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Inventei uma nail art com ombré invertido pra ficar mais bonitinho o laranja. Não ando no clima de cremosão, então... :P
O bom desse desafio é que pelo menos na cor não fico com dúvida! :D
Aí tem 2 camadas de Chris da Lorena;
1 camada de Cobertura Encantada da Risqué;
Ombré com glitter ching-ling fedorento;
Só espero que amanhã meu chefe não me chame pra nenhuma reunião. :P
Beijos meninas e boa noite! ;*
R.I.P. Steve, The Man who invented the future
133rd Day
Very bad news tonight.. Rest In Peace dear Steve, you were and will be an inspiration for generations and a very good person. Thanks for all you made.
Cya mate.
The Man who invented the FUTURE
Canon EOS 500D & Canon EF 100mm f/2.8 L Macro IS USM
Post Production with Lightroom 3.3 & Photoshop CS5
©2011, Stefano Minella Photo
Stefano Minella | Photographer WebSite
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Dowlingville.
The settlement was established in 1876. It had a Post Office for many years which is now just a quaint galvanised iron shed with mail boxes which is on the State Heritage register. The school was started in 1880 which is about the time the stone school room was built. The school provided education until 1949 when it became a residence. The galvanised iron Public Hall was built in 1909. Further along the road is the Wesleyan Methodist Church built and opened in 1879. It still operates as a Uniting Church. Until recently the long drop ladies toilet here was a triple seater for one adult and two children! The settlement also has an example of the Whittaker stump jump plough. William and Maria Whittaker from America took up land here in 1876 and their eldest son George Dowling Whittaker invented the first two and three furrow stump jump ploughs in 1877 at his blacksmith shop. The Smith brothers a few miles away at Arthurton invented a single furrow stump jump plough in 1876. George’s brothers helped him in producing the stump jump ploughs which had won first prize in a ploughing competition at Ardrossan in 1880. They produced the ploughs from 1877 into the mind 1880s but his blacksmith works continued beyond that. George was born in Wisconsin in the United States. Coincidentally he died in 1901 the same year as Clarence Smith his business rival. This settlement was at the junction of five roads and it was named after a Whittaker family name- Dowling. George’s wife’s maiden name was Dowling
Brisbane, Australia
“Show me a man or a woman alone and I'll show you a saint. Give me two and they'll fall in love. Give me three and they'll invent the charming thing we call 'society'. Give me four and they'll build a pyramid. Give me five and they'll make one an outcast. Give me six and they'll reinvent prejudice. Give me seven and in seven years they'll reinvent warfare. Man may have been made in the image of God, but human society was made in the image of His opposite number, and is always trying to get back home.”
― Stephen King, The Stand
Ask around what are the two most iconic symbols of Gothic architecture and art, and the answer will likely be: stained glass windows and rib vaulting.
In both cases, that answer will be wrong: those wonders, on which Gothic cathedrals built their worldwide reputation, are... Romanesque! And they were not just invented and barely tested at the time of Romanesque, they were actually implemented again and again, and perfected along the way over at least one century before Gothic happened. Much more than the definitive breaking point it is often purported to be, the advent of the Gothic was much more a smooth and slow transition, largely calling upon concepts, methods and techniques created and improved during Romanesque times.
As regards stained glass, the oldest still in place is the Ascension Window in the Le Mans Cathedral, which could be as old as Year 1100, possibly 1120–40. The windows in the Augsburg Cathedral in Germany also have a strong claim to the title of oldest Romanesque stained glass window. I hope to be able to photograph all of them some day.
Now, and coming back to our main subject, the rib vaulting (in French: voûte sur croisée d’ogives, or more simply voûte d’ogives), experts agree that, even before the cathedral of Durham in England, it was first experimented in the abbey church of Lessay in Normandy, which stands in the Cotentin peninsula, today the département of Manche. This new, revolutionary vaulting system could be as old as 1090, at least for the apse, choir and transept. Let us remember that this was also the time when other Benedictine monks, in Burgundy, were experimenting the “broken”, or “pointy” Romanesque arch in the Cluny II abbey church, on which construction began in 1088.
The beginning of the nave is also very old, as will be explained below. Its western part may have been built a few decades later, around 1130–40 —but even so, at that time we are still fully within the Romanesque Age, which did not come to an end until 1200 at the earliest —and of course such a clean cutoff date is only symbolic and does not correspond to any actual reality.
