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Tsura is a little over a year old. Brody is about 4.
For comparison, Tsura weighs just about 60-65 pounds. Brody is 104.
Strobist:
1 AlienBee B800 shooting into a PLM 64 inch umbrella with diffuser (turning it into a giant softbox) - full power, behind the camera, just to the right.
2 Vivitar 285HV, bare at 1/4 power slightly behind the dogs, one left, one right.
Everything triggered by Cybersyncs
Allur is a Village in Andanallur Taluk in Tiruchirappalli District of Tamil Nadu State, India. It is located 12 KM towards west from District head quarters Tiruchirapalli. 3 KM from Andanallur. 351 KM from State capital Chennai
Mutharasanallur ( 2 KM ) , Kiliyanallur ( 2 KM ) , Melpathu ( 3 KM ) , Andanallur ( 4 KM ) , Thiruvasi ( 4 KM ) are the nearby Villages to Allur. Allur is surrounded by Manachanellur Taluk towards East , Tiruchirappalli Taluk towards East , Manikandam Taluk towards South , Thiruverambur Taluk towards East .
Along the Trichy Karur kulitalai road at about 10 kms you can see the temple on the left hand side
There is a Raja gopuram and a big courtyard.
Temple comes under the Parantaka -I called as Thiruvadakudi Parameswara temple.Temple lies to the north of the village close to the main road.The deity enshrined here called in inscriptions as Thiruvadakudi Parameswarar or Mahadevar. On the north base of the arthmandapa there is an inscription of the 6th year (A.D. 913) of Maduraikonda Koparakesari i.e Parantaka-I it registers a gift by bhudimadevadigal to this temple of land brought from the assembly of isanamangalam a gift of gold for a lamp to this temple is made by the son of Veracola elangovan in the 5th year of rajakesarivarman who may be identify with gandaraditya.
These divitala temple perhaps a foundation of the days of Prantaka-I remoduled in the period of Raja raja cola -I and in the subsequent periods.The garbagraha is 18feet square it ahs plain base mouldings.There are mixtures planked by pilasters on the three closed sides of garbagraha.The ardhamandpa measures 17feet * 13.9 feet .There are two dwarapalakas infront of it.
Fred is Billy's second cousin, twice removed.
He is also a frog.
Fred the Frog.
He is also Kermit the Frog's lesser know brother.
Pepe's, too. They're all brothers, separated at birth.
He does not do much.
Frogs are amphibians.
Just an interesting fact for you about frogs.
What do you mean you already knew that?
A common fact?
Dang...
Well, this is awkward.
Anyway!
I encourage you to make Fred.
So does Billy.
#BillyPresident2020
So, until I get this html thing figured out, here's a link to my FB page. Stop by, and please "Like". Thanks.
www.facebook.com/?ref=home#!/pages/Michael-Rollins-Photog...
Graffiti is art that is written, painted or drawn on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written words to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire (see also mural).
Graffiti is a controversial subject. In most countries, marking or painting property without permission is considered by property owners and civic authorities as defacement and vandalism, which is a punishable crime, citing the use of graffiti by street gangs to mark territory or to serve as an indicator of gang-related activities. Graffiti has become visualized as a growing urban "problem" for many cities in industrialized nations, spreading from the New York City subway system and Philadelphia in the early 1970s to the rest of the United States and Europe and other world regions
The term graffiti originally referred to the inscriptions, figure drawings, and such, found on the walls of ancient sepulchres or ruins, as in the Catacombs of Rome or at Pompeii. Historically, these writings were not considered vanadlism, which today is considered part of the definition of graffiti.
The only known source of the Safaitic language, an ancient form of Arabic, is from graffiti: inscriptions scratched on to the surface of rocks and boulders in the predominantly basalt desert of southern Syria, eastern Jordan and northern Saudi Arabia. Safaitic dates from the first century BC to the fourth century AD.
Some of the oldest cave paintings in the world are 40,000 year old ones found in Australia. The oldest written graffiti was found in ancient Rome around 2500 years ago. Most graffiti from the time was boasts about sexual experiences Graffiti in Ancient Rome was a form of communication, and was not considered vandalism.
Ancient tourists visiting the 5th-century citadel at Sigiriya in Sri Lanka write their names and commentary over the "mirror wall", adding up to over 1800 individual graffiti produced there between the 6th and 18th centuries. Most of the graffiti refer to the frescoes of semi-nude females found there. One reads:
Wet with cool dew drops
fragrant with perfume from the flowers
came the gentle breeze
jasmine and water lily
dance in the spring sunshine
side-long glances
of the golden-hued ladies
stab into my thoughts
heaven itself cannot take my mind
as it has been captivated by one lass
among the five hundred I have seen here.
Among the ancient political graffiti examples were Arab satirist poems. Yazid al-Himyari, an Umayyad Arab and Persian poet, was most known for writing his political poetry on the walls between Sajistan and Basra, manifesting a strong hatred towards the Umayyad regime and its walis, and people used to read and circulate them very widely.
Graffiti, known as Tacherons, were frequently scratched on Romanesque Scandinavian church walls. When Renaissance artists such as Pinturicchio, Raphael, Michelangelo, Ghirlandaio, or Filippino Lippi descended into the ruins of Nero's Domus Aurea, they carved or painted their names and returned to initiate the grottesche style of decoration.
There are also examples of graffiti occurring in American history, such as Independence Rock, a national landmark along the Oregon Trail.
Later, French soldiers carved their names on monuments during the Napoleonic campaign of Egypt in the 1790s. Lord Byron's survives on one of the columns of the Temple of Poseidon at Cape Sounion in Attica, Greece.
The oldest known example of graffiti "monikers" found on traincars created by hobos and railworkers since the late 1800s. The Bozo Texino monikers were documented by filmmaker Bill Daniel in his 2005 film, Who is Bozo Texino?.
In World War II, an inscription on a wall at the fortress of Verdun was seen as an illustration of the US response twice in a generation to the wrongs of the Old World:
During World War II and for decades after, the phrase "Kilroy was here" with an accompanying illustration was widespread throughout the world, due to its use by American troops and ultimately filtering into American popular culture. Shortly after the death of Charlie Parker (nicknamed "Yardbird" or "Bird"), graffiti began appearing around New York with the words "Bird Lives".
Modern graffiti art has its origins with young people in 1960s and 70s in New York City and Philadelphia. Tags were the first form of stylised contemporary graffiti. Eventually, throw-ups and pieces evolved with the desire to create larger art. Writers used spray paint and other kind of materials to leave tags or to create images on the sides subway trains. and eventually moved into the city after the NYC metro began to buy new trains and paint over graffiti.
While the art had many advocates and appreciators—including the cultural critic Norman Mailer—others, including New York City mayor Ed Koch, considered it to be defacement of public property, and saw it as a form of public blight. The ‘taggers’ called what they did ‘writing’—though an important 1974 essay by Mailer referred to it using the term ‘graffiti.’
Contemporary graffiti style has been heavily influenced by hip hop culture and the myriad international styles derived from Philadelphia and New York City Subway graffiti; however, there are many other traditions of notable graffiti in the twentieth century. Graffiti have long appeared on building walls, in latrines, railroad boxcars, subways, and bridges.
An early graffito outside of New York or Philadelphia was the inscription in London reading "Clapton is God" in reference to the guitarist Eric Clapton. Creating the cult of the guitar hero, the phrase was spray-painted by an admirer on a wall in an Islington, north London in the autumn of 1967. The graffito was captured in a photograph, in which a dog is urinating on the wall.
