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1979 Mercury Zephyr Z-7 Sport Coupé
^)(^ SORRY: I have to "slow down" (probably fewer photos, fewer input in groups, fewer comments and slower responses, etc.) for the next coming weeks, because we renovate our house ♫♪
I am very sorry about possible inconveniences ...
Fast review in 4 languages : English, French, Italian, German
/!\ DXO needs a fast computer with windows 10 or above and use RAW files as input. You can try it for 30 days for free.
/!\ DXO a besoin d'un ordinateur rapide avec Windows 10 ou supérieur et utilise des fichiers RAW comme entrée. Vous pouvez l'essayer 30 jours gratuitement
/!\ DXO ha bisogno di un computer veloce con Windows 10 o versioni successive e utilizza i file RAW come input. Puoi provarlo gratuitamente per 30 giorni
/!\ DXO benötigt einen schnellen Computer mit Windows 10 oder höher und verwendet RAW-Dateien als Eingabe. Sie können es 30 Tage lang kostenlos testen
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English version :
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Comparison between DXO PhotoLab Elite v5 vs V6
Settings of the photo : RAW - F6.3 - 1/6400s - ISO 1250 - 600mm
Presentation of 4 results with a 100% cropped view
With a 100% cropped view, There is still blur movement because 1/6400s is not enought to completly freeze the bird in flight.
Photo 1 = Raw result with automatique settings of PhotoLAB v5 and DeepPrime denoising feature
Photo 2 = Raw result with automatique settings of PhotoLAB v6 and DeepPrime XD denoising feature
=> As you can see on the head, Deeprime XD is much much more acurate for small details.
Photo 3 = PhotoLab v6 + sharpen optic correction increased
Photo 4 = PhotoLab v5 + Topaz AI Denoise with CLEAR and Low Low settings
=> Photo 3 is now almost as good as What I get with CLEAR on sharpness. Hugde improvement from DXO side !!
To conclude : PhotoLab v6 Elite version with DeepPrime XD is an huge improvement from the v5 for small details.
ps: Currently DXO does an offer for the black friday, full elite version at 149E vs 219E and upgrade from v5 at 69E vs 99E.
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Version Française :
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Comparaison entre DXO PhotoLab Elite v5 vs V6
Réglages de la photo : RAW - F6.3 - 1/6400s - ISO 1250 - 600mm
Présentation de 4 résultats avec une vue 100% recadrée
Avec une vue recadrée à 100%, il y a toujours du flou de mouvement car 1/6400s n'est pas suffisant pour figer complètement l'oiseau en vol.
Photo 1 = Résultat brut avec réglages automatiques de PhotoLAB v5 et fonction de débruitage DeepPrime
Photo 2 = Résultat brut avec les réglages automatiques de PhotoLAB v6 et de la fonction de débruitage DeepPrime XD
=> Comme vous pouvez le voir sur la tête, Deeprime XD est beaucoup plus précis pour les petits détails.
Photo 3 = PhotoLab v6 + netteté correction optique augmentée
Photo 4 = PhotoLab v5 + Topaz AI Denoise avec les réglages CLEAR et Low Low
=> La photo 3 est maintenant presque aussi bonne que ce que j'obtiens avec CLEAR sur la netteté. Énorme amélioration du côté DXO !!
Pour conclure : La version PhotoLab v6 Elite avec DeepPrime XD est une énorme amélioration par rapport à la v5 pour les petits détails.
ps : Actuellement, DXO propose une offre pour le vendredi noir, version élite complète à 149E contre 219E et mise à niveau de la v5 à 69E contre 99E.
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Italian Version
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Confronto tra DXO PhotoLab Elite v5 e V6
Impostazioni della foto: RAW - F6.3 - 1/6400s - ISO 1250 - 600mm
Presentazione di 4 risultati con vista ritagliata al 100%.
Con una vista ritagliata al 100%, c'è ancora movimento di sfocatura perché 1/6400s non è sufficiente per "congelare" (???) completamente l'uccello in volo.
Foto 1 = Risultato non elaborato con le impostazioni automatiche di PhotoLAB v5 e la funzione di denoising DeepPrime
Foto 2 = Risultato non elaborato con le impostazioni automatiche di PhotoLAB v6 e la funzione di denoising DeepPrime XD
=> Come puoi vedere sulla testa, Deepprime XD è molto più accurato per i piccoli dettagli.
