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invented a Game/Anime-Character for Ponyo's series...unfortunately I was too late, but I like this outfit, so here she is anyway...
(if anyone still wants to pile up send me a flickrmail, I'll give you a link)
"Let me sit in the ball park
cap turned backwards and
praying for a rally. I need
the sun and sweat to remind
me how much I love the game,
how each year it comes down,
to the last inning, the final out."
If God Created Baseball: Poems (2018)
A youth baseball field, in...
Decatur (Winnona Park), Georgia, USA.
24 September 2023.
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▶ UPDATE:
No baseballs were harmed —or staged— during the shoot, but the phrase, "The final out," seems appropriate. The baseball field was razed only a few months later, in early 2024, to be replaced with a running track and fieldhouse.
***************
▶ Photo and story by Yours For Good Fermentables.com.
▶ For a larger image, type 'L' (without the quotation marks).
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▶ Camera: Olympus OM-D E-M10 II.
— Lens: Lumix G 20/F1.7 II.
— Polarizing filter.
— Edit: Photoshop Elements 15, Nik Collection (2016).
▶ Commercial use requires explicit permission, as per Creative Commons.
Built in 1884, now it houses the James Naismith Museum and Hall of Fame. James Naismith was the Canadian who invented the game of basketball in 1891.
hay silencios que inventan palabras con la mirada, miradas que le dan la mano a un atardecer y abrazos que son como una brisa cargada de ilusiones...
God loved the birds and invented trees. Man loved the birds and invented cages.
--Jacques Deval, Afin de vivre bel et bien
Another new adventure in texture. Texture from skeletalmess.
You might miss a few important details if you don't view LARGE on BLACK :)
If you're interested in seeing more of my work, check out my photoblog at Buck Christensen Photography.
My skin is kind of sort of brownish pinkish yellowish white. My eyes are greyish blueish green, but I'm told they look orange in the night. My hair is reddish blondish brown, but it's silver when its wet, and all the colors I am inside have not been invented yet. ~Shel Silverstein
i love color. and apparently, i love OPI. ;-)
day 13: yourself with 13 things
Abitazioni inventate ed arrangiate, costruite con ciò di più economico che si può trovare e con le tecniche costruttive più disparate.Si trovano ovunque da queste parti, in certe strade di Reggio ( e forse anche altrove!)
Não gosto muito de saber
As verdades do mundo.
Prefiro inventar
Minhas próprias verdades.
Por vezes raras
Vejo jornais.
Ontem vi uma mãe
Chorar o filho morto a tiros,
Por animais que professam
Pertencer à espécie humana.
Ao descer do prédio,
Deparei-me com uma mãe beija-flor.
Ela construiu seu ninho
Em cima da minha garagem.
Quando me viu, colocou-se entre mim e o ninho,
Batia as asas, ameaçava atacar-me,
E retornava à proteção de seus ovos.
Cheguei a pensar comigo:
– Será que essa mãe viu o jornal da tarde?
Olhei bem para aquele ser minúsculo,
Dócil, frágil,
Que tentava afugentar-me a todo custo,
E disse:
Fica em paz,
Minha forma ainda é humana,
Mas meu coração, passarinho! ❤
Nara Rúbia Ribeiro
THEME : INVENT AND ILLUSTRATE A FAIRYTALES OR A STORY
Like Ulysse, Teddy wants to go home, but there is a big storm and it is very dangerous to sail on this wild ocean. Hope he will find his Penelope very soon ............
The scene is home made, of course !! Happy Saturday!
It is the Distinguished Company at the Bijou Planks!
Today we see Alexander Graham Bell. Bell was a Scottish-born inventor, scientist, and engineer who is credited with inventing and patenting the first practical telephone. He also co-founded the American Telephone and Telegraph Company (AT&T) in 1885.
Bell's father, grandfather, and brother had all been associated with work on elocution and speech and both his mother and wife were deaf, profoundly influencing Bell's life's work. His research on hearing and speech further led him to experiment with hearing devices which eventually culminated in Bell being awarded the first U.S. patent for the telephone, on March 7, 1876.
Bell considered his invention an intrusion on his real work as a scientist and refused to have a telephone in his study.
