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rollei 100 years, special edition

paul & reinhold, twin pack

paul roll, iso 640

 

A few more tweaks - changed lens to Nikon 50mm f1.4 but big gain has been arranging some left over York paving stones with gaps between to hide the food snippets and badger & fox nuts. This allowed longer visits to the focus area.

 

But a new issue has been getting a clearly focussed shot of the cubs because they dart around quickly are pretty small and their fur is very soft anyway.

 

But I have a limited around 500mm depth of field and have to fix the focus before each session so don't have the luxury of auto-focus.

Gazza kindly pointed this out in the previous shot the cub moved too quickly and as is a bit soft in focus.

Catch 22 is I cannot increase the shutter speed as the Yongnuo triggers for the flash are fine for 1/200 but not so good at 1/250 shutter speed, but it might be worth a try. Do not want to increase the ISO really from 1600 to 2000 but these are both options. Increasing the flash output might disturb the foxes is also not feasible.

 

Camera info:-

Nikon D750 at 1.8 metres from subject {on manual}

Nikon 50mm f/1.4 @ f/6.3,

ISO 1600,

Shutter 1/200,

Focal length 50 mm.

Camera shutter triggered by very long cable release.

Nikon SB900 flash lights, Yongnuo 602's to fire Nikon strobes.

 

A. Nikon SB900 flash light "A" bare head, 8 metres at 45 degrees to the right of shed, on 1/16 power and 1.8 metres high on light stand to light shed and greenery.

B. Nikon SB 900 "B" key light, on the right at 1 metre high, 3.6 metres from subject and at 45 degrees on 1/32 power with a fine grid on front.

C. Nikon SB900 "C" fill light on the left at 45 degrees to fill in light - low setting of 1/64 power, fine grid on front, on manual, 3metres from subject.

Taken in my backyard, this was a high ISO test (1600) on my D40. Shooting insects with clear wings in sunlight can in some cases produce really nice iridescence. If you move the camera around a bit while framing the subject, you can see the colors vary in intensity, going from none at all to brilliant rainbow colors, depending upon the angle of the the sun in relation to your camera. Popping the flash doesn't diminish the level of intensity.

 

Here I was trying my old 200mm f/4 Micro-Nikkor, focused at infinity, with the objective salvaged from a badly damaged 75-200mm Super Albinar lens reverse mounted on the 200mm. I was shooting at f/32 after racking the ISO up to 1600, which produced a significant amount of "salt & pepper" grain and noise, which isn't present when shooting at ISO 100 to 400. By swapping to a larger bowl diffuser and using an SB20 flash instead of the SB23, I can operate at smaller apertures without having to boost the ISO. This image convinced me that running the ISO on the D40 any higher than 400 probably isn't the way to go.

 

DSC-5788

  

tulips

 

April/Avril 2021 - 6x6 Fomapan 100 rated at 200 Iso

ISO 800, 35 mm, f/8, 1/400

OLYMPUS DIGITAL CAMERA

Olympus E-P3

OLYMPUS M.40-150mm F4.0-5.6 R

f/22.0 - 150.0mm - 1/200 - ISO 640

 

ISO 100

ƒ/7.1

14.0 mm

1/210

@ ISO 10.000

 

Eine etwas ältere Aufnahme (prae Coronam) dieser Höllenmaschine gibt es hier.

Olympus E-30 + Sigma 105 + FL-50

ISO 100 - F 11 - 1/200

Agfa ISO-PAK CI - Revue Supercolor CN 21 (exp.) in Tetenal Colortec - Negativscan

ISO 400, f8 @ 25mm, 23:54, 30sec.

  

You can also find me here: website, facebook

Or have a look at my book: "Fairytales and Nightingales": www.markuslehr.com/fairytales-and-nightingales/

Diana Mini, Lucky , ISO 200

 

On Flickr Explore 2010/10/19

www.flickriver.com/explore/interesting/2010/10/19/

ISO 2000, f4, 90seg

On Wednesday mornings Sam and I watch 25 homeschoolers and help them with their lessons. It is so sweet to see Sam help the younger kids. She is so patient with them.

 

This is one of the little girls that is part of the program. She is one of my favorite kids. She is spunky and smart. She loves sports and loves life.

 

Canon 1N

50

Fuji Color 400

Fiete rast mit den Ästen vom Mammutbaum durch den Garten.

135mm, f19, 1/6sek. Iso 2000

Scanned from Fuji Press 800

(shot at ISO-200 and expired from May-2004)

Chicago, IL

June 2021

 

Follow on Instagram @dpsager

 

Pentax k3II 178s f/8 iso 100, Objetivo Sigma 10-20mm f/4

Filtro nd1000 Haida Pro II

Scanned from Fuji Press 800

(expired from May 2004, shot at ISO 200)

Chicago, IL

August 2021

 

Follow on Instagram @dpsager

Jane is in her snuggly, warm bed but I wanted a picture of her. This was the result. I'm happy to report she is back asleep in the time I took to upload this shot.

 

28mm f2.5 Tamron Adaptall M42 with crazy high 20,000 ISO.

ISO 50

F2.4

1/200

Samsung S10

ISO: 400

Aperture: F/7.1

Shutter Speed: 1/25 Sec

Canon 7D Mark I, ISO 6400 forced

 

youtu.be/VbnuR7b1BmM

 

Tutorials english

 

youtu.be/5s3xskDyeNg

●●●●●●●●

 

youtu.be/P-AvBJ0X62Y

 

deutsch

mit link

für englisch sprachigen Demo

PENTAX K-1 • FF Mode • 1600 ISO • Pentax DA* 55mm F1.4 SDM

 

Sydney coast, winter 2020 #190.

