View allAll Photos Tagged HardShell

Close up view of some of the items that come with it

Allena and I on Lake Winnipesaukee

The Speck SeeThru Hard Shell for 13" (white) MacBook. It snapped on with no muss nor fuss. Jen picked this Speck case out for her own laptop (versus the Incase), going with the striking red only because blue wasn't available. The material is extremely reflective and eye catching from across the room. The material seems strong, if not potentially brittle. The individual cutouts for some of the ports on the left side are a nice touch. The "clips" that hold the case onto the MacBook are more prominent than on the Incase, but the Speck gets points for placing its logo on the bottom, rather than using the laptop lid for advertising (as with the Incase).

The fold-down pockets in the top of the case

Frame:

Custom build by ЁLKABIKES in 2012. Columbus SL / Campagnolo #1053 dropouts and fork tips

 

Headset:

Campagnolo Record Pista headset

 

Crankset/Bottom Bracket:

Campagnolo Record Pista / Campagnolo Record Pista

 

Pedals:

Ofmega Master / Campagnolo 50th Anniversary Toe clips / Brooks toe straps

 

Drivetrain/Cog/Chainring/Chain:

Phil Wood Cog / Campagnolo Record Pista / Fyxomatosis Custom Chainring / KMC

 

Handlebars/Stem:

Nitto B123 / Nitto Caft / Benotto tape

 

Saddle/Seatpost:

Iscaselle Giro d'Italia / Paul Component Tall & Handsome

 

Front Wheel/Hub/Tire:

H+Son Formation Face / Phil Wood & Co High Flange / Continental Gator Hardshell / DT Swiss Revolution

 

Rear Wheel/Hub/Tire:

H+Son Formation Face / Phil Wood & Co High Flange / Continental Gator Hardshell / DT Swiss Revolution

  

Our top of the line 30th Anniversary model features the finest Brazilian rosewood. Its innovative revoicing delivers gloriously complex overtones and rich, crisp resonance to complement its lovely, variegated grain. Paired with the mature overtones of an Engelmann spruce top, this stunning guitar will inspire the most discriminating musician.

 

Woods

 

top-Engelmann Spruce

 

back & sides-Brazilian Rosewood

 

The marriage of Brazilian rosewood and premium Engelmann spruce yields superb tonal clarity, with deep, rich bass, commanding projection, and wonderfully complex overtones.

 

Sharp

 

Grand Concert

Revoiced and now with a deeper body, the Grand Concert is the quintessential small-bodied guitar. Its comfortable shape delivers clarity and a balanced response for an unforgettable playing experience. Scaled-down proportions make the Grand Concert ideal for fingerstyle playing.

 

Electronics

 

None

 

Inlays

 

Pearl & Gold 30th Anniversary

Taylor's prized 30th Anniversary inlay lights the fretboard with mother-of-pearl and 18K gold, while a luminescent inlaid pearl and abalone torch makes a dramatic highlight on the ebony backstrap.

 

Finish

 

Gloss

The finish used to create this guitar’s lustrous gloss top, back, and sides was developed at Taylor for maximum durability and resistance to cold-checking. This ultra violet-cured finish is also more environmentally friendly than traditional lacquer finishes. Available in natural finish.

 

Spaces

  

Type/Shape 6-String Grand Concert

 

Back & Sides Brazilian Rosewood

 

Top Engelmann Spruce

 

Soundhole Rosette Green Heart Abalone

 

Neck Tropical American Mahogany

 

Fretboard Ebony

 

Fretboard Inlay Pearl & Gold 30th Anniversary

 

Headstock Overlay Ebony

 

Binding Ivoroid with Abalone-Edged Top, Back & Sides

 

Bridge Ebony

 

Nut & Saddle Tusq

 

Tuning Machines Waverly

 

Strings Elixir® Light Gauge Strings with NANOWEB® Coating

 

Scale Length 24 7/8 Inches

 

Truss Rod Adjustable

 

Neck Width at Nut 1 3/4 Inches

 

Number of Frets 20

 

Bracing Scalloped, X-Brace

 

Finish Gloss

 

Cutaway None

 

Electronics None

 

Body Width 15 Inches

 

Body Depth 4 3/8 Inches

 

Body Length 19 1/2 Inches

 

Overall Length 40 1/2 Inches

 

Case Taylor Deluxe Hardshell

  

The egg create foam piece behind the fold-down pocket

My dinner at Thurston's. This is a 1.5 pound hardshell.

there was one on the other side, but this one was better.

