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editorial shoot for www.streetfashion-magzzine.com with model Svenja in Gothenburg, Sweden
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The Library Congress Eighty-three year old settler
I claim no rights other than colorizing this image if you wish to use let me know and always give due credit to The Library of Congress I have no commercial gain in publishing this image.
Eighty-three year old settler to be resettled, near Chillicothe, Ohio
Contributor Names
Jung, Theodor, 1906-1996, photographer
United States. Resettlement Administration.
Created / Published
1936 Apr.
Subject Headings
- United States--Ohio--Chillicothe
- Farms, farmers--Ohio
Format Headings
Nitrate negatives.
Genre
Nitrate negatives
Notes
- Title and other information from caption card.
- Transfer; United States. Office of War Information. Overseas Picture Division. Washington Division; 1944.
- More information about the FSA/OWI Collection is available at hdl.loc.gov/loc.pnp/pp.fsaowi
Medium
1 negative : nitrate ; 35 mm.
Call Number/Physical Location
LC-USF33- 004139-M3 [P&P] LOT 1000 (corresponding photographic print)
Source Collection
Farm Security Administration - Office of War Information Photograph Collection (Library of Congress)
Repository
Library of Congress Prints and Photographs Division Washington, DC 20540 USA hdl.loc.gov/loc.pnp/pp.print
Digital Id
fsa 8a14355 //hdl.loc.gov/loc.pnp/fsa.8a14355
Library of Congress Control Number
2017728138
Reproduction Number
LC-USF33-004139-M3 (b&w film nitrate neg.) LC-DIG-fsa-8a14355 (digital file from original neg.)
Rights Advisory
No known restrictions. For information, see U.S. Farm Security Administration/Office of War Information Black & White Photographs www.loc.gov/rr/print/res/071_fsab.html
Language
English
Online Format
image
Description
1 negative : nitrate ; 35 mm.
LCCN Permalink
Additional Metadata Formats
MARCXML Record
MODS Record
Dublin Core Record
The Columns and Jesse Hall on the campus of the University of Missouri in Columbia by Notley Hawkins. Taken with a Sony ILCE-7RM3 camera with a Canon TS-E24mm f/3.5L II lens and a NiSi 11-stop ND filter at ƒ/8.0 with a 47 second exposure at ISO 50. Processed with Adobe Lightroom CC.
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©Notley Hawkins
Sanguine on paper
THE PACE OF NATURE
www.blurb.co.uk/b/4613946-pace-of-nature-hardback
LOOKING OUT
www.blurb.co.uk/b/7144518-looking-out
IPSDEN IN WINTER
www.blurb.co.uk/b/4693698-ipsden-in-winter-rev-ed
LANDSCAPES OF IPSDEN
www.blurb.co.uk/b/4693349-landscapes-of-ipsden-rev-ed
RECENT PORTRAITS
www.blurb.co.uk/b/2931284-recent-portraits
DRAWING AND PAINTING by Kate Wilson
www.amazon.co.uk/Drawing-Painting-Materials-Techniques-Co...
PORTRAIT REVOLUTION
www.amazon.co.uk/Portrait-Revolution-Julia-Kays-Party/dp/...
photos from my 'Under the Eyes of God' project used for article in Slovak by Polish investigative journalist Pawel Smoleński about the theft of Palestinian land to build Israeli settlements
Avalaible @ WINTER WONDERLAND
As the year draws to a close, it’s time to celebrate the season with style and sparkle! Join us for Swank’s Winter Wonderland Event & Gift Hunt, every booth is brimming with holiday gifts just for you! The final and greatest event of the year! Don’t forget to subscribe for our monthly 5000L Raffle! This is the event you don’t want to miss!
.AngelicUs. Panel fireplace
[noctis] krampus xmas frames and pictures
[noctis] Victorian Crhistmas Candlesticks
[noctis] Victorian Christmas Sidetable
[noctis] Holiday Folk Lamps
[noctis] Blood Winter Christmas Chair
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A pair of Minaret at Akbar's tomb in Delhi, India.