Foto 3 = PhotoLab v6 + correzione ottica sharpen aumentata
Foto 4 = PhotoLab v5 + Topaz AI Denoise con impostazioni CLEAR e Low Low
=> La foto 3 ora è buona quasi quanto quella che ottengo con CLEAR sulla nitidezza. Enorme miglioramento dal lato DXO !!
Per concludere: PhotoLab v6 Elite versione con DeepPrime XD è un enorme miglioramento rispetto al v5 per piccoli dettagli.
ps: Attualmente DXO fa un'offerta per il black friday, versione elite completa a 149E vs 219E e aggiornamento da v5 a 69E vs 99E.
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German Version :
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Vergleich zwischen DXO PhotoLab Elite v5 und V6
Einstellungen des Fotos: RAW - F6.3 - 1/6400s - ISO 1250 - 600 mm
Darstellung von 4 Ergebnissen mit 100 % beschnittener Ansicht
Bei einer zu 100 % zugeschnittenen Ansicht gibt es immer noch unscharfe Bewegungen, da 1/6400 s nicht ausreicht, um den Vogel im Flug vollständig einzufrieren.
Foto 1 = Rohergebnis mit automatischen Einstellungen von PhotoLAB v5 und DeepPrime-Entrauschungsfunktion
Foto 2 = Rohergebnis mit automatischen Einstellungen von PhotoLAB v6 und DeepPrime XD Entrauschungsfunktion
=> Wie Sie auf dem Kopf sehen können, ist Deeprime XD viel viel genauer für kleine Details.
Foto 3 = PhotoLab v6 + schärfen optische Korrektur erhöht
Foto 4 = PhotoLab v5 + Topaz AI Denoise mit den Einstellungen CLEAR und Low Low
=> Foto 3 ist jetzt fast so gut wie das, was ich mit CLEAR an Schärfe bekomme. Große Verbesserung von der DXO-Seite !!
Fazit: PhotoLab v6 Elite-Version mit DeepPrime XD ist eine enorme Verbesserung gegenüber v5 für kleine Details.
ps: Derzeit macht DXO ein Angebot für den schwarzen Freitag, die vollständige Elite-Version bei 149E vs. 219E und ein Upgrade von v5 bei 69E vs. 99E.
DXO-cmp-2K
My Portfolio and Photography Services
Don't you hate it when you come home from a shoot and can't choose between your best images from the night?
After some promising clouds appeared on my favorite Santa Cruz webcam, Jave, Diego, and I decided to meet up at 2 mile beach to see what's what. I got there later than those guys did and headed north from where they had set up to see if I could find something interesting on the low tide-exposed sand. This neat little rock caught my eye and I went for the cliche, but beautiful, water-streaking-around-foreground-rock shot. Only later did I learn that Jave had placed this rock here earlier as a backup in case he needed to find a comp. :) So a huge assist on this shot goes to Jave for placing this rock here for me.
Anyway, I had a hard time choosing between my favorite two shots, so I posted them both. Even though I like the color variation in the lower shot more, ultimately the one up above won out due its diffuse orange glow, the smoothness of the water in the f/g, and the interest of the waves in the midground.
Which do you guys prefer?
Thanks for looking. Your input, comments, and faves are always appreciated. Happy Friday!
~Josh
--------------------------------
Tech Notes
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Nikon D300s
ISO100
F/18
1 sec
12 mm
Lee 3-stop soft GND Filter, handheld
Post-Processing (Ok, this one was a real bitch to process. I converted the same RAW file three times to get tonal values I liked for the sky, the waves/wash, and the foreground rock. I probably could have achieved the same result on a single conversion using the selective color control points in Nikon Capture NX2, but I was processing under the influence of a big, beefy, burger-induced food coma and ended up doing things the not-smart way.)
----------------------
In Raw Converter (Nikon Capture NX2):
- Leveled slightly askew horizon
- Global contrast for added pop
- Slightly darkened and added contrast to the sky to add oomph
- Local contrast adjustments to water streaks to add definition
In Photoshop:
- Noise reduction of all three converted TIF files via Neat Image
- Hand blend of 3 TIF files to get a master composite
- 30 minutes of clone stamping to get rid of water droplets and spray smudges :(
- Slight contrast boost (via curves adjustment layer) to sky
- Luminosity mask to add brightness, contrast, and shine to foreground rock only)
Then, since I originally had my GND filter held up a little bit too high and the sun's reflection in the water was going nuclear, I converted another raw file with the shine toned way way down, then selectively painted it in over the top.
