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2009-03-29 Fussball, Niederösterreich, Gebietsliga Süd Südost, FOTOBLITZ MÖHSI www.fotoblitz.at, FOLIE GRADINGER www.folie-gradinger.at, BASRYSPORT www.basry.com, N.Ö. Fussballverband www.noefv.at, SV Wienerwald www.sv-wienerwald.at, Aufstellung Schmidt Christoph, 04 Wallner Michael, 05 Djapic Marijan (K), 06 Gaida Stefan, 07 Ehrenberger Josef, 08 Julina Zdenek, 09 Boskovic Daniel, 12 Mert Ihsan, 14 Kovacevic Tomislav, 15 Schuster Martin, 16 Fahrenberger Markus, Austauschspieler ET Schneider Bernhard, 03 Mayerhofer Manuel, 10 Vasiljkovic Srdan, 11 Babuscu Bahattin, 13 Luna Duarte Jose, Trainer Resch Thomas, Aufstellung 1.SvG Gumpoldskirchen T Csaszar Stefan (K), 02 Kickinger Bernd, 03 Zirkler Robert, 05 Kovacs Tibor, 06 Jandrisovits Martin, 07 Schaufler Bernhard, 10 Koreimann Mario Arnold, 11 Ikic Marijo, 12 Schada Philipp, 13 Grasser Patrick, 14 Zamani Noel, Austauschspieler ET Grasser Daniel, 04 Pukal Florian, 08 Chinedumije Franklin, 09 Dorner Mario, 15 Pukal Fabian, Triner Dorner Mario, Schiedsrichter Zanat Andreas, Spielverlauf, 17. Minute: Tor für Wienerwald durch Boskovic Daniel. Neuer Zwischenstand: 1:0, Zirkler Robert trifft in der 20. Minute zum 1:1 für Gumpoldskirchen, Tor! Ikic Marijo (Gumpoldskirchen) trifft nach 22 Minuten zum 1:2, 29. Minute: Gelbe Karte für Schaufler Bernhard (Gumpoldskirchen, Foul), 44. Minute: Gelbe Karte für Schada Philipp (Gumpoldskirchen, Foul), 45. Minute: 1. Spielerwechsel bei Wienerwald, Aus dem Spiel: Kovacevic Tomislav, neu im Spiel: Vasiljkovic Srdan, 49. Minute: Gelb/Rote Karte für Schaufler Bernhard (Kritik). Gumpoldskirchen damit nur noch mit 10 Spielern am Platz, 50. Minute: 1. Spielerwechsel bei Gumpoldskirchen, Aus dem Spiel: Csaszar Stefan, neu im Spiel: Grasser Daniel, 57. Minute: 2. Spielerwechsel bei Wienerwald, Aus dem Spiel: Wallner Michael, neu im Spiel: Babuscu Bahattin, 59. Minute: Gelbe Karte für Gaida Stefan (Wienerwald, Foul), 60. Minute: Gelbe Karte für Julina Zdenek (Wienerwald, Foul), 62. Minute: Gelbe Karte für Kickinger Bernd (Gumpoldskirchen, Foul), Schuster Martin trifft in der 65. Minute zum 2:2 für Wienerwald, 75. Minute: 2. Spielerwechsel bei Gumpoldskirche, Aus dem Spiel: Ikic Marijo, neu im Spiel: Chinedumije Franklin, 77. Minute: Gelbe Karte für Grasser Patrick (Gumpoldskirchen, Foul), 78. Minute: Gelbe Karte für Fahrenberger Markus (Wienerwald, Foul), 79. Minute: Gelbe Karte für Schuster Martin (Wienerwald, Foul), 83. Minute: 3. Spielerwechsel bei Gumpoldskirchen, Aus dem Spiel: Kickinger Bernd, neu im Spiel: Pukal Florian, Ergebnis 2:2, Photografer Gerhard Möhsner
A locals' pub in Borough, perfectly reasonable and none too busy even on a Friday evening. It has since closed as of 2012 and been converted to residential.
Address: 37 Crosby Row.
Owner: Enterprise Inns (former); Unique (former); Inntrepreneur (former); Courage (former).
Links:
Fotografía: Rai Robledo
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Twitter: twitter.com/RaiRobledo
Si quieres contratarme para hacerte un book, un reportaje fotográfico, cubrir un evento, hacerme una entrevista o cualquier otra consulta, envía un mail a: fotoraiworld@gmail.com y me pondré en contacto contigo en el plazo de un día.
Pachyrhizus erosus (Jicama, Mexican yam, Mexican turnip)
Seeds at Hawea Pl Olinda, Maui, Hawaii.
September 28, 2012
2013-06-05 Sichtbar werden mit Folie Gradinger, Fussball Niederösterreich, Internationaler Fussball, UEFA Elite EM Qualifikation, U19 Frankreich vs U19 Schweden, Ergebnis 3:0 (1:0), Sportplatz Sportschule Lindabrunn, Schiedsrichter Stavros Tritsonis (GRE)), Photografer Gerhard Möhsner, Bilderdatenbank Fotoblitz hier klicken
Torfolge 1:0 (8.Min.) Adrien Honou, 2:0 (56. Min.) Adrien Rabiot, 3:0 (77. Min.) Adrien Honou
Team France: 1 Quentin Beunardeau, 2 Jordan Ikoko, 3(K) Benjamin Mendy, 4 Antonie Conte, 5 Lucas Rougeaux, 6 Larry Azouni, 7 Hadi Sacko, 8 Soualiho Meite, 9 Yassine Benzia, 10 Lenny Nangis, 11 Adrien Rabiot, 12 Gregoire Lherbier, 13 Sebastien Haller, 14 Morgan Sanson, 15 Adrien Hunou, 16 Brice Samba, 17 Diacko Fofana, 18 Gaetan Laborde, Head Coach Francis Smerecki
Team Sweden: 1 Oskar Larsson, 2 Dennis Olsson, 3 Johan Hammar, 4 Emil Krafth, 5 Melker Hallberg, 6 Joakim Nilsson, 7 Simon Sandberg, 8 Kristoffer Olsson, 9 Oliver Silverholt, 10 Victor Söderström,11 Victor Nilsson Lindelöf, 12 Linus Müller, 13 Adam Lundkvist, 14 David Moberg Karlsson, 15 Sam Lundholm, 16Mirza Mujcic, 17 Muamer Tankovic, 18 Simon Tibbling, Head Coach Claes Eriksson
Schiedsrichter Stavros Tritsonis (GRE), Assistent Ilias Alexeas (GRE), Assistent Clemens Schüttengruber (AUT)
Fotorechte: Diese Fotos stammen von Gerhard Möhsner und sind urheberrechtlich geschützt. Kopien, Vervielfältigungen für Veröffentlichungen dürfen nur mit ausdrücklicher schriftlicher Zustimmung gemacht werden !!