The abbey church of Lessay was miraculously saved in the 1950s by Yves-Marie Froidevaux, Chief Architect of Historic Landmarks, after it was severely damaged by the mines detonated by the Nazi army before it retreated after the D-Day landing of June 1944. The restoration Froidevaux carried out, re-using most of the old stones wherever it was possible, today remains an example of a successful and respectful restoration.
Dedicated to the Holy Trinity, this church may look less impressive from the outside than the one in Cerisy, of which I uploaded photos a few days ago. Its apparel is mostly of local shale stones. The cut stones are limestone from Yvetot-Bocage near Valognes, a stone of a lesser quality compared to the famous pierre de Caen, which is also used here, but quite sparsely. Prima facie, this vast church offers more similarities with the humble parochial ones to be found locally in the Cotentin, than with “the great monastic architecture”, as Lucien Musset calls it in the Normandie romane book published by Zodiaque.
As you step inside, however, the architectural and religious message resonates with all its majesty and might. Contrary to Cerisy, this nave retains all of its rows; its perfect proportions are ample, elegant and powerful. They fascinate the first-time visitor.
In the oldest rows of the nave, toward the transept, the ribs fall on “nothing”, for lack of a base or an engaged column to receive them. Such an approximation denotes an incomplete concept, enthusiastically adopted but not yet fully developed.
However remarkable and iconic it may be, owing to the very first use of rib vaulting in human history, the abbey church of Lessay fails to satisfy the lovers of Romanesque sculpture, which is almost absent. This does not come as a surprise in a Norman Romanesque church. Some capitals are sculpted, but they are often the most distant, way up high at triforium level, and the other are only prepared for sculpting, rarely decorated with hooks or gadroons.
This photo shows how luminous the nave is. Almost as much as Vézelay!
The end
is a beginning,
and the beginning an end.
The concept of waste
does not exist in Nature.
Human species
invented it,
and since then,
we've been suffocating
all Earth.
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4 Comments on Instagram:
b_alandijani: That little poor thing 😞💔
sssnaaa: WOW
sergios77: Γουάοοο!!!!
katerinakaterfly: 😏 @sssnaaa @sergios77 ...thought so too...felt it interesting in unusual ways..
I invented a berry frame around our new Christmas sign by shooting through what's left of the crab apple tree.
"A single cup of coffee can create a friendship that lasts for 40 years"
Turkish Coffee is the name given to a type of coffee whose preparation and brewing techniques were invented by the Turks. It has a unique taste, froth, aroma, brewing technique and presentation… in other words it has its own identity and tradition.
The first coffee was made in the Arabian Peninsula by boiling coffee cherries. The new method invented by the Turks revealed coffee's true flavour and peerless aroma. The Turks introduced coffee to Europe where for many years it was prepared and consumed as Turkish Coffee.
Turkish Coffee is made from high quality arabica coffee beans from Central America and Brazil that are blended and carefully roasted, then very finely ground. The coffee is mixed with water and the desired amount of sugar and cooked in a "cevze", or Turkish coffeepot. The coffee is served in small cups. The coffee must be left to stand for a short time after serving to allow the grounds to settle at the bottom of the cup.
HISTORY
Istanbul was introduced to coffee in 1517 by Özdemir Pasha, the Ottoman Governor of Yemen, who had grown to love the drink while stationed in that country.
Prepared in a cezve or "güğüm" (copper vessel) using the technique invented by the Turks, the drink became known as Turkish Coffee.
The Turkish public became acquainted with coffee through the establishment of coffeehouses; the first coffeehouse opened in the district of Tahtakale and others rapidly cropped up all over the city. Coffeehouses and coffee culture soon became an integral part of Istanbul social culture; people came here throughout the day to read books and beautiful texts, play chess and backgammon and discuss poetry and literature.
As coffee became a staple in palace cuisine as well as in private homes, its consumption increased dramatically. The raw beans were roasted in pans and then ground in mortars. The coffee was then brewed in cezves and served with great care to esteemed friends.
Thanks to the efforts of merchants and travellers who passed through Istanbul, and even Ottoman ambassadors, Turkish Coffee's renown soon spread to Europe and ultimately to the whole world.
