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Photography from a flight over the North American prairies: the journey was from Saskatoon, Saskatchewan into the province of Alberta. A snow-covered landscape shows an interplay of light and shadows.

Camera: Pentacon six tl

biometar c. zeiss jena 2.8/80mm

film: fuji pro 400h expired in 2007

location: Asti italy

jan 2013

Blick zur Christuskirche, Mainz

Office building on a background of the blue sky

Alpa 12 SWA + Phase One IQ260 Digital Back + Rodenstock HR Digaron-S 35/4

The new embassy is the largest ever constructed by an Australian Government and reflects the depth of the relationship between Australia and Indonesia. The new complex in Patra Kuningan, Jakarta Selatan, which includes a five-storey Chancery, accommodation for some Embassy staff, and a recreation and medical centre covers more than 50,000 square metres. The embassy complex was built by Indonesian company Total Bangun Persada in partnership with Leighton (Asia) and continues to make a positive contribution to the local economy. During construction up to 2,500 local workers were employed on the site. The Australian Government is also undertaking upgrades to infrastructure in the local neighbourhood.

 

Photo credit: DFAT/John Gollings

A data center photographed at 6 p.m., after rainfall.

The material weight of the building contrasts with the invisible flows it sustains.

About as close as I got to ArcelorMittal Orbit and the Olympic stadium area...

This photograph, taken in October 2009, shows construction of the extension to the Docklands Light Railway, with a bridge over the tracks and the city of London in the background. The DLR was extended under the River Thames to Woolwich Arsenal, and from Canning Town to Stratford. In addition, 55 new railcars enabled the DLR to run three-carriage trains on most of its network, increasing the capacity of this important east London light-rail network.

 

More than £6 billion of investment in infrastructure improvements before the Games increased capacity and improved accessibility to help realise London 2012’s aim of 100 per cent of spectators travelling to the Games using public transport, or walking or cycling.

 

This investment, £419 million directly by the ODA, transformed the Olympic Park area into one of the best connected parts of London – served by 10 different rail routes – benefiting Londoners and commuters for decades to come.

 

During the Games, campaigns devised and funded by the ODA helped persuade three-quarters of London travellers to change their plans, and avoided the risk of severe over-crowding. We worked with businesses to schedule freight deliveries at less busy times.

 

ODA Annual Report 2012-13 (Transport section: pages 41-45)

 

www.gov.uk/government/uploads/system/uploads/attachment_d...

Bus stop "Podolszyce 02".

Płock - Podolszyce Płd. Jana Pawła II street. 23.03.2016 r.

It's now become part of our travelling calendar - we go on a city break for Jayne’s birthday in January - no presents for birthday's and Christmas, we travel instead. This year it was Seville. We had to drive 180 miles south to Stansted to fly there though, Friday afternoon on the A1, such fun... It was a really good drive down in actual fact, the best day for months, glorious blue sky and a fantastic sunset- and I was in a car. We got stung for tea and drinks in the Radison Blu but we were overnighting and leaving the car so we didn't have much choice. Ryanair aagh! Again no choice. To be fair to the abrasive Irish man O Leary things are better than they used to be and it was an acceptable flight.

 

We were hoping for better weather than we got- don't you always? It was. cold, windy and after some initial beautiful sun on our first afternoon, it was mostly grey. The wind died but so did the sun. The other little problem was that it was my turn for the awful cold that Jayne had been trying to get over. I was under the weather in more ways than one all week, it was only a cold but it was the worst I've had for ages and it didn't help my mood, particularly when the sun was absent. We had a few hours of really nice light here and there and I made the most of it - I think!