Films like Style Wars in the 80s depicting famous writers such as Skeme, Dondi, MinOne, and ZEPHYR reinforced graffiti's role within New York's emerging hip-hop culture. Although many officers of the New York City Police Department found this film to be controversial, Style Wars is still recognized as the most prolific film representation of what was going on within the young hip hop culture of the early 1980s. Fab 5 Freddy and Futura 2000 took hip hop graffiti to Paris and London as part of the New York City Rap Tour in 1983
Commercialization and entrance into mainstream pop culture
Main article: Commercial graffiti
With the popularity and legitimization of graffiti has come a level of commercialization. In 2001, computer giant IBM launched an advertising campaign in Chicago and San Francisco which involved people spray painting on sidewalks a peace symbol, a heart, and a penguin (Linux mascot), to represent "Peace, Love, and Linux." IBM paid Chicago and San Francisco collectively US$120,000 for punitive damages and clean-up costs.
In 2005, a similar ad campaign was launched by Sony and executed by its advertising agency in New York, Chicago, Atlanta, Philadelphia, Los Angeles, and Miami, to market its handheld PSP gaming system. In this campaign, taking notice of the legal problems of the IBM campaign, Sony paid building owners for the rights to paint on their buildings "a collection of dizzy-eyed urban kids playing with the PSP as if it were a skateboard, a paddle, or a rocking horse".
Tristan Manco wrote that Brazil "boasts a unique and particularly rich, graffiti scene ... [earning] it an international reputation as the place to go for artistic inspiration". Graffiti "flourishes in every conceivable space in Brazil's cities". Artistic parallels "are often drawn between the energy of São Paulo today and 1970s New York". The "sprawling metropolis", of São Paulo has "become the new shrine to graffiti"; Manco alludes to "poverty and unemployment ... [and] the epic struggles and conditions of the country's marginalised peoples", and to "Brazil's chronic poverty", as the main engines that "have fuelled a vibrant graffiti culture". In world terms, Brazil has "one of the most uneven distributions of income. Laws and taxes change frequently". Such factors, Manco argues, contribute to a very fluid society, riven with those economic divisions and social tensions that underpin and feed the "folkloric vandalism and an urban sport for the disenfranchised", that is South American graffiti art.
Prominent Brazilian writers include Os Gêmeos, Boleta, Nunca, Nina, Speto, Tikka, and T.Freak. Their artistic success and involvement in commercial design ventures has highlighted divisions within the Brazilian graffiti community between adherents of the cruder transgressive form of pichação and the more conventionally artistic values of the practitioners of grafite.
Graffiti in the Middle East has emerged slowly, with taggers operating in Egypt, Lebanon, the Gulf countries like Bahrain or the United Arab Emirates, Israel, and in Iran. The major Iranian newspaper Hamshahri has published two articles on illegal writers in the city with photographic coverage of Iranian artist A1one's works on Tehran walls. Tokyo-based design magazine, PingMag, has interviewed A1one and featured photographs of his work. The Israeli West Bank barrier has become a site for graffiti, reminiscent in this sense of the Berlin Wall. Many writers in Israel come from other places around the globe, such as JUIF from Los Angeles and DEVIONE from London. The religious reference "נ נח נחמ נחמן מאומן" ("Na Nach Nachma Nachman Meuman") is commonly seen in graffiti around Israel.
Graffiti has played an important role within the street art scene in the Middle East and North Africa (MENA), especially following the events of the Arab Spring of 2011 or the Sudanese Revolution of 2018/19. Graffiti is a tool of expression in the context of conflict in the region, allowing people to raise their voices politically and socially. Famous street artist Banksy has had an important effect in the street art scene in the MENA area, especially in Palestine where some of his works are located in the West Bank barrier and Bethlehem.
There are also a large number of graffiti influences in Southeast Asian countries that mostly come from modern Western culture, such as Malaysia, where graffiti have long been a common sight in Malaysia's capital city, Kuala Lumpur. Since 2010, the country has begun hosting a street festival to encourage all generations and people from all walks of life to enjoy and encourage Malaysian street culture.
The modern-day graffitists can be found with an arsenal of various materials that allow for a successful production of a piece. This includes such techniques as scribing. However, spray paint in aerosol cans is the number one medium for graffiti. From this commodity comes different styles, technique, and abilities to form master works of graffiti. Spray paint can be found at hardware and art stores and comes in virtually every color.
Stencil graffiti is created by cutting out shapes and designs in a stiff material (such as cardboard or subject folders) to form an overall design or image. The stencil is then placed on the "canvas" gently and with quick, easy strokes of the aerosol can, the image begins to appear on the intended surface.
Some of the first examples were created in 1981 by artists Blek le Rat in Paris, in 1982 by Jef Aerosol in Tours (France); by 1985 stencils had appeared in other cities including New York City, Sydney, and Melbourne, where they were documented by American photographer Charles Gatewood and Australian photographer Rennie Ellis
Tagging is the practice of someone spray-painting "their name, initial or logo onto a public surface" in a handstyle unique to the writer. Tags were the first form of modern graffiti.
Modern graffiti art often incorporates additional arts and technologies. For example, Graffiti Research Lab has encouraged the use of projected images and magnetic light-emitting diodes (throwies) as new media for graffitists. yarnbombing is another recent form of graffiti. Yarnbombers occasionally target previous graffiti for modification, which had been avoided among the majority of graffitists.
Theories on the use of graffiti by avant-garde artists have a history dating back at least to the Asger Jorn, who in 1962 painting declared in a graffiti-like gesture "the avant-garde won't give up"
Many contemporary analysts and even art critics have begun to see artistic value in some graffiti and to recognize it as a form of public art. According to many art researchers, particularly in the Netherlands and in Los Angeles, that type of public art is, in fact an effective tool of social emancipation or, in the achievement of a political goal
In times of conflict, such murals have offered a means of communication and self-expression for members of these socially, ethnically, or racially divided communities, and have proven themselves as effective tools in establishing dialog and thus, of addressing cleavages in the long run. The Berlin Wall was also extensively covered by graffiti reflecting social pressures relating to the oppressive Soviet rule over the GDR.
Many artists involved with graffiti are also concerned with the similar activity of stenciling. Essentially, this entails stenciling a print of one or more colors using spray-paint. Recognized while exhibiting and publishing several of her coloured stencils and paintings portraying the Sri Lankan Civil War and urban Britain in the early 2000s, graffitists Mathangi Arulpragasam, aka M.I.A., has also become known for integrating her imagery of political violence into her music videos for singles "Galang" and "Bucky Done Gun", and her cover art. Stickers of her artwork also often appear around places such as London in Brick Lane, stuck to lamp posts and street signs, she having become a muse for other graffitists and painters worldwide in cities including Seville.
Graffitist believes that art should be on display for everyone in the public eye or in plain sight, not hidden away in a museum or a gallery. Art should color the streets, not the inside of some building. Graffiti is a form of art that cannot be owned or bought. It does not last forever, it is temporary, yet one of a kind. It is a form of self promotion for the artist that can be displayed anywhere form sidewalks, roofs, subways, building wall, etc. Art to them is for everyone and should be showed to everyone for free.
Graffiti is a way of communicating and a way of expressing what one feels in the moment. It is both art and a functional thing that can warn people of something or inform people of something. However, graffiti is to some people a form of art, but to some a form of vandalism. And many graffitists choose to protect their identities and remain anonymous or to hinder prosecution.
With the commercialization of graffiti (and hip hop in general), in most cases, even with legally painted "graffiti" art, graffitists tend to choose anonymity. This may be attributed to various reasons or a combination of reasons. Graffiti still remains the one of four hip hop elements that is not considered "performance art" despite the image of the "singing and dancing star" that sells hip hop culture to the mainstream. Being a graphic form of art, it might also be said that many graffitists still fall in the category of the introverted archetypal artist.