CHARACTERISTICS
Turkish Coffee… Is the world's oldest coffee brewing method.
Consists of foam, coffee and grounds.
Remains on the palate longer than all other types of coffee thanks to its soft and velvety foam.
Remains hot for a long time thanks to its delicious foam, which keeps its form for several minutes after the coffee is poured.
Cools much more slowly than other varieties of coffee as it is served in thin cups, thus prolonging the drinking pleasure.
Has an unforgettable flavour thanks to its thick, syrupy consistency that stimulates the taste buds.
Is thicker, softer and more aromatic than other types of coffee.
Is easily discernible from other types of coffee due to its unique aroma and foam.
Is the only coffee that can be boiled.
Is the only coffee that can be used to predict the future. Cafedomancy: The use of coffee grounds to cast fortunes.
Is unique in that its grounds are left in the cup: the coffee is not filtered or strained because the grounds settle at the bottom of the cup.
Does not have to be sweetened after it has been poured as the sugar is added during preparation.
THE TURKS AND
TURKISH COFFEE
Drinking coffee is a unique pleasure for Turks.
A cup of Turkish coffee is endowed with a variety of important connotations for Turks: friendship, affection and sharing. This is best illustrated in the old saying: "A single cup of coffee can create a friendship that lasts for 40 years". Turkish coffee is such an intrinsic part of Turkish culture that it has given its name to the word for breakfast, "kahvaltı", which translates as "before coffee", and is derived from the words "kahve" (coffee) and "altı" (before).
Serving a cup of Turkish Coffee is also a way of sealing a friendship. The preparation and care taken by a host in serving Turkish Coffee to his guests is an important aspect of hospitality. In Turkey, it is traditional for a prospective bride to serve coffee to her suitor and his family when they come to ask for her hand in marriage. Accepting a cup of coffee is a source of pride to the person who offers it. This is illustrated in the Turkish expressions "his coffee can be drunk" and "I would drink a cup of your coffee".
Nothing compares to long, friendly conversation over a cup of frothy Turkish Coffee, followed by having your fortune told.
ELIZABETH with a couple of Jubilee skips. It didn't pay to get too close to most of the wagons here. The smell of roses was at times quite overpowering. Mind you, the scenery was ok.
Incidentally, this is from a Ferraniacolor slide, the worst colour slide film ever invented! To compound my problems it was taken on a Zenith E (built like a Russian tank, you may remember). Thank heavens for Photoshop, which enables me to 'digitally ressurect' some otherwise awful pictures.
Todavia sigo por aquí...
Alguno me habeis comentado que qué es exactamente un maquillaje incremental. Google me dice que nos hemos inventado la expresión ahora toca explicarla :P. Noe (nuestra Make-up artist) estuvo maquillando durante la sesión, pasando de un maquillaje más natural a uno más sofisticado. Cambiamos el vestuario de Maria en consecuencia. Luego de esta sesión vereis a Maria con tres looks distintos. Intentaré hacer alguna imagen que muestre el concepto global.
Modelo: María Arnaíz
Maquillaje y estilismo: nOe
Vestuario: Sara Vinagrero www.facebook.com/fresas.connatacrew#!/fresas.connatacrew
The endless line at the Sands Convention Center in Las Vegas (LV), Nevada (NV), United States (USA) before re:Play at the 2017 Amazon Web Services re:Invent conference. #lasvegas #nevada #usa #aws
The best batteries ever invented :)
Strobist Info:
1. Canon 600EX-RT in Lastolite 54x54 softbox to camera right at 45 degree angle to front/right of batteries. Speedlite zoomed to 35mm and fired at 1/4 or 1/8 power.
2. Canon 600EX-RT in camera hotshoe directed at white foamboard to camera left. Speedlite zoomed to 80mm and fired at 1/32 or 1/64 power.
Other info:
Batteries were placed on a piece of toughened glass painted black on the underside to remove double reflections. Behind the scene was a large sheet of black cardboard. Image was processed using DarkTable on Linux where the main alteration was to move the black point to remove some light spill on the background.
