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ISO 1600 at the aquarium. At what age do we resist putting our hands on the glass?
Explore #6 for August 5, 2007!
Thank you for all your great comments on my images. YOU are my inspiration. I am surrounded by greatness.
ISO 100, 50mm, f/11, 1/250
It’s twilight and a jogger passes the concrete bathing shelters on Dollymount’s North Wall.
En 1939, Renzo Rivolta installe une usine de produits isolants et dépose la marque "Isothermos"... mais quitte ce domaine après la guerre en faveur des deux roues, et présente en 1953 la version originale de l'Isetta. L'entreprise se reconvertit une fois encore en 1962 en abordant le marché des voitures de grand tourisme, avec un moteur V8 Chevrolet sous une robe signée Bertone. Avant de fonder sa propre marque, l'ingénieur Bizzarrini en dérivera un coupé à très hautes performances baptisé Grifo. Une berline quatre portes complétera la gamme, mais en 1973, les nouveaux dirigeants imposeront le recours aux mécaniques Ford, peu avant l'abandon.
Les livraisons débuteront en début d'année 1965 et montreront un accueil chaleureux de ce nouveau modèle auprès d'une clientèle qui pouvait se permettre de dépenser 8 000 000 de lires italiennes de l'époque, soit l'équivalent d'un appartement au centre de Milan.
L'Iso Grifo restera en fabrication sans grande modifications jusqu'à la fermeture de l'usine de Bresso.
Well, perhaps not THAT brief. My goal was to capture the Aurora Borealis and I therefore used ISO 4000 with 43 second exposures. After about 45 minutes I headed back to the lodge because I knew my timing was poor. Indeed the prior day (www.flickr.com/photos/steventheamusing/9340352368) the Aurora was more active... I just didn't know it!
So what do you do with 49 images which don't contain the aurora? You stack them, of course! I used the StarCircleAcademy Advanced Stacker PLUS in "Long Streaks" mode.
Did you spot me in this shot? I'm a shadowy figure.
The Advanced Stacker PLUS is now shipping. Find it here:
Next we return you to our "regularly scheduled" waterfall tour.
[C_187-006155-203]
© Copyright 2013, Steven Christenson
The buildings known as Whitefriars are the surviving fragments of a Carmelite friary founded in 1342 in Coventry, England. All that remains are the eastern cloister walk, a postern gateway in Much Park Street and the foundations of the friary church. It was initially home to a friary until the dissolution of the monasteries. During the 16th century it was owned by John Hales and served as King Henry VIII School, Coventry, before the school moved to St John's Hospital, Coventry. It was home to a workhouse during the 19th century. The buildings are currently used by Herbert Art Gallery and Museum, Coventry.
This photograph was taken using Ilford XP2 super 400 ISO
film and was shot with a Canon EOS 3 camera and a EF 16-35mm USM IS lens. Developed by my self using Ilford DDX developer at 1-9 at 45 minuets and temperature of 21 C. The negative was scanned using my Canon EOS-R camera and with a EF 100mm f2.8 macro lens.
Kleine Spielsachen dienen der Kommunikation. Wenn sie Bierdeckel herabschubst ist das wie telefonieren.
Über ein treppenartiges Gestell kann sie - über den Flur hinweg springen - und dann herab klettern.
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Wenn ich die dicke Spiel-jacke mit Kapuze und ein dickes Hemd darunter an habe klettert sie vorsichtig über meinem Arm herab zur Schulter und lässt sich dann wegtragen.
Das hat gedauert bis sie sich das zutraute.
.
Oben will sie ihre Auszeit.
Mit Anlauf kann sie an der Mauerecke rechts selbst hochklettern.
dimlight - lowlight
ISO 1600
F3.5
1/25
...
..
.
