View allAll Photos Tagged Http,
Big M specializes primarily in classic Mercury’s and Plymouth's. A big THANKS to the crew at Big M, they are great people and a pleasure to work with!
Night, full moon, green and blue gelled flash
June 2008
body { font-family: "Calibri","Slate Pro","sans-serif"; color:#262626 } Best Regards,Www.lokomotifbag.com Www.tas200.com
Univeristy at Rochester, NY - Simon School of Business Team Building day.
MBA student orientation focusing on learning about other students and team dynamics.
www.lapressegratuite.com/2010/05/une-interview-des-cahier...
[caption id="attachment_1561" align="alignleft" width="151" caption="Cahier Marseillais"] [/caption]
En fouillant un peu sur Internet, il est possible de trouver de vieux cahiers d’école dont celui-ci, par exemple, date de 1937. On peut également y apprendre que l’étymologie du mot cahier, en latin quaternio, désigne la réunion de quatre feuilles. Alors il est vrai que les Cahiers Marseillais n’ont pas 16 pages mais plutôt 80, et, vous l’aurez deviné, ressemblent à nos cahiers d’autrefois. Un clin d’œil à nos années d’écoliers et l’occasion de nous prendre par la main pour découvrir Marseille autrement. Trimestriel distribué à 20 000 exemplaires depuis 2008, « les Cahiers Marseillais » est d’abord un magazine local autant destiné à ceux qui vivent ou visitent la cité Phocéenne
Julie Mauduy, vous êtes à l’origine des Cahiers Marseillais dont vous avez lancé le premier numéro en 2008. Pourriez-vous nous raconter comment vous vous êtes lancée et avec qui ?
Ce magazine est né de ma rencontre avec Yann Lecat. Diplomé d’école de Commerce il cherchait à s'associer pour adapter un magazine Lyonnais à Marseille. Très rapidement nous avons abandonné cette idée : chaque ville a son caractère, son rythme. Pour moi il n’est pas envisageable de faire un magazine qui ne parle pas aux lecteurs, qui ne leur ressemble pas. On souffre suffisamment des media « nationaux » qui sont en réalité trop souvent des media parisiens. (La simple opposition Paris/Province m’horripile).
Nous avons travaillé le concept pendant de longs mois. Presqu’un an. Nous avions tellement d’idées très différentes, mais notre souci était de trouver un mode de financement viable sur le long terme. Et puis comme une révélation, nous avons pensé à réunir toutes nos idées dans un seul magazine, d’où le nom : Les Cahiers Marseillais, avec un contenu mouvant d’un numéro à l’autre.
Un magazine gratuit, distribué hors des presses classiques doit apporter son lot de surprises au lecteur. Si j’achète AutoPlus, je m’attends à des sujets précis. Idem pour les magazines de déco, de voile et autres. Mais face à un gratuit, les gens sont à la fois plus exigeants et plus rapidement lassés. Il faut exister, avoir une identité forte et fédératrice, et oser l’éclectisme. C’est ma vision de la chose.
Et puis nous voulions proposer un magazine qui plaise à tout le monde, ceux qui lisent, et ceux qui sont un peu moins attirés par les lettres, avec une mise en page qui sorte des codes habituels, une maquette qui change et surprenne le lecteur, des articles plus ou moins longs… Notre objectif était de parler à tout le monde, et ce que nous avons tous dans notre mémoire collective c’est l’école. C’est ce qui a renforcé notre idée de « Cahiers » et nous avons souhaité poussé le magazine dans ce sens visuellement aussi.
Au niveau du ton, nous avons souhaité faire un magazine convivial, avec des petits mots ajoutés à la main, comme un message qu’on laisserait à un ami… C’est à dire qu’on utilise régulièrement des mots provençaux ou bien du langage familier, pour affirmer notre proximité. D’ailleurs via Facebook ou bien notre site internet à présent, nous avons beaucoup de lecteurs qui nous écrivent et souvent ils nous tutoient !
A qui s’adresse exactement le magazine ?
Aux Marseillais (les expatriés sont très vite assimilés ici) principalement, mais également aux touristes, aux curieux, à ceux qui vivent loin mais veulent rester en lien avec la cité Phocéenne… Le principal trait de caractère de nos lecteurs, c’est peut-être la curiosité. L’envie de découvrir de nouveaux lieux, de rencontrer de nouvelles personnes… Je n’aime pas les cases, mais puisqu’il faut le définir, notre lectorat est principalement composé d’actifs de 25 à 55 ans, avec une légère prédominance féminine. Mais ça n’empêche pas les enfants de jouer avec, ni les étudiants de le lire, ni les retraités de l’utiliser !
[caption id="attachment_1562" align="alignright" width="176" caption="Cahier Marseillais"] [/caption]
Le magazine est une succession de cahiers intérieurs dont les thèmes sont aussi variés que la culture, l’urbanisme, figures libres etc. Comment choisissez-vous ces thèmes ?
