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Y esquivas los árboles y ves que hay mas colores de los que en un principio imaginabas.

 

Iluminación: luz natural

Contacto: krrillo7@yahoo.es

This is SOOC excluding the crop and framing.

 

This image was captered with my nikon D80 and 50mm lens with an old sears x4 magnification filter attached. Light provided by my SB800 flash in TTL mode, on camera and position up and slightly back (to compensate for downward angle of the shot) to bounce directly of ceiling.

 

This image is protected by copyright. No use of this image shall be granted without written permission from J. David Cross ( jdavephotography@gmail.com ). © 2009 All Rights Reserved.

Sony NEX-5N + Leica Summicron-M 35

Processed with VSCOcam with f2 preset

[U]SEA FREIGHTLINER II : IMO 6812352[/U]

Built 1968 by Readhead & Sons, South Tyneside, UK as SEA FREIGHTLINER II for the British Railways Board

GRT: 4034 / DWT: 3625

Dimensions: Length (oa) 118.3 metres x Beam 16.8 metres

 

[U]History[/U]

•1968: Built as SEA FREIGHTLINER II for British Railways Board

•1978: Ownership changed to Sealink (UK) Ltd

•1987: Sold for scrap and broken up at Gadani Beach

 

SEA FREIGHTLINER II at Harwich on 6 June 1982

 

Bishop Creek Canyon, Eastern Sierras

 

After three days of camping and photographing as much of Bishop Creek as I could, I think I preferred the reflections at Intake II more than anywhere else. On the final morning, the air was brisk and clear and the water was calm over the pond. I walked the dirt road that runs around Intake II and looked for interesting compositions. Its harder than it seems to find an interesting angle. Something you don't see every season. ;) I used the branches of the aspens that lined the bank of the pond to frame the reflections and distant aspens and the evergreens. I think it worked well to encompass the whole scene.

Mamiya 7 II 6x7

80mm

AGFA Optima 200

 

Untouched, raw, crappy, low res scans of NZ

Manufactured by Wirgin Kamerawerk in Wiesbaden, West Germany.

Model: c. 1951

All Edinex series produced between c.1930s - c.1950s

35mm film Viewfinder camera

Wirgin logo on the lens shutter barrel

The lens and shutter unit is mounted on a telescopic tube; handles for pulling

Lens: Steinheil Munchen Cassar 50mm f/2.8 VL, filter slip-on, serial no.631394

Aperture: f/2.8-f/16setting: lever and scale on the lens shutter barrel

Focus range: 3.5-60 feet +inf

Focusing: manual front element focusing, guess the distance, scale and DOF scale

Shutter: Prontor-Sspeeds: 1-1/300 +B setting : ring and scale on the lens shutter barrel

Shutter release: on the lens shutter barrel

Cable release socket: on the lens shutter barrel

Cocking lever: on the lens shutter barrel

Frame counter: window on the top plate, manual reset, advance type

Winding knob: on the right of the top plate

Viewfinder: reverse telescopic finder, very small

Re-wind knob: on the left of the top plate

Re-wind release: knob beside winding knob set to R (Rückführung) V ( vorgehen)

Flash PC socket: on the lens shutter barrel, M and F sync, adjusting lever on the lens shutter barrel

Cold-shoe

Self-timer: set the M-F lever to V

Back cover and bottom plate: removable separately; bottom plate opens by a folding lever on the bottom plate , A open, Z close; and back cover partially removable by a knob on it

Film loading: load the film cassette from bottom, then push the film leader toward the opened back and insert to the take-up spool which its bottom not opens

Tripod socket: ¼"

Strap lugs : none

Body: metal; Weight: 387g

serial no. ?

There are various lens/shutter combinations of the Edinex II. Some cameras have hinged back for easy loading. Some cheaper versions have fixed lens.

Early Edinex was the same with Adox Adrette. Some models were sold in the USA as Midget Marvel, and Candid Midget altough not marked as such. Edinex cameras present some identification problems because most do not bear any model name on the camera, but only in catalogs and advertising.The issue is further muddied by the use of different model designations for the same camera by different advertisers. In addition the adds use various names for Edinex II, like Edinex, Edinex I, Edinex-S.

It is best to ID of your camera that searching the McKeown's 12.ed., 2005, pp.1001-1002.