Glarg, the processing on this one took awhile, but now I am very pleased with the results.
Thanks for your visits
Currently, I'm running a crowd funding activity to initiate my 2016 personal Flickr's Project, Here I sincerely need each and every kind souls to pay some effort and attention,
Any Amount
Crowds funding donation can send straight to my Paypal account if you really appreciate and wish my photography project to come alive.
Please directly PayPal any amount of your contribution to : men4r@yahoo.com
Email me or public comments below your contribution amount for good records purpose and i shall sent out my very good condition canon 6D as random draw to either one Thankful contributor once crowd funding target achieve.
Now, I cordially invite and look forward with eagerness a strong pool of unity zealous strength to participate in this fundermental ideology yet sustainable crowd fund raising task.
Basically is a substantial crowd funding amount achievable with many even those with just good heart and might not even be filty rich nor famous to help me accomplish raising my long yearning photography career fund that been schedules down the journey but unfortunately, somehow I had badly fall shortage behind racing with time due to personal limited financial and some gradual physical inability to fulfill in near future time soon.
Honestly, with aspiration and hope, I appeal to urge on this media for a strong humanity mandate through good faith of sharing and giving generously on this particular crowd funding excercise to achieve my desire n is not just purely a dread dream , is also flickers first starter own crowds funding strength turning impossible into reality through this pratical raising method that I confidently trust it will turn fruitful from all your small effort participation, every single persistency will result consolidating piling up every little tiny bricks into an ultimate huge strong living castle.
In reality, I have trust and never look down on every single peny efforts that been contributed as helpful means, turning unrealistic dream alive is the goal in crowd funding excercise, No reason any single amount is regard to be too small when the strength of all individual wish gather to fulfill my little desire to make exist and keep alive. .
I sincerely look forward each and every participants who think alike crowds funding methodlogy works here no matter who come forwards with regardless any capital amount input be big or small , please help gather and pool raise my objective target amount as close to USD$10K or either acquisition from donation item list below:
1- ideally a high mega pixel Canon 5DS ( can be either new or use ok)
2- Canon 70-200mm F2.8 L IS lens ( can be either new or use ok)
Last but not least, a photography journey of life time for a trip to explore South Island of New Zealand and Africa.
.
My intended schedule may estimate about 1 month round trip self drive traveling down scenic Southern Island of New Zealand for completing the most captivating landscape photography and wander into the big five, the wilderness of untamed Africa nature for my project 2016 before my physical body stamina eventually drain off.
During the course, I also welcome sponsor's to provide daily lodging/accommodation, car rental/transportation, Fox Glacier helicopter ride and other logistic funding expenses, provide photographic camera equipments or related accessories .
Kindly forward all sponsors request terms of condition n collaboration details for discussion soon.
Great Ocean Drive- the 12 Apostle's
Please Click Auto Slide show for ultimate viewing pleasure in Super Large Display .to enjoy my photostream . ..
Due to copyright issue, I cannot afford to offer any free image request. Pls kindly consult my sole permission to purchase n use any of my images.You can email me at : men4r@yahoo.com.
Don't use this image on Websites/Blog or any other media
without my explicit permission.
For Business, You can find me here at linkedin..
Follow me on www.facebook.com here
This is a revision of a formerly uploaded image, based on input/critique/comment from the artist known as Bingee that I was not being creative enough. It took some time; it turned out "ok." I will always try to do my best. There are a billion great photographers on Flickr so I'm just gonna do my thing ;)
Frysian landscape near Vegelingsoord - Fryslân - The Netherlands
^)(^ SORRY: I have to "slow down" (probably fewer photos, fewer input in groups, fewer comments and slower responses, etc.) for the next coming weeks, because we renovate our house ♫♪
I am very sorry about possible inconveniences ...
Image ©Philip Krayna, BoxxCarr, all rights reserved. This image is not in the public domain. Please contact me for permission to download, license, reproduce, or otherwise use this image, or to just say "hello". I value your input and comments. See more at www.boxxcarr.com.
1969 Lincoln Continental Mark III Series Model 65A Hardtop Coupé
- 7536cc Ford 385-series V-8 460 OHV engine
- 3-speed Ford C6 Turbo Drive select shift automatic transmission
- Autolite 4300 4-barrel downdraft carburettor
- power 365 bhp / 4.600 rpm
- torque 677 Nm / 2.800 rpm
- curb weight 2290 kg
- top speed 207 km/h
- 23,088 units assembled (April 1968 - September 1969)
^)(^ SORRY: I have to "slow down" (probably fewer photos, fewer input in groups, fewer comments and slower responses, etc.) for the next coming weeks, because we renovate our house ♫♪
I am very sorry about possible inconveniences ...
