the manor of East Kingsnoth, together with the advowson of this church, in the year 1558, in whose descendants it continued down to Sir John Baker, bart. who in the reign of king Charles I. alienated it, with that manor, to Mr. Nathaniel Powell. Since which this advowson has continued in the like succession of ownership with that manor, as may be seen more fully in the account of it before, to the present patron of it, William Stacy Coast, esq. now of Sevenoke.

There was formerly a pension of forty shillings payable from this church to the abbot of Battel.

¶This rectory is valued in the king's books at 11l. 9s. 9½d. and the yearly tenths at 1l. 2s. 11¼d. In 1578 it was valued at sixty pounds, communicants one hundred. In 1640 it was valued at fifty pounds only, and there were the like number of communicants. It is now worth about one hundred and forty pounds per annum. The rector takes no tithes of wood below the hill southward. There are about seventeen acres of glebe land.

www.british-history.ac.uk/survey-kent/vol7/pp583-592

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There has been a Church in Kingsnorth from Saxon Times but the present building probably dates from the 11thC. There are examples of 13thC and 14thC stained glass remaining in some of the windows. The chancel was rebuilt in the 18thC following a storm and the two side chapels were demolished at this time. Major restoration was carried out in the 19thC at which time the stained glass in the East Window was installed. At this time and again in the 1920s work was carried out to try and cure the problem of rising damp due to the high water table. In 2006 major restoration was once again required and in addition to repairs to the tower and external stonework it was decided that an extension would be built on the site of the old chantry chapel on the north side of the building and that the interior of the church would be re-ordered. This involved digging out the interior of the church and laying a new suspended floor to try and cure the problem of the rising damp (This has been largely successful). The old pews and choir stalls were replaced with modern stackable pews to enable a more flexible use of the space, new lighting and a new heating system was installed. This has resulted in a light airy user friendly building. At the back of the church a glass screen was erected forming a separate area. This provides a space where parents can take their children if they become restless during the services. The ground floor of the extension consists of a large meeting room with kitchenette plus toilet. On the first floor there is a choir vestry and church office. There are currently plans to install a second toilet on this floor. On the second floor there is a further small meeting room and a store room.

www.kandschurches.org.uk/

Zopfmuster – cable stitch

Reelfoot lake is one of two natural lakes in the state of Tennessee. (The other is an underground lake near Sweetwater) It was formed by a series of earthquakes that happened during 1911 & 1912 with some sources claiming that tremors occurred daily for another year or more. The largest occured on February 7, 1912 and caused the Mississippi River to flow backwards, resulting in the flooding of what is now called Reelfoot Lake. In

a surviving letter to a friend Eliza Bryan of New Madrid, Missouri described the quakes; "Beginning December 16, 1811, there were violent earthquakes in the area throughout the winter months. On some days the atmosphere was so completely saturated with sulfurous vapors as to cause total darkness." She goes on to describe the great quake of February 7; "The waters of the river gathered up like a mountain, rising 15 to 20 feet perpendicularly, then receding within its banks with such violence that it took whole groves of cottonwoods which edged its borders. Fissures in the earth vomited forth sand and water, some closing again immediately."

Chocolate Milk Is Good For Boxer - The Video Chocolate Milk - Cocoa Puffs TV Commercial Great Chocolate milk is sweetened cocoa-flavored milk It Is Good By: Chocolate Milk Rap Parody Displaying search results for Kinder Chocolate (Consumer Product) the number of total video 129386 Three-time IRONMAN world champion Craig Alexander featured in three new ads in the BUILT WITH CHOCOLATE MILK campaign carmelo anthony talks about his 'after' in this 30 second got chocolate milk? The Video Chocolate Milk - Cocoa Puffs TV Commercial Great 00:0:15 Chocolate milk has between 8 and 12 additional grams of sugar added · It Is Good By: Chocolate Milk Posts about Kinder Chocolate (Consumer Product) written by magictoysclub The new Built with Chocolate Milk campaign, the flavored, mustache-free sister of Got Milk The Video Chocolate Milk - Cocoa Puffs Tv Commercial Great (File : 3Gp, Flv, Mp4, WBEM, Mp3) Downing chocolate milk after a tough workout can help replenish exhausted muscles and significantly aid exercise recovery, new research shows It Is Good By: Chocolate Milk Duration: FEDER - Goodbye)) Duration: George Carlin - on airlines and flying Download and play online Kinder Chocolate (Consumer Product) Videos To mp3, mp4, 3gp, flv to your mobile phone, android, iphone, blackberry, tablet "Built With Chocolate Milk" partners with high-profile athletes, but that's not the only reason why its social media is successful Subscribe For More Boxing News: www.youtube.com/channel/UCsQQHa5xRhniFMFMw7O3RHQ youtu.be/z_x7TFBvSNA

Oulton Park is a great circuit that has yet to be spoilt with run off areas the size of Brighton Beach and, as such, suits historic motor sport down to the ground. Drivers enjoy it as do spectators, who have the freedom to wander and watch almost at will. But it has to be said, today’s racing was boring. Maybe it’s too early in the year, maybe the grids were too small, or maybe the races, one lasting seventy-five minutes, were just too long.

Funnily enough, it was the race with the smallest entry that was the most exciting. Just eight cars started the Old Hall Trophy FF 1600 race but Douglas Crosbie and Samuel Carrington-Yates had a right ding dong battle for second place with neither giving an inch. In the end the two Van Diemans were beaten by the faster Ray GRS09 of Neil Alberico, with Douglas second.

The afternoon began with the Clay Hill Trophy 1970s Celebration Race, an easy win for Russell Paterson in the orange Morgan Plus Eight. The two Porsche 911 RSRs of Mark Bates and Paul Howells followed him home some thirty seconds adrift but it was the sideways Escort RS1800 of Mark Wright that provided a modicum of entertainment. Only eight cars finished.

The Pre-1966 Touring Car Race was jolly good fun with many battles breaking out during the sixty minutes of close encounters. Henry Mann seemed a might surprised to be given the chequered flag in his red Alan Mann Cortina, beating the similar Lotus of David Hall by seven seconds, while the Mustang of Dowd and Cooke went off song and although setting fasted qualifying time struggled to finish third. Further down in the pack, the Nick Smith Mini stormed home fourth leaving ex-F1 driver Roberto Moreno to die a death and retire. Retro-Speed favourites Andy Harrison and Tony Jardine peddled the red peril home to a well-judged thirteenth.

It should have rained for the Knickerbrook Trophy for World Sportscars but it didn’t, so the gaggle of Chevrons fought it out with the lone Lola for overall honours in the dry, depriving the spectators of at least one unpredictable race. That the Minshaws led the field home in their ultra rapid B8 was no big surprise. The same could not be said for the Lyons Lola T70 MK3b that popped and banged its way around the circuit for thirty minutes before eventually finishing well and truly last.

At 16:15 ten Pre-1966 GT cars set of on a seventy-five-minute marathon that had everybody falling asleep. The Mike Whitaker TVR Griffith stormed off into the distance and then slowed to a steady cruise after the Schryver/Hadfield Lotus 26R showed it lacked the consistent pace to mount a challenge. Everyone continued circulating, probably feeling ever lonely and unnecessarily burning fuel, until to everyone’s relief and with darkness in the air, the flag fell. The Marcos 1800GT of Tice and Conoly finished third while the pretty dark blue Diva GT of Aylett and Farrell led the Austin Healey 100/4 home at the tail end.

I came away feeling the Masters Series was jumping the gun. Like the Mille Miglia it needs glamour and sunshine to attract the crowds, both were missing from Oulton Park. For the organisers of this prestigious series of Championship gatherings, surely the season really begins in Barcelona.

I seek refuge in Allah from Satan, the outcast.

In the name of Allah, the Beneficent, the Merciful.

Allah’s peace be upon Prophet Muhammad (S.A.W), the glorious Prophet of Islam, and on his Companions and his followers.

TASAWWUF

"There is no doubt that Tasawwuf is an important branch of Islam. The word itself may have been derived form the Arabic word "Soof" (Wool) or from "Safa" (cleanliness), but its foundation lies in one’s personal sincerity in seeking Allah’s nearness and trying to live a life pleasing to Him. Study of the Quran, the Hadith, and the practical life of the holy Prophet Muhammad (S.A.W) and his faithful Companions provide unmistakable support to this reality." (Hazrat Moulana Allah Yar Khan (R.A)

SUFISM, AN ESSENTIAL PART OF ISLAM

Doubts exist not only in the minds of the Muslim faithful but also among the Ulema, notably the exoteric about Tasawwuf and its votaries. Often they lead to misunderstanding, as if Shariah and Tariqah were two separate entries, or that Tasawwuf was some obscure discipline foreign to Islam, or that it was altogether above the established laws and injunctions of our Religion. To help remove these misgivings and to reassure seekers, as well as scholars, our Sheikh Hazrat Moulana Allah Yar Khan (R.A), Sheikh Silsila Naqshbandia Awaisia, wrote Al-Jamal Wal Kamal, Aqaid-O-Kamalaat Ulmai-e-Deoband, Binat-e-Rasool (S.A.W), Daamad-e-Ali (R.A), Dalael-us-Salook, Ejaad-e-Mazhab Shia, Hayat-un-Nabi (S.A.W), Hayat Barzakhia, Ilm-o-Irfan, Niffaz-e-Shariat Aur Fiqah-e-Jaferia, Saif-e-Owaisi, Shikast-e-Ahdai Hussain and Tahkeek Halal Haram books.

BIOGRAPHY

Sheikh Allah Yar Khan was born in Chakrala, a remote village of Mianwali District of Pakistan, in 1904. He completed his religious education in 1934. The very year, he met Shaykh Abdul Rahim, who took him to the shrine of Shaykh Allah Deen Madni. By Divine Will his spiritual connection was right away established with the saint of the 10th century Hijra (sixteenth century) and he started receiving spiritual beneficence. His sublime education in Sufism, signifying progressive spiritual growth and advancement, continued for about twenty-five years. In 1962 he was directed to carry out the propagation of Prophetic blessings - a noble mission that he accomplished with singular enthusiasm and devotion for a period spanning half a century. Anybody who visited him was duly rewarded with a share of spiritual bliss as per his/her sincerity and capacity. Shaykh Allah Yar Khan's mission produced men and women of deep spiritual vision and distinction.

Although Hazrat Moulana Allah Yar Khan (R.A) have lived a major portion of his life as a scholar, with the avowed mission of illuminating the truth of Islam and the negation of fallacious sects, and this would appear quite removed from Tasawwuf, yet the only practical difference between the two, namely the use of the former as a media to expound the truth, and the latter to imbue people with positive faith. Nevertheless, people are amazed that a man, who until the other day, was known as a dialectician and a preacher of Islam, is not only talking of Mystic Path, but is also claiming spiritual bonds with the veteran Sufi Masters of the Past. This amazement is obviously out of place in the view of Quranic injunction: This is the bounty of Allah which He gives to whom He wills. (62:4)

THE PURIFICATION OF THE SOUL

The purification of the soul always formed part of the main mission of the Prophets; that is, the dissemination and propagation of the Devine Message. This responsibility later fell directly on the shoulders of the true Ulema in the Ummah of the last Prophet Muhammad (S.A.W), who, as his genuine successors, have continued to shed brave light in every Dark Age of materialism and sacrilege. In the present age of ruinous confusion, the importance of this responsibility has increased manifold; of the utter neglect of Islam by Muslims has not only driven them to misery, but also grievously weakened their bonds of faith in Allah and His Prophet Muhammad (S.A.W). The decay in their belief and consequent perversion in their conduct has reached a stage that any attempt to pull them out of the depth of ignominy and the heedless chaos of faithlessness, attracts grave uncertainties and apprehensions rather than a encouraging will to follow the Shariah, to purify the soul and to reform within. The Quranic Verse: Layers upon layers of darkness… (24:40) provides the nearest expression of their present state.

SHARIAH & SUFISM

Any action against the Sunnah (Prophet’s way of life) cannot be called Sufism. Singing and dancing, and the prostration on tombs are not part of Sufism. Nor is predicting the future and predicting the outcome of cases in the courts of law, a part of Sufism. Sufis are not required to abandon their worldly possessions or live in the wilderness far from the practical world. In fact these absurdities are just its opposites. It is an established fact that Tazkiyah (soul purification) stands for that inner purity which inspires a person’s spirit to obey the holy Prophet Muhammad (S.A.W). If a false claimant of Sufism teaches tricks and jugglery, ignoring religious obligations, he is an impostor. A true Sheikh will lead a believer to the august spiritual audience of the holy Prophet Muhammad (S.A.W). If you are fortunate enough to be blessed with the company of an accomplished spiritual guide and Sheikh of Sufism, and if you follow his instructions, you will observe a positive change in yourself, transferring you from vice to virtue.

ISLAM, AS A COMPLETE CODE OF LIFE

Islam, as a complete code of life or Deen, was perfected during the life of the Holy Prophet Muhammad (S.A.W). He was the sole teacher and his mosque was the core institution for the community. Although Islam in its entirety was practiced during that blessed era, the classification and compilation of its knowledge into distinct branches like ‘Tafsir’ (interpretation of the Quran), Hadith (traditions or sayings of the holy Prophet- SAWS), Fiqh (Islamic law), and Sufism (the soul purification) were undertaken subsequently. This Deen of Allah passed from the holy Prophet Muhammad (S.A.W) to his illustrious Companions in two ways: the outward and the inward. The former comprised the knowledge defined by speech and conduct, i.e., the Quran and Sunnah. The latter comprised the invisible blessings or the Prophetic lights transmitted by his blessed self. These blessings purified the hearts and instilled in them a passionate desire to follow Islam with utmost love, honesty and loyalty.

WHAT’S SUFISM

Sufism is the attempt to attain these Barakah (Blessings). The Companions handed down Prophet Muhammad (S.A.W) teachings as well as blessings to the Taba’een. Their strong hearts were capable of infusing these blessings into the hearts of their followers. Both aspects of Islam were similarly passed on by the Taba’een to the Taba Taba’een. The compilation of knowledge and its interpretation led to the establishment of many schools of religious thought; famous four being the Hanafi, the Hanbali, the Maliki, and the Shafa'i, all named after their founders. Similarly, in order to acquire, safeguard and distribute his blessings, an organized effort was initiated by four schools of Sufism: The Naqshbandia, the Qadria, the Chishtia, and the Suharwardia. These schools were also named after their organizers and came to be known as Sufi Orders. All these Orders intend to purify the hearts of sincere Muslims with Prophetic lights. These Sufi Orders also grew into many branches with the passage of time and are known by other names as well. The holy Quran has linked success in this life and the Hereafter with Tazkiyah (soul purification). He, who purified, is successful. (87: 14) Sufi Orders of Islam are the institutions where the basics of Tazkiyah (soul purification) and its practical application are taught. They have graded programs in which every new seeker is instructed in Zikr-e Lisani (oral Zikr) and is finally taught the Zikr-e Qalbi (Remembrance in heart).