Ça se fait en concertation avec Yann. Même s’il s’occupe des chiffres et moi des lettres, nous essayons de prendre les décisions ensemble. Il y a des Cahiers récurrents comme « Figures Libres » qui sont des portraits de Marseillais (chefs d’entreprises, passionnés… parfois connus, parfois débutants…) ; il y a le Cahier Culture qui est récurrent également ; et puis il y a le Cahier Général, c’est à dire l’entrée du magazine avec des rubriques fixes comme les recettes, la rencontre d’un Marseillais expatrié, les bonnes idées des blogueuses… Ensuite nous essayons d’articuler le magazine autour de thèmes que nous voulons aborder, qui sont dans l’air du temps ou la saison, en fonction des personnes que nous rencontrons aussi. Le plus difficile n’est pas de trouver, mais d’arbitrer entre toutes nos idées.
Tous les trimestres, vous imprimez le magazine à 20 000 exemplaires et le distribuez à travers 900 points de distribution ? Peut-on les retrouver sur Internet ?
Alors depuis le mois d’Avril 2010, notre site internet est en ligne sous forme de blog. Nous mettons les magazines en ligne bien sûr, bientôt il y aura la liste des points de distribution du magazine également, et puis nous publions des articles sur l’actualité marseillaise en complément du magazine, nous organisons des petits jeux-concours etc...
[caption id="attachment_1564" align="alignleft" width="166" caption="Cahier Marseillais "] [/caption]
Dès septembre, nous accélérons la cadence et le magazine devient un bimestriel. Ce changement de périodicité nous permettra encore plus de proximité avec nos lecteurs je pense et puis il y a tellement de paysages et de personnes à découvrir à Marseille que nous aurons largement de quoi remplir Les Cahiers Marseillais !
Quand paraît le prochain numéro ?
A chaque sortie (ou presque, parce que l’hiver on est moins enclins à sortir), nous organisons un apéro avec nos lecteurs dans un bar de la ville, un nouveau lieu à chaque fois, souvent en extérieur, pour rencontrer nos lecteurs, pour boire un verre ensemble, pour écouter du bon son… bref passer un moment agréable. Le prochain numéro/apéro est ainsi prévu le 10 juin prochain.
Merci à vous.
Propos recueillis par JAFS
Les Cahiers Marseillais en ligne
On peut également apprendre que l’étymologie du mot cahier, qui devait probablement s’écrire « quaier », désigne la réunion de quatre feuilles. Alors il est vrai que les Cahiers Marseillais n’ont pas 16 pages mais plutôt 80, et, vous l’aurez deviné, ressemblent à nos quaier d’autrefois. Un clin d’œil à nos années d’écoliers et l’occasion de nous prendre par la main pour découvrir Marseille autrement. Trimestriel distribué à 20 000 exemplaires depuis 2008, « les Cahiers Marseillais » est d’abord un magazine local autant destiné à ceux qui vivent ou visitent la cité Phocéenne.
HONK! Parade from Davis Square in Somerville through Porter Square to Harvard Square in Cambridge. Pasting from the honkfest.org site:
* * * * *
The Honk Parade this year will include most of the Honk bands plus a wide array of community groups, each responding to the theme of “Reclaim the Streets for Horns, Bikes, and Feet” in their own way. The goal of the parade is to create a spectacular processional theater piece with striking visual images and plenty of brass band music in order to show by example how our streets and public spaces can function as places for community celebration and fun, as well as for their everyday practical purposes. The parade showcases alternative modes of transportation (pedicabs, bicycles, feet) and celebrates the possibilities of live performance as a mode for entertaining and thoughtful inspiration.
The local organizations inventing colorful processional street spectacle for the Honk Parade include community performance groups such as the Open Air Circus, the Boston Hoop Troop, Tumbling for Two, the Royal Frog Ballet, the Disbanded Drill Team, and Can-Can Revolution; activist groups such as the Livable Streets Alliance, Food not Bombs, Somerville Climate Action, Veterans for Peace, the Red Bandanna Brigade, the Green Streets Initiative, the Tufts University Peace and Justice Group; and fascinating art and performance projects such as Mitch Ryerson’s Star Wheel, the Endangered Species with Lipstick parading comparsa, the world-renowned Bread and Puppet Theater of Vermont, Jamaica Plain’s Spontaneous Celebrations, and Harvard University’s Hasty Pudding Club. The parade has also attracted neighbors joining together to have fun, such as Somerville’s Barbecue Co-op, which is constructing a four-wheeled wagon full of pigs (children in costumes) to be pulled by a contingent of chefs (their parents, also in costumes).
Image available for purchase from www.ballaratheritage.com.au
Victorian Heritage Register information
Statement of Significance
What is significant?