Images are copyright Mary Raderstorf DBA Mary Raderstorf Photography.
Cinematic video: youtu.be/5zvdLutY2QQ
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Maramuresh - Barsana Monastery a beautiful synthesis of Eastern and Western European architecture, with Gothic and Byzantine elements
The scenes inside the church describe points of genesis with episodes from the life of Jesus.
The monastery is a working monastery with 16 nuns
Please click here to view this large!
This picture was shot on a tripod with three exposures (-2..0..+2..EV). I used Photomatix to create the HDR with tone mapping and detail enhanced. I increased the overall saturation with Hue/Saturation in Photoshop. Curve adjustment to increase the overall contrast. 1 layer mask to increase color and contrast for the sky and Mount St. Helens. 1 layer mask in soft light mode at 50% gray, using brush tool to lighten and darken some areas of the image, to bring out details. Used Nik Sharpener Pro to sharpen image.
Today marks the 30th Anniversary of the eruption of Mt. St. Helens in Washington State. The eruption on May 18, 1980, killed dozens of people and changed the landscape with its 24-megaton blast. And here it is, after its eruption almost** 30 years ago. This is one of the many views you can get from up on Oregon Health & Science University campus on Marquam Hill. This is another view panning my camera to the left zoomed in. Presented in full HDR!
**I shot this 10 days ago. I don't think I can see Mt. St. Helens today from here.
To view my other HDR images, click here.
---小川-Portfolio---
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© Ogawasan 小川/Bach.sacha.Photography. All Rights Reserved.
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Düşlerim Vardı
Düşlerim…
Gecelerimin omuzlarına konmuş Anka kuşlarım...
Düşlerim vardı benim...
Yağmurun kollarında küçük bir çocuk ağlardı...
Susturamazdım..
Zamanların ötesinden babamın sesi gelirdi...
Annem gülümserdi...
Dudaklarından dökülen eşsiz bir ninniyle yanıma inerdi...
Doyamazdım dinlemeye..
Kıyamazdım uyanmaya...
Bütün tik-tak lardan uzak,dünya zamanının çok ötesinde,
Düşlerim vardı benim…
Sonunu hiç göremediğim...
Çocuk düşlerim...
Kaçak düşlerim...
Boyumdan büyük,bütün başkentlere yabancI düşlerim...
Kaf Dağı`ndan mutluluklar indirirdim gizlice ceplerime...
Sonra bir Albatros,heybetli kanatlarıyla örterdi gecemi...
Gemilerimin üstünde dolanırdı...
Susardı herşey...
Susardı gece...
Ürperirdim..
Düşlerim vardı benim..
Mutluluktan kabileler kurardım...
Savaş nedir bilmeyen krallarım vardı...
Süngülerini gülümsemelerle bileyen askerlerim...
Mayınsız arka bahçelerim...
Rüzgarla aynı sesten şarkılar söyleyen salkım saçak söğütlerim...
Tonunu sadece benim bildiğim kızıllıkta akşam üstlerim...
Oyuncak arabalarının tek tekeri kırık olsa da mutlu,umutlu bebeklerim...
Ninnilerin mesken tuttuğu,ağıtların unutulduğu tatlı dillerim...
Şivesinin en çok bakışlarına yakıştığı coğrafi bölgelerim...
İçlerine olmayacak hayaller yüklediğim,uzaklar yolcusu filikalarım vardı...
Düşlerim vardı benim..
Çocuk düşlerim...
Kaçak düşlerim...
Bütün başkentlerden sürgün düşlerim...
Sonra bir gün..
Gelmez oldu babamın sesi...
Duyulmaz oldu annemin ninnileri..
Uçtu masal kuşlarım gecelerimden zamanla...
Krallarım tahtlarından indiler...
Kabilelerim dağıldılar birer birer...
Askerlerim gittiler...
Bütün gülümsemeleri süngülerine sarıp götürdüler...
Güller yerine mayınlar ekildi arka bahçelere...
Rüzgar dindi,sustu söğütlerim...
Bütün gemilerim battı...
Akşam üstlerimin tonu değişti...