Allena, Timmy and I out on Lake Winnipesaukee

The last guitar I bought in the 90's was this no-name resonator. It's a Dobro copy with a spider cone and wood body. I probably shouldn't have bothered with it, but at the time I got it, your only alternatives for resonators were Nationals or other instruments pushing a thousand dollars or more. This one was maybe $300, and I was probably overcharged for it, but it was also the only resonator in a local guitar store I had ever seen.

 

I told my Friendly Neighborhood Luthier that I wanted to limit the amount of work he put into it to set it up, and he ended up charging half of his normal set-up fee because he said any extra work really wasn't worth it. It's a really poorly made guitar. The hardshell case it comes in is probably worth more than the instrument. And that said, it turns out to be really well set up for playing slide because the action is super-high and the resonator cone is not great, but still a resonator so it picks up the generally lower slide tones better.

Allena, Timmy and I out on Lake Winnipesaukee

I took the fold-down pockets and put them behind the egg crate foam piece

Allena and I on Lake Winnipesaukee

A close up of the drone in the painted insert

Allena and I on Lake Winnipesaukee

This is rhythm and color interaction. Rhythm is from the lines of the record player. The color interaction is the red against the blue. Even the sunlight hitting the hardshell contrast also with the blue making it stand out. I wanted to expand more of movement so while I was taking this picture I was having the record player play music from the record. So this was to have the focus point on the hardshell then the record. Editing this picture was to help the lines be more prominent so that was adding blacks, whites, and contrast. I pulled back on shadows and using the adjustment brush added to the record the help the blacks put more effect to the lines and also have the blue and other colors be brought up.

You can see a video testing this beauty here -> youtu.be/w57L3emMMCQ

 

The Gibson Xplorer Pro (Designer X-Plorer) is a LIMITED EDITION guitar, only 400 guitar around the world.

 

Taking tone and attitude to new extremes, the Gibson Explorer Pro electric guitar is perfectly attuned to the technical demands and punishing intensity of today’s hard rock and heavy metal.

 

Based on Gibson’s legendary Explorer, the Gibson Explorer Pro is updated with smaller, lightweight mahogany body and crushingly powerful 496R and 500T humbuckers. With flashy looks and killer sound, the Explorer Pro is destined to rewrite the rules of rock ’n’ roll.

 

The main features of the Gibson Explorer Pro are:

 

Body Species: Mahogany

Finish: Ebony

Binding: Antique top binding

Neck Species: Mahogany

Profile: Explorer

Fingerboard Species: Rosewood

Scale Length: 24 3/4"

Number of Frets: 22

Nut Width: 1.695"

Inlays: Dot

Fingerboard Binding: Antique

Hardware Plating Finish: Chrome

Tailpiece: Stopbar

Bridge: Tune-o-matic

Knobs: Amber top hat

Tuners: Grover

Neck Pickups: 496R Ceramic magnet humbucker

Bridge Pickups: 500T Ceramic magnet humbucker

Controls: 2 volume, 1 tone, 3-way switch

Case Interior: Dark gray plush

Case Exterior: Hardshell with black reptile pattern

Case Silkscreen: Silver Gibson USA logo

Allena and I on Lake Winnipesaukee

The Incase Hardshell Case for 15" MacBook Pro. I chose the Incase over Speck because I liked the rubberized, matte surface, and the build quality seemed sturdier (but that's purely conjecture). It snapped on easily, and a nice touch was the battery power meter button passthrough. The "clips" that secure the Incase to the laptop are more subtle than on the Speck, but I'm not a fan of how Incase embosses its own logo on the lid (whereas the Speck advertises only on the bottom piece).

 

My main complaint about the Incase was the right rear lower corner would catch on the MBP screen edge when I opened it up, making a teeth-gnashing snapping sound. I ended up filing down the edge a tiny bit, and now it opens without catching or rubbing. For something that costs so much and brags about how finely its engineered, though, this seems like a big flaw.

You can see a video testing this beauty here -> youtu.be/w57L3emMMCQ

 

The Gibson Xplorer Pro (Designer X-Plorer) is a LIMITED EDITION guitar, only 400 guitar around the world.

 

Taking tone and attitude to new extremes, the Gibson Explorer Pro electric guitar is perfectly attuned to the technical demands and punishing intensity of today’s hard rock and heavy metal.

 

Based on Gibson’s legendary Explorer, the Gibson Explorer Pro is updated with smaller, lightweight mahogany body and crushingly powerful 496R and 500T humbuckers. With flashy looks and killer sound, the Explorer Pro is destined to rewrite the rules of rock ’n’ roll.