Pentax Auto 110, Orca Film
Image ©Philip Krayna, BoxxCarr, all rights reserved. This image is not in the public domain. Please contact me for permission to download, license, reproduce, or otherwise use this image, or to just say "hello". I value your input and comments. See more at www.boxxcarr.com.
Kodak Brownie Hawkeye, Flip Lens
Image ©Philip Krayna, BoxxCarr, all rights reserved. This image is not in the public domain. Please contact me for permission to download, license, reproduce, or otherwise use this image, or to just say "hello". I value your input and comments. See more at www.boxxcarr.com.
(Image taken with an Analog film camera).
(Press "L" or click on the image for a large view).
All trails on Lake Proctor Wilderness Area are wonderfully and naturally covered by pine needles and cones.
(Technical Data: Analog camera: Nikon F2, Lens: Tamron SP 35-80mm SP CF Adaptall, Filter: none. Support: Tripod. Film: Arista Edu 100 @ISO 100. Light Meter: built-in camera. Developer: LegacyPro LMAX @70°f for 5 minutes, Scan: on Plustek 8100 @2,400dpi. with SilverFast 8. Edit contrast on Silver Efex Pro 2. Shooting Data recorded: with Audio recording App. Exif shooting data input: with AnalogExif).
(Location: Lake Proctor Wilderness Area, Geneva, Florida).
This image from my Album: Seeing in Black & White..
Image ©Philip Krayna, all rights reserved. This image is not in the public domain. Please contact me for permission to download, license, reproduce, or otherwise use this image, or to just say "hello". I value your input and comments.
My loyalty remains with Flickr, however you can also see me more often on Instagram. Follow me: @dyslexsyk
(Image taken with an Analog film camera).
(Press "L" or click on the image for a large view).
Black & White Film: Arista Edu 400 @ISO 400
Camera: Canon AL-1 (1982), Canon FD 35-105mm F3.5-4.5
Light Meter: built in camera.
Developer: LegacyPro LMAX @75°f for 7 minutes,
Scan: on Plustek 8100 @3,600dpi. with SilverFast 8.
Edit contrast on free Silver Efex Pro 2.
Shooting Data recorded with Film Shots by Leaf500,
Exif input: with AnalogExif).
(Location: Winter Park, Florida).
It is actually a considered way to the input of the concert hall.
The Dortmunder concert hall is famous because of its fantastic acoustics.
Please stop by and view all four images as I would love your input. I know that I normally show mostly landscapes but I am trying to be patient waiting for my new Website. My husband has been studying all winter and I should have something on the web by May.
Tricia and Joachim were such a joy to Photoshoot as their excitement and love for each other made my job a breeze! I love to see people who are comfortable with who they are and I wish them all my very Best Wishes for the upcoming birth of their child. It was a pleasure!
None of the images may be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder." "Please NOTE and RESPECT the copyright.
(c) Ruth Stenson Photography- All rights reserved
Thanks for stopping by and view this photo. The reason for posting this photo on Flickr is to learn so if you have constructive feedback regarding what I could do better and / or what I should try, drop me a note I would love to hear your input.
View On Black the way it should be seen!
-- Let the sound of the shutter always guide you to new ventures.
© 2013 Winkler
IAPP Member: US#12002
I wear a T-shirt with this cool image on it that is a combination of Jane and the famous painting Starry Night. I'm sharing the image now on Flickr so more people can enjoy it.
This was created by combining several prompts, a seed, and an image of Starry Night as input into an AI tool called Midjourney.
Explored No.: 15 29.09.2011
Thanks for your interest and input in advance my friends
Stop by my new Website if you have some time and interest
The Río de la Plata (Spanish for Silver River) is the name given to the combined 290 km long and up to 220 km wide estuary of the large South American rivers Paraná and Uruguay into the Atlantic Ocean. The water of the Río de la Plata is turbid due to the high input of clayey silt.
Minolta underwater 110 film camera, Orca BW Film
Image ©Philip Krayna, BoxxCarr, all rights reserved. This image is not in the public domain. Please contact me for permission to download, license, reproduce, or otherwise use this image, or to just say "hello". I value your input and comments. See more at www.boxxcarr.com.