Tek tekeri kırık oyuncak arabalarla umuda yürüyemez oldu bebeklerim...
Ağıtlar musallat oldu dillere, şivelere gözyaşı...
Filikalarım sulara gömüldüler...
Düşlerim vardı benim..
Çocuk düşlerim..
Kaçak düşlerim...
Bütün başkentlerden sürgün düşlerim...
Bir bir terk ettiler beni...
(alıntı)
Look in large to better appreciate.
Denkmal für die ermordeten Juden Europas
Das Denkmal für die ermordeten Juden Europas, kurz Holocaust-Mahnmal genannt, soll als Mahnmal für die unter der Herrschaft des Nationalsozialismus im Holocaust ermordeten Juden dienen. Zwischen 2003 und Frühjahr 2005 wurde das Bauwerk im Zentrum Berlins auf einer etwa 19.000 m² großen Fläche in der Nähe des Brandenburger Tores errichtet. Der Entwurf stammt von Peter Eisenman. Das Mahnmal wurde am 10. Mai 2005 feierlich eingeweiht und ist seit dem 12. Mai 2005 der Öffentlichkeit zugänglich. Im ersten Jahr kamen über 3,5 Millionen Besucher.
Aufbau
Auf der gewellten Grundfläche wurden 2711 innen hohle und zwischen 0,5° und 2° geneigte Betonquader (Stelen) in parallelen Reihen aufgestellt (54 Nord-Süd- und 86 Ost-West-Achsen). Die Stelen sind bei identischem Grundriss (2,38 mal 0,95 Meter) unterschiedlich hoch, zwischen ebenerdig (112 Stück im Gehweg) und 4,7 Meter. Von den nicht-ebenerdigen Stelen sind 367 kleiner als ein Meter, 869 haben Höhen von ein bis zwei Metern, 491 Stelen sind zwischen zwei und drei Metern hoch, 569 Stelen haben eine Höhe zwischen drei und vier Metern und 303 sind größer als vier Meter. Das durchschnittliche Gewicht einer einzelnen Stele beträgt ungefähr acht Tonnen. Die schwerste wiegt etwa 16 Tonnen. In einem mehrstufigen Verfahren sind die Stelen speziell oberflächenbehandelt, um einfache Entfernung von Graffiti zu gewährleisten. Es befinden sich 41 Bäume im Stelenfeld. Die gepflasterte 13.100 m² große Bodenfläche führt unter das Niveau der umgebenden Straßen. Die gleichmäßig 0,95 Meter schmalen Gänge zwischen den Stelen sind für die Besucher voll begehbar, bieten allerdings nicht genügend Platz, um zu zweit nebeneinander zu gehen.
Die Zahl von 2711 Stelen hat nach Auskunft der Denkmals-Stiftung keine symbolische Bedeutung, sondern ergibt sich aus den Maßen, die der Architekt für diesen Standort wählte.
Ein unterirdisches, 930 m² großes Museum (Ort der Information) ergänzt den Komplex. Es enthält unter anderem eine Liste aller Namen der bekannten jüdischen Holocaustopfer. Es besteht aus Ausstellungsräumen (778 m²), Vortragsräumen (106 m²) und einem Buchladen (46 m²).
Kosten
Für den Bau des Denkmals wurden 27,6 Millionen Euro aus Mitteln des Bundeshaushalts ausgegeben: 25,3 Millionen Euro für das Stelenfeld und den Ort der Information, 2,3 Millionen Euro für den Ausstellungsbau. Die Kosten nur für das Stelenfeld beliefen sich auf 14,8 Millionen Euro.
Die Stiftung, die das Denkmal trägt, hat einen laufenden Jahresetat von 2,1 Millionen Euro, die aus dem Haushalt des Bundes-Kulturstaatsministers finanziert werden. Wolfgang Thierse trat im Juni 2006 von seinem Posten als Vorstandsvorsitzer der Denkmalsstiftung zurück, weil er diesen Etat für um mindestens 600.000 Euro unterfinanziert hielt. Er forderte eine Erhöhung des Etats auf mind. 2,7 Millionen Euro jährlich.