More info: in Sylvain Halgand collection, Edinex series in Camerapedia, Wirgin in Camerapedia, in Marriott World

 

Dated 1900. Commercial postcard showing Emperor Wilhelm II, wearing his Garde du Corps uniform, with the eagle on the lobstertail GdC helmet. Behind him is his crown.

We were able to sail on Queen Mary II on our return from the Isle of Bute instead of using the ferry. The weather had turned nasty but permitted a shot of the rainbow from the deck. 1/6/75.

96-gallon Toter EVR II. Looks nice in green! Most of them around here are gray stone with black lids.

Offered by Glassic Motor Car Company of Palm Beach, Florida. Glassic was best known for its Model A Ford replicars.

Hasselblad X1D II 50C

CHAIKA-II (type 1a, 1968) half frame camera (24x18)

 

Lens: INDUSTAR-69 2.8/28mm

Shutter: Leaf shutter (1/30- 1/60 - 1/125 - 1/250 +B)

Film: 35mm (72 frames in 24mm x 18mm)

Made by MMZ

ttv with canon rebel xt through kodak duaflex II

II

Electric Light Orchestra

United Artists LA040-F

1978

After visiting Auschwitz I in March 1941, it appears that Himmler ordered that the camp be expanded, although Peter Hayes notes that, on 10 January 1941, the Polish underground told the Polish government-in-exile in London: "the Auschwitz concentration camp ...can accommodate approximately 7,000 prisoners at present, and is to be rebuilt to hold approximately 30,000." Construction of Auschwitz II-Birkenau—called a Kriegsgefangenenlager (prisoner-of-war camp) on blueprints—began in October 1941 in Brzezinka, about three kilometers from Auschwitz I. The initial plan was that Auschwitz II would consist of four sectors (Bauabschnitte I–IV), each consisting of six subcamps (BIIa–BIIf) with their own gates and fences. The first two sectors were completed (sector BI was initially a quarantine camp), but the construction of BIII began in 1943 and stopped in April 1944, and the plan for BIV was abandoned.

 

SS-Sturmbannführer Karl Bischoff, an architect, was the chief of construction. Based on an initial budget of RM 8.9 million, his plans called for each barracks to hold 550 prisoners, but he later changed this to 744 per barracks, which meant the camp could hold 125,000, rather than 97,000. There were 174 barracks, each measuring 35.4 by 11.0 metres (116 by 36 ft), divided into 62 bays of 4 square metres (43 sq ft). The bays were divided into "roosts", initially for three inmates and later for four. With personal space of 1 square metre (11 sq ft) to sleep and place whatever belongings they had, inmates were deprived, Robert-Jan van Pelt wrote, "of the minimum space needed to exist".

 

The prisoners were forced to live in the barracks as they were building them; in addition to working, they faced long roll calls at night. As a result, most prisoners in BIb (the men's camp) in the early months died of hypothermia, starvation or exhaustion within a few weeks. Some 10,000 Soviet prisoners of war arrived at Auschwitz I between 7 and 25 October 1941, but by 1 March 1942 only 945 were still registered; they were transferred to Auschwitz II, where most of them had died by May.

 

The first gas chamber at Auschwitz II was operational by March 1942. On or around 20 March, a transport of Polish Jews sent by the Gestapo from Silesia and Zagłębie Dąbrowskie was taken straight from the Oświęcim freight station to the Auschwitz II gas chamber, then buried in a nearby meadow. The gas chamber was located in what prisoners called the "little red house" (known as bunker 1 by the SS), a brick cottage that had been turned into a gassing facility; the windows had been bricked up and its four rooms converted into two insulated rooms, the doors of which said "Zur Desinfektion" ("to disinfection"). A second brick cottage, the "little white house" or bunker 2, was converted and operational by June 1942. When Himmler visited the camp on 17 and 18 July 1942, he was given a demonstration of a selection of Dutch Jews, a mass killing in a gas chamber in bunker 2, and a tour of the building site of Auschwitz III, the new IG Farben plant being constructed at Monowitz.

