View allAll Photos Tagged Halogen
Unit #458, belonging to the Cranberry Township Police Department. This 2012 Chevy Caprice with a 6.0L V8. This is the last unit with the department with the old skin. Equipped with a Federal Signal Valor, single halogen spotlight, and a Pro Gard push bumper. This is their oldest unit, and is the next one to go.
This is an example of Tyndall-Rayleigh scattering using a quartz-halogen lamp instead of a high colour temperature LED. It shows more gradually graded Rayleigh spectrum colours with more extension into the red.
Clouds, halogen lights and suburban light pollution are not Perseid friendly, but satellites the bigger meteors, planes and the ISS are still visible against the slowly rotating sky (Earth).
Halogen 2x150W left and right + home made beauty-dish 1/4 on the front. Rozkład światła i obróbka inspirowane Jill Greenberg z mniej lub bardziej udanym efektem ;p. Nie wyzywać... się uczę się ;p
I believe that digital-imaging is about extending human vision, not just replicating it.
Shot w. 5-stop ND-filter.
Please do not post notes on the image.
R5-20230305-08226-B4 copy
Beneath the sodium glow of the city lights, Jenny stood still as midnight... her silhouette a gleaming contradiction of softness and steel. The cream satin of her top caught every flicker from passing cars, tracing the curve of her confidence, while the leather jacket whispered tales of roads taken without asking permission.
She wasn’t just leaning on the motorcycle; she was part of it, forged in the same language of chrome and rebellion. The engine was silent now, but the air still pulsed with its memory. Somewhere behind her, music spilt from a shuttered café; somewhere ahead, the next streetlight blinked like a dare.
Tonight wasn’t planned. She hadn’t meant to chase the moon through alleyways or let the wind lift her thoughts like winged hair. As the breeze stirred the leaves overhead and the scent of petrol mingled with the scent of garden jasmine, Jenny smiled.
This wasn’t an escape. It was an arrival.
First photo from a small shoot, it's the only Lexus LFA in the world with halogens (same ones used on the endurance race car)
Strobist: 285 with umbrella camera left just to fill some shadows.
Walking down one of my favorite neighborhood streets, I noticed that the sidewalk was illuminated by some extremely bright headlights, coming from the next block. I realized that this powerful light, much like late afternoon sunlight, would create long shadows of walking by. I made about 25 shots, but chose this one because it was funny--the woman walking by had one short leg and one *very* long one.
The headlights weren't the regular ones, they had new-fangled halogen bulbs, whence the lovely silvery sheen on the slightly humid sidewalk. The temperature was just above freezing, so the snow had begun to melt. (My only problems getting around occurred at street crossings, where there were small piles of snow created by snow plows, as well as pools of slush.)
Washington Heights, Upper Manhattan
New York, NY
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SPNC - Year 4 - # 05
For six word story.
Shot under continuous light (two halogen light bulbs shooting through parchment), as you might have thought already. :-)
Phew, that camera is really not so good. And I dont like the 35 mm lens equivalent either. Tricks used:
1
This is a crop from a larger image to get the perspective and look-and-feel of a 60 mm lense
2
This is a focus stack of four shots
3
I did some Photoshop touchup
My old VistaLite halogen bicycle headlights from the 1990s. I put the Blackburn LED headlight I use today in the picture to show how far bicycle headlight technology has come. The separate VistaLite battery had to be recharged daily while I can go for weeks with the LED light, which seems even brighter, without a charge.
edition by snapseed
SAMSUNG legt ein enormes Tempo vor:
After "Firmware Update 3.0" ●●●
November 2019
www.areamobile.de/Samsung-Firma-18781/News/note-10-feautr...
●●●
Coole Features
Zu den neuen Funktionen gehört Samsung DeX für PC. Damit ist es möglich, das S10 einfacher als je zuvor mit dem PC oder Mac zu synchronisieren und Dateien durch einfaches Ziehen und Ablegen von einem zum anderen zu übertragen. Die App steht ab sofort auf der Website von SamsungDeX.com zum Download bereit. Darüber hinaus ist auch Link to Windows jetzt für die S10-Familie verfügbar, was einfachere drahtlose Verbindungen zum Computer ermöglicht.
Ebenfalls mit dabei sind die AR Doodle (zum Hinzufügen von Augmented-Reality-Zeichnungen in Videos), ein integrierter Video-Editor und der verbesserte Nachtmodus für die Frontkamera.
Zusätzlich aktualisiert wurden der Samsung Pass- und die Nachrichten-Apps, welche auf den S10-Geräten jetzt "vielseitiger und praktischer" sein sollen. All diese Funktionen werden derzeit für Galaxy S10-, S10 + -, S10e- und S10 5G-Telefone bereitgestellt.
