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It's a narrow bend of the black water creek in the Kleinwalsertal. It's fantastic to see the sunlight breaking through the trees. The mossy green of the rocks in the creek shines bright amid the dark looking water.
Thank you so much for all your comments. Please also have a look at my profile on 500px.com/HausHimmelreich and facebook.com/HausHimmelreich
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youtu.be/E5XFF0VJ9zU?si=ZM35pfyXsotr8KOs
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Oh mar anterior a nosotros, tus miedos
Tenían coral y playas y arboledas.
Despejadas la noche y la cerrazón,
Las tormentas pasadas y el misterio,
Se abría en flor lo Lejano, y el Sur sideral
Resplandecía sobre las naves de la iniciación.
Línea severa de lejana costa
Cuando la nave se aproxima se yergue la ladera
En árboles, donde lo Lejano nada tenía;
Más cerca, se abre la tierra en sones y colores:
Y, en el desembarco, hay aves, flores,
Donde sólo había, a lo lejos, una abstracta línea.
El sueño es ver las formas invisibles
De la distancia imprecisa, y con sensibles
Movimientos de esperanza y voluntad,
Buscar en la línea fría del horizonte
El árbol, la playa, la flor, el ave, la fuente:
Los besos merecidos de la Verdad.
II Horizonte. Mensagem (1934). Fernando Pessoa.
What's to be expected from the vista
opening a new window to familiar ground
the once guarded secret of clear visibility
coming as it does before sunset
for the allusion of peace and tranquility
Friday's jestur scourned by sobering ablution
the rinse of much malligned sorrows,
decorated by toil, tilth and a fragrant imbue
of decisive stance facing a radiant Sun
for fertile benefit of considerable renew
with settlements inview, and hope notwithstanding
will the day pass in all it's weekend refinery?
to pan-out as one would wish,
adding the perfect yet subtle garnish
for the pageant of organic dish
here to there with the ingression of everywhere
enter the heart with the exit of falsehoods
and the stillness of bated breath in wait
in spite of, rather than the succulent flavour
of a verbal gift foresaking it's meaning to create
the power is in the forgiveness of seeking -
the planning of the alibi for greed
that vile common bug of centrally-heated homing
the pest lurks in us all, a minutia of our ignorance
so let us link hinterland's where hearts are a-roaming.
by anglia24
12h25: 21/06/2008
©2008anglia24
Als Zarewitsch und Zar besuchte Alexander II von Rußland, ein Neffe von Kaiser Wilhelm I, zwischen 1836 und 1876 immer wieder Bad Ems.
As both Tsarevich and Tsar, Alexander II of Russia—a nephew of Emperor Wilhelm I—visited Bad Ems repeatedly between 1836 and 1876.
by bridge.
Photography tip... if you see a dog run by a space that would be a good shot for a human, wait. Person usually comes a few minutes later.
STS Leeuwin II is owned and operated by the Leeuwin Ocean Adventure Foundation Ltd, a not-for-profit organisation based at Victoria Quay.
Launched in 1986, Leeuwin II is Australia's largest sail training tall ship and is dedicated to challenging and inspiring people on adventurous ocean voyages.
www.fremantleports.com.au/Visiting/Attractions/Pages/Leeu...
A shot taken near Nenthead last December. I have managed to miss nearly all of the snow this winter due to work or lockdown. This is one of the few images that I have managed to get with snow in.
Another POV from the Tachinid Fly ( Ectophasia crassipennis )
Tech info | 54 natural light exposures stacked at f5.6, exp.time 1/2sec, ISO200
Stacking Soft / Zerene Stacker
canon mp-e 65mm/f2.8 1-5x macro lens | Metabones Canon EF to Sony E Smart Adapter (Mark IV) | Sony A7
Lichtspuren
ist eine audiovisuelle Reise, für die Pfarrkirche Maria Himmelfahrt in Puchheim vom Videokünstler Michael "Gene" Aichner, alias "Genelabo" konzipiert wurde.
Das Zusammenspiel von Bildern, Videos, Licht und Ton lassen die Kirche erstrahlen. Lichtspuren lädt die Besucher ein, sich zu besinnen, zur Ruhe kommen lassen und die Kirche mit anderen Augen zu sehen und die Musik zu genießen.
is an audiovisual journey conceived for the Maria Himmelfahrt parish church in Puchheim by video artist Michael ‘Gene’ Aichner, alias ‘Genelabo’.
The interplay of images, videos, light and sound make the church shine. Lichtspuren invites visitors to reflect, calm down and see the church with different eyes and enjoy the music.
see a video herre: www.instagram.com/p/DDJnnHGIBmU/
Waves breaking at sunset, just north of Emma Wood State Beach.
June 1, 2009
Camera: Canon EOS Digital Rebel XTi
Exposure: 0.6
Aperture: f/18.0
Focal Length: 63 mm
ISO Speed: 100
Exposure Bias: -1 EV
Visibility in nature is a fickle concept. Photographers and naturalists always crave perfect lighting and the correct conditions in which to see a place. But, as everyone knows, perfect lighting and visibility isn’t always possible or realistic to plan for. The light can be too bright and blinding- a lack of clouds can make a sky be overwhelming and burnt out. Too many clouds and what should be a brilliant and shining and defined landscape can become gloomy and diminished and murky. Like most things, balance is needed. When I was in Yosemite, I was besieged by clouds one night, had cloudless and bright skies the next night, and then was overwhelmed by smoke, the next two nights. When I was planning the trip, this is exactly what I wanted to avoid- I wanted consistency! But as I was there? Seeing Yosemite Valley react to the changes of visibility with the receding and growth of the light and the evolution of the colors and textures of the environment? The experience was transcendent. Different levels of visibility brought a different awareness to the actual experience of the place: the walls of the valley were thrown into sharper relief and became towering and immediate monuments that could then suddenly drift back into the foreground allowing for closer introspection of the immediate landscape- the trees, the water, the rocks. Colors fluctuated from being vivid and flashy to cool and muted. Even in moments where the gloom and shadows of the valley were accentuated by the sinking sun, the glow left behind by the absence of direct light only left me with an impression of how much depth there was to my surroundings. Visibility, in Yosemite, as in life, depends on your perspective.