My loyalty is with Flickr. But, you can also see me on Instagram. Follow me: @dyslexsyk
Frame - Simon's (midnight raven) idea! Makes all the difference.
Thanks Simon for your creative input.
Image ©Philip Krayna, BoxxCarr, all rights reserved. This image is not in the public domain. Please contact me for permission to download, license, reproduce, or otherwise use this image, or to just say "hello". I value your input and comments. See more at www.boxxcarr.com.
►►► Explore the world of HDR with me at farbspiel-photo.com - View. Learn. Connect.
______________________________________________________________________
About | HDR Cookbook | Before-and-After | Making-of | Pics to play with
______________________________________________________________________
(Hit 'f' to fave this image)
Bode Museum - Berlin, Germany (HDR)
Watch the Before-and-After Comparison to see where this photo comes from!
On January 6th, you gave me my 200,000th view. Time to say "Thank you all so very much for your support and your interest in my photos!"
The story of this photo:
This shot was taken earlier this year. It depicts the "Bode Museum", one of five internationally renowned museums on the Museum Island in Berlin. If you ever visit Berlin, this is one of the place to go, right at the heart of the city, not far from the cathedral. Even if you are not interested in the collections of art and historic items, the buildings alone are worth the visit.
Enjoy!
Take a look at my "HDR Cookbook"! It contains some more information on my techniques.
How it was shot:
> Handheld [details]
> Three exposures (0, -2, +2 ev) autobracketed and merged to get and HDR
> Camera: Nikon D90
> Lens: Sigma 10-20mm F3,5 EX DC HSM
> Details can be found here
How it was tonemapped:
> Preparation: developed the RAW files with ACR mainly in order to reduce the CA [details]
> Resulting TIF images were then used as input to Photomatix
> Tone-mapping: Photomatix Pro 4.0 (Detail Enhancer)
How it was post-processed:
> Post-processing was done in Photoshop
> Topaz Adjust on the entire image to get back the colors and the details [details]
> Topaz Denoise on the entire image (more aggressively on the sky) [details]
> Topaz Infocus on the entire image for sharpening
> Selective color layer on the sky to get a more intense blue tones
> Saturation layer on the sky (master, blues)
> Levels layer on the sky (brightening)
> Levels layer on the clouds (more contrast)
> Saturation layer on the buildings (yellows and toned down the reds)
> Levels layer on the buildings (more contrast)
> Curves layer in selected areas of the museum (more contrast)
> Levels layer on the dome (more contrast)
> Saturation layer on the dome (master, reds)
> Saturation layer on the water (master)
> Photo filter layer on selected areas of the water (cyan)
> Photo filter layer on selected areas of the water (orange)
> Curves layer on the water to enhance the reflective look
> Sharpening using the high-pass filter [details]
> Vignette effect using a masked fill layer [details]
> Watermarking (in the true sense of the word! ;-))
______________________________________________________________________
Learn these techniques at farbspiel-photo.com - View. Learn. Connect.
- Thanks for viewing!
Thanks for stopping by and viewing this photo. The reason for posting this photo on Flickr is to learn so if you have constructive feedback regarding what I could do better and / or what should I try, drop me a note I would love to hear your input.
View on Black the way it should be seen!
-- Let the sound of the shutter always guide you to new ventures.
© 2023 Winkler
Remember to follow me on Social Media Facebook: Bjarne Winkler, We Capture Your Business, or Twitter @Bjarne Winkler, @CaptureWe, @NewTeamSoftware
IAPP Member: US#12002
Image ©Philip Krayna, all rights reserved. This image is not in the public domain. Please contact me for permission to download, license, reproduce, or otherwise use this image, or to just say "hello". I value your input and comments.
My loyalty remains with Flickr, however you can also see me more often on Instagram. Follow me: @dyslexsyk
We (myself, kristin, and 10 others) took a limo to see coldplay earlier this month - which was my first time seeing them, and an amazing show.
Lucky for us the limo's head unit (CD player) had a USB input that could be used with a thumb drive or iPod. Even luckier for us was that someone had an iPod USB cable in their bag! Everything worked out and we were able to listen to the silver nano (that I keep in my backpack for rainy days) throughout the entire trip.
A four-input audio and video selector from back when analog composite video was under fire and the once-mighty Radio Shack (then renamed RadioShack) was on a path to irrelevance.