Deutungsversuche
* Die 2711 Stelen erinnern an Grabsteine. Es bestehen Ähnlichkeiten zwischen dem Mahnmal und den Sarkophag-Gräbern jüdischer Friedhöfe (insbesondere dem Alten jüdischen Friedhof in Prag oder dem Ölberg in Jerusalem).
* Die Stiftung sieht laut Webseite in der kaum merklichen Neigung der Pfeiler die Möglichkeit, ein "Gefühl der Verunsicherung" zu erzeugen.
* Der Architekt Peter Eisenman sieht im strukturellen Aufbau des Denkmals die einem scheinbaren System inhärente Instabilität. Andere Äußerungen, insbesondere in seiner Wettbewerbsbegründung, deuten darauf hin, dass er das Denkmal als Platzhalter sieht, aus dem Neues entsteht. Dies würde auch sein Zitat anlässlich der Eröffnung erklären: „Graffiti wären gut“
* Der Förderkreis um Lea Rosh erklärt das Denkmal zum Kenotaph und vergleicht es mit Kriegerdenkmälern und Soldatenfriedhöfen: Es sei nötig, weil die meisten ermordeten Juden kein eigenes Grab hätten.
From Wikipedia, the free encyclopedia
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Please take your time... and enjoy it large on black
The general term ice age or, more precisely, glacial age denotes a geological period of long-term reduction in the temperature of the Earth's surface and atmosphere, resulting in an expansion of continental ice sheets, polar ice sheets and alpine glaciers. There have been at least four major ice ages in the Earth's past. Outside these periods, the Earth seems to have been ice-free even in high latitudes. There is evidence that greenhouse gas levels fell at the start of ice ages and rose during the retreat of the ice sheets, but it is difficult to establish cause and effect. Greenhouse gas levels may also have been affected by other factors which have been proposed as causes of ice ages, such as the movement of continents and vulcanism. Although the last glacial period ended more than 8,000 years ago, its effects can still be felt today. For example, the moving ice carved out landscape in Canada, Greenland, northern Eurasia and Antarctica. The erratic boulders, till, drumlins, eskers, fjords, kettle lakes, moraines, cirques, horns, etc., are typical features left behind by the glaciers. The Dutch IJsselmeer lake is covered with icerocks hummocks, caused by the cold weather of the passed days. At some places even higher than 6 meter!
Hummocks are moving up on the dyke road to Marken taken at the IJsselmeer (IJmeer) near Amsterdam. The hummocks are moving slowly up on the dyke due the pressure fromm the wind from the East. A hummock is a boss or rounded knoll of ice rising above the general level of an ice-field, Hummocky ice is caused by slow and unequal pressure in the main body of the packed ice, and by unequal structure and temperature at a later period. Blue ice occurs when snow falls on the ice. The blue color is actually created for the same reason that water is blue, that is, its slight absorption of red light due to an overtone of the infrared OH stretching mode of the water molecule.
Een ijstijd of glaciatie is een geologisch tijdvak waarin ijskappen voorkomen. In het Engels wordt dit een periode van ice-house genoemd, als tegenhanger van een ijskaploze periode, de greenhouse ("broeikas"). Aangezien er gletsjers liggen op bijvoorbeeld Groenland of Antarctica, leven we tegenwoordig in een ijstijd. Men neemt aan dat dit in de gehele geologische geschiedenis van de Aarde minstens vijfmaal het geval is geweest, waarvan eenmaal zelfs zo sterk dat de ijskappen van de polen vrijwel tot aan de evenaar waren opgerukt. Ook zijn er periodes dat er aanzienlijke opwarming optrad waarbij die ijskappen grotendeels waren weggesmolten. Het klimaat op Aarde wordt beïnvloed door vele factoren, zoals de intensiteit van de zonnestraling, de ligging van de continenten, de continentverplaatsingen, vulkanisme, de zeestromen, de bedekking van het land door vegetatie, het weerkaatsingsvermogen van het aardoppervlak en vele kleine andere factoren. Met behulp van klimaatmodellen wordt door wetenschappers een reconstructie van het klimaat en de klimaatveranderingen in het verleden gemaakt. Alhoewel er een zekere consensus bestaat onder wetenschappers, zijn er nog vele onzekerheden en tegenstrijdigheden in dit onderzoek.