Sicherheit Patches sind auch dabei.
Es kann aber einige Tage dauern, bis alle Nutzer das Update bekommen
P AE
Galaxy S10
Frontkamera
F1.9
ISO 400
1/33
Das fertige Bild kann man Revue passieren lassen und den Moment vor dem Auslösen rückwärts drehen, Einzelne Bilder abspeichern oder das Ganze als Clip von 2 Sekunden Länge speichern.
Agfa Isolette III, later model.
Just to test my new Light Box Studio Lighting.
I never used my Light Box that much as the old Halogen spot lights only delivered about 300 Lumen at 20W each.
These new portable Prolight LED work lights produce about 700 Lumen at 9W each.
They also have a much larger lighting angle, 120 degrees compared with the narrow 35 degrees of the Halogen spots.
They have accu's which can be charged with an USB Power Supply so can be taken to places without a wall AC outlet.
With only 13 Euro's each at a local shop I cannot complain about their price either :-)
Minus point is their Color Rendering which is worse.
btw I cut some pieces of colored card to act as bottom so I can quickly switch between Grey, Black and White.
Lighting:
Three clamp lamps with 100w halogen bulbs left, right and below pointing upward on white background.
YN600EX-RT flash in 24" softbox with vellum paper camera left
Canon 430EX II flash behind diffuser panel camera right
Black card 45 degrees camera right
YN622C triggers
Clint decided to take a video of the secondary attic.
Carolyn, Clint.
pooping, waving.
ashtray, couch cushion, ducts, foofsack, graffiti, halogen light, house tour, peapod boxes, pegasus drawing, sticking out tongue, styrofoam, unicorn drawing, wood.
What's up sluts?. eat pussy. foof. video.
attic, Clint and Carolyn's house, Alexandria, Virginia.
January 8, 2015.
Art by Angel Preble.
... Read Angel's blog at ansaphone4.livejournal.com/
... View Angel's photos at www.flickr.com/photos/ansaphone4/
... have a good Sunday.
Lily before the lovely red blossoms appear.
Rote Blütenknospen der Taglilie unter den Halogen - Decken - Strahler.
"effiart 2011"
°°°°°°°°°°°°°°
One of Carina´s inhouse flowers
- am Fenstersims im Wohnzimmer
- blüht immer wieder wunderschön, seit Jahren -
°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°
Click , &
Push F11 - Full - screen
Enjoy
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For your Eyes only ©
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remove yourself, i have added YOU
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fave or comment,
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Last minute submission for Active Assignment Weekly: Spell It Out For Me
WIT: A battered box that has done a few domestic trips in its country of origin, as well as an overseas trip. A box (!) cutter.
f/29 didn't give me enough DOF for the whole word so I decided to let it run out of focus.
The light comes from two budget halogen desk lamps -- one shining into the box, the other providing a bit of ambient light, reflected from the background. To avoid double shadows, and to get a softer light instead, some duct tape is on the middle of one of the lamps ... that's only good in well ventilated areas.
Perfume flacon light setup: I tried quite a few things: Speedlight with snoot, led lamp, daylight lamps ..., and ended up with the simplest possible setup:
Small halogen desktop lamp, on the right side, on the floor, pointing to the lightblue backdrop (a curtain). Desktop with two black-painted boards and an acrylic plate upon them for the reflection. The camera is mounted on a tripod to allow the low ISO adjustment and long shutter times (some seconds). White balance was done with the Datacolor Spydercube.
Also quite helpful for perfectly sharp photos: Manual focus in 10x zoomed liveview mode.
Postprocessing in PS: Clean-up, masked sharpening, color shifting, crop, unobtrusive vignette.
“You’re getting so close to it, I thought you were taking pictures of our logo.”
“Some very talented and highly trained designers spent months working two inches from every detail on this body. I want to see what they did.”
“Hmm, that’s very interesting.”
And the way he said it, I believe he thought it was.
taken late last night.
our back drop (news print) got ripped a bunch of times.
and one of out halogen work lights burnt out so we only had one.
but besides that it was a great shoot.
This is Emily by the way
+ 5 in comments
Snapshot of Festive House Bathed in Halogen Street Lighting - Blackberry Passport - Photographer Russell McNeil PhD (Physics) lives in Nanaimo, British Columbia where he works also as a writer and a personal trainer.