If you have a NYC Transit reflective vest, you can seemingly park anywhere for free in all of NYC. Seems to also work for construction workers' vests/placards
Who's to say these people even work for NYC Transit, or in construction for that matter. Apparently it works, as I walk to/fro my place of employment every day and see this all the time
-
Part of the album titled
(click to view the entire album)
¿Sabes quién inventó el laberinto?
Los primeros que imaginaron el concepto de laberinto fueron los antiguos mesopotamicos. Éstos les arrancaban las tripas a los animales, o, a veces, los intestinos a los seres humanos, y, según la forma que tuvieran, predecían el futuro.
Sentían admiración por lo complejos que eran.
Así que la forma del laberinto reside en tu propio interior. Y éste corresponde con el laberinto exterior.
Haruki Murakami, Kafka en la orilla.
Ella es Rocío, Oqv.
Ni bonita composición ni preciosa luz ni hostias, eh. Esas frases estan totalmente vacías
#AB_FAV_COLOURS_ 🎨
A Slinky is a toy pre-compressed helical spring invented by Richard James.
It can perform a number of tricks, including travelling down a flight of steps end-over-end as it stretches and re-forms itself with the aid of gravity and its own momentum,
In 1943, Richard James, a naval mechanical engineer stationed at the William Cramp and Sons shipyards in Philadelphia, was developing springs that could support and stabilise sensitive instruments aboard ships in rough seas.
James accidentally knocked one of the springs from a shelf, and watched as the spring "stepped" in a series of arcs to a stack of books, to a tabletop, and to the floor, where it re-coiled itself and stood upright.
James's wife Betty later recalled, "He came home and said, 'I think if I got the right property of steel and the right tension; I could make it walk.'"
James experimented with different types of steel wire over the next year, and finally found a spring that would ‘walk’.
Betty was dubious at first, but changed her mind after the toy was fine-tuned and neighbourhood children expressed an excited interest in it.
She dubbed the toy Slinky; meaning "sleek and graceful”.
On COLOURS...
Light and colour can influence how people perceive the area around them.
Different light sources affect how the colours of walls and other objects are seen.
Specific hues of colours seen under natural sunlight may vary when seen under the light from an incandescent (tungsten) light-bulb: lighter colours may appear to be more orange or "brownish" and darker colours may appear even darker.
Light and the colour of an object can affect how one perceives its positioning.
If light or shadow, or the colour of the object, masks an object's true contour (outline of a figure) it can appear to be shaped differently than it really is.
Objects under a uniform light-source will promote better impression of three-dimensional shape.
The colour of an object may affect whether or not it seems to be in motion. In particular, the trajectories of objects under a light source whose intensity varies with space are more difficult to determine than identical objects under a uniform light source.
Carl Jung is most prominently associated with the pioneering stages of colour psychology.
Jung was most interested in colours’ properties and meanings, as well as in Art’s potential as a tool for psychotherapy.
Colour has long been used to create feelings of cosiness or spaciousness.
However, how people are affected by different colour-stimuli varies from person to person.
There is evidence that colour preference may depend on ambient temperature.
People who are cold prefer warm colours like red and yellow while people who are hot prefer cool colours like blue and green.
A few studies have shown that cultural background has a strong influence on colour preference.
These studies have shown that people from the same region regardless of race will have the same colour preferences.
I'm ALWAYS fascinated by COLOUR!
Hope this brings a smile again, have a good day and thanks for your visit, so very much appreciated, Magda, (*_*)
For more: www.indigo2photography.com
IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE ANY OF MY image or TEXT on websites, blogs or any other media without my explicit permission. © All rights reserved
yellow, orange, pink, multi-colour, colour, slinky, circles, OOOO, plastic, studio, black-background, square, design, Nikon D7000, "Magda indigo"
Winter Haven, FL. April 2019.