ZIKR-E QALBI

However, in the Naqshbandia Order, Zikr-e Qalbi is practiced from the very beginning. Adherence to the Sunnah (Prophet’s way of life) is greatly emphasized in this Order, because the seeker achieves greater and quicker progress through its blessings. The essence of Zikr is that the Qalb should sincerely accept Islamic beliefs and gain the strength to follow the Sunnah with even greater devotion. ‘If the heart is acquainted with Allah and is engaged in His Zikr; then it is filled with Barakaat-e Nabuwwat (Prophetic blessings) which infuse their purity in the mind and body. This not only helps in controlling sensual drives but also removes traces of abhorrence, voracity, envy and insecurity from human soul. The person therefore becomes an embodiment of love, both for the Divine and the corporeal. This is the meaning of a Hadith, “There is a lump of flesh in the human body; if it goes astray the entire body is misguided, and if it is reformed the entire body is reformed. Know that this lump is the Qalb”.’

PAS ANFAS

Recent History Khawajah Naqshband (d. 1389 CE) organized the Naqshbandia Order at Bukhara (Central Asia). This Order has two main branches – the Mujaddidia and the Owaisiah. The former is identified with Sheikh Ahmed Sirhindi, known as Mujaddid Alif Sani (literally: reviver of the second Muslim millennium), a successor to Khawajah Baqi Billah, who introduced the Order to the Indo- Pakistan sub-continent. The Owaisiah Order employs a similar method of Zikr but acquires the Prophetic blessings in the manner of Khawajah Owais Qarni, who received this beneficence from the Holy Prophet Muhammad (S.A.W) without a formal physical meeting. The Zikr employed by the Naqshbandia is ‘Zikr-e Khafi Qalbi’ (remembrance of Allah’s Name within the heart) and the method is termed ‘Pas Anfas’, which (in Persian) means guarding every breath. The Chain of Transmission of these Barakah, of course, emanates from the holy Prophet- SAWS.

SPIRITUAL BAI’AT (OATH OF ALLEGIANCE

It is necessary in all Sufi Orders that the Sheikh and the seekers must be contemporaries and must physically meet each other for the transfer of these blessings. However, the Naqshbandia Owaisiah Order goes beyond this requirement and Sufis of this Order receive these Barakah regardless of physical meeting with their Sheikh or even when the Sheikh is not their contemporary. Yet, it must be underscored that physical meeting with the Sheikh of this Order still holds great importance in dissemination of these Barakah. Sheikh Sirhindi writes about the Owaisiah Order in his book ‘Tazkirah’: ‘It is the most sublime, the most exalted, and the most effective…and the highest station of all others is only its stepping stone.’ By far the greatest singular distinction of the Naqshbandia Owaisiah Order is the honor of Spiritual Bai’at (Oath of Allegiance) directly at the blessed hands of the holy Prophet Muhammad (S.A.W).

SHEIKH HAZRAT MOULANA ALLAH YAR KHAN (R.A)

The Reviver Sheikh Allah Yar Khan was born in Chikrala, a remote village of Mianwali District of Pakistan, in 1904. He completed his religious education in 1934. The same year, he met Sheikh ‘Abdul Rahim, who took him to the shrine of Sheikh Allah Deen Madni. By Divine Will his spiritual connection was immediately established with the saint of the 10th century Hijra (sixteenth century CE) and he started receiving spiritual beneficence. His sublime education in Sufism, signifying progressive spiritual growth and advancement, continued for about twenty-five years, after which he was directed to undertake the propagation of Prophetic blessings - a noble mission that he accomplished with singular zeal and dedication for a period spanning half a century. Anybody who visited him was duly rewarded with a share of spiritual bliss commensurate with his/her sincerity and capacity. Sheikh Allah Yar Khan’s mission produced men and women of deep spiritual vision and eminence. He authored eighteen books, the most distinguished being Dalael us-Sulook (Sufism - An Objective Appraisal), Hayat-e Barzakhiah (Life Beyond Life) and Israr ul- Haramain (Secrets of the two holy Mosques). He was undoubtedly one of the most distinguished Sufi saints of the Muslim Ummah and a reviver of the Naqshbandia Owaisiah Order. He passed away on 18 February 1984 in Islamabad at the age of eighty.

THE CHAIN OF TRANSMISSION OF NAQSHBANDIA OWAISIAH

1. Hazrat Muhammad ur-Rasool Allah (Sall Allah-o Alaihi wa Sallam), 2. Hazrat Abu Bakr Siddiq (Radhi Allah-o Unho), 3. Hazrat Imam Hassan Basri (Rahmat Ullah Alaihi), 4. Hazrat Daud Tai (Rahmat Ullah Alaihi), 5. Hazrat Junaid Baghdadi (Rahmat Ullah Alaihi), 6. Hazrat Ubaid Ullah Ahrar (Rahmat Ullah Alaihi), 7. Hazrat Abdur Rahman Jami (Rahmat Ullah Alaihi), 8. Hazrat Abu Ayub Muhammad Salih (Rahmat Ullah Alaihi), 9. Hazrat Allah Deen Madni (Rahmat Ullah Alaihi), 10. Hazrat Moulana Allah Yar Khan (Rahmat Ullah Alaihi).

THE SPIRIT OR RUH

The spirit or Ruh of every person is a created reflection of the Divine Attributes and it originates in Alam-e Amar (Realm of Command). Its food is the Light of Allah or the Divine Refulgence, which it acquires from the Realm of Command through the holy Prophet Muhammad (may Allah’s choicest favors and peace be upon him), whose status in the spiritual world is like that of the sun in the solar system. The Quran refers to him as the ‘bright lamp’. Indeed, he is the divinely selected channel of all Barakah. All Exalted Messengers themselves receive these Barakah from him.

LATAIF

The human Ruh also possesses vital organs like the physical body; through which it acquires its knowledge, food and energy. These are called Lataif (singular Latifah: subtlety). Scholars of various Sufi Orders have associated them with specific areas of the human body. The Naqshbandia Owaisiah Order identifies these Lataif as follows. First - Qalb: This spiritual faculty is located within the physical heart. Its function is Zikr. Its strength increases one’s capacity for Allah’s Zikr. Second – Ruh: The site of this Latifah, which is a distinct faculty of the human Ruh, is on the right side of the chest at the level of Qalb. Its primary function is concentration towards Allah. Third – Sirri: This is located above the Qalb and functions to make possible Kashf. Forth – Khaffi: This is located above the Ruh and functions to perceive the omnipresence of Allah. Fifth – Akhfa: This is located in the middle of chest, at the centre of the first four Lataif and makes it possible for the Ruh to perceive the closeness of Allah, Who is closer to us than our own selves. Sixth – Nafs: This Latifah is located at the forehead and functions to purify the human soul. Seventh – Sultan al-Azkar: This Latifah is located at the top centre of the head and serves to absorb the Barakah of Allah into the entire body, so that every cell resonates with Zikr.

FIVE EXALTED MESSENGERS OF GOD

There are Five Exalted Messengers among the many known and unknown Messengers of Allah. They are Hazrat Muhammad, Hazrat Nuh (Noah), Hazrat Ibrahim (Abraham), Hazrat Musa (Moses), and Hazrat Esa (Jesus), peace be upon them all. Hazrat Adam is the first Prophet of Allah and the father of mankind. Each Latifah is associated with a particular Prophet. The Barakah and lights from Hazrat Adam (peace be upon him), descend on the first Latifah Qalb; its lights are reflected from the first heaven and are yellowish. The second Latifah is associated with Hazrat Nuh and Hazrat Ibrahim (peace be upon them). Its lights descend from the second heaven and appear as golden red. The lights descending upon the third Latifah are from Hazrat Musa (peace be upon him) and are white. One the fourth Latifah, the lights of Hazrat Esa (peace be upon him) descend from the fourth heaven and are deep blue. The fifth Latifah receives its Barakah directly from the holy Prophet Muhammad (may Allah’s choicest favors and peace be upon him). The lights associated with this Latifah are green, descend from the fifth heaven, and overwhelm all the first four Lataif. The Lights descending upon the sixth and seventh Lataif are the Divine Lights, whose color and condition cannot be determined. These are like flashes of lightening that defy comprehension. If Allah blesses a seeker with Kashf, he can observe all of this. The vision is slightly diffused in the beginning, but gradually the clarity improves.

SULOOK

Stages of the Path After all seven Lataif of a seeker have been illuminated with Divine Lights through Tawajjuh of the Sheikh and his Ruh has acquired the ability to fly, the Sheikh initiates its journey on the sublime Path of Divine nearness. The Path is known as Sulook, and its stages are not hypothetical imaginations but real and actually existing stations on the spiritual Path. These are also referred to as Meditations, because a seeker mentally meditates about a station while his/her Ruh actually ascends towards it. The first three stations that form the base of whole Sulook are described as; Ahadiyyat, a station of Absolute Unity of Divinity. It is above and beyond the seven heavens. It is so vast a station that the seven heavens and all that they encompass are lost within Ahadiyyat as a ring is lost in a vast desert. Its lights are white in color. Maiyyat station denotes Divine Company, ‘He is with you, wherever you might be.’ This station is so vast that Ahadiyyat along with the seven heavens beneath are lost within it as a ring is lost in a desert. Its lights are green in color. Aqrabiyyat station denotes Divine Nearness, ‘He is nearer to you than your life- vein.’ Again, Aqrabiyyat is vast as compared to Maiyyat in the same proportion. Its lights are golden red and are reflected from the Divine Throne. It is indeed the greatest favor of Almighty Allah that He blesses a seeker with an accomplished Sheikh, who takes him to these sublime stations. The final station that a seeker attains to during his/her lifetime becomes his/her Iliyyeen (blessed abode) in Barzakh and his/her Ruh stays at this station after death.

ZIKR

Why is Zikr Necessary for Everyone? Allah ordains every soul in the Quran to Perform Zikr. This not only means reciting the Quran and Tasbeeh but also Zikr-e Qalb. It is only through Zikr-e Qalbi that Prophetic Lights reach the depths of human soul and purify it from all vice and evil. Zikr infuses a realization of constant Divine Presence and a seeker feels great improvement in the level of sincerity and love towards Allah and the holy Prophet- SAWS. Such levels of sincerity, love and feelings of Divine Presence can never be obtained without Zikr. It would be a mistake to believe that Zikr may be a requirement only for the very pious and virtuous people. Zikr provides the Prophetic blessings which are in effect the life line of every human soul. It transforms even the most corrupted humans into virtuous souls by bringing out the best in them. The fact is that Zikr is the only way to achieve true contentment and satisfaction in life. The holy Quran has pointed to this eternal fact that it is only through Zikr Allah that hearts can find satisfaction. Such satisfaction and peace are the ultimate requirements of every person, regardless of religion, race and ethnicity. Practicing Zikr regularly removes all traces of anxiety and restlessness, and guides the human soul to eternal bliss and peace.

KHALIFA MAJAZEEN

Hazrat Moulana Allah Yar Khan (R.A), during his life time in 1974, presented a nomination list to Prophet Muhammad (S.A.W), during Maraqba, of expected Khalifa Majazeen for Silsila Naqshbandia Awaisia. Prophet Muhammad (S.A.W) approved some names, deleted some of the names, and added down the name of Major Ghulam Muhammad as also Khalifa Majaaz of Silsila Naqshbandia Awaisia (which was not previously included in the list)

The approved names at that time included:

1. Mr. Muhammad Akram Awan Sahib,

2. Mr. Sayed Bunyad Hussain Shah Sahib,

3. Mr. Major Ahsan Baig Sahib,

4. Mr. Col. Matloob Hussain Sahib,

5. Mr. Major Ghulam Muhammad Sahib of Wan Bhachran Mianwali,

6. Mr. Molvi Abdul Haq Sahib,

7. Mr. Hafiz Abdul Razzaq Sahib,

8. Mr. Hafiz Ghulam Qadri Sahib,

9. Mr. Khan Muhammad Irani Sahib,

10. Mr. Maolana Abdul Ghafoor Sahib,

11. Mr. Syed Muhammad Hassan Sahib of Zohb.

These Majazeen were authorized to; held Majalis of Zikar (Pas Anfas) in their respective areas, arrange Majalis of Zikar in neighboring areas, train them on the way of Sulook, prepare them for Spiritual Bai’at (Oath of Allegiance), and present them to Sheikh Hazrat Moulana Allah Yar Khan for Spiritual Bai’at at the Hand of Prophet Muhammad (S.A.W), in the life of Hazrat Moulana Allah Yar Khan (R.A), and were all equal in status as Khalifa Majaaz of Hazrat Moulana Allah Yar Khan (R.A).

Presently we are following Hazrat Major ® Ghulam Muhammad Sahib, Khalifa Majaaz of Hazrat Moulana Allah Yar Khan (R.A).

This is a photo I uploaded a few months ago that I've reworked a bit because I wasn't satisfied with the earlier version. Taken slightly after sunset. St. Albans Bay (Lake Champlain), Vermont. The sky was very dramatic on this particular night after it had been raining earlier (and still on the left), though the actual sun was nowhere to be seen.

My Latest , Best, Most Interesting and Random Sets.

Kirpernicus

This is Rusty's favourite night of the year. Wouldn't you know it ... we'll all get one extra hour of sleep tonight but it means the most to Rusty. As you can see she is so anxious for me to set our clock back she's actually trying to do it herself. If you look closely you can see she is concentrating so hard her tongue is sticking out.

A mineral is a naturally-occurring, solid, inorganic, crystalline substance having a fairly definite chemical composition and having fairly definite physical properties. At its simplest, a mineral is a naturally-occurring solid chemical. Currently, there are over 5900 named and described minerals - about 200 of them are common and about 20 of them are very common. Mineral classification is based on anion chemistry. Major categories of minerals are: elements, sulfides, oxides, halides, carbonates, sulfates, phosphates, and silicates.

The silicates are the most abundant and chemically complex group of minerals. All silicates have silica as the basis for their chemistry. "Silica" refers to SiO2 chemistry. The fundamental molecular unit of silica is one small silicon atom surrounded by four large oxygen atoms in the shape of a triangular pyramid - this is the silica tetrahedron - SiO4. Each oxygen atom is shared by two silicon atoms, so only half of the four oxygens "belong" to each silicon. The resulting formula for silica is thus SiO2, not SiO4.

Opal is hydrous silica (SiO2·nH2O). Technically, opal is not a mineral because it lacks a crystalline structure. Opal is supposed to be called a mineraloid. Opal is made up of extremely tiny spheres called "colloids" that can be seen with a scanning electron microscope (SEM).

Gem-quality opal, or precious opal, has a wonderful rainbow play of colors (opalescence). This play of color is the result of light being diffracted by planes of voids between large areas of regularly packed, same-sized opal colloids. Different opalescent colors are produced by colloids of differing sizes. If individual colloids are larger than 140 x 10-6 mm in size, purple & blue & green colors are produced. Once colloids get as large as about 240 x 10-6 mm, red color is seen (Carr et al., 1979).