 

Use of bunkers I and 2 stopped in spring 1943 when the new crematoria were built, although bunker 2 became operational again in May 1944 for the murder of the Hungarian Jews. Bunker I was demolished in 1943 and bunker 2 in November 1944. Piper writes that plans for crematoria II and III show that both had an oven room 30 by 11.24 metres (98.4 by 36.9 ft) on the ground floor, and an underground dressing room 49.43 by 7.93 metres (162.2 by 26.0 ft) and gas chamber 30 by 7 metres (98 by 23 ft). The dressing rooms had wooden benches along the walls and numbered pegs for clothing. Victims would be led from these rooms to a five-yard-long narrow corridor, which in turn led to a space from which the gas chamber door opened. The chambers were white inside, and nozzles were fixed to the ceiling to resemble showerheads. The daily capacity of the crematoria (how many bodies could be burned in a 24-hour period) was 340 corpses in crematorium I; 1,440 each in crematoria II and III; and 768 each in IV and V. By June 1943 all four crematoria were operational, but crematorium I was not used after July 1943. This made the total daily capacity 4,416, although by loading three to five corpses at a time, the Sonderkommando were able to burn some 8,000 bodies a day. This maximum capacity was rarely needed; the average between 1942 and 1944 was 1,000 bodies burned every day.

Voigtlander 福伦达 BESSA II APO LANTHAR 105/4.5

Parque del Retiro. Rosaleda

Folded Ernemann Heag II plate camera. The knurled knob has a double function. If turned it unlocks the case in order to fold out the camera. Once opened it serves as a focussing button.

Kiev II (1952)

Jupiter 8 (1952)

Efke 100

  

Manufactured by MMZ (Minsk Mechanical Factory), Minsk, former USSR

After 1971 made by BeLomo

Чайка means Seagull

Model: c.1968 Type 1a

All Chaika-II produced between 1967-72 with quantity 1.250.000 units

There are 6 types and 9 sub-types of the Chaika-II

As to Alexander Komarov

35mm film half frame Viewfinder camera, picture size 18x24mm

Lens: Industar-69 (ИНДУСТАР) 28mm f/2.8 filter slip-on serial no.none

MMZ logo on the lens

Aperture: up to f/16; setting: ring and scale on front of the lens

Focus range: 0.8-5m +inf

Focusing: manual front cell focusing; ring, distance scale with symbols and DOF scale on the lens shutter barrel

Shutter: leaf shutter; speeds: 1/30-1/250 +B setting: by a ring and small window on the top-plate

Shutter release: on front of the top-plate, w/cable release socket

Cocking lever: also winds the film, short stroke, on the back of the top-plate

Frame counter: additive type, auto-reset, window on the top-plate

Viewfinder: reverse telescopic finder, vertical quadrangle

Re-wind knob: on the bottom plate, pull out and turn to arrow direction

Re-wind release: by re-wind knob

Flash PC socket: on front of the camera

Cold-shoe: none

Memory dial: on the re-wind knob

Self-timer: none

Back cover: opens by a latch on the right side of the camera

Tripod socket: ¼”

Strap lugs

Body: metal; Weight: 388g

Serial no. 2928620 in the back cover

Chaika was the call sign of the first Russian female cosmonaut, Valentina Vladimirovna Tereshkova. She became extremely famous for her achievements and is still considered a hero in Russia. It's very likely that this line of cameras were at least partly named in honor of her. Her famous flight took place 1963 and the first Chaika camera was sold in 1965.

The difference between Chaika-I and Chaika-2 is addd a removable screw mount lens which could be used as the lens for an enlarger that was apparently never made available. The threads are the same as those for a Leica lens, but the focusing distance is different, so the lenses are not compatible.

More info: in Sovietcams by Aidas Pikiotas, in Fotoua by Alaxander Komarov, in Camerapedia, in Flickr group Russian Cameras

 

2015, acrylic on canvas,, 50 x 40 cm

California Desert Photoshoot! Sony A7 R Model Portraits in Joshua Tree National Park California! Sony FE 55mm f/1.8 Super Sharp Carl Zeiss Lens!

 

Summer Dress Model Portraiture & Epic Landscape Nature Photography! 45Epic 45SURF Swimsuit Bikini Model! Beautiful Golden Ratio Composition Photography Surf Goddesses! Athletic Action Portraits! High Res Venus! Sexy Hot dx4/dt=ic !

 

My Epic Book: Photographing Women Models!

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Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ...

 

Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!