 

Seville has miles and miles of narrow cobbled streets, they seem to go on for ever. They are almost random in layout and it is extremely difficult to find your way around, it's easier to just keep walking and see what you find. So we did! The architecture is stunning and the history is fascinating. Aside from the ancient history the two events that seem to have had a massive recent influence are the Expo's of 1929 and 1992. The incredible buildings or 'Pavilions' that were built for a one off event are now part of the reason that people visit the city. The 1929 pavilions are fantastic, each one is a story in itself and a destination in its own right but there are a lot of them in Parque Maria Luisa. Plaza Espana, built by the hosts of course, is the biggest and I would imagine that you could make a project out of photographing the individual ceramic tile displays around it on their own. These incredible buildings really need the light to be right to get images that people want to see, flat bright light from bright grey skies is good for certain things but dramatic architecture deserves better - or maybe I'm looking for the easy way option. The other discovery that we made, we found just down the road from the hotel, about an hour into the trip – The Metropol Parasol. A giant lattice work parasol, apparently called ‘The Mushrooms’ locally and apparently the world’s largest wooden structure. You have to look twice, having discovered that it is wood. Only later did we discover that we could get to the top and there is an extensive walkway around the top of it. It is built on top of ancient ruins, ( still intact and viewable) a food market and bars etc. and has a plaza around it and on it, that is buzzing on weekend evenings. Walking around the top, the first people up it one day and being back to watch the sunset later was one of the highlights of the trip for me.

 

The 1992 Expo also covered a massive area but left behind lots of modern - and some very strange - buildings and arenas. Some are of a temporary nature and get dismantled others find a new use. The land used was on an island between two branches of the River Guadalquivir – Isla de la Cartuja. The branch that goes through the city is now a canal, blocked at its northern end by a barrier with a motorway on it, and is used extensively for water sports, mainly rowing. Many of the buildings are now used by private companies as headquarters , others have a very derelict look. The whole area- even though it is home to the theme park- which was shut for the winter, has a neglected air about it. There are weeds growing everywhere but fountains are switched on, which seemed odd. Unlike the city a short distance away, there are no cafes or bars or other people around for that matter, just us meandering through. The car park that was created for the event is massive, it stretches for miles, and I really mean miles. Totally derelict, just the odd person or dog walker around. There is even a railway line terminating here, in the middle of nowhere a modern and apparently unmanned station, like a ghost station. At this point, across the river proper is open countryside, much flatter than I expected and very easy for local walkers and cyclists to get to - also very calm and quiet, a place to linger and enjoy the peace.

 

As usual I researched and discovered as we walked, we averaged around 13 miles a day and tried to get off the beaten track. We were out around 8.15, before sunrise, and had orange juice, coffee and Tostada with the locals for breakfast. The trouble is that there are many miles of walking in a relatively small area, some streets are only a few feet wide so there are a lot of them to explore. Incredible ancient churches and squares are around every corner- it's a very religious place - Catholicism rules in Spain. Unfortunately many are only a few feet away from the building next to it and it is difficult to get a decent shot of them. Seville is also famous, historically, as a producer of ceramic tiles. A building isn’t complete without a tile display of some sort and it would be very easy to make a project out of tiles alone. It may be a little boring for any companions though!

 

We walked the length of the embankment a couple of times, it has graffiti from end to end, several miles of massive concrete walls covered in everything imaginable, from marker pen scribbling to works of art. It was suggested to me that allowing people to paint here might prevent them from daubing property and monuments in the city- it hasn't! Most alleyways and shutters have been attacked to a greater or lesser degree. Spain has very high youth unemployment and maybe this plays a role. To be truthful though we haven't seen a city that's free of graffiti. The other problem is dogs- or what they produce, it's everywhere, absolutely everywhere, in a week we saw only one person remove his dogs mess. Fortunately the city streets are cleaned exceptionally well, some of the cleanest we have come across, men (and a lot of women) and machines are washing and sweeping endlessly.

 

Having had the wettest winter on record at home - almost three months of rain - we didn't want more rain but we got it. The upside was the water and the reflections that it created made photography on the cobbled streets more interesting, particularly at night. I usually find that it takes me a while to get into the groove on a trip and this one was no different, I didn't start shooting with total disregard - street shots- for a couple of days. Whilst the locals wore quilted jackets and scarves we got down to tee shirts at times, the warmer afternoons would be welcome in summer, never mind January, in Huddersfield. I envied the cyclists, being able to train in temperatures like this in winter - I wish! You need a lot less willpower to get out there and train hard in pleasant weather.

