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Our Lady of Lourdes & St Joseph, Leigh on Sea, Essex
I passed OLoL&SJ (apologies for the acronym) on my way to St Clement and had to stop. This RC church had fallen off my radar and would have been missed had it not been so arresting.
Built in the 1920's to the design of the parish priest, Fr FW Gilbert, it stands as his personal testament to God. Full of good period glass, a very Catholic reredos, lectern and rood; unusually a SE tower but, to my mind, the most exceptional feature is the Lady Chapel which is a scaled replica of Lourdes.
A rich priest's homage to Gothic architecture with a distinct Catholic twist - I wish this was my parish church!
Neither Pevsner nor Mee covered it (inherent anti Catholicism at work?) so Taking Stock instead:
An idiosyncratic Gothic church of the 1920s, very much a personal work by the parish priest Fr F. W. Gilbert, but closely following the design of Charles Nicholson’s church of St Alban at Westcliff-on-Sea. The church was sympathetically extended in the 1960s. The interior is rich in fittings, some designed by Fr Gilbert.
The original church (now the parish hall) began life as a timber-framed, corrugated iron drill hall, originally built for the Essex Volunteers in 1900 under the supervision of Major Burles and purchased in 1913. The site of the present church was purchased by the Rev. F.W. Gilbert in 1924, using donations and his private money. It appears that Fr Gilbert acted as his own architect, his design borrowing heavily from that of the Anglican church of St Alban the Martyr at Westcliff-on-Sea, built in 1898-1908 from designs by Nicholson & Corlette. The Gilbert family promised £2,000 once building work commenced. The contract price was £12,234. The builders were Messrs Marshall & Smith of Grays but Fr Gilbert acted as his own clerk of works, using local labour, including unemployed men from Grays. The foundation stone was laid on 7 October 1924 and the church opened in September 1925. The presbytery was built in 1925.
The church was sympathetically extended in 1965-66 by Burles, Newton & Partners, in the same style and materials; the west wall was moved twenty feet further out to create a choir gallery, west door and porch and a baptistery with organ chamber above. Proposals to replace the old hall with a new and larger building were prepared in 2007 but have not yet been implemented.
The church is a large and handsome structure in a free Gothic style. The walls are faced with random rubble with stone dressings. Apparently much of the stone was quarried near Glasgow and was originally used as ballast in lighters intended for the Gallipoli campaign, which were later bought by a local ship owner, who donated the stone for the building of the church. The roof is covered in plain tiles. On plan the church comprises a long nave and sanctuary under a continuous roof swept down over north and south aisles, southwest porch, northwest organ chamber, southeast double transept and southeast tower. The gabled west end is Burles & Newton’s work of the 1960s and has a broad straight-headed doorway flanked by small trefoiled windows with a large six-light traceried window above. On the north side is a tall transeptal organ chamber and then the low side wall of the north aisle with three pairs of small trefoiled windows. On the south side is a small projecting porch and then the low side wall of the south aisle, a double transept with three-light traceried windows in the gabled ends and then the bold square south east tower. The tower is of three stages with a traceried two-light window on the south side of the lowest stage and pairs of small openings in the two stages above. The tower has a single large diagonal buttress at the southeast corner, crenellated flint-faced parapets and a tiled spirelet. The east end wall of the sanctuary is articulated with three round-headed blind arches. This wall fronts the garden of the large presbytery which is attached to the northeast corner of the church, and the church and presbytery together form a strong architectural composition.
The interior walls are all plastered and painted with plain flooring of timber. There is a west gallery in the 1960s extension and nave arcades of four bays of simple pointed chamfered arches on square chamfered concrete piers. Above each pier the nave is spanned by the tie beams of the roof and above them is a five-sided timbered ceiling. The aisles have lean-to roofs and are also timbered. The east bay on the south side is a small transept. There is no chancel arch in the usual sense, but the division between nave and sanctuary is marked by pilaster strips on the walls with a rood beam at half- height and a timber rib spanning the roof between them. The sanctuary has a single large open arch on each side and is richly furnished. The east wall in particular is lined to full-height with carved decoration. The floor is black and white marble. On the south side of the sanctuary is a second transept divided from the first by a double arch resting on dwarf double columns with ornamental Gothic capitals. In the east wall of this transept a chamfered pointed arch leads to the base of the tower which contains a Lourdes grotto.
The church is rich in fittings. These include the carved timber reredos filling the whole east wall, the extraordinary pulpit with figures of evangelists supported by cherubs, apparently designed by Fr Gilbert, who also designed the figures of the rood beam, the elaborate oak stalls in the sanctuary and the font at the west end of the nave given in memory of Col. Knight (d.1891) with its stone bowl on clustered columns and a surrounding floor of Cosmati work.
There is some stained glass in the church including the west window by Whitefriars and other windows by Goddard & Gibbs. The scale model of the Lourdes grotto was built by Cyril Psaila (d. 1931).
www.kingdomsalvation.org/ru/testimonies/in-disaster-i-saw...
Свидетельства христиан | В разгар стихийного бедствия Бог защитил меня
Чжан Минь, Пекин
6 августа 2012 г.
21 июля 2012 года с самого утра начал идти сильный дождь. Ко второй половине дня, когда я должна была пойти на собрание, ливень стал настолько сильным, что я не хотела выходить из дома. Собрания проходили всего раз в неделю, и если бы я не пошла, то не смогла выполнить свою работу для церкви. Что бы ни происходило вокруг, я не могла просто пренебречь общением. Подумав об этом, я заторопилась на встречу. После четырех часов вечера в дом, где мы собирались, брат хозяина заторопился домой и сказал: «Заканчивайте собрание и скорее бегите домой, на улице уже полно воды». Я вышла из дома и увидела, что ливень идет вовсю, на реке образовался паводок и уровень воды сильно вырос. Я никогда не видела столько воды и никак не смогла бы добраться до дома, который стоит в полукилометре от деревни. Я сильно разволновалась. Не в силах ничего сделать, я была вынуждена вернуться в дом, где мы проводили собрание, потому что он стоял на возвышенности, и там было безопаснее. Спустя какое-то время я услышала крики снаружи. Я вышла узнать, что случилось, и увидела, что это мои взрослые односельчане и их дети идут с веревками и шестами. Я бросилась к ним, чтобы узнать, что с моим домом, и кто-то сказал мне, что его не смыло, но вода стоит высоко вокруг стены двора. Я подумала про себя: «Все в руках Бога. Даже если дом смоет, на это будет благая воля Его».