Not all opals have the famous play of colors, however. Common opal has a wax-like luster & is often milky whitish with no visible color play at all. Opal is moderately hard (H = 5 to 6), has a white streak, and has conchoidal fracture.

Several groups of organisms make skeletons of opaline silica, for example hexactinellid sponges, diatoms, radiolarians, silicoflagellates, and ebridians. Some organisms incorporate opal into their tissues, for example horsetails/scouring rushes and sawgrass. Sometimes, fossils are preserved in opal or precious opal.

Locality: attributed to "Berbere Hill", Ethiopia, eastern Africa

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Photo gallery of opal:

www.mindat.org/gallery.php?min=3004

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Reference cited:

Carr et al. (1979) - Andamooka opal fields: the geology of the precious stones field and the results of the subsidised mining program. Geological Survey of South Australia Department of Mines and Energy Report of Investigations 51. 68 pp.

NDGA is the leading gymnastic club in Kent, based in Tunbridge Wells. The Academy helps both girl and boy gymnasts, from a young age, develop their skills.

The NDGA delivers a safe, effective, professional and child-friendly gymnastic environment. Adults and children alike enjoy and trust in their exceptional facilities and the quality of training they provide.

They offer a wide range of activities for boys and girls of all ages and abilities, from pre-school through to adult classes, providing a variety of dance and freestyle classes, gymnastic parties, and holiday courses.

“We love this tumbling furniture. It is such fun, so robust and ideal for our young gymnasts to exercise on. What’s more 100% of the profit goes to Tree of Hope to help sick and disabled UK children.”

Hannah Taylor, Head Coach

Next Dimension Gymnastic Academy, NDGA

www.tumblingfurniture.co.uk

It is chilly and rainy in Arizona for Super Bowl 48 but BMW turned up the heat with their all-electric i3 and hybrid i8 sports car. To add additional flavor to the recipe New England Patriots’ starting corner Kyle Arrington and wife VaShonda Arrington joined the experience for the energetic weekend festivities.

Kyle spent a few days in both vehicles during his activities, which included stops at the Nike Football Super Bowl Hospitality Gifting Suite at the immaculate Scottsdale Resort & Conference Center, the NFL Experience, family outings and dinner with his spouse. Vashonda’s centerpiece moment was raising funds for the Off the Field Player’s Wives Association’s “14th Annual Super Bowl Fashion Show” held at the upscale Scottsdale Fashion Mall. The wives, kids and a handful of former NFL players walked the runway with grace and style. Guests included Holly Robinson Peete, Antonio Cromardie, Steve Young, Kevin Hart and many more. She enjoyed the earthly interior of the i3 and spoke passionately about the need regarding increased sustainability in the world.

The mind is driven by thoughts and fueled by inventive answers. The i3 is 100% pure electric and the i8 is a plug-in hybrid sports car, which means its power is sourced from both gasoline and electricity. The i8 is comprised of a Life module and a Drive module. The 3-liter gasoline motor is placed in the rear and the smaller electric engine is housed up front. In addition, the i8 is essentially an AWD vehicle channeling traction from both axles simultaneously but doesn’t utilize the company’s hallmark xDrive system. A few common i8 performance specs include:

•0 to 60 mph = 4.2 seconds

•Top speed = 155 mph (electronically limited)

•Electric only top speed = 75 mph

•Pure electric range = 22 miles

Born electric, the i3 is engineered with BMW’s LifeDrive architecture, which is also structured into two categories, the Life Module and the Drive Module. Comprised of high-strength carbon, the Life Module protects and provides comfort for the driver and passengers. The second platform, the Drive Module, encompasses the electric drive system, the suspension and the HVAC. Since the car is lighter, the liquid-cooled lithium-ion battery (developed in-house by BMW) is smaller and only needs three hours for a full stage-2 (240-volt) charge. Additionally, BMW attempts to use as much renewable energy as possible for the manufacturing process of the carbon fiber i3.

The journey continues towards educating the world on the benefits of going green. BMW is both an innovator and leader in this technology category and has already spearheaded a positive movement. Expect more BMW i products down the line since they have only just begun.

Wat Pho (Thai: วัดโพธิ์, IPA: [wát pʰoː]), also spelt Wat Po, is a Buddhist temple complex in the Phra Nakhon District, Bangkok, Thailand. It is on Rattanakosin Island, directly south of the Grand Palace. Known also as the Temple of the Reclining Buddha, its official name is Wat Phra Chetuphon Vimolmangklararm Rajwaramahaviharn (Thai: วัดพระเชตุพนวิมลมังคลารามราชวรมหาวิหาร; rtgs: Wat Phra Chettuphon Wimonmangkhlaram Ratchaworamahawihan; IPA: [wát pʰráʔ tɕʰê:t.tù.pʰon wíʔ.mon.maŋ.kʰlaː.raːm râːt.tɕʰá.wɔː.ráʔ.má.hǎː.wíʔ.hǎːn]). The more commonly known name, Wat Pho, is a contraction its older name Wat Photaram (Thai: วัดโพธาราม; rtgs: Wat Photharam).

The temple is first on the list of six temples in Thailand classed as the highest grade of the first-class royal temples. It is associated with King Rama I who rebuilt the temple complex on an earlier temple site, and became his main temple where some of his ashes are enshrined. The temple was later expanded and extensively renovated by Rama III. The temple complex houses the largest collection of Buddha images in Thailand, including a 46 m long reclining Buddha. The temple was also the earliest centre for public education in Thailand, and still houses a school of Thai medicine. It is known as the birthplace of traditional Thai massage which is still taught and practiced at the temple.

HISTORY

Wat Pho is one of Bangkok's oldest temples. It existed before Bangkok was established as the capital by King Rama I. It was originally named Wat Photaram or Podharam, from which the name Wat Pho is derived. The name refers the monastery of the Bodhi tree in Bodh Gaya, India where Buddha is believed to have attained enlightenment. The older temple is thought to have been built or expanded some time in the reign of King Phetracha (1688–1703) of the Ayuthaya period on an even earlier temple site, but its founder is unknown. After the fall of Ayutthaya to the Burmese, King Taksin moved the capital to Thonburi where he located his palace beside Wat Arun on the opposite side of the river from Wat Pho, and the proximity of Wat Pho to this royal palace elevated it to the status of a wat luang (royal monastery).

In 1782, King Rama I moved the capital from Thonburi across the river to Bangkok and built the Grand Palace adjacent to Wat Pho. In 1788, he ordered the construction and renovation at the old temple site of Wat Pho, which had by then become dilapidated. The site, which was marshy and uneven, was drained and filled in before construction began. During its construction Rama I also initiated a project to remove Buddha images from abandoned temples in Ayutthaya, Sukhothai, as well other sites in Thailand, and many of these Buddha images were kept at Wat Pho. These include the remnants of an enormous Buddha image from Ayuthaya's Wat Phra Si Sanphet destroyed by the Burmese in 1767, and these were incorporated into a chedi in the complex. The rebuilding took over seven years to complete, and 12 years after work began, in 1801, the new temple complex was renamed Phra Chetuphon Vimolmangklavas in reference to the vihara of Jetavana, and became the main temple for Rama I. The complex underwent significant changes in the next 260 years, particularly during the reign of Rama III (1824-1851 CE). In 1832, King Rama III began renovating and enlarging the temple complex, a process that took 16 years and seven months to complete. The ground of the temple complex was expanded to 22 acres, and most of the structures in Wat Pho were either built or rebuilt in this period, including the chapel of the reclining Buddha. He also turned the temple complex into a public center of learning by decorating the walls of the buildings with diagrams and inscriptions on various subjects.:90 These marble inscriptions have received recognition in the Memory of the World Programme launched by UNESCO on 21 February 2008. Wat Pho is regarded as Thailand’s first university and a center for traditional Thai massage. It served as a medical teaching center in the mid-19th century before the advent of modern medicine, and the temple remains a center for traditional medicine today where a private school for Thai medicine founded in 1957 still operates. The name of the complex was changed again to Wat Phra Chetuphon Vimolmangklararm during the reign of King Rama IV. Apart from the construction of a fourth great chedi and minor modifications by Rama IV, there had been no significant changes to Wat Pho since. Repair work, however, is a continuing process, often funded by devotees of the temple. The temple was restored again in 1982 before the Bangkok Bicentennial Celebration.

THE TEMPLE COMPLEX

Wat Pho is one of the largest and oldest wats in Bangkok with an area of 50 rai, 80,000 square metres, and is home to more than one thousand Buddha images, as well as one of the largest single Buddha images at 46 m in length. The Wat Pho complex consists of two walled compounds bisected by Chetuphon Road running in the east–west direction. The larger northern walled compound, the phutthawat, is the part open to visitors and contains the finest buildings dedicated to the Buddha, including the bot with its four directional viharn, and the temple housing the reclining Buddha.< The southern compound, the sankhawat, contains the residential quarters of the monks and a school. The perimeter wall of the main temple complex has sixteen gates, two of which serve as entrances for the public (one on Chetuphon Road, the other near the northwest corner). The temple grounds contain 91 small chedis (stupas or mounds), four great chedis, two belfries, a bot (central shrine), a number of viharas (halls) and other buildings such as pavilions, as well as gardens and a small temple museum. Architecturally the chedis and buildings in the complex are different in style and sizes. A number of large Chinese statues, some of which depict Europeans, are also found within the complex guarding the gates of the perimeter walls as well as other gates within the compound. These stone statues were originally imported as ballast on ships trading with China. Wat Pho was intended to serve as a place of education for the general public. To this end a pictorial encyclopedia was engraved on granite slabs covering eight subject areas, namely history, medicine, health, custom, literature, proverbs, lexicography, and the Buddhist religion. These plaques, inscribed with texts and illustration on medicine, Thai traditional massage, and other subjects, are placed around the temple, for example, within the Sala Rai or satellite open pavilions. Dotted around the complex are 24 small rock gardens (Khao Mor) illustrating rock formations of Thailand, and one, called the Contorting Hermit Hill, contains some statues showing methods of massage and yoga positions. There are also drawings of constellations on the wall of the library, inscriptions on local administration, as well as paintings of folk tales and animal husbandry. These illustrations and inscriptions in Wat Pho have been registered by UNESCO in its Memory of the World Programme set up to promote, preserve and propagate the wisdom of the world heritage.

PHRA UBOSOT

Phra Ubosot (Phra Uposatha) or bot is the ordination hall, the main hall used for performing Buddhist rituals, and the most sacred building of the complex. It was constructed by King Rama I in the Ayuthaya style, and later enlarged and reconstructed in the Rattanakosin style by Rama III. The bot was dedicated in 1791, before the rebuilding of Wat Pho was completed. This building is raised on a marble platform, and the ubosot lies in the center of courtyard enclosed by a double cloister (Phra Rabiang).Inside the ubosot is a gold and crystal three-tiered pedestal topped with a gilded Buddha made of a gold-copper alloy, and over the statue is a nine-tiered umbrella representing the authority of Thailand. The Buddha image, known as Phra Buddha Theva Patimakorn and thought to be from the Ayutthaya period, was moved here by Rama I from Wat Sala Si Na (now called Wat Khuhasawa) in Thonburi. Rama IV later placed some ashes of Rama I under the pedestal of the Buddha image so that the public may pay homage to both Rama I and the Buddha at the same time. There are also ten images of Buddha's disciples in the hall, Moggalana on its left and Sariputta on its right, and a further eight Arahants below. The exterior balustrade surrounding the main hall has around 150 depictions in stone of the epic, Ramakien, the ultimate message of which is transcendence from secular to spiritual dimensions. The stone panels were recovered from a temple in Ayuthaya. The ubosot is enclosed by a low wall called kamphaeng kaew, which is punctuated by gateways guarded by mythological lions, as well as eight structures that house the bai sema stone markers that delineate the sacred space of the bot.

- Phra Rabiang - This double cloister contains around 400 images of Buddha from northern Thailand selected out of the 1,200 originally brought by King Rama I. Of these Buddha images, 150 are located on the inner side of the double cloister, another 244 images are on the outer side. These Buddha figures, some standing and some seated, are evenly mounted on matching gilded pedestals. These images are from different periods, such as Chiangsaen, Sukhothai, U-Thong, and Ayutthaya, but were renovated by Rama I and covered with stucco and gold leaves to make them look similar.

The viharn in the east contains an 8 metre tall standing Buddha, the Buddha Lokanatha, originally from Ayutthaya. In its antechamber is Buddha Maravichai, sitting under a bodhi tree, originally from Sawankhalok of the late Sukhothai period. The one on the west has a seated Buddha sheltered by a naga, the Buddha Chinnasri, while the Buddha on the south, the Buddha Chinnaraja, has five disciples seated in front listening to his first sermon. Both Buddhas were brought from Sukhothai by Rama I. The Buddha in the north viharn called Buddha Palilai was cast in the reign of Rama I. The viharn on the west also contains a small museum.

- Phra Prang - There are four towers, or phra prang, at each corner of the courtyard around the bot. Each of the towers is tiled with marbles and contains four Khmer-style statues which are the guardian divinities of the Four Cardinal Points.

PHRA MAHA CHEDI SI RAJAKARN

This is a group of four large stupas, each 42 metres high. These four chedis are dedicated to the first four Chakri kings. The first, in green mosaic tiles, was constructed by Rama I to house the remnants of the great Buddha from Ayuthaya, which was scorched to remove its gold covering by the Burmese. Two more were built by Rama III, one in white tiles to hold the ashes of his father Rama II, another in yellow for himself. A fourth in blue was built by Rama IV who then enclosed the four chedis leaving no space for more to be built.

VIHARN PHRANORN

The viharn or wihan contains the reclining Buddha and was constructed in the reign of Rama III emulating the Ayutthaya-style. The interior is decorated with panels of mural.

Adjacent to this building is a small raised garden (Missakawan Park) with a Chinese-style pavilion; the centrepiece of the garden is a bodhi tree which was propagated from the Jaya Sri Maha Bodhi tree in Sri Lanka that is believed to have originally came from a tree in India where Buddha sat while awaiting enlightenment.

PHRA MONDOB

Phra Mondob or the ho trai is the Scripture Hall containing a small library of Buddhist scriptures. The building is not generally open to the public as the scriptures which are inscribed on palm leaves need to kept in a controlled environment for preservation. The library was built by Rama III. Guarding its entrance are figures of giants called Yak Wat Pho placed in niches beside the gates. Around Phra Mondob are three pavilions with mural paintings of the beginning of Ramayana.

OTHER STRUCTURES

- Phra Chedi Rai - Outside the Phra Rabiang cloisters are dotted many smaller chedis, called Phra Chedi Rai. Seventy-one of these small chedis were built by Rama III, each five metres in height. There are also four groups of five chedis that shared a single base built by Rama I, one on each corner outside the cloister. The 71 chedis of smaller size contain the ashes of the royal family, and 20 slightly larger ones clustered in groups of five contain the relics of Buddha.