"...you got that whole poof thing going"
- dude at raley's
lame backdrop (newsprint)
lame lighting (halogen work lights)
lame people (anna and charity) (just kidding)
(anna says to add that she and charity are actually the coolest people in the world)
+6 in comments
Name: Halogen
Designer: Uniya Filonova
Folder: Maria Athanasiadi
www.flickr.com/photos/73033379@N07/16296272319/in/photost...
Units: 30
Paper: 7 x 7 cm
Final height: ~ 9 cm
Joint: without glue
While capturing vessels berthed in Telford Quay at Aberdeen Harbour this afternoon Thursday 10th January 2019, this Colin Lawson Transport DAF XF truck arrived, a quick word with the driver asking for permission to take some photos of his truck , he gave me permission and these captures are the result.
Colin Lawson Transport .
History
Since buying his first lorry back in 1997, Colin Lawson has built his company up to the size it is today along with help from loyal office staff, also with employing the most experienced of drivers.
The company has grown enormously over the past years, growing alongside key customers supporting each other in good and bad times.
Colin Lawson Transport aim is to maintain a level of service second to none providing each customer with the same personal contact, building on long standing relationships.
One of the leading haulage companies in the North East of Scotland and have a reputation of providing a first class service built on our strong customer relationships.
Specialists within the oil and gas sector, working alongside general haulage fleet and heavy haulage fleet.
One of Aberdeen’s largest and most experienced haulage companies, operating a fleet of over 60 vehicles specialising within the oil and gas sector, complimenting both general haulage and heavy haulage fleet.
Also being one of the largest heavy haulage fleets in Scotland we have a multitude of variable trailers to meet individual customer needs. Driver training is paramount within our company and we undertake regular internal driving assessments along with ADR training to vastly improve our drivers skills.
Fleet of vehicles are one of the most modern and road friendly in our area purchasing from all major manufactures, our trailer fleet are predominantly all purchased from Dennison Trailers.
Business model has always been built on forging long standing relationships with customers, and treat every customer with the same working values, and strive to maintain this at every level.
CF Jennings is a leading provider of local, national and European transport services, based in Aberdeen. Since 1971 this family-run business has worked with companies big and small, a distinctive fleet of vehicles carry out deliveries across Scotland, the rest of the UK and mainland Europe.
Operations team can arrange collections and deliveries of any shape or form, providing services such as general haulage, bulk loads, parcel collection and delivery, abnormal loads, transportation of hazardous goods, and a lot more.
CF Jennings prides itself on making quick decisions, being honest and providing a personal, quality service at very competitive prices.
Long term partnerships exist because of these qualities and newer relationships exist thanks to word-of-mouth, continuous quality feedback, and down-to-earth approach to business.
Being a smaller, family-run company has its advantages – CF Jennings are able to provide a quicker, more personal and straightforward service that often cannot be matched by others, leaving customers dissatisfied. That’s where CF Jennings comes in .
Working around-the-clock, often at very short notice, to get the job done.
DAF XF 105
Low operating costs, best driver satisfaction and high reliability: the key development criteria behind DAF’s trucks for the long haul.
The XF105 is the best proposition on the market today. Voted International Truck of the Year 2007 by an international panel of specialist journalists. It has the most spacious cab in its class, offers top comfort to the driver and high revenues per kilometre to the operator. It’s a top performer.
Designed for long distance haulage applications, the cab sets a new standard for driver comfort. With a choice of Space Cab and Super Space Cab – both with generous interior dimensions – the XF105 offers more living, working and storage space than any other truck in its class. The result: drivers stay fit and fresh longer.
Powered for profit
The 12.9-litre PACCAR MX engine delivers excellent performance: from 410 hp up to 510 hp and high torque of between 2,000 and 2,500 Nm, with a maximum torque available between 1,000 and 1,410 rpm.
Also, with DAF SCR Technology it complies with either Euro 4 or Euro 5 exhaust gas emission standards. It is economical too, incorporating several technical advances that reduce fuel consumption. The XF105 also uses many low-maintenance components, which extends service intervals to further reduce operating costs.
High performance driveline
The driveline is carefully balanced to optimise performance under all operating conditions, and to make the most of the engine’s low fuel consumption. There is a choice of either a 16-speed manual or the latest AS-Tronic automated transmission to deliver power to the acclaimed DAF hypoid rear axle. There is also a hub-reduction axle for more demanding applications.
Choice of axle configurations
To ensure that the XF105 is ideally suited to each application it includes a choice of tractors and rigids with two-, three-, or four-axles.
XF105 has numerous styling and aerodynamic refinements. They include a restyled lower grille, which extends to the bumper and is more pronounced to channel more air and enhance performance. The lower grille also features an aluminium strip to signify compliance with the Euro 4/5 exhaust emission standards, while the upper grille is redesigned with cleaner lines. There is also a styled bumper, in which optional cat’s-eye combi-lights can now be integrated. The clear headlamps with virtually unbreakable Lexan protection can now also come as Xenon.
