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...is better than a bad day at work :)

Feeling Mellow Today… Listening to Crosby, Stills & Nash.

 

The osprey (also called sea hawk, river hawk, and fish hawk) is a fish-eating bird of prey. It is a large raptor, reaching more than 60 cm (24 in) in length and 180 cm (71 in) across the wings. It is brown on the upperparts and predominantly greyish on the head and underparts.

 

The osprey tolerates a wide variety of habitats, nesting in any location near a body of water providing an adequate food supply. It is found on all continents except Antarctica.

 

(Nikon, 500mm, 1/500 @ f/8, ISO 100)

Tonight Dudoc Cafe in The Hague.

  

HDR, +/- 1/8sec, F3.5, ISO 3200 Please view the large version [shared with pixbuf.com]

Iso Leikosaari. The Gulf of Finland.

Today I begin a series from my recent trip to visit Prince Edward Island which hopefully has provided me with enough Images to keep me editing through the winter months supplemented by some fall imagery I hope to capture in the next weeks. This first image is of Seacow Head Lighthouse captured early the first morning of our time on the Island and a very short drive from our first night’s stay at Bugaboo Cottages. The light house is named for the sealions that frequent the area and stands 60” tall with an octagonal shape that measures just over 13’ wide at its base

 

I took this on Sept 11, 2022 with my D850 and Tamron 15-30 f2.8 G2 Lens at 21mm, 30s, f8 ISO 64 processed in LR, PS +Lumenzia ,and DXO Nik

 

Disclaimer: My style is a study of romantic realism as well as a work in progress

 

Certo iso 3200 ok , ma sinceramente non li rimpiango ....la luce è fra quelle che prediligo, flebile e delicata.....Inoltre con quel vento che tirava non potevo limare ulteriormente il tempo di scatto.

 

Toscana, dall'auto......a voi la sentenza ma mi sembra che il velvetflow abbia colpito ancora

 

anche in HD 4500px :

Taken in Galgberget camp of Visby's medelstidveckan (medieval week) this summer. Once again I wish I had an actual tripod with me. Had a really small table tripod which was a bit better than nothing but not that much.

It must be the last flower photo for now.

Hey, I'm not a flower store or something. ;)

Try this ..... I honestly have no idea what flower this is. Its center looks like a cluster of small transparent insect wings when you look closely.

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EOSR | RF35mm f/1.8 IS STM

Exposure: ƒ/3.5 | 1/350s ISO 100

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This image is subject to full copyright © Please do not use my images on websites, blogs, or in other media without express written permission. F̶̅G̅. 2023 © all rights reserved

ISO 500

26 mm

 

S10 - full auto mode

 

low light scenery

-

Brightness Value - 1.15

Exposure Bias - 0 EV

Max Aperture Value - 2.4

Metering Mode - Center-weighted average

 

vom Muttertags Strauß für Karin

 

Getting more and more difficult to find something to smile about in the era of lock-down and no visitors. This little fellow’s visits, however, bring a sense of joy as he flutters around looking for a tasty morsel.

 

Bewick’s Wrens are medium-sized wrens with a slender body and a strikingly long tail often held upright. They have slender, long bills that are slightly down-curved.

 

Bewick’s Wrens are subdued brown-and-gray wrens with a long, brow-like white stripe over the eye. The back and wings are plain brown; underparts gray-white; and the long tail is barred with black and tipped with white spots. Males and females look the same.

 

Bewick’s Wrens cock their long tails up over their backs, often flicking their tails from side to side or fanning them as they skulk through tangles of branches and leaves searching for insects. During breeding season, males sing vigorously from prominent perches.

 

Bewick’s Wrens favor dry bushy areas, chaparral, scrub, thickets in open country, and open woodlands near rivers and streams. They are at home in gardens, residential areas, and parks in cities and suburbs.

