View allAll Photos Tagged Invented

comme Spécialité @ Nîmes .....................................................................................................

il y a aussi Les Caladons : biscuits faits à base de miel et

d’amandes inventés pour concurrencer le Croquant

Vers 1915, La Société Secrétant invente ce miroir surnommé "Le Vigilant" qui se place sur une baïonnette, un sabre ou un bâton et permet d'observer l'ennemi sans sortir la tête de la tranchée.

Jeu original des 176 emoji dessinés par Shigetaka Kurita

 

Exposition MOMA - Fondation Louis Vuitton

 

La collection du Museum of Modern Art (MoMA), à New York, s'est enrichi en 2016 de 176 pièces quelque peu particulières : une collection de carrés de douze pixels de côté. Il s’agit de la première série d’émoticônes (emoji en japonais), créés par le designer Shigetaka Kurita, qui les a conçus entre 1998 et 1999.

 

A l’époque, M. Kurita travaille pour l’opérateur de téléphonie japonais NTT Docomo, qui développe i-mode, un service Web pour téléphones. Le service ne peut transmettre que de faibles quantités de données, et les écrans des téléphones ne permettent de toute façon l’affichage que d’un faible nombre de caractères. M. Kurita propose alors de créer des images schématisées de petite taille : ce seront les 176 émoticônes originelles.

 

Le succès est immédiat, et les autres opérateurs japonais copient très rapidement le concept. En dehors de l’archipel, il faudra cependant attendre 2010, et l’arrivée des émoticônes dans le standard Unicode, pour qu’ils connaissent un succès véritablement planétaire.

 

« Les emoji de Shigetaka Kurita sont de puissantes manifestations de la capacité du design à modeler le comportement humain, explique le musée. Le design d’une chaise dicte notre posture ; de même, le format d’une communication électronique donne une forme particulière à notre voix. Les collections du MoMA sont remplies d’exemples d’innovations en matière de design qui ont radicalement modifié notre monde, du téléphone à l’ordinateur personnel en passant par le signe@. »

 

Article Le Monde - 27/10/2016

   

What is a Pataphor?

 

The pataphor is an unusually extended metaphor invented by writer Pablo Lopez, based on Alfred Jarry's "science" of 'pataphysics.

  

As Jarry claimed that 'pataphysics existed "as far from metaphysics as metaphysics extends from regular reality," a pataphor attempts to create a figure of speech that exists as far from metaphor as metaphor exists from non-figurative language.

Whereas a metaphor is the comparison of a real object or event with a seemingly unrelated subject in order to emphasize the similarities between the two, the pataphor uses the newly created metaphorical similarity as a reality with which to base itself. In going beyond mere ornamentation of the original idea, the pataphor seeks to describe a new and separate world, in which an idea or aspect of a concept has taken on a life of its own.

  

Like ‘pataphysics itself, pataphors essentially describe two degrees of separation from reality (rather than merely one degree of separation, which is the world of metaphors and metaphysics). The pataphor may also be said to function as a critical tool, describing the world of "assumptions based on assumptions," such as belief systems or rhetoric run amok.

 

Example 1

Non-figurative

-Tom and Alice stood side by side in the lunch line.

Metaphor

-Tom and Alice stood side by side in the lunch line, two pieces on a chessboard.

Pataphor

-Tom took a step closer to Alice and made a date for Friday night, checkmating. Rudy was furious at losing to Margaret so easily and dumped the board on the rose-colored quilt, stomping downstairs.

(The pataphor has created a world where the chessboard exists, including the characters who live in that world, entirely abandoning the original context.)

 

www.pataphor.com/whatisapataphor.html

 

In 1900, Alfred Jarry was 27 years old. He died (permanently 'Infrathinned') in 1907.

 

in 1900, Marcel Duchamp was 13 years old. Infrathin suspension dissolves age, and everything else for that matter, matter being the matter, and its opposite.

 

The 'Large Glass', 'The Bride and her Bachelors', and 'Étant donnés' partially came from this idea. Marcel claimed that they were all part of the same piece, as was all his 'work'.

  

The Oreo biscuit was invented there in 1912.

...get a hat!

 

This slogan was apparently invented by the late Charles Sydney Catlin in the 1930's.

 

The story goes that Charles had gone to an interview for a job at an advertising company and had shown them his portfolio, which included this slogan he had made up into a poster format.

 

He didn't get the job, but some months later he saw his slogan being used in an advert on the London Underground. He was, to say the least, very upset indeed!

 

Charles was rightly very proud of this now infamous advertising slogan and used his story as a message to his family to always safeguard your own work.

Phallin: cazzo

 

papà: eh no Phallin! non si dice! è una brutta parola! dove l'hai sentita?!

 

Phallin: me la sono inventata!

Ever since humans had invented the concept of borders, they have necessitated patrolling and enforcing the invisible line between neighboring countries. Sir Reginald Ralph had dedicated the better part of his life to this task, losing an eye while rising to the rank of commander, never questioning why his ancestors had decided that folks heading East could travel freely from Golam, the capital of the Grafschaft of Hombourg, to the village of Plith in two days time, while the same journey towards the Western hamlet of Godefink would set back every traveler a couple of gold doubloons because they happen to cross the border between Hombourg and the Kingdom of Roneda.

youtu.be/AzwRI62Wg70

 

ma... Daniel ;

sapeva anche che ....

 

"Il suo occhio è sul passero" è pensato per ricordare che Dio veglia sulle persone anche in tempi di persecuzioni o difficoltà. Si basa sulla parabola degli Sparrows.

 

certo non si può dire che non ci sapesse fare con la retorica

 

e cose che sembravano inventate al momento, e ..

forse lo erano ; in realtà ... neppure lui sapeva da dove venissero .