 

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instagram.com/45surf

 

Epic books, prints, & more!

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Exalt your photography with Golden Ratio Compositions!

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Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!

 

Epic Landscape Photography:

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A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)

 

Epic Art & Gear for your Epic Hero's Odyssey:

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Enjoy my physics!! Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Physical

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Beautiful Surf Goddesses! Athletic Action Portraits of Swimsuit Bikini Models! Athena, Artemis, Helen, and Aphrodite!

 

Nikon D810 AF-S NIKKOR 70-200mm f/2.8G ED VR II from Nikon Beach Portraits Santa Barbara! White Summer Dress! 45Epic 45SURF Swimsuit Bikini Model! Beautiful Golden Ratio Composition Photography Surf Goddesses!

Manufactured by Voigtländer & Sohn AG, Braunschweig, West Germany

Model: 1959, (Produced between 1958-60)

35 mm film Rangefinder camera

Engravings on the top plate: Voigtlander Prominent II

Lens: Voigtlander Ultron 50mm f/2 , interchangeable w/ 35-50-100-150mm lenses, Prominent bayonet mount , serial no.4704441

Aperture: f/2 - f/16, setting ring and scale on the lens

Focus range: 3.5 - 60 feet (1-18m), +inf

Lens release: a latch on the lower front side of the lens, push and turn simultaneously to anti-clockwise, mounting: push the latch and simultaneously mount and turn the lens

Focusing: matching yellow rangefinder images in the viewfinder, by turning the knob on left of the top plate, the distance and DOF scale on the knob

Shutter: Synchro-Compur leaf shutter, speeds 1-1/500 +B,

setting ring and scale on the shutter, just behind the lens

Shutter release: on the top plate

Cable release socket: on the top plate, just back of the shutter release button

Viewfinder: coupled rangefinder, bright frame lines for parallax correction of 35,50,100 and 150mm lenses, (the second largest frame is for 50mm),

very bright sight, a special feature of the Voigtlander view- and rangefinder cameras

Cocking lever: also winds the film, long stroke lever on right of the top plate,

must stroke two times for cocking the shutter and winding one frame

Frame counter: coupled with winding lever, beneath it, advance type, manual setting

Film release button: only for re-loading of the partly exposed films, on the back of the top-plate, covered with the winding lever

Re-wind release button: just beside the winding knob and turns when winding

Re-winding: by a pop-up semi-circle shaped lever located on the focusing button

Re-winding indicator: small chrome part with red screw like middle, turns when re-winding, on the bottom plate

PC sync socket: on the right uppper side of the shutter

X & M sync: setting by a green lever on the shutter, all speeds

Self-timer: a lever on the shutter

Cold - shoe

Strap lugs

Film memory indicator: on the bottom plate

Backcover: hinged, opens by a latch on the left side of the camera

Tripod socket modern 1/4'', w/ an adaptor screw for old types 3/8''

Body: metal; weight: 970g

serial no. C 78010

 

Prominent II is one of the best mechanically and optically design Rangefinder with interchangable lens system camera, the first of this type and has a unique appearance.

It was made by Voigtlander for the competition with Leicas and Contaxes.

It had a very special and unique reflex-housing part and turnit finder as accessories,

Voigtländer is one of the the world's oldest companies for optical instruments. Founded by Johann Christoph Voigtländer in the year 1756 in Vienna (Austria), it was the first factory for optical instruments and precision mechanics there.

1931 Voigtländer entered the mass market with the BESSA camera for 6x9 format.

1939 the VITO, their first camera for 35mm film, was well received by the customers.

1970 Voigtländer was merged with Zeiss-Ikon.

1974 Voigtländer became part of Rollei .

Since 1987 Ricoh and Chinon make cameras for Voigtländer.

In 1994 the last part of the original Voigtländer company in Braunschweig was closed.

In 1995 Ringfoto bought Plusfoto and the Voigtländer brand.

In 1999 the popular 35mm viewfinder camera body Bessa L was introduced, developed and produced by Cosina

During the 20th century the Skopar and Color Skopar lenses became the standard lenses for Voigtländer's own cameras.

more info

Camerapedia

Novacon

UK Camera

CameraQuest Classic Camera Profiles

Sylvain Halgand Collection

 

Panzer II Luchs 4. Panzerdivsion

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