 

(Nikon, 500 mm +TC 1.4, 1/1000 @ f/6.3, ISO 1400)

This one was on the ground under trees

He was moving and so doing this photo was not an easy job

Big crop and very low light conditions so ISO 10k

  

Sony A7S

Tamron 150-600 G1

LA-EA4 adapter

600mm

F7.1

1/1250s

ISO 10k

  

(DSC07569-denoise1540-600mmF71ISO10k-1250s-11600-denoise1015+crb+crb)

Lower Darnley, PEI

Modified Agfa Isoly

DxO-PL6.4-Test zum Erhalt der Fellstruktur mit einem High-ISO-Bild

ISO 6400 in the setting sunlight

Hi one from this morning before a bit of work , single exposure ...3.2 seconds, iso 400, f/8....thanks for looking :):)

Canon EOS 6D - f/3.2 - 1/125sec - 100mm - ISO 100

 

acorns in a plash of water

 

- Acorn: the typically ovoid fruit or nut of an oak, enclosed at the base by a cupule.

 

The acorn, or oak nut, usually contains a single seed (rarely two seeds), enclosed in a tough, leathery shell, and borne in a cup-shaped cupule. Acorns vary from 1–6 cm long and 0.8–4 cm broad. Acorns take between about 6 and 24 months (depending on the species) to mature.

 

Acorns play an important role in forest ecology when oaks are the dominant species or are plentiful. The volume of the acorn crop may vary wildly, creating great abundance or great stress on the many animals dependent on acorns and the predators of those animals. Acorns, along with other nuts, are termed mast.

 

Wildlife which eat acorns as an important part of their diets include birds, such as jays, pigeons, some ducks, and several species of woodpeckers. Small mammals that feed on acorns include mice, squirrels and several other rodents.

Large mammals such as pigs, bears, and deer also consume large amounts of acorns; they may constitute up to 25% of the diet of deer in the autumn.

 

Some animals, such as squirrels and jays serve as seed dispersal agents. Jays and squirrels that scatter-hoard acorns in caches for future use, effectively plant acorns in a variety of locations in which it is possible for them to germinate and thrive.

Even though jays and squirrels retain remarkably large mental maps of cache locations and return to consume them, the odd acorn may be lost, or a jay or squirrel may die before consuming all of its stores. A small number of acorns manage to germinate and survive, producing the next generation of oaks.

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- Een eikel of een aker is de vrucht van een eik. Het is een noot met één, soms twee zaden. De lengte van een eikel varieert tussen de 1 tot 6 cm en is 0,8 tot 4 cm breed. Meestal duurt het tussen de zes en de 24 maanden voordat een eikel kiemt.

 

Afhankelijk van het weer vallen de meeste eikels in september en oktober. De hoeveelheid zaad die eiken produceren verschilt erg per jaar. Eens in de zoveel jaar, als de weersomstandigheden goed zijn en de bomen genoeg reserves hebben, produceren ze veel meer eikels dan anders. Deze jaren van overdadige vruchtvorming worden mastjaren genoemd.

 

Eikels zijn belangrijk voedsel voor dieren, zoals muizen, eekhoorns, wilde zwijnen, hertachtigen, sommige eenden en andere vogels en beren die in de buurt van eiken leven. Bij deze dieren bestaat soms 25% van de wintervoorraad uit eikels. Eikels werden vroeger gebruikt om varkens te voeren (mast).

 

De eik is voor het voortbestaan vooral afhankelijk van de gaai en van de eekhoorn. Een eikel valt niet ver van de boom en kan onder het bladerdak van de boom niet uitgroeien. Hij is dus aangewezen op dieren om de eikel verder van de boom te verplaatsen. Eekhoorns begraven voorraden eikels voor de winter. Als een eekhoorn omkomt of de voorraad niet of onvolledig aanspreekt of vergeet, is dat een ideale plaats voor de eikels om te kiemen.