The fisheries and fishery industries of the United States. Prepared through the co-operation of the commissioner of fisheries and the superintendent of the tenth census
Washington,Govt. print. off.,1884-87.
By Catedrales e Iglesias
© Álbum 0601
By Catedrales e Iglesias
Arquidiócesis de México
Sitio Oficial de la Arquidiócesis de México
www.arquidiocesismexico.org.mx/
Parroquia Santa Cruz y Soledad de México
Plaza y Sta. Escuela 12
Col. Centro,
B. La Soledad
C.P. 15290
Del. Venustiano Carranza
Tel. 5542-1569
Tel. 5542-1813
Fax.
PARROQUIA DE SANTA CRUZ y SOLEDAD
Barrio de la Merced. Ciudad de México
Enclavada en el populoso barrio de la Merced, la parroquia de Santa Cruz y Soledad podría clasificarse por las formas clásicas de arquitectura, entre las construcciones de estilo renacimiento puro.
La edificación de este inmueble localizado en la Plaza Santa Escuela, en la colonia Barrio de la Soledad, delegación Venustiano Carranza, se inició el 27 de diciembre de 1774, siendo virrey Antonio María Bucarelli y arzobispo, Alonso de Haro y Peralta.
Esta primera parte de la obra fue ejecutada por el maestro Cayetano Signen. Los materiales utilizados fueron tezontle, piedra, cantera gris, madera y hierro principalmente.
Se erigió sobre 4 mil 145 metros cuadrados y fue concluida la obra en 1787. Originalmente, la iglesia se llamó Santa Cruz Coltanco y se estrenó el 5 de septiembre de 1792.
Su fachada está chapeada de cantera gris al igual que las pilastras que la sostienen. En su interior tiene 6 columnas almohadilladas aisladas que apoyan a la nave principal.
De acuerdo a una descripción de la época, se trata de un magnifico templo de mampostería; su bóveda está revestida de cantera. Es de forma rectangular y consta de tres naves.
El piso es de mosaico en colores rojo y blanco, tiene una bonita escalera de mármol; el altar mayor es de este mismo material; su techo lo forman bóvedas de cañón con lunetos en los tres primeros tramos de la nave central, misma que se ve interrumpida por una cúpula octagonal.
Sobre el presbiterio se puede apreciar otra bóveda aunque éste es de platillo. Esta área tiene el techo formado por 8 pequeñas bóvedas de cañón. El piso es de mosaico verde y blanco, en tanto que la pila bautismal está realizada de madera con primorosos tallados.
La luz natural es muy buena pues cuenta con 8 ventanales en cada uno de sus muros laterales, además de igual número colocados en la cúpula. Tiene 2 inmensos campanarios.
Por lo que toca a la parte que aloja al coro es espaciosa, ya que abarca las 3 naves y está sostenido por el mismo número de arcos. Su piso es de duela en la parte central y de ladrillo a los extremos. Mención aparte merece el hermoso barandal con 2 originales campanillas de hierro forjado.
Conforme a un inventario efectuado en 1925, la parroquia tenía pequeños tesoros como una corona de plata con una inscripción que decía: "José María Galván, México, Marzo 29-1912", así como un estandarte de seda pintado que rezaba "Corazón de María" y estaba ricamente adornado con galón dorado.
Su sagrario es de madera; tiene a la Virgen de la Soledad con un vestido de terciopelo negro y bordado de plata.
Sin embargo con el paso de los años fue perdiendo poco a poco su esplendor: para empezar en la gestión del Presidente Lázaro Cárdenas, su anexo fue destinado como una casa para los indígenas, por lo que la superficie quedó en 2 mil 635 metros cuadrados. Más adelante se abrió la escuela hogar "Liberación" que perteneció a la Beneficencia Pública. Esto ocurrió en 1937.
Dos años después, en la noche del 24 al 25 de marzo se registró un robo de 6 candelabros de bronce niquelado. La mala suerte no paró ahí y en 1941, hurtaron 2 copones de plata y un relicario del mismo material. Por si fuera poco, el 17 de enero de 1970, un choque de un camión de pasajeros dañó considerablemente una parte de la verja y agrietó un muro exterior.