Banksy is one of the world's most notorious and popular street artists who continues to remain faceless in today's society. He is known for his political, anti-war stencil art mainly in Bristol, England, but his work may be seen anywhere from Los Angeles to Palestine. In the UK, Banksy is the most recognizable icon for this cultural artistic movement and keeps his identity a secret to avoid arrest. Much of Banksy's artwork may be seen around the streets of London and surrounding suburbs, although he has painted pictures throughout the world, including the Middle East, where he has painted on Israel's controversial West Bank barrier with satirical images of life on the other side. One depicted a hole in the wall with an idyllic beach, while another shows a mountain landscape on the other side. A number of exhibitions also have taken place since 2000, and recent works of art have fetched vast sums of money. Banksy's art is a prime example of the classic controversy: vandalism vs. art. Art supporters endorse his work distributed in urban areas as pieces of art and some councils, such as Bristol and Islington, have officially protected them, while officials of other areas have deemed his work to be vandalism and have removed it.
Pixnit is another artist who chooses to keep her identity from the general public. Her work focuses on beauty and design aspects of graffiti as opposed to Banksy's anti-government shock value. Her paintings are often of flower designs above shops and stores in her local urban area of Cambridge, Massachusetts. Some store owners endorse her work and encourage others to do similar work as well. "One of the pieces was left up above Steve's Kitchen, because it looks pretty awesome"- Erin Scott, the manager of New England Comics in Allston, Massachusetts.
Graffiti artists may become offended if photographs of their art are published in a commercial context without their permission. In March 2020, the Finnish graffiti artist Psyke expressed his displeasure at the newspaper Ilta-Sanomat publishing a photograph of a Peugeot 208 in an article about new cars, with his graffiti prominently shown on the background. The artist claims he does not want his art being used in commercial context, not even if he were to receive compensation.
Territorial graffiti marks urban neighborhoods with tags and logos to differentiate certain groups from others. These images are meant to show outsiders a stern look at whose turf is whose. The subject matter of gang-related graffiti consists of cryptic symbols and initials strictly fashioned with unique calligraphies. Gang members use graffiti to designate membership throughout the gang, to differentiate rivals and associates and, most commonly, to mark borders which are both territorial and ideological.
Graffiti has been used as a means of advertising both legally and illegally. Bronx-based TATS CRU has made a name for themselves doing legal advertising campaigns for companies such as Coca-Cola, McDonald's, Toyota, and MTV. In the UK, Covent Garden's Boxfresh used stencil images of a Zapatista revolutionary in the hopes that cross referencing would promote their store.
Smirnoff hired artists to use reverse graffiti (the use of high pressure hoses to clean dirty surfaces to leave a clean image in the surrounding dirt) to increase awareness of their product.
Graffiti often has a reputation as part of a subculture that rebels against authority, although the considerations of the practitioners often diverge and can relate to a wide range of attitudes. It can express a political practice and can form just one tool in an array of resistance techniques. One early example includes the anarcho-punk band Crass, who conducted a campaign of stenciling anti-war, anarchist, feminist, and anti-consumerist messages throughout the London Underground system during the late 1970s and early 1980s. In Amsterdam graffiti was a major part of the punk scene. The city was covered with names such as "De Zoot", "Vendex", and "Dr Rat". To document the graffiti a punk magazine was started that was called Gallery Anus. So when hip hop came to Europe in the early 1980s there was already a vibrant graffiti culture.
The student protests and general strike of May 1968 saw Paris bedecked in revolutionary, anarchistic, and situationist slogans such as L'ennui est contre-révolutionnaire ("Boredom is counterrevolutionary") and Lisez moins, vivez plus ("Read less, live more"). While not exhaustive, the graffiti gave a sense of the 'millenarian' and rebellious spirit, tempered with a good deal of verbal wit, of the strikers.
I think graffiti writing is a way of defining what our generation is like. Excuse the French, we're not a bunch of p---- artists. Traditionally artists have been considered soft and mellow people, a little bit kooky. Maybe we're a little bit more like pirates that way. We defend our territory, whatever space we steal to paint on, we defend it fiercely.
The developments of graffiti art which took place in art galleries and colleges as well as "on the street" or "underground", contributed to the resurfacing in the 1990s of a far more overtly politicized art form in the subvertising, culture jamming, or tactical media movements. These movements or styles tend to classify the artists by their relationship to their social and economic contexts, since, in most countries, graffiti art remains illegal in many forms except when using non-permanent paint. Since the 1990s with the rise of Street Art, a growing number of artists are switching to non-permanent paints and non-traditional forms of painting.
Contemporary practitioners, accordingly, have varied and often conflicting practices. Some individuals, such as Alexander Brener, have used the medium to politicize other art forms, and have used the prison sentences enforced on them as a means of further protest. The practices of anonymous groups and individuals also vary widely, and practitioners by no means always agree with each other's practices. For example, the anti-capitalist art group the Space Hijackers did a piece in 2004 about the contradiction between the capitalistic elements of Banksy and his use of political imagery.
Berlin human rights activist Irmela Mensah-Schramm has received global media attention and numerous awards for her 35-year campaign of effacing neo-Nazi and other right-wing extremist graffiti throughout Germany, often by altering hate speech in humorous ways.
In Serbian capital, Belgrade, the graffiti depicting a uniformed former general of Serb army and war criminal, convicted at ICTY for war crimes and crimes against humanity, including genocide and ethnic cleansing in Bosnian War, Ratko Mladić, appeared in a military salute alongside the words "General, thank to your mother". Aleks Eror, Berlin-based journalist, explains how "veneration of historical and wartime figures" through street art is not a new phenomenon in the region of former Yugoslavia, and that "in most cases is firmly focused on the future, rather than retelling the past". Eror is not only analyst pointing to danger of such an expressions for the region's future. In a long expose on the subject of Bosnian genocide denial, at Balkan Diskurs magazine and multimedia platform website, Kristina Gadže and Taylor Whitsell referred to these experiences as a young generations' "cultural heritage", in which young are being exposed to celebration and affirmation of war-criminals as part of their "formal education" and "inheritance".
There are numerous examples of genocide denial through celebration and affirmation of war criminals throughout the region of Western Balkans inhabited by Serbs using this form of artistic expression. Several more of these graffiti are found in Serbian capital, and many more across Serbia and Bosnian and Herzegovinian administrative entity, Republika Srpska, which is the ethnic Serbian majority enclave. Critics point that Serbia as a state, is willing to defend the mural of convicted war criminal, and have no intention to react on cases of genocide denial, noting that Interior Minister of Serbia, Aleksandar Vulin decision to ban any gathering with an intent to remove the mural, with the deployment of riot police, sends the message of "tacit endorsement". Consequently, on 9 November 2021, Serbian heavy police in riot gear, with graffiti creators and their supporters, blocked the access to the mural to prevent human rights groups and other activists to paint over it and mark the International Day Against Fascism and Antisemitism in that way, and even arrested two civic activist for throwing eggs at the graffiti.
Graffiti may also be used as an offensive expression. This form of graffiti may be difficult to identify, as it is mostly removed by the local authority (as councils which have adopted strategies of criminalization also strive to remove graffiti quickly). Therefore, existing racist graffiti is mostly more subtle and at first sight, not easily recognized as "racist". It can then be understood only if one knows the relevant "local code" (social, historical, political, temporal, and spatial), which is seen as heteroglot and thus a 'unique set of conditions' in a cultural context.
