View allAll Photos Tagged Invented
Inventing New Vices.
Adminisztratív szabályok fordítása holttestek zsebek regény válogatás sokoldalú visszautasítás elért stílus megértése költészet dokumentált művek,
постоянные взносы гипотеза театральная перемена игра сардоническая остроумие творческие позы неуважение этикет напыщенный юмор инверсии слов,
ordres tortueux fausses imputations lecture agréable conceptions audacieuses drames délibérés tempête stress conversations profondes développements d'idées,
إدخال أخطاء المواد المنقحة على غرار سنوات الثوم يتنفس دراسات لاحقة تسخر من ظلال اللحظات المأساوية بتعليمات مختلفة,
crimes incomuns líderes cegos aforismos épicos partes filosóficas sentidos predominantes modernos depenar paixões removidas exaltação visões,
強引なトーン多彩な印象わかりやすい意見暗いパッセージ繰り返し画像勇気のステップ劇的なナンセンス明白ななぞなぞジョーカー学者笑う喜び.
Steve.D.Hammond.
"If a June night could talk, it would probably boast it invented romance."
Bern Williams
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© Copyright Natalie Panga - All rights reserved. EXPLORED June 16, 2013.
You might say that cheetahs invented fast food. They are perfectly adapted for hunting in the grasslands and arid regions of Africa . Being so quick they are able to capture prey that no other animals are able to catch. Cheetahs are sprinters, not long-distance runners. They are easily winded after their incredible bursts of speed. Researchers have even found that a cheetah's temperature can instantly rise up to 105 degrees during a chase. This requires them to rest after each hunt.
But speed is not the only adaptation they require to be successful hunters. Stealth plays just as important a role. Since cheetahs are only able to chase their prey a few hundred yards at such fast speeds, they must get very close to their meal before beginning their chase. They have to employ the tricks of hunters everywhere - moving low in the grass, approaching from down-wind, and sometimes using small rises in the land to disguise their approach. This is very tricky business since the hoofed animals cheetahs hunt live in herds which are on constant watch for any approaching danger. So cheetahs need to use camouflage and speed to catch their prey.
You might think that occupying this specialized niche guarantees all cheetahs a meal. But killing prey and keeping it are two different issues. Scientists who have studied the behaviour of predators in Africa have documented a hierarchy among meat eaters that works to the cheetahs' disadvantage. Due to their size and build, cheetahs are submissive and shy animals that are easily chased from their kill. So, after a huge, energy-depleting burst of speed and a successful kill that only happens one out of every ten tries, the meal that awaits them on the African plains can be grabbed right out from under their noses by competing predators such as lions, leopards, hyenas, brown and wild dogs. Even jackals can benefit once hyenas have chased off the cheetah.
This beautiful Cheetah was photographed in stalk mode on an early morning game drive in the Maasai Mara Game Reserve, Kenya.
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
Photo: Trams aux Fils.
Interdiction de reproduire cette photo à des fins commerciales, sans mon accord
Prise le 2 mai 2013
Tram 100
"ce tram n'est pas un tram historique, il a été construit sans référence historique, c'est une pure invention, il a été construit sur le châssis d'un ancien tram, seul le toit est historique car pris sur un ancien tram"
Rua Alameda TELES BASILIO
Composition de la parade, le tram hippomobile 8 suivi du tram 163 - 104 - 100 - 247 - 315 - 267 - 288 - 373 avec la remorque 25 - 500 soit 10 trams et une remorque.
A lot of times I feel like I'm an accidental detective. This profession was never an ambition of mine. In fact, in college I was convinced that the private investigator had followed the dodo and passenger pigeon into extinction.
But, lo and behold, like the coelacanth, a 19 year career as a private eye swam up out of the depths and bit me in the ass. And I'm fiendishly good at it. In many ways I feel like I was wired internally to do this very thing. Virtually unemployable at anything else. I cannot resist the clues, the puzzle pieces, the thrill of finding the hidden, learning the secrets and haunting the quiet places where I watch and wait.