Wider field of vision
The four large, electrically adjustable and heated mirrors offer a much larger field of view for increased safety. The stylish aerodynamically designed mirrors are also optionally available in body colour.
Super Space Cab roof
The entirely restyled Super Space Cab roof is both pronounced and stylish. There is an integrated aerodynamic sun visor. While the optional integrated skylights, with twin 70W halogen spotlights, improve visibility and add an extra touch of style. It all adds up to a unique, powerful presence, both tough and inviting at the same time.
The PACCAR MX engine, developed and manufactured by DAF, combines excellent high performance with economical fuel consumption. It is available in 410, 460 and 510 hp versions with high torque of 2,000, 2,300 and 2,500 Nm respectively. Importantly, maximum torque is available between 1,000 and 1,410 rpm.
Kitchen in Vegas high-rise. Little portable mini-halogens planted all over the place. This kitchen presented the apotheosis of a recurring challenge: how to effectively (and time-effectively) light a space when all the ambient light is warm, incandescent or halogen light. With all this contrast, a LOT of light is needed and those ceiling halogens just burn bright spots all over the image. Maybe I should bring a 500w halogen work lamp or two from Home Depot along. With some diffusion, it just might do the trick.
Any ideas?
This shot was named “First Smoke” because it is the first image taken in my new photography studio in my family room in the basement. It reminded me of the term “First Light” from astronomy(a).
It is appropriate that my studio is next to the bar. I shall measure the quality of my work as a function of the spirits that I might imbibe.
This is my first effort at shooting smoke. It is not great -- in fact, it isn’t even good. But, I know what I need to do to improve. I post this as a baseline.
That said, I kinda like how this turned out.
References:
a. en.wikipedia.org/wiki/First_light_(astronomy)
Process:
Nikon D200, 300mm, 1/80, f/5.6, WB Tungsten, manual exposure, ISO 1600. Lighting: Harbor Freight 500W halogen worklight @ 24 inches left of smoke. Black background, barn doors around light. Adobe Photoshop include:
a. Unsharp mask to emphasize the noise (I liked it)
b. Color gradient fill layer using hard mask.
Observations:
1. I expected to have problems with lighting. A flash is mandatory if the smoke is to be in crisp focus. The best I could muster was 1/80sec at ISO 1600. It really didn’t freeze the smoke and, had I gone higher in ISO, the noise would have been worse.
2. The light must not hit the black background. I need better barn doors around the light.
3. The supply of Jack Daniels Single Barrel was running low and, therefore, the photo session was terminated before I could try a flash.
_WGP8989A copy
[92/365]
closeup and crop,
- Click , click
© View LARGE on BLACK
__ For your Eyes only ©
The word tulip, which earlier appeared in English in forms such as tulipa or tulipant, entered the language by way of French tulipe and its obsolete form tulipan or by way of Modern Latin tulīpa,
from Ottoman Turkish tülbend ("muslin" or "gauze"), and is ultimately derived from the Persian language dulband ("turban").
(The English word turban, first recorded in English in the 16th century, is a cognate.)
Mixed light
1 full spectrum
a row of overhead halogens
remote triggered dual flash heads
(1 bounced off of a silver reflector, 1 through gauze)
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More experiments with a very simple DIY light table, if you can call it that :)
It's just a cardboard box which is white inside to bounce the light around, with a Tupperware container placed on top. No need to worry about a brand name being embossed into the container either, it doesnt show up with a reasonable amount of light shining through. The box although white inside, did have a sheet of whte paper laid in the bottom, just to ensure a nice even light.
Lighting was provided by a pretty standard halogen desk lamp, with I think a 15W bulb in it. Not normally the best of light sources for a nice even spread of light, but in this application with the light being bounced around inside the box, it gives a very even coverage as I hope this shot shows.
One thing to be careful of, these halogen lamps can get pretty hot, so be careful ;-)
Opal is a beautiful natural example of the production of brilliant colours without the presence of a chemical pigment or dye. The existence of a regular 3D array of nano-scale — about a third of the wavelength of the coloured light — scattering elements results in a play of colours arising from the interference of light waves with one another in a process called diffraction.