CANON EOS-7D
CANON EOS-7D Photos
Canon EOS 300D - f/13 - 13sec - 100mm - ISO 200
www.youtube.com/watch?v=X7V1lbjn8Qg&nohtml5=False
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www.youtube.com/watch?v=aJDWYSbUA3g&nohtml5=False
Amanda Lear: FOLLOW ME & GOLD
Lyrics:
I'm getting out, I'm moving on
And from now on, address unknown
I should be difficult to find
So follow me, just follow me
I'll sell you dreams and new desires
I'm trading hopes, I'm opened
I am the night, I am your fate
So follow me, just follow me
Faust was right, have no regret
Gimme your soul, I'll give you life
And all the things you want to get
So follow me, just follow me
I'll give you wings, I'll sell you fame
Merry-go-round, maybe to hell
I am the key to your problem
So follow me, just follow me
Unbelievable maybe
You'll have a new identity
For a second of vanity
I want to change your destiny
Unbelievable maybe ....
Follow me, follow me
I'll give you anything you want
Your wish is my command
If you agree to follow me
+
Gold, I give you gold, gold
did you ever dig for gold into the ground?
Have you ever wanted gold?
Have you ever listened to this precious sound?
The glorious sound of gold...
Gold, gold, gold, gold, gold, gold, gold
gold, gold, gold, gold, gold, gold, gold
Did you ever see the fighting that is started when men can die for gold?
And can you sleep at night feelin' they might steal it?
Your priceless fabulous gold.
Gold, gold, gold, gold, gold, gold, gold
gold, gold, gold, gold, gold, gold, gold
The glowin' shine of gold, the burnin' fire of gold
it's gold that drives them mad
it's gold that makes them bad
everybody is fightin', everybody is stayin'
for what? For gold, for gold!
It's divinin', intoxicatin', influatin' and frustratin'
Gold, gold, gold
hypnotizin', fascinatin', frightenin', inebriatin'
Gold, gold, gold
New look at the whore, she wears a golden dress
she know the price of gold
The dollar and the Mark they go up,
they go down, they all move to the rule of gold
Gold, gold, gold, gold, gold, gold, gold (that gold)
gold, gold, gold, gold, gold, gold, gold (it's gold I want)
ISO 80, 1 Diffused Light Source, 1/20th Sec, Tripod, WB Auto, FZ-30, Model:Remi. More studio work can be seen at Studio Moments.
With the Ricoh I used Kodak Ultramax 400 film. Processed by the local Kodak shop and Scanned by my Epson V550.
ISO 50
36 mm
f/9
2.5 secs
3 Stop Hi-Tech GND
Taken on the morning after an all nighter with Garry and Lockie. On the way home we came across some beautiful fields of yellow grasses, which contrasted nicely against the overcast skies.
Best viewed in Lightbox
iso:200 ;f :18; 30sec; nikon d70s camera ; 18 mm with nikkor 18-70g f3,5-4,5 +gnd 1,2 soft hitech
- Process: Lr4
Jake represents the Proletariat, desperately clutching at worldly possessions and societal expectations (the gift box) while simultaneously dangling over the abyss of environmental and economic catastrophe (the floor), suspended all along by the weight of history and bourgeois establishment (the cast iron staircase), ironically a situation of our own creation.
(yes I am joking here mostly)
26 x 4-minute ISO 1600 auto-guided exposures.
Modified EOS 600D & Revelation 12" f/4 Newtonian reflector telescope.
Frames stacked in Deep Sky Stacker software. Result post-processed to increase contrast, reduce noise, adjust overall colour balance and reduce colour gradients caused by light pollution. I also used Starnet++ to temporarily remove the stars during processing (as otherwise they dominate after stretching the contrast).
ISO 800 Canon Powershot SX70 HS DS
eagle1effi's most interesting photos on Flickriver
Sports Mode
dark wood
I began to roam around ...
Part of this story set.
Go here to see the entire story, or here to see the next frame.
This was used as a reference shot in Catherine Jamieson's book Digital Portrait Photography and Lighting.
Program:Manual
Lens:24-70mm f/2.8 G VR
F:2.8
Speed:1/250
ISO:5000
Focal Length:70 mm
AF Fine Tune Adj:+16
Focus Mode:AF-F
AF Area:Contrast-detect (normal area)
Shooting Mode:Continuous, Auto ISO, [9]
VR:On
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:0.60 m
Dof:0.011 m (0.590 - 0.601)
HyperFocal:58.24 m
Whoever told you that anything over iso 3200 is garbage probably has a point, this is the best that topaz denoise can do, usable but nothing to write home about. Have this Roe deer in my garden for a few days and I wanted to check she / he / they were ok - so the iso served a purpose!
