View allAll Photos Tagged II
Vancouver Airport, British Columbia, Canada (This one is for Faxminile and Losy - two photostreams worth checking out ... both are superb.)
Covers the AMC AMX II Concept that went around the USA Motor Shows in 1966.
Almost looks like a Hot Wheels car even down to the red line tyres.
Press Photo.
Zeiss Ikon Contax II, mine is from 1937. some will say the Contax series was superior to the Leica's of the time, I suppose it just depends on your likes. I personally prefer the Leica camera as a shooter but the Contax for it's looks. The wider more accurate rangefinder is a plus but it seems heavier and more clunky. I don't know, shoot, they're both nice
I got mine (body) for under $50 as an "as is, parts camera". I gave it as much of a CLA as I could without taking the shutter mechanism apart. I also, thanks to the help of forum friends, discovered the reason for the RF patch being off at infinity. I cleaned the RF optics and gave it a good exterior cleaning. I used Kiwi shoe polish to make the leatherette pop!
Here with my post-war Carl Zeiss Jena Sonnar 5cm 1:2 lens.
Sony ILCE-7R
Carl Zeiss Planar 50mm f1.4 T* mmj
Metropolis II is a very engaging art installation by Chris Burden currently installed at the Los Angeles County Museum of Art. From LACMA’s website:
Chris Burden's Metropolis II is an intense kinetic sculpture, modeled after a fast paced, frenetic modern city. Steel beams form an eclectic grid interwoven with an elaborate system of 18 roadways, including one six lane freeway, and HO scale train tracks. Miniature cars speed through the city at 240 scale miles per hour; every hour, the equivalent of approximately 100,000 cars circulate through the dense network of buildings. According to Burden, "The noise, the continuous flow of the trains, and the speeding toy cars produce in the viewer the stress of living in a dynamic, active and bustling 21st century city."
The woman in the installation sat there and corrected any fender benders between the 100,000 cars that are constantly careering around this piece. Amazingly she did not have to do very much, though she did look miserable... it was loud.
Olympus µ[mju:]-II, 35/2.8 + Rollei Retro 400S
Agfa Rodinal 1+50 22 minutes at 20°C
Scanner: Fujifilm Frontier SP-3000
(Dioctria rufipes / Höcker-Habichtsfliege)
A close portrait at 3,3X magnification of the robber-fly shown in the previous post.
Stacked image from 37 natural light exposures,
1/4 sec. Æ’/5.6 - ISO 100,
Canon EOS 5D Mark II,
Canon MP-E 65mm f/2.8 1-5x Macro Lens
There is something mesmerizing about sitting at the shoreline, listening and watching. Nature can touch us on so many levels, it can seem overwhelming, but in a good way. This is for those of us who can look across the water and continue to dream.
Photo # KS6_3494c2bw.
Location: Lake Tahoe, Nevada. Sept/2014.
(c) Kelly Shipp Photography.
1965 Chevy II brochure: www.lov2xlr8.no/brochures/chevy/65nova/65nova.html
1965 Chevy II handbook: www.gmheritagecenter.com/docs/gm-heritage-archive/vehicle...
Düşük ortamlarda yüksek aydınlatmayla özelliği sağlayan Sony’nin A7S II modeli güncellemelerden geçti. Yüksek aydınlatmanın yanında yüksek ISO performansı da sunan Sony A7S II modeli, birçok alanda ilerlemeleriyle göz dolduruyor. XAVCS formatlı videoları 30 fps akıcılığı ve 4K kalitesinde çekebil...
www.asdteknoloji.net/guncel-haberler/sony-a7s-ii-yuksek-i...
The weather here has just been so dull and wet it is unbelievable. So much water and just so depressing. So a girl has got to do something to brighten her day. This is my solution and it works.
The pinhole pictures I took in March were the last I made, and the last time I was able to stand up. This is the first time I have stood without support for four months. (And yes, I'm standing on one leg, with the other foot just touching for stability, because these are the first days I can put any weight at all through my new hip. If that's not cause for celebration and a return to pinholery, I have no idea what is.)
And, in case you were wondering, the light ghost marks are my crutches: used to get into position, and then put out of shot. In a couple more months, I hope they will vanish entirely.
Like with all the balancing act pinhole photographs, the exposure is timed only by how long I am able to stand and hold a position.
pinhole, wooden box camera, 4x5" Ilford HP5+ film, natural light, about three minutes exposure
Deep Dream Generator(Upscaler)
A Reworking of Original.
An End to Loneliness!
Prompt:-Two 'Female' Cyborgs Abandoned on a Galactic Scrapyard Recognizing Their forms Reach out to one another,Accurate Anatomy,Clear Distinct Realistic Eyes,Background Cosmic Sky,'mdjrny v5 style