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[Dedicated to CRA (ILYWAMHASAM)]
and
Taken December 12, 2024 and
Uploaded for the groups
and
Gigaset GS290
ƒ/2
3.5 mm
1/14 Sec
ISO 1950
Photo information:
ISO: 400
Film type: 120
Film name: Rollei Retro 400S
Developer: Kodak D-76
Process: 20°C.
Developer dilution: 1+1
Developing time: 16'
Scanner manufacturer: Epson Perfection V550 Photo.
Perspectiva con agua. (Viladrau - Cataluña).
Para poder verla con todo su esplendor, pulsar sobre la foto.
Perspective with water. (Viladrau - Catalonia).
In order to see it in all its splendor, click on the photo.
Español: Como se tomó la fotografía.
Una fotografía panorámica compuesta por cuatro fotografias verticales con la peculiaridad que la cuarta fotografía, están las rocas casi a mi derecha, pero al unirlas quedan delante de la cámara, por lo que da la sensación que estoy en la orilla cuando en realidad estoy casi en el centro del riachelo.
En esta realicé la medición de la distancia por hiperfocal.
El efectuar una panorámica si quieres que te quede perfecta, debes ponerla en "Manual" una vez has medido la luz que hay en el centro de la escena, dado que si la realizas en automático, como son cuatro fotos distintas y la luz varia en cada una de ellas, con lo que la cámara te ajusta las luces y entonces aparecen las típicas rayas en la unión de cada foto, por lo que se estropea la panorámica.
Bien una vez contado esto, a mi... se me olvidó ponerla en "Manual" por lo que me salieron las tipicas rayas verticales entre cada unión de la foto. Hay dos soluciones... una es tirarlas o la segunda, es ir retocando con mucha paciencia zona por zona, es una paciencia de chinos, pero la salvé y ahí la teneis.
Como tienes que estar un cierto tiempo dentro de la fria agua, en el que tienes que tener muy bien anclado el tripode para que no queden movidas, colocar la cámara, buscar la correcta horizontabilidad de la escena, ver cuantas fotos serán las necesarias por el encuadre elegido, al ser realizadas a larga exposición para conseguir un poco de sedas en el agua, colocar los filtros delante del objetivo y disparar con el intervalómetro... los piés te quedan que no los sientes, así de facil es hacerla. Espero os guste. Antoni Gallart.
Datos Tecnicos:
Cámara: Nikon D800
Objetivo: Nikon 60 mm.
Iso: 100
Velocidad : 6 segundos por disparo.
Diafragma: f/5 para reducir la profundidad de enfoque.
Soporte: Tripode.
Filtro: LucrOit de 10 Pasos (DN).
English: How the photo was taken.
A panoramic photograph composed of four vertical photographs with the peculiarity that the fourth photograph, the rocks are almost to my right, but when they are joined they are in front of the camera, so it gives the feeling that I am on the shore when in reality I am almost in the center of the riachelo.
In this I made the measurement of the distance by hyperfocal.
To make a panoramic if you want it to be perfect, you must put it in "Manual" once you have measured the light in the center of the scene, since if you do it in automatic, as there are four different photos and the light varies in each one of them, with which the camera adjusts the lights and then the typical stripes appear at the junction of each photo, so the panoramic view is spoiled.
Well once I told this, I ... I forgot to put it in "Manual" so I got the typical vertical stripes between each joint of the photo. There are two solutions ... one is to throw them away or the second is to retouch with great patience area by area, it is a Chinese patience, but I saved it and there you have it.
As you have to spend a certain time in the cold water, in which you have to have the tripod very well anchored so that they are not moved, place the camera, find the correct horizontability of the scene, see how many photos will be necessary for the chosen framing, being made at long exposure to get some silks in the water, place the filters in front of the lens and shoot with the intervalometer ... the feet are left that you do not feel, that is how easy it is to do it. I hope you like it. Antoni Gallart.
Technical data:
Camera: Nikon D800
Lens: Nikon 60mm.