…
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Смотреть христианские фильмы на реальных событиях «БОЖЬЯ ЗАЩИТА» Бог нам прибежище и сила
Image Source: Церковь Всемогущего Бога
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Hi partner! I would love to get a closed sewing machine cover (not one with ties, but that covers it all the way around - I live in the middle of a desert and can't contain the dust!). I love color, stuff that's cheerful, bright, scrappy. For the smaller item, surprise me! I could use anything - pin cushion, fabric basket, thread catcher, wall hanging...I'm pretty open since my sewing space is pretty sparse!
1. sewing together, 2. Set of 3 Fabric Baskets - Meadowsweet, 3. Charity Blocks, 4. pretty petal clutch - Explored, 5. hedgehog pincushion, 6. My Ellie! SPS3, 7. Scrappy Pincushion Swap--Round 2, 8. 'Hope Valley' pin cushion, 9. pin cushion, 10. Zakka Style Sewalong week 4, 11. Quilt Zoology Circles FMQ, 12. 'Hope Valley' thread catcher, 13. RSR Thread Catcher, 14. Anna Maria Horner Pincushion, 15. personalized pincushion, 16. fabric baskets 16x9xh10 cm, 17. My favorite pin cushion..., 18. New sewing machine cover, 19. Chevron Back FTLOS round #2, 20. Sewing machine cover in 'Martinique', 21. Pin Cushion Caddy, 22. Pin cushion, 23. Wonderland sewing machine cozy, 24. new sewing machine cover, 25. Sewing Machine Cover
[crosseye stereograph, see 3D with your right eye on the left image, and left on right.]
My second break-out frame ever attempted.
Normally, I am opposed to loosing any information in a picture. The purpose of my work is recording reference documents.
I started by matching the pairs [see "How to Join Stereo Pairs".]
To preserve the original stereo pair work, I duplicated the whole image layer and added an alpha channel to it, for trimming later.
I added a pink layer, which would be discarded later, between them - that would provide contrasting background for the edge trimming to come.
To create the first frame, I added a transparent layer in which I used the rectangle select tool to carefully position the centers of the first frame rails that would widen from as edges accumulated..
To simulate a guilded wood frame,
I picked a pine wood pattern as a brush, clicked Edit|Stroke-selection at three pixels wide, which gave the center of the frame moulding.
Then I used the select-by-color tool anywhere in the transparent area and inverted that selection to select the frame edges.
I repeated those two select/stroke steps several times, thickening the frame with alternating solid color/patten brush, varying the width of the stroke and choosing progressively darker toward the edges.
When I was satisfied with the frame appearance, I reduced its dimension with Layer|Autocrop-layer because it was a perfect rectangle to duplicate for the matching pair. If it was any other shape I could have selected transparent by color, inverted the selection to CTRL-C copy the frame, and then added a clear layer to paste the copy into. Either way it is important at this point to have the copy on a separate layer to slide around visually aligning the frame to draw the eye behind the locomotive. The right edge was most important in this shot, so I tried to "give clearance" as if the frame were touching the wheels of the obscured side. I wasn't concerned with the left edge, knowing that if such a giant gold frame around the real engine existed, the viewer would be able to "see around" it more with the right eye, and that would enhance the illusion of depth.
Quickly, I checked horizontal alignment by zooming in to 800% aligning the bottom of the window to the edge of the frame, then dragging the bottom slider over to the other frame to use the move tool adjusting up/down so the frames are at identical heights relative to the window base. (a method used in the critical point of Joining Stereo Pairs.)
The next step is a tough concept for the simplest results. There are two frames that cover both engines. But I want to make it appear that the engine is breaking out of the page, and the bars descending down over the boiler spoil that effect, so they must be removed. To do that most easily requires "flying blind", working on a layer you don't see.
I clicked the layer of the offending guilded frame as the one to work on, then clicked off it's visibility, so I see only the engine. Zoom in to the stack. Using the free-select tool (lasso) I carefuly set points along it's edge as if I were going to cut the smokestack away. When I was wider than the bar of the frame, I checked my work, and clicked the guilded frame layer item visibility, tap the deleted key and the frame now has a hole in it. Three more holes for the top and bottom cut-away of the frame leaves floating bars of frame that are easily removed with rectangle select. Now the top layers depicting the frames end at the visual limit of the object, giving the appearance that they disappear behind that object.
Last step: trim away the background outside the frames.
I selected the duplicate layer to work on, knowing that CTRL-Z (undo) is my friend and if I really mess up, the bottom layer is still in registration so I can select a matching piece to overlap a higher layer with a copy/paste and not have to worry about alignment. Having the "decoupage" layer (with alpha channel added) over the pink contrasting layer was a great help in the trim. I worked in small sections with the free-select tool and delete key, snipping away at the edge of the subject, then removing large chunks as we did with the guilded frame. Having pink show through to confirm the right places were deleted and nothing more is easier to me than the default grey checkerboard against this essentially black and white subject.
The project took several hours.
When I was done I saved it in three formats:
1) .xcf the native format that preserves tranparancies and layers, so I could come back and make adjustments if needed.
2) .gif to preserve transparency, at the cost of color depth. For web pages with backgrounds other than white.
3) .jpg flattened with a white background for color depth at the cost of transparency. for web pages with white backgrounds.
3D, California, Los Angeles, Griffith Park, Travel Town, Shay locomotive, Camino-Placerville & Lake Tahoe #2, Break-out of frame, dsc00110, 2010.03.21 17.43, 34.154640, -118.308527
www.politico.com/news/stories/0611/56941.html
A 'kitchen sink solution' on jobs
By: Chris Frates
June 15, 2011
The center-left Washington think tank Third Way is holding a forum Wednesday to discuss the merits of allowing companies to bring the $1 trillion in profits parked overseas back to the United States at a temporarily reduced tax rate.
The morning forum at Union Station will include Sen. Kay Hagan (D-N.C.); Democratic Reps. Loretta Sanchez of California and Jared Polis of Colorado; former Service Employees International Union President Andy Stern; Duke Energy chief executive Jim Rogers; and George Schink, managing director of Navigant Economics.