What I really wanted to do was write, but journalism was never truly in the cards. I spent way more time behind a lens than in front of one.
At times I feel a novel in me fighting to get out. For years that voice has been stifled. A recent addition to my life has me reassessing the road not taken. The voice is back and the words have again begun to flow. It is a gift beyond compare. I can only hope that somehow, some way I can reciprocate is such valuable kind.
Ѧƕᴕɚᶓ - ϔ - Ϣҙӄѧɕ the thinker sat beneath a shade fungus in the nest valley and contemplated the Brood Queen as she continued her ceaseless task of perpetuating the species. Every few moments her ovipositor flung forward and threw, along a precise arc, a glistening pink ootheca into a seething pit of slime, split egg casings and writhing larvae.
A breeze picked up, just strong enough to push one of the flying oothecae a little off course and it landed at the raised edge of the larvae pit. It teetered, as if deciding which way to fall, then toppled away from the safety of the pit and further into the valley, bouncing as it rolled. It came to rest, hard, abrubtly against a rock and split neatly in half (the panicking larva blindly lolloping in the drying dust), and the two halves continued to roll away. And they rolled...
And rolled, and rolled. "Hmm," thought Ѧƕᴕɚᶓ - ϔ - Ϣҙӄѧɕ. She stood a while, smoothed back an antenna, and then began to run down, laughing and whooping, in the direction the egg casings had gone.
Built for FebRovery 2014.
Jeu original des 176 emoji dessinés par Shigetaka Kurita
Exposition MOMA - Fondation Louis Vuitton
La collection du Museum of Modern Art (MoMA), à New York, s'est enrichi en 2016 de 176 pièces quelque peu particulières : une collection de carrés de douze pixels de côté. Il s’agit de la première série d’émoticônes (emoji en japonais), créés par le designer Shigetaka Kurita, qui les a conçus entre 1998 et 1999.
A l’époque, M. Kurita travaille pour l’opérateur de téléphonie japonais NTT Docomo, qui développe i-mode, un service Web pour téléphones. Le service ne peut transmettre que de faibles quantités de données, et les écrans des téléphones ne permettent de toute façon l’affichage que d’un faible nombre de caractères. M. Kurita propose alors de créer des images schématisées de petite taille : ce seront les 176 émoticônes originelles.
Le succès est immédiat, et les autres opérateurs japonais copient très rapidement le concept. En dehors de l’archipel, il faudra cependant attendre 2010, et l’arrivée des émoticônes dans le standard Unicode, pour qu’ils connaissent un succès véritablement planétaire.
« Les emoji de Shigetaka Kurita sont de puissantes manifestations de la capacité du design à modeler le comportement humain, explique le musée. Le design d’une chaise dicte notre posture ; de même, le format d’une communication électronique donne une forme particulière à notre voix. Les collections du MoMA sont remplies d’exemples d’innovations en matière de design qui ont radicalement modifié notre monde, du téléphone à l’ordinateur personnel en passant par le signe@. »
Article Le Monde - 27/10/2016
Inventi quella luce
ma sono gli occhi miei
mentre ti guardo io non so più
dove finisco io e cominci tu
il sogno... la realtà
Gennaro Iannotti
Male osprey announcing his arrival high above the ground on an athletic field light where his mate and a couple of young ones are in the nest waiting to see what he brought them.
In this case, nothing other than a few blades of grass where he missed some kind of prey a few minutes ago.
The favorite meal of ospreys consists of fish although they will eat other non-water based small animals as well.
As young ones develop and grow, they emit an almost continual piercing chirp as they plead for food.
Sometimes it is so incessant that the male heads for somewhere near where he can still watch over his family but doesn’t have to put up with the noise.
Now that I think of it, that may be why early man built small shop garages even before cars were invented.
(Photographed near Cambridge, MN)
Che salpino le navi,
si levino le ancore e si gonfino le vele,
verranno giorni limpidi e dobbiamo approfittare
di questi venti gelidi
del Greco e del Maestrale, lasciamo che ci spingano al di là di questo mare, non c'è più niente per cui piangere o tornare.