 

Gaaien, zoals ‘Vlaamse gaaien’ officieel heten, zijn echte verzamelaars. Van eikels wel te verstaan. Ze leggen er een wintervoorraad van aan. De gaaien nemen de eikels mee in hun keel en stoppen ze een eindje verderop onder de grond. Een enkele gaai kan in het najaar zo duizenden eikels verstoppen. Gedurende de winter zoekt de gaai zijn voorraadplekken op. Zelfs in het voorjaar worden jongen nog gevoerd met ontkiemde eikels.

  

Iso 1600, 82 frames at 30, 25, 20 and 15 sec, stacked in Deep Sky Stacker, total exposure time of 29mins 42sec, dark frames subtracted, processed and colour enhanced in Lightroom.

Of course I ran away from the weather! In the past I would have stayed. Oh, I don't know. I also don't like too dramatic and too dark scenes. Less is often much more here. Yes, in the past ;) I should photographically work up what I have photographed in the past so analog and that gave me the one or other ophthalmologist visit. 1990 maybe times a new project.

 

ochre — rising tide ♫

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EOSR | RF35mm f/1.8 IS STM

Exposure: ƒ/2.5 | 1/500s ISO 100

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This image is subject to full copyright © Please do not use my images on websites, blogs, or in other media without express written permission. F̶̅G̅. 2022 © all rights reserved

ISO 2000 14mm f4 Canon 6D 4 seconds Aurora HDR, I think I prefer the non HDR version

ISO 8000 - I mistakenly shot at shutter 3200. It cleaned up nice I think.

ألم أخبرك أن الإنتظار قد ملئ فنجان قهوتي بماء المطر ؟

وأنّ باقة الورد الجافة قد تبللت ؟

الم تعلم بأن الوقت لم يسعفني لأخبئ بقايا انتظاري عن زخات المطر ؟

  

Camera :Canon EOS 450D

Exposure :0.017 sec (1/60)

Aperture :f/3.5

Focal Length :70 mm

ISO Speed :100

Flash :Off, Did not fire

Increased the ISO some to see if it provided better overall results ... I think the version at ISO 2500 was better. But then that could have also been because the wind was gusting more or less.

 

The winds were around 20 to 30 MPH last evening ... and bitter cold with temperatures heading towards 15 degrees F.

 

Had to have the gloves off to manually focus the lens ... brrrrr.

Nikon D810 + AF-S Nikkor 24-120mm @ 24mm

F/16, 30 sec, ISO-100. pano blended with 3 horizontal shots. (taken on 05-14-2016)

Blume im Botanischen Garten

Linz mit D750 und

Tamron SP AF 180mm F/3.5 Di LD IF

180mm, 1/1000, F/4, ISO 100

Flash: Godox TT685

Crop: 2000x2800 (5:7) (DS)

Another photo of a local neighborhood grocery store, located on Jensen Drive, just north of downtown Houston Texas. Photo was taken a week later, back in January 2021. Used my telephoto lens to get a close up of a corner of the store. Photo was made with a Canon 80D with a EF-S 18-135mm lens, ISO set at 4000. Photo was changed to b+w in post-processing.

Canon FTb QL with a 400 ISO B&W Film

Es la parada más ‘fácil’ y clásica, ya que se accede cómodamente en coche, habiendo un parking asfaltado para varios coches y varios paneles de interpretación, en especial orientados a la interpretación de aves rapaces.

 

Éste es el punto de entrada más espectacular, ya que desde la plataforma que se asoma a un inquietante vacío, el visitante se adentra visualmente a lo largo y ancho de la foz, en todo su esplendor.

  

La Foz de Arbaiun, a la entrada del pirenaico valle de Salazar, entre Lumbier y el Almiradío de Navascués, es la más extensa e impresionante de las gargantas navarras. El río Salazar ha ido tallando la roca dando lugar a un espectáculo sin parangón. Imponentes paredes verticales se suceden a lo largo de casi 6 kilómetros.

 

En el interior de la foz de Arbaiun crece una diversa y peculiar vegetación que ofrece una variedad cromática estacional de indudable belleza. En sus roquedos anida una numerosa colonia de buitres leonados visibles desde el balcón voladizo del Mirador de Iso. La gran riqueza natural que convive en la Foz de Arbaiun le ha valido las denominaciones de Reserva Natural y Zona de Especial Protección de las Aves.