- Sala Karn Parien - This hall is next to the Phra Mondob at the southwest corner of the compound, and is thought to date from the Ayutthaya period. It serves as a learning and meditation hall. The building contains the original Buddha image from the bot which was moved to make way for the Buddha image currently in the bot. Next to it is a garden called The Crocodile Pond.

- Sala Rai - There are 16 satellite pavilions, most of them placed around the edge of the compound, and murals depicting the life of Buddha may be found in some of these. Two of these are the medical pavilions between Phra Maha Chedi Si Ratchakarn and the main chapel. The north medicine pavilion contains Thai traditional massage inscriptions with 32 drawings of massage positions on the walls while the one to the south has a collection of inscriptions on guardian angel that protects the newborn.

- Phra Viharn Kod - This is the gallery which consists of four viharas, one on each corner outside the Phra Rabiang.

- Tamnak Wasukri - Also called the poet's house, this is the former residence of Prince Patriarch Paramanujita Jinorasa, a Thai poet. This building is in the living quarters of the monks in the southern compound and is open once a year on his birthday.

RECLINING BUDDHA

The chapel and the reclining Buddha (Phra Buddhasaiyas, Thai พระพุทธไสยาสน์) were built by Rama III in 1832. The image of the reclining Buddha represents the entry of Buddha into Nirvana and the end of all reincarnations. The posture of the image is referred to as sihasaiyas, the posture of a sleeping or reclining lion. The figure is 15 m high and 46 m long, and it is one of the largest Buddha statues in Thailand. The right arm of the Buddha supports the head with tight curls, which rests on two box-pillows richly encrusted with glass mosaics. The figure has a brick core, which was modelled and shaped with plaster, then gilded.

The soles of the feet of the Buddha are 3 m high and 4.5 m long, and inlaid with mother-of-pearl. They are each divided into 108 arranged panels, displaying the auspicious symbols by which Buddha can be identified, such as flowers, dancers, white elephants, tigers, and altar accessories. At the center of each foot is a circle representing a chakra or energy point. There are 108 bronze bowls in the corridor representing the 108 auspicious characters of Buddha. Visitors may drop coins in these bowls as it is believed to bring good fortune, and it also helps the monks to maintain the wat.

Although the reclining Buddha is not a pilgrimage centre, it remains an object of popular piety. An annual celebration for the reclining Buddha is held around the time of the Siamese Songkran or New Year in April, which also helps raise funds for the upkeep of Wat Pho.

THAI MASSAGE

The temple is considered the first public university of Thailand, teaching students in the fields of religion, science, and literature through murals and sculptures. A school for traditional medicine and massage was established at the temple in 1955, and now offers four courses in Thai medicine: Thai pharmacy, Thai medical practice, Thai midwifery, and Thai massage. This, the Wat Pho Thai Traditional Medical and Massage School, is the first school of Thai medicine approved by the Thai Ministry of Education, and one of the earliest massage schools. It remains the national headquarters and the center of education of traditional Thai medicine and massage to this day. Courses on Thai massage are held in Wat Pho, and these may last a few weeks to a year. Two pavilions at the eastern edge of the Wat Pho compound are used as classrooms for practising Thai traditional massage and herbal massage, and visitors can received massage treatment here for a fee.There are many medical inscriptions and illustrations placed in various buildings around the temple complex, some of which serve as instructions for Thai massage therapists, particularly those in the north medical pavilion. Among these are 60 inscribed plaques, 30 each for the front and back of human body, showing pressure points used in traditional Thai massage. These therapeutic points and energy pathways, known as sen, are engraved on the human figures, with explanations given on the walls next to the plaques. They are based on the principle of energy flow similar to that of Chinese acupuncture. The understanding so far is that the figures represent relationships between anatomical locations and effects produced by massage treatment at those locations, but full research on the diagrams has yet to be completed.

WIKIPEDIA

This is the test for the site I'm working on with my Altered Art dolls. If anyone want to beta it, I'd be grateful ( thanks to those who have looked already) It isn't finished and some of the links may not work correctly yet. I think the main image is taking way to long to load, I may have to change where it is etc...

ANYWAY I like the way it's starting out, but may have to change stuf

f(edit)

doh helps to add the url : wickeddollz.angelfire.com/dimestoretest.html

This is Charles.

Charles is also a photographer. He use Nikon Equipment :-)

I saw him from far away in the morning direct infront of the cologne cathedral.

Only a few people are running arround.

Charles stoud directly infront of the cathedral pointing his camera upwards

and made pictures.

My Plan was to went near him and wait for a break in taking pictures to ask

about the project.

Easy said, but hardly done. He just didnt stop. Pointing the camera down for

five seconds, walked a little further, camera up. Looking at the display, camera up

etc.

I waited nearly ten minutes, always looking at him. I started to look like a tourist

taking pictures from the cathedral because a police car was near me.

There are many pickpockets.

Than i could ask him. I started with German but he couldnt understand.

I explained the project in English and he agreed. We took three pictures.

I showed him the picture and gave him my Mo Card.

Thank you very much!

This picture is #37 in my 100 strangers project. Find out more about the project and see pictures taken by other photographers at the 100 Strangers Flickr Group page

Please visit me at Google+

plus.google.com/u/0/

Various Artists

Wednesday 6 - Friday 8 November, Check listing for times

Various Locations

Various Locations

Street Talks is a series of quickfire public talks, part of the Re@ct: Social Change Art Technology Symposium. Rather than your typical poster session, these talks will take place on the streets of Dundee in various locations. Free speech is essential to political and social change – these artists are quite literally taking it to the streets to share their creative practices.

Luisa Charles & Elke Reinhuber –Wednesday 6th November, 2pm, Slessor Gardens

Luisa Charles – discusses the intersections of disability and design, and how novel bespoke design practices could offer a solution to designing for all needs, where universal design could not. These design ideologies, that include co-design, individual centred design, mass customisation, and mass personalisation, are exemplified by case studies from pop culture design media, such as the Fixperts and BBC’s Big Life Fix. She analyses the social, technological, and economical shifts that are required for these practices to become mainstream, and the capability of bespoke design to cause enough disruption within the design economy to create a shift in capitalism.

Elke Reinhuber – The Urban Beautician moved recently from the speckless city state of Singapore, where she already developed her retirement plans, across the South China Sea, to protest-ridden Hong Kong. There, she observed how much effort the cleaners put up to keep these megapolises scrubbed and tidy. As they are frequently overlooked, the Urban Beautician captured some of them during their relentless daily routine. While they have adapted themselves to their particular duties, their skills are hardly ever honoured or even acknowledged. Paying homage to their Sisyphean challenge, they can be positioned now anywhere through Augmented Reality and venerated as perpetualised sculptures of our everyday heroes.The Urban Beautician tries to improve neglected details in our urban environment with interventions in public space and performances to camera. Since more than a decade she cares for things most people are oblivious to.

Ibarieze Abani and Daisy Abbott & Anders Zanichkowsky – Thursday 7th November, 1:30pm, Albert Square, by McManus Gallery Steps

Ibarieze Abani and Daisy Abbott – Transmedia storytelling uses multiple delivery channels to convey a narrative in order to provide a more immersive entertainment experience (Jenkins, 2009). Transmedia activism can be very broadly defined as using storytelling to “effect social change by engaging multiple stakeholders on multiple platforms to collaborate toward appropriate, community-led social action” (Srivastava, 2009). Activism depends on participation and collaboration within a community to avoid unsustainable or inappropriate top-down interventions. A similar concept, transmedia mobilization, uses transmedia storytelling to engage “the social base of a movement in participatory media making practices across multiple platforms” (Constanza-Chock, 2013) and also requires interaction from diverse voices from within the community.

Anders Zanichkowsky –“I Am in Your Hands: Smartphones and the erotics of the future”Social media artist and queer anarchist Anders Zanichkowsky will present excerpts and reflections from his current Grindr project, “Queen of Hearts,” as well as other recent projects reading Tarot cards on hookup apps and go-go dancing for a remote audience on Instagram. During this talk, Anders will use the same social media platforms that are the subject of his presentation, inviting you into the theory behind the work, and into the work itself. Equal parts cultural criticism, performance art, and experimental public speaking, this street talk will level the hierarchy of physical presence over virtual appearance, and scandalously suggest how thirst traps and sexting with strangers can indeed point us towards a radical future of queer intimacy and counterculture.

Mohammad Namazi & Matteo Preabianca – Friday 8th November, 1:30pm, Wellgate Centre, Victoria Road entrance

Mohammad Namazi – An Archive of Audio Disobedience, intervenes into the public realm, and collaborates with individuals, to construct a live-event. The event manifests through utilising a net-based sound archive, capable of involving participants in a collective form of sound-action, -publication, -demonstration, -performance, and -play.

The archive comprises various audio effects, sound segments, words, and computer-generated speeches – to stage a critical symphony, rooted in and derived from, socio-political concerns.

Matteo Preabianca – Mantra Marx is the eighth album for the NonMiPiaceIlCirco! Project. NonMiPiaceIlCirco! is a musical project that has been on since 2004, the year of the first album. Since then, the line-up has been in a constant change, with Matteo Preabianca the only member from the beginning. So they took The Capital from the shelf to read again. But who remembers it, especially young people? Let’s get rid of guitars and songs to give a didactic approach to the music. 25 tracks, one for each of the First Book’s 25 chapters. They use the lyrics as Hinduist mantras, where repetition is the key for a deep understanding of our life, and Marx as well. Its music, besides being lo-fi and badly made, is just an excuse. The lyrics are a summarized version of the aforementioned book, spoken by 25 different Mandarin native voices, completely unaware of the reason behind the recording. Still time to die as a Marxist(?). Developed and recorded in China.

About the Artists

Daisy Abbott is an interdisciplinary researcher and research developer based in the School of Simulation and Visualisation at The Glasgow School of Art. Daisy’s current research focusses on game-based learning, 3D visualisation, and issues surrounding digital interaction, documentation, preservation, and interpretation in the arts and humanities. She also collaborates with artists on works aiming to explore the nature of digital interactivity and digital art.

Luisa Charles is an interaction designer, multidisciplinary artist, and filmmaker. Having been exhibited in the Science Museum, Science Gallery London, London Design Festival, and various film festivals, amongst others, her work spans many themes across science and technology, social politics, and personal narratives. She specialises in installation design and physical computing, experience design, fabrication, and videography, and her work often comes under the umbrella of speculative and critical design. Her work focuses heavily on research processes, and forms itself organically through investigation and experimentation.

Ibarieze Abani is a recent Masters graduate in Serious Games and Virtual Reality at the Glasgow School of Art, where she has carried out projects about cultural heritage, gender inequality, transmedia storytelling and climate policy. She is an advocate of the capabilities of interactive digital media as a tool for opening up dialogues surrounding large scale themes such as climate justice, social justice and intersectionality. She has a keen interest in working with people using digital media to make meaningful and tangible differences on a societal scale.

Mohammad Namazi (b. 1981. Tehran) is an artist, educator and researcher based in London. Mohammad works through means of de-construction, collaboration, process, unlearning, and telematics systems within social and cultural realms. The studio operates as a research-lab for inter-disciplinary projects that can span video, sound, liveevents, graphics, photography, sculptural structures, and internet-based projects. He received his doctorate from UAL research in 2019, and currently teaches as visiting lecturer at Wimbledon, and Chelsea College of Arts. Mohammad is a member of research cluster Critical Practice.

Matteo Preabianca- Music and Languages…Music and Languages? How come? Matteo starts playing violin when he was a child, but he did not like it, especially when he tried to beat it on the table. It did not make any good sound. So, better drumming, right? Meanwhile playing and spending a lot his mum’s money to buy records he realised even speaking other languages was not so bad. Especially when he invented his own. Step by step, he turned into a music and languages teacher.

Elke Reinhuber is not your average artist, because she became a specialist on choice, decision making and counterfactual thoughts in media arts. Currently, Reinhuber teaches and researches at the School of Creative Media, CityU Hing Kong and is affiliated with the School of Art, Design and Media at NTU in Singapore. In her artistic practice, she investigates on the correlation between decisions and emotions and explores different strategies of visualisation and presentation, working with immersive environments, mixed reality, imaging technologies and performance. In addition, her alter ego, the ‘Urban Beautician’ is pursuing a life which Elke didn’t follow.

Anders Zanickowsky is an American artist and activist who uses platforms like Grindr and Instagram as actual sites for performances about desire, uncertainty, and vulnerability. He is committed to José Esteban Muñoz’s concept of queer futurity in which artists refuse the oppressive confines of the present and reach instead towards what can only be imagined. He has an MFA from the University of Wisconsin-Madison (2019) and was a resident with The Arctic Circle program in Svalbard (2016). Since 2008 he has worked in movements for housing justice, prison abolition, and HIV/AIDS.

Photography Kathryn Rattray

© Don't use without my permission.

{{Blog}}

NO IMAGES AND BANNER IN COMMENTS PLEASE.

This large patch of Coscinarea mcneilli on the eastern side of Bare Island was first recorded by Underwater Research Group in the 1960s. Based on growth rates, it could be over 300 years old. When I revisited the coral last weekend I was horrified to see a large patch of the coral appears to have died. I hope this isn't the start of something serious - anyone? Here's what it looked like just two years ago: flic.kr/p/YXyTSh

Deboxing the doll. There is a clear plastic sleeve over the inner cardboard box. The cape and display stand are separate pieces that are included with the doll. The doll is tied down with satin ribbons, and a clear plastic strip secures her skirt. The cover is removed to show the contents in clear view. The Certificate of Authenticity and instructions for assembling the display stand are inside the backing, which opens up in the back. We then remove the doll from the backing, and remove her tags. The doll stand is in two pieces still taped to the backing.

Thanks to a tip from a fellow collector, I got my very first Madame Alexander doll, the Alex Collection Snow White 16 inch doll, for a very good price, from Amazon. The doll was new in box, in the original shipper carton. She was released in 2008 in an edition of 300. I happen to have #300 of 300! The number is on the CoA, the lower back of the doll, and on the tag of the satin gown. She also comes with a satin cape. The only other accessory is a display stand. The skirt is very full and floor length, and is most like the Tonner Snow White outfit that I have. There is a satin slip and a tulle petticoat underneath that helps to keep the skirt full. Like Tonner dolls, she has flesh colored tights over cloth panties. She has high heeled shoes with the tops made of satin, with tiny satin bows. The face is much more realistic than my DS Snow White dolls, looking like a high fashion model. Her eyelashes were a little wonky, so I tried to make them a little neater. Her hair is styled into a bun in the back, protected by a hair net, similar to that of the Designer Princess Snow White.

"The Tuscan Palace, sometimes also called the Thun-Hohenštejnský palác, is a massive baroque palace-type building located on the west side of Hradčanské náměstí in the Prague 1 district of Hradčany. Currently, the building is used by the Ministry of Foreign Affairs of the Czech Republic. Since 1964, the palace has been a cultural monument.