Afortunadamente, este inmueble que fue declarado Monumento el 9 de febrero de 1931, fue restaurado completamente en 1982, lo que permitió recuperar parte de esa belleza virreinal
Información tomada de
Sapindaceae (soapberry family) » Dimocarpus longan Lour.
dy-mo-KAR-pus -- from the Greek dis (twice) and karpos (fruit)
LONG-an -- from a Chinese name for the species, long yan (龙眼 : dragon eyes)
commonly known as: dragon's eyes, eyeball tree, longan • Assamese: আচফল asphol, নাগা লীচী nagalichi • Bengali: আঁশফল ashphol • Garo: samphal bol • Khasi: dieng loba • Konkani: वुंब wumb • Malayalam: പെമ്പുന്ന pempunna, പെമ്പൂവം pempuuvam, പൊരിപുന്ന poripunna • Manipuri: nongganghei • Marathi: ओंब omb, उंब umb • Mizo: thei-fei-mûng • Tamil: செம்பூவம் cem-puvam, காட்டுப்பூவம் kattu-p-puvam, பிரப்பன் pirappan, பூவம் puvam
Native of: s China, India, Sri Lanka, Indo-China, Malesia; cultivated elsewhere
References: eFlora • Wikipedia • NPGS / GRIN • ENVIS - FRLHT
web.mac.com/tinygdynamite/Site_2/Welcome.html
Here future Lovers, when in Troops they come,
Venus, to visit thy distinguish'd Dome,
As thro' this consecrated Shade they pass,
Shall offer to the Genius of the Place.
Shift now the closer Scene: and view around,
With various Beauties the wide Landskip crown'd.
Here level Glades extend their length'ning Lines,
There in just Order the deep Quincunce shines.
Here chrystal Lakes reflect contiguous Shades,
There distant Hills uplift their azure Heads.
Round the free Lawn here gadding Heifers stray,
And frisking Lambs in sportive Gambols play.
There murmur to the Wind Groves ever-green,
And inter-mingled Buildings rise between:
The Sun declin'd with milder Glory burns,
And the fair Piece with various Light adorns.
Lo! in the Centre of this beauteous Scene,
Glitters beneath her Dome the Cyprian Queen:
Not like to her, whom ancient Homer prais'd,
To whom a thousand sacred Altars blaz'd:
When simple Beauty was the only Charm,
With which each tender Nymph and Swain grew warm:
But, Yielding to the now-prevailing Taste,
In Gold, for modern Adoration, drest.
For her the Naiads, in their watry Bed,
Amid the level Green a Mirror spread;
Along whose terass'd Banks the shelt'ring Wood,
Defends from ruder Winds th' unruffled Flood.
Connect with U.S. Army Garrison Rheinland-Pfalz
U.S. Army Garrison Rheinland-Pfalz web site
U.S. Army Garrison Rheinland-Pfalz Facebook
Photos by Rick Scavetta, U.S. Army Garrison Rheinland-Pfalz
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Americans in Rheinland-Pfalz take stand against drugs, alcohol
By Rick Scavetta, U.S. Army Garrison Rheinland-Pfalz
SEMBACH, Germany - Hundreds of people at U.S. Army Garrison Rheinland-Pfalz took a stand against drug and alcohol abuse Oct. 19 during the Red Ribbon Run at Sembach Kaserne.
The event, centered on a five kilometer fun run and walk, is the Kaiserslautern Military Community’s way to commemorate National Red Ribbon Week. Kai Jendretzke won the race, coming in at 17:11.
“We had more than 850 runners and walkers and we had in excess of 107 volunteers,” said Sandi Magill, who coordinated the event. “I’d say, ‘we rocked it.’”
This year, the event was paired with a Halloween theme – zombies. Many people got into character, sporting ghoulish face paint and torn clothes. The first zombie across the finish line was Pfc. James Conyers, 23, a military police Soldiers assigned to the 230th Military Police Company at Sembach Kaserne.
The event kicked off beside the Sembach Community Activity Center. First, runners and walkers registered and received a t-shirt that said “Never High, Always Fly.” Dozens of families brought their dogs with them. At least one cat also attended.
Following the opening ceremony, participants made their way to the start line. Wojtek Czyz, a German Paralympic athlete whose leg was amputated from a severe soccer injury, held a race torch high. At the starting gun, they were off with Czyz, Maj. Gen. John R. O’Connor, commander of the 21st Theater Sustainment Command and Col. Bryan DeCoster, commander of U.S. Army Garrison Rheinland-Pfalz, leading the group.
Zombies aside, the garrison hosts the annual event to spread awareness on prevention of drug and alcohol abuse. Red Ribbon Week, which starts Oct. 23, honors the memory of Enrique Camarena, an undercover Drug Enforcement Administration agent and former Marine who was tortured and killed in Mexico in 1985.
People sick of the destruction caused by alcohol and drugs began wearing red satin badges and forming coalitions to spread the word. Now, events are designed for people to take a stand against substance abuse. In the KMC, the Army garrison’s family-geared run and walk has become tradition.
Before and after the run, families took part in lots of fun activities, to include a haunted house, mask making, making your own Zombie T-shirt and pumpkin decorating. There was also a flash mob, where volunteers danced to Michael Jackson’s song, “Thriller.”
There was a USO stand offering food as well as food from the Sembach Community Activity Center. There was a haunted house, a pumpkin patch, fire trucks and jumping castles. More than 50 garrison staff and band members also supported the event.
Several community organizations were on hand for the event, to include the garrison’s Army Substance Abuse and Prevention program, Army Community Service and family advocacy. Cadets from the Air Force Junior Reserve Officer Training Corps posted the colors during the opening ceremony and served as guides. In all, more than 22 community agencies took part, Magill said. In total, roughly 4,075 people took part, Magill said.
Command Sgt. Maj. Kenneth Kraus, U.S. Army Garrison Rheinland-Pfalz’s senior enlisted leader, closed the event by encouraging participants eat suppers as a family.
“Plan at least three dinners together weekly with your kids. Take time to engage them in conversation about school, work, spirituality, fitness and health,” Kraus said. “It’s been proven to make a difference.”
On This Date: Photo taken 3/23/2016.
Zach McKinstry of the Central Michigan University Chippewas puts the ball in play at Michigan State's McLane Baseball Stadium.