Third Way’s vice president of communications, Sean Gibbons, said the forum is designed to determine whether the idea — which is anathema to many liberals — is a viable option for jump-starting U.S. job growth.
“We have unemployment near 9 percent. We’ve basically pulled every single lever we can as a government. … We’ve done almost everything we can to get the economy going. It’s time to throw in the kitchen sink. This is a kitchen sink solution,” Gibbons said. One trillion dollars “is a lot of coin. It’s sitting overseas. If we could bring over a significant portion of that back into the economy, we believe that would stimulate demand, and demand stimulates jobs.”
It’s not a perfect solution, Gibbons said, but one the Republican-controlled House might be willing to entertain.
He acknowledged that analysts don’t yet know how many jobs such a policy might create. But, he said, bringing money back to the U.S. creates demand, which in turn drives hiring.
The forum is the first public event of the think tank’s new corporate tax reform project directed by former Rep. Dan Maffei (D-N.Y.), who’s now a Third Way senior fellow.
Right now there is over a trillion dollars in global profits earned by American businesses sitting overseas. What if we lowered the bar for companies to bring that money back home?
Third Way hosted an Idea Forum that examined the economic and policy implications of a repatriation tax holiday that would allow American multinational companies to bring overseas profits back to the U.S. for investment at a reduced tax rate.
Featuring a distinguished panel of leaders from business, labor, economics and government, the forum offered a fruitful discussion of a repatriation holiday’s impact on hiring and investment, business practices, and future tax policy. Participants include Senator Kay Hagan, (D-NC), Congresswoman Loretta Sanchez (CA-47), Congressman Jared Polis (CO-2), Andy Stern, former President of the Service Employees International Union, Jim Rogers, CEO of Duke Energy and Dr. George Schink, Managing Director and Principal of Navigant Economics.
This Idea Forum is the first public event of Third Way’s new corporate tax reform project, managed by former Congressman (and now Third Way Senior Fellow) Dan Maffei, which will advance ideas to make the code fairer, simpler, and more pro-growth.
ADOLFO VASQUEZ ROCCA _Doctor en Filosofía _ Director de 'Revista Observaciones Filosóficas'
ADOLFO VASQUEZ ROCCA __PH. D.
Doctor en Filosofía
Universidad Complutense de Madrid UCM
www.danoex.net/adolfovasquezrocca.html
Adolfo Vásquez Rocca
Doctor en Filosofía
REVISTA OBSERVACIONES FILOSÓFICAS
Prof. Dr. Adolfo Vásquez Rocca
Director de Revista Observaciones Filosóficas.
VÁSQUEZ ROCCA, Adolfo
Doctor en Filosofía
Valparaiso - Madrid
Pontificia Universidad Católica de Valparaíso
Universidad Andrés Bello UNAB
Universidad Complutense de Madrid
Tlf. (56) 32 - 233347X | E-mail: adolfovrocca@gmail.com
Trayectoría Académica
Doctor en Filosofía por la Pontificia Universidad Católica de Valparaíso; Postgrado Universidad Complutense de Madrid, Departamento de Filosofía IV. Profesor de Postgrado del Instituto de Filosofía de la Pontificia Universidad Católica de Valparaíso; Profesor de Antropología y Estética en el Departamento de Artes y Humanidades de la Universidad Andrés Bello UNAB. Profesor de la Escuela de Periodismo y Arquitectura UNAB Santiago. – En octubre de 2006 y 2007 es invitado por la 'Fundación Hombre y Mundo' y la UNAM a dictar un Ciclo de Conferencias en México. – Miembro del Consejo Editorial Internacional de la 'Fundación Ética Mundial' de México. Director del Consejo Consultivo Internacional de 'Konvergencias', Revista de Filosofía y Culturas en Diálogo, Argentina. Miembro del Conselho Editorial da Humanidades em Revista, Universidade Regional do Noroeste do Estado do Rio Grande do Sul, Brasil y del Cuerpo Editorial de Sophia –Revista de Filosofía de la Pontificia Universidad Católica del Ecuador–. Asesor Consultivo de Enfocarte –Revista de Arte y Literatura– Asturias, España. Miembro del Consejo Editorial Internacional de 'Reflexiones Marginales' –Revista de la Facultad de Filosofía y Letras UNAM– Director de Revista Observaciones Filosóficas. Profesor visitante en la Maestría en Filosofía de la Benemérita Universidad Autónoma de Puebla. – Profesor visitante Florida Christian University USA y Profesor Asociado al Grupo Theoria –Proyecto europeo de Investigaciones de Postgrado– UCM. Académico Investigador de la Vicerrectoría de Investigación y Postgrado, Universidad Andrés Bello. Artista conceptual. Ha publicado el Libro: Peter Sloterdijk; Esferas, helada cósmica y políticas de climatización, Colección Novatores, Nº 28, Editorial de la Institución Alfons el Magnànim (IAM), Valencia, España, 2008. Invitado especial a la International Conference de la Trienal de Arquitectura de Lisboa | Lisbon Architecture Triennale 2011
PUBLICACIONES
Publicaciones Internacionales Catalogadas en DIALNET Directorio de Publicaciones Científicas Hispanoamericanas
dialnet.unirioja.es/servlet/autor?codigo=1053859
Publications Scientific
de.scientificcommons.org/adolfo_v%C3%A1squez_rocca
Biblioteket og Aarhus Universitet, Denmark | Det Humanistiske Fakultet
Biblioteca Universidad Complutense de Madrid
Directorio de recursos digitales - Ministerio de Cultura, España
roai.mcu.es/es/consulta/busqueda_referencia.cmd?campo=ida...
Biblioteca Asociación Filosófica UI
www.uruguaypiensa.org.uy/categoria_144_1_1.html
LIBROS
VÁSQUEZ ROCCA, Adolfo
Libro: Peter Sloterdijk; Esferas, helada cósmica y políticas de climatización, Colección Novatores, Nº 28, Editorial de la Institución Alfons el Magnànim (IAM), Valencia, España, 2008. 221 páginas | I.S.B.N.: 978-84-7822-523-1
INVESTIGACIÓN:
Proyecto de Investigación N° DI-10-09/JM - UNAB
“Ontología de las distancias en Sloterdijk, hacia una teoría antropotécnica de las comunicaciones”.