The Tower Hill State Game Reserve is an area of approximately 6.2 sq km, 3 km inland from the coast between Warrnambool and Port Fairy managed by Parks Victoria since 1997. The Reserve consists of a volcanic crater of nested maar type bounded by the encircling crater rim that forms a highly visible landmark in the surrounding plain. The crater, filled by a lake and series of islands, themselves volcanic cones, was formed at least 30,000 years ago when a hot rising basaltic magma came into contact with the subterranean water table. The violent explosion that followed created the funnel-shaped crater (later filled by a lake) and the islands. Artefacts found in the volcanic ash layers show that Aboriginal people were living in the area at the time of the eruption. The Warrnambool area was a rich source of foods for the Koroitgundidj people, whose descendants retain special links with this country.
The first confirmed European sighting of Tower Hill crater was by French explorers sailing with Captain Baudin aboard the Geographe in 1802 who named the crater 'Peak of Reconnaissance'. Throughout the 19th century sailors used Tower Hill as a landmark for entering the harbours of Port Fairy (Belfast) and Warrnambool. The name Tower Hill came into common usage in the 1840s. The crater formation, noted by early European settlers for the beauty of its vegetation was memorialised in the landscape painting of Eugene von Guerard in 1855.
By the late 1850s substantial amounts of forest had been cleared in and around the crater. In 1866 when the crater and inner rim were temporarily reserved for public recreation, the Acclimatisation Society of Victoria was appointed the Committee of Management (1866-1869). The Society had formed in 1861 with the aim of introducing exotic plants and animals to suitable parts of the colony and accordingly introduced goats, pheasants and rabbits to Tower Hill. In 1873 the area was permanently reserved for public purposes and in 1892 in an attempt to halt the environmental damage to the crater Tower Hill Reserve became the first National Park to be declared in Victoria. It remained under the control of Koroit Council which permitted clearing of native vegetation, grazing and the quarrying of scoria to continue. By the 1930s the landscape was bare and little wildlife remained.
In the mid-20th century lobbying by the local community concerned about environmental degradation at Tower Hill along with general recognition of the declining numbers of game birds in Victoria led to the crater being declared a State Game Reserve in 1961, one of a number established across the State at this time as wildlife refuges. The contained nature of the crater site meant it could be readily adapted to a scientifically designed habitat management program.
In 1962 Robin Boyd was commissioned to design a Natural History Centre on the main island at Tower Hill, completed in 1969. This early example of an interpretive centre was to provide the public with information about the restoration of the Tower Hill environment and the wildlife and habitats of the State's Reserves and to be a centre of study for wildlife management. Boyd, a hero of the conservation movement, designed a simple stone circular structure with sloping roof mirroring the volcanic island hilltops, sitting in harmony with the landscape. The circular glazed pavilion is a timber construction with a cill height stone skirt and wide eaves. At the centre of the open internal space is a central hollow stone column which supports the roof and is crowned by a skylight reminiscent of the core of the volcano that gave rise to the landscape. Laminated timber rafters, arranged radially, span from the hollow stone core to the outer ring of window and project to form deep eaves.
As early as 1958 local community groups established experimental plots of native trees at Tower Hill. Following designation as a State Game Reserve serious efforts began to replicate the original vegetation using von Guerard's (1855) painting as a guide to replanting using botanists to identify the plant species. By 1981 school children,, naturalists and other volunteers had planted 250 000 trees and shrubs at Tower Hill and removed non-native species and weeds and feral animals. Native animal species including koalas, wombats, emus and echidnas have also been successfully reintroduced to Tower Hill through reinstatement of habitat. The replanting program was the first of its kind in Victoria and provided a model for the national Landcare movement, established in Victoria in the 1980s.
How is it significant?
Tower Hill State Game Reserve is of aesthetic, historic, scientific, social and architectural significance to the State of Victoria
Why is it significant?
Tower Hill State Game Reserve is of aesthetic significance, being an inspirational landscape, recognised for the beauty and uniqueness of its geological form and natural vegetation from first European exploration and settlement of the region.
Tower Hill State Game Reserve is a cultural landscape of historical significance in reflecting more than a century of changing attitudes to landscape in its evolving status and the character of its environment.
Tower Hill State Game Reserve is of historical significance as an iconic and inspirational landscape, noted for its geological form and the beauty of its natural vegetation from first European exploration and settlement of the region, memorialised in Eugene von Guerard's 1855 painting of Tower Hill crater and island. It was this iconic beauty that environmentalists sought to reinstate through their replanting of native vegetation, the species having initially been identified initially from the detail of von Guerard's painting.
Tower Hill State Game Reserve is of historical significance as the earliest and an outstanding example of community programs to reinstate native vegetation and re-create native habitat on cleared and degraded land. Skills developed in the course of this work, and subsequently applied in other parts of the country include an understanding of the importance of using species indigenous to the local area, requirements for re-introduction of native fauna, and awareness of the need for re-establishment of understorey species.