 

di fatto i riferimenti Da lui citati erano contenuti all'interno del nuovo testamento ,e..

facevano riferimento agli ebrei gli eletti di Dio ,perseguitati dai romani ...

 

ma lui al massimo era un Giudeo perseguitato dai guai in cui si cacciava ..ma a suo dire era un eletto ..

perseguitato dalle forze dell'ordine, al soldo di Erode .

   

Parc de la Villette, Parigi

Le vent, innocent,

Dépose là

Un profond silence

Inventé de toutes pièces

 

Innocent wind

Lays down

There

A deep silence

A complete fabrication

 

fromont, 2013

IANR 458, along with 2 slugs and 3 other IANR locomotives, as well as one leaser, lead south job on the CRANDIC's property as they head west to duck under I-380. Taken on Thanksgiving Day, 2019.

traveladventureeverywhere.blogspot.com/2020/08/holy-mosco...

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ALBANIA

 

Albanian Trilogy: A Series of Devious Stratagems

 

Armando Lulaj

 

Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale

 

ANDORRA

 

Inner Landscapes

 

Roqué, Joan Xandri

 

Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez

 

Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865

 

ANGOLA

 

On Ways of Travelling

 

António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira

 

Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810

 

ARGENTINA

 

The Uprising of Form

 

Juan Carlos Diste´fano

 

Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi

 

ARMENIA, Republic of

 

Armenity / Haiyutioun

 

Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK

 

Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni

 

AUSTRALIA

 

Fiona Hall: Wrong Way Time

 

Fiona Hall

 

Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini

 

AUSTRIA

 

Heimo Zobernig

 

Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini

 

AZERBAIJAN, Republic of

 

Beyond the Line

 

Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada

 

Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949

 

Vita Vitale

 

Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie

 

Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416

 

BELARUS, Republic of

 

War Witness Archive

 

Konstantin Selikhanov

 

Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145

 

BELGIUM

 

Personnes et les autres

 

Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton

 

Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini

 

COSTA RICA

 

"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".

 

Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli

 

Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani

 

CROATIA

 

Studies on Shivering: The Third Degree

 

Damir Ocko

 

Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina

 

CUBA

 

El artista entre la individualidad y el contexto

 

Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo

 

Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island

 

CYPRUS, Republic of

 

Two Days After Forever

 

Christodoulos Panayiotou

 

Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079

 

CZECH Republic and SLOVAK Republic

 

Apotheosis

 

Jirí David

 

Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini

 

ECUADOR

 

Gold Water: Apocalyptic Black Mirrors

 

Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet

 

Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701

 

ESTONIA

 

NSFW. From the Abyss of History

 

Jaanus Samma

 

Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199

 

EGYPT

 

CAN YOU SEE

 

Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud

 

Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini

 

FINLAND (Pavilion Alvar Aalto)

 

Hours, Years, Aeons

 

IC-98

 

Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini

 

FRANCE

 

revolutions

 

Céleste Boursier-Mougenot

 

Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini

 

GEORGIA

 

Crawling Border

 

Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia

 

Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi

 

GERMANY

 

Fabrik

 

Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony

 

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini

 

GREAT BRITAIN

 

Sarah Lucas

 

Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini

 

GRENADA *

 

Present Nearness

 

Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi

 

Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919

 

GREECE

 

Why Look at Animals? AGRIMIKÁ.

 

Maria Papadimitriou

 

Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini

 

BRAZIL

 

So much that it doesn't fit here

 

Antonio Manuel, André Komatsu, Berna Reale

 

Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini

 

CANADA

 

Canadassimo

 

BGL

 

Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini

 

CHILE

 

Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld

 

Paz Errázuriz, Lotty Rosenfeld

 

Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie

 

CHINA, People’s Republic of

 

Other Future

 

LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station

 

Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini

 

GUATEMALA

 

Sweet Death

 

Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe

 

Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani

 

HOLY SEE

 

Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi

 

HUNGARY

 

Sustainable Identities

 

Szilárd Cseke

 

Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini

 

ICELAND

 

Christoph Büchel

 

Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed

 

INDONESIA, Republic of

 

Komodo Voyage

 

Heri Dono

 

Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale

 

IRAN

 

Iranian Highlights

 

Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai

 

The Great Game

 

Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim

 

Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio

 

IRAQ

 

Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879

 

IRELAND

 

Adventure: Capital

 

Sean Lynch

 

Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie

 

ISRAEL

 

Tsibi Geva | Archeology of the Present

 

Tsibi Geva

 

Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini

   

ITALY

 

Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale

   

JAPAN

 

The Key in the Hand

 

Chiharu Shiota

 

Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini

   

KENYA

 

Creating Identities

 

Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center

 

Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island

   

KOREA, Republic of

 

The Ways of Folding Space & Flying

 

MOON Kyungwon & JEON Joonho

 

Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini

   

KOSOVO, Republic of

 

Speculating on the blue

 

Flaka Haliti

 

Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie

   

LATVIA

 

Armpit

 

Katrina Neiburga, Andris Eglitis

 

Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale

   

LITHUANIA

 

Museum

 

Dainius Liškevicius

 

Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro

   

LUXEMBOURG, Grand Duchy of

 

Paradiso Lussemburgo

 

Filip Markiewicz

 

Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052

   

MACEDONIA, Former Yugoslavian Republic of

 

We are all in this alone

 

Hristina Ivanoska and Yane Calovski

 

Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi

   

MAURITIUS *

 

From One Citizen You Gather an Idea

 

Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer

 

Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252

   

MEXICO

 

Possesing Nature

 

Tania Candiani, Luis Felipe Ortega

 

Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi

   

MONGOLIA *

 

Other Home

 