Dirección de Investigación, Universidad Andrés Bello – Fondo Jorge Millas 2009, Facultad de Humanidades y Educación UNAB
TRAYECTORÍA ACADÉMICA
Doctor en Filosofía por la Pontificia Universidad Católica de Valparaíso; Postgrado Universidad Complutense de Madrid, Departamento de Filosofía IV, Teoría del Conocimiento y Pensamiento Contemporáneo. Áreas de Especialización Antropología y Estética.
Profesor de Postgrado del Instituto de Filosofía de la PUCV, Profesor asociado al Grupo Theoria Proyecto europeo de Investigaciones de Postgrado.
(1993) Profesor del Seminario "Lógica Contemporánea 'Wittgenstein y El Círculo de Viena' ", Instituto de Filosofía, Universidad Católica de Valparaíso
(1995-1998) Director de Investigación Teoría del Conocimiento -Theory of Knowledge Tok- The Mackay School, Bachillerato Internacional, International Baccalaureate.
(2005-2008) Profesor de Antropología, Escuela de Medicina, Universidad Andrés Bello.
(2005-2010) Profesor de Antropología Filosófica y Estética, Departamento de Artes y Humanidades de la Universidad Andrés Bello, UNAB
(2006-2007) Profesor de Estética, Escuela de Arquitectura, Universidad Andrés Bello UNAB
(2006) Profesor del Diplomado en Psicología Clínica "Psicopatología, subjetividad y cultura". Escuela de Psicología PUCV
(2006 - 2010) Profesor de Estética Escuela de Arquitectura, Universidad Andrés Bello, UNAB
(2006-2010) Profesor de Fundamentos Culturales de la Comunicación. Escuela de Periodismo, Universidad Andrés Bello, UNAB
(2006-2010) Profesor de la Escuela de Psicología, Universidad Andrés Bello, UNAB
(2006-2007) Profesor invitado Facultad de Filosofía y Letras de la Universidad Nacional Autónoma de México, UNAM
(2007) Profesor visitante de la Benemérita Universidad Autónoma de Puebla, semestre de otoño 2007, BUAP
(2005-2008) Profesor de Postgrado, Instituto de Filosofía, Pontificia Universidad Católica de Valparaíso, PUCV
(2005-2010) Profesor Asociado Grupo THEORIA Proyecto europeo de Investigaciones de Postgrado. UCM
(2009-2010) Profesor visitante Florida Christian University USA
(2010) Director Académico Carrera de Filosofía y Teología, Universidad Cristiana de Chile UCCH
(2009-2010) Académico Investigador de la Vicerrectoría de Investigación y Postgrado, Universidad Andrés Bello.
Asignaturas y Seminarios de Postgrado impartidos:
2005 - 2º Seminario "Rorty: ironismo liberal y giro narrativo de la Filosofía".
2006 1º Seminario Sloterdijk: "Crítica de la Razón Cínica"
2006 2º Seminario "Nietzsche; Genealogía de la moral y voluntad de ficción"
2007 1º Seminario Sloterdijk - Nietzsche
2007 2º Seminario: Sloterdijk un pensador estético
2008 1º Seminario "Peter Sloterdijk - W. Benjamín; De la Filosofía a la Arquitectura"
2008 2º Seminario "Sloterdijk y Baudrillard; Ontología de las distancias y antropotécnica de las comunicaciones"
PARTICIPACIÓN EN SEMINARIOS Y CONGRESOS
2004 Seminario Homenaje Prof. Dr. Mirko Skarica, Instituto de Filosofía, Pontificia Universidad Católica de Valparaíso. Ponencia: "Lógica paraconsistente y semántica de los mundos posibles", noviembre.
2004 Seminario "Raúl Ruiz y la vanguardia del Cine francés", organizado por la PUCV. UPLACED, ARCIS y Embajada de Francia. Conferencia: "Raúl Ruiz; Defensa retórica del arte de filmar y del cine como arte; plan secreto, sinfonía dramática y lógica narrativa", octubre.
2005 "El Dios Pensado: Estudios antropológicos acerca de lo divino" Ciclo de Conferencias en la Universidad Andrés Bello. Departamento de Artes y Humanidades - Campus República, UNAB. Conferencia: "Ludwig Wittgenstein; Mística, Filosofía y Silencio", septiembre
2006 Video-Conferencia UCM - UNED y A Parte Rei en ATEI Asociación de Televisión Educativa Iberoamericana, “El poder de la palabra; lenguaje y realidad”, Febrero, 2006, serbal.pntic.mec.es/~cmunoz11/video3.html
2006 Universidad Veracruzana en su 50' Aniversario y XI Encuentro Nacional de Pasantes de Filosofía. Conferencia Magistral: "La ficción del sujeto y las seducciones de la gramática en Nietzsche y Deleuze", octubre.
2006 Universidad Autónoma de Tlaxcala. Conferencia: "En el mismo barco: ensayo sobre la hiperpolítica, posmodernidad y globalización en Peter Sloterdijk", octubre.
2006 Universidad Autónoma de Tlaxcala. Cursillo Maestría en Filosofía: “El giro Estético de la epistemología; redescripciones de la posmodernidad”, 19 y 20 de octubre.
2006 1er Coloquio Hispanoamericano de Filosofía después de Auschwitz, en el Antiguo Colegio de Medicina, Ciudad de México; organizado por la UNAM, la Universidad Iberoamericana y La Asociación Filosófica de México. Ponencia: "Peter Sloterdijk; El Posthumanismo: sus fuentes teológicas y sus medios técnicos", octubre.
2006 Coloquio internacional: Repercusiones e interacciones políticas, filosóficas y teológicas entre oriente y occidente. UNAM, Mesa ética y Responsabilidad humana, Ponencia: "Rorty: el Giro narrativo de la Ética o la Filosofía como género literario", octubre.
2007 II Coloquio Franco-Hispano-Chileno de Etnopsicología y III Seminario Internacional sobre el Espacio "El Espacio y el Lenguaje". PUCV. Ponencia: "Metafórica de las Esferas; una aproximación al hombre como experimento sonoro", enero.
2007 Instituto de Sistemas Complejos de Valparaíso, Ciclo: "Diálogo: Ciencia, Política y Poder. ¿Es Chile una Sociedad Justa?". Conferencia: "Imaginarios, cartografía de las emociones escindidas y crisis del proyecto urbano, mayo.