Tower Hill State Game Reserve is of social significance for the ongoing role of the local community and community groups in the reinstatement of natural habitats in the Reserve.
Tower Hill State Game Reserve is of scientific (geological) significance as an example of a nested maar, a specific type of volcanic crater that formed at least 30 000 years ago when hot rising basaltic magma came into contact with the subterranean water table resulting in a series of phreatic explosions that created the funnel-shaped crater (later filled by a lake) coupled with late stage scoria cone development of the islands seen today.
B 72870 Light Horse Memorial near intersection of North Terrace and East Terrace, Adelaide.
Visit the State Library of South Australia to view more photos of South Australia.
Essai d'un nouveau système des habitations des vers testacés
À Copenhague :De l'Imprimerie de Mr. le directeur Schultz,1817.
Website | Portfolio | Blog | 500px | Facebook | Twitter | Google+
Copyright © Dave DiCello 2014 All Rights Reserved.
A collection of shots of Pittsburgh from the end of winter 2014 and the beginning of spring, when Pirates baseball starts and the fountain at Point State Park is turned back on.
"Let us remember that, as much has been given us, much will be expected from us, and that true homage comes from the heart as well as from the lips, and shows itself in deeds."
~Theodore Roosevelt
Ship Yard Structures, Night. Mare Island Naval Ship Yard, Vallejo, California. March 3, 2012. © Copyright 2012 G Dan Mitchell - all rights reserved.
Night photography of steel towers at the historic Mare Island Naval Ship Yard, Vallejo, California.
It had been a while since I last shot at the Mare Island Naval Ship Yard, one of my favorite places to do night photography. But in early March the opportunity came up to join friends from the Nocturnes, the San Francisco Bay Area night photography group currently celebrating its 20th year. We met in the afternoon for the traditional social stuff - tour of the island, sharing photographs, and pizza - and then headed out after the sun set. (Night photographers are probably the only people who look out the window and mutter, "Ah, its still golden hour. Let's not go out yet..." ;-)
These giant steel towers are among the most iconic structures at the historic ship yard. As I understand it, they were originally part of a system used to move very heavy materials (such as ship engines) from shops to the water's edge. Virtually everyone who photographs here indulges in photographing these towers and even after you have photographed the place as many times as I have they are still a source of interest. Recent work on the island has opened up a section of the water front that was previously off-limits, so it was possible to walk right beside these shell towers as they stretched out toward the water. Working from almost directly beneath them, I lined up a couple of the towers in night darkness, in which the towers were lit by nearby security lights.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
It's always such an important part of the wedding when the bride is walked down the aisle by her Father. For me, it's when the wedding day becomes so real. Emotions start pouring out, the guests see the bride for the first time, and unless they did a First Look, it's the first time the groom sees the bride. What am I trying to say? You CAN'T miss these shots.
This image is of Mandy being walked down the aisle by her Dad at her wedding with Opie at Jekyll Island, Georgia. As a destination wedding photographer I'd always wanted to shoot a wedding in Jekyll Island, and when this opportunity came up, I was so excited to be able to do it. I love seeing the flow of her dress as it's getting kicked up from her walking motion. And I really love how they're looking at each other...
Camera settings: Nikon D700, 1/200 sec at f/5.6, 34mm at ISO 200, flash did not fire. Taken at 5:20pm.
www.trustedeal.com/ China Wholesale - Buy China wholesale products at competitive price: wedding dresses, red wedding dress, bridesmaid dresses, flower girl dresses, mother of the bride dresses, maternity wedding dress, women/men shoes, naruto costumes, bleach cosplay, cosplay costumes, kingdom hearts cosplay, spiderman costumes, superhero costumes and more.
The Palace of Westminster is the meeting place of the House of Commons and the House of Lords, the two houses of the Parliament of the United Kingdom. Commonly known as the Houses of Parliament after its tenants, the Palace lies on the Middlesex bank of the River Thames in the City of Westminster, in central London.
At the north end of the Palace rises the most famous of the towers, the Elizabeth Tower, commonly known as Big Ben. At 96 metres (316 ft), it is only slightly shorter than the Victoria Tower but much slimmer. It houses the Great Clock of Westminster, built by Edward John Dent on designs by amateur horologist Edmund Beckett Denison.
Striking the hour to within a second of the time, the Great Clock achieved standards of accuracy considered impossible by 19th-century clockmakers, and it has remained consistently reliable since it entered service in 1859. The time is shown on four dials 7 metres (23 ft) in diameter, which are made of milk glass and are lit from behind at night; the hour hand is 2.7 metres (8 ft 10 in) long and the minute hand 4.3 metres (14 ft). Source: en.wikipedia.org
Natural history of Hawaii,.