Iso: 100
Speed: 6 seconds per shot.
Aperture: f / 5 to reduce the depth of focus.
Support: Tripod.
Filter: 10-Step LucrOit (DN).
25x10sec (composited in sequator - Align Stars), f1.8 ISO 1600.
In photos like these with clear sky (feat. 41mpx sensor) you can easily notice the downsides of your lens.
I could have cropped the corners but I'll leave it as it is, just for the reference.
Things like blurry stars in corners you can't fix. They do get less light than the center of a sensor, so maybe that's the reason for them being blurry in corners.
All in all, I'm thrilled with this result, that I've been taking while enjoying the beautiful seashore wind in Krapanj.
I love my R5. This one is at ISO 12,800. I did see some large bands that I had to desaturate to make them disappear.
Ko Rang Nok, Krabi, Thailand.
Panasonic DMC-TZ100
Aperture ƒ/5.0
Focal length 9.1 mm
Shutter 1/2000
ISO 100
Following on from my last post with the high ISO theme, this one was taken at ISO 16,000 to get a half decent shutter speed of 1/3200 Sec...not ideal, I'd prefer 1/5000th Sec tbh, but again it depends on the exit/entry speed of the the bird and its position in the dive/exit cycle....the objective being to eradicate any motion blur. For info f/6.3 used.
Thanks for looking. NO AWARDS OR BANNERS PLEASE!
Nikon d810a
50mm
ISO 6400
f/3.2
Foreground: 17 x 20 seconds
Sky: 32 x 20 seconds
iOptron SkyTracker
Hoya Red Intensifier filter
This is a 49 shot panorama of the Milky Way rising above a reflective Lake Norring near Wagin, 2.5 hours south east of Perth in Western Australia.
I've planned a trip to this location for several years now but conditions have never been favourable until the weekend just gone. This particular lake differs from most salt lakes in the south west in that its shoreline is strewn with granite boulders which become partially submerged when water levels are high enough. Again, the wind was kind to me this evening, hardly blowing at all during the night allowing the lake's surface to reflect the stars above. Standing at the shoreline and looking down at the reflections was like looking into a portal, really amazing to experience.
Prominent in this image are the Large and Small Magellanic Clouds, just below right of centre, neighbouring galaxies in our local group. To the right of those is the red coloured Gum Nebula, visible thanks to the increased H-Alpha sensitivity of the D810A camera. Just above and left of that is the pink coloured Carina Nebula, a staple of the Southern Hemisphere night sky and one of the largest visible nebulae in the night sky. Further left is the dark CoalSack Nebula with the Crux constellation to its immediate right. Far left of course is the bright Sagitarrius Cloud and above that the Rho Ophiuchi Cloud complex. The green hue, more intense near the horizon, is airglow, something which this camera picks up more than my previous d5500.
Nikon d5500
35mm
ISO 4000
f/2.8
Foreground: 13 x 20 seconds
Sky: 55 x 30 seconds
iOptron SkyTracker
This is a 68 shot panorama of the Milky Way setting over a small unnamed lake near Quairading, about 2 hours east of Perth in Western Australia.
I originally planned on going straight to another nearby location but made a last minute decision to detour here. The triangular strip of land in the central foreground is actually the road that normally passes through this lake but with heavy winter rains in the state it has been flooded over. To this point the night had been very calm with almost no wind but there was a steady breeze here rippling the surface of the lake creating a smooth texture due to the long exposure.
Prominent in this image are the Large & Small Magellanic Clouds to the left and the North America Nebula just above the horizon on the far right. The light pollution in the centre is from the Wheatbelt town of Quairading about 5km to the west.
Kuala Lumpur cityscape view before the golden hour of a sunset. The image is part a time lapse sequence taken that evening. Will be sharing the time lapse at my Vimeo account later.
ISO was at 3200, I tried to reduce the noise again. It was fun to get this shot and position the moon behind the owl though. I figured out that a silhouette was the only thing I was going to get to show up. Ollie's Pond, Port Charlotte, FL.