The construction of the palace was started by Count Michael Osvald Thun-Hohenstein before 1690 on the site of several smaller residential houses that had belonged to the Lobkovics until then. At that time, Count Thun conceived the intention of building his noble representative residence here near Prague Castle. However, he did not live to see the construction completed. In 1718, the unfinished building was bought from Thun by Anna Marie Františka, duchess of Tuscany, who later completed the construction - hence the name of this palace.

The construction was carried out according to the project of the French architect Jean Baptiste Mathey; the construction of the palace also mentions the collaboration of the Italian architect Giacomo Antonio Canevalle, who is credited with the two pavilions above the main facade, which penetrate the roof and are connected by a terrace. The building has a total of four closed wings with a rectangular courtyard in the middle and two fountains in building niches. The rich façade of the palace is decorated with two Tuscan coats of arms, as well as sculptural decoration on the attic, which consists of an allegory of the Seven Liberal Arts by Jan Brokoff (from left: Grammar, Dialectic, Rhetoric, Astrology, Arithmetic, Music, Geometry).

In 1998, a complete reconstruction of the building took place here. Only the spaces on the ground floor, where various social events are occasionally held, are occasionally accessible to the public.

Hradčany (German: Hradschin) is an urban district and cadastral territory of Prague with an area of ​​1.5 km², divided between city districts and at the same time the city districts of Prague 1 and Prague 6. A significant part of the district is occupied by Prague Castle, one of the most famous castles in Europe and, according to the Guinness Book of Records, the largest castle complex in the world. Hradčany was an independent town until 1784, when it became part of the united royal capital of Prague.

Hradčany includes the area of ​​Prague Castle, the territory of the historic city around Hradčanské and Loretánské náměstí, Pohořelec, the area of ​​Strahov Monastery and Nový Svět, as well as the area of ​​the former Marian Walls forming an arc from the western edge of Letenská plain to the top of Petřín.

Prague 6 includes a strip of territory defined by tram lines in Dlabačov, Keplerova, Jelení, Mariánské hradby, Badeni, Milada Horáková, Patočkova and Myslbekova streets. The cadastral territory Hradčany is adjacent to Střešovice to the northwest, Dejvice to the north, Mala Strana to the east, Smíchov (a small strip of territory) to the south, and Břevnov to the southwest.

Prague (/ˈprɑːɡ/ PRAHG; Czech: Praha [ˈpraɦa]; German: Prag [pʁaːk]; Latin: Praga) is the capital and largest city of the Czech Republic and the historical capital of Bohemia. On the Vltava river, Prague is home to about 1.3 million people. The city has a temperate oceanic climate, with relatively warm summers and chilly winters.

Prague is a political, cultural, and economic hub of central Europe, with a rich history and Romanesque, Gothic, Renaissance and Baroque architectures. It was the capital of the Kingdom of Bohemia and residence of several Holy Roman Emperors, most notably Charles IV (r. 1346–1378) and Rudolf II (r. 1575–1611).

It was an important city to the Habsburg monarchy and Austro-Hungarian Empire. The city played major roles in the Bohemian and the Protestant Reformations, the Thirty Years' War and in 20th-century history as the capital of Czechoslovakia between the World Wars and the post-war Communist era.

Prague is home to a number of well-known cultural attractions, many of which survived the violence and destruction of 20th-century Europe. Main attractions include Prague Castle, Charles Bridge, Old Town Square with the Prague astronomical clock, the Jewish Quarter, Petřín hill and Vyšehrad. Since 1992, the historic center of Prague has been included in the UNESCO list of World Heritage Sites.

The city has more than ten major museums, along with numerous theatres, galleries, cinemas, and other historical exhibits. An extensive modern public transportation system connects the city. It is home to a wide range of public and private schools, including Charles University in Prague, the oldest university in Central Europe.

Prague is classified as a "Alpha-" global city according to GaWC studies. In 2019, the city was ranked as 69th most livable city in the world by Mercer. In the same year, the PICSA Index ranked the city as 13th most livable city in the world. Its rich history makes it a popular tourist destination and as of 2017, the city receives more than 8.5 million international visitors annually. In 2017, Prague was listed as the fifth most visited European city after London, Paris, Rome, and Istanbul.

Bohemia (Latin Bohemia, German Böhmen, Polish Czechy) is a region in the west of the Czech Republic. Previously, as a kingdom, they were the center of the Czech Crown. The root of the word Czech probably corresponds to the meaning of man. The Latin equivalent of Bohemia, originally Boiohaemum (literally "land of Battles"), which over time also influenced the names in other languages, is derived from the Celtic tribe of the Boios, who lived in this area from the 4th to the 1st century BC Bohemia on it borders Germany in the west, Austria in the south, Moravia in the east and Poland in the north. Geographically, they are bounded from the north, west and south by a chain of mountains, the highest of which are the Krkonoše Mountains, in which the highest mountain of Bohemia, Sněžka, is also located. The most important rivers are the Elbe and the Vltava, with the fertile Polabean Plain extending around the Elbe. The capital and largest city of Bohemia is Prague, other important cities include, for example, Pilsen, Karlovy Vary, Kladno, Ústí nad Labem, Liberec, Hradec Králové, Pardubice and České Budějovice, Jihlava also lies partly on the historical territory of Bohemia." - info from Wikipedia.

Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.

Now on Instagram.

Become a patron to my photography on Patreon or donate.

A snail is, in loose terms, a shelled gastropod. The name is most often applied to land snails, terrestrial pulmonate gastropod molluscs. However, the common name snail is also used for most of the members of the molluscan class Gastropoda that have a coiled shell that is large enough for the animal to retract completely into. When the word "snail" is used in this most general sense, it includes not just land snails but also numerous species of sea snails and freshwater snails. Gastropods that naturally lack a shell, or have only an internal shell, are mostly called slugs, and land snails that have only a very small shell (that they cannot retract into) are often called semi-slugs.

Snails have considerable human relevance, including as food items, as pests, as vectors of disease, and their shells are used as decorative objects and are incorporated into jewelry. The snail has also had some cultural significance, and has been used as a metaphor.

OVERVIEW

Snails that respire using a lung belong to the group Pulmonata. As traditionally defined, the Pulmonata were found to be polyphyletic in a molecular study per Jörger et al., dating from 2010. But snails with gills also form a polyphyletic group; in other words, snails with lungs and snails with gills form a number of taxonomic groups that are not necessarily more closely related to each other than they are related to some other groups.

Both snails that have lungs and snails that have gills have diversified so widely over geological time that a few species with gills can be found on land and numerous species with lungs can be found in freshwater. Even a few marine species have lungs.

Snails can be found in a very wide range of environments, including ditches, deserts, and the abyssal depths of the sea. Although land snails may be more familiar to laymen, marine snails constitute the majority of snail species, and have much greater diversity and a greater biomass. Numerous kinds of snail can also be found in fresh water.

Most snails have thousands of microscopic tooth-like structures located on a banded ribbon-like tongue called a radula. The radula works like a file, ripping food into small pieces. Many snails are herbivorous, eating plants or rasping algae from surfaces with their radulae, though a few land species and many marine species are omnivores or predatory carnivores. Snails cannot absorb colored pigments when eating paper or cardboard so their feces are also colored.

Several species of the genus Achatina and related genera are known as giant African land snails; some grow to 38 cm from snout to tail, and weigh 1 kg). The largest living species of sea snail is Syrinx aruanus; its shell can measure up to 90 cm in length, and the whole animal with the shell can weigh up to 18 kg.

The snail Lymnaea makes decisions by using only two types of neurons: one deciding whether the snail is hungry, and the other deciding whether there is food in the vicinity.

The largest known land gastropod is the African giant snail Achatina achatina, the largest recorded specimen of which measured 39.3 centimetres from snout to tail when fully extended, with a shell length of 27.3 cm in December 1978. It weighed exactly 900 g. Named Gee Geronimo, this snail was owned by Christopher Hudson (1955–79) of Hove, East Sussex, UK, and was collected in Sierra Leone in June 1976.

TYPES OF SNAILS BY HABITAT

SLUGS

Gastropods that lack a conspicuous shell are commonly called slugs rather than snails. Some species of slug have a red shell, some have only an internal vestige that serves mainly as a calcium repository, and others have no shell at all. Other than that there is little morphological difference between slugs and snails. There are however important differences in habitats and behavior.

A shell-less animal is much more maneuverable and compressible, so even quite large land slugs can take advantage of habitats or retreats with very little space, retreats that would be inaccessible to a similar-sized snail. Slugs squeeze themselves into confined spaces such as under loose bark on trees or under stone slabs, logs or wooden boards lying on the ground. In such retreats they are in less danger from either predators or desiccation, and often those also are suitable places for laying their eggs.

Slugs as a group are far from monophyletic; biologically speaking "slug" is a term of convenience with little taxonomic significance. The reduction or loss of the shell has evolved many times independently within several very different lineages of gastropods. The various taxa of land and sea gastropods with slug morphology occur within numerous higher taxonomic groups of shelled species; such independent slug taxa are not in general closely related to one another.

HUMAN RELEVANCE

Land snails are known as an agricultural and garden pest but some species are an edible delicacy and occasionally household pets.

IN AGRICULTURE

There are a variety of snail-control measures that gardeners and farmers use in an attempt to reduce damage to valuable plants. Traditional pesticides are still used, as are many less toxic control options such as concentrated garlic or wormwood solutions. Copper metal is also a snail repellent, and thus a copper band around the trunk of a tree will prevent snails from climbing up and reaching the foliage and fruit. A layer of a dry, finely ground, and scratchy substance such as diatomaceous earth can also deter snails.

The decollate snail (Rumina decollata) will capture and eat garden snails, and because of this it has sometimes been introduced as a biological pest control agent. However, this is not without problems, as the decollate snail is just as likely to attack and devour other gastropods that may represent a valuable part of the native fauna of the region.

AS FOOD

In French cuisine, edible snails are served for instance in Escargot à la Bourguignonne. The practice of rearing snails for food is known as heliciculture. For purposes of cultivation, the snails are kept in a dark place in a wired cage with dry straw or dry wood. Coppiced wine-grape vines are often used for this purpose. During the rainy period, the snails come out of hibernation and release most of their mucus onto the dry wood/straw. The snails are then prepared for cooking. Their texture when cooked is slightly chewy.

As well as being relished as gourmet food, several species of land snails provide an easily harvested source of protein to many people in poor communities around the world. Many land snails are valuable because they can feed on a wide range of agricultural wastes, such as shed leaves in banana plantations. In some countries, giant African land snails are produced commercially for food.

Land snails, freshwater snails and sea snails are all eaten in a number of countries (principally Spain, Philippines, Morocco, Nigeria, Algeria, Cameroon, France, Italy, Portugal, Greece, Bulgaria, Belgium, Vietnam, Laos, Cambodia, Cyprus, Ghana, Malta, Terai of Nepal, China, Northeast India states such as Manipur, Tripura and parts of the United States). In certain parts of the world, snails are fried. For example, in Indonesia, they are fried as satay, a dish known as sate kakul. The eggs of certain snail species are eaten in a fashion similar to the way caviar is eaten.

In Bulgaria, snails are traditionally cooked in an oven with rice or fried in a pan with vegetable oil and red paprika powder. Before they are used for those dishes, however, they are thoroughly boiled in hot water (for up to 90 minutes) and manually extracted from their shells. The two species most commonly used for food in the country are Helix lucorum and Helix pomatia.

FAMINE FOOD

Snails and slug species that are not normally eaten in certain areas have occasionally been used as famine food in historical times. A history of Scotland written in the 1800s recounts a description of various snails and their use as food items in times of plague.

COSMETIC

Skin creams derived from Helix aspersa snails are sold for use on wrinkles, scars, dry skin, and acne. A research study suggested that secretions produced under stress by Helix aspersa might facilitate regeneration of wounded tissue.

Cultural depictions

SYMBOLISM

Because of its slowness, the snail has traditionally been seen as a symbol of laziness. In Christian culture, it has been used as a symbol of the deadly sin of sloth. Psalms 58:8 uses snail slime as a metaphorical punishment. In Mayan mythology, the snail is associated with sexual desire, being personified by the god Uayeb.

DIVINATION AND OTHER RELIGIOUS USES

Snails were widely noted and used in divination. The Greek poet Hesiod wrote that snails signified the time to harvest by climbing the stalks, while the Aztec moon god Tecciztecatl bore a snail shell on his back. This symbolised rebirth; the snail's penchant for appearing and disappearing was analogised with the moon.

LOVE DARTS AND CUPID

Professor Ronald Chase of McGill University in Montreal has suggested the ancient myth of Cupid's arrows might be based on early observations of the love dart behavior of the land snail species Helix aspersa.

In contemporary speech, the expression "a snail's pace" is often used to describe a slow, inefficient process. The phrase "snail mail" is used to mean regular postal service delivery of paper messages as opposed to the delivery of email, which can be virtually instantaneous.

IN INDONESIAN MYTHOLOGY

DEWI SEKARTAJI AS KEONG EMAS

Keong Emas (Javanese and Indonesian for Golden Snail) is a popular Javanese folklore about a princess magically transformed and contained in a golden snail shell. The folklore is a part of popular Javanese Panji cycle telling the stories about the prince Panji Asmoro Bangun (also known as Raden Inu Kertapati) and his consort, princess Dewi Sekartaji (also known as Dewi Chandra Kirana).

TEXTILES

Certain varieties of snails, notably the family Muricidae, produce a secretion that is a color-fast natural dye. The ancient Tyrian purple was made in this way as were other purple and blue dyes. The extreme expense of extracting this secretion is sufficient quantities limited its use to the very wealthy. It is such dyes as these that led to certain shades of purple and blue being associated with royalty and wealth.

WIKIPEDIA

Most tall coconut trees you see along beaches in Malaysia are of the Malayan Tall variety. And this tree happens to be one as well, growing inside a private compound. Everyday, over 1000 vehicles pass this tree - it is just opposite CKS Supermarket along Bundusan Road. One thing which amazes me is the whitish pattern on one of its coconuts - the white is so intense that you can even see it from as far as 100 metres away! All of the coconuts on this tree seem to have that pattern as well. And the trunk of this tree is very smooth - something like the Cuban Royal Palm. Is it a genetic trait or is it because of a disease/ pest?

Bakewell is the only market town within the Peak District National Park boundary.

Its attractive courtyards, independent shops, cafés and its scenic location on the River Wye (about thirteen miles southwest of Sheffield) make it a hugely popular destination for Peak District tourists.

Bakewell is best known for a confection made by mistake. In the 19th century, a cook at the Rutland Arms was baking a jam tart, but misunderstood the recipe, and so Bakewell Pudding was created. Now, almost every visitor to the town samples this culinary delight.

en.wikipedia.org/wiki/Bakewell

Old House Museum

A typical 16th-century yeoman's house that now houses a museum.

The museum tells the story of the house as well as the lives of people from Bakewell and this part of the Peak District.

The house was originally owned by the Dean and Chapter of Lichfield, and was built as a tithe collector's dwelling.

Built in 1534, extended in 1549, reflecting the growing prosperity from tithe collecting.