2007 Congreso Internacional Nietzsche “Filosofía, Arte, religión, ciencia y política en Nietzsche: memorias de un caminante intempestivo”, organizado por la Universidad Veracruzana, México. Ponencia: "Nietzsche y Sloterdijk; depauperación del nihilismo, posthumanismo y complejidad extrahumana", octubre.
2007 Conferencia Magistral en el Colegio de Filosofía, introductoria a la Maestría en Filosofía de la Benemérita Universidad Autónoma de Puebla, “Peter Sloterdijk; Esferas, deriva biotecnológica y el cinismo difuso de nuestras sociedades Exhaustas”, octubre.
2007 Curso en el Colegio de Filosofía, introductoria a la Maestría en Filosofía de la Benemérita Universidad Autónoma de Puebla: “Sloterdijk; Esferas, Flujos y Redes; Antropología y Estética Posmoderna”, octubre.
2007 Conferencia Magistral Aula Magna, Universidad Nacional Autónoma de México UNAM, Sloterdijk; Esferas y Temblores de Aire [Estética, Ontogénesis de los Espacios Humanos y Etno-terrorismo], octubre
2007 Congreso Internacional de Fenomenología y Hermenéutica, Universidad Andrés Bello, sección Estética. Ponencia: “Sloterdijk: Esferas, fenomenología y ontogénesis de los espacios humanos”, octubre.
2000 "Reflexiones sobre Alteridad y Reconocimiento". Encuentros de la Facultad de Filosofía UCM con pensadores contemporáneos alemanes. Goethe Institut Madrid. Octubre.
2000 Ponencia en Seminario "El Reto del Espacio: Pensar con Heidegger sobre la obra de Eduardo Chillida", Facultad de Filosofía y Letras, Universidad Pontificia Comillas, Campus Cantoblanco, noviembre.
2000 Ponencia "El peso del mundo y el lento regreso del sujeto escindido en Peter Hanke", Encuentro Interdepartamental en torno a la Crisis de Fin de Siglo. Aspectos de la Identidad Europea. Facultad de Filosofía UNIVERSIDAD COMPLUTENSE DE MADRID. Diciembre.
2004 Seminario Homenaje Prof. Dr. Mirko Skarica, Instituto de Filosofía, Pontificia Universidad Católica de Valparaíso Ponencia:
Ponencia "Lógica paraconsistente y semántica de los mundos posibles" (noviembre).
2004 octubre Seminario "Raúl Ruiz y la vanguardia del Cine francés", organizado por la PUCV. UPLACED, ARCIS y EMBAJADA DE FRANCIA. Conferencia: "Raúl Ruiz; Defensa retórica del arte de filmar y del cine como arte; plan secreto, sinfonía dramática y lógica narrativa"
2005 "El Dios Pensado: Estudios antropológicos acerca de lo divino" Ciclo de Conferencias en la Universidad Andrés Bello. Departamento de Artes y Humanidades - Campus República, UNAB Conferencia: "Ludwig Wittgenstein; Mística, Filosofía y Silencio"
2006 I COLOQUIO FRANCO-HISPANO-CHILENO DE ETNOPSICOLOGÍA Y II SEMINARIO INTERNACIONAL SOBRE EL ESPACIO "EL ESPACIO Y EL OTRO". Enero, PUCV. Coloquio y moderación Ponencia de la Dra. Adela Cortina Orts
2007 CONGRESO INTERNACIONAL DE FENOMENOLOGÍA Y HERMENÉUTICA
Comunicación “Sloterdijk: Esferas, fenomenología y ontogénesis de los espacios humanos”,
Universidad Andrés Bello UNAB (17 - 19 de octubre, 2007)
2008 II Seminario "De la Filosofía a la Literatura"
Departamento de Artes y Humanidades, Universidad Andrés Bello UNAB (7 de noviembre, 2008)
Conferencia “Sloterdijk; Pensamiento, expedición y verdad”.
2008 Segundo Coloquio Interdisciplinario: “El Pensamiento de Carla Cordua y El Desarrollo de la Filosofía En Chile”.
Seminario Permanente Hegel – Marx. Facultad de Filosofía y Humanidades, Universidad de Chile UCH (13 de noviembre, 2008)
Ponencia: “En Torno a Sloterdijk y Heidegger: La recepción Filosófica”.
2008 Bienal de Artes Visuales de Honduras 2008: Diásporas del Futuro (BAVH)
Conferencia "El objetivo de la Crítica de Arte" [17 - 19 de noviembre, 2008]
2008 Congreso Internacional - Interdisciplinario de Filosofía, Córdoba, 2008. SAF Sociedad Argentina de Filosofía.
Museo - Palacio Martín Ferreyra (24 al 29 de noviembre, 2008)
Conferencia “Sloterdijk. Ontología de las distancias, concierto de transferencias e historia de la fascinación de proximidad”
2009 III Congreso Panamericano de Bioética OPS, 17 al 20 de junio, Caracas 2009.
Orden Hospitalaria San Juan de Dios. Conferencia inaugural:
“Sloterdijk, Heidegger y Agamben; Biopolítica o notas sobre el Parque Humano y la nuda vida”.
2009 “Seminario Internacional. Giorgio Agamben: Teología Política y Biopolítica”. Organizado por el Instituto de Humanidades de la Universidad Diego Portales. Ponencia: “Sloterdijk, Agamben y Nietzsche: Biopolítica, posthumanismo y Biopoder”. Septiembre
2009 Congreso “El sujeto de la Globalización” Organizado por la SAF Sociedad Asturiana de Filosofía, España. Conferencia: “Sloterdijk y el imaginario de la Globalización; mundo sincrónico y conciertos de transferencia” Octubre 2009 www.sociedadasturianadefilosofia.org/
- 2009 II Seminario Local de Pensamiento Ambiental y Filosofía Contemporánea, Universidad Nacional de Colombia-Sede Manizales, Universidad de Caldas. Auditorio Juan Hurtado Bloque H Piso -1, Diciembre 4 y 5 de 2009.