A spatial code for example, could be that there is a certain youth group in an area that is engaging heavily in racist activities. So, for residents (knowing the local code), a graffiti containing only the name or abbreviation of this gang already is a racist expression, reminding the offended people of their gang activities. Also a graffiti is in most cases, the herald of more serious criminal activity to come. A person who does not know these gang activities would not be able to recognize the meaning of this graffiti. Also if a tag of this youth group or gang is placed on a building occupied by asylum seekers, for example, its racist character is even stronger.
By making the graffiti less explicit (as adapted to social and legal constraints), these drawings are less likely to be removed, but do not lose their threatening and offensive character.
Elsewhere, activists in Russia have used painted caricatures of local officials with their mouths as potholes, to show their anger about the poor state of the roads. In Manchester, England, a graffitists painted obscene images around potholes, which often resulted in them being repaired within 48 hours.
In the early 1980s, the first art galleries to show graffitists to the public were Fashion Moda in the Bronx, Now Gallery and Fun Gallery, both in the East Village, Manhattan.
A 2006 exhibition at the Brooklyn Museum displayed graffiti as an art form that began in New York's outer boroughs and reached great heights in the early 1980s with the work of Crash, Lee, Daze, Keith Haring, and Jean-Michel Basquiat. It displayed 22 works by New York graffitists, including Crash, Daze, and Lady Pink. In an article about the exhibition in the magazine Time Out, curator Charlotta Kotik said that she hoped the exhibition would cause viewers to rethink their assumptions about graffiti.
From the 1970s onwards, Burhan Doğançay photographed urban walls all over the world; these he then archived for use as sources of inspiration for his painterly works. The project today known as "Walls of the World" grew beyond even his own expectations and comprises about 30,000 individual images. It spans a period of 40 years across five continents and 114 countries. In 1982, photographs from this project comprised a one-man exhibition titled "Les murs murmurent, ils crient, ils chantent ..." (The walls whisper, shout and sing ...) at the Centre Georges Pompidou in Paris.
In Australia, art historians have judged some local graffiti of sufficient creative merit to rank them firmly within the arts. Oxford University Press's art history text Australian Painting 1788–2000 concludes with a long discussion of graffiti's key place within contemporary visual culture, including the work of several Australian practitioners.
Between March and April 2009, 150 artists exhibited 300 pieces of graffiti at the Grand Palais in Paris.
Spray paint has many negative environmental effects. The paint contains toxic chemicals, and the can uses volatile hydrocarbon gases to spray the paint onto a surface.
Volatile organic compound (VOC) leads to ground level ozone formation and most of graffiti related emissions are VOCs. A 2010 paper estimates 4,862 tons of VOCs were released in the United States in activities related to graffiti.
In China, Mao Zedong in the 1920s used revolutionary slogans and paintings in public places to galvanize the country's communist movement.
Based on different national conditions, many people believe that China's attitude towards Graffiti is fierce, but in fact, according to Lance Crayon in his film Spray Paint Beijing: Graffiti in the Capital of China, Graffiti is generally accepted in Beijing, with artists not seeing much police interference. Political and religiously sensitive graffiti, however, is not allowed.
In Hong Kong, Tsang Tsou Choi was known as the King of Kowloon for his calligraphy graffiti over many years, in which he claimed ownership of the area. Now some of his work is preserved officially.
In Taiwan, the government has made some concessions to graffitists. Since 2005 they have been allowed to freely display their work along some sections of riverside retaining walls in designated "Graffiti Zones". From 2007, Taipei's department of cultural affairs also began permitting graffiti on fences around major public construction sites. Department head Yong-ping Lee (李永萍) stated, "We will promote graffiti starting with the public sector, and then later in the private sector too. It's our goal to beautify the city with graffiti". The government later helped organize a graffiti contest in Ximending, a popular shopping district. graffitists caught working outside of these designated areas still face fines up to NT$6,000 under a department of environmental protection regulation. However, Taiwanese authorities can be relatively lenient, one veteran police officer stating anonymously, "Unless someone complains about vandalism, we won't get involved. We don't go after it proactively."
In 1993, after several expensive cars in Singapore were spray-painted, the police arrested a student from the Singapore American School, Michael P. Fay, questioned him, and subsequently charged him with vandalism. Fay pleaded guilty to vandalizing a car in addition to stealing road signs. Under the 1966 Vandalism Act of Singapore, originally passed to curb the spread of communist graffiti in Singapore, the court sentenced him to four months in jail, a fine of S$3,500 (US$2,233), and a caning. The New York Times ran several editorials and op-eds that condemned the punishment and called on the American public to flood the Singaporean embassy with protests. Although the Singapore government received many calls for clemency, Fay's caning took place in Singapore on 5 May 1994. Fay had originally received a sentence of six strokes of the cane, but the presiding president of Singapore, Ong Teng Cheong, agreed to reduce his caning sentence to four lashes.
In South Korea, Park Jung-soo was fined two million South Korean won by the Seoul Central District Court for spray-painting a rat on posters of the G-20 Summit a few days before the event in November 2011. Park alleged that the initial in "G-20" sounds like the Korean word for "rat", but Korean government prosecutors alleged that Park was making a derogatory statement about the president of South Korea, Lee Myung-bak, the host of the summit. This case led to public outcry and debate on the lack of government tolerance and in support of freedom of expression. The court ruled that the painting, "an ominous creature like a rat" amounts to "an organized criminal activity" and upheld the fine while denying the prosecution's request for imprisonment for Park.
In Europe, community cleaning squads have responded to graffiti, in some cases with reckless abandon, as when in 1992 in France a local Scout group, attempting to remove modern graffiti, damaged two prehistoric paintings of bison in the Cave of Mayrière supérieure near the French village of Bruniquel in Tarn-et-Garonne, earning them the 1992 Ig Nobel Prize in archeology.
In September 2006, the European Parliament directed the European Commission to create urban environment policies to prevent and eliminate dirt, litter, graffiti, animal excrement, and excessive noise from domestic and vehicular music systems in European cities, along with other concerns over urban life.
In Budapest, Hungary, both a city-backed movement called I Love Budapest and a special police division tackle the problem, including the provision of approved areas.
The Anti-social Behaviour Act 2003 became Britain's latest anti-graffiti legislation. In August 2004, the Keep Britain Tidy campaign issued a press release calling for zero tolerance of graffiti and supporting proposals such as issuing "on the spot" fines to graffiti offenders and banning the sale of aerosol paint to anyone under the age of 16. The press release also condemned the use of graffiti images in advertising and in music videos, arguing that real-world experience of graffiti stood far removed from its often-portrayed "cool" or "edgy'" image.
To back the campaign, 123 Members of Parliament (MPs) (including then Prime Minister Tony Blair), signed a charter which stated: "Graffiti is not art, it's crime. On behalf of my constituents, I will do all I can to rid our community of this problem."
In the UK, city councils have the power to take action against the owner of any property that has been defaced under the Anti-social Behaviour Act 2003 (as amended by the Clean Neighbourhoods and Environment Act 2005) or, in certain cases, the Highways Act. This is often used against owners of property that are complacent in allowing protective boards to be defaced so long as the property is not damaged.
In July 2008, a conspiracy charge was used to convict graffitists for the first time. After a three-month police surveillance operation, nine members of the DPM crew were convicted of conspiracy to commit criminal damage costing at least £1 million. Five of them received prison sentences, ranging from eighteen months to two years. The unprecedented scale of the investigation and the severity of the sentences rekindled public debate over whether graffiti should be considered art or crime.
Some councils, like those of Stroud and Loerrach, provide approved areas in the town where graffitists can showcase their talents, including underpasses, car parks, and walls that might otherwise prove a target for the "spray and run".
