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Camara / Camera: iPhone 6
Objetivo/Lense: --
Place: London, England, United Kingdom
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**Attribution-NonCommercial-NoDerivs Creative Commons
**Creative Commons Atribución-No Comercial - No Derivs
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Si te interesa obtener una copia impresa de esta foto, por favor contactad conmigo.
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I like John King's review of The Bay Lights:
www.sfgate.com/bayarea/place/article/Bay-Lights-dazzles-b...
The lights are invisible from YBI and partially visible (the eastern half) from TI. I know this is to prevent the lights from being seen by westbound drivers, but it's unfortunate, since YBI is the only place that is close to the bridge and near eye level with the lights.
I do like the fact that a decent amount of light makes it to the "back" side of SF, south of the bridge. This allows the towers to cut silhouettes in front of the strands and thus there is some interplay with the architecture.
Lastly, I think it'll be hard to get a good reflection off the bay. It's usually not still enough to reflect even the towers except during a heat wave, plus the permanent deck lighting is brighter than all other bridge lights.
Pier 30-32. 24-70 @ 40mm, f/11, 0.5 - 30s, ISO 200-800.
Worm's eye view of the William Arrol hammerhead crane at the James Watt Dock, Greenock. Inexplicably I found myself taking a wander down there very late on last Hogmany...
I have walked here so many times, I forgot how many. Feels like my own neighborhood since I feel so good here. Here I tasted several times the most delicious fish dishes and eaten banana split in the first days of January 2009. This place is very relaxed and cosy. Every time I visited the sun was shining :) It is really a most lovely place and I prefer it before the noisy Algiers.
Image taken from Olympic Village, False Creek in Vancouver BC.
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Another shot from my day of exploring the Portage/Girdwood area. This was taken on the bridge crossing Twenty mile river.
There are a total of 5 photos. 3 stitched on the top and 2 stitched on the bottom. Then I stitched the top to the bottom. Plus I had to straighten out all the distortion. Now I have a huge headache
El tren de los 80 ve el pasado de un 121 procedente de Vigo camino de Valladolid y posteriormente a Madrid-Chamartín.
Updating my take on a location I last visited a year ago, this is the west atrium inside the 35-storey CityPoint Building on Ropemaker Street. I would have used any excuse to revisit the location because it's such a beautiful example of geometric urban architecture, but my aim when reshooting this look-up was to capture a wider, sharper, brighter and slightly more balanced finish.
The image is a blend of seven exposures, allowing for a very clean finish in the shadows while controlling the highlights at the top of the atrium. Using luminosity masks combined with dodging and burning, I was also able to emphasise the structure of the building and the reflections in its glass. Finally, I desaturated the warmer colours within the windows (where, even at dusk on a quiet Sunday, there were people working), and created a gradient map to add a slightly cooler tone within the shadows.
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