Enkhbold Togmidshiirev, Unen Enkh

 

Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora

   

MONTENEGRO

 

,,Ti ricordi Sjecaš li se You Remember "

 

Aleksandar Duravcevic

 

Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero

   

MOZAMBIQUE, Republic of *

 

Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique

 

Mozambique Artists

 

Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale

   

NETHERLANDS, The

 

herman de vries - to be all ways to be

 

herman de vries

 

Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini

   

NEW ZEALAND

 

Secret Power

 

Simon Denny

 

Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport

   

NORDIC PAVILION (NORWAY)

 

Camille Norment

 

Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini

   

PERU

 

Misplaced Ruins

 

Gilda Mantilla and Raimond Chaves

 

Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi

   

PHILIPPINES

 

Tie a String Around the World

 

Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz

 

Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora

   

POLAND

 

Halka/Haiti. 18°48’05”N 72°23’01”W

 

C.T. Jasper, Joanna Malinowska

 

Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini

   

PORTUGAL

 

I Will Be Your Mirror / poems and problems

 

João Louro

 

Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano

   

ROMANIA

 

Adrian Ghenie: Darwin’s Room

 

Adrian Ghenie

 

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini

   

Inventing the Truth. On Fiction and Reality

 

Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar

 

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice

   

RUSSIA

 

The Green Pavilion

 

Irina Nakhova

 

Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini

   

SERBIA

 

United Dead Nations

 

Ivan Grubanov

 

Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini

   

SAN MARINO

 

Repubblica di San Marino “ Friendship Project “ China

 

Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini

 

Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC

   

SEYCHELLES, Republic of *

 

A Clockwork Sunset

 

George Camille, Léon Wilma Loïs Radegonde

 

Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora

   

SINGAPORE

 

Sea State

 

Charles Lim Yi Yong

 

Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi

   

SLOVENIA, Republic of

 

UTTER / The violent necessity for the embodied presence of hope

 

JAŠA

 

Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie

   

SPAIN

 

Los Sujetos (The Subjects)

 

Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí

 

Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini

   

SYRIAN ARAB REPUBLIC

 

Origini della civiltà

 

Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha

 

Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island

   

SWEDEN

 

Excavation of the Image: Imprint, Shadow, Spectre, Thought

 

Lina Selander

 

Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale

   

SWITZERLAND

 

Our Product

 

Pamela Rosenkranz

 

Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini

   

THAILAND

 

Earth, Air, Fire & Water

 

Kamol Tassananchalee

 

Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260

   

TURKEY

 

Respiro

 

Sarkis

 

Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi

   

TUVALU

 

Crossing the Tide

 

Vincent J.F. Huang

 

Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale

   

UKRAINE

 

Hope!

 

Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin

 

Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri

   

UNITED ARAB EMIRATES

 

1980 – Today: Exhibitions in the United Arab Emirates

 

Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar

 

Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi

   

UNITED STATES OF AMERICA

 

Joan Jonas: They Come to Us Without a Word

 

Joan Jonas

 

Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini

   

URUGUAY

 

Global Myopia II (Pencil & Paper)

 

Marco Maggi

 

Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini

   

VENEZUELA, Bolivarian Republic of

 

Te doy mi palabra (I give you my word)

 

Argelia Bravo, Félix Molina (Flix)

 

Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini

   

ZIMBABWE, Republic of

 

Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.

 

Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro

 

Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta

   

ITALO-LATIN AMERICAN INSTITUTE

 

Voces Indígenas

 

Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale

 

ARGENTINA

 

Sofia Medici and Laura Kalauz

 

PLURINATIONAL STATE OF BOLIVIA

 

Sonia Falcone and José Laura Yapita

 

BRAZIL

 

Adriana Barreto

 

Paulo Nazareth

 

CHILE

 

Rainer Krause

 

COLOMBIA

 

León David Cobo,

 

María Cristina Rincón and Claudia Rodríguez

 

COSTA RICA

 

Priscilla Monge

 

ECUADOR

 

Fabiano Kueva

 

EL SALVADOR

 

Mauricio Kabistan

 

GUATEMALA

 

Sandra Monterroso

 

HAITI

 

Barbara Prézeau Stephenson

 

HONDURAS

 

Leonardo González

 

PANAMA

 

Humberto Vélez

 

NICARAGUA

 

Raúl Quintanilla

 

PARAGUAY

 

Erika Meza

 

Javier López

 

PERU

 

José Huamán Turpo

 

URUGUAY

 

Gustavo Tabares

   

Ellen Slegers

     

001 Inverso Mundus. AES+F

 

Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960

 

May 9th – October 31st

 

Organization: VITRARIA Glass + A Museum

 

www.vitraria.com

 

www.inversomundus.com

   

Catalonia in Venice: Singularity

 

Cantieri Navali, Castello, 40 (Calle Quintavalle)

 

May 9th - November 22nd

 

Organization: Institut Ramon Llull

 

www.llull.cat

 

venezia2015.llull.cat

   

Conversion. Recycle Group

 

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

 

May 6th - October 31st

 

Organization: Moscow Museum of Modern Art

 

www.mmoma.ru/

   

Dansaekhwa

 

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

 

May 7th – August 15th

 

Organization: The Boghossian Foundation

 

www.villaempain.com

   

Dispossession

 

Palazzo Donà Brusa, Campo San Polo, 2177

 

May 9th - November 22nd

 

Organization: European Capital of Culture Wroclaw 2016

 

wroclaw2016.pl/biennale/

   

EM15 presents Doug Fishbone’s Leisure Land Golf

 

Arsenale Docks, Castello, 40A, 40B, 41C

 

May 6th - July 26th

 

Organization: EM15

 

www.em15venice.co.uk

   