Many other inventions marked Bell's later life, including groundbreaking work in optical telecommunications, hydrofoils, and aeronautics. Although Bell was not one of the 33 founders of the National Geographic Society, he had a strong influence on the magazine while serving as the second president from January 7, 1898, until 1903.
Alexander Graham Bell, a distinguished individual!
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A year of the shows and performers of the Bijou Planks Theater.
Inventing New Vices.
Adminisztratív szabályok fordítása holttestek zsebek regény válogatás sokoldalú visszautasítás elért stílus megértése költészet dokumentált művek,
постоянные взносы гипотеза театральная перемена игра сардоническая остроумие творческие позы неуважение этикет напыщенный юмор инверсии слов,
ordres tortueux fausses imputations lecture agréable conceptions audacieuses drames délibérés tempête stress conversations profondes développements d'idées,
إدخال أخطاء المواد المنقحة على غرار سنوات الثوم يتنفس دراسات لاحقة تسخر من ظلال اللحظات المأساوية بتعليمات مختلفة,
crimes incomuns líderes cegos aforismos épicos partes filosóficas sentidos predominantes modernos depenar paixões removidas exaltação visões,
強引なトーン多彩な印象わかりやすい意見暗いパッセージ繰り返し画像勇気のステップ劇的なナンセンス明白ななぞなぞジョーカー学者笑う喜び.
Steve.D.Hammond.
You might say that cheetahs invented fast food. They are perfectly adapted for hunting in the grasslands and arid regions of Africa . Being so quick they are able to capture prey that no other animals are able to catch. Cheetahs are sprinters, not long-distance runners. They are easily winded after their incredible bursts of speed. Researchers have even found that a cheetah's temperature can instantly rise up to 105 degrees during a chase. This requires them to rest after each hunt.
But speed is not the only adaptation they require to be successful hunters. Stealth plays just as important a role. Since cheetahs are only able to chase their prey a few hundred yards at such fast speeds, they must get very close to their meal before beginning their chase. They have to employ the tricks of hunters everywhere - moving low in the grass, approaching from down-wind, and sometimes using small rises in the land to disguise their approach. This is very tricky business since the hoofed animals cheetahs hunt live in herds which are on constant watch for any approaching danger. So cheetahs need to use camouflage and speed to catch their prey.
You might think that occupying this specialized niche guarantees all cheetahs a meal. But killing prey and keeping it are two different issues. Scientists who have studied the behaviour of predators in Africa have documented a hierarchy among meat eaters that works to the cheetahs' disadvantage. Due to their size and build, cheetahs are submissive and shy animals that are easily chased from their kill. So, after a huge, energy-depleting burst of speed and a successful kill that only happens one out of every ten tries, the meal that awaits them on the African plains can be grabbed right out from under their noses by competing predators such as lions, leopards, hyenas, brown and wild dogs. Even jackals can benefit once hyenas have chased off the cheetah.
This beautiful Cheetah was photographed in stalk mode on an early morning game drive in the Maasai Mara Game Reserve, Kenya.
#AbFav_PHOTOSTORY
#ABFAV_FAVOURITE_PLACE 💖
THE DAYS of COLOUR.
A Slinky is a toy pre-compressed helical spring invented by Richard James.
It can perform a number of tricks, including travelling down a flight of steps end-over-end as it stretches and re-forms itself with the aid of gravity and its own momentum,
In 1943, Richard James, a naval mechanical engineer stationed at the William Cramp and Sons shipyards in Philadelphia, was developing springs that could support and stabilise sensitive instruments aboard ships in rough seas.
James accidentally knocked one of the springs from a shelf, and watched as the spring "stepped" in a series of arcs to a stack of books, to a tabletop, and to the floor, where it re-coiled itself and stood upright.
James's wife Betty later recalled, "He came home and said, 'I think if I got the right property of steel and the right tension; I could make it walk.'"
James experimented with different types of steel wire over the next year, and finally found a spring that would ‘walk’.
Betty was dubious at first, but changed her mind after the toy was fine-tuned and neighbourhood children expressed an excited interest in it.
She dubbed the toy Slinky; meaning "sleek and graceful”.
On COLOURS...
Light and colour can influence how people perceive the area around them.
Different light sources affect how the colours of walls and other objects are seen.