Canon EOS 6D - f/7.1 - 1/100sec - 100 mm - ISO 400
- Hydrangea paniculata 'Limelight' is one of the most winter hardy hydrangeas. An important feature is that it flowers on new shoots so you better prune or trim it early in the season to achieve a denser plant and to avoid it grows to tall. If pruned it will grow to ca. 150 - 200cm
This is a panicle type hydrangea, not a mop-head one with big leaves and large flowers heads. Well, how to explain then that this new variety has even bigger flowers? Never mind, let’s just call them XXL size. The panicles are upto 30 cm long, fat blossoms of greenish-white colour when they come out in early August, changing to almost white after about 2-3 weeks and turning clear pink in September. The shade of pink is not a fading one, but fresh pink as if it was meant to be pink from the very beginning. Ovate, pointed leaves are dark green.
- Hydrangea paniculata 'Limelight' wordt, mits jaarlijks eind februari gesnoeid, 150 - 200cm hoog.
De plant bloeit langdurig, van juli t/m oktober met grote bloempluimen ( 25 – 30 cm groot) in een groen/witte kleur. De kleur is afhankelijk van de vruchtbaarheid van de grond. Hoe armer de grond is, hoe witter de bloem wordt. Voor de bijzondere, haast lichtgevende, groene kleur heb je dus een vruchtbare grond nodig.
Per tak groeit er één grote bloem. In september en oktober kleuren de bloemen roze. Het is mooi om in de winter de bloemen aan de struik te laten zitten. Ze kleuren bruin en zorgen vooral bij sneeuw voor een prachtig beeld in de tuin. Vogeltjes zijn ook altijd nog blij met oude bloempluimen, vanwege insecten die zich erin verschuilen.
ISO 50
17mm
f/22
1 sec
3 Stop Hi-Tech GND
Firstly I must apologise to everyone for my absence on Flickr lately. It has been nearly 6 months since my last post
and have been lacking both time and inspiration.
Perhaps I just needed a spell, anyhow I seem to be finding some motivation to get back out. I must thank Steve for constantly trying to get me out shooting again, and we both went to Southport after work last week. Had a great time, salt air, clouds, Gold Coast, doesn't get much better!!
okay here are scans of yesterdays work. Kodak 2238 shot at ISO 100 and half the roll developed in H&W Control for 60 minutes stand with 1:75 dilution. The other half for 1:15 for 20 minutes with constant agitation. I couldn't attend to it to agitate correctly and it did overwork everything. I love the painterly effects.... These are interesting and mostly useful, especially for scanning. What I DIDN'T upload is the 2 or 3 that were absolutely underexposed only a few yards from these. Lighting angles alone make all the difference between enough and too little exposure. There were a couple that had the nighttime effects the trailer is one of those and I thought I would see what interesting things happened when I adjusted it, although there was very little room for adjustment.
H&W Control Water (60ºC) 75 ml
Sodium Sulfite, anhydrous 1.9 g preservative
Hydroquinone 0.3 g developer agent
Sodium Carbonate 8.7 g alkali, accelerator
Phenidone 2.07 g developer agent
Add Water to make 125 ml
Sodium Sulfite 15.15 g preservative
And finally, Water to make 250 ml
Capacity at 1+15 dilution 4 L for 13 rolls
Just an enlarged part of a Pigeon capture to show the level of detail my 'budget' Nikkor AF-S 200-500mm f5.6 ED lens can reveal.
Purchased about six years ago it was just under £1000 GBP and I took a gamble on it based on reviews and sample images. Unfortunately several people returned their copies, including the well known wildlife photographer Steve Perry from Backcountry Gallery, citing softness issues. Consequently it did concern me that I would have the same experience, though fortunately my unit has no obvious QC problems and has surprised me with it's optical acuity.
At 5.1 pounds (2.31 Kilograms) it's fairly big and heavy when coupled with my camera and grip, but I'm extending the shooting times progressively.
This shot is hand held at 500mm using the impressive 4.5 stops of VR :
1/1250 sec / f7.1 / Auto ISO 2016
I have been genuinely surprised to see this image chosen for Explore, and extend my regards to all my fellow flickrerites who have viewed it and left their kind comments - Thank You!