Graffiti Tunnel, University of Sydney at Camperdown (2009)
In an effort to reduce vandalism, many cities in Australia have designated walls or areas exclusively for use by graffitists. One early example is the "Graffiti Tunnel" located at the Camperdown Campus of the University of Sydney, which is available for use by any student at the university to tag, advertise, poster, and paint. Advocates of this idea suggest that this discourages petty vandalism yet encourages artists to take their time and produce great art, without worry of being caught or arrested for vandalism or trespassing.[108][109] Others disagree with this approach, arguing that the presence of legal graffiti walls does not demonstrably reduce illegal graffiti elsewhere. Some local government areas throughout Australia have introduced "anti-graffiti squads", who clean graffiti in the area, and such crews as BCW (Buffers Can't Win) have taken steps to keep one step ahead of local graffiti cleaners.
Many state governments have banned the sale or possession of spray paint to those under the age of 18 (age of majority). However, a number of local governments in Victoria have taken steps to recognize the cultural heritage value of some examples of graffiti, such as prominent political graffiti. Tough new graffiti laws have been introduced in Australia with fines of up to A$26,000 and two years in prison.
Melbourne is a prominent graffiti city of Australia with many of its lanes being tourist attractions, such as Hosier Lane in particular, a popular destination for photographers, wedding photography, and backdrops for corporate print advertising. The Lonely Planet travel guide cites Melbourne's street as a major attraction. All forms of graffiti, including sticker art, poster, stencil art, and wheatpasting, can be found in many places throughout the city. Prominent street art precincts include; Fitzroy, Collingwood, Northcote, Brunswick, St. Kilda, and the CBD, where stencil and sticker art is prominent. As one moves farther away from the city, mostly along suburban train lines, graffiti tags become more prominent. Many international artists such as Banksy have left their work in Melbourne and in early 2008 a perspex screen was installed to prevent a Banksy stencil art piece from being destroyed, it has survived since 2003 through the respect of local street artists avoiding posting over it, although it has recently had paint tipped over it.
In February 2008 Helen Clark, the New Zealand prime minister at that time, announced a government crackdown on tagging and other forms of graffiti vandalism, describing it as a destructive crime representing an invasion of public and private property. New legislation subsequently adopted included a ban on the sale of paint spray cans to persons under 18 and increases in maximum fines for the offence from NZ$200 to NZ$2,000 or extended community service. The issue of tagging become a widely debated one following an incident in Auckland during January 2008 in which a middle-aged property owner stabbed one of two teenage taggers to death and was subsequently convicted of manslaughter.
Graffiti databases have increased in the past decade because they allow vandalism incidents to be fully documented against an offender and help the police and prosecution charge and prosecute offenders for multiple counts of vandalism. They also provide law enforcement the ability to rapidly search for an offender's moniker or tag in a simple, effective, and comprehensive way. These systems can also help track costs of damage to a city to help allocate an anti-graffiti budget. The theory is that when an offender is caught putting up graffiti, they are not just charged with one count of vandalism; they can be held accountable for all the other damage for which they are responsible. This has two main benefits for law enforcement. One, it sends a signal to the offenders that their vandalism is being tracked. Two, a city can seek restitution from offenders for all the damage that they have committed, not merely a single incident. These systems give law enforcement personnel real-time, street-level intelligence that allows them not only to focus on the worst graffiti offenders and their damage, but also to monitor potential gang violence that is associated with the graffiti.
Many restrictions of civil gang injunctions are designed to help address and protect the physical environment and limit graffiti. Provisions of gang injunctions include things such as restricting the possession of marker pens, spray paint cans, or other sharp objects capable of defacing private or public property; spray painting, or marking with marker pens, scratching, applying stickers, or otherwise applying graffiti on any public or private property, including, but not limited to the street, alley, residences, block walls, and fences, vehicles or any other real or personal property. Some injunctions contain wording that restricts damaging or vandalizing both public and private property, including but not limited to any vehicle, light fixture, door, fence, wall, gate, window, building, street sign, utility box, telephone box, tree, or power pole.
To help address many of these issues, many local jurisdictions have set up graffiti abatement hotlines, where citizens can call in and report vandalism and have it removed. San Diego's hotline receives more than 5,000 calls per year, in addition to reporting the graffiti, callers can learn more about prevention. One of the complaints about these hotlines is the response time; there is often a lag time between a property owner calling about the graffiti and its removal. The length of delay should be a consideration for any jurisdiction planning on operating a hotline. Local jurisdictions must convince the callers that their complaint of vandalism will be a priority and cleaned off right away. If the jurisdiction does not have the resources to respond to complaints in a timely manner, the value of the hotline diminishes. Crews must be able to respond to individual service calls made to the graffiti hotline as well as focus on cleanup near schools, parks, and major intersections and transit routes to have the biggest impact. Some cities offer a reward for information leading to the arrest and prosecution of suspects for tagging or graffiti related vandalism. The amount of the reward is based on the information provided, and the action taken.
When police obtain search warrants in connection with a vandalism investigation, they are often seeking judicial approval to look for items such as cans of spray paint and nozzles from other kinds of aerosol sprays; etching tools, or other sharp or pointed objects, which could be used to etch or scratch glass and other hard surfaces; permanent marking pens, markers, or paint sticks; evidence of membership or affiliation with any gang or tagging crew; paraphernalia including any reference to "(tagger's name)"; any drawings, writing, objects, or graffiti depicting taggers' names, initials, logos, monikers, slogans, or any mention of tagging crew membership; and any newspaper clippings relating to graffiti crime.
This is a video of bike ride i did yesterday up a mountain called Meall an Uillt Chreagaich which is about 2850 feet high in the Cairngorms. I started in Glen Feshie, which is a stunning place and full of heather at the moment. Then i headed up the track to the top of the mountain and now i'm knackered!
This photograph is a copyrighted image. please do not download this image to use or blog, or for any other purposes, without crediting me, and informing me of its use.
So this is where I work, Emley Moor Transmitter and Arqiva Tower.
Part of my job is to make sure that all of your free to air telly and radio stations ae available for you to watch / listen to.
There's currently a project ongoing nationwaide, to free up certain areas of the broadcast spectrum. It was Emley's turn over the past few weeks. We had to have a temporary mast built to ensure the programming continued to be transmitted whils the work on the main tower is completed over the next few years.
Watching a Super Puma klifting 2 tonne pieces of structure, however it over 4 guys on the top of the already built part of mast and then hover it in perfect position whilst they bolt it up was a sight to see for sure.
Highly skilled worksforce and they built it from near ground level to over 1000 feet in 8 days. The four shots show how it was, the helo, work in progress and the final result.
Well, this is my first upload of the snaps with LEE ND filter, the quality of this filter is really superb class. Though the yestarday weather was not very good for day time long exposure (as you can see the sky is very flat here) but I couldn't stop myself to play with it. Despite of bad weather still I have 4-5 good snaps from yesterday which I will upload soon.
Looking forward for a good weather in next weekend (finger crossed).
F-Stop: f/18
Exposure: 1 min 35 Sec
Focal Length: 17mm
Camera: Canon EOS 500D
Lens: Sigma 10-20mm f/3.5 EX DC HSM
Filter: LEE Big Stopper (10 Stop ND)
Location: London, England.
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Copyrighted © A.Obaid Photography | Do not use without authorization.
Snape Castle is a semi-fortified manor house in the village of Snape, North Yorkshire, England. The castle is 3 miles (5 km) south of Bedale and 19 miles (31 km) north of Ripon. At the time of Henry VIII, John Leland described it as "...a goodly castel in a valley [be]longing to the Lorde Latimer.." The castle is now a private residence, and is a grade I listed building.