Si perdano i rumori e presto si allontanino i ricordi e questi odori,
verranno giorni vergini e comunque giorni nuovi,
ci inventeremo regole, ci sceglieremo i nomi
e certo ci ritroveremo
a fare vecchi errori,
ma solo per scoprire di essere migliori.
Inventé par l'ingénieur Dean Kamen en 2001 et développé par la firme américaine Segway Inc, le gyropode Segway est le nouveau mode de transport motorisé le plus écologique et le plus économique par personne et par kilomètre. Aujourd'hui leader mondial du transport léger électrique de proximité avec plus de 80 000 gyropodes en circulation dans plus de 60 pays.
Bon week-end les artistes !
This beautiful old photo, so full of character, was taken in 1890 (before trees were invented!). It shows the east gable of the wing of Fiddes facing the camera. Note that the two angle turrets and the chimney stack take up all the width of the gable and then some, leaving no space for any crow-stepping.
At this date, the roof of the stair-tower is slated over. The slates come down almost to the parapet corbel course and the presence of the 3 large double corbels, that currently support a machicolation above the doorway, indicate that this slate roof is not the original arrangement and that there was an earlier parapet.
(Another interesting feature is the byre roof, which is both tiled as well as covered in turf! I guess the turf stopped the tiles blowing away!)
MacGibbon and Ross, whose visit here must have been about the same time this photo was taken, observed that "A very small outlay would preserve this fine and unique specimen of Scottish Architecture, which is now fast falling into decay." How large the outlay eventually was, I don't know, but it is good to see that someone was prepared to make it!
(Photo courtesy of www.canmore.org.uk )
IANR 458, along with 2 slugs and 3 other IANR locomotives, as well as one leaser, lead south job on the CRANDIC's property as they head west to duck under I-380. Taken on Thanksgiving Day, 2019.
Fireworks were originally invented in China. One of the cultural practices for fireworks was to scare away evil spirits. Cultural events and festivities such as the Chinese New Year and the Mid-Autumn Moon Festival were and still are times when fireworks are guaranteed sights.
This is how it REALLY happened...
You can purchase greetings cards, prints and posters with this image on by following this link
Invented landscape for Intro. to Digital Imaging.
Photo credits:
-jenschapter3
-ewen and donabel
-Aschaf
-Shadowgate
-AMagill
Startrail de 2 fotos, una de 2.817 segundos y otra de 1009 porque cuando he tocado el disparador par comprobar el tiempo, ha saltado, el muy cabrón. En resumen, 1 hora y 2 minutos, desde la terraza de casa.
stuff that im the first to do if u think ure first for one of these things send me an fm we can compere dates to see whos first
and........ im not dead :P
Invented in 2005 by Aerobie president Alan Adler. Coffee grounds and hot water are put inside the tubes and pressed out through a filter at the bottom. It telescopes into a small size convenient for travel and even camping. A source of hot water is all that's needed. (And coffee.)
Very flexible, it's easy to fine tune the kind of coffee you like.
Loire-Atlantique
Les Machines de l’île est un projet artistique totalement inédit. Né de l’imagination de François Delaroziere et Pierre Orefice, il se situe à la croisée des « mondes inventés » de Jules Verne, de l’univers mécanique de Léonard de Vinci et de l’histoire industrielle de Nantes, sur le site exceptionnel des anciens chantiers navals. À ne pas manquer : la visite de la galerie des machines, un tour sur le Grand Eléphant de 12 mètres de haut, monter à bord du Carrousel des Mondes Marins de 27 créatures marines en mouvement.
Les Machines de l'île is a completely new artistic project. Born from the imagination of François Delaroziere and Pierre Orefice, it is located at the crossroads of the "invented worlds" of Jules Verne, the mechanical universe of Leonardo da Vinci and the industrial history of Nantes, on the exceptional site of the old shipyards. Not to be missed: the visit of the gallery of machines, a tour on the 12 meters high Grand Elephant, board the Carrousel des Mondes Marins with 27 moving marine creatures.