Eredità e Sperimentazione

 

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

 

May 9th - November 22nd

 

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

 

www.bioarchitettura.it

   

Frontiers Reimagined

 

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

 

May 9th - November 22nd

 

Organization: Tagore Foundation International; Polo museale del Veneto

 

www.frontiersreimagined.org

   

Glasstress 2015 Gotika

 

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

 

May 9th — November 22nd

 

Organization: The State Hermitage Museum

 

www.hermitagemuseum.org

   

Graham Fagen: Scotland + Venice 2015

 

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

 

May 9th - November 22nd

 

Organization: Scotland + Venice

 

www.scotlandandvenice.com

   

Grisha Bruskin. An Archaeologist’s Collection

 

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

 

May 6th – November 22nd

 

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

 

www.unive.it/csar

   

Helen Sear, ... The Rest Is Smoke

 

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

 

May 9th - November 22nd

 

Organization: Cymru yn Fenis/Wales in Venice

 

www.walesinvenice.org.uk

   

Highway to Hell

 

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

 

May 9th - November 22nd

 

Organization: Hubei Museum of Art

 

www.hbmoa.com

   

Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

 

Palazzo Faccanon, San Marco, 5016 (Mercerie)

 

May 7th – August 4th

 

Organization: Shanghai Himalayas Museum

 

www.himalayasmuseum.org

   

In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

 

Dorsoduro, 417 (Zattere)

 

May 6th - November 15th

 

Organization: ArsCulture

 

www.arsculture.org/

 

www.eyeofthunderstorm.com

   

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

 

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

 

May 9th – June 30th; September 11st – October 31st

 

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

 

www.i-amfoundation.org

 

www.venicebiennale-italiadocet.org

   

Jaume Plensa: Together

 

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

 

May 6th – November 22nd

 

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

 

www.praglia.it

   

Jenny Holzer "War Paintings"

 

Museo Correr, San Marco, 52 (Piazza San Marco)

 

May 6th – November 22nd

 

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

 

www.writtenartfoundation.com

 

correr.visitmuve.it

   

Jump into the Unknown

 

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

 

May 9th – June 18th

 

Organization: Nine Dragon Heads

 

9dh-venice.com

   

Learn from Masters

 

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

 

May 9th – November 22nd

 

Organization: Pan Tianshou Foundation

 

pantianshou.caa.edu.cn/foundation_en

   

My East is Your West

 

Palazzo Benzon, San Marco, 3927

 

May 6th – October 31st

 

Organization: The Gujral Foundation

 

www.gujralfoundation.org

       

Ornamentalism. The Purvitis Prize

 

Arsenale Nord, Tesa 99

 

May 9th – November 22nd

 

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

 

www.purvisabalva.lv/en/ornamentalism

   

Path and Adventure

 

Arsenale, Castello, 2126/A (Campo della Tana)

 

May 9th – November 22nd

 

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

 

www.iacm.gov.mo

 

www.mam.gov.mo

 

www.icm.gov.mo

   

Patricia Cronin: Shrine for Girls, Venice

 

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

 

May 9th – November 22nd

 

Organization: Brooklyn Rail Curatorial Projects

 

curatorialprojects.brooklynrail.org

   

Roberto Sebastian Matta. Sculture

 

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

 

May 9th – November 22nd

 

Organization: Fondazione Echaurren Salaris

 

www.fondazioneechaurrensalaris.it

 

www.maggioregam.com/56Biennale_Matta

   

Salon Suisse: S.O.S. Dada - The World Is A Mess

 

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

 

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

 

Organization: Swiss Arts Council Pro Helvetia

 

www.prohelvetia.ch

 

www.biennials.ch

   

Sean Scully: Land Sea

 

Palazzo Falier, San Marco, 2906

 

May 9th – November 22nd

 

Organization: Fondazione Volume!

 

www.fondazionevolume.com

   

Sepphoris. Alessandro Valeri

 

Molino Stucky, interior atrium, Giudecca, 812

 

May 9th – November 22nd

 

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

 

www.sepphorisproject.org

   

Tesla Revisited

 

Palazzo Nani Mocenigo, Dorsoduro, 960

 

May 9th – October 18th

 

Organization: VITRARIA Glass + A Museum

 

www.vitraria.com/

   

The Bridges of Graffiti

 

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

 

May 9th - November 22nd

 

Organization: Associazione Culturale Inossidabile

 

www.inossidabileac.com

   

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

 

Palazzo Tiepolo Passi, San Polo, 2774

 

May 6th - November 22nd

 

Organization: Fundaciò Artigas; ArsCulture

 

www.fundacio-artigas.com/

 

www.arsculture.org/

 

www.dialogueoffire.org

   

The Question of Beings

 

Istituto Santa Maria della Pietà, Castello, 3701

 

May 9th - November 22nd

 

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

 

www.mocataipei.org.tw

   

The Revenge of the Common Place

 

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

 

May 9th – September 30th

 

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

 

www.vub.ac.be/

   

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

 

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

 

October 24th – November 1st

 

Organization: Kunstmuseum Liechtenstein

 

www.kunstmuseum.li

 

www.silverlining.li

   

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

 

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

 

May 7th - November 22nd

 

Organization: ArsCulture

 

www.arsculture.org/

   

The Union of Fire and Water

 

Palazzo Barbaro, San Marco, 2840

 

May 9th - November 22nd

 

Organization: YARAT Contemporary Art Organisation

 

www.yarat.az

 

www.bakuvenice2015.com

   

Thirty Light Years - Theatre of Chinese Art

 

Palazzo Rossini, San Marco, 4013 (Campo Manin)

 

May 9th - November 22nd

 