Honolulu, Hawaii[Printed for the author by] the Hawaiian gazette co., ltd.,l9l5..
One of the wonderful UK National Trust properties is in in Suffolk in England.
Back in April 2014 my wife and I had a few days in this lovely county which is situated on the east coast, north of London.
The two counties that form East Anglia are the North Folk and the South Folk. Later their names were to become Norfolk and Suffolk.
These photographs were taken on a bright and sunny day and there wasn't an April shower in site!
I hope those who take the time to look at the photographs will, if you in the UK, or if you're visiting, get inspired to go and see this magnificent tribute to life as it used to be. So many wonderful artifacts abound in the museum and the views are stunning.
You can find out more about Sutton Hoo here… en.wikipedia.org/wiki/Sutton_Hoo
And this is the National Trust website which also gives more information:
Presenting the live heats of Miss Southampton where the judges whittled down the 14 entrants down to one lucky winner who will compete further in the national contest to find the country's next top model.
Nightclub Photography by renight.com
renight.com - nightlife REplayed
PopTech Ecomaterials Innovation Lab
The PopTech Ecomaterials Innovation Lab convenes this summer with a goal of fostering breakthroughs in next-generation, ‘ultra-green’ ecological materials and industrial processes.
A network of renowned materials scientists, sustainability experts, industrial ecologists and other key stakeholders will explore the future of such materials and processes, and strategies for accelerating their adoption.
Photography by John Santerre
Photography by John Sanders : www.johnsandersphotography.co.uk
Cheer Fit Cheerleaders : www.cheerfit.co.uk
Cheer fit Cheerleaders : www.cheerfit.co.uk
Ma page FaceBook: www.facebook.com/pages/Jadiina/174390782635947
Ma chaine YouTube : www.youtube.com/user/jadiina15?feature=mhee
Mon Twitter: twitter.com/#!/jadiinapassion
Ma galerie DeviantART: jadiina.deviantart.com/gallery/
Mon Blog Dolls: jadiina.skyrock.com/
Mon Blog Lolita: jadiina-lolita.skyrock.com/
Mon Blog NCIS: jadiina-ncis.skyrock.com/
Mon Blog Fairy Tail: jadiina-fairytail.skyrock.com/
OFFICIAL WEBSITE: calabarte.com/
FOLLOW CALABARTE ON FACEBOOK: www.facebook.com/calabarte
TABLE LAMP XX BUTTERFLY
Nature and math is an ocen of inspiration. The organic pattern contains three structures (plus butterflies main lines) and each of them is based upon Voronoi diagram – one of those mathematical oddities (like fractals) that turns up frequently in the world of nature.
The head of the lamp is made of Senegalese gourd. Its diameters are 27 and 23cm.
Thickness of the gourd is about 1cm so the structure is quite deep and it is carved on three different depth levels.
Height of the whole lamp is 48cm.
The diameter of the base is 28cm and it is finished with dark brown jeweler waxed string.
The end of the base is carved from wood.
On the top of the lamp is closing part locked with little magnets.
Autre version : Panier d'osier, moule à gâteaux, chaussure, bois, fer, céramique et plâtre
www.flickr.com/photos/8989278@N03/33008314353
www.flickr.com/photos/8989278@N03/33028674623
À travers près de 350 œuvres dont de nombreux chefs-d’œuvre des artistes qui lui furent proches (Joan Miró, André Masson, Alberto Giacometti, Pablo Picasso, Wifredo Lam, Francis Bacon…), des objets et oeuvres d'art africains et antillais, ainsi qu’un riche corpus d’archives et documents originaux (manuscrits, livres, films et musique), il s’agit non seulement de rendre compte des multiples facettes de la figure de Leiris, de ses passions et de ses engagements, mais également de souligner le caractère novateur de son œuvre et la pertinence de sa pensée : Michel Leiris est devenu, dans le contexte de la mondialisation et des études postcoloniales, une référence contemporaine essentielle.
Influencé dès l’enfance par Raymond Roussel et se situant en marge du surréalisme, Leiris s’éloigne du mouvement pour rejoindre la revue dissidente Documents autour de Georges Bataille. La quête de sa propre identité s’associe à une soif de dépaysements et d’altérité. Il s’initie aux méthodes de la recherche ethnographique en participant, en tant qu’archiviste, à la première mission ethnographique française en Afrique, conduite par Marcel Griaule : la « mission Dakar-Djibouti » (1931-1933), au cours de laquelle il écrit L’Afrique fantôme, hybride de journal de terrain et de récit autobiographique. Après la guerre, il se rend aux Antilles en compagnie d’Alfred Métraux, qui lui fait découvrir les rites vaudou. Aficionado de corrida, il est tout autant passionné de jazz, d’opéra et de spectacle, qui sont pour lui des « terrains de vérité ». Devenu ethnographe professionnel, africaniste au Musée de l’Homme, il est à l’initiative du premier ouvrage sur la Création plastique de l’Afrique noire.