Gade II* Listed

www.oldhousemuseum.org.uk/museum/

en.wikipedia.org/wiki/Old_House_Museum,_Bakewell

Technical Note

Difficult to photograph due to the rooms being small and packed with interesting exhibits. My pics were taken to record my visit rather than as an attempt to showcase my photographic prowess.

Zofiówka Sanatorium is a defunct mental health facility in the town of Otwock in Poland, built at the beginning of the 20th century. In the Second Polish Republic, the sanatorium complex was expanded with more buildings and staff. Zofiówka initially had 95 beds, but this number had increased to 275 by 1935. The Jewish history of Zofiówka has come to its tragic end in the course of the Holocaust following the invasion of Poland by Nazi Germany.

Construction

The history of the old Jewish sanatorium starts at the beginning of the 20th century. Back then, the institutionalized treatment of mental disorders was in its infancy. In 1906, Polish-Jewish neurologists Adam Wizel, Samuel Goldflam, Ludwik Bregman and Adolf Weisblat formed the "Society for Poor Jews with Nervous and Mental Illnesses" (Polish: Towarzystwo Opieki nad Ubogimi, Nerwowo i Umysłowo Chorymi Żydami). The sanatorium's director was Dr. Stefan Miller.A year later, a donation by the philanthropist Sophia Endelman enabled the purchase of 17 hectares of land and in 1908 the first building of a new sanatorium was built by the association there. An important part of the treatment was restoring patients to society by enabling them to practice employment. In its isolation ward (part of the hospital reserved for the most difficult patients), the mother of famous Polish poet, Julian Tuwim, Adela Tuwim was placed before World War II.

Holocaust history

In late 1940, the asylum fell within the so-called ‘medical zone’ formed by the Germans in the newly established Jewish ghetto of Otwock. The institution was still working during the early stages of the occupation of Poland, but the conditions dramatically worsened. Almost 400 patients were sentenced to a slow and torturous death by starvation as part of the Nazi extermination Aktionen. Zofiówka ended its existence at the same time as ghetto in Otwock.

On the morning of 19 August 1942, the Ukrainian Trawnikis supervised by the Germans, gathered the patients and the hospital crew in the first pavilion. Some 100-140 victims were shot on the spot, the rest were put on the Holocaust train to Treblinka along with Otwock’s Jewish population of 7,000.[2] Only a few doctors, who managed to escape to Warsaw by ambulance, survived. Some of the staff people committed suicide. In 1943 Zofiówka served Germans as Lebensborn, the institution of charity care. The facility also dealt with the Germanization of Polish children, and bringing them up for adoption to families in Germany.

After World War II

Zofiówka returned to its original medical purposes after the Soviet takeover, but patients were mainly children and young people. Between 1985 and mid 90’s, the facility was used in treating neuropsychiatric disorders associated with drug addiction. This continued on until the decision was made to finally close it.

In 2015, the Internet viral video called 11B-X-1371 was found to have been filmed at the abandoned facility, though by whom and when, exactly, are not known.

"A mountain is composed of tiny grains of earth. The ocean is made up of tiny drops of water. Even so, life is but an endless series of little details, actions, speeches, and thoughts. And the consequences whether good or bad of even the least of them are far-reaching."

...Sivananda

Yávanyore is a simple First Age Elven knife, in commemoration of the last leaves of Autumn and the coming winds of winter that follow.

Forged and ground from steel given to me by my friend Randy of HHH Knives, it has a carved Mahogany wood grip with copper bolster, carved and shaped in the likeness of two leaves.

The sheath is tooled cow-hide leather with Autumn symbolism. Sinew cord and antiqued copper.

Schloss Vollrads is a wine estate in the Rheingau wine-growing region in Germany, that has been making wine for over 800 years.

After the donation of Verona in 983 the archbishopric of Mainz, the new owner, invested in vine growing, although vines had been cultivated there since Roman times. The manor house was named after the Lords of Winkel; Vollradus is a given name. In 1218 a "Vollradus in Winkela" (so-called knight Vollradus), in 1268 a "Conradus dictus Vollradus armiger" is documented. No building originating from this time is traceable.

Today the core building of the estate is a substantial tower house, surrounded by a square moat. Therefore the house is only reachable by bridge. This keep can be traced to the first third of the 14th century and the family of Greiffenclau, the heirs of the Lords of Winkel. The octagon stage tower, flanking the donjon, was erected in 1471; the bay window was added in 1620. Above the doorway the coat of arms of the Greiffenclau family is to be seen.

In 1684 the present two-winged manor house was built by Georg Phillip Greiffenclau von Vollrads near the tower. His son Johann Erwein erected the estate buildings around 1700, as well as boundary walls around the manor garden, and finally equipped the tower with a typical baroque roof.

In 1907/1908 Countess Clara Matuschka-Greiffenclau had the buildings remodelled. She increased the height of the southern wing of the mansion by a third floor, added two towers with an onion dome, and enlarged the terraces and the bay windows at the Donjon.

In 1975 Erwein Matuschka Greiffenclau took charge of the property, which was heavily in debt. Although an important figure in the emergence of a new or rediscovered style of high quality dry Rheingau wine in the 1980s and 1990s, he was not successful in reorganising his estate. When in 1997 the principal bank decided on the declaration of bankruptcy, Erwein, who was then also the chairman of the VDP-Rheingau, took his gun, went to his beloved vineyards, and committed suicide. Since then, the estate has belonged to the Nassauische Sparkasse bank, which runs the manor house as well as the vineyards and a restaurant.

Het is wat het is, een flat in Rotterdam Ommoord.

It is what it is. An apartment block in Rotterdam Ommoord. In the Dutch language the word "flat" can also refer to the complete block of flats.

Jersey Rugby Football Club is a rugby club based in Jersey that competes at the RFU Championship. In the 2009–10 season JRFC won their play-off at Twickenham and also in the 2012–13 beat their greatest rivals Guernsey to win the Siam Cup for the fifth consecutive year. Jersey gained promotion by winning National League One and are now in RFU Championship.

The team was known as Jersey R.F.C. until the start of the 2016–17 season, when they changed their name to the Jersey Reds.

Rugby has been played in Jersey since 1879 with breaks for war and the Nazi occupation but the modern era started when the club acquired the land for a permanent home in Saint Peter near Jersey Airport in 1961; the original wooden clubhouse was built in 1964, its approximate location was in the middle of the Jersey Bowl carpark. From the early 1970s, when tourism in the island was at its peak, Jersey attracted many of rugby's top clubs who could combine a break from their regular fixtures with a game against the JRFC.

This period culminated with a very successful Centenary year in 1979, teams with international players came over to play and help celebrate this event – JPR Williams being one of the most famous! This decade left the club with an unequalled collection of plaques and memorabelia; teams coming from the UK, Ireland, South Africa, Australia (the beachguard connection) and the Netherlands.

Jersey vs. Barking at St. Peter, 5 November 2011.

The current clubhouse was opened in September 1994 and corresponded approximately with the start of the leagues; by then Jersey could not rely on random visiting sides and had to join the league in Hampshire.

In the summer of 2010 the new Lord Jersey Stand was built between the 1st XV pitch and the Airport Road and the Pavilion, with kitchen and bar, to the east of the main club facilities. This was to provide amenities for the increasing number of spectators due to the further success of the 1st XV.

The last few years have seen the first team work its way up the National Leagues, winning the overall National League 3 in 2010 and progressing to National League 2 South. Most recently in 2011, Jersey were promoted to National League 1 through a play-off game at home to Loughborough Students. The clubs kit is red with black shorts and socks and the away shirts are blue with black shorts and socks.

During their first season in National League 1 Jersey suffered a narrow defeat in their first game against Fylde and also lost their first home game in two and a half years against Ealing. They were also docked 5 points for fielding too many foreign players in their defeat to Cinderford. Despite these setbacks Jersey bounced back winning 11 games in a row and ended 2011 second in the National League 1 table, only 1 point behind Ealing. In their first game of 2012 they beat top of the table Ealing 24–16, making promotion a very real possibility. This run continued with wins against Rosslyn Park, Cinderford, Wharfedale and Stourbridge giving them 19 wins in a row but stuttered against Barking but since have won all their remaining games, most notably an away win against Coventry in which over 400 Jersey fans went to Coventry, to win promotion to the Championship.

In July 2012, it was reported that the States of Jersey Economic Development Department would sponsor the club for one year at a cost of £75,000.[

les U12 de l'EDR du XV Corsaire accueillent leurs homologues de Jersey.

RV dès 13h pour le début des rencontres. Come on Jersey !!

L'école de rugby du CJF Saint-Malo Rugby est labellisée par la FFR

Donner le label FFR à une école, c’est reconnaître :

- qu’elle met tout en œuvre pour être autant une école de la Vie qu’une école de Rugby

- qu’elle s’inscrit dans un processus permanent d’amélioration de la Qualité des contenus et des pratiques.

Le label n’est pas un but. Il est une étape importante, le constat que, à un moment donné, l’école de Rugby concernée répond bien aux objectifs qui lui sont normalement fixés par sa mission.

L'école de rugby de Le Rheu a été parmi les premières à être labellisées FFR en 2006, renouvelée en 2014, garantissant ainsi la qualité de l'accueil, de la formation, du développement et de la communication.

Le SC LE RHEU RUGBY depuis bientôt 50 ans ne cesse d’œuvrer pour mettre en lumière son sport et sa commune en s’appuyant avec beaucoup de conviction sur les valeurs qui lui sont reconnues : le respect des autres, l’esprit d’équipe, la solidarité, la loyauté, le dépassement de soi, la convivialité. Son développement rapide associé aux résultats sportifs obtenus, des plus jeunes aux plus aux plus âgés, l’ont rapidement positionné comme l’un des tout meilleurs clubs Bretons.

Club école de rugby depuis 1972, le SC le Rheu rugby représente :

9 titres de champion de Bretagne « Honneur » - 27saisons en Fédérale 3 depuis 1981 - ½ finaliste du championnat de France 2ème série en 1980 - 16 titres de champion de Bretagne chez les jeunes.

Le point d’honneur de la saison depuis 1999 est le challenge André LEBAS réunissant plus de 1500 jeunes du Grand Ouest.

Le Sporting Club (2300 licenciés) créé en 1965 et composé de 19 sections sportives : football (1928), basket-ball, gymnastique volontaire, pétanque, billard français, haltérophilie, musculation, rugby à XV (Sporting club Le Rheu rugby), cyclotourisme, jogging, course, sports loisirs, judo, karaté, aïkido, tennis, golf, kart cross, volley-ball.

Getting excited for the 2018 Vans US Open of Surfing in Hunting Beach! Here's a warm up!

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All my photography celebrates the physics of light! dx4/dt=ic! Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Physical: geni.us/Fa1Q

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Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!

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Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!

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Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.

My new Canon EOS 400D with my new Canon 70-300mm IS USM

52 weeks of 2021, week 48 - the idea is that you post a past and present photograph taken in approximately the same place.

One of our most memorable ski trips to Heavenly at Lake Tahoe in 1999.

High above the sapphire-blue waters of Lake Tahoe, Heavenly is one of the most unique snow resorts on the planet.

skiheavenly.com/

The Dalí Theatre and Museum Figueres Catalonia Spain

(Catalan: Teatre-Museu Dalí, IPA: [teˈatɾə muˈzɛw ðəˈɫi], Spanish: Teatro Museo Dalí), is a museum of the artist Salvador Dalí in his home town of Figueres, in Catalonia, Spain.

Building

The heart of the museum is the building that housed the town's theater when Dalí was a child, where one of the first public exhibitions of young Dalí's art was shown. The old theater was burned during the Spanish Civil War and remained in a state of ruin for decades. In 1960, Dalí and the mayor of Figueres decided to rebuild it as a museum dedicated to the town's most famous son.

In 1968, the city council approved the plan, and construction began the following year. The architects were Joaquim de Ros i Ramis and Alexandre Bonaterra. The museum opened on September 28, 1974,with continuing expansion through the mid-1980s. The museum now includes buildings and courtyards adjacent to the old theater building.

The museum displays the single largest and most diverse collection of works by Salvador Dalí, the core of which was from the artist's personal collection. In addition to Dalí paintings from all decades of his career, there are Dalí sculptures, 3-dimensional collages, mechanical devices, and other curiosities from Dalí's imagination. A highlight is a 3-dimensional anamorphic living-room installation with custom furniture that looks like the face of Mae West when viewed from a certain spot.

The museum also houses a small selection of works by other artists collected by Dalí, ranging from El Greco and Bougereau to Marcel Duchamp and John de Andrea, In accordance with Dalí's specific request, a second-floor gallery is devoted to the work of his friend and fellow Catalan artist Antoni Pitxot, who also became director of the museum after Dalí's death.

A glass geodesic dome cupola crowns the stage of the old theater, and Dalí himself is buried in a crypt below the stage floor. The space formerly occupied by the audience has been transformed into a courtyard open to the sky, with Dionysian nude figurines standing in the old balcony windows.

A Dalí installation inside a full-sized automobile, inspired by Rainy Taxi (1938), is parked near the center of the space.

Art collection

The Dalí Theatre and Museum holds the largest collection of major works by Dalí in a single location. Some of the most important exhibited works are Port Alguer (1924), The Spectre of Sex-appeal (1932), Soft self-portrait with grilled bacon (1941), Poetry of America—the Cosmic Athletes (1943), Galarina (1944–45), Basket of Bread (1945), Leda Atomica (1949), Galatea of the Spheres (1952) and Crist de la Tramuntana (1968).

There is also a set of works created by the artist expressly for the Theater-Museum, including the Mae West room, the Palace of the Windroom, the Monument to Francesc Pujols, and the Cadillac plujós.

A collection of holographic art by Dalí, and a collection of jewelry he designed are on display. Another room contains a bathtub and a side table with an open drawer and a lamp, all of which Dalí had installed upside-down on the ceiling.

An extension to the museum building contains a room dedicated to optical illusions, stereographs, and anamorphic art created by Dalí. The artist's final works, including his last oil painting, The Swallow's Tail (1983), are on display here.

THE DALINIAN SYMBOLS

A study of the work of Dalí, reveals some systematically present symbols in all his work. It's fetish objects that apparently have little in common: crutches, sea urchins, ants, bread...

Dalí uses these symbols so as to make it more meaningful to the message of his painting. The contrast of a hard shell and a soft interior is at the heart of his thinking and his art. This contrast outside-(hard/soft) is consistent with psychological design whereby individuals produce (hard) defenses around the vulnerable psyche (flexible). Dalí knew very well the work of Freud and his followers, even if its iconography derives absolutely no psychoanalytic thought.

ANGELS

They have the power to enter the celestial vault, communicating with God and thus achieve mystical union that concerns both the painter. Figures of angels painted by Dalí often borrow traits of Gala, incarnation, for Dali, purity and nobility.

CRUTCHES

It may be the only support of a figure or the necessary support of a form unable to stand alone. Dalí the view child, in the attic of his father's House. It should take and will never part. This subject gave him an assurance and an arrogance which he had never yet been able. In the short dictionary of Surrealism (1938), Dalí gives the following definition: "wooden Support deriving from the Cartesian philosophy. Generally used to serve as a support to the tenderness of the soft structures."