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

 

www.globalartcenter.org

 

www.gdmoa.org

   

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

 

Arsenale, Castello, 2126 (Campo della Tana)

 

May 9th - November 22nd

 

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

 

www.westkowloon.hk/en/mplus

 

www.hkadc.org.hk

 

www.venicebiennale.hk

   

Under the Surface, Newfoundland and Labrador at Venice

 

Galleria Ca' Rezzonico, Dorsoduro, 2793

 

May 9th - November 22nd

 

Organization: Terra Nova Art Foundation

 

tnaf.ca

   

Ursula von Rydingsvard

 

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

 

May 6th - November 22nd

 

Organization:Yorkshire Sculpture Park

 

www.ysp.co.uk

   

We Must Risk Delight: Twenty Artists from Los Angeles

 

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

 

May 7th - November 22nd

 

Organization: bardoLA

 

www.bardoLA.org

   

Wu Tien-Chang: Never Say Goodbye

 

Palazzo delle Prigioni, Castello, 4209 (San Marco)

 

May 9th - November 22nd

 

Organization: Taipei Fine Arts Museum of Taiwan

 

www.tfam.museum

  

Fireworks were originally invented in China. One of the cultural practices for fireworks was to scare away evil spirits. Cultural events and festivities such as the Chinese New Year and the Mid-Autumn Moon Festival were and still are times when fireworks are guaranteed sights.

All rights reserved - copyright © Davide Cogoni - Use without permission is illegal

 

♫ ♪♭♫

 

View On Black and large - Press L

 

occibike 's photos on Flickriver

Startrail de 2 fotos, una de 2.817 segundos y otra de 1009 porque cuando he tocado el disparador par comprobar el tiempo, ha saltado, el muy cabrón. En resumen, 1 hora y 2 minutos, desde la terraza de casa.

because you're ...

trc giờ tính từ mt gd toàn là swag , crazy , cool , cute ,...

khi Gờ chụp quảng cáo cho Saem ...

đẹp ko tả nổi

i've need to invent new word to describe how beautiful you are ...

stuff that im the first to do if u think ure first for one of these things send me an fm we can compere dates to see whos first

 

and........ im not dead :P

Invented in 2005 by Aerobie president Alan Adler. Coffee grounds and hot water are put inside the tubes and pressed out through a filter at the bottom. It telescopes into a small size convenient for travel and even camping. A source of hot water is all that's needed. (And coffee.)

 

Very flexible, it's easy to fine tune the kind of coffee you like.

The Inventing room of the renowned, if somewhat mysterious, Professor Bardarbarus Thetch

 

The Professor was greatly inspired by this:

www.flickr.com/photos/31819631@N06/3849815545/

I never did get around to advertising my website. What better time than now?

 

www.carnivalofthemaniac.com

 

Stop by, enjoy, buy stuff.

Harris & Ewing,, photographer.

 

[Demonstration of a device invented by Dr. Lytle S. Adams that would allow an airplane to pickup airmail, Hoover Field, Arlington, Virginia; Washington Monument in distance]

 

[9 March 1930]

 

1 negative : glass ; 4 x 5 in. or smaller

 

Notes:

Title devised by Library staff. (Source: Flickr Commons project, 2020)

Date based on date of negatives in same range.

Gift; Harris & Ewing, Inc. 1955.

 

Subjects:

United States--District of Columbia--Washington (D.C.)

 

Format: Glass negatives.

 

Rights Info: No known restrictions on publication. For more information, see Harris & Ewing Photographs - Rights and Restrictions Information www.loc.gov/rr/print/res/140_harr.html

 

Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print

 

Part Of: Harris & Ewing photograph collection (DLC) 2009632509

 

General information about the Harris & Ewing Collection is available at hdl.loc.gov/loc.pnp/pp.hec

 

Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/hec.35737

 

Call Number: LC-H2- B-3867

 

"Non ho mai visto singing in the rain ma le stelle le ho inventate io solo per farle vedere a te"

 

Uscivo, e mi pareva che tutti in terra non facessero che baciarsi: le barche, legate vicine lungo l'orlo della spiaggia, si baciavano! il movimento del mare era un bacio, che correva verso l'isola; le pecore brucando baciavano il terreno; l'aria in mezzo alle foglie e all'erba era un lamento di baci. Perfino le nubi, in cielo, si baciavano! Fra la gente, là per le strade, non c'era persona che non conoscesse questo sapore: le donnette, i pescatori, gli straccioni, i ragazzi. Solo io non lo conoscevo; e mi venne una tale nostalgia di provarlo, che notte e giorno non pensavo quasi ad altro. Mi mettevo a baciare, per prova, magari la mia barca; o un'arancia che mangiavo, o il materasso su cui stavo disteso. Baciavo il tronco degli alberi, l'acqua che affiorava dal mare; baciavo i gatti che incontravo per la strada! E mi accorgevo di saper dare, senza che nessuno me lo avesse insegnato, baci dolcissimi, veramente belli. Ma al sentire contro le mie labbra nient'altro che una fredda polpa vegetale, o una corteccia rugosa, o un'amarezza salina; o al vedermi accanto il muso camitico d'una bestia, che fusava e poi d'un tratto se ne andava, piena di stravaganze, senza sapermi dire nulla; sempre più mi amareggiava il paragone con quella bocca santa, ridente, che, oltre a baciare, sapeva dire le più gentili parole umane! (...) E alla vista di quei baci, indovinavo, fino a sentirmelo sulle labbra, un sapore pieno di stranezza e di delizia, che non si uguagliava a nessun altro sapore della terra, ma si uguagliava miracolosamente a N. Non soltanto alla sua bocca, ma anche ai suoi modi, al suo carattere, e a tutta la sua persona!