Hierboven een foto van kruiend ijs. Zoetwatermeren kunnen spectaculair bevriezen. Grotere meren zoals het IJsselmeer (IJmeer) hierboven hebben bijna altijd wel golven, en dit werkt directe bevriezing van het wateroppervlak tegen. Eerst vormen zich kleine ijsschotsen, die naar de kust drijven onder invloed van de wind. Deze schotsen vormen zo een ijsveld op het water dat de golven dempt, en uiteindelijk vriezen alle schotsen aan elkaar vast tot een massa. Voordat dit gebeurt schuren de schotsen voortdurend langs elkaar heen en schrapen zo stukjes ijs van elkaar af; elke schots krijgt zo een witte rand. Zulk ijs is dus totaal niet geschikt om op te schaatsen. Wanneer grotere delen van het meer bevriezen beginnen de platen, die soms een paar vierkante kilometer groot zijn, langzaam tegen elkaar te bewegen onder invloed van de wind en stroming. Dit heeft kruiend ijs tot gevolg: de ijsschotsen worden met kracht gebroken en op elkaar gestapeld langs de dijken langs het meer. Dit hoeft niet alleen bij dun ijs te gebeuren; soms kruit het ijs bij een dikte van meer dan 20 cm. De stapels ijs worden dan hoog, en het geluid is oorverdovend.
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Revista Online de fotografía nocturna en Flipboard
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Más fotos del Taj Mahal AQUÍ y el resto de las fotos del viaje a la India en mi blog: www.josemiguelmartinez.com
Part of my 'Treescapes' project - www.flickr.com/photos/dougchinnery/sets/72157611685272818/
To see it larger - farm4.static.flickr.com/3405/3206949506_38fc48b2af_o.jpg
.
photo:
Stavropoleos Monastery, Bucharest, Romania
www.flickr.com/groups/stavropoleos/
www.monumenteromania.ro/index.php/monumente/detalii/en/St...
Dedicated to My Gottica
Μες στα σύννεφα, ζωή μου
μακριά απ’ τη φυλακή μου να με πας
Να μ’ αγγίζει ο αέρας,
σαν το ξύπνημα μιας μέρας να γελάς.
Να κουρνιάζω στο πλευρό σου,
μες στο παραμιλητό σου να με βρεις.
Ν’ ακουστεί το όνομά μου
κι εσύ ράγισε, καρδιά μου
κι ας χαθείς, ας χαθείς.
Να με σήκωνε ένα κύμα
να με λύτρωνε απ’ το κρίμα της ψυχής.
Να ξεπλύνει το θυμό μου
να ξανάρθει τ’ όνειρό μου να το δεις.
Ας ερχόταν ένα βράδυ
να `χε φως κι όχι σκοτάδι να το ζεις.
Να μπορώ να σου γελάσω
κι ύστερα να προσπεράσω
κι ας χαθείς, ας χαθείς.
Του μυαλού μου οι εικόνες
να `σβηναν σαν να `ταν πόρνες της στιγμής.
Να μην έχω να θυμάμαι όλα αυτά που με πονάνε, ας χαθείς.
Να μην ξέρω πια τι κάνεις,
άλλο να μη με πικράνεις, δεν μπορώ.
Δεν μπορώ να σε κοιτάζω και στα λόγια να μη βάζω σ’ αγαπώ.
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Kids having fun with me in the small village of Sohan, outside of Islamabad ;-)
Merci de lire les explications en début d'album / Please read the explanations at the beginning of the set
Part of Pakistani Lifestyle (Recommended as a slideshow)
- www.kevin-palmer.com - With about 15 miles of passages, Horsethief Cave is the longest cave in both Wyoming and Montana. The entrance sits in a very remote area almost exactly on the stateline. I did not go beyond the mouth of the cave because a permit is required and caving alone seems like a bad idea anyway.