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This is the curved lamination portion of the keel. Before applying epoxy, I roughed up the inside keel raidius with a wood rasp to put some teeth into the wood. The forward end terminates at the start of the plumb portion of the stem. A separate straight laminated piece of keel will cover this plumb portion.
On the keel at the plumb stem, I put a 1/4" bevel on the keel edges to give the hint of an old time wooden boat stem. This shape is carried a short distance onto the knuckle portion of the laminated keel.
However, this beveling is underwhelming in appearance but with 1" wide stainless steel half round centered on the 1 1/2" wide keel edge the bevel can't be any wider but perhaps deeper. With the boat upright thus a better perspective of the plumb stem, I may glue some fir on the sides of the keel to expand the width say for a foot or two from the top of the stem. Then I can do some wood shaping to get the look I want.
Blocks of scrap wood were hot glued to the hull both port and starboard and then short strips of wood were glued to the blocks and then the keel in order to hold the keel in proper position as the epoxy cured. If someone tries to take your hot glue gun...kill them.
In this part of the Austin area we have about 6" of top soil and then limestone slabs, thus limestone is almost as cheap as dirt. The good news...houses don't settle and don't disappear in mud slides. The bad news...you need to rent a jack hammer to plant a shrub.
Reference Code: 001.02.190
Title: Installation Photo 79
Date: 22 November 1977
Extent (inches): 8 x 10
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â–¶ from Bishop Ottenweller Photographs (001.002.1)
â–¶ The photos on the Diocese of Steubenville Archive's Flickr site may be used by non-commercial entities only for educational and/or research purposes as long as credit is given to the "Diocese of Steubenville Archive, Steubenville, OH." These photos may not be reproduced in any format for profit or other presentation without the permission of the Diocese.
I was given the oportunity to do a one-weekend-only exhibition of my projection art at Pictura, "Teekengenootschap sinds 1774". Given the two weeks I had for planning and executing the exhibition, I am very proud of the results.
The two installations in this panorama focussed on the importance of having an audience for art. In both installations, the visitor became part of the exhibition.
The cupboard on the left has a soft, stretchy surface. By poking hands or other bodyparts or objects into the surface, the image projected onto the wall was deformed in real time.
Opposite the (printed) panorama on the right was a special "lamp" that threw a "negative shadow" on the picture if the audience stood in front of the image.
Join the exhibition in the interactive version.
Thanks go out to Flop of Pictura, my sponsor and friend Jeroen Degenaar of DNXR, and those who managed to visit this one weekend only exhibition.
Marit Tingleff (b. 1954) - Blue landscape (2011), installation with ceramic plates. In the collection of the Kunstindustrimuseet, Oslo, closed since October 2016.
Reference Code: 001.02.214
Title: Installation Photo 104
Date: 22 November 1977
Extent (inches): 8 x 10
__________________________________________________
â–¶ from Bishop Ottenweller Photographs (001.002.1)
â–¶ The photos on the Diocese of Steubenville Archive's Flickr site may be used by non-commercial entities only for educational and/or research purposes as long as credit is given to the "Diocese of Steubenville Archive, Steubenville, OH." These photos may not be reproduced in any format for profit or other presentation without the permission of the Diocese.
Reference Code: 001.02.189
Title: Installation Photo 78
Date: 22 November 1977
Extent (inches): 8 x 10
__________________________________________________
â–¶ from Bishop Ottenweller Photographs (001.002.1)
â–¶ The photos on the Diocese of Steubenville Archive's Flickr site may be used by non-commercial entities only for educational and/or research purposes as long as credit is given to the "Diocese of Steubenville Archive, Steubenville, OH." These photos may not be reproduced in any format for profit or other presentation without the permission of the Diocese.
Do your school classroom need new projectors and projection screens but are restricted by budget? Contact CCS Presentation Systems in Hawthorne, CA we will work with you to get you what you need for your school. bit.ly/14gtOXp
This is Scrag-End/Scarecrows by Jennifer Ryder-Jones, at the Fieldwork installation set up in a field near Brooke, Lanark County, Ontario, Canada.
www.uroborosproject.blogspot.com/
Collaboration between artists Gaia and Rachel Lowing
This house is a frequented drug spot
Collaboration between artists Gaia and Rachel Lowing
Lynsay installing the Native Bee Hotel he made for us inside the new bee planting exclosure on the first planting working bee for 2021. We will be adding more elements for nesting in the Bee Holel over the coming weeks.
This site (one of three) is Dover Exclosure, situated where it may be seen by visitors alongside Dover Street carpark at the entrance to Aldinga Scrub.
Photo by Aidan
Deep Woods
January 24 - June 14, 2015
Carl Bigmore
David Clarkson
Amanda Marino
Natasha-Genevieve Ritchie
Stanzie Tooth
Douglas Walker
Ryan Walker
Donald Weber
Curated by Patrick Macaulay
Photography: Tom Bilenkey
Views of the scaffolding used to replace our ceiling windows for the James Rosenquist mural installation.
Concept art done for Installation 01, a Halo fan game. These were revealed in our new media page on our recently revealed website installation01.org/media
The Creative Act: Performance, Process, Presence, opens on March 7 at Manarat Al Saadiyat in Abu Dhabi. This second exhibition from the Guggenheim Abu Dhabi’s unique collection features works by more than 25 artists from different nationalities and generations who have emphasised performance, process, and human presence in their practice, through a variety of mediums. Learn more: www.guggenheim.org/exhibition/the-creative-act-performanc... Photos: Jonathan Gibbons