==========
The Spartans start their baseball season with a southern trip, returning to East Lansing about now every spring. State plays Big 10 teams on the weekends and mostly Mid-America Conference squads in mid-week. Lately they've been opening their home season against the Chips.
MSU baseball's become one of my post-retirement pleasures. I watch 'em in East Lansing, and I've followed the team to Kalamazoo and Mount Pleasant most recent years. Maybe this year I'll add Ann Arbor, or Ypsi. We'll see.
Number of pix taken on various March 23rds: 123
Year of oldest photo: 2012
How I Rated the Date's Photographs:
. 1 Star: 10
. 2 Stars: 12
. 3 Stars: 84
. 4 Stars: 17
. 5 Stars: 0
** Move mouse over each photo to see links to the original.
I’d like to give full credits to the following photographers:
1. ALL SIZES chou5942 高雄夜市排隊買的麻辣臭豆腐
2. ALL SIZES conge_pku DSC01493
3. ALL SIZES Danburg Murmur 五更腸旺 (鴨血+豆腐+肥腸) from 得記港式麻辣
4. ALL SIZES Danburg Murmur 啤酒鴨火鍋
6. ALL SIZES Danburg Murmur 鴨血臭豆腐
8. ALL SIZES singemily Untitled
Note:
* The intention of mosaic is to be an index, not a photo.
* To see the goodies, you really must go to the original.
* ALL SIZES is for the viewing pleasure.
Created with Mosaic Maker.
2006-xx-xx: 1st Cut
www.kennethmcneil.dk :: :: Follow my photography on Facebook
- - - - - - - -
SX-70 Sonar Onestep Black (refurbished) ::: SX-70 (Expired)
The photo itself photographed with my D90 (haven't got a scanner here in Sydney).
Converted to b&w in Photoshop.
Location: Newtown, Sydney, Australia
Poster created for the upcoming release of The Giving Tree Bands album "Great Possessions"
Hand drawn instrument, final output in illustrator
clickeventonline.com/event/politica/130910-MarcosAntonioR...
El Dr. Marcos Antonio Ramos continúa con la segunda de la serie de conferencias en honor a Juan M. Clark, bajo el titulo «La situación religiosa en Cuba» celebrado el martes 10 de septiembre de 2013 en Casa Bacardí, sede del Institute for Cuban and Cuban-American Studies (ICCAS).
Dr. Marcos Antonio Ramos, historiador, periodista y teólogo cubano. Profesor Emeritus de Florida Center for Theological Studies. Investigador del Instituto de Estudios Cubanos y Cubano-Americanos de la Universidad de Miami y miembro Correspondiente de la Real Academia Española de Madrid. Autor de numerosos libros entre ellos “Panorama del Protestantismo en Cuba” (Editorial Caribe, San José, 1986), “Protestantism and Revolution in Cuba” (Universidad de Miami, Coral Gables, 1989), “La Cuba de Castro y Después” (Thomas Nelson Publishers, Nashville, 2007), Religion and Religiosity in Cuba: Past, Present and Future (Trinity College, Washington D.C., 2002) y coautor de Vol. VII de la ‘Historia general de América Latina” publicada por la Unesco. Vicepresidente del Comité Ejecutivo de Herencia Cultural Cubana y Editor General de la revista Herencia. Condecorado por el Vaticano con la Medalla Papal “Benemerenti”.
New upload : ift.tt/2fQLZFy Blog : ift.tt/1hotFwV product website : ift.tt/2cVfaXx Email : amyclothes@gmail.comvia Instagram ift.tt/2hoJWYI
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Bay Colony Louisville KY Homes for sale in 40241 are located at Shanandoah Dr off Chamberlain Ln in east Jefferson County.
Homes for sale in the Bay Colony neighborhood run in size from 1000 to 1800 sqft.
If you would like to see an up to date list of homes for sale in Bay Colony, please visit our real estate website at www.shoplouisvillekyhomesforsale.com/property-search/list/?searchid=1076362
We love to help, so call us at 502-821-3062 with any questions about Bay Colony homes.
Once again Mingle Media TV and our Red Carpet Report team were invited to come out to cover this year’s awesome OFFICIAL Talent Gift Lounge hosted by Distinctive Assets for the 59th Annual GRAMMY® Awards at the Staples Center in Downtown LA.
The talent invited to get the latest luxury items were treated to everything from clothing, electronics, fitness, fashion, jewelry, and of course, yummy desserts! Here’s some of the sponsors: OKAWA1536 lampshades, MBG’s Medi LED Hydro Mist and Medi Hydro, Pure BioGen Complex hair care, Blue Nun 24K Gold Sparkling Wine, Dalgomi DMASK Good Night Snail Mask, FXP Hula Hoop Fitness, Gold Leaf Gourmet dessert kits, Grossé Japan costume jewelry, Hasbro Gaming, Marchon designer sunglasses, Oomi Smart Home Kits, Oxygenetix Breathable Foundation and Oxygenated Moisturizer, The Lauren Ashtyn Collection Volume Hair Extensions, Trespass casual wear, Trtl Travel Pillows, Tunka Artoriginal art, UniversiTee Box care packages and so much more!
This is the 20th year for the guro of gifting suites, Lash Fairy, who is all about the right products for the event!
“It is a true honor to be even a very small part of Music’s Biggest Night® for so many years now. Just as the GRAMMYs® themselves are the gold standard in the music industry, the GRAMMY Gift Lounge has become the benchmark by which all other talent gifting experiences are measured,” said founder of Distinctive Assets, Lash Fairy.