Elsa Morante, L'isola di Arturo°

 

L'incanto della pioggia e un bacio alla terra , Festa della vendemmia, Cooperativa Valli Unite, Costa Vescovato, Settembre 2011.

for ODC topic -' Inventor, Invention'

"We have learnt that nothing is simple and rational except what we ourselves have invented; that God thinks in terms neither of Euclid nor of Riemann; that science has "explained" nothing; that the more we know the more fantastic the world becomes and the profounder the surrounding darkness."

(Aldous Huxley - English Novelist, 1894-1963)

 

This picture was shot at Prayag Ghat along the holy waters of the Ganges in Varanasi (Benaras) during the celebrations of Dev Diwali on the occasion of Kartik Poornima.

The "Festival of Light" is the victory of good over the evil within and those young priests are performing Ganga Aarti with vedic hymns in order to please and welcome the Gods who descend on earth on that special day.

View On Black

 

© All photographs are copyrighted and all rights reserved.

Please do not use any photographs without permission (even for private use).

The use of any work without consent of the artist is PROHIBITED and will lead automatically to consequences.

invento,e porque invento arrisco dar tons difrentes,e na minha noite inventada escuto o som do silencio,cadenciado,pautado em notas de dó e ré,uma sinfonia,sonhar,ficar ou partir,escuto sol...fá,um violino fica no telhado,escuto,aninho-me e aqui faço a minha sinfonia.Lixuva

Inventa un respiro de azúcar amarga, que despiste al corazón.

Su bohemia corre en aprietos cuando su mente la lleva y despega, y encumbra, y vuela, vuelva nocturna al tiempo, a lagunas de memoria, al olvido de las masas, al rincón de luces tenues.

Y la miro, y se envuelve, entre infiernos y abrigos secos, entre arañas, venenos y huertos.

Ella ya anhelaba volver y morder aquel polvo estelar encerrado en un montón de vidrios rotos.

Empapó sus manos en luz ciega, sosteniendo un alma punzante que yace sobre promesas jamás cumplidas y derramó lágrimas, derramó lágrimas sobre un iracundo cuerpo sin venas...

 

Invented by Caius Ingenius, the Steam Chariot was able to drive a great distance at the incredible speed of 18 km per hour.

 

Worcester is a Cathedral City and the county town of Worcestershire in the West Midlands of England.

 

The city is located some 17 miles (27 km) south-west of the southern suburbs of Birmingham, and 23 miles (37 km) north of Gloucester. The population is approximately 100,000. The River Severn flanks the western side of the city centre, which is overlooked by the 12th-century Worcester Cathedral.

 

The site of the final battle of the Civil War, Worcester was where Oliver Cromwell's New Model Army defeated King Charles I's Cavaliers, cementing the eleven-year Interregnum. Worcester was the home of Royal Worcester Porcelain, and for much of his life, the composer Sir Edward Elgar. It houses the Lea & Perrins factory where traditional Worcestershire Sauce is made. The University of Worcester is one of the UK's fastest-growing universities.

 

History

 

The trade route past Worcester which later formed part of the Roman Ryknild Street dates to Neolithic times. The position commanded a ford over the River Severn (the river was tidal past Worcester prior to public works projects in the 1840s) and was fortified by the Britons around 400 bc. It would have been on the northern border of the Dobunni and probably subject to the larger communities of the Malvern hillforts. The Roman settlement at the site passes unmentioned by Ptolemy's Geography, the Antonine Itinerary and the Register of Dignitaries but would have grown up on the road opened between Glevum (Gloucester) and Viroconium (Wroxeter) in the ad 40s and 50s. It may have been the "Vertis" mentioned in the 7th-century Ravenna Cosmography. Using charcoal from the Forest of Dean, the Romans operated pottery kilns and ironworks at the site and may have built a small fort.

 

In the 3rd century, Roman Worcester occupied a larger area than the subsequent medieval city, but silting of the Diglis Basin caused the abandonment of Sidbury. Industrial production ceased and the settlement contracted to a defended position along the lines of the old British fort at the river terrace's southern end. This settlement is generally identified with the Cair Guiragon listed among the 28 cities of Britain by the History of the Britons attributed to Nennius. This is not a British name but an adaption of its Old English name Weorgoran ceaster, "fort of the Weorgoran". The Weorgoran (the "people of the winding river") were precursors of Hwicce and probably West Saxons who entered the area some time after the 577 Battle of Dyrham. In 680, their fort at Worcester was chosen—in preference to both the much larger Gloucester and the royal court at Winchcombe—to be the seat of a new bishopric, suggesting there was already a well-established and powerful Christian community when the site fell into English hands. The oldest known church was St Helen's, which was certainly British; the Saxon cathedral was dedicated to St Peter.

 

The town was almost destroyed in 1041 after a rebellion against the punitive taxation of Harthacanute. During this time, the townsfolk relocated to (and at times were besieged at) the nearby Bevere Island, 2 miles upriver. The following century, the town (then better defended) was attacked several times (in 1139, 1150 and 1151) during "The Anarchy", i.e. civil war between King Stephen and Empress Matilda, daughter of Henry I. This is the background to the well-researched historical novel The Virgin in the Ice, part of Ellis Peters' "Cadfael" series, which begins with the words:

 

"It was early in November of 1139 that the tide of civil war, lately so sluggish and inactive, rose suddenly to wash over the city of Worcester, wash away half of its lifestock, property and women and send all those of its inhabitants who could get away in time scurrying for their lives northwards away from the marauders". (These are mentioned as having arrived from Gloucester, leaving a long lasting legacy of bitterness between the two cities.)