 

From a photography point of view I had a frustrating time, I never felt to get to grips with the place- other than on the streets at night. Writing this on my phone on the flight home, I haven't a clue what I've got to work with when I get back. I usually edit first and write later. Generally I have a first look, I'm disillusioned, I then revisit and see things differently- thankfully! Architectural shots with a grey sky could be destined for the monochrome treatment, we'll soon see. I'm still editing stuff from our London trip before Christmas, it's getting decent views in black and white and I quite enjoy looking at them myself.

We visited most of the notable tourist destinations, and went up anything that we could. Seville doesn't have a high point-it's flat! Nothing really stands head and shoulders above the city. The Cathedral tower is over 300 feet but the Cathedral itself fills a lot of the view on some aspects. Being square and having to look through bars in recesses you don't really get a completely open aspect. A new 600 foot tower is close to being finished, it's an office block and I couldn't find any mention of it being a viewing point in the future.

 

Oranges were the last thing on my mind when I suggested going to Seville. There are 25000 orange trees in Seville and now is the time that they are laden with big-and sour- Seville oranges, they are everywhere, apparently they are the property of the city authorities and will be harvested and sent to the UK to be made in to marmalade at some point in the near future. These trees will soon be covered in fragrant blossom, the city will smell beautiful for a couple of months. Studying the surrounding area it would be good to tour in March or April I would think, the scents, longer days and better weather would make for a fantastic trip. One for the future. The sunrise on our final morning was the best of the week, this was what we had looked forward to, we had to leave for the airport at 9.00...... Needless to say it was raining hard as we drove the last twenty miles home. Nothing new there then.

 

As usual I have aimed to present a pretty extensive collection of photographs of our chosen destination, some, at first glance will be pretty mundane shots of everyday life on the streets, often though, close inspection will reveal something humorous, something that needs a bit of thought. Others are definitely just people going about their holiday or work. Travelling with someone else it wouldn’t be fair to spend an inordinate amount of time trying to nail the perfect long exposure or HDR image of a cathedral or similar in perfect light – the one stunning shot to add to the portfolio- it’s not really my thing, I go for an overview of the place in the time available. Looking at the postcards locally it becomes obvious that stunning shots of some of these buildings are hard to come by. Heavily corrected converging verticals were quite obvious – and most likely will be in my own shots. As the owner of tilt and shift lenses I never travel with one – ever! My knees are already creaking from the weight of the bag.

 

Very simply, this is a drain. At some locations the ground or environmental conditions means that the ballast and formation of the track is insufficient to provide adequate drainage. In this instance additional drains are provided, either at the sides or between the tracks. I won't insult anyone's intelligence by showing the design in isolation, as I'm sure it should be clear.

Railway lines still run through much of the exclusion zone, and they are by no means all abandoned. Your guess is as good as mine as to whether anything still runs down these tracks, and for what reason if so!

An utterly miserable, pissing it down day in South London. Still, walking across this footbridge I couldn't ignore this scene :)

A tricky site to photograph due to the proximity of large buildings and the limited places with a publicly accessible view. Architectural photographs usually demand linear perspective images (in which straight lines are preserved in projection from object to image) and with the parallel verticals which result from the image plane (camera sensor) being vertical. This is the image projection which would result from holding a pane of glass vertically in front of the view and painting directly onto it in exact correspondence to what is seen through it.

 

If the angle of view is wide, i.e. the pane is large and close to the eye, the rays from object to eye at the edges of the image will pass very obliquely through the glass, causing the painting at the edges of the image to be stretched out when viewed from a more normal distance. This is what is often called wide angle perspective distortion. If your nose was right up against the plane of glass to accommodate the widest possible view you wouldn't quite manage 180 degrees.

 

As the angle of view from camera lenses gets wider and wider it becomes more and more difficult to design and build sharp accurate aberration-free lenses. With digital sensors they have the additional problem that the sensors have difficulty taking in light rays which arrive at an oblique angle, as they naturally will do at the edges of a wide linear view. So linear wide angle lenses in practice struggle to get much past a 90 degree width of view angle. There are only a few linear wide angle lenses with which you can photograph all four walls of a room while standing in a corner.