2010 Seminario de Postgrado, "Seminario Sloterdijk: Esferas y Posthumanismo; Sobre capitalismo, neuroglobalización y mundos asesores", Cátedra Inaugural de la Maestría en Estética, Universidad Nacional de Colombia, Medellín, Facultad de Ciencias Humanas y Económicas, Departamento de Estudios Filosóficos y Culturales, 10 al 12 de Agosto 2010, www.observacionesfilosoficas.net/seminariocolombia.htm
- 2011 International-Conference TRIENAL DE ARQUITECTURA DE LISBOA | LISBON ARCHITECTURE TRIENNALE, Conference "Psicopolítica en Sloterdijk y Virilio; El vértigo de la sobremodernidad; ciudades del pánico y turismo etnográfico”, Lisboa, Portugal, 15 and 16 January 2001 www.trienaldelisboa.com/en/international-conference
CONFERENCIAS INTERNACIONALES
Octubre 2006
Ciclo de Conferencias en México invitado por la Fundación Hombre y Mundo y la UNAM, 0ctubre de 2006.
- UV Universidad Veracruzana en su 50' Aniversario y XI Encuentro Nacional de Pasantes de Filosofía.
Conferencia Magistral: "La ficción del sujeto y las seducciones de la gramática en Nietzsche y Deleuze".
serbal.pntic.mec.es/~cmunoz11/vasquez49.pdf
- 1° COLOQUIO HISPANOAMERICANO DE FILOSOFÍA DESPUÉS DE AUSCHWITZ, en el Antiguo Colegio de Medicina, Ciudad de México; organizado por la UNAM, la UNIVERSIDAD IBEROAMERICANA Y LA ASOCIACIÓN FILOSÓFICA DE MÉXICO.
Ponencia: "Peter Sloterdijk; El Posthumanismo: sus fuentes teológicas y sus medios técnicos".
- UNIVERSIDAD AUTÓNOMA DE TLAXCALA
Conferencia: "El giro Estético de la Epistemología; el estatuto óntico-semiótico de la ficción".
- COLOQUIO INTERNACIONAL: REPERCUSIONES E INTERACCIONES POLÍTICAS, FILOSÓFICAS Y TEOLÓGICAS ENTRE ORIENTE Y OCCIDENTE
Conferencia Aula Magna, UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO. UNAM:
"Rorty: el Giro narrativo de la Ética o la Filosofía como género literario"
- Ponencia "Espacio y Arquitectura de la Memoria; Hölderlin Trakl y Teillier", En Taller de Investigación "Arquitectura y Humanidades", Programa de Maestría y Doctorado en ARQUITECTURA - UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO. UNAM
2007 - 2010
- II COLOQUIO FRANCO-HISPANO-CHILENO DE ETNOPSICOLOGÍA Y III SEMINARIO INTERNACIONAL SOBRE EL ESPACIO "EL ESPACIO Y EL LENGUAJE". 9 y 12 de Enero de 2007, PUCV
Conferencia: "Metafórica de las Esferas; una aproximación al hombre como experimento sonoro".
- INSTITUTO DE SISTEMAS COMPLEJOS DE VALPARAÍSO ISCV
Conferencia: "Imaginarios, cartografía de las emociones escindidas y crisis del proyecto urbano" En el marco del Ciclo: "Diálogo: Ciencia, Política y Poder – ¿Es Chile una Sociedad Justa?"
www.psikeba.com.ar/actualizaciones/archivo_06_07/Institut...
- EXPOSICIÓN "Esferas, flujos y complejidad extrahumana" Galería SONAR -Arte y Estudios Culturales- Buenos Aires.
comunicacion.unab.cl/index.php?option=com_content&tas...
[octubre - noviembre de 2007]
Exposición de Pintura: "La condición posthumana", En Espacio Expositivo Itaca -Homines- Málaga.
www.homines.com/itaca/vazquez_condicion_posthumana/index.htm
Exposición "La condition Posthumaine” En Psychanalyse Gallery Paris.
- Ciclo de Conferencias en México
- Conferencias y Congresos en México, invitado por la UNAM y la Fundación Cultural Hombre y Mundo
- CONGRESO INTERNACIONAL NIETZSCHE “Filosofía, Arte, religión, ciencia y política en Nietzsche: memorias de un caminante intempestivo”,
Universidad Veracruzana UV, México
Ponencia: "Nietzsche y Sloterdijk; depauperación del nihilismo, post humanismo y complejidad extrahumana".
[1 al 5 de octubre 2007]
- CONFERENCIA Y CURSILLO EN LA MAESTRÍA DE FILOSOFÍA
Benemérita Universidad Autónoma de Puebla BUAP [octubre 2007]
- CONFERENCIA MAGISTRAL AULA MAGNA de la Facultad de Filosofía y Letras de la Universidad Nacional Autónoma de México UNAM:
“Sloterdijk; Esferas y Temblores de Aire [Estética, Ontogénesis de los Espacios Humanos y Atmo-terrorismo]”
[9 de octubre 2007]
Agencia Universitaria de Noticias UNAM
aunam.politicas.unam.mx/Archivo/07/octubre/071010-pol.htm
- CONGRESO INTERNACIONAL DE FENOMENOLOGÍA Y HERMENÉUTICA
Sección ESTÉTICA
Comunicación “Sloterdijk: Esferas, fenomenología y ontogénesis de los espacios humanos”,
Universidad Andrés Bello UNAB [17 - 19 de octubre, 2007]
- SEMINARIO 'La Poética del Cine en Raúl Ruiz”, FESTIVAL DE CINE DE SEVILLA 2007, en colaboración con la Universidad Hispalense, Ponencia: "La Poética del Cine; sobre las permutaciones antropológicas en el cine de Raúl Ruiz”, 2 de noviembre 2007.
- 2009 III Congreso Panamericano de Bioética OPS, 17 al 20 de junio, Caracas 2009.
Conferencia inaugural: “Sloterdijk, Heidegger y Agamben; Biopolítica o notas sobre el Parque Humano y la nuda vida”.
- 2009 “Seminario acerca de la verdad” Tercera Versión Departamento de Artes y Humanidades, Universidad Andrés Bello.
Campus Viña del Mar - 22 de junio
Ponencia: “Sloterdijk y Heidegger. Verdad y biopolítica después de la crisis del humanismo”.