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If you would like to use THIS picture in any sort of media elsewhere (such as newspaper or article), please send me a Flickrmail or send me an email at natehenderson6@gmail.com
“I invented nothing new. I simply assembled the discoveries of other men behind whom were centuries of work. Had I worked fifty or ten or even five years before, I would have failed. So it is with every new thing. Progress happens when all the factors that make for it are ready, and then it is inevitable. To teach that a comparatively few men are responsible for the greatest forward steps of mankind is the worst sort of nonsense.” ~ Henry Ford
Invent, experiment --- Jazz / that doesn't swing but dances tight (Omer Avital, poem by John Keene)
see the original photograph on www.hobokollektiv.net
© Yonathan Avishai, Wolfsburg, 2015, Florian Fritsch
Today's airbrushed style pinup photo celebrates the start of December with Kirsten in this Coca Cola Christmas themed advertisement! It's a common rumor that the modern day 'look' of Santa Claus was invented by Coca Cola. With the red and white colors on Santa matching the red and white of Coca Cola, seems like it could be true. Actually, that modern look came well before Coca Cola started using it. What Coca Cola DID do, however, was popularize that look into the conscious of the entire country to become the fixture it is today. This retro advertisement is part of the ongoing Coca Cola original ad recreations. The colors, fonts, language, and graphics of these have been very carefully researched and recreated to match the original style of the advertisements exactly.
Did you know you can order many of the pinups you see posted on here? Check out the Dietz Dolls online store where you can find military pinups, classic pinups, the propaganda pinup poster series, and lots more in sizes ranging from 8x10 prints to 24x36 posters! www.dietzdolls.com/catalog
Model: Kirsten
Photographer: Britt Dietz
Online Pinup Print and Poster Store: www.dietzdolls.com/catalog
© Dietz Dolls Vintage Pinup Photography: www.dietzdolls.com
Facebook Fan Page: www.facebook.com/DietzPinupPhotography
I took these two Photographs of Coca Cola Vending Machines at the World of Coca Cola Museum in Atlanta, Georgia.
Pharmacist John Stith Pemberton invented Coca Cola in 1886. The Coca Cola Museum fronts on a small park near the Hilton Garden Inn Hotel where we stayed during our visit to Atlanta. The World of Coca Cola Museum is located at 121 Baker Street NW, Atlanta, GA 30313.
In June 2018, my wife & I attended a Family Wedding at the Hilton Garden Inn, 275 Baker Street in Atlanta, Georgia. One end the hallway on the on the 13 Floor (they call it Floor PH) gave me a Great View of the CSX Tracks, while the other end of the hallway gave me a great view of the Skyview Ferris Wheel across the street from Centennial Olympic Park.
Since we were in Atlanta for several days, I had some time to visit the Coca Cola Museum, which was a short 2 blocks away from our Hotel.
Nikaa, a very special flickr-friend of mine.
FROM THE NOTEBOOKS OF AKHENATON
There must be something I could bring
to bear on this long suffering.
Some deity I could invent,
To sit aloft, omniscient.
Desire is not enough:
heaven should be of sterner stuff.
Up on my shoulders then, milord,
I’ll raise you to your throne, slip in,
I’ve organised some cherubim
for you to lean on. Have no fear
I’ll dress you well, you’ll not go bare
at night. Now clip this bloody track
of griefs about your waiting neck,
your tepid cloak of consolation
my pleasure in your vegetation,
my thirst for justice behind the doors
of that jewel-encrusted heart of yours.
Enough. Proclaim how good it is,
perform your mightly offices,
sit and stare for ever more, in state.
Begin, it is already late.
Ágnes Nemes Nagy
(translated by George Szirtes)
.......................................................................................................
Ekhnáton jegyzeteiből
Valamit mégis kéne tennem,
valamit a gyötrelem ellen.
Egy istent kellene csinálnom,
ki üljön fent és látva lásson.
A vágy már nem elég,
nekem betonból kell az ég.
Hát lépj vállamra, istenem,
én fölsegítlek. Trónra bukva
támaszkodj majd néhány kerubra.
És fölruházlak én, ne félj,
ne lásson meztelen az éj,
a szenvedést kapcsold nyakadra,
mintha kerek vércsík fakadna,
s az legyen langyos köpenyed:
szerettem növényeidet.
S helyezd el ékszeres szivedben:
hogy igazságra törekedtem.
Ennyi elég is. Mondd ki: jó itt,
és tedd hatalmas funkcióid,
csak ülj és nézz örökkön át.
Már nem halaszthatlak tovább.
(1967)
“365 Days – Photo A Day Challenge – 0ngoing”
“365 Project (2016 and Beyond)”
“365 Project 2016”
“2016 AYIP”
Pessoal preste atenção
nessa estorinha granjeira
inventada de supetão,
pela velha Biloca arteira
trata-se de 4 galinhas
que caíram na bebedeira.