Son œuvre littéraire compte parmi les plus novateurs du siècle dernier : auteur de L’Âge d’homme et des quatre volumes de La Règle du Jeu, Michel Leiris a révolutionné le genre de l’autobiographie.
Poète explorateur passionné des jeux de langage, il revendique aussi pour la littérature une esthétique du risque (« De la littérature considérée comme une tauromachie »). Engagé dès les premières heures dans la lutte anticoloniale et antiraciste, devenu homme public et militant, il reste avant tout écrivain solitaire. Michel Leiris est inclassable : figure libre éminemment complexe et paradoxale, sa modernité s’impose aujourd’hui encore plus qu’hier.
(Source : www.centrepompidou-metz.fr/leiris-co-picasso-masson-mir-g...)
PICASSO : UN « GÉNIE SANS PIÉDESTAL »
Michel Leiris a consacré, de 1930 à 1989, une vingtaine de textes à Picasso, ce « génie sans piédestal ». Ces derniers constituent le témoignage d’une amitié renforcée par le lien avec la galerie Louise Leiris, d’une complicité tauromachique et d’une adhésion aux caractéristiques essentielles de l’œuvre du peintre : l’humour, le tragicomique, l’attachement à l’humain et au réalisme, le caractère autobiographique de l'art, qui se manifeste dans le thème majeur du « peintre et son modèle » devenu quasiment « un genre en soi ». Dans le texte de 1954, « Picasso et la comédie humaine ou les avatars de Gros pied », Leiris évoque les relations ambiguës entre fiction et réalité, entre l’art et la vie, ainsi que la question du vieillissement et de la mort qui n’épargnent pas l’artiste, aussi génial soit-il. À force de peindre l’acte de peindre, Picasso prend la peinture comme modèle ; ces recréations des chefs-d’œuvre du passé plaisent particulièrement à Michel Leiris qui écrit sur Les Ménines d’après Vélasquez de Picasso.
Une série de portraits de l’écrivain, ainsi que des oeuvres venant de sa collection (La Pisseuse, 1965, La Petite fille à la corde, 1950) rendent compte de cette longue et fidèle complicité.
(Source : www.centrepompidou-metz.fr/leiris-co-picasso-masson-mir-g...)
Source: livinghistories.newcastle.edu.au/nodes/view/6569
This photograph was taken by a member of the University of Newcastle's former Medical Communication Unit. The original slide is held in Cultural Collections, Auchmuty Library, the University of Newcastle, Australia.
This image can be used for study and personal research purposes. If you wish to reproduce this image for any other purpose you must obtain permission by contacting the University of Newcastle's Cultural Collections.
Please contact us if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
If you have any information about this photograph, please contact us or leave a comment.
Go to Page with image in the Internet Archive
Title: Atlas and essentials of gynecology
Creator: Schaeffer, Oskar. b. 1863
Publisher: New York : W. Wood
Sponsor: Open Knowledge Commons and Harvard Medical School
Contributor: Francis A. Countway Library of Medicine
Date: 1897
Language: eng
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
FaceBook｜Blogger ｜Instagram ｜500PX
You can licence images through My Getty image
All of My Reviews｜心得文：
Olympus MZD 17mm f/1.2 PRO Review
Olympus MZD 25mm f/1.2 PRO Review
Olympus MZD 45mm f/1.2 PRO Review
Panasonic LEICA DG 12mm f/1.4 Review
Panasonic LEICA DG 8-18mm f/2.8-4 Review
A Five-Year Photographic Journey with the M4/3 Series.
Malibu Boats (@MalibuBoats) Team Skier, Joel Wing (pictured here with Thomas Degasperi) returned from Townsville last weekend as the Australian Overall Champion. After 3 big days of competition, Joel outclassed 12 time champion, Ryan Green and young gun Tim Bradstreet to win by a massive 240 overall points. Joel had the advantage of his very own Malibu Response LXi as the towboat for the Championships "The LXi performed great all weekend, providing some great power for big jumps as well as the beautiful trick and slalom wakes we are all used to from the LXi". After a great Australian season, Joel was named as one of the six Australian team members to compete in the World Championships in Russia in July this year. Great job Joel!
If you capture or come across a cool Malibu Boats-related photo like this one let us know. We would love to post it on the Malibu Boats Blog and Flickr Channel. We will even Tweet about it on Twitter and add it to the ever-changing Malibu Boats Screen Saver. You can also submit your photo or video through our Malibu iPhone App.
E-mail blog@malibuboats.com with links and/or images. Also make sure to include the name of the person who took the shot and give us a short description of the photo's contents. If you do not know this information and you are only forwarding a link, we can track it down. Thanks!