Using X-rays with wavelengths more than a thousand times smaller than visible light the Bragg father and son team (William and Lawrence) demonstrated the diffraction produced be simple atomic crystals in 1912. They won the Nobel Prize for physics in 1915 for using of this method to determine crystal structure. Since then, there have been 26 Nobel Prizes connected with the use of X-ray diffraction, including that in 1962 to Francis Crick, James Watson and Maurice Wilkins for discovering the structure and significance of DNA. This is a physical phenomenon with profound consequences for the understanding of our world, particularly perhaps for biology.
The so-called Bragg Law given in textbooks does not always include reference to the refractive index of the sample. This is probably because, at X-ray wavelengths, the relevant refractive indices are very close to one, the value for the vacuum. For visible light interacting with an opal however, the refractive index (RI, usually called 'n') of the opal matrix (silicon dioxide with some water, n ~ 1.45) is crucial in determining the colour that will reflect from a nano-structure with a particular physical spacing — typically between around 150 to 250 nanometers (nm, billionths of a metre).
While it had been supposed for a long time that opal colouration was due to some sort of optical interference/diffraction process — there is a nice description of this in the well-known book "Physical Optics" by R W Wood (1934) — it was a group of physicists in Australia in the 1960s/70s who were able to show that the nano-structure consisted of quite large (~1mm) regions that contained a regular, close-packed, 3D array of tiny, identically-sized silica spheres forming what has now come to be called a photonic crystal. As is described in an article in Scientific American in 1976 (see reference below), the diffraction is caused by scattering from the voids between the close-packed spheres which can contain water (see the comment below).
The silica/water opal matrix (essentially internally wet glass) is quite transparent and so the flecks of brilliant colour arising from these ~1mm highly ordered grains can be seen deep into the stone. One of the reasons for this post is that the silica is transparent not only in the visible but also deep into the UV. Why is that interesting?
It gives us the opportunity to see one of the characteristics of Bragg diffraction and that is, like a diffraction grating, the reflection consists of multiple orders: the 'm = 1, 2, 3,...' in the Bragg equation:
m lambda = 2 d sin (theta)
[lambda is the wavelength, d is the spacing of the diffracting centres, n is the refractive index and theta is the angle between the incident light beam and the plane of the diffracting centres on which the light is incident]
which, when combined with Snell's law of refraction becomes:
m lambda = 2 d n sin (theta)
With the eye, it is not really possible to see more than one order of diffraction since the second order will have to be in the blue at greater than 400nm which would mean that the primary, 1st order peak would be at around 800nm and that is beyond our visual capability.
Fortunately, my spectrometer covers a spectral range from 200 to 1100nm which is a large enough to see up to four orders (if I could find an opal that reflected at 1000nm!). I use a combination deuterium and quartz-halogen filament lamps to cover this large wavelength range. This plot shows the reflectance spectra of seven coloured flecks in an opalised sea shell from Australia that has an unusually transparent matrix. Five of these flecks show first, second and third orders while the remaining two show just a blue first order and a deep UV second order peak. The inset is an image of some of the reflecting coloured flecks.
I'm sure they must exist, but I have not seen any other spectra that show three spectral orders like this. Maybe I didn't Google hard enough?
The coloured '+' marks aligned along each spectrum show the predicted peaks of the second and third order reflections based on the measured wavelength of the first order peak. To do this, I need the refractive index of the opal matrix over the entire spectral range. I use the published values for amorphous silica which should be a pretty good approximation give-or-take a little water. Since the refractive index rises quite steeply into the UV, neglecting this effect would mean an error of a very noticeable 10nm or so for the position of the third order peak. This calculation also gives me to good accuracy the spacing between the scattering centres (d in the Bragg equation) of between 269nm for reddest spectrum (top) and 154nm for the bluest (bottom)
This inanimate natural material created a paradigm for understanding the huge variety of photonic structures that have now been discovered and studied in both animals and, increasingly, in plants. When looked at in detail, some of these life forms contain evolved structures of exquisite complexity which result in a range of properties that can be of immense value in technology and engineering.
Further reading:
The Physics and Chemistry of Color: the fifteen causes of color, Kurt Nassau, John Wiley and Sons, 1983
Origin of Precious Opal
P. J. Darragh ; A. J. Gaskin ; B. C. Terrell ; J. V. Sanders
Nature, 1966, Vol.209(5018), p.13
Opals
Author(s): P.J. Darragh, A.J. Gaskin and J. V. Sanders
Source: Scientific American , Vol. 234, No. 4 (April 1976), pp. 84-95 Published by: Scientific American, a division of Nature America, Inc. Stable URL: www.jstor.org/stable/10.2307/24950330
Note: I was in Sydney, Australia at CSIRO Radiophysics which hosted the HQ of the Anglo Australian Observatory when this article was published and I subsequently visited the opal mines at Coober Pedy.