Vamos ler porém esse causo,
com um pouco mais de atenção,
pois por trás do bom humor,
sempre há uma lição:
4 galinhas periguetes,
beberam sem moderação
em bares e lanchonetes
causando só confusão
trupicando nas próprias pernas,
as penosas embriagadas
saíram meio confusas
com as caras avermelhadas
Ainda com os copos nas mãos,
olharam umas para as outras
e brindaram mais uma vez
com as gargalhadas soltas.
Uma delas, por acaso,
ficara só na cerveja
sabia que voltar para casa,
seria uma grande peleja.
De todas não havia ali,
quem pudesse carro guiar,
então como iriam fazer,
para ao galinheiro voltar?
Pensando em tomar um taxi,
em suas bolsas olharam
mas elas estavam vazias
pois todo o dinheiro gastaram
com as cabeças girando muito,
não havia nenhuma sã,
o jeito foi pras galinhas,
pegar carona na van!
...e assim termina o causo
que a Gina arteira escreveu
beber muito só dá problema
Só não aprendeu quem não leu!!!!!
I could tell that Aggie Ring was impressed. After several moments of silence he spoke out and said, “If my Eyes of Texas aren’t deceiving me, that’s the biggest damn lightbulb I’ve ever seen! I guess it’s true… Everything IS bigger in Jersey!”
The Aggie Ring woke me up early this morning. In fact it was even before 11:30 a.m. so I knew he wanted to do something. I asked the Aggie Ring, “What do you want to do Aggie Ring?” The Aggie Ring replied, “I want to go see the lightbulb!” I wasn’t sure what he was talking about so I said, “What lightbulb?” The Aggie Ring said with emphasis, “Let there be LIGHT!” Then it hit me. Aggie Ring wanted to drive him up the Parkway to the site of Thomas A. Edison’s Menlo Park laboratory so he could see the Art Deco Edison Memorial Tower and “Big Ass Lightbulb!”
Other than the time he told me that he thought Elvis took our change in a tollbooth on the New Jersey State Turnpike, Aggie Ring has great ideas. It’s only about a 20 to 25 minute drive up the Parkway from our house so Aggie Ring and I set off to see the Edison Memorial Tower. The last time we’d been there it had been in horrible shape and they were beginning work on restoring it. That was a bit over a year ago so I assumed that Aggie Ring figured out that they would be finished with the conservation work on the historical site.
When we drove down the little side street where the tower is located the Aggie Ring was overwhelmed with awe at the restored site. Aggie Ring was truly “speechless!” It’s just as beautiful as the day it was built. They did an incredible job on the restoration. After a few moments sitting in the car just looking out the window Aggie Ring broke his silence and asked me, “Did you bring a cigar? Edison loved his cigars and I think he’d have wanted you to smoke a cigar while you’re looking the place over.” Unfortunately I had left my cigars at home so the Edison “smoke out” will have to happen on a future date.
The laboratory building is no longer at this site but it’s still impressive to think of not only the electric lightbulb, but all of the other great inventions that Mr. Edison invented here. Aggie Ring said, “Imagine. He did all this stuff without the help of an Aggie Ring!”
The Aggie Ring and I walked around the tower and took some photos of the “Big Ass Lightbulb” and the historical plaques at its base. The Aggie Ring and I are planning on going back some evening when the lightbulb is illuminated. Aggie Ring said, “It would be cool if you could get a photo during a thunderstorm when there’s lightning behind the tower.” I told Aggie Ring, “You’re crazy! I’m not standing out in a field during a lightning storm with an Aggie Ring on my finger! Maybe if we can get a VMI grad to come with us. Their rings are so damn big a lightning bolt would hit one of them before us!”
Aggie Ring said, “It’s a good thing Edison invented the lightbulb or there’d be a lot of Waggies drinking their tequila shots by candlelight!” I told the Aggie Ring, “True… Those Waggies love their tequila the invention of the lightbulb makes it a lot easier for them to pour the tequila and do body shots!”
Aggie Ring asked me to provide some info on the Edison “Big Ass Lightbulb” Memorial Tower for your educational enlightenment (“Get it?” Aggie Ring said):
Thomas Alva Edison Memorial Tower and Menlo Park Museum, New Jersey
"Let there be light." Thomas Alva Edison's Menlo Park Laboratory and Memorial Tower. Those of us on the Jersey Shore call it the "Big Ass Lightbulb!”