D90 - - - RAW Mode
Wanted to use f7.1 (said to be the "sweet spot" for this lens) and maintain a high shutter speed to freeze motion of any birds that might fly into shot, so I used "Auto ISO" setting.
Amazing how well the D90 handles high ISO-noise issues.
Over Lake Emerald, in Oakland Park, Florida -US- near Fort Lauderdale.
Shot from my balcony over the lake, early Sunday evening, Dec 7, 2008.
Das volle Programm. Zwei Straßenbahnen, eine S-Bahn, die Weltzeituhr und ein paar Passanten. Die Stürzenden Linien gibt es gratis dazu. ;-)
Und das ganze aus der Hand mit ISO 10.000.
La imaginería es una especialidad del arte de la escultura para la representación plástica de temas religiosos, por lo común realista y con finalidad devocional, litúrgica, procesional o catequética. Se vincula a la religión católica debido a su carácter icónico, por lo que la encontramos especialmente en países de cultura católica: España, Italia, Portugal e Iberoamérica y, en menor medida, Francia, Canadá, Países Bajos y Austria, así como también Filipinas.
La técnica más habitual es la talla en madera policromada buscando el realismo más convincente, a veces mediante vestidos y ropajes auténticos, o incluso añadiendo cabellos postizos.
La representación plástica de los misterios religiosos acompaña al Cristianismo desde sus primeros siglos, será con el arte románico y gótico, desde el siglo XII al XV, donde comience la evolución de la escultura en madera o imaginería, con fin catequético. Hasta el Renacimiento tienen mucha importancia los maestros flamencos y franceses. Sin embargo a partir del Concilio de Trento (1545-1563) la Iglesia católica, en respuesta a la Reforma luterana, decide potenciar las artes plásticas como medio de alcanzar la atención de los fieles, desarrollándose extraordinariamente la imaginería durante el periodo barroco en el área mediterránea, la península ibérica e Iberoamérica.
Recordando esta pasada Semana Santa sevillana sin procesiones en sus calles por la pandemia, visité algunas hermandades que exponian sus imágenes titulares al público y de diferentes maneras. En la fotografía el Santísimo Cristo del Mayor Dolor (Hermandad del Dulce Nombre), una escultura realizada en madera de cedro policromada, de 1,40 m de altura. Esta talla por sus caracteristicas se ha enmarcado dentro del estilo manierista sevillano. Obra anónima atribuida indistintamente a los escultores Juan Oviedo, El Mozo (1565-1625) y Andrés de Ocampo (1555-1653) Esta maravillosa talla se podia ver expuesta como muestra mi foto en la Parroquia de San Lorenzo (Sevilla). Captura realizada a pulso con iso alto y muy baja luz cuando me tocó mi turno para ponerme delante de este altar
(ENGLISH)
Imagery is a specialty of the art of sculpture for the plastic representation of religious themes, usually realistic and for devotional, liturgical, processional or catechetical purposes. It is linked to the Catholic religion due to its iconic character, which is why we find it especially in countries of Catholic culture: Spain, Italy, Portugal and Latin America and, to a lesser extent, France, Canada, the Netherlands and Austria, as well as the Philippines. . The most common technique is polychrome wood carving seeking the most convincing realism, sometimes through authentic dresses and clothing, or even adding false hair. The plastic representation of religious mysteries has accompanied Christianity since its first centuries, it will be with art Romanesque and Gothic, from the 12th to the 15th century, where the evolution of sculpture in wood or imagery began, with a catechetical purpose. Until the Renaissance, the Flemish and French masters were very important. However, from the Council of Trent (1545-1563) the Catholic Church, in response to the Lutheran Reformation, decided to promote the visual arts as a means of reaching the attention of the faithful, developing extraordinary imagery during the Baroque period in the area. Mediterranean, the Iberian Peninsula and Latin America.