 

By late medieval times the population had grown to around 10,000 as the manufacture of cloth started to become a large local industry. The town was designated a county corporate, giving it autonomy from local government.

 

Worcester was the site of the Battle of Worcester (3 September 1651), when Charles II attempted to forcefully regain the crown, in the fields a little to the west and south of the city, near the village of Powick. However, Charles II was defeated and returned to his headquarters in what is now known as King Charles house in the Cornmarket, before fleeing in disguise to Boscobel House in Shropshire from where he eventually escaped to France. Worcester had supported the Parliamentary cause before the outbreak of war in 1642 but spent most of the war under Royalist occupation. After the war it cleverly used its location as the site of the final battles of the First Civil War (1646) and Third Civil War (1651) to try to mount an appeal for compensation from the new King Charles II. As part of this and not based upon any historical fact, it invented the epithet "Fidelis Civitas" (The Faithful City) and this motto has since been incorporated into the city's coat of arms.

 

In 1670, the River Severn broke its banks and the subsequent flood was the worst ever seen by Worcester. A brass plate can be found on a wall on the path to the cathedral by the path along the river showing how high this flood went and other flood heights of more recent times are also shown in stone bricks. The closest flood height to what is known as The Flood of 1670 was when the Severn flooded in the torrential rains of July 2007.

 

The Royal Worcester Porcelain Company factory was founded by Dr John Wall in 1751, although it no longer produces goods. A handful of decorators are still employed at the factory and the Museum is still open.

 

During the late 18th and early 19th centuries, Worcester was a major centre for glove making, employing nearly half the glovers in England at its peak (over 30,000 people). In 1815 the Worcester and Birmingham Canal opened, allowing Worcester goods to be transported to a larger conurbation.

 

The British Medical Association (BMA) was founded in the Board Room of the old Worcester Royal Infirmary building in Castle Street in 1832. While part of the Royal Infirmary has now been demolished to make way for the University of Worcester's new city campus, the original Georgian building has been preserved. One of the old wards opened as a medical museum, The Infirmary, in 2012.

 

In 1882 Worcester hosted the Worcestershire Exhibition, inspired by the Great Exhibition in London.There were sections for exhibits of fine arts (over 600 paintings), historical manuscripts and industrial items.The profit was £1,867.9s.6d. The number of visitors is recorded as 222,807. Some of the profit from the exhibition was used to build the Victoria Institute in Foregate Street, Worcester. This was opened on 1 October 1896 and now houses the city art gallery and museum. Further information about the exhibition can be found at the museum.

 

During World War II, the city was chosen to be the seat of an evacuated government in case of mass German invasion. The War Cabinet, along with Winston Churchill and some 16.000 state workers, would have moved to Hindlip Hall (now part of the complex forming the Headquarters of West Mercia Police), 3 miles (4.8 km) north of Worcester and Parliament would have temporarily seated in Stratford-upon-Avon. The former RAF station RAF Worcester was located east of Northwick.

 

In the 1950s and 1960s large areas of the medieval centre of Worcester were demolished and rebuilt as a result of decisions by town planners. This was condemned by many such as Nikolaus Pevsner who described it as a "totally incomprehensible... act of self-mutilation". There is still a significant area of medieval Worcester remaining, but it is a small fraction of what was present before the redevelopments.

 

The current city boundaries date from 1974, when the Local Government Act 1972 transferred the parishes of Warndon and St. Peter the Great County into the city.

 

Governance

The Conservatives had a majority on the council from 2003 to 2007, when they lost a by-election to Labour meaning the council had no overall control. The Conservatives remained with the most seats overall with 17 out of 35 seats after the 2008 election.

 

Worcester has one member of Parliament, Robin Walker of the Conservative Party, who represents the Worcester constituency as of the May 2010 general election.

 

The County of Worcestershire's local government arrangement is formed of a non-metropolitan county council (Worcestershire County Council) and six non-metropolitan district councils, with Worcester City Council being the district council for most of Worcester, with a small area of the St. Peters suburb actually falling within the neighbouring Wychavon District council. The Worcester City Council area includes two parish councils, these being Warndon Parish Council and St Peter the Great Parish Council.

  

Worcester Guildhall, the seat of local government, dates from 1721; it replaced an earlier hall on the same site. The Grade I listed Queen Anne style building is described by Pevsner as 'a splendid town hall, as splendid as any of C18 England'.

 

Economy

The city of Worcester, located on the River Severn and with transport links to Birmingham and other parts of the Midlands through the vast canal network, became an important centre for many light industries. The late-Victorian period saw the growth of ironfounders, like Heenan & Froude, Hardy & Padmore and McKenzie & Holland.

 

Glove industry

 

Gloves, Worcester City Art Gallery & Museum

One of the flourishing industries of Worcester was glove making. Worcester's Gloving industry peaked between 1790 and 1820 when about 30,000 were employed by 150 companies. At this time nearly half of the Glove manufacturers of Britain were located in Worcestershire.

 

In the 19th century the industry declined because import taxes on foreign competitors, mainly from France, were greatly reduced. By the middle of the 20th century, only a few Worcester gloving companies survived since gloves became less fashionable and free trade allowed in cheaper imports from the Far East.

Nevertheless, at least 3 large glove manufacturing companies still survived until the late 20th century: Dent Allcroft, Fownes and Milore. Queen Elizabeth II's coronation gloves were designed by Emil Rich and manufactured in the Worcester-based Milore factory.

 

Manufacturing

 

Lea & Perrins advertisement (1900)

The inter-war years saw the rapid growth of engineering, producing machine tools James Archdale, H.W. Ward, castings for the motor industry Worcester Windshields and Casements, mining machinery Mining Engineering Company (MECO) which later became part of Joy Mining Machinery and open-top cans Williamsons, though G H Williamson and Sons had become part of the Metal Box Co in 1930. Later the company became Carnaud Metal Box PLC.