© Philippe Haumesser. TOUS DROITS RESERVES - ALL RIGHTS RESERVED ©.
Merci beaucoup pour vos visites , commentaires et favoris♥
Thank you very much for your visits, comments and favorites
Pretty brunette swimsuit bikni model goddess modeling the Nikon D800-based 45WindSurfer!
Shooting photographic stills & video @ same time with Nikon D800 & 70-200 mm VR2 Nikkor Lens bracketed to a camcorder--the awsome Panasonic HDC-TM900 32GB Flash Memory HD Camcorder ! It shoots stabilized 60P video for super-smooth slow-mo when I slow it down in post!
I call it the 45WindSurfer Bracket, as you can catch video's constant wind and still photography's intermittent waves!
Just as windsurding was invented by combining two sports--surfing and sailing--so too was 45windsurfing born by combining two art forms!
When you get to work with pretty swimsuit bikni models, you want to make the most of everyone's time & shoot stills photorgaphy and motion pictures / video @ the same time!
Shooting (45WindSurfing) on El Matador Beach in Malbu!
The 45WindSurfer bracket allows one to attach any two cameras! Can hardly wait to attch a 4K Sony or JVC!
Modeling the Gold 45 Revolver Gold'N'Virtue bikini!
All the best on your journey!
The Inventing room of the renowned, if somewhat mysterious, Professor Bardarbarus Thetch
The Professor was greatly inspired by this:
Well of Shiuan - book 2 of the Morgaine cycle - C.J. Cherryh [fantasy novel - November 12, 2015 - 0656]
The Morgaine book series by C.J. Cherryh consist of four novels. The second book "Well of Ivrel"(1976) is commented upon in this report.
The following is my synopsis of the back-story for these four novels:
The ancient Qhal Empire expanded and dominated civilizations throughout the Galaxy. The Qhal are human in appearance and can breed, if desired, with other humanoid beings. The teleportation Gates technology the Qhal reversed engineered and utilized for interstellar travel were discovered in ruins on a dead world. The Qhal did not invent the Gates. Using the Gates the ruthless Qhal who despised other "native" beings imposed their wills without remorse. In the end the downfall of the Qhal was in the nature of the Gates. The Gates in addition to providing instantaneous travel between star systems could also be used to travel forward in time. It is speculated from analysis of ancient Qhal artifacts on many worlds that travel back in time unraveled the Qhal civilization. Qujalin are human offspring that have bred with Qhal beings. Morgaine is a Qujalin who has undertaken a quest to go from world to world destroying the master Gates since there influence corrupts societies, nature and individuals. It should be noted that all worlds contain many Gates but only one Master Gate. Shutting down the Master renders them all just dead stone monuments.
I have not been able to definitely determine the motivation that propels Morgaine to go from world to world closing the Gates. Certainly the Gates are inherently evil but I was she given a mandate by some council or organization or is she self - motivated, the latter appears to be the case as best I can determine. Her journeys are difficult and dangerous yet her persistence and dedication never waivers. There is enormous opposition to her task since those in power lose all when the Gates is sealed. Fortunately she is in possession of an incredibly magical sword - Changling by name - that is partnered with the mystical evil of the Gates and provides her a weapon that can irrevocably draws individuals to oblivion. How she aquired this incredibly powerful weapon is unknown. Use of the sword takes a psychic toll on her. All the books take place in medieval type world. The technologies evident are body armor and cross bows; horses are the only means of transportation. These pre industrial revolution locals makes for interesting stories but I question if the Qhal who were interstellar travelers what happened to their technology?
Vanye the bastard son of Nhi Rijan killed his half-brother Nhi Kandrys and cut off several fingers of his other half-brother Nhi Erij in a fight he was goaded into by the half-brothers. His father was incensed with grief and anger and cursed his son and pronounced him an "ilin" an outcast. Vanye was "claimed" by the Qujalin Morgaine to assist her in defeating a clan leader who aspires for the forbidden knowledge of the Gates. At the story unfolds her becomes her assistant is riding worlds of Master Gates.