The Edison Tower, located on the site of the original laboratory at Menlo Park, New Jersey, to which Thomas Alva Edison moved in 1876, was erected in 1937 as a monument to the great inventor. The Tower is the gift of William Slocum Barstow to the Thomas Alva Edison Foundation Incorporated in behalf of the Edison Pioneers. It was dedicated on February 11, 1838, the ninety-first anniversary of the inventor's birth.
Rising 131 ft. 4 in. above the ground, the tower looms as the highest discernible object for many miles. Surmounting the 117 ft. 8 in. concrete-slab structure is a 13 ft. 8 in. replica of the original incandescent lamp which, when illuminated, can be seen for a distance of several miles. It once served as an airplane beacon. The Tower is designed for pressure of wind at a velocity of 120 miles per hour. In its construction, which consumed slightly less than eight months, approximately 1200 barrels of Edison Portland cement and 50 tons of reinforced steel were used.
The large bulb on top of the Tower was cast by the Corning Glass Works. The replica bulb contains 153 separate pieces of amber tinted Pyrex glass, 2 in. thick, set upon a steel frame. The bulb is 5 ft. in diameter at the neck and 9 ft. 2 in. in diameter at the greatest width and weighs, without the steel frame on which it is placed, in excess of three tons. Before the restoration, inside this Pyrex glass bulb were four 1000 watt bulbs, four 200 watt bulbs, and four 100 watt bulbs. A duplicate of each was arranged as automatically to cut in should its companion bulb fail.
The Edison Tower has been completely restored and when complete, the bulb is now illuminated with modern Light Emitting Diode (LED) technology. Mr. Edison would be pleased with this, I’m sure.
While we don’t have any records of exactly what was said when Mr. Edison perfected his invention, I suspect one of his workers shouted out something like this: “Holy Mother of Baby Jesus on a Donkey!” “Mr. Edison, You’ve done it!!! You’ve perfected the Electric Light!!! You truly are King of Kings!!!!”
The tower is located on a mysterious plot of land and exactly at midnight on the night of a full moon, it would be a perfect site for the ritual sacrifice of virgins. Too bad we don’t have any of those in New Jersey! :-)
*********************
Aggie Ring says, “The Road Goes On Forever, and the Party Never Ends!”
traveladventureeverywhere.blogspot.com/2024/06/saint-pete...
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
The Cade Museum
The mission of the Cade Museum for Creativity & Invention is to transform communities by inspiring and equipping future inventors, entrepreneurs, and visionaries.
From: www.cademuseum.org/
Located on the grounds of Deport Park.
Ce chocolatier, qui inventa la tablette, au XIXè siècle, n'est pas une entreprise du passé, car la marque existe encore, mais propriété de la multinationale Nestlé, elle végète parce que le mastodonte suisse a fait ce choix.
The world would have you believe that it was Spencer Silver and Art Fry that invented the post-it note back in the 1970's.
That's plainly false.
I have photographic proof that mad uncle mad Mc Flibble the mad clearly invented post-it notes before that.
Sure... there are no dates on the picture, but er... on the back of the photo there's a hand-written date that clearly says 1871.
Yup.
And yes... there will clearly be pedants that claim that 1871 was before they really got going doing colour photos and stuff... but he invented that too. And those naff photography backgrounds you got in school. And time travel. Actually yes... he invented time travel.
Yes.
Anyway, I know you'd love to:
Strobist:
Bowens Gemini Pro 500 with brilliantly big softbox above camera pointing down at 45 degrees, set on 3.0. Two other Bowens with disappointingly smaller softboxes camera left and right at 45 degrees pointing at Mr. Post-it note, both set on 3.0. Triggered by PC cord cable.
I raided the old Ramey unedited captures in a push to clean up; I have far too many unedited shots. More titles will be needed than I can invent. This late February scene showed the onset of March mud. Everywhere mud. I predicted a green spring if an early start has been ushered in by climate change. Fortunately the Teabaggers and the Koch Brothers have convinced the guileless to believe this is normal... I doubt it per the warmest year in history world wide. Florida needs to keep their collective chins up so they can gasp the air above water level. outh funnels will help.