- 2009 “Seminario Internacional. Giorgio Agamben: Teología Política y Biopolítica”. Organizado por el Instituto de Humanidades de la Universidad Diego Portales. Ponencia: “Sloterdijk, Agamben y Nietzsche: Biopolítica, posthumanismo y Biopoder”. Septiembre
- 2009 Congreso “El sujeto de la Globalización” Organizado por la SAF Sociedad Asturiana de Filosofía, Gigón - España. Conferencia: “Sloterdijk y el imaginario de la Globalización; mundo sincrónico y conciertos de transferencia” Octubre 2009 www.sociedadasturianadefilosofia.org/
- II Seminario Local de Pensamiento
- 2009 II Seminario Local de Pensamiento Ambiental y Filosofía Contemporánea, Universidad Nacional de Colombia-Sede Manizales, Universidad de Caldas. Auditorio Juan Hurtado Bloque H Piso -1, Diciembre 4 y 5 de 2009.
- 2010 Seminario de Postgrado, "Seminario Sloterdijk: Esferas y Posthumanismo; Sobre capitalismo, neuroglobalización y mundos asesores", Cátedra Inaugural de la Maestría en Estética, Universidad Nacional de Colombia, Medellín, Facultad de Ciencias Humanas y Económicas, Departamento de Estudios Filosóficos y Culturales, 10 al 12 de Agosto 2010, www.observacionesfilosoficas.net/seminariocolombia.htm
- 2011 International-Conference TRIENAL DE ARQUITECTURA DE LISBOA | LISBON ARCHITECTURE TRIENNALE, Conference "Psicopolítica en Sloterdijk y Virilio; El vértigo de la sobremodernidad; ciudades del pánico y turismo etnográfico”, Lisboa, Portugal, 15 and 16 January 2001 www.trienaldelisboa.com/en/international-conference
PROYECTOS DE INVESTIGACIÓN
2009 - 2010
- Proyecto de Investigación N° DI-10-09/JM - UNAB
- Proyecto de Investigación: “Ontología de las distancias en Sloterdijk, hacia una teoría antropotécnica de las comunicaciones”.
Dirección General de Investigación y Desarrollo, (VRID) – Vicerrectoría de Investigación y Doctorado UNAB
Fondo Jorge Millas 2009, Facultad de Humanidades y Educación. Universidad Andrés Bello
2011 - 2012
- Proyecto de Investigación N° DI-08-11/JM - UNAB
- Proyecto de Investigación: “Ontología del cuerpo en la Filosofía de Jean Luc Nancy, Biopolítica, Alteridad y Estética de la Enfermedad”.
Dirección General de Investigación y Desarrollo, (VRID) – Vicerrectoría de Investigación y Doctorado UNAB
Fondo Jorge Millas 2009, Facultad de Humanidades y Educación. Universidad Andrés Bello
PROYECTOS DE CREACIÓN ARTÍSTICA
2007 - 2008
Exposición la Condición Post-Humana | Buenos Aires - Málaga |
Marco conceptual y Registro de Obras
ENTREVISTAS
2010
"Filosofía como teoría erótica. Entrevista a Adolfo Vásquez Rocca". Entrevista en 'ALCANCES' Vol.I, Nº 1, año 2010 – Revista de Filosofía – de la Facultad de Filosofía y Humanidades de la Universidad de Chile. www.alcances.cl/ver-articulo.php?id=81
PARTICIPACIÓN EN DIRECTORIOS INTERNACIONALES Y CONCEJOS CIENTÍFICOS.
Director
Revista Observaciones Filosóficas
www.observacionesfilosoficas.net/
Revista de Filosofía Contemporánea, con secciones dedicadas a la Antropología, Estética, Epistemología, Ética, Psicología y Literatura. Indexada en Base de Datos de la Universidad Complutense de Madrid, Catalogada en UNIVERSIA.net Directorio de la Conferencia de Rectores de Universidades Españolas y el Consejo Superior de Investigaciones Científicas (CSIC); DIALNET Directorio de publicaciones científicas hispanoamericanas; LATINDEX Sistema de Publicaciones Científicas Seriadas de América Latina, España y Portugal. En BIBLIOTECA VIRTUAL MIGUEL DE CERVANTES; Les Signets de la BIBLIOTHÈQUE NATIONALE DE FRANCE: Philosophie, Revues y Centre d'Études en Rhétorique, Philosophie et Historie des Idées, Paris. Asociada al Postgrado en Filosofía - Pontificia Universidad Católica de Valparaíso y al Grupo THEORIA Proyecto europeo de Investigaciones de Postgrado. ISSN 0718-3712
Secretario de Redacción de Philosophica, Revista del Instituto de Filosofía de la PUCV. ISSN0716–1913
Editor Asociado de Psikeba, Revista de Psicoanálisis y Estudios Culturales, Buenos Aires, ISSN 1850-339X www.psikeba.com.ar
Miembro de la Federación Internacional de Archivos Fílmicos (FIAF) con sede en Bruselas, Bélgica.
Miembro del Consejo de Redacción de Revista Homines –Arte y Cultura– MA-739-2004, Málaga, España.
Miembro del Consejo Editorial Internacional de la Fundación Ética Mundial de México, www.eticamundial.com.mx/fundacion.html
Miembro del Conselho Editorial da Humanidades em Revista, Universidade Regional do Noroeste do Estado do Rio Grande do Sul, Brasil.
Miembro de la Sociedad Internacional de Bioética (SIBI) - 'Bioéticas'. Guía internacional de la Bioética
Miembro del Consejo Editorial Internacional de 'Cuadernos del Seminario' - Revista del Seminario del Espacio ISSN 0718-4247 Vicerrectoría de Investigación y Estudios Avanzados Pontificia Universidad Católica de Valparaíso.
Miembro del Consejo Editorial de Escáner Cultural - Revista de Arte Contemporáneo y nuevas tendencias, Santiago.
Miembro del Taller de Investigacion "Arquitectura y Humanidades" del Programa de Maestría y Doctorado en Arquitectura de la Universidad Nacional Autónoma de México, UNAM
Miembro del Consejo Consultivo Internacional y dictaminador de Revista de Humanidades:Tecnológico de Monterrey, México.
Director del Consejo Consultivo Internacional de Konvergencias, Revista de Filosofía y Culturas en Diálogo, Argentina. ISSN 1669-9092
COLUMNISTA DE REVISTAS Y PUBLICACIONES INTERNACIONALES, entre las que se cuentan:
A PARTE REI ISSN: 1137-8204 -Revista de la Sociedad de Estudios Filosóficos de Madrid-
NÓMADAS Revista Crítica de Ciencias Sociales y Jurídicas ISSN 1578-6730 - Universidad Complutense de Madrid.