 

A fish-eye lens gets round the problem of edge rays arriving too obliquely by adding optics to the back end of the lens to straighten the rays up. This produces the severe barrel distortion characteristic of fish-eye lenses in which straight lines near the edges of the image are strongly curved. Fish-eye lenses can approach and sometimes exceed 180 degree angles of view. This barrel distortion can be corrected in computer software in a process called "defishing" which can produce linear perspective images with much wider angle of view. The drawback is that since the edges of the original fish-eye image have to be stretched a lot to do this, the edges of the image lose a lot of resolution compared to the image centre.

 

This very wide view of the EICC extension building site is the result of defishing a fish-eye image (Samyang 8mm), and then cropping down a bit to remove the worst of the edges.

 

For comparison purposes here's a photograph taken from the same place and direction of view with a very wide linear lens (Sigma 8-16mm at 8mm). Note that the focal lengths of linear and fisheye lenses can't be directly compared with respect to view angles.

 

Here is the original full frame fisheye image from which this image was derived by "defishing". The defishing was done by PTLens with a defishing parameter of 146.

 

Original DSC02535_pt145_ntX

Sony NEX-5

Nokton 35mm f/1.2

The Boris Dangleway

 

Opened to the public at midday on 27th June 2012, the London Emirates Air Line Cable Car now runs between two newly constructed terminals (Emirates Greenwich Peninsula by the O2 and Emirates Royal Docks beside the ExCeL conference centre) and will be capable of transporting up to 2,500 people in each direction per hour, in one of 34 cabins.

With the bulk of the construction work completed within a year, the new structure has a cable span of 1.1km (0.7ml) and is supported by three helix towers. At its highest point, passengers will be 90 metres (275ft) above the Thames.

Journeys take approximately five minutes during peak times, and approximately 10 minutes at other times, when transit will be purposefully slowed to accommodate tourists and leisure users experiencing the service.

Speaking at the launch, Mayor of London Boris Johnson lauded the service as: “A stunning addition to London’s transport network, providing a much-needed new connection across the Thames… [which supports] my ambitious plans to revive the neighbouring areas, which have been neglected for decades, creating jobs for Londoners and stimulating growth.”

Asked whether the route would fall out of favour once Olympics visitors had left the capital, the mayor responded that the cable car is vital in ensuring the long-term development and prosperity of the locality: “This area will undergo a tremendous transformation in the next 10-15 years; great economic growth has always been preceded by infrastructural development… [The journey] provides a panorama of some of the most opportunity-rich areas in the capital.”

Passengers wishing to try the service will be charged a cash fare of £4.30 one-way, or £3.20 if paying with an Oyster card. Children being charged £2.20 or £1.60 respectively and it will also be possible to buy a ‘frequent flyer’ boarding pass enabling regular commuters to make 10 single journeys for £16.

In terms of cycling infrastructure, Barcelona opted for converting traffic lanes to bidirectional bike lanes - which is way better than assign bike lanes on the sidewalk, and is much faster than building Copenhagen-style bike tracks on the two sides of the street.

Three bridges over the river by Conway (Conwy) Castle, in summer 1975. The only surviving Stephenson 'tubular bridge' - from 1849 - carrying the rail lines, on the right, with Telford's 1826 suspension bridge in the centre, and a relatively-modern road bridge on the left.

Today, this scene has hardly changed, apart from the removal of the carriage sidings, and the building up of the far shoreline..

 

See where this picture was taken. [?]

(please do not steal my work)

Daytime landscape view of the Tokyo Bay skyline from the Tokyo Monorail following the 311 Tohoku Tsunami in Tokyo, Japan © LAN

This view is looking east and shows the northern most station of the 7.3-mile Portland-Milwaukie Light Rail Project. The green strips bordering either side of the station platform are an eco-track system, which TriMet is piloting for the first time in the region's light rail system.

 

Licensed for all uses by TriMet.

  

Een onbekende plan V + T staan op het punt om vanaf spoor 8 in de richting van Delft te vertrekken. Van de bouw aanstaande bouw van het nieuwe Centraal station is op deze foto nog weinig te merken.

 

A unknown emu from the plan V and T type are ready to depart from platform 8.

Light penetrating surface panels were installed in the cantilevered sidewalk south of Colman Dock. For more information, check out www.waterfrontseattle.org/seawall.

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