Get the Story from the Red Carpet Report Team, follow us on Twitter and Facebook at:
www.facebook.com/RedCarpetReportTV
www.youtube.com/MingleMediaTVNetwork
Some of the guests attending this year’s Grammy Gift Lounge included Adele, Daft Punk, Alicia Keys, John Legend, Bruno Mars, Metallica, Maren Morris, Anderson Paak, A Tribe Called Quest, Carrie Underwood Keith Urban and The Weeknd, along with James Corden and his parents!
Visit our website www.RedCarpetReportTV.com for more coverage of this event and the Grammys including photos and more details!
About Distinctive Assets
This year marks the 18th year Distinctive Assets will be hosting the Official Backstage GRAMMY Gift Lounge. Distinctive Assets, a niche marketing firm produced their trifecta of gift offerings, beginning with the Official Presenter & Performer Gift Bags, as well as producing the Official Backstage Talent Gift lounge and the “signature” gift for the Official Grammy After Party. For more info visit www.DistinctiveAssets.com
For more of Mingle Media TV’s Red Carpet Report coverage, please visit our website and follow us on Twitter and Facebook here:
www.facebook.com/minglemediatvnetwork
Roosevelt Roughrider Invitational
www.andynoise.com/roughrider08.html
Friday, October 17th, 2008 Woodward Park, Fresno
Frosh-Soph Large School Boys
1 Dimitri Kecsver Buchanan 11:28
16 Mike Valencia Highland 12:39
22 Juan Delgado Highland 13:01
24 Jordan Dickson Highland 13:03
25 Jacob Langston Bakersfield 13:06
43 Michael Shaffer Highland 13:59
49 Bart Elliot Bakersfield 14:05
50 Erick Rosales East Bakersfield 14:07
52 Ruben Gonzalez Highland 14:15
53 Gage Marchini Highland 14:15
54 Bryan Griswold Highland 14:24
56 Kyle Beach Highland 14:27
65 Eron Rangel Highland 14:48
78 Steven Aripez Bakersfield 15:14
79 Eric Lopez Highland 15:22
89 ? East Bakersfield 16:05
97 Claigh English Bakersfield 16:40
100 Ryan Gonzales Highland 17:02
101 Dale Frye Highland 17:04
105 Will Meyers Bakersfield 17:27
106 Geromar Hasta Highland 18:21
109 ? Highland 19:03
110 Nick Anderson Bakersfield 19:08
111 Paul Garcia Sunnyside 19:13
112 Miguel Valentin McLane 19:38
113 Michael Vasquez Hoover 22:27
114 Nathan Rios McLane NT
115 Alvin Mouang McLane NT
116 Pao Yang McLane NT
117 Kyle Grossman Clovis West NT
1 Buchanan 24
2 Clovis East 112
3 Clovis 114
4 Highland 139
5 Sanger 153
6 Tulare Western 177
7 Sunnyside 184
8 Golden West 186
9 Monache 197
10 Lemoore 206
11 Bakersfield 264
Visit my blog for advice on how on how to take photographs of your children or submit a photo for inclusion in "Ken's Tips On Your Pics": www.kensharp.com/blog/category/kens-tips-on-your-pics-2/
© Ken Sharp. Please do not use or download without permission. If you have any queries please contact me: www.kensharp.com
The Lares Treks valley is one of the most picturesque villages in the southern part of Cusco. Lares Valley is particularly well know for its very high-quality, brightly coloured weavings and characteristic upturned hats, many of the popular tourist markets being supplied from here. The trek itself is rated moderate, similar to the Inca Trail. There are, however, one pass over 4000m so it is essential that you are well acclimatized to the altitude
Big M specializes primarily in classic Mercury’s and Plymouth's. A big THANKS to the crew at Big M, they are great people and a pleasure to work with!
Night, full moon, green and blue gelled flash
June 2008
body { font-family: "Calibri","Slate Pro","sans-serif"; color:#262626 } Best Regards,Www.lokomotifbag.com Www.tas200.com
www.lapressegratuite.com/2010/05/une-interview-des-cahier...
[caption id="attachment_1561" align="alignleft" width="151" caption="Cahier Marseillais"] [/caption]
En fouillant un peu sur Internet, il est possible de trouver de vieux cahiers d’école dont celui-ci, par exemple, date de 1937. On peut également y apprendre que l’étymologie du mot cahier, en latin quaternio, désigne la réunion de quatre feuilles. Alors il est vrai que les Cahiers Marseillais n’ont pas 16 pages mais plutôt 80, et, vous l’aurez deviné, ressemblent à nos cahiers d’autrefois. Un clin d’œil à nos années d’écoliers et l’occasion de nous prendre par la main pour découvrir Marseille autrement. Trimestriel distribué à 20 000 exemplaires depuis 2008, « les Cahiers Marseillais » est d’abord un magazine local autant destiné à ceux qui vivent ou visitent la cité Phocéenne
Julie Mauduy, vous êtes à l’origine des Cahiers Marseillais dont vous avez lancé le premier numéro en 2008. Pourriez-vous nous raconter comment vous vous êtes lancée et avec qui ?
Ce magazine est né de ma rencontre avec Yann Lecat. Diplomé d’école de Commerce il cherchait à s'associer pour adapter un magazine Lyonnais à Marseille. Très rapidement nous avons abandonné cette idée : chaque ville a son caractère, son rythme. Pour moi il n’est pas envisageable de faire un magazine qui ne parle pas aux lecteurs, qui ne leur ressemble pas. On souffre suffisamment des media « nationaux » qui sont en réalité trop souvent des media parisiens. (La simple opposition Paris/Province m’horripile).
Nous avons travaillé le concept pendant de longs mois. Presqu’un an. Nous avions tellement d’idées très différentes, mais notre souci était de trouver un mode de financement viable sur le long terme. Et puis comme une révélation, nous avons pensé à réunir toutes nos idées dans un seul magazine, d’où le nom : Les Cahiers Marseillais, avec un contenu mouvant d’un numéro à l’autre.