I bought this selector switch for film festival use back when we we had to juggle multiple video formats, in addition to 35mm film. I stopped using it after the move to digital cinema and Blu-Ray Discs, letting it gather dust, awaiting eventual donation or recycling.
During its heyday Neidpath had four grain elevators, two of which still stand derelict today. Today, they look different. A wind storm took off the top of one of them, and damaged the other in 2021.
This image was the first I shot of the Neidpath duo. It means alot to me as I did a great deal of research to find them from an image of them that I saw here on Flickr. I enjoyed photographing Neidpath that day back in August of 2015. I’ve not returned since. Not that I don’t want to, life has just got in the way.
Along with Neidpath I shot roughly 30 plus elevators in 4 days or so. I had caught the bug. Since then I have traveled from BC to MB capturing many images of Grain Elevators, Ukrainian Churches, Railway Stations, Water Towers, Ghost Towns and various other structures on the Canadian Prairie.
My photographic journey started around 2009 and I have traveled many miles doing what I love to do. 15 years later I am not sure how much longer I can do this. Will 2024 be the last year I am able to get in the Jeep and drive thousands of kilometers across this great country? I’d like to hope that I can continue, but I’m not getting any younger.
So, where am I going with this. Well, right now I am in the preparation and planning stage of a major project. This will be a 365 Photo Project. A project of subjects that I have not yet photographed. My list of prospective subjects is growing, but nowhere near complete, yet. I hope to be on the road sometime around mid-May and have the last photo taken around mid to end of Oct. 365 photos of different subjects in 6 months is very doable if I plan it right. The key is to NOT retrace previous journeys and re-photograph something that I have already taken a shot of.
So why I am posting this verbal diarrhea you may ask? Well, I have a list of close to 2,000 subjects I’d like to photograph, but thought maybe I could enlist my Flickr friends to help me choose which ones to photograph.
The other part of the project could be for me to produce copies of my images in formats such as Calendars, Postcards, Christmas Cards and a Coffee Table Book. Lastly, I would love to build a website to display my work on, as well as Flickr. That work would come after my journey to photograph the subject matter this summer. This is something I have been thinking about for many years, and I feel now is the time to just get it done.
My camera kit has expanded recently and I am looking at acquiring a few other pieces to allow for different perspectives and compositions. More on that in the future.
So what have I photographed so far. Well, this photostream is a good star to see that, and you can view my other photostream here to see more… The Bear Den Photography
So, what do you think? Would you have any suggestions? It would be great to hear your thoughts and opinions on this. I look forward to your input. Anywhere from AB to MB would be good.
PS: One last question? Which format do you like to see images displayed in? Colour, black and white, landscape format, original format, or square format? Or a combination of all of these?
Image ©Philip Krayna, all rights reserved. This image is not in the public domain. Please contact me for permission to download, license, reproduce, or otherwise use this image, or to just say "hello". I value your input and comments.
My loyalty remains with Flickr, however you can also see me more often on Instagram. Follow me: @dyslexsyk
Nice Artreview.com write-up on our London Exquisite Corpse screening: www.artreview.com/forum/topic/show?id=1474022:Topic:1044399
* * *
The EXQUISITE CORPSE VIDEO PROJECT volume 1
LONDON PREMIERE
Thursday 11th March 2010
7pm - 9.30pm
16mm Deli Café & Screening Room
19 D’Arblay St reet –Soho
London W1F 8ED
braziliality@gmail.com
The project will be screened on a loop in the Private View evening.
A limited edition project catalogue will be available for sale and to order.
The catalogue includes artists’ profiles and an essay by the Brazilian journalist, art critic and curator Juliana Monachesi.
The exhibition will run until 14th April at 16mm Café will also include still photographs taken from the videos.
Curated by Alicia Bastos & Alicia Felberbaum.
Exquisite Corpse volume 2 will be exhibit later 2010.
“Working with art videos can be very isolating.
I was feeling the need to exchange ideas with other
artists with similar interests. I’m also very curious
about other cultures and I believe that the mix of all
these people with different backgrounds is what
makes the project so rich. “
Kika Nicolela (project coordinator)
ECVP v1 is an international video collaboration project where 37 artists, including myself, from 16 countries around the world have created 9 videos in a total running time of 82 minutes.
The film has been created by group of individual and successful artists, many of who have not met previously, responding to an invitation by Kika Nicolela, an
award-winning filmmaker from Sao Paulo, Brazil. Nicolela facilitated the project through the international social networking site for artists, curators and art critics on
Art review.com following discussions at Video Artists Forum.