 

Worcester Porcelain operated in Worcester until 2008, when the factory closed down due to the recession. However, the site of Worcester Porcelain still houses the Museum of Royal Worcester which is open daily to visitors.

 

One of Worcester's most famous products, Lea & Perrins Worcestershire sauce is made and bottled at the Midland Road factory in Worcester, which has been the home of Lea & Perrins since 16 October 1897. Mr Lea and Mr Perrins originally met in a chemist's shop on the site of the now Debenhams store in the Crowngate Shopping Centre.

 

The surprising foundry heritage of the city is represented by Morganite Crucible at Norton which produces graphitic shaped products and cements for use in the modern industry.

 

Worcester is the home of what is claimed to be the oldest newspaper in the world, Berrow's Worcester Journal, which traces its descent from a news-sheet that started publication in 1690. The city is also a major retail centre with several covered shopping centres that has most major chains represented as well as a host of independent shops and restaurants, particularly in Friar Street and New Street.

 

The city is home to the European manufacturing plant of Yamazaki Mazak Corporation, a global Japanese machine tool builder, which was established in 1980.

 

Retail trade

The Kays mail order business was founded in Worcester in the 1880s and operated from numerous premises in the city until 2007. It was then bought out by Reality, owner of the Grattan catalogue. Kays' former warehouse building was demolished in 2008.

 

Worcester’s main shopping centre is the High Street, home to the stores of a number of major retail chains. Part of the High Street was modernised in 2005 amid much controversy.[citation needed] Many of the issues focussed on the felling of old trees, the duration of the works (caused by the weather and an archaeological find) and the removal of flagstones outside the city’s 18th-century Guildhall. The other main thoroughfares are The Shambles and Broad Street, while The Cross (and its immediate surrounding area) is the city’s financial centre and location of the majority of Worcester’s main bank branches.

 

There are three main covered shopping centres in the city centre, these being CrownGate Shopping Centre, Cathedral Plaza and Reindeer Court. There is also an unenclosed shopping area located immediately east of the city centre called St. Martin's Quarter. There are three retail parks, the Elgar and Blackpole Retail Parks, which are located in the inner suburb of Blackpole and the Shrub Hill Retail Park neighbouring St. Martin's Quarter.

 

Landmarks

 

The most famous landmark in Worcester is its imposing Anglican Cathedral. The current building; known as Worcester Priory before the English Reformation, is officially named The Cathedral Church of Christ and the Blessed Virgin Mary. Construction begun in 1084 while its crypt dates from the 10th century. The chapter house is the only circular one in the country while the cathedral also has the distinction of having the tomb of King John.

 

The Hive, situated on the northern side of the River Severn at the former cattle market site, is Worcester's joint public and university library and archive centre, heralded as "the first of its kind in Europe". It is a prominent landmark feature on the Worcester skyline. With seven towers and a golden rooftop, The Hive has gained recognition winning two international awards for building design and sustainability.

 

There are three main parks in Worcester, Cripplegate Park, Gheluvelt Park and Fort Royal Park, the latter being on one of the battles sites of the English Civil War. In addition, there is a large open area known as Pitchcroft to the North of the city centre on the east bank of the River Severn, which, apart from those days when it is being used for horse racing, is a public space.

 

Gheluvelt Park was opened as a memorial to commemorate the Worcestershire Regiment's 2nd Battalion after their part in the Battle of Gheluvelt, during the First World War.

 

The statue of Sir Edward Elgar, commissioned from Kenneth Potts and unveiled in 1981, stands at the end of Worcester High Street facing the Cathedral, only yards from the original location of his father's music shop, which was demolished in the 1960s. Elgar's birthplace is a short way from Worcester, in the village of Broadheath.

 

There are also two large woodlands in the city, Perry Wood, at twelve hectares and Nunnery Wood, covering twenty-one hectares. Perry Wood is often said to be the place where Oliver Cromwell met and made a pact with the devil. Nunnery Wood is an integral part of the adjacent and popular Worcester Woods Country Park, itself next door to County Hall on the east side of the city.

 

en.wikipedia.org/wiki/Worcester

The Clos Lucé, the castle where Leonardo da Vinci spent the last years of his life and died in 1519.

www.vinci-closluce.com/en

Megan travaille sur STaARS BS-12 dans le laboratoire Columbus (je vous promets que je n’ai pas inventé cet acronyme). Cette expérience observe la façon dont les protéines se plient et l’impesanteur fournit un environnement plus stable dans lequel les chercheurs espèrent créer des médicaments qui se conservent plus longtemps. Les produits biopharmaceutiques forment une nouvelle classe de médicaments dérivés de tissus vivants. Ils sont très prometteurs mais ont pour l’instant un inconvénient majeur : ils se dégradent très vite et deviennent inutilisables assez rapidement. Pour résumer, Megan essaye de fabriquer de meilleurs blocs de protéines, plus stables, que l’industrie pharmaceutique pourra étudier et tenter de recréer sur Terre.

 

Megan working in Columbus on STaARS BioScience-12 (I promise I am not inventing these acronyms!). The research is looking at protein folding and exploiting weightlessness which is a more stable environment to see how we can create medicine with a longer shelf-life. Biopharmaceuticals (medicine derived from living tissue) are a new class of medicine but they have a significant problem: they cannot be stored for a long time without degrading and being unusable. Megan is basically trying to build better, more stable, protein blocks that the pharmaceutical industry can learn from and recreate on Earth!

 

Credits: ESA/NASA–T. Pesquet

 

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