Un magazine gratuit, distribué hors des presses classiques doit apporter son lot de surprises au lecteur. Si j’achète AutoPlus, je m’attends à des sujets précis. Idem pour les magazines de déco, de voile et autres. Mais face à un gratuit, les gens sont à la fois plus exigeants et plus rapidement lassés. Il faut exister, avoir une identité forte et fédératrice, et oser l’éclectisme. C’est ma vision de la chose.
Et puis nous voulions proposer un magazine qui plaise à tout le monde, ceux qui lisent, et ceux qui sont un peu moins attirés par les lettres, avec une mise en page qui sorte des codes habituels, une maquette qui change et surprenne le lecteur, des articles plus ou moins longs… Notre objectif était de parler à tout le monde, et ce que nous avons tous dans notre mémoire collective c’est l’école. C’est ce qui a renforcé notre idée de « Cahiers » et nous avons souhaité poussé le magazine dans ce sens visuellement aussi.
Au niveau du ton, nous avons souhaité faire un magazine convivial, avec des petits mots ajoutés à la main, comme un message qu’on laisserait à un ami… C’est à dire qu’on utilise régulièrement des mots provençaux ou bien du langage familier, pour affirmer notre proximité. D’ailleurs via Facebook ou bien notre site internet à présent, nous avons beaucoup de lecteurs qui nous écrivent et souvent ils nous tutoient !
A qui s’adresse exactement le magazine ?
Aux Marseillais (les expatriés sont très vite assimilés ici) principalement, mais également aux touristes, aux curieux, à ceux qui vivent loin mais veulent rester en lien avec la cité Phocéenne… Le principal trait de caractère de nos lecteurs, c’est peut-être la curiosité. L’envie de découvrir de nouveaux lieux, de rencontrer de nouvelles personnes… Je n’aime pas les cases, mais puisqu’il faut le définir, notre lectorat est principalement composé d’actifs de 25 à 55 ans, avec une légère prédominance féminine. Mais ça n’empêche pas les enfants de jouer avec, ni les étudiants de le lire, ni les retraités de l’utiliser !
[caption id="attachment_1562" align="alignright" width="176" caption="Cahier Marseillais"] [/caption]
Le magazine est une succession de cahiers intérieurs dont les thèmes sont aussi variés que la culture, l’urbanisme, figures libres etc. Comment choisissez-vous ces thèmes ?
Ça se fait en concertation avec Yann. Même s’il s’occupe des chiffres et moi des lettres, nous essayons de prendre les décisions ensemble. Il y a des Cahiers récurrents comme « Figures Libres » qui sont des portraits de Marseillais (chefs d’entreprises, passionnés… parfois connus, parfois débutants…) ; il y a le Cahier Culture qui est récurrent également ; et puis il y a le Cahier Général, c’est à dire l’entrée du magazine avec des rubriques fixes comme les recettes, la rencontre d’un Marseillais expatrié, les bonnes idées des blogueuses… Ensuite nous essayons d’articuler le magazine autour de thèmes que nous voulons aborder, qui sont dans l’air du temps ou la saison, en fonction des personnes que nous rencontrons aussi. Le plus difficile n’est pas de trouver, mais d’arbitrer entre toutes nos idées.
Tous les trimestres, vous imprimez le magazine à 20 000 exemplaires et le distribuez à travers 900 points de distribution ? Peut-on les retrouver sur Internet ?
Alors depuis le mois d’Avril 2010, notre site internet est en ligne sous forme de blog. Nous mettons les magazines en ligne bien sûr, bientôt il y aura la liste des points de distribution du magazine également, et puis nous publions des articles sur l’actualité marseillaise en complément du magazine, nous organisons des petits jeux-concours etc...
[caption id="attachment_1564" align="alignleft" width="166" caption="Cahier Marseillais "] [/caption]
Dès septembre, nous accélérons la cadence et le magazine devient un bimestriel. Ce changement de périodicité nous permettra encore plus de proximité avec nos lecteurs je pense et puis il y a tellement de paysages et de personnes à découvrir à Marseille que nous aurons largement de quoi remplir Les Cahiers Marseillais !
Quand paraît le prochain numéro ?
A chaque sortie (ou presque, parce que l’hiver on est moins enclins à sortir), nous organisons un apéro avec nos lecteurs dans un bar de la ville, un nouveau lieu à chaque fois, souvent en extérieur, pour rencontrer nos lecteurs, pour boire un verre ensemble, pour écouter du bon son… bref passer un moment agréable. Le prochain numéro/apéro est ainsi prévu le 10 juin prochain.
Merci à vous.
Propos recueillis par JAFS
Les Cahiers Marseillais en ligne
On peut également apprendre que l’étymologie du mot cahier, qui devait probablement s’écrire « quaier », désigne la réunion de quatre feuilles. Alors il est vrai que les Cahiers Marseillais n’ont pas 16 pages mais plutôt 80, et, vous l’aurez deviné, ressemblent à nos quaier d’autrefois. Un clin d’œil à nos années d’écoliers et l’occasion de nous prendre par la main pour découvrir Marseille autrement. Trimestriel distribué à 20 000 exemplaires depuis 2008, « les Cahiers Marseillais » est d’abord un magazine local autant destiné à ceux qui vivent ou visitent la cité Phocéenne.
Well this place is old
It feels just like a beat up truck
I turn the engine, but the engine doesn't turn
Well it smells of cheap wine & cigarettes
This place is always such a mess
Sometimes I think I'd like to watch it burn
I'm so alone, and I feel just like somebody else
Man, I ain't changed, but I know I ain't the same
But somewhere here in between the city walls of dyin' dreams
I think her death it must be killin' me
Image available for purchase from www.ballaratheritage.com.au
Victorian Heritage Register information
Statement of Significance
What is significant?