Visit our website: www.urban-art-muralism.com/
Check our Facebook Page: www.facebook.com/urbanartattack
Date: 20.03.2011
Location: Amsterdam oost, Spaklerweg 1
Wall: 2 walls of the bridge below the train tracks 60 m2 each
The first painting action during the exchange was split all over the city. Amsterdam Oost, Spaklerwegbridge, painting action with Korn, Skia, Wame, Skinny, Erase, Roy Schreuder.
URBAN ART MURALISM - ARTIST EXCHANGE in AMSTERDAM
A group of 36 Urban Artists coming from six European countries – Netherlands, Denmark, Germany, Italy, France and Austria – took part in the European Art Exchange Project “SH(OUT)!!!” from 18.03.11 to 27.03.11 in Amsterdam.
The main activities included several mural paintings in the city of Amsterdam, an exhibition in the Dokhuis Gallery as well as a common art workshop with local young people.
Nowadays Urban Art has worldwide acceptance as a young art form. Urban Artists form and transform public spaces and present their work, free of charge, throughout the cities. The event gives respect and pays tribute to art from the streets and makes this art form more accessible to a broader audience through various live painting activities in the city, two innovative group exhibitions and workshops.
Bluserena | Hotel Sansicario Majestic - Piemonte
L'Hotel Sansicario Majestic è un Hotel 4 stelle, il primo hotel Bluserena sulla neve. Sorge a Sansicario, Torino, a 1.700 m. slm, nel più bel comprensorio sciistico delle Alpi, la Vialattea; gli impianti rinnovati in occasione delle recenti Olimpiadi invernali e i 400 km di piste di ogni livello, sino a 2823 m. di altitudine, ne fanno la meta ideale per gli amanti dello sci. Gli impianti possono essere utilizzati anche dai non sciatori per raggiungere le baite in quota.
L'Hotel Sansicario sorge in posizione soleggiata, gode di una splendida vista, da un lato sul monte Chaberton e dall'altro sui prati del Fraiteve.
Dista circa 500 m dal centro commerciale di Sansicario e circa 400 m dagli impianti di risalita (servizio navetta gratuito e disponibile tutto il giorno, percorrenza 3 minuti), 8 km da Sestriere, 20 Km dal confine con la Francia e 30 Km dalla splendida cittadina di Briançon.
L'Hotel dispone di 150 camere. Offre animazione per grandi e bambini, ricca ristorazione e inoltre centro wellness rinnovato e ampliato con 2 saune, 2 vasche idromassaggio, bagno turco, docce emozionali, sauna e massaggi, piscina coperta e riscaldata, palestra, miniclub, spazio spettacoli, ristorante, lounge bar con terrazza solarium, sala TV/lettura, sala polivalente, ascensori, parcheggio esterno e garage, desk scuola sci e noleggio attrezzatura in hotel, internet point, wi-fi in alcune aree comuni.
booking@bluserena.it | +39.085.8369777
The Angel is a spiritual being created by God. The word angel comes from a Greek word meaning “messenger” or “one who is sent.” Angel Tattoo Pictures visit our blog fashat.com/angel-tattoo/
New ballet & landscape instagrams!
www.instagram.com/elliotmcgucken/
Nikon D810 Epic Fine Art Ballerina Goddess Dancing Ballet! Dr. Elliot McGucken Fine Art Ballet!
Marrying epic landscape, nature, and urban photography to ballet!
Nikon D810 with the Nikon MB-D12 Multi Battery Power Pack / Grip for D800 and D810 Digital Cameras allows one to shoot at a high to catch the action FPS! Ballerina Dance Goddess Photos! Pretty, Tall Ballet Swimsuit Bikini Model Goddess! Captured with the AF-S NIKKOR 70-200mm f/2.8G ED VR II from Nikon, and the Sigma 50mm f/1.4 DG HSM Art Lens for Nikon! Love them both!
www.facebook.com/45surfAchillesOdysseyMythology
Ballerina dancing ballet! Pretty ballerina girl with blonde hair and blue eyes!
A pretty goddess straight out of Homer's Iliad & Odyssey!
New Instagram! instagram.com/45surf
New facebook: www.facebook.com/45surfAchillesOdysseyMythology
Join my new fine art ballet facebook page! www.facebook.com/fineartballet/
The 45EPIC landscapes and goddesses are straight out of Homer's Iliad & Odyssey!
I'm currently updating a translation with the Greek names for the gods and goddesses--will publish soon! :)
"RAGE--Sing, O goddess, the anger of Achilles son of Peleus, that brought countless ills upon the Achaeans. Many a brave soul did it send hurrying down to Hades, and many a hero did it yield a prey to dogs and vultures, for so were the counsels of Zeus fulfilled from the day on which the son of Atreus, king of men, and great Achilles, first fell out with one another. " --Homer's Iliad capturing the rage of the 45EPIC landscapes and seascapes! :)
Ludwig van Beethoven: "Music/poetry/art should strike fire from the heart of man, and bring tears from the eyes of woman."