References throughout history have indicated that a manor house was built on the site by Ralph FitzRanulph of Middleham. His daughter, the Lady of Middleham married Robert Neville, Robert de Neville's son, and the building stayed in the Neville family until the 16th century. Snape Castle itself, which lies at the western edge of the village of Snape, was built sometime in the early 15th century, (between 1425 and 1430), when George Neville, inherited the land and buildings from his father, Ralph, the Earl of Westmorland. Although variously described as a manor house, or a hall, some thought was given over to defensive measures; the surrounding land, which was prone to flooding and so marshy, was kept in place. The original castle was planned around a courtyard measuring 140 feet (43 m) north to south, and 180 feet (55 m) west to east.
During the 15th century, both Cecily Neville and Queen Anne lived at the castle, providing a link to Richard III; Neville being his mother and Anne his wife.
In January 1537, a mob stormed the castle and took Katherine Parr and the two children hostage. The mob consisted of members of the Pilgrimage of Grace who were worried that John Neville (Third Baron Latimer, and Parr's then husband), would betray them to Henry VIII. Neville, who was trying to mediate between the King and the northern countrymen, hastened back to the castle where he was able to persuade the mob to leave and release his family. The cleric and antiquary, John Leland described the manor at Snape as "..'a goodly castel in a valley longing to the Lorde Latimer, and ii or iii parkes welle woddid abowt it."
In 1577, Sir Thomas Cecil inherited the Manor of Snape through his wife, Dorothy Neville, whom he had married in 1564. In 1577, Thomas set about rebuilding the castle, though he did not use it after 1578 when he inherited the Burghley estate near Stamford from his father. Cecil's renovation of the castle provided its towers, but these were for effect rather than defence, and has led to it being called a "sham castle". The west wall contains an Elizabethan chimney with the date of 1587, the assumed date of the completion of Cecil's efforts.
The estate was sold in 1798 to William Milbank of nearby Thorpe Perrow. Still partly inhabited, the castle retains its Perpendicular windows as built by Cecil. The building is now registered with Historic England as a Grade I listed structure.
Cologne is the fourth-largest city in Germany - and one of the oldest. A Germanic tribe, the Ubii, had a settlement here, this was named by the Romans "Oppidum Ubiorum". In 50 AD, the Romans founded "Colonia Claudia Ara Agrippinensium", the city then became the provincial capital of "Germania Inferior".
From wherever you´ll approach Cologne, first you will see are the elegant towers of the Cologne Cathedral "(Kölner Dom"). The towers, with 157 metres the third highest wordwide, were completed in 1880. 632 years after construction of the cathedral had begun.
There is nothing more amazing than the subtle things we do to enhance our beauty!
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The HD Flower eyeshadow comes in 2 versions; coffee and pale. With that is 10 options
with the flowers and 10 without.
The HD Alone lipstick comes in 4 versions; Coffee, pale, sunny and tan. With them come
20 color options to choose from!
You can find the eyeshadow at the current round of Equal10!
Here is your taxi -> maps.secondlife.com/secondlife/equal10/52/147/89
And the Lipstick is available at this round of Kustom 9!
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Like what you see and want to know where you can get more of these amazing products?
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www.flickr.com/photos/131375575@N05/
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Now let's talk about these earrings from FaeTal~!
#61, they are beautifully made for Swallows XL, S and pixie ears.
They come with 6 metal color options and the ability to hide certain parts of the
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You can find these at the main store now!
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And check out FaeTals socials for more amazing things!
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Here is Allen Bill Pond, a lovely manmade fishing pond just down the road from Elbow Falls, a little ways into the Canadian Rockies.
It is truly a gorgeous and idyllic spot, and always brings back happy memories for me, as it is a place I have been visiting with my family and friends as far back as I can remember!
This is a compote of Venus images taken 30 minutes apart. The images of Venus are not evenly spaced nor do they form a straight line. There's a lot going on here: The sun is moving, Venus is moving, the Earth is moving and they are all rotating. And, wait for it...the sun is not flat so images near the edge will appear to be spaced differently then ones closer to the center. Had the sun not set, Venus would have veered right and exited out the side of the sun (aobut the 3:30 o'clock position) rather than the bottom as suggested by the current trajectory.
Unfortunately, I'm in a part of the world where the sun set before the transit could complete. In the US, I would have had to travel to Western Alaska or Hawaii to capture the latter stages.
"It is not the world that needs peace; it is people. When people in the world are at peace within, the world will be at peace."
Prem Rawat
[51/52]
There is a certain joy that comes out of finally being able to develop an idea that has been aching to leap out into a piece of art for a long time. I had this concept etched into the realms of my sketchbook since the summer, and was waiting for the leaves to completely fall off the trees before I could find the perfect set for this image.
This image explores the concept of heritage and self identity. The girl is essentially a tree, her branches grown beneath her, forming a dress, a part of who she is. Her arms reach out seeking her roots, the things that keep her planted. Being of the tree itself however, her arms are in themselves roots, and thus, she seeks for something that she is- she seeks for who she is. Our past, our blood, our culture, our environment all play a large role in who we become as individuals.
Having been brought up for the large majority of my life in the west (minus two to three months or so), identity in the cultural sense can be a topic I struggle with, that many struggle with. Learning to accept who you are, to accommodate for the different social customs we encounter in our everyday lives and how they vary in different settings is a task that takes time. We need that time. We need to learn who we are, and that we can be from all over the world in terms of our inheritance, but still belong to the place we call home.
On a side note, I only have one week remaining :o
Original Caption: Heavy Traffic On The Dan Ryan Expressway In Chicago Illinois. It Is The Busiest In The United States With 254,700 Vehicles Daily, According To Figures Released In March, 1975, By The Federal Department Of Transportation. The Kennedy Expressway In Chicago Is The Second Busiest (not Shown) With 234,100 Vehicles Per Day, 10/1973
U.S. National Archives’ Local Identifier: 412-DA-13742
Photographer: White, John H, 1945-
Subjects:
African-American
Chicago (Cook county, Illinois, United States)
Environmental Protection Agency
Project DOCUMERICA
Persistent URL: arcweb.archives.gov/arc/action/ExternalIdSearch?id=556194
Repository: Still Picture Records Section, Special Media Archives Services Division (NWCS-S), National Archives at College Park, 8601 Adelphi Road, College Park, MD, 20740-6001.
For information about ordering reproductions of photographs held by the Still Picture Unit, visit: www.archives.gov/research/order/still-pictures.html
Reproductions may be ordered via an independent vendor. NARA maintains a list of vendors at www.archives.gov/research/order/vendors-photos-maps-dc.html
Access Restrictions: Unrestricted
Use Restrictions: Unrestricted
This is what Lala wore to the meet:) Thanks to mab for the outrageously cute ensemble and boots:) xox
Eyjafjallajökull is one of the smaller glaciers of Iceland. It is situated to the north of Skógar and to the west of the larger glacier Mýrdalsjökull.
The icecap of the glacier covers a volcano (1,666 m in height) which has erupted relatively frequently since the Ice Age. The latest eruption began in March 2010, and the most recent eruption before then was from 1821 to 1823, causing a fatal glacier run. A previous eruption was in 1612. The crater of the volcano has a diameter of 3–4 km and the glacier covers an area of about 100 km².
The south end of the mountain was once part of the island's Atlantic coastline. As the sea has since retreated some 5 km, the former coastline has left behind sheer cliffs with a multitude of beautiful waterfalls, the best known of them being Skógafoss. In strong winds, the water of the smaller falls can even be blown up the mountain.