 

The main features of the Gibson Explorer Pro are:

 

Body Species: Mahogany

Finish: Ebony

Binding: Antique top binding

Neck Species: Mahogany

Profile: Explorer

Fingerboard Species: Rosewood

Scale Length: 24 3/4"

Number of Frets: 22

Nut Width: 1.695"

Inlays: Dot

Fingerboard Binding: Antique

Hardware Plating Finish: Chrome

Tailpiece: Stopbar

Bridge: Tune-o-matic

Knobs: Amber top hat

Tuners: Grover

Neck Pickups: 496R Ceramic magnet humbucker

Bridge Pickups: 500T Ceramic magnet humbucker

Controls: 2 volume, 1 tone, 3-way switch

Case Interior: Dark gray plush

Case Exterior: Hardshell with black reptile pattern

Case Silkscreen: Silver Gibson USA logo

Our top of the line 30th Anniversary model features the finest Brazilian rosewood. Its innovative revoicing delivers gloriously complex overtones and rich, crisp resonance to complement its lovely, variegated grain. Paired with the mature overtones of an Engelmann spruce top, this stunning guitar will inspire the most discriminating musician.

 

Woods

 

top-Engelmann Spruce

 

back & sides-Brazilian Rosewood

 

The marriage of Brazilian rosewood and premium Engelmann spruce yields superb tonal clarity, with deep, rich bass, commanding projection, and wonderfully complex overtones.

 

Sharp

 

Grand Concert

Revoiced and now with a deeper body, the Grand Concert is the quintessential small-bodied guitar. Its comfortable shape delivers clarity and a balanced response for an unforgettable playing experience. Scaled-down proportions make the Grand Concert ideal for fingerstyle playing.

 

Electronics

 

None

 

Inlays

 

Pearl & Gold 30th Anniversary

Taylor's prized 30th Anniversary inlay lights the fretboard with mother-of-pearl and 18K gold, while a luminescent inlaid pearl and abalone torch makes a dramatic highlight on the ebony backstrap.

 

Finish

 

Gloss

The finish used to create this guitar’s lustrous gloss top, back, and sides was developed at Taylor for maximum durability and resistance to cold-checking. This ultra violet-cured finish is also more environmentally friendly than traditional lacquer finishes. Available in natural finish.

 

Spaces

  

Type/Shape 6-String Grand Concert

 

Back & Sides Brazilian Rosewood

 

Top Engelmann Spruce

 

Soundhole Rosette Green Heart Abalone

 

Neck Tropical American Mahogany

 

Fretboard Ebony

 

Fretboard Inlay Pearl & Gold 30th Anniversary

 

Headstock Overlay Ebony

 

Binding Ivoroid with Abalone-Edged Top, Back & Sides

 

Bridge Ebony

 

Nut & Saddle Tusq

 

Tuning Machines Waverly

 

Strings Elixir® Light Gauge Strings with NANOWEB® Coating

 

Scale Length 24 7/8 Inches

 

Truss Rod Adjustable

 

Neck Width at Nut 1 3/4 Inches

 

Number of Frets 20

 

Bracing Scalloped, X-Brace

 

Finish Gloss

 

Cutaway None

 

Electronics None

 

Body Width 15 Inches

 

Body Depth 4 3/8 Inches

 

Body Length 19 1/2 Inches

 

Overall Length 40 1/2 Inches

 

Case Taylor Deluxe Hardshell

  

Here is my new $32 case to keep my Parrot Bebop Drone safe and secure! Thanks to gr8wing for the idea!

Early 70’s Gibson Les Paul Deluxe, although not quite certain of the actual year. Anywhere from 1970’s to 72. More a of a player guitar than a collector.

 

Even though it’s a great sounding guitar the originality of it has been tainted by modifications to the pickups and the tuners, much like many people in the early seventies that bought these guitars, routed out the pickup cavities for bigger humbuckers.

 

The front pickup looks to be a Gibson, followed by a Dimarzio bridge pickup – dual sound or PAF. The Bridge tail piece was also changed, a toggle switch was added at some point but is currently disconnected and it gets it the way of playing so removing it would be a better idea.

 

The Headstock was changed for Grover tuners, a common practice in the seventies, it also comes with a three piece Maple top, Sandwich Body, Hardware has been changed to gold Hardware, Rosewood Fret board with original frets.

 

This Guitar is a great playing Les Paul with a lot of vibe and a reasonable price tag this one is definitely for you!

 

A hardshell case is also included

 

Allena and I on Lake Winnipesaukee

Scenery progress continues, albeit very slowly. Last night I got some more hardshell installed.

Allena and I on Lake Winnipesaukee

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