Remembering this past Sevillian Holy Week without processions in its streets due to the pandemic, I visited some brotherhoods that exposed their titular images to the public and in different ways. In the photograph the Santísimo Cristo del Mayor Dolor (Hermandad del Dulce Nombre), a sculpture made of polychrome cedar wood, 1.40 m high. This carving, due to its characteristics, has been framed within the Sevillian mannerist style. Anonymous work attributed indistinctly to the sculptors Juan Oviedo, El Mozo (1565-1625) and Andrés de Ocampo (1555-1653). This wonderful carving could be seen on display as my photo shows in the Parish of San Lorenzo (Seville). Capture made by hand with high iso and very low light when it was my turn to stand in front of that altar
Cámara Nikon D850 con lente 24-120 F4/G-VR editada con Camera Raw y Photoshop CC 2019.
Recomiendo hacer doble click sobre la imagen y ver en grande.
I recommend see in larger, clicking double on the imagen.
This particular set from a fortnight ago has produced some of my best shots from the last 2 years. A whole combination of things made these - the new perches I installed trying to make the most of the available light in this shaded spot, a nice bright sunny day (winter sun less harsh than summertime) which enabled the use of my 1.4 extender on my 100-400mm lens and of course the Kingfisher that decided to hang around for a good 25-30 minutes. Taken with my Canon 7D MkII, 100-400mm f/4.5-5.6L IS II with 1.4x III on a Sirui ball head sitting on a carbon Manfrotto tripod. 1/250 sec at f/8.0, 560mm focal length with an ISO of 160 and edited in Adobe Lightroom Classic.
Double exposure using two cameras.
I shot the first frame using my Nikon TW 105 Zoom compact camera, and the second frame using my Minolta 505si Super SLR and 50mm f2.8 macro lens. Kodak Expired (2007) EliteCrome Extracolor 100 iso slide film.
Taken in the twilight of a gloomy day when many animals come out to play, dark images with ISO 9000 used to be grainy blurry throw-aways.
Not now.
Thank you, camera manufacturers. Thank you, Adobe.
Taken Date: 2008:07:13 17:26:19
Make: NIKON CORPORATION
Model: NIKON D80
FocalLength: 50.0 mm
F-Number: F 4
Exposure Time: 0.02 secs
ISO Speed: 200
Taken in my backyard, this was a high ISO test (1600) on my D40. Shooting insects with clear wings in sunlight can in some cases produce really nice iridescence. If you move the camera around a bit while framing the subject, you can see the colors vary in intensity, going from none at all to brilliant rainbow colors, depending upon the angle of the the sun in relation to your camera. Popping the flash doesn't diminish the level of intensity.
Here I was trying my old 200mm f/4 Micro-Nikkor, focused at infinity, with the objective salvaged from a badly damaged 75-200mm Super Albinar lens reverse mounted on the 200mm. I was shooting at f/32 after racking the ISO up to 1600, which produced a significant amount of "salt & pepper" grain and noise, which isn't present when shooting at ISO 100 to 400. By swapping to a larger bowl diffuser and using an SB20 flash instead of the SB23, I can operate at smaller apertures without having to boost the ISO. This image convinced me that running the ISO on the D40 any higher than 400 probably isn't the way to go.
DSC-5788
Since 2019, FPP has been releasing a series of B&W Monster films. To date they have: Dracula (64 ISO), Wolfman (100 ISO), Frankenstein (200 ISO), and TODAY they're adding one more. Introducing the Mummy, a 400 ISO B&W panchromatic film.
To make this announcement even more exciting, FPP is offering this film in: 8mm, 16mm (double perf), 35mm, 120, 620, 4x5", AND 8x10" sizes. As an 8x10 shooter, I'm incredibly excited to be a part of this launch and share with you some of my initial test results.
My video review can be watched here: youtu.be/TUYA7YBlM9c
Tachihara 8x10 Double Extension
Schneider Super Symmar-XL 150mm f/5.6
10 sec. @ f/22 + front rise, swing
FPP Mummy 400 @ ISO 200
Pyrocat HD 1:1:100