Specific hues of colours seen under natural sunlight may vary when seen under the light from an incandescent (tungsten) light-bulb: lighter colours may appear to be more orange or "brownish" and darker colours may appear even darker.
Light and the colour of an object can affect how one perceives its positioning.
If light or shadow, or the colour of the object, masks an object's true contour (outline of a figure) it can appear to be shaped differently than it really is.
Objects under a uniform light-source will promote better impression of three-dimensional shape.
The colour of an object may affect whether or not it seems to be in motion. In particular, the trajectories of objects under a light source whose intensity varies with space are more difficult to determine than identical objects under a uniform light source.
Carl Jung is most prominently associated with the pioneering stages of colour psychology.
Jung was most interested in colours’ properties and meanings, as well as in Art’s potential as a tool for psychotherapy.
Colour has long been used to create feelings of cosiness or spaciousness.
However, how people are affected by different colour-stimuli varies from person to person.
There is evidence that colour preference may depend on ambient temperature.
People who are cold prefer warm colours like red and yellow while people who are hot prefer cool colours like blue and green.
A few studies have shown that cultural background has a strong influence on colour preference.
These studies have shown that people from the same region regardless of race will have the same colour preferences.
I'm ALWAYS fascinated by COLOUR!
Hope this brings a smile again, have a good day and thanks for your visit, so very much appreciated, Magda, (*_*)
For more: www.indigo2photography.com
IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE ANY OF MY image or TEXT on websites, blogs or any other media without my explicit permission. © All rights reserved
yellow, orange, pink, multi-colour, colour, slinky, circles, OOOO, studio, black-background, square, design, Nikon D7000, "Magda indigo"
Tall, thin, fit, and tan pretty brunette swimsuit bikni model goddess modeling the Nikon D800 E-based 45WindSurfer / 9shooter !
A most beautiful Asian goddess !
Shooting photographic stills & video @ same time with Nikon D800 & 70-200 mm VR2 Nikkor Lens bracketed to a camcorder--the awsome Panasonic HDC-TM900 32GB Flash Memory HD Camcorder ! It shoots stabilized 60P video for super-smooth slow-mo when I slow it down in post!
I call it the 45WindSurfer Bracket, as you can catch video's constant wind and still photography's intermittent waves!
Just as windsurding was invented by combining two sports--surfing and sailing--so too was 45windsurfing born by combining two art forms!
When you get to work with pretty swimsuit bikni models, you want to make the most of everyone's time & shoot stills photography and motion pictures / video @ the same time!
Shooting (45WindSurfing) !
The 45WindSurfer bracket allows one to attach any two cameras! Can hardly wait to attch a 4K Sony or JVC!
Modeling a Gold'N'Virtue bikini!
All the best on your hero's journey!
Vintage bikinis rock!
beach socal cali california sea sun sand surf
Ѧƕᴕɚᶓ - ϔ - Ϣҙӄѧɕ the thinker sat beneath a shade fungus in the nest valley and contemplated the Brood Queen as she continued her ceaseless task of perpetuating the species. Every few moments her ovipositor flung forward and threw, along a precise arc, a glistening pink ootheca into a seething pit of slime, split egg casings and writhing larvae.
A breeze picked up, just strong enough to push one of the flying oothecae a little off course and it landed at the raised edge of the larvae pit. It teetered, as if deciding which way to fall, then toppled away from the safety of the pit and further into the valley, bouncing as it rolled. It came to rest, hard, abrubtly against a rock and split neatly in half (the panicking larva blindly lolloping in the drying dust), and the two halves continued to roll away. And they rolled...
And rolled, and rolled. "Hmm," thought Ѧƕᴕɚᶓ - ϔ - Ϣҙӄѧɕ. She stood a while, smoothed back an antenna, and then began to run down, laughing and whooping, in the direction the egg casings had gone.
Built for FebRovery 2014.
Prints | Facebook | Twitter | G+ | Blog | Music | © Ben Heine
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...I'd have to invent you.
Quick sketch on paper, unfinished. Dedicated to Marta...
PS: Some cool & affordable gift ideas (6/12) for Christmas!