The Light Is All Photography | my best photos | most "interesting" | most faved
I love the rock trail (at Spray Park). Good job, trail crew!
Our Daily Topic: Narrow (May 1, 2011). Winner's Circle #1063: Walk in the woods. (IMG_6566)
ศูนย์เรียนรู้ ifarm จัดอบรมเพาะเห็ดถุงเชิงลึก 2 วัน
กลับมาเรียนทบทวนได้ฟรีจนกว่าจะเป็น สอนตั้งแต่การทำวุ้น PDA การนึ่งวุ้น PDA การเขี่ยเนื้อเยื่อเห็ด การบ่มเส้นใยเห็ด การทำเชื้อข้าวฟ่าง (เชื้อขยาย) สูตรอาหารเห็ด การผสมอาหารเห็ด การทำก้อนเห็ด การนึ่งก้อนเห็ด การบ่มก้อนเห็ด การเปิดดอก การสร้างโรงเรือนเห็ด การควบคุมสภาพแวดล้อมโรงเรือนให้เหมาะสมกับเห็ดแต่ละชนิด การเก็บเห็ด การถนอมดอกเห็ด การตลาดและ Business Model ธุรกิจฟาร์มเห็ด
อบรมที่ อ. บางบัวทอง เดินทางสะดวก เน้นสอนด้วยขวบการเพาะเห็ดที่ได้มาตรฐาน และด้วยเครื่องมือ อุปกรณ์และเครื่องจักรเพาะเห็ดที่ได้มาตรฐานเพื่อให้สอดคล้องกับ GAP ฟาร์มเห็ดที่จะมีการใช้ในอนาคตอันใกล้
สนใจติดต่อ 081-555-1297 หรือที่ลิงค์นี้ : อบรมเพาะเห็ด
victorkaminoff.com/los-angeles/property/2201-sunset-plaza...
2201 Sunset Plaza, Alynn Morris, 1990. AIA. Pool, Privacy, Jetliner views forever! One of the few private homes on upper Sunset Plaza Drive. Excellent example of large scale architecture in impeccable condition with views from every room. Bright, light, and built on the grand scale. Sunken Living room with fireplace has double height ceilings leading to private pool. Formal dining room, media room and built in wet bar, perfect for screenings. Master suite is upper level of house with spectacular views, with a fireplace, sitting area, huge walk in closet and penthouse-like terrace with more breathtaking views. Large Master bath equipped with spa tub and steam shower. Downstairs, 3 additional bedrooms (one used as guest bedroom, one as gym, and one as office with separate entry to outdoors). Video surveillance system, audio set up throughout the house. The perfect party house –be the king of the Sunset Strip in the perfect location!
Type: Contemporary
Status: Active
Price: $2,495,000
Address: 2201 Sunset Plaza
City: Sunset Strip
State: CA
Zip: 90069
Square ft.: 3,627
Lot Square ft.: 35,285
Bedrooms: 4
Baths: 4.5
Catwa -Anika Hair
M&M - Fabiola Dress
7Deadly s{K}ins - Patience Skin Box5
FashionNatic - Phoebe Stiletto
[ Portugal ] [ Montalegre 2o1o ] [ Pão Tradicional ]
• f/3.5 | 1/25 sec | 18 mm | ISO800 | 0 EV | Programa Manual | •
Companhia: Filipa Scarpa | Cátia
---
Por Favor, nao usar esta imagem em sites, blogs ou outro tipo de media sem a minha devida autorização. © Todos os direitos reservados!
...
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved!
---
En micamara.es/ecuador/ pueden visitar Ecuador y las Islas
Galapagos.
Un paseo por la web micamara.es/ para encontrar: arte, historia, folclore,
naturaleza, fauna, flora, etc de muchos lugares del mundo.
Our final sightseeing stop in Key West was the historic Key West Cemetery (701 Passover Ln.).
The cemetery features many family burial plots, which are delineated by low walls or iron fences. This photo shows a view of the Lowe family plot. While the stones shown here date from the early 1900s, some of the graves in this plot date back to the mid-1800s. The tall stone on the left marks the graves of Mary E. Lowe (1836-1919) and John Lowe Jr. (1833-1917); the two headstones in the middle mark the graves of Philip J. Bayly (1857-1912) and his wife, Emma Bayly (1864-1908), both of England; and the tombstone on the far right marks the grave of Charles R. Lowe (1870-1902).
The cemetery was established in 1847, after the hurricane of October 1846 destroyed/washed away several burial grounds throughout the island. The Historic Florida Keys Foundation offers a downloadable cemetery map that highlights many historically significant graves.