The Tower Hill State Game Reserve is an area of approximately 6.2 sq km, 3 km inland from the coast between Warrnambool and Port Fairy managed by Parks Victoria since 1997. The Reserve consists of a volcanic crater of nested maar type bounded by the encircling crater rim that forms a highly visible landmark in the surrounding plain. The crater, filled by a lake and series of islands, themselves volcanic cones, was formed at least 30,000 years ago when a hot rising basaltic magma came into contact with the subterranean water table. The violent explosion that followed created the funnel-shaped crater (later filled by a lake) and the islands. Artefacts found in the volcanic ash layers show that Aboriginal people were living in the area at the time of the eruption. The Warrnambool area was a rich source of foods for the Koroitgundidj people, whose descendants retain special links with this country.
The first confirmed European sighting of Tower Hill crater was by French explorers sailing with Captain Baudin aboard the Geographe in 1802 who named the crater 'Peak of Reconnaissance'. Throughout the 19th century sailors used Tower Hill as a landmark for entering the harbours of Port Fairy (Belfast) and Warrnambool. The name Tower Hill came into common usage in the 1840s. The crater formation, noted by early European settlers for the beauty of its vegetation was memorialised in the landscape painting of Eugene von Guerard in 1855.
By the late 1850s substantial amounts of forest had been cleared in and around the crater. In 1866 when the crater and inner rim were temporarily reserved for public recreation, the Acclimatisation Society of Victoria was appointed the Committee of Management (1866-1869). The Society had formed in 1861 with the aim of introducing exotic plants and animals to suitable parts of the colony and accordingly introduced goats, pheasants and rabbits to Tower Hill. In 1873 the area was permanently reserved for public purposes and in 1892 in an attempt to halt the environmental damage to the crater Tower Hill Reserve became the first National Park to be declared in Victoria. It remained under the control of Koroit Council which permitted clearing of native vegetation, grazing and the quarrying of scoria to continue. By the 1930s the landscape was bare and little wildlife remained.
In the mid-20th century lobbying by the local community concerned about environmental degradation at Tower Hill along with general recognition of the declining numbers of game birds in Victoria led to the crater being declared a State Game Reserve in 1961, one of a number established across the State at this time as wildlife refuges. The contained nature of the crater site meant it could be readily adapted to a scientifically designed habitat management program.
In 1962 Robin Boyd was commissioned to design a Natural History Centre on the main island at Tower Hill, completed in 1969. This early example of an interpretive centre was to provide the public with information about the restoration of the Tower Hill environment and the wildlife and habitats of the State's Reserves and to be a centre of study for wildlife management. Boyd, a hero of the conservation movement, designed a simple stone circular structure with sloping roof mirroring the volcanic island hilltops, sitting in harmony with the landscape. The circular glazed pavilion is a timber construction with a cill height stone skirt and wide eaves. At the centre of the open internal space is a central hollow stone column which supports the roof and is crowned by a skylight reminiscent of the core of the volcano that gave rise to the landscape. Laminated timber rafters, arranged radially, span from the hollow stone core to the outer ring of window and project to form deep eaves.
As early as 1958 local community groups established experimental plots of native trees at Tower Hill. Following designation as a State Game Reserve serious efforts began to replicate the original vegetation using von Guerard's (1855) painting as a guide to replanting using botanists to identify the plant species. By 1981 school children,, naturalists and other volunteers had planted 250 000 trees and shrubs at Tower Hill and removed non-native species and weeds and feral animals. Native animal species including koalas, wombats, emus and echidnas have also been successfully reintroduced to Tower Hill through reinstatement of habitat. The replanting program was the first of its kind in Victoria and provided a model for the national Landcare movement, established in Victoria in the 1980s.
How is it significant?
Tower Hill State Game Reserve is of aesthetic, historic, scientific, social and architectural significance to the State of Victoria
Why is it significant?
Tower Hill State Game Reserve is of aesthetic significance, being an inspirational landscape, recognised for the beauty and uniqueness of its geological form and natural vegetation from first European exploration and settlement of the region.
Tower Hill State Game Reserve is a cultural landscape of historical significance in reflecting more than a century of changing attitudes to landscape in its evolving status and the character of its environment.
Tower Hill State Game Reserve is of historical significance as an iconic and inspirational landscape, noted for its geological form and the beauty of its natural vegetation from first European exploration and settlement of the region, memorialised in Eugene von Guerard's 1855 painting of Tower Hill crater and island. It was this iconic beauty that environmentalists sought to reinstate through their replanting of native vegetation, the species having initially been identified initially from the detail of von Guerard's painting.
Tower Hill State Game Reserve is of historical significance as the earliest and an outstanding example of community programs to reinstate native vegetation and re-create native habitat on cleared and degraded land. Skills developed in the course of this work, and subsequently applied in other parts of the country include an understanding of the importance of using species indigenous to the local area, requirements for re-introduction of native fauna, and awareness of the need for re-establishment of understorey species.
Tower Hill State Game Reserve is of social significance for the ongoing role of the local community and community groups in the reinstatement of natural habitats in the Reserve.
Tower Hill State Game Reserve is of scientific (geological) significance as an example of a nested maar, a specific type of volcanic crater that formed at least 30 000 years ago when hot rising basaltic magma came into contact with the subterranean water table resulting in a series of phreatic explosions that created the funnel-shaped crater (later filled by a lake) coupled with late stage scoria cone development of the islands seen today.
B 72870 Light Horse Memorial near intersection of North Terrace and East Terrace, Adelaide.
Visit the State Library of South Australia to view more photos of South Australia.
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A collection of shots of Pittsburgh from the end of winter 2014 and the beginning of spring, when Pirates baseball starts and the fountain at Point State Park is turned back on.