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For more information about my works: info@benheine.com
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Inventi quella luce
ma sono gli occhi miei
mentre ti guardo io non so più
dove finisco io e cominci tu
il sogno... la realtà
Gennaro Iannotti
This is the top section of the 2nd order Fresnel lens in the lantern room of the approximately 1/2 scale replica Seal Island Lighthouse. The lantern room, removed from the original Seal Island Lighthouse in 1978, was installed on the replica tower in Barrington, with the museum opening to the public on Canada Day, 1985.
The Fresnel lens was invented in 1822 by Augustin-Jean Fresnel, and by its design, was able to "supercharge" the light output of lighthouses. These intricately constructed optics are marvels of engineering and really should be seen up close. In the 19th century the light source was often a multi-burner lamp fueled by a variety of oils. Later, acetylene gas was used, and eventually electric illumination became available, with the light being provided by a 1000 watt lamp.
This photo is a copy of an original image taken in 1999 using Kodak Tmax 100 roll film (120) in a Mamiya C33 TLR camera, using a 55mm f4.5 lens. The copy was made using a Nikon D3500 camera with a 55mm Micro-Nikkor lens, with a Nikon 4T close-up lens, and a Sigma 1.6x close-up lens mounted on the 4T.
DSC-0439
If I were personally to define religion, I would say that it is a bandage that man has invented to protect a soul made bloody by circumstances - Theodore Dreiser
Inventado en 1850 por el científico francés Jean-Bernard-Léon Foucault fué la primera demostración física de la rotación de la Tierra, su continuo y sereno funcionamiento permite observar el principio de la inercia, descubierto por Newton y según el cual, aunque parezca que es el péndulo el que cambia de trayectoria, lo que se mueve en realidad es el suelo que tiene debajo, un efecto provocado por la fuerza de Coriolis, provocada por el movimiento de rotación de nuestro planeta … todo un icono de la ciencia cuyo simple objetivo es observar la velocidad angular y los efectos de rotación de la tierra ...
El péndulo aquí instalado tiene una longitud de 13 metros, con un período de oscilación de 7 segundos.
Está ubicado el la latitud 39º 48' 50'' S , longitud 73º 14' 15'' W.
La base del péndulo está a 4,5 metros sobre el nivel del rio Valdivia.
El cable es de acero trenzado y la esfera cromada tiene una masa de 110 kilos.
El péndulo posee un sistema de recuperación que devuelve la energía que se pierde por roce con el aire, cuyo mecanismo es compuesto por 4 sensores ópticos de movimiento, un circuito electrónico de control, un electroimán (bobina) y un imán... de no existir éste sistema el péndulo dejaría de oscilar al cabo de algunas horas.
En la base se observa una rosa de los vientos con los puntos cardinales y una graduación que permite medir desplazamiento del plano de oscilación.
This Bridge is a footbridge that crosses the River Tees at Stockton, on the South Bank ( on the left ) is Thornaby and is in the County of North Yorkshire , on the North Bank is Stockton in the County of Durham ,Stockton is the Home of the man who invented the friction match (John Walker) it is all so the Birthplace of the worlds first passenger steam train service from Stockton to Darlington
...Inventos con mi amigo, Javi Benedito, poniendo en práctica métodos de fotografía empleados por un gran maestro del la fotografía, Pedro Javier Pascual pedrojavierpascual.es evidentemente, a años luz de él...
Pulsar L para verla mejor
Más fotos en
I just realized that I frame a lot of photos into the square format. It must be the influence of that Hasselblad film camera.
From Wikipedia, the free encyclopedia
(Redirected from Wet plate process)
This deteriorated dry plate portrait of Theodore Roosevelt is similar to a wet plate image but has substantial differences.
The collodion process is an early photographic process.
Contents
1 Description
2 History
2.1 21st century
3 Advantages
4 Disadvantages
5 Use
6 Search for a dry collodion process
7 Collodion emulsion
8 Collodion emulsion preparation example
9 See also
10 References
11 External links
Description
Collodion process, mostly synonymous with the "collodion wet plate process", requires the photographic material to be coated, sensitized, exposed and developed within the span of about fifteen minutes, necessitating a portable darkroom for use in the field. Collodion is normally used in its wet form, but can also be used in humid ("preserved") or dry form, at the cost of greatly increased exposure time. The latter made the dry form unsuitable for the usual portraiture work of most professional photographers of the 19th century. The use of the dry form was therefore mostly confined to landscape photography and other special applications where minutes-long exposure times were tolerable.[citation needed]
History
The collodion process is said to have been invented in 1851, almost simultaneously, by Frederick Scott Archer and Gustave Le Gray. During the subsequent decades, many photographers and experimenters refined or varied the process. By the end of the 1850s it had almost entirely replaced the first practical photographic process, the daguerreotype.