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Eyjafjallajökull er fimmti stærsti jökull Íslands. Nafn hans bendir til að hann sjáist frá Vestmannaeyjum. Undir jöklinum er eldkeila sem hefur gosið fjórum síðan land byggðist, fyrst árið 920, 1612, 1821 og 2010. Öll þessi gos hafa verið frekar lítil. Þegar gaus árið 1821 stóð gosið til ársins 1823. Gos hófst svo á Fimmvörðuhálsi þann 20. mars 2010 austan við Eyjafjallajökul.
Eyjafjallajökull er einn af hæstu tindum Íslands, um 1.666 m hár. Úr jöklinum renna 2 skriðjöklar sem heita Steinsholtsjökull og Gígjökull en þeir skríða báðir til norðurs í Þórsmörk. Hafa þeir á síðustu árum hörfað mikið og er Gígjökull nánast að hverfa.
Eyjafjallajökull og Mýrdalsjökull eru næst hvor öðrum á Fimmvörðuhálsi. Þar reka Ferðafélag Íslands og Útivist 2 gistiskála sem heita Baldvinsskáli og Fimmvörðuskáli. Eyjafjallajökull er mjög varasamur til ferðalaga vegna jökulsprungna en jökullinn er mjög brattur og sprunginn. Jarðhiti er undir honum sem bræðir hann neðan frá.
This is the Flathead River. At this point, you're only 12 miles or so from the entrance of Glacier National Park, and you'll start seeing some very large mountains that are in Glacier National Park. The Flathead River, in the northwestern part of the U.S. State of Montana, originates in the Canadian Rockies to the north of Glacier National Park and flows southwest into Flathead Lake, then after a journey of 158 miles, empties into the Clark Fork. The river is part of the Columbia River drainage basin, as the Clark Fork River is a tributary of the Columbia River tributary, with a drainage basin extending over 8,795 square miles and an average discharge of 11,380 cubic feet per second, the Flathead is the largest tributary of the Clark Fork and constitutes over half of its flow. Boy the Columbia River is an enormous river!!!!!
This was taken on Greenwich Ave & W 12th.
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This set of photos is based on a very simple concept: walk every block of Manhattan with a camera, and see what happens. To avoid missing anything, walk both sides of the street.
That's all there is to it …
Of course, if you wanted to be more ambitious, you could also walk the streets of Brooklyn, Queens, Staten Island, and the Bronx. But that's more than I'm willing to commit to at this point, and I'll leave the remaining boroughs of New York City to other, more adventurous photographers.
Oh, actually, there's one more small detail: leave the photos alone for a month -- unedited, untouched, and unviewed. By the time I actually focus on the first of these "every-block" photos, I will have taken more than 8,000 images on the nearby streets of the Upper West Side -- plus another several thousand in Rome, Coney Island, and the various spots in NYC where I traditionally take photos. So I don't expect to be emotionally attached to any of the "every-block" photos, and hope that I'll be able to make an objective selection of the ones worth looking at.
As for the criteria that I've used to select the small subset of every-block photos that get uploaded to Flickr: there are three. First, I'll upload any photo that I think is "great," and where I hope the reaction of my Flickr-friends will be, "I have no idea when or where that photo was taken, but it's really a terrific picture!"
A second criterion has to do with place, and the third involves time. I'm hoping that I'll take some photos that clearly say, "This is New York!" to anyone who looks at it. Obviously, certain landscape icons like the Empire State Building or the Statue of Liberty would satisfy that criterion; but I'm hoping that I'll find other, more unexpected examples. I hope that I'll be able to take some shots that will make a "local" viewer say, "Well, even if that's not recognizable to someone from another part of the country, or another part of the world, I know that that's New York!" And there might be some photos where a "non-local" viewer might say, "I had no idea that there was anyplace in New York City that was so interesting/beautiful/ugly/spectacular."
As for the sense of time: I remember wandering around my neighborhood in 2005, photographing various shops, stores, restaurants, and business establishments -- and then casually looking at the photos about five years later, and being stunned by how much had changed. Little by little, store by store, day by day, things change … and when you've been around as long as I have, it's even more amazing to go back and look at the photos you took thirty or forty years ago, and ask yourself, "Was it really like that back then? Seriously, did people really wear bell-bottom jeans?"
So, with the expectation that I'll be looking at these every-block photos five or ten years from now (and maybe you will be, too), I'm going to be doing my best to capture scenes that convey the sense that they were taken in the year 2013 … or at least sometime in the decade of the 2010's (I have no idea what we're calling this decade yet). Or maybe they'll just say to us, "This is what it was like a dozen years after 9-11".
Movie posters are a trivial example of such a time-specific image; I've already taken a bunch, and I don't know if I'll ultimately decide that they're worth uploading. Women's fashion/styles are another obvious example of a time-specific phenomenon; and even though I'm definitely not a fashion expert, I suspected that I'll be able to look at some images ten years from now and mutter to myself, "Did we really wear shirts like that? Did women really wear those weird skirts that are short in the front, and long in the back? Did everyone in New York have a tattoo?"
Another example: I'm fascinated by the interactions that people have with their cellphones out on the street. It seems that everyone has one, which certainly wasn't true a decade ago; and it seems that everyone walks down the street with their eyes and their entire conscious attention riveted on this little box-like gadget, utterly oblivious about anything else that might be going on (among other things, that makes it very easy for me to photograph them without their even noticing, particularly if they've also got earphones so they can listen to music or carry on a phone conversation). But I can't help wondering whether this kind of social behavior will seem bizarre a decade from now … especially if our cellphones have become so miniaturized that they're incorporated into the glasses we wear, or implanted directly into our eyeballs.
Oh, one last thing: I've created a customized Google Map to show the precise details of each day's photo-walk. I'll be updating it each day, and the most recent part of my every-block journey will be marked in red, to differentiate it from all of the older segments of the journey, which will be shown in blue. You can see the map, and peek at it each day to see where I've been, by clicking on this link
URL link to Ed's every-block progress through Manhattan
If you have any suggestions about places that I should definitely visit to get some good photos, or if you'd like me to photograph you in your little corner of New York City, please let me know. You can send me a Flickr-mail message, or you can email me directly at ed-at-yourdon-dot-com
Stay tuned as the photo-walk continues, block by block ...
Surfing is Poetry in Motion! Athletic & Talented Professional Surf Girl Goddess! Lower Trestles San Clemente! Athletic Bikini Swimsuit Wetsuit Models Surfing Trestles Beach, San Diego! Nikon D810 + Tamron SP 150-600mm f/5-6.3 Di VC USD G2! Surf's Up!
Breakfast is over and I'm ready for a break. I'm off to the shower and then over to the old house to finish getting it ready to rent. I had a great day yesterday, helping my son, Alex, build a new bee hive and a beanbag toss game. I'll post some pics of the bee hive and beanbag toss after they are both painted.
Cheers,
Wade
YJ67 CZY is a Van Hool EX17H C53FLt coach in the fleet of Turners, Bristol and employed on Flixbus work. It had been new to Arriva, Gomersal (Q) as a Demonstrator in December 2017. It served in the Republic of Ireland with Kavanagh (B), Urlingford from April 2019, where it was reregistered 172-KK-954. It returned to the UK with Lancashire Bus (Vantage Coaches), Blackburn as YJ67 CZY in January 2020. It joined Turners in October 2020.
Want to find out more? Join The PSV Circle - Details at www.psvcircle.org.uk
Copyright © P.J. Cook, all rights reserved. It is an offence to copy, use or post this image anywhere else without my permission.
Here's Rae, a wonderful person who's become one of my closest friends lately. We went on a little adventure this afternoon, taking photos on the beach before a cheeky Costa on the way home.