 

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ISO 100, f8 @ 32mm, 20sec, 11:06pm

12800 ISO in the shade of a mistletoe tree / à l'ombre d'un gui

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Dati Tecnici

a) Leica M8 + Carl Zeiss Biogon ZM 25 mm f.2,8T* (+ Filtro Leica UV/IR);

b) Tempo Finale 1/30s apertura a f.3,2 (a mano libera);

c) Utilizzato il Magnifier 1,25x per effettuare una messa a fuoco più precisa;

d) Impostazione Asa/Iso 160;

e) Lettura Esposimetrica esterna rilevata sulla media ponderata al cento;

f) Lettura Esposimetrica impostata in M (manuale) esterna effettuata con Sekonic DualSpot F-L-778 Angolo 1° (effettuate 4 misurazioni con metodo del Sistema Zonale di “Ansel Adams”) a luce riflessa e 1 lettura di equiparazione e bilanciamento con Esposimetro esterno Gossen Lunalite lettura a luce riflessa (con calotta inserita);

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e) Esposizioni:

1)......la prima sulla superficie della tenda posta subito dopo il vetro dell’infisso (in particolare quella parte ricamata più chiara in corrispondenza del bordo superiore della sedia) ;

2)......la seconda (doppia) sia sulla guancia destra della ragazza e per equiparazione sulla guancia destra della bambola (il valore era molto simile la variazione era di 1/3 di stop) questa lo posta sulla Zona V del grigio medio al 18% aumentato di 1/ del valore;

3)......la terza sul tessuto della spalla desta della ragazza in primo piano. Questa parte di superfice era molto importante per la trama ricca di particolari e di zone chiare e scure;

4)......la quarta sui capelli della ragazza, in particolare il riflesso, ovvero la porzione illuminata della luce proveniente dal balcone che si trova a destra. (In questa porzione, dopo alcune letture di verifica, ho dato un valore n+2,5 rispetto al valore letto in quanto la luminanza della luce era filtrata da una tenda di colore Panna con striature marroni pertanto loa luce oltre alla filtratura veniva assorbita e diffusa, il cielo non era particolarmente limpido ma parzialmente nuvoloso e pertanto avevamo una temperatura cromatica di quasi 6000°K);

5)......La media ottenuta dalle letture precedenti è stata confrontata con il valore t/d (tempo/diaframma) ottenuto dalla settima lettura effettuata con misurazione a luce riflessa sulla calotta superiore dell’esposimetro Gossen Lunalite posto parallelamente alla figura e con la calotta rivolta perpendicolarmente verso l’ottica di ripresa (l’esposimetro è stato posto fra il braccio sinistro della ragazza e la guancia della bambola);

La luminanza è stata posta sulla zona V del Grigio Medio al 18% sovraesponendo intenzionalmente di 1+1/3 diaframmi. Ho intenzionalmente imposto e compresso o contratto la scala di n-1,5 per avere una maggiore corposità dei neri cercando di non aumentare il contrasto. Il totale è stato sovraesposto di n+1/3 per evitare che l’esposizione finale impostata non penalizzasse le alte luminanze delle “zone VI/VII” (disegni della stoffa del letto e della sedia nonché della trama della tenda) che sarebbero risultate con poco dettaglio (visto che la luce che arrivava in quelle parti in penombra e pre-penombra aveva una “temperatura cromatica di 2700°k”) o le basse luci (le luci in forte ombra quelle in ombra o parzialmente illuminate erano troppo basse stimate fra 1250°K"/1900°K"/. Poi c’era il fattore “caduta della luce” visto che la stanza non aveva altre fonti di illuminazione ne diretta né per riflessione (non vi erano pareti chiare vicino) tale fattore era proporzionale alla distanza dall’asse ottico di ripresa quindi in quelle zono la caduta variava dal 22% al 45%.