During the 1880s the collodion process, was largely replaced by gelatin dry plates—glass plates with a photographic emulsion of silver halides suspended in gelatin. The dry gelatin emulsion was not only more convenient, but it could also be made much more sensitive, greatly reducing exposure times.
One collodion process, the tintype, was in limited use for casual portraiture by some itinerant and amusement park photographers as late as the 1930s, and the wet plate collodion process was still in use in the printing industry in the 1960s for line and tone work (mostly printed material involving black type against a white background) since it was much cheaper than gelatin film in large volumes.[citation needed]
21st century
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The wet plate collodion process has undergone a revival as a historical technique over the past few decades. There are several practising ambrotypists and tintypists who regularly set up and make images at Civil War re-enactments. Fine art photographers use the process and its handcrafted individuality for gallery showings and personal work. There are several makers of reproduction equipment. The process is taught in workshops around the world and several workbooks and manuals are in print. Many artists work with collodion around the globe, including traveling photographer Craig Murphy, Kurt Grüng, Sally Mann, and Ben Cauchi. Other artists to note are Luther Gurlach, James Walker[disambiguation needed], Stephen Burkeman, Sam Davis, Quinn Jacobson and Ken Merfeld. There are many more as well that have contributed to bringing this process forward to a modern age.
Advantages
A portable photography studio in 19th century Ireland. The wet collodion process sometimes gave rise to portable darkrooms, as photographic images needed to be developed while the plate was still wet.
The collodion process produced a negative image on a transparent support (glass). This was an improvement over the calotype process, invented by William Henry Fox Talbot, which relied on paper negatives, and the daguerreotype, which produced a one-of-a-kind positive image and could not be replicated. The collodion process, thus combined desirable qualities of the calotype process (enabling the photographer to make a theoretically unlimited number of prints from a single negative) and the daguerreotype (creating a sharpness and clarity that could not be achieved with paper negatives). Collodion printing was typically done on albumen paper.
The collodion process had other advantages, especially in comparison with the daguerreotype. It was a relatively inexpensive process. The polishing equipment and fuming equipment needed for the daguerreotype could be dispensed with entirely. The support for the images was glass, which was far less expensive than silver-plated copper, and was more durable than paper negatives. It was also fast for the time, requiring only seconds for exposure.
Disadvantages
The wet collodion process had a major disadvantage. The entire process, from coating to developing, had to be done before the plate dried. This gave the photographer no more than 10 minutes to complete everything. This made it inconvenient for field use, as it required a portable darkroom. The plate dripped silver nitrate solution, causing stains and troublesome build-ups in the camera and plate holders.[citation needed]
The silver nitrate bath was also a source of problems. It gradually became saturated with alcohol, ether, iodide and bromide salts, dust, and various organic matter. It would lose effectiveness, causing plates to mysteriously fail to produce an image.[citation needed]
As with all preceding photographic processes, the wet-collodion process was sensitive only to blue light. Warm colours appear dark, cool colours uniformly light. A sky with clouds is impossible to render, as the spectrum of white clouds contains about as much blue as the sky. Lemons and tomatoes appear a shiny black, and a blue and white tablecloth appears plain white. Victorian sitters who in collodion photographs look as if they are in mourning might have been wearing bright yellow or pink.[1]
Use
"A Veteran with his Wife", taken by an anonymous photographer, shows a British veteran of the Napoleonic era Peninsular Wars. It is a hand-tinted ambrotype using the set collodion positive process, made circa 1860.