Well of Shiuan - book 2 of the Morgaine cycle:
The setting for this book is alien planet that had in the distant past been an outpost of the Qhal. The planet has earth-like conditions and is populated with men and descendants of the Qhal who have breed with the humans. The planet's moon had experienced a cataclysmic event that results in a steadily rising sea level and a forbidding sense of dread among the inhabitants. The society is pre-industrial and feudal ruled by clans who maintain uneasy alliances and truces with adjoining clans. Warriors are respected for their skills with bows and swords and their horsemanship. Anything to do with the Qhal - the Gates or beings with Qhal blood - Qujalin - is an object of justified superstitious dread. Nonetheless some individual's lust for the powers Qhal items can provide. Morgaine and her sworn assistant Vanyn appear intent on closing the Master Gate. Degenerate Qhal, a being masquerading as Vanye's cousin and angry locals conspire to thwart their plan.
This book screams for a glossary of terms - alas there isn't one. The author with a masters of arts in mythology fills her books with cryptic terms for places and locations that, frankly, were unfamiliar to this reader. Alas I had to slow down take a few notes and use some page index tabs to refer back too and I was ok and good to go. It was worth the effort - this is a many-layered story with several very strong personalities competing for the reader attention. The climax of this story, a stand-alone book as published, begs for sequel. Fortunately for us there was one.
I have read several of Ms. Cherryh's books and to be honest they are an acquired taste and put demands on the reader not accustomed to her writing style and narrative pacing. In this book the narrative pacing proceeded glacially. Nonetheless I enjoyed this book and will eventually read the two remaining sequels.
Men have conquered space. Their travelled around the world, created cars, trains to connect cities, built ships and boats to cross oceans and connect continents, planes ans specship to explore sky and go to the moon.
But what about time ? Time remains a mystery. A virgin territory where men are still so small. Time accelerates or slow down without we can do nothing and the only thing we can do is following its run until the end of our lives.
L'homme a maîtrisé l'espace. Il a voyagé autour de la planète. Il a a construit des voitures, des trains, pour relier les villes; conçu des bateaux pour sillonner les océans et relier les continents, avant d'inventer des avions de plus en plus rapides et même des engins spatiaux qui l'ont envoyé jusque la Lune.
Mais le temps est toujours une "terra incognita", un grand mystère, qui nous dépasse. On est si petit devant lui, qui ralentit et accélère à sa guise. Et la seule chose que nous puissions faire est de suivre sa course jusque la fin de nos vies.
Guillemins Station, Liège
Listen to Time
Explored, #346
"Il vostro tempo è limitato. Non fatevi intrappolare dai dogmi – che significano vivere con regole inventate da qualcun altro. Non lasciate che il rumore delle opinioni altrui copra la vostra voce interiore. E più importante di tutto, abbiate il coraggio di seguire il vostro cuore e il vostro intuito. Loro sanno già che cosa volete diventare. Tutto il resto è secondario." Steve Jobs
invento,e porque invento arrisco dar tons difrentes,e na minha noite inventada escuto o som do silencio,cadenciado,pautado em notas de dó e ré,uma sinfonia,sonhar,ficar ou partir,escuto sol...fá,um violino fica no telhado,escuto,aninho-me e aqui faço a minha sinfonia.Lixuva
Inventa un respiro de azúcar amarga, que despiste al corazón.
Su bohemia corre en aprietos cuando su mente la lleva y despega, y encumbra, y vuela, vuelva nocturna al tiempo, a lagunas de memoria, al olvido de las masas, al rincón de luces tenues.
Y la miro, y se envuelve, entre infiernos y abrigos secos, entre arañas, venenos y huertos.
Ella ya anhelaba volver y morder aquel polvo estelar encerrado en un montón de vidrios rotos.
Empapó sus manos en luz ciega, sosteniendo un alma punzante que yace sobre promesas jamás cumplidas y derramó lágrimas, derramó lágrimas sobre un iracundo cuerpo sin venas...