f) Impostazione nel corpo camera Leica M8: ISO/ASA 160, DR (auto), WB (Bilanciamento del Bianco (auto), Saturazione Colore (Stadard), Nitidezza (Medio-Alto), Contrasto (Standard) Riduzione disturbo (0), Qualità Immagine (DNG), Dimensione Immagine compresso (3:2 – 10MB);

g) Tecnica di ripresa esposimetrica con il sistema dell”Esposizione a Destra;

h) Prima Post-Produzione per la correzione del bilanciamento cromatico/tonale delle varie aree e zone di colore per compensare la caduta di luce con Nikon Capture NX 2;

i) Seconda Post-Produzione con Adobe Photoshop CC2015 per il bilanciamento delle zone d’ombra;

l) Post-Produzione di completamento con Nikon Capture NX2 e CorelPhoto-Paint X7 64bit per il completamento e la sistemazione finale del "Sistema Zonale"..

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Mio breve Curriculum Vitae su LinkedIn: - My Brief Curriculum Vitae on LinkedIn:

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Visualizza il profilo di Luigi Mirto/ArchiMlFotoWord

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Tutti i diritti riservati ©2016 da ArchiMlFotoWord/Luigi Mirto/Photography

Nessuna immagine o parte di essa può essere riprodotta o trasmessa in qualsiasi forma e con qualsiasi mezzo senza preventiva autorizzazione.

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All rights reserved ©2016 by ArchiMlFotoWord/Luigi Mirto/Photography

No images or part thereof may be reproduced or transmitted in any form or by any means

Without prior permission

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Luigi Mirto/ArchiMlFotoWord's most interesting photos on Flickriver

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Dedicata ad un bimba di nome Giada - Dedicated to a girl named Jade

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Questa parole sono dedicate ad una piccola bimba di nome Giada che ha avuto la sfortuna, assieme alla madre inconsapevole, di avere avuto in casa l’uomo “compagno della madre” che in assenza di quest’ultima abusava della bimba. Dai racconti delle suore tutrici e dai neuropsichiatri che attualmente la stanno aiutando a risollevarsi dal tremendo trauma psicologico e fisico. L’uomo è tato condannato.

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This words are devoted to a little girl named Jade who has had the misfortune, together with the unwitting mother to have had in the house man "boyfriend of the mother" that in the absence of the latter abused the child. From the stories of trustees nuns and neuro psychiatrists that currently are helping to recover from the tremendous psychological and physical trauma. Man is drawn condemned.

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Enya - So I Could Find My Way - Così ho trovato la mia strada

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Così, ho trovato la mia strada

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Nei falsi silenzi

delle cupe ombre,

un pallido visino,

nel muto pianto

avvolto,…nasconde

una piccola anima

dolorante.

Si sentono, sparsi

nel profondo silenzio,

eterni lamenti

che implorano

aiuto struggenti

… in sospiri frammenti.

Non è un bel giorno

come spesso tant’altri,

c’è il mostro che

mi cerca,…”vuole”

a dir di lui giocare

nervosamente attende.

Della mamma…

premuroso compagno

e agli occhi della gente.

La mia bambola,

compagna muta di tristi avventure

è lei che m’aiuta,

in quelle orrende disavventure,

a volte di pochi momenti,

ma spesso di ore infinite.

Mie grida occultate da

quella pesante mano invadente

bagnata dal mio pianto,

lacrime d'odio e dolore

irrompono le mie tenebre,

imploro a Lui negazione

di quei terribili giochi

osceni momenti,

ma al ricordo

di pacate e sue dolci parole

seguivano gravi voci,

minacce e suadenti menzogne.

Convulsi spasmi di pianto

e dolore, conducono

implacabili, l'anima a vani pensieri.

E’ Il gridare d'una sola notte?

no! .è un lamento costante

…..perenne.

False dolci parole di conforto

rantolano morenti

tra crudele realtà, vivono

sofferenti e contorti tormenti,

dell'anima mia affranta

deluse speranze,

illuse e tradite.