ELEPHANTS

The dalinian elephants are usually represented with the long legs of desire invisible to many bearings, bearing on their Obelisk back symbol of power and domination. The weight supported by the frail legs of the animal evokes weightlessness.

SNAILS

The snail is related to an important milestone in the life of Dalí: his encounter with Sigmund Freud. Dalí believed that nothing happens just by accident, he was captivated by the vision of a snail on a bicycle outside the home of Freud. The link is then made him between a human head and the snail, he associated specifically with the head of Freud. As for the egg, the outer part of the (hard) shell and the inner (soft) body of the snail site and the geometry of its curves it enchantèrent.

ANTS

Symbol of decay and decomposition. Dalí ants first met in his childhood, observing the remains decomposed small animals devoured by them. He observed with fascination and repulsion, and continued to use them in his work, as a symbol of decadence and ephemeral.

SOFT WATCHES

Dalí has often said, "the materialization of the flexibility of time and the indivisibility of space... It is a fluid." The unexpected softness of the watch also represents the psychological aspect by which the speed of time, although accurate in its scientific definition, can greatly vary in its human perception. The idea came to him after a meal while he contemplated the remains of a runny camembert. He decided to paint over the landscape that served as backdrop for two soft watches which one hung miserably to an olive branch.

EGG

Christian symbol of the resurrection of Christ and the emblem of purity and perfection. The egg evokes by its appearance and its minerality dear symbolism to Dali, earlier, intrauterine life and re-birth.

SEA URCHIN

His "exoskeleton" (the shell sits outside), Harris of thorns, can make you very unpleasant a first contact with the animal. The shell on the other hand contains soft body (one of the favorite dishes of Dali, who was known to eat a dozen at each meal). The Sea Urchin shell, stripped of its spines, appears in many of his paintings.

BREAD

Is it fear of Miss, Dalí represents it in his paintings and also begins to make surrealist objects with bread. In his paintings, loaves more often have something 'hard' and phallic, opposed to the "soft" watches. Dali has always been a great admirer of the bread. It tapissera of Catalan round loaves Figueras Museum walls.

LANDSCAPES

Traditional space (based on the perspective and the paintings of the Renaissance). Realistic landscape strewn with strange and unreal objects located in a natural environment. The background and how to use landscapes are one of the strengths of the art of Dali. They contribute to create the atmosphere of unreality of his paintings (landscape of his native Catalonia and vast plain of Ampurdan surrounding Figueras).

DRAWERS

Human bodies that open by drawers are found repeatedly in paintings and objects from Dali. They symbolize the memory and the unconscious and refer to "thought to be drawers", a concept inherited from the reading of Freud. They express the mystery of hidden secrets. Most of the children explore each drawer, cabinet and wardrobe of their home.

VENUS OF MILO

It is part long's personal mythology of the painter. She is the first woman he model child in clay from a reproduction adorning the family dining room. It is also that he discovered on a box of crayons in New York. He finds stupid expression on his face that he nevertheless considered own to perfect but inadequate female beauty in an elegant woman whose gaze should be or seem intelligent. Dalí made several transformations of Venus: the space Venus, Venus with drawers...

The Buick Super is a full-sized automobile produced from the 1940 through the 1958 model years (excluding WW II); it was built on Buick's larger body shared with the Roadmaster. It was replaced by the Riviera in 1964.

In 2008, Super returned as a performance trim level on V8-powered LaCrosse and Lucerne sedans until 2011.

SERIES 50 (1930–1935)

Originally the Series 50 had a 331.4 cu in (5,431 cc) six cylinder engine developing 99 bhp of power at 2,800 rpm, and Buick manufactured 28,204 cars. In 1931 the model remained almost unchanged, aside from minor appearance changes. Optionally, the model was equipped with a new 220.7 cu in (3,617 cc) straight eight-cylinder and 77 hp. With the temporary disappearance of the Series 40, Series 50 became the entry level model for Buick.

In 1932 the engine displacement increased to 230.4 cu in (3,776 cc), producing 82.5 bhp. In 1933, the aesthetics of the car was completely redesigned. The power delivered by the engine was increased again and now it was up to 86 bhp, and in 1934, the model power increased to 88 hp. Buick re-introduced the Series 40, which once again became the entry level model. In 1935 the Series 50 remained unchanged and the following year went out of production, having produced 127,416 examples. The model was reintroduced in 1940 under the name "Super".

1940–1941

When introduced in 1940 the new Series 50 Super featured the cutting-edge "torpedo" C-body. The new C-body that the 1940 Buick Super shared with the Series 70 Roadmaster, the Cadillac Series 62, the Oldsmobile Series 90, and the Pontiac Torpedo featured shoulder and hip room that was over 5" wider, the elimination of running boards and exterior styling that was streamlined and 2-3" lower. When combined with a column mounted shift lever the cars offered true six passenger comfort, changes that had clearly been influenced by the Cadillac Sixty Special.

The basic formula for the 1940 to 1952 Super was established by mating the Roadmaster's longer behind the engine cowl body to the Series 40 Special's smaller straight-eight engine (and consequently shorter engine compartment). This led to an economical combination of voluminous passenger room and relatively good fuel economy. (In contrast the Series 60 Century combined the smaller Special body with the larger Roadmaster engine.)

The new Super temporarily shared its 121.0 in (3,073 mm) wheelbase dimension with the 40 Special. Initially four body styles were offered: a 2-door coupe, a 2-door convertible, a 4-door sedan and a 4-door convertible. In the middle of the model year a 4-door Estate wagon was added which was exclusive to the Super. Interiors of Bedford cloth (either tan or gray) were offered. The engine was the same 248 cu in (4.1 L) 107 hp Fireball I8 as used on the Special which was equipped with an oil filter. The Super was equipped with sealed beam headlights and with Fore-N-Aft Flash-Way directionals. 1940 was the only year the Super could be equipped with sidemounts. A total of 128,736 units were sold in its first year.

The styling changes for 1941 were modest, but the changes under the hood were major. The compression ratio was raised from 6.15:1 to 7.0:1, the "turbulator" pistons were redesigned, smaller spark plugs were substituted for the previous type and “Compound Carburetion” was introduced, as it was on all Buicks except for the Special. Compound Carburetion was the forerunner of the modern four-barrel carburetor, and consisted of twin two-barrel carburetors. One unit operated all of the time, while the other operated only under hard acceleration. The new engine delivered 125 horsepower. All cars available with a choice of axle ratios and with two-tone color combinations with 19 selections at no extra charge. A new feature was a two-way hood that could be opened from either side. The 4-door convertible and the Estate wagon were gone but a new one year only body style was a 3-passenger 2-door Business Coupe which sold 2449 units. Overall sales fell to 92,067.

1942–1948

The 1942 Super coupes adopted the appealing Sedanet fastback style that had been the sensation of 1941 on Century and Special. New wider and lower bodies were offered and "Airfoil" front fenders that flowed into the lines of the rear fenders were introduced on convertibles and sedanet models. The Super had new front fender trim featuring parallel chrome strips. Also featured for 1942 was a handsome new grille with a lower outline and thin vertical strips. A feature shared with other Buicks was a new interior air intake positioned near the front center grille that eliminated the old cowl-level ventilator. The number of body styles was reduced to three with the elimination of the one year only Business coupe.

After the government prohibited the use of chrome on January 1, 1942 a number of body styles were dropped and most trim was now painted. Cast iron pistons were used in the 248 cu in (4.1 L) Fireball I8 engine. The last of the 1942 Buicks were completed on February 4, 1942. Only 33,034 Supers were built in the abbreviated model year.

In 1946 Buick once again combined the large Series 70 Roadmaster body with the economical Series 40 Special powerplant to create the Series 50 Super line. Basic styling was continued from 1942 now sedans had the front fender sweep across the doors to the rear fenders as did the Sedanet and convertible styles. A stamped grille with vertical bars dominated the frontal ensemble. Single stainless body trim lines began on the front fenders and ended at the rear edge of the standard rear wheelhouse shields. Standard equipment included an automatic choke, clock, ash receiver, turn signals and woodgrained instrument panels. Exterior series identification was found on the crossbar between the bumper guards front and rear. Cloisonne emblems carried the Super emblem. Compound Carburetion was eliminated and the compression ratio was reduced to 6.30:1. As a consequence the 1946 Super's horsepower fell from 125 to 110. Torque on the other hand was hardly affected. The number of body styles increased to four with the return of the Estate wagon after a six year absence. A total of 119,334 units were sold. The front suspension was independent with coil springs. 76.98% of Buick sales this year were Supers.

Combining big Roadmaster room with an economical Special engine continued to make the Super an American favorite in 1947. The Super was little changed from its 1946 counterpart, except for new stamped grille that had separate upper bar and new emblem. Stainless lower body moldings made a single line along the body and continued onto the standard wheelhouse shields. A white Tenite steering wheel was standard while the instruments were round and set into a two-toned dash panel. Exterior series identification was found on the crossbars between the standard bumper guards. A chrome emblem was used with the series script embossed and filled with red. Sales reached a record 159,588. The height was 64.9 inches. Brakes were 12 inch drums.

The main external change to the 1948 Super from its 1947 counterpart was the Super script on each front fender. Other series identification continued to be earned on the bumper guard crossbar. The car was a bit lower than in 1947 rolling on new 7.60 x 15 tires mounted on wheels with trim rings and small hubcaps. Super script was also found on the center crest of a new black Tenite steering wheel. New cloth interiors featured leatherette scuff pads and trim risers. The instrument panel was redone, using silver-tone instruments on a two-tone gray panel. The sedan was carpeted in the rear with a carpet insert also found in the front rubber mat. The convertible also featured cloth and leather interior trim with power top, seat and windows standard. Total sales were 108,521.

1949–1953

The Super shared a new General Motors C-body with the Roadmaster but on a shorter wheelbase. It featured three chrome VentiPorts on each front fender to denote its smaller straight-eight engine and shorter engine compartment when compared with the Roadmaster. The sales brochure noted that VentiPorts helped ventilate the engine compartment, and possibly that was true in early 1949, but sometime during the model year they became plugged. The idea for VentiPorts grew out of a modification Buick styling chief Ned Nickles had added to his own 1948 Roadmaster. He had installed four amber lights on each side of his car’s hood wired to the distributor so as to flash on and off as each piston fired simulating the flames from the exhaust stack of a fighter airplane. Combined with the bombsight mascot, VentiPorts put the driver at the controls of an imaginary fighter airplane. Upon seeing this, Buick chief Harlow Curtice was so delighted that he ordered that (non-lighting) VentiPorts be installed on all 1949 Buicks.

Super script was found just above the full length body fender molding on the front fenders. New fender edge taillamps were featured while rear fender skins remained a Buick standard. New fender top parking lamps, harkening back to 1941 styling appeared. Full wheel trim discs were standard along with such features as a cigar lighter, ashtray, and automatic choke. Cloth interiors were standard, except on the convertible which was trimmed in leather and leatherette and had a power top, seat and windows as standard equipment.

Dynaflow automatic transmission was now optional equipment on Supers in 1949. Cars so equipped had 6.9:1 compression ratio and 120 horsepower. Total sales set a record at 190,514 for the first time since the Super's introductory year. The instrument panel was new.

The 1950 Supers shared with all the other series totally new all bumper guard grille and more rounded styling. Super script appeared on front fenders just above the full length lower bodyside moldings. A new body style was a 2-door Riviera hardtop. Another new bodystyle was a long wheelbase sedan which was stretched an extra four inches (102 mm) and featured plusher interior than most Supers, which normally had cloth interiors of finer material than the Special. Supers had three VentiPorts on each hoodside. The convertible had leather power seats plus power windows and top.

The 1950 Super came with a single two-barrel carburetor on a new higher displacement 263 cu in (4.3 L) Fireball I8 which produced 112 hp (84 kW). It was able to achieve speeds over 90 miles per hour (140 km/h) with an optional Dynaflow automatic transmission which, rather than changing through gears, used the torque converter to couple the motor to a single gear ratio. The car had 2 splits in the back glass although the windshield was now curved one-piece glass. Models also could be equipped with an AM radio and an antenna that could be adjusted via a knob in the front center above the windshield. In the June 1953 Popular Mechanics, acceleration was rated at 0-60 mph in 14.5 seconds. The Super set an all time record of 251,883 sold.

In 1951 Supers had larger bodies than Specials but looked similar with three rounded VentiPorts per fender, broad bright fender shields and a full length "Sweepspear" chrome body side molding. This chrome-plated strip started above the front wheel, after which it gently curved down nearly to the rocker panel just before the rear wheel, and then curved around the rear wheel in a quarter of a circle to go straight back to the taillight. Series script was found on the deck lid and within the steering wheel center. The long wheelbase sedan was named the Riviera sedan although it was not a hardtop. Supers were trimmed with materials similar to Special Deluxes except for in the plush Super Riviera sedan. Front turn signals were within the bumper guard "bombs," while rear signals shared the stop lamps' housing on the rear fender edges. The convertibles and Estate wagon were trimmed in leather. 169,226 Supers were sold.

In 1952 Buick's mid-priced line resembled the Series 40 with three VentiPorts per fender and Sweepspear rocker panel trim. Super script appeared on the rear fenders aided identification. The Super was built with the larger C-body, however. The full flowing fenderline dipped deeper on this body and rear fenders had a rear crest line absent on the B-body Specials. A new deck lid gave a more squared off appearance. Like other Buick series it was a near copy year for 1952. Chromed rear fender fins gave distinction to 1952 Supers. Interiors were cloth except on convertibles and Estate wagons which were trimmed with leather. The Super used a different instrument panel than the Special. It was distinguished by a large center speedometer housing flanked by smaller gauge housings. Series identification was found within the steering wheel center. The Sedanet and the regular wheelbase sedan were cancelled. Sales fell to 135,332.

In 1953 Buick's middle priced line shared the Roadmaster's new V8 and, for this year the Roadmaster shared the Super and Special's 121.5 in (3,086 mm) wheelbase. The Super earned a horizontal trim bar on its rear fenders which distinguished it from the Series 70 Roadmasters. Otherwise its side trim bar on its rear fenders was identical although the Super was had only three VentiPorts on each front fender. Series identification was found on the deck emblem. Full wheelcovers were now standard. The vee in the bombsight ornament signified the V8 power under the hood. Interiors in most models were nylon and silky broadcloth. The convertible had power windows, seat and top as standard equipment. Dynaflow was now standard equipment. Air conditioning was a new option. A total of 190,514 Supers were sold.

1954–1956

Using the new larger General Motors C-body, with vertical windshield pillars and the new Panoramic windshield, the Super for 1954 was a big Buick for the budget minded buyer. Identified by its three VentiPorts per fender, the Super script on the quarters and the series designation within the deck ornament, the Super shared other brightwork with the Roadmaster. Interiors were nylon and were plainer than in the Roadmaster. The Super did have the more expensive car's horizontal speedometer instrument panel. The convertible was upholstered in leather and had power-operated windows, seat and top, along with an outside rearview mirror on the left, as standard equipment. The Estate wagon was discontinued. Total sales fell to 118,630.