The project was inspired by the classic Surrealists' drawing method of the same name, Cadavre Exquis, in which a paper is folded so that each contributor sees only a small portion of the preceding artist's work. The ECVP participants created minute-long video art segments in response to the final ten seconds of the previous filmmaker's work. Each participant was then asked to incorporate these seconds into their piece, creating transitions as they pleased, until everyone's vision was threaded together into a final "corpse". In this global experiment, artists have created and enriched the final production with their unique personal style and input, following each others prompt as a source of inspiration.
While working in collaboration, the ECVP group is in search for new modes of expression in the development of video art, building a new concept through utilizing the characteristics of participatory platforms and new communication technology. ECVP Volume 1 has been screened in festivals and galleries throughout the world,
including Brazil, Sweden, Germany, Greece, South Africa, Canada, Mexico, and the US.
For more information, visit:
www.artreview.com/profile/EXCORPSE
Interview with ECVP members @ MOMENTemagazine.com
momentemagazine.com/2008/08/11/exquisite-corpse-at-monkey...
SEE: www.facebook.com/event.php?eid=10150090071690533&ref=nf
Minolta x700, Ilford HP5+ Film
Image ©Philip Krayna, BoxxCarr, all rights reserved. This image is not in the public domain. Please contact me for permission to download, license, reproduce, or otherwise use this image, or to just say "hello". I value your input and comments. See more at www.boxxcarr.com.
Best viewed in LARGE.
.
#37 On Explore on June 1st, 2008
Thank you all !
.
About
Something different ;)
The shot
Standard 3 exposure HDR (-2,0,2EV) on a tripod using the Sigma 10mm Fisheye lens.
Photoshop
Curves for extra contrast.
A bit of dodging to accentuate the light.
A bit of extra saturation on yellow and red.
You
All comments, criticism and tips for improvements are ( as always ) welcome.
Music
An international team of scientists have used data collected by the NASA/ESA/CSA James Webb Space Telescope to detect a molecule known as the methyl cation (CH3+) for the first time, located in the protoplanetary disc surrounding a young star. They accomplished this feat with a cross-disciplinary expert analysis, including key input from laboratory spectroscopists. The vital role of CH3+ in interstellar carbon chemistry has been predicted since the 1970s, but Webb’s unique capabilities have finally made observing it possible — in a region of space where planets capable of accommodating life could eventually form.
This image is NIRCam’s view of the Orion Bar region studied by the team of astronomers. Bathed in harsh ultraviolet light from the stars of the Trapezium Cluster, it is an area of intense activity, with star formation and active astrochemistry. This made it a perfect place to study the exact impact that ultraviolet radiation has on the molecular makeup of the discs of gas and dust that surround new stars. The radiation erodes the nebula’s gas and dust in a process known as photoevaporation; this creates the rich tapestry of cavities and filaments that fill the view. The radiation also ionises the molecules, causing them to emit light — not only does this create a beautiful vista, it also allows astronomers to study the molecules using the spectrum of their emitted light obtained with Webb’s MIRI and NIRSpec instruments.
The two very large, bright stars are two of the three stars in the θ² Orionis system — the Trapezium Cluster is also known as θ¹ Orionis. The brightest star here, θ² Orionis A, is surrounded by particularly bright and red puffs of dust, which are reflecting the star’s light towards Earth. Its great brightness — it is visible with the naked eye — is due to the fact that θ² Orionis A is itself a ternary system made of three closely bound bright stars.
There are more proplyds visible in this image than just d203-506 — the Orion Nebula is replete with such new stars. In the very top left, a tiny star is visible within a long, dusty cocoon. This globule has formed from the star’s protoplanetary disc, as the disc is broken down by the energetic radiation of the Trapezium Cluster. Around the globule, a round shockwave is strikingly visible moving through the gas of the Orion Nebula.
[Image description: A nebula made of many layers of cloudy, colourful material. The top-left side of the image is brightly lit, filled with wispy, thin material in pale shades of pink and blue. A thick bar of denser, cloudier material crosses diagonally at the bottom right. It begins as orange and grows darker and sparser down to the corner. Two very bright stars, with very long diffraction spikes, lie in this sparse area.]
Credit: ESA/Webb, NASA, CSA, M. Zamani (ESA/Webb), the PDRs4All ERS Team
(Image taken with an Analog film camera).