Senti il cuore impigliato e

squarciato da acuminati rovi

di false promesse...

Così, ho trovato la mia strada

apro d’un tratto

quell’uscio senza freni

vado via nell’immenso vuoto

chiudo gli occhi e nell’abbraccio

futuro della mamma mia

volo libera nell’aria

per andar a giocar con gli angeli.

……………………….…Luigi Mirto

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So I Could Find My Way

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In the false silences

of the dark shadows,

a pale little face,

wrapped in silent tears,

hides

a small,

painful soul.

Scattered

in the deep silence,

eternal moans

are heard, begging for

help, heartbreaking

... in fragmented sighs.

It's not a beautiful day

like so many others,

there's a monster

looking for me,..."he wants,"

as they say, to play

he nervously waits.

My mother's...

attentive companion

and in the eyes of the people.

My doll,

mute companion of sad adventures,

it's she who helps me,

in those horrendous misadventures,

sometimes for a few moments,

but often for endless hours.

My cries, hidden by

that heavy, invading hand

wet with my tears,

tears of hatred and pain

break through my darkness,

I implore Him to deny

those terrible games,

obscene moments,

but the memory

of His calm and sweet words

were followed by grave voices,

threats, and persuasive lies.

Convulsive spasms of tears

and pain, implacably lead

the soul to vain thoughts.

Is it the cry of a single night?

No! It is a constant lament

…perennial.

False, sweet words of comfort

rattle, dying

amid cruel reality, live

suffering and twisted torments,

of my broken soul

disappointed hopes,

deluded and betrayed.

You feel your heart entangled and

torn by sharp brambles

of false promises...

So, I've found my way

I suddenly open

that door without restraints

I go away into the immense void

I close my eyes and in the embrace

of my mother's future

I fly free in the air

to go and play with the angels.

……………………….…Luigi Mirto

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Enya - If I Could Be Where You Are - Se potessi essere dove sei tu

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Non potendo esporre la foto dell’adolescente ho inserito un’altra immagine di un’altra una bimba che per scena e costumi si avvicina molto alle parole scritte……..

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Not being able to expose the adolescent photos I put another picture of another girl who for a scene and costume is very close to written words .....

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Just a point and shoot, no place to pull over for a really nice shot. Wanted to see how grainy the shot would be with a higher than normal ISO. Pretty grainy, but good under the circumstances. I'll delete this one later today most likely.

ISO:200 / EV:±0 / 1shot RAW / WB:Auto

Camera:1953 Argus C-44 35mm camera.

Film: ISO=125 Ilford FP+

Developing: D-76

Ipswich, MA

Modified Agfa Isoly

Mockingbird harassing a Falcon.

Sorry for the grainy low quality ,it was dark ,high iso.

 

#naturephotography #birdsinflight #birds_in_flight #flyingbirds #photooftheday #love #animals #naturesultans #your_best_birds #birdphotographer #nuts_about_birds #bb_of_ig #audubon #audubonsociety #wildlifeplanet #birds #birdsonearth #equality #tolerance #kindness #peace #freedom #best_birds_of_world #birding #birdphotography #birdstagram #birdsofinstagram #bird_freaks #feather_perfection #birds_elite

mallard / Stockente / Bastard /Anas platyrhynchos) high iso portrait 27112022

Captured in the shadows near sunset. Could have reduced the shutter speed some and brought down the ISO ... but the capture at ISO 6400 still turned out pretty good I think.

How I spent my Wednesday evening...

 

It turned out clear again this evening and I'm not going to pass up on the chance to stand for an hour in a freezing mill yard waiting for a star trail sequence to finish....

 

This is 150 x 25 second exposures at ISO640 pushing the dark stuff using an ISO invariant camera.

Exposure: 4 sec (4)

Aperture: f/3.9

Focal Length: 11.3 mm

Focal Length: 113mm

ISO Speed: 100

Exposure Bias: 0 EV

Flash: Flash did not fire

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