"Let us remember that, as much has been given us, much will be expected from us, and that true homage comes from the heart as well as from the lips, and shows itself in deeds."
~Theodore Roosevelt
Ship Yard Structures, Night. Mare Island Naval Ship Yard, Vallejo, California. March 3, 2012. © Copyright 2012 G Dan Mitchell - all rights reserved.
Night photography of steel towers at the historic Mare Island Naval Ship Yard, Vallejo, California.
It had been a while since I last shot at the Mare Island Naval Ship Yard, one of my favorite places to do night photography. But in early March the opportunity came up to join friends from the Nocturnes, the San Francisco Bay Area night photography group currently celebrating its 20th year. We met in the afternoon for the traditional social stuff - tour of the island, sharing photographs, and pizza - and then headed out after the sun set. (Night photographers are probably the only people who look out the window and mutter, "Ah, its still golden hour. Let's not go out yet..." ;-)
These giant steel towers are among the most iconic structures at the historic ship yard. As I understand it, they were originally part of a system used to move very heavy materials (such as ship engines) from shops to the water's edge. Virtually everyone who photographs here indulges in photographing these towers and even after you have photographed the place as many times as I have they are still a source of interest. Recent work on the island has opened up a section of the water front that was previously off-limits, so it was possible to walk right beside these shell towers as they stretched out toward the water. Working from almost directly beneath them, I lined up a couple of the towers in night darkness, in which the towers were lit by nearby security lights.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
It's always such an important part of the wedding when the bride is walked down the aisle by her Father. For me, it's when the wedding day becomes so real. Emotions start pouring out, the guests see the bride for the first time, and unless they did a First Look, it's the first time the groom sees the bride. What am I trying to say? You CAN'T miss these shots.
This image is of Mandy being walked down the aisle by her Dad at her wedding with Opie at Jekyll Island, Georgia. As a destination wedding photographer I'd always wanted to shoot a wedding in Jekyll Island, and when this opportunity came up, I was so excited to be able to do it. I love seeing the flow of her dress as it's getting kicked up from her walking motion. And I really love how they're looking at each other...
Camera settings: Nikon D700, 1/200 sec at f/5.6, 34mm at ISO 200, flash did not fire. Taken at 5:20pm.
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The Palace of Westminster is the meeting place of the House of Commons and the House of Lords, the two houses of the Parliament of the United Kingdom. Commonly known as the Houses of Parliament after its tenants, the Palace lies on the Middlesex bank of the River Thames in the City of Westminster, in central London.
At the north end of the Palace rises the most famous of the towers, the Elizabeth Tower, commonly known as Big Ben. At 96 metres (316 ft), it is only slightly shorter than the Victoria Tower but much slimmer. It houses the Great Clock of Westminster, built by Edward John Dent on designs by amateur horologist Edmund Beckett Denison.
Striking the hour to within a second of the time, the Great Clock achieved standards of accuracy considered impossible by 19th-century clockmakers, and it has remained consistently reliable since it entered service in 1859. The time is shown on four dials 7 metres (23 ft) in diameter, which are made of milk glass and are lit from behind at night; the hour hand is 2.7 metres (8 ft 10 in) long and the minute hand 4.3 metres (14 ft). Source: en.wikipedia.org
Natural history of Hawaii,.
Honolulu, Hawaii[Printed for the author by] the Hawaiian gazette co., ltd.,l9l5..
Photography by John Sanders : www.johnsandersphotography.co.uk
Cheer Fit Cheerleaders : www.cheerfit.co.uk
Cheer fit Cheerleaders : www.cheerfit.co.uk
Now that Johänni has discovered her love for photography (and for my Nikon D7000), I don't get to use it as often as I used to. So I got us a new lens for her Olypmus "PEN" E-P1 to make up for my loss. The Panasonic Lumix G 20mm F1.7 Asph. is just great. Where the kit lens often left me belittling the little camera and wanting to have a "real" one, with this new baby I felt just at home with it.
Go and get one if you own a Micro Four Thirds camera!
Presenting the live heats of Miss Southampton where the judges whittled down the 14 entrants down to one lucky winner who will compete further in the national contest to find the country's next top model.
Nightclub Photography by renight.com
renight.com - nightlife REplayed
PopTech Ecomaterials Innovation Lab
The PopTech Ecomaterials Innovation Lab convenes this summer with a goal of fostering breakthroughs in next-generation, ‘ultra-green’ ecological materials and industrial processes.
A network of renowned materials scientists, sustainability experts, industrial ecologists and other key stakeholders will explore the future of such materials and processes, and strategies for accelerating their adoption.
Photography by John Santerre
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TABLE LAMP XX BUTTERFLY
Nature and math is an ocen of inspiration. The organic pattern contains three structures (plus butterflies main lines) and each of them is based upon Voronoi diagram – one of those mathematical oddities (like fractals) that turns up frequently in the world of nature.
The head of the lamp is made of Senegalese gourd. Its diameters are 27 and 23cm.
Thickness of the gourd is about 1cm so the structure is quite deep and it is carved on three different depth levels.
Height of the whole lamp is 48cm.
The diameter of the base is 28cm and it is finished with dark brown jeweler waxed string.
The end of the base is carved from wood.
On the top of the lamp is closing part locked with little magnets.
Source: livinghistories.newcastle.edu.au/nodes/view/6569
This photograph was taken by a member of the University of Newcastle's former Medical Communication Unit. The original slide is held in Cultural Collections, Auchmuty Library, the University of Newcastle, Australia.
This image can be used for study and personal research purposes. If you wish to reproduce this image for any other purpose you must obtain permission by contacting the University of Newcastle's Cultural Collections.
Please contact us if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
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© 18/12/2010 - La rue de Cimée sous la neige
Voir l'album Paris sous la neige
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