(Press "L" or click on the image for a large view).
Black & White Film: Rollei Retro 400s @ISO 200 With Red Filter.
Camera: Canon A2 (1992)
Lens: Canon EF 28-105mm f/3.5-4.5 II USM (2000)
Also: Red filter, tripod and timer.
Developer: Xtol 1:1 @78°f for 17 minutes,
Copy negative with a DSLR, macro bellows & enlarger lens.
(Location: Lake Ashby Park, New Smyrna Beach, Florida).
Thanks for your comments, faves, and views, so much appreciated. Wish you a great weekend!
56098 leading 701033 with 50007 on the rear working the 5Q10 Derby Litchurch Lane to Eastleigh TRSMD seen passing Eastleigh yard about one hour early.
Usual dire March weather punctuated with light showers, but probably the last time I will ever see a large logo blue grid on the mainline.
With 66789 and 66750 stabled on a rake of Autoballasters in the former Marshalling yard sidings behind me, the very rare meeting of 2 BR blue liveried large logo machines briefly occurred.
The early arrival of this service is explained by no consist in TRUST and when it eventually did get input, it transpired that the consist was too long for Staines Goods Loop and couldn't be held at Byfleet Junction either due to a clash with the path of 4Y19 so had to run through without stopping.
Tuesday 28 March 2023
copyright: © FSUBF. All rights reserved. Please do not use this image, or any images from my photostream, without my permission.
(Image taken with an Analog film camera).
(Press "L" for a large view).
Oh, when the woodland is deprived of its covering and punished by the cold Winter. And found itself naked and baren. Then it will dream and hope for Spring. Finally "First Day of Spring".
(Spanish : Cuando el bosque sea privado de su cubierta y castigado por el frió invierno. Entonces cuando se encuentre desnuda y desolada es que comenzara a soñar por la Primavera. Hoy es el primer día de la Primavera).
Film Data: Arista Edu 100 @ISO 100, Nikon F2 (1971), Nikon AF D 35-80 f/4-5.6, Developer: LegacyPro LMAX @75°f for 7 minutes, Scan: on Plustek 8100 @3,600dpi. with SilverFast 8. Edit contrast on free Silver Efex Pro 2. Shooting Data recorded with phone, Exif input: with AnalogExif).
(Location: Little Big Econlockhatchee WMA, Oviedo, Florida).
Thanks for stopping by and view this photo. The reason for posting this photo on Flickr is to learn so if you have constructive feedback regarding what I could do better and / or what I should try, drop me a note I would love to hear your input.
View On Black the way it should be seen!
-- Let the sound of the shutter always guide you to new ventures.
© 2016 Winkler
Remember to follow me on Twitter @BjarneWinkler and @NewTeamSoftware
IAPP Member: US#12002
Gadwall I think, I’m not very well up on the Ducks ! Long distance shot on a miserable day at Kingsbury NR, Warwickshire, Uk
*UPDATE* Gadwall ! Thanks for the ID confirmation everyone 😊
Thank you for taking the time to look at my photos. If you choose to Fave my photos or leave comments, I am truly grateful for your input. Thank you very much 😊
Image ©Philip Krayna, BoxxCarr, all rights reserved. This image is not in the public domain. Please contact me for permission to download, license, reproduce, or otherwise use this image, or to just say "hello". I value your input and comments. See more at www.boxxcarr.com.
Thanks for stopping by and view this photo. The reason for posting this photo on Flickr is to learn so if you have constructive feedback regarding what I could do better and / or what I should try, drop me a note I would love to hear your input.
View On Black the way it should be seen!
-- Let the sound of the shutter always guide you to new ventures.
© 2013 Winkler
IAPP Member: US#12002
I tried to convey a feeling of drama in this image--I'm not sure if I succeeded (?) I was a little torn between the vast colour shift between the rushing water and the sky but decided to upload regardless and try and get some input/constructive comments on the overall presentation.
Curtis Wharf. Guemes Channel.
Built in 1958 by Gulf Shipbuilding Corp., Port Arthur, Texas.
Former Names: Larain, Euphoric, Caltex Pandu.
"In 1979-1997 she was owned by Island-Sea Marine Ltd., West Vancouver BC. In 1998 she was owned by General Marine Towing. In 1999-2012 she was owned by Great Northern Marine Towing Ltd., New Westminster BC. In 2013-2014 she was owned by Sea-Link Marine Services Ltd., New Westminster BC"