Camera: Fujifilm Square SQ6

Film: Instax Square ISO 800 Color Film

Scan: Epson V700

  

Roid Week 2021 - Wednesday Picture 2.

 

Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2020 Lynn Burdekin. All Rights Reserved.

Winterfest Car Show, Nelson Bay

 

ISO 400 - 18mm - f/4 - 1/40

 

View On Black

 

While driving around downtown Vancouver, we came across an alley that was completely filled with incredible graffiti. After about an hour of checking out hundreds of different pieces, we decided to do some skateboarding and snap a few pics.

ISO 50

70mm

f/11

0.8 sec

2 Stop Hi-Tech GND

 

Keen for something a bit different Steve and I headed to Wild Horse Mountain to have a crack at the Glass House Mtns.

We were greeted with overcast conditions, and I remember saying to Steve this will either be fantastic or forgettable. Rolling our eyes, we stood in the dark shivering, as the wind gusted straight up to the lookout. We have done this before in similar conditions and come away with nothing. There was a gap in the clouds somewhat above the horizon, and seven minutes after sunrise the sun peeked through, for about 30 seconds and it was gone. The peaks on the right never saw the light.

So much better on Black

Luke and I made the kitchen set. It's not completely finished. We started it two years ago!

 

----If you are here because of Cookie's Nesting Blog post, well then, welcome and thank you!!! It's nice to see you! www.cookiemag.com/magazine/blogs/nesting/2009/06/knock-kn...

 

Thank you Ez and Cookie for the fantastic opportunity. Big hugs-xxxx

 

* Also seen in ishandchi.blogspot.com/2009/08/home-full-of-treasures.html.

 

Thanks so much Viv! xxxx

 

ISO 250, 10 mm, f/3.5, 1/25 second

Ocotillo cactus. Canon EOS 1N with Fantome B&W ISO 8 film.

Zenit 122 - KODAK FUJIFILM ISO 200 - escaneada :D

Die Region um den Attersee im oberösterreichischen Salzkammergut.

 

The region around lake „Attersse“ in Upper Austria's „Salzkammergut“ („Estate of the Salt Chamber“).

 

© 2009 by Albert Bogner, Salzburg.

 

Mehr Info bei www.photospots.eu/salzkammergut-region-attersse-kammersee.... (Photospot 47.795175, 13.4842666000047)

 

Für eine hochauflösende Präsentation dieser Serie mit Musik aus den Alpenländern klicke zuerst auf Hintergrundmusik und danach auf Diaschau.

 

Klicke für eine Diaschau mit zufälligen Fotos aus meiner Galerie in HDTV oder XGA-Auflösung.

 

For a presentation in high resolution with music from Alpine countries, first click on background music and afterwards on slideshow.

 

Click for a slideshow with random photos from my gallery in HDTV or XGA-resolution.

 

PENTAX K20D (smc PENTAX-DA 55-300mm F4-5.8 ED), 1/320", f11.0 (EV 14.2), ISO 200, f=84mm (35mm equiv., 1.03x digital zoom)

ISO for some of the night shots was 20.000!!!

iso 800, f 4.5, 1/30s.

 

This was wide angle, to get all the objects in the shot that I wanted, 18mm (on a 18-55), so it's been pinched in photoshop to reign the distortion in. I set it at 800 for some texture, and I think having the lens way out of prime lends to the aged look, otherwise it's wysiwyg off the camera.

 

I cut the eyes off on the portraits oddly maybe. I plan on returning to this for another take.

Bankhaus Spängler

  

Eindrücke von der Stadt Salzburg während eines 4-stündigen Fotospaziergangs vom nördlichen Teil des Mönchsbergs in der Nähe der Müllner Kirche, entlang der östlichen Wege, bis zur Festung Hohensalzburg.

 

Impressions of the city of Salzburg during an 4 hours photowalk from the northern part of the mountain „Mönchsberg“ near the church „Müllner Kirche“, along the eastern ways, to the Hohensalzburg Castle.

 

© 2009 by Albert Bogner, Salzburg.

 

Mehr Info bei blog.bognerart.eu/muellnerkirche-moenchsberg-festung-hohe....

 

Für eine hochauflösende Präsentation dieser Serie mit klassischer Musik klicke zuerst auf Hintergrundmusik und danach auf Diaschau.

 

Klicke für eine Diaschau mit zufälligen Fotos aus meiner Galerie in HDTV oder XGA-Auflösung.

 

For a presentation in high resolution with classical music, first click on background music and afterwards on slideshow.

 

Click for a slideshow with random photos from my gallery in HDTV or XGA-resolution.

 

PENTAX K20D (smc PENTAX-DA 55-300mm F4-5.8 ED), 1/500", f10.0 (EV 14.6), ISO 200, f=246mm (35mm equiv., 1.22x digital zoom)

ISO 100, 35 mm, f/8, 1/640

photo taken with Praktica B100, film Washi A 12, dev in D-76 1+1 for 9 min

Agfa Isoly with flipped holga lens

The main subject in this picture is the ferry, and the background is composed of the orange color of the sky and the dark blue of the mountains (islands) on the back.i used a pretty low ISO of 100 to take this picture since i liked how the low light ambience gave emphasis to color and the peaceful elements of the picture.

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