In 1955 Buick's popular Super continued to combine the large C-body interior expanse with medium bracket interiors and performance. Supers had four of the new round VentiPorts per fender this year, with additional series script found on rear quarters and within the deck emblem. The side Sweepspear was unchanged from 1954. The larger bodied Buicks were readily identified by their more rounded contours, straight up windshield pillars and sedan rear quarter windows. Series 50 Super and 70 Roadmaster headlamp bezels also housed parking lights. Inside, a new Red Liner speedometer lay horizontally across the instrument panel. Interiors were trimmed in nylon/Cordaveen combinations, except for the convertible which featured leather seats. Standard Super equipment included trip mileage indicator, electric clock and, on convertibles, a power horizontal seat adjuster. Super sales rose to 132,463.

In 1956 although the Super was larger Buick, with vertical windshield posts and four VentiPorts per fender, it had a deep Sweepspear similar to the smaller Series 40 Special and Series 60 Century cars. Series script was found on rear quarters and within the deck and grille emblems. Interiors were Cordaveen and patterned nylon, except for convertibles which were all-Cordaveen trimmed and had power windows, horizontal seat adjustment, and a power top in its standard form. Dynaflow was now standard on all Supers, along with foam seat cushions, a trunk light, electric clock, directional signals, front and rear armrests, sliding sunshades, cigarette lighter, glove compartment light, map light, dual horns, Step-On parking brake, Red Liner speedometer and trip mileage indicator. A new body style was the 4-door Riviera hardtop. Sales of the Super fell to 80,998.

1957–1958

The Super used the new General Motors C-body for 1957. Larger than the Series 40 Special and Series 60 Century B-body, the Riviera body styles had different roof treatments as well. Supers had a group of three Chevrons on each rear quarter or door for series identification, in addition to the normal wording within the grille and deck emblems. Four VentiPorts were used on each front fender. Closed models were upholstered in Nylon/Cordaveen combinations while the convertible had an all-Cordaveen interior and featured power windows and seat controls as part of its equipment. Standard Super equipment included foam rubber seat cushions, automatic trunk lamp, Red Liner speedometer, glovebox lamp, dual horns, trip mileage indicator, directional signals, dual sunshades, color coordinated dash panel, and on the convertible, outside left-hand rearview mirror. The 4-door pillared sedan body style was gone. Engine displacement was increased to 364 cu in (6.0 L) on the Nailhead V8. Nevertheless, sales fell to 70,250, the lowest level with the exception of the abbreviated 1942 model year.

The once most popular Buick line was reduced to two body styles for 1958 with the elimination of the convertible. Side trim was similar to lesser series, except for the Super lettering on the rear fender flashes, but Supers were longer than the Series 40 Specials and Series 60 Centurys. The Super name was also lettered across the deck lid. Standard equipment included Variable-Pitch Dynaflow, power steering, power brakes, a safety-cushion instrument panel, fully carpeted floor, courtesy lights, full wheelcovers, foam rubber cushions, electric clocks, dual horns, ignition key light, glovebox, cigar lighter, trip mileage indicator, geared vent panes, bumper guards, variable speed wipers, Step-On parking brakes, and, on convertibles, an outside rearview mirror. Interiors were trimmed with gray cloth and vinyl or Cordaveen and vinyl. A plusher Custom interior was available at extra cost. Sales fell further to 42,388, the lowest with the exception of the wartime 1942 model year.

2008–2011

The Super name was resurrected after a 50 year absence as a new performance trim level on LaCrosse (2008-2009) and Lucerne (2008-2011) models.

The LaCrosse Super was powered by a 300 horsepower 5.3 L small-block V8 engine while the Lucerne Super had a 292 horsepower 4.6 L Northstar V8 engine. Both came with high levels of standard equipment.

WIKIPEDIA

Savannah is the largest city and the county seat of Chatham County, in the U.S. state of Georgia. Established in 1733, the city of Savannah was the colonial capital of the Province of Georgia and later the first state capital of Georgia. A strategic port city in the American Revolution and during the American Civil War, Savannah is today an industrial center and an important Atlantic seaport. It is Georgia's fifth largest city and third largest metropolitan area.

Each year Savannah attracts millions of visitors, who enjoy the city's architecture and historic buildings: the birthplace of Juliette Gordon Low (founder of the Girl Scouts of the United States of America), the Georgia Historical Society (the oldest continually operating historical society in the South), the Telfair Academy of Arts and Sciences (one of the South's first public museums), the First African Baptist Church (one of the oldest African American Baptist congregations in the United States), Temple Mickve Israel (the third oldest synagogue in America), and the Central of Georgia Railway roundhouse complex (the oldest standing antebellum rail facility in America).

Savannah's downtown area, which includes the Savannah Historic District, the Savannah Victorian Historic District and 22 parklike squares, is one of the largest National Historic Landmark Districts in the United States (designated by the U.S. government in 1966). Downtown Savannah largely retains the original town plan prescribed by founder James Oglethorpe (a design now known as The Oglethorpe Plan). Savannah was the host city for the sailing competitions during the 1996 Summer Olympics held in Atlanta.

en.wikipedia.org/wiki/Savannah%2C_Georgia

en.wikipedia.org/wiki/Wikipedia:Text_of_Creative_Commons_...

This is the Three Dots and a Dash, a classic tiki cocktail created by Don the Beachcomber in the 1940's during World War II. The name comes from the morse code for the letter "V" which stands for victory. Tiki drinks sometimes get a bad rap as being a mindless mix of rum, fruit juice, and sugar. Three Dots and a Dash certainly has all of those things, but it's not mindless at all. It features two key ingredients that take it from a rum fruit salad to a balanced caribbean extravaganza.

The first is Allspice Dram. We often think of winter baking spices like allspice and nutmeg as being European, but the reality is many are from the Caribbean and Central America. Donn Beach knew this which is why he included allspice dram from Jamaica. The second part was using honey, which helps build a connection between the fruit, rum and spice. The rum foundation is built on rhum agricole for a distinct grassy funk. Three Dots and a Dash isn't just an excuse to drink rum and fruit juice, but it's a tour through the Caribbean from Martinique, to Jamaican, to Barbados and beyond.

1 oz rhum agricole

1 oz aged Barbados rum

1 oz fresh lime juice (see note)

0.5 oz dry curaçao (see note)

0.5 oz falernum

1 tsp oz Allspice Dram

0.5 oz honey syrup (Combine honey and warm water at a 2:1 ratio)

3 dashes Angostura bitters

Combine all of the ingredients into a shaker tin. Add ice and shake vigorously until arctic cold. Strain into an ice filled chilled footed pilsner, tiki mug or collins glass. Garnish with three cherries to represent the three dots and one pineapple frond or chunk to represent the dash.

Note: This an adapted recipe from Paul McGee. The original recipe uses orange juice, but I feel that dry curaçao works better instead. To make the original version, substitute 0.5 oz orange juice for the dry curaçao and decrease the lime juice by 0.25 oz.

© Chase Hoffman Photography. All rights reserved.

This is a compatible 2D or 3D file

that is near perfect without glasses in 2D, but when viewed with our patented new glasses is in high grade 3D, This is a still, HDTV or even 4K video format. We have unique Sony A7s dual camera rigs that can shoot in this universal 2D or 3D format. Contact me at: sharper3d@yahoo.com

It is a Russian symbol of the New Year – a Snow Girl. According to Russian believes he is Santa’s granddaughter. This doll has very long blond hair, wearing white fur coat with the double lining. Its blue and lace lining symbolizes frost and snow. White fur as a white snow covers the outfit. The button of the coat is shaped as a snowdrop flower – the first flower of spring in Russia. The outfit has many sparkling details symbolizing snow.

This is a book design and execution that I created for Susan Kozel's book Closer published by the MIT press.

It was a class assignment for CO

This is a book design and execution that I created for Susan Kozel's book Closer published by the MIT press.

It was an assignment in a UCLA Design | Media Arts Class. The front portion of the book is comprised of all the text and images, clearly setup into a four row system, which aligns to the four flipbooks at the very back of the book.

This is a book design and execution that I created for Susan Kozel's book Closer published by the MIT press.

It was an assignment in a UCLA Design | Media Arts Class. The front portion of the book is comprised of all the text and images, clearly setup into a four row system, which aligns to the four flipbooks at the very back of the book.

super excited to be featured amongst such talented artists in a lovely 11 page piece in computers arts magazine this month. the article: Illustration - Today and Tomorrow - looks at "how leading artists are climbing to new heights"

this is the front double opening page of story - you can see my piece, "there's no place like home", in the bottom right hand corner.

the text reads as follows:

"jo 'miss led' henly is another illustrator whose work is making people take notice. she's not only dabbling in the uk art scene - she's used it to launch her career. after falling into teaching art, she realised she was inspiring others to do what she was frightened of doing herself. subsequent work invovled online and offline exhibitions closer in concept than illustration work. everything was self-initiated. this gave her the confidence to keep pushing boundaries, thereby increasing the creativity and experimentation in her work. inspired by poster pop, pre-raphaelite portraits, graffiti and art nouveau, her free flowing, almost classic illustration style came about on its own. she is now regularly taking on editioral work as well as further opportunities in the art space.

when secretwars wars took their live drawing competition to the designersblock festival in london last september, henly emerged the winner. she says, "being the only female ever to enter was enough for me, but after three exhausting hours over a 20x8-foot wall space, four rounds and four stories , i was victorious!"

BELUR MATH

Beluṛ Maṭh (Bengali: বেলুড় মঠ) is the headquarters of the Ramakrishna Math and Mission, founded by Swami Vivekananda, a chief disciple of Ramakrishna Paramahamsa. It is located on the west bank of Hooghly River, Belur, West Bengal, India and is one of the significant institutions in Calcutta.[2] This temple is the heart of the Ramakrishna Movement. The temple is notable for its architecture that fuses Hindu, Christian and Islamic motifs as a symbol of unity of all religions. In 2007 Belurmath railway station was also inaugurated which is dedicated to Belurmath temple

In January 1897, Swami Vivekananda arrived in Colombo with his small group of Western disciples. Two monasteries were founded by him, one at Belur, which became the headquarters of Ramakrishna Mission and the other at Mayavati on the Himalayas, in Champawat Dist. Uttrakhand called the Advaita Ashrama.[4][5]These monasteries were meant to receive and train young men who would eventually become sannyasis of the Ramakrishna Mission, and to give them a training for their work. The same year the philanthropic activity was started and relief of the famine was carried out.[5]

Swami Vivekananda's days as a parivrajaka (wandering monk) before his visit to Parliament of Religions, took him through many parts of India and he visited several architectural monuments like the Taj Mahal, Fatehpur Sikri palaces, Diwan–I–Khas, palaces of Rajasthan, ancient temples of Maharashtra, Gujarat, Karnataka, Tamil Nadu and other places. During his tour in America and Europe, he came across buildings of architectural importance of Modern, Medieval, Gothic and Renaissance styles. It is reported that Vivekananda incorporated these ideas in the design of the Belur Math temple.[6]

Swami Vijnanananda, a brother-monk of Swami Vivekananda and one of the monastic disciples of Ramakrishna, who was, in his pre-monastic life, a civil engineer, designed the temple according to the ideas of Vivekananda and Swami Shivananda, the then President of Belur Math laid the foundation stone on 16 May 1935. The massive construction was handled by Martin Burn & Co.. The mission proclaims the Belur Math as, "A Symphony in Architecture"

The 40-acre (160,000 m2) campus of the Belur Math on the banks of the Ganges includes temples dedicated to Ramakrishna, Sarada Devi and Swami Vivekananda, in which their relics are enshrined, and the main monastery of the Ramakrishna Order. The campus also houses a Museum containing articles connected with the history of Ramakrishna Math and Mission. Several educational institutions affiliated with the Ramakrishna Mission are situated in the vast campus adjacent to Belur Math.[8] The Belur Math is considered as one of the prime tourist spots near Kolkata[9] and place of pilgrimage by devotees.[10][11] The ex-president APJ Abdul Kalam regarded Belur Math as a "place of heritage and national importance.

The design of the temple was envisioned by Swami Vivekananda and the architect was Swami Vijnanananda, a direct monastic disciple of Ramakrishna. Sri Ramakrishna Temple was consecrated on 14 January, the Makar Sankranti Day in 1938.

The Ramakrishna temple at the Belur Math is designed to "celebrate the diversity of Indian Religions"[2] and resembles a temple, a mosque, a church if seen from different positions.[13][14][15] The architectural style and symbolism from a number of religions have been incorporated into the design of the temple at Belur Math, to convey the "universal faith" in which the movement believes.[16][17] The temple is considered as a prime example of the importance of "material dimension" of religion.[16]

The main entrance of the temple, has a facade influenced by Buddhist styles in the Buddhist stupa at Sanchi & the main entrance of the Ajanta Caves.The structure which rises over the entrance is modelled on the Hindu temples of South India with their lofty towers. The windows and balconies inside the temple draw upon the Rajput(Hindu) and Mughal (Islamic) style of north India. The central dome is derived from European architecture of St. Maria-Del-Florence in Italy built during the Renaissanceperiod. The ground plan is in the shape of Christian cross.[2][16]

The height of the temple is 112.5 feet (34.3 m) and covers a total area of 32,900 sq ft (3,060 m2). The temple mainly is built of chunar stone and some portion in the front is of cement. The high entrance of the temple is like a South Indian Gopuram and the pillars on both sides represent Buddhistic architectural style. The three umbrella-like domes on the top built in Rajput-Moghul styles give an idea of thatched roofs of the village Kamarpukur.

The circular portion of the entrance is an intermingling of Ajanta style with Hindu architecture and within it, placing the emblem of the Order is representation of beauty and solemnity. Just above seen is a replica of a Shiva lingam. The natmandira, the spacious congregational hall attached to the sanctum, resembles a church, especially of St Peter's Church in Rome.The pillars in a line on its both sides are according to Doric or Greek style. The beam above is held by decorative brackets similar to the Meenakshi Temple at Madurai in Tamil Nadu.The elaborate designs on the pillars resemble the Orissa style.

The hanging balconies above the natmandir and the windows show the effect of Moghul architecture used in the Fatehpur Sikri.The broad parikrama path for doing circumambulatory rounds on all sides of the garbhamandira (sanctum sanctorum) are built like Buddhist chaityas and Christian Churches. The lattice work statues of Navagraha figures are etched on semi-circular top of outside the temple. The golden kalasha is placed on the top of the temple and has a full-bloomed lotusbelow. The architecture of the big dome and of the other domes show a shade of Islamic, Rajput, Bengali terracotta and Lingaraj Temple styles. The entrance doors on both east and west of the temple having pillars on both sides are like the elegant gateways of the Manmandir in Gwalior Fort. Ganesha and Hanuman images, representing success and power are carved above them.

By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com