Back then I walked around to search more shots of the Ramey farm after the floods. Some trees did not make it through. The afternoon light was direct and crisp and caused deep shadows I had headed out to the Ramey farm once again to inspect the farm and stone back house under this sky but I want to get back to see how old the oldest window glass was. Counting all windows, the house had two panes of pre-float glass. I decided to edit this image of the flood-torn pasture because of what happened last week. I moved around the house and shot this angle under the stark light and bare sky. I don't want to leave anything unshot. I like the deteriorating siding. The river streamed through the houses. The sheds were already rescued and the house reroofed before the floods and now they are hurting again. BoCo rescued the sheds before the flood. I have no idea why the county decided to prop the old buildings up by thowing in even more lumber. They claim they still want preservation. The out buildings are not so good after the river undercut them. This house is stark against the winter light. I think back to the working days of the farm and wonder how busy and productive the Ramey place might have been? The "hay days" mostly meant a lot of labor haying to lay in feed for the winter.
I have a Ramey PhotoSet filled with before flood shots and some that show the damage to the pasture on the north side and structures. One fissure shows in the bottom of this image. In fact walking across the pasture and through the structures involves tracking around all the fissures all over the place, or travel with a ladder. The Ramey photoset is under farms. A lot of the shots are at better times. I guess this is another loss to water diversions and gravel mining. The 61st street road has been rebuilt down to the 63rd Street bridge past the gate at Broley and I can now drive in. Apparently, the water streamed up to 4 feet high over Ramey. The pond south of Broley overflowed everywhere including Ramey after the floods cut through the gravel pits around Broley and sliced through 61st Street and rejoined the original St.Vrain. California can't seem to get a drop. What Climate Change? I guess America's biggest enemy will be the upcoming petroleum wars.
There are piles of detritus laying about in what was left of the pastures and through the buildings. Some folks are convinced the river ought to be moved back to some of its original, some places empty, course. Darwin should chime in on that idea; he allowed forebears to make a mess of it in the first place. Some work has been initiated rebuilding ditches before spring. Have at it guys. The bridge, roads and private holdings are still going to require some serious work.
Posing in a way to show off the inner-leg plating, invented Sparkytron, to add more bulk, detail and style to a model.
Siam Park is considered as the biggest theme park, as well as biggest water park in Southeast Asia, as well as the oldest water park in Thailand. Since 2007, the park owner has completed the construction of six new attractions: Vortex - the first hanging invented coaster in Thailand, Boomerang - the reverse roller coaster, Giant Drop - 75 metre free fall, Aladdin - the magic carpet ride, Siam Park Tower - 100-metre automatic observation tower, and Condor - the twister.
Siam Park is separated into three main zones, the water park ( Siam Lagoon ), the amusement park ( Siam X-treme ) and a learning park ( Siam Genius ). It also has the Pathfinder camp located inside the park. Siam Park was not the first amusement park in Thailand, the first one is Happy land at Bang-kapi then Magic Land near Central Lat Phrao, but it was closed due to the end of their land-rental contract, making Siam Park the oldest existing park in the country.
I visited Siam Park known locally as Suan Siam, on June 6th 2010. I was surprised at what I found. Many of the rides where on par with theme parks around the world. But again like Dream World,
I found everything looking tired. However that said the park was a great day out. The water park in particular was pleasant and the surroundings very well laid out. But some of the food stalls need to address their hygiene. Fly’s landing on exposed food does nothing for the appetite! Not all the stalls had this problem.
Siam Water Park is the most popular zone in the park in my view, offering the perfect place to cool down and escape the busy city streets. With plenty of shaded seating, families often spend the entire day here, jumping in and out of the river that flows through the park, which also boasts the largest wave pool in the world, with small waves and shallow areas suitable for all ages, and a gentle slope to paddle in. For older people the Super Spiral is great fun, with slides weaving in and out, and great fun for anyone over the age of eight! For smaller kids there are mini slides, and for daredevils – the speed slide!
One item to consider, the park opens at 10.00 am but that is for people wanting to go directly to the Water Park, the rest of the park and rides do not open until 11.00 am. When I was visiting I found quite a few of the rides closed altogether, I guess for refurbishment.