'Like' on Facebook! | RedBubble | I sell prints.
This was my first dedicated photo-trip out of the year, and I can say now that I really needed to get out and take some photos because I was getting sick of sitting doing schoolwork or playing Skyrim (despite how awesome it is).
All is calm..the world is still, my soul is so very silent.
Thank you to lisajen@devinatart.com for the image of the women.
Cowdray Heritage is one of England’s most important early Tudor houses and is known to have been visited by both King Henry VIII and Queen Elizabeth I. In September 1793, whilst undergoing repairs and refurbishments for the impending marriage of the 8th Viscount Montague, a devastating fire took hold and most of the property was destroyed. The Kitchen Tower is the only part of the mansion to remain intact.
The magnificent ruins are set in the stunning landscape of Cowdray Park, in the heart of the South Downs National Park. Explore the Tudor Kitchen, Buck Hall, Chapel and Gatehouse.
Since 1793 it largely remained untouched however the 1st Viscount Cowdray commissioned a restoration project between 1909-1914 when St John Hope was asked to report on Cowdray, Easebourne Priory and St Anne’s Hill.
This work is generally credited with having saved the Cowdray ruins from total collapse. Nevertheless this period of desertion ensured that the features that remained of this important Tudor building were untouched and consequently give us today a unique glimpse of many important features of Tudor architecture which would otherwise have been lost.
This is a color version of a study I made time ago in B/W. Done on iPad4 with Inspire Pro 2.0 (beta). The update to this version is available now.-New and amazing features coming along with this new Inspire Pro.
Also, I´ll be painting live and giving advices on ipad art in Kiwipixel booth at MacWorld (San Francisco) next weekend. I´ll be so happy if any of you come to visit
Keep painting!! ;)
From Wikipedia:
Greystone, also called the Camp House, is a prominent historic home in Knoxville, Tennessee, that houses the studios and offices of WATE-TV. It is an imposing structure, and is on the National Register of Historic Places. The mansion is located at 1306 Broadway (US441).
Major Eldad Cicero Camp began constructing his home in 1885. Architect Alfred B. Mullet designed the mansion in the Richardson Romanesque style. Mullett had previously designed the Customs House building in downtown Knoxville. The home is two and a half stories, with a three-story tower in the front. The exterior of the home is sheathed in stone from a quarry in Lake City, Tennessee. The home contains elaborate hand-carved mantels from France. Each room is paneled in a different type of wood. The heads of windows include stained glass panels, and 22 different types of marble are used in the house. The site also includes a carriage house.
Major Camp was born in Ohio, served in the Union army during the Civil War, made Knoxville his home and was appointed a U.S. District Attorney by President Ulysses S. Grant.
The Camp family used the home until 1935. When Camp's heirs were no longer able to maintain the house, they sold some of the furnishings and subdivided the mansion into apartments. The condition of the building declined during its rental use, until WATE-TV purchased the building in 1965 at a cost of $75,000. Over the next two years, the mansion was restored and renovated for use by the television station. The restoration and renovation process cost $1.5 million. The first floor of the building was preserved and restored largely in its original form. A new 13,000-square-foot addition on the back of the building housed the station's studios. In April 1973, Greystone was added to the National Register of Historic Places.
This is one of the last photo's I took of Roos.
Last Friday she passed the rainbow bridge, she decided that it was enough. She died at her new home in the company of Lies and her other Ragdoll friends.
Friends of ours (thank you!) have kindly offered a place in the sun where she can rest for eternity. We will miss her so much but are happy that her struggle is over, and that she has peace now.
She lived to become almost 5 years old.
For those of you that did not know Roos... here are some impressions:
Roos as a very young kitten:
www.flickr.com/photos/19135291@N00/92606794/
Roos as a kitten:
www.flickr.com/photos/19135291@N00/92607279/
Roos, being Roos:
She is as smart as she is beautiful, and is a VERY talented writer.
Read about this night at sophielynne1.blogspot.com/2013/03/keystone-conference-par...
Peaky Blinders is a beautiful countryside based in England, where you can rent a home or a store, even a gacha stall, brilliant community base. There is so much to explore, from Pubs to farms, to even a church where we have weddings! We have events daily, such as open mic nights, Karaoke, Quiz, and family events. Our main goal is to make everyone feel welcomed, and just have fun!! Visit us at: maps.secondlife.com/secondlife/Eclipsed/6/115/42
This is what happens, children, if you leave your toys out at night! They will steal your marbles! Or maybe even the moon! Happy Toy-in-the-frame Thursday!
This is a courtesy wake-up call to anyone building something for the "Space Jam!" contest:
- You have 2 days left to enter.
- You DO have to post your entries into their appropriate entry discussions for them to count.
Just uploading them into the group pool is not enough. Just uploading them to your photostream and typing in the description that it was for the contest is not enough (...I have seen both).
We try to do the nice thing and post reminders on MOC's that we think are for the contest, but we certainly can't go through every build that has been posted over the last 2 months. Please be sure to double-check your entries while you still have time.
Thanks to everyone for entering - and good luck to all!
It is You who returns to me today and swims anxiously around my awareness again. Opalescent beams and the feeling of wet pour over my starving perception and I hear a faint whisper telling me that I have run too far into the dry and suffocating thoughts of a bleak and mundane world. Laughter, like perfect bubbles of fresh insight, dances in the space between us. Excitedly, You urge me to play once more in the world of limitless songs and inspired stories.
Oh yes, sweet redeemer, You drench and revitalize my understanding with radiant blue.
Blue like the unlimited and expanding sky. Blue like the awe-inspiring and swirling waves of an imagination that cannot and will not ever end. Blue like the true blue power of a dream that crystallizes out of the purest desire to love and magnify for its own sake. Blue like the Great Blue Heron that stands staunch and ready peering toward the horizons of its kingdom. Blue like the skin of the all attractive Krishna energy that calls the Universe to rise and dance in ecstasy. Blue like those eyes that drowned my entire existence with one first glance. Oh yes. Let Us redefine the "Blue" of Eternal Opulence and remember ourselves flashing across an overflowing night sky which by its very nature abases any weak and deflating thought into complete oblivion.
Oh the immortal words of the Master Poet Kabir resonate in the core of my Being tonight:
"I laugh when I hear that the the fish in the water is thirsty."
Maurizio's dream is to captain a boat in the bay of Naples and to protect the habitat around Pospitillo and the Amalfi Coast. When he shakes hands, his grip is of old rope.
Maurizio is currently living out his dream.
Recommended View: Large On Black
All Rights Reserved - Trey Ratcliff - From Stuck In Customs www.stuckincustoms.com
This is a Photohop manipulation of a great photograph taken by Dave, seen in my favorites collection here on flickr. Because the largest size he had online originally was only about 800 pixels in the longest dimension, the crop I used to manipulate the image is very small. The best "amazing circles" are done with high resolution photos that are larger in pixel dimensions to begin with. The group on flickr that has a link to a tutorial on how to do this is here. I got a copy of the original so I could work out a good resolution version that will print very well. This finished image is now larger and shows more detail.
For fun, browse through the group pool for Amazing Circles.
Beauty Will Save The World! -- Dostoevsky
Beautiful 45SURF 45EPIC Swimsuit Bikini Model Goddess! Pretty Helen from Homer's Iliad! The Birth of Venus! Pretty Swimsuit Malibu Surf Girl Lifestyle Portraiture! Canon 5D Mark II & Canon EF 24-105mm f/4 L IS USM Lens !
Epic Fine Art Photography Prints & Luxury Wall Art:
Support epic, stoic fine art: Hero's Odyssey Gear!
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)