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© Vladimir Oronov 2017
Photographer Vladimir Oronov
Model Inked Sephora
Stylist Natalia Parusheva
Make-up artist Nicole Runeva
www.facebook.com/vladimiroronovphotography/
Made in much the same way as the Ink Trails experiments. Magnetosphere, with a black and white facelift, runs to audio by the Flashbulb (Kirlian Isles II). For 100 frames, each of the 1000 particles rains ink down onto the paper. If the particle should pass through the paper, it leaves traces of this passage. At the end of the 100 frames, all the geometry collapses onto the paper and then the cycle starts again.
Read about it here.
Artist: Andrew Rizgalla
Year: 2012
Medium: Ink on 110gsm Paper
Around 2 Hours Drawing Time
Size: A5 148mm x 210mm
Signed, Dated and Numbered on Reverse
Ink and water color, Stillman & Birn Zeta Series Notebook. Plan for painting of rear side of new porcelain ceramic project.
ink for Take a class with Dave & Dave.
One time I did try learning Calligraphy. I never got the hang of it. my paper kind of looked like this one. messy
While going through boxes of old photos and reorganizing family albums, my wife handed me one she found of my pony league baseball team - "Basin Surplus." No mascot, just "Basin Surplus," named after the store that supplied the uniforms.
Our coach was Roy Johnson, back row, far left. As a young man he had played with Hoyt Wilhem; and his "Basin Surplus" teams, at that time had won the championship something like 14 of the previous 16 years.
I learned a lot from Roy, as did we all: how to know where the ball will go from the sound it makes off the bat, how to slide into base and which slide to use as determined by where the ball is coming in, how to hit long balls, how to read signs, and all the other things one learns in youth baseball; but most importantly what he taught was how to be a team player. And he taught it without really trying.
I liked Roy, alot. He may have come to practise a few times a bit tipsy, but that made it all the more fun for a kid of 13, or 14, or however old we were at the time.
Drive downtown Kennewick and you'll find the high school teams, and others, playing on "Roy Johnson Field." It's a source of pride for many of us old dogs, still in town.
If you can find me in the sketch, you win an all expense paid trip to the next pony league championship games played here in Kennewick. Of course there is no such league anymore, so Basin Surplus, won't have to foot the bill. Basin Surplus isn't even there anymore.
Nothing stays the same, does it.
blogulated at: Sketches and Stuff - Blog
Read the full Kaweco Earth Brown review: www.ink-pens.com/post/90480616237/kaweco-earth-brown-ink-...
Very special construction stone from Jiangsu province China. there is a very long history of Taihu stone appreciation.
ink on paper
Pen and brown ink, watercolour, and opaque watercolour
As so often with Fuseli's drawings of dominant women manipulating male figures, here the specifics of the interaction are left to the viewer's imagination... But the technical and stylistic differences are clearly gendered. Whereas Fuseli favours a simpler, linear approach for male bodies, he often employs colour and texture to highlight the artificiality of women's makeup and their intricate hairstyles.
[The Courtauld]
Taken in the Exhibition
Fuseli and the Modern Woman: Fashion, Fantasy, Fetishism
(October 2022 – January 2023)
One of the most original and eccentric artists of the 18th century, the Swiss-born Henry Fuseli (1741–1825) is the subject of a new exhibition at The Courtauld.
Fuseli spent most of his career in London, where he established himself as one of 18th century Europe’s most controversial artists. He deliberately courted notoriety with his most famous painting The Nightmare and other sensationalistic images inspired by a wide range of literature and his own imagination.
Fuseli was praised by some as a creative genius, while others dismissed his works as ‘shockingly mad’. But much admired by his colleagues, he became the Royal Academy’s Professor of Painting and Keeper of its premises at Somerset House, in what is now The Courtauld Gallery, where he and his wife Sophia Rawlins (1762/3–1832) lived from 1805 until his death.
This exhibition focuses on Fuseli’s numerous private drawings of the modern woman. Blending observed realities with elements of fantasy, these studies present one of the finest draughtsmen of the Romantic period at his most original and provocative. Here, the fashionable women of the period appear as powerful figures of dangerous erotic allure, whom the artist regards with a mix of fascination and mistrust. Perhaps as problematic then as now, this visually compelling body of work provides an insight into anxieties about gender, identity, and sexuality at a time of acute social instability, as the effects of the first modern revolutions – in America and in France – swept across Britain and the Continent. Many of those anxieties still speak vividly to us today.
[The Courtauld]
I had a dreadful time getting this pigmented ink to stick to my dip nibs (I tried a number of them)....very frustrating material to work with.
Artist: Andrew Rizgalla
Year: 2008
Medium: Ink on Tea and Coffee Stained Acid Free Mat Board
Size: 400mm x 400mm
Signed and Dated on Reverse
A few of my brothers tattoos. The forearm's about a year old, bicep's about 6 months, the leg is still pretty fresh, so its in the healing process-- the gaps in the lines will be filled with symbols like on the arm when finished.
I was practicing with different light set-ups. this was an experiment.
Ink done by Jose at BLACK HEART TATTOO, in San Fransisco
Degonz, Joealson Bugila, Cavera, Helio, Lucia Neto and Rustof from Brazil...
Cracked Ink from New Zealand...
All pasted as part of street art without borders