Despite its disadvantages, wet plate collodion became enormously popular. It was used for portraiture, landscape work, architectural photography and art photography.[citation needed] The world's largest wet process collodion glass plate negatives known to survive, measuring 53 inches (1.35 m) x 37 inches (0.94 m), are held at the State Library of New South Wales.[2][3][4]
The wet plate process is used by a number of artists and experimenters who prefer its aesthetic qualities to those of the more modern gelatin silver process.[citation needed] World Wet Plate Day is staged annually in May for contemporary practitioners.[5]
Search for a dry collodion process
The extreme inconvenience of exposing wet collodion in the field led to many attempts to develop a dry collodion process, which could be exposed and developed some time after coating. A large number of methods were tried, though none was ever found to be truly practical and consistent in operation. Well-known scientists such as Joseph Sidebotham, Richard Kennett, Major Russell and Frederick Charles Luther Wratten attempted, but never met with good results.[citation needed]
Typically, methods involved coating or mixing the collodion with a substance that prevented it from drying quickly. As long as the collodion remained at least partially wet, it retained some of its sensitivity. Common processes involved chemicals such as glycerin, magnesium nitrate, tannic acid and albumen. Others involved more unlikely substances, such as tea, coffee, honey, beer and seemingly unending combinations thereof.[citation needed]
Many methods worked to an extent; they allowed the plate to be exposed hours, or even days, after coating. They all possessed the chief disadvantage, that they rendered the plate extremely slow. An image could require anywhere from three to ten times more exposure on a dry plate than on a wet plate.[citation needed]
Collodion emulsion
In 1864 W. B. Bolton and B. J. Sayce published an idea for a process that would revolutionize photography. They suggested that sensitive silver salts be formed in a liquid collodion, rather than being precipitated, in-situ, on the surface of a plate. A light-sensitive plate could then be prepared by simply flowing this emulsion across the surface of a glass plate; no silver nitrate bath was required.
This idea was soon brought to fruition. First, a printing emulsion was developed using silver chloride. These emulsions were slow, and could not be developed, so they were mostly used for positive printing. Shortly later, silver iodide and silver bromide emulsions were produced. These proved to be significantly faster, and the image could be brought out by development.
The emulsions also had the advantage that they could be washed. In the wet collodion process, silver nitrate reacted with a halide salt; potassium iodide, for example. This resulted in a double replacement reaction. The silver and iodine ions in solution reacted, forming silver iodide on the collodion film. However, at the same time, potassium nitrate also formed, from the potassium ions in the iodide and the nitrate ions in the silver. This salt could not be removed in the wet process. However, with the emulsion process, it could be washed out after creation of the emulsion.
The speed of the emulsion process was unremarkable. It was not as fast as the ordinary wet process, but was not nearly as slow as the dry plate processes. Its chief advantage was that each plate behaved the same way. Inconsistencies in the ordinary process were rare.
Collodion emulsion preparation example
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Below is an example of the preparation of a collodion emulsion, from the late 19th century. The language has been adapted to be more modern, and the units of measure have been converted to metric.
4.9 grams of pyroxylin are dissolved in 81.3 ml of alcohol, 148 ml of ether.
13 grams of zinc bromide are dissolved in 29.6 ml of alcohol. Four or five drops of nitric acid are added. This is added to half the collodion made above.
21.4 grams of silver nitrate are dissolved in 7.4 ml of water. 29.6 ml of alcohol are added. This is then poured into the other half of the collodion; the brominized collodion dropped in, slowly, while stirring.
The result is an emulsion of silver bromide. It is left to ripen for 10 to 20 hours, until it attains a creamy consistency. It may then be used or washed, as outlined below.
To wash, the emulsion is poured into a dish and the solvents are evaporated until the collodion becomes gelatinous. It is then washed with water, followed by a washing in alcohol. After washing, it is redissolved in a mixture of ether and alcohol and is then ready for use.
Emulsions created in this manner could be used wet, but they were often coated on the plate and preserved in similar ways to the dry process.
Collodion emulsion plates were developed in an alkaline developer, not unlike those in common use today. An example formula follows.
Part A: Pyrogallic acid 96 g Alcohol 1 oz.
Part B: Potassium bromide 12 g Distilled Water 30 ml
Part C: Ammonium carbonate 80 g Water 30 ml
When needed for use, mix 0.37 ml of A, 2.72 ml of B and 10.9 ml of C. Flow this over the plate until developed. If a dry plate is used, first wash the preservative off in running water.[citation needed]