MARGEN CERO, Miembro fundador de la Asociación de Revistas Culturales de España, ISSN 1695-4807
CUENTA Y RAZÓN, Revista de la Fundación de Estudios Sociológicos (FUNDES) de Madrid, Fundada por Julián Marías, ISSN: 0211-1381
HETEROGÉNESIS [SWEDISH-SPANISH] _ Revista de arte contemporáneo. TIDSKRIFT FÖR SAMTIDSKONST
MODALOGÍA Filosofía della moda - Italia
EIKASIA Revista de Filosofía, ISSN 1885-5679 - Oviedo, España
ENFOCARTE Revista Internacional de Arte y Cultura, España
DEBATS Revista de Filosofía y crítica cultural, ISSN 0212-0585, Institució Alfons el Magnànim, Valencia.
LIBROS
VÁSQUEZ ROCCA, Adolfo
Libro: Peter Sloterdijk; Esferas, helada cósmica y políticas de climatización, Colección Novatores, Nº 28, Editorial de la Institución Alfons el Magnànim (IAM), Valencia, España, 2008. 221 páginas | I.S.B.N.: 978-84-7822-523-1
Libro: Rorty: el Giro narrativo de la Ética o la Filosofía como género literario [Compilación de Conferencias en México D.F.] Editorial Hombre y Mundo (HyM), México, 2007 Publicación programada para 2009.
ENTREVISTAS
2010
"Filosofía como teoría erótica. Entrevista a Adolfo Vásquez Rocca". Entrevista en 'ALCANCES' Vol.I, Nº 1, año 2010 – Revista de Filosofía – de la Facultad de Filosofía y Humanidades de la Universidad de Chile. www.alcances.cl/ver-articulo.php?id=81
TESIS DIRIGIDAS
- Tesis: "Globalización y ontología de las distancias en Sloterdijk; hacia una teoría antropotécnica de las comunicaciones". Srta. Liliana Vásquez Rocca
Grado de Magíster en Filosofía. Instituto de Filosofía, Pontificia Universidad Católica de Valparaíso, 2010.
- Tesis: "El espacio interfacial de la convivencia; Micro-esfereología en Peter Sloterdijk". Srta. Lucía Muñiz, 2009
Grado de Magister en Filosofía Práctica, Colegio de Filosofía, Benemérita Universidad Autónoma de Puebla, México.
- Tesis: "Antecedentes y Alcances del problema del humanismo en "Normas para el Parque Humano" de Sloterdijk". Sr. Dusan Vuskovic.
Grado de Licenciatura en Filosofía. Instituto de Filosofía, Pontificia Universidad Católica de Valparaíso, 2008.
- Tesis: "El desarrollo de la intimidad en el tránsito de la Psico-técnica", Sr. Jonathan Belmar Guzmán.
Grado de Licenciatura en Filosofía. Instituto de Filosofía, Pontificia Universidad Católica de Valparaíso, 2007.
PUBLICACIONES indexadas
Publicaciones Internacionales Catalogadas en los siguientes Directorios y Bases de Datos:
Directorio de contenidos científicos, DIALNET, Universidad de la Rioja, España.
dialnet.unirioja.es/servlet/autor?codigo=1053859
Directorio de recursos digitales - Ministerio de Cultura, España
roai.mcu.es/es/consulta/busqueda_referencia.cmd?campo=ida...
Revistas Científicas de la UCM - Editorial Board
Biblioteket og Aarhus Universitet, Denmark | Det Humanistiske Fakultet
ISOC, CIENCIAS SOCIALES Y HUMANIDADES - CINDOC (Centro de Información y Documentación Científica), CSIC (España)
Directorio de publicaciones científicas de América Latina LATINDEX
PHILOSOPHER'S INDEX
DIALNET
ISI
SciELO
DOAJ
www.danoex.net/adolfovasquezrocca.html
ADOLFO VASQUEZ ROCCA __PH. D.
Doctor en Filosofía
Universidad Complutense de Madrid UCM
www.danoex.net/adolfovasquezrocca.html
Adolfo Vásquez Rocca
Doctor en Filosofía
VÁSQUEZ ROCCA, Adolfo
Doctor en Filosofía
Valparaiso - Madrid
ADOLFO VASQUEZ ROCCA __PH. D.
Doctor en Filosofía
Universidad Complutense de Madrid UCM
www.danoex.net/adolfovasquezrocca.html
Adolfo Vásquez Rocca
Doctor en Filosofía
REVISTA OBSERVACIONES FILOSÓFICAS
Prof. Dr. Adolfo Vásquez Rocca
Director de Revista Observaciones Filosóficas.
Mr. Adolfo Vásquez Rocca PH. D. Oxford University: International Baccalaureate IB. Theory of Knowledge _ Director
Pontificia Universidad Católica de Valparaíso
Universidad Andrés Bello UNAB
Universidad Complutense de Madrid
Tlf. (56) 32 - 233347X | E-mail: adolfovrocca@gmail.com
Universidad Complutense de Madrid
Mémoire2cité il existe de nos jours, de nombreux photographes qui privilégient la qualité artistique de leurs travaux cartophiles. A vous de découvrir ces artistes inconnus aujourd’hui, mais qui seront peut-être les grands noms de demain. archipostcard.blogspot.com/search?updated-max=2009-02-13T... - museedelacartepostale.fr/periode-semi-moderne/ - archipostalecarte.blogspot.com/ - museedelacartepostale.fr/blog/ - museedelacartepostale.fr/exposition-permanente/ - www.queenslandplaces.com.au/category/headwords/brisbane-c... - collection-jfm.fr/t/cartes-postales-anciennes/france#.XGe... - www.cparama.com/forum/la-collection-de-cpa-f1.html - www.dauphinomaniac.org/Cartespostales/Francaises/Cartes_F... - furtho.tumblr.com/archive
le Logement Collectif* 50,60,70's, dans tous ses états..Histoire & Mémoire d'H.L.M. de Copropriété Renouvellement Urbain-Réha-NPNRU., twitter.com/Memoire2cite tout içi sig.ville.gouv.fr/atlas/ZUS/ - media/InaEdu01827/la-creatio" rel="noreferrer nofollow">fresques.ina.fr/jalons/fiche-media/InaEdu01827/la-creatio Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
Lieux géographiques : la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye
www.dailymotion.com/playlist/x34ije_territoiresgouv_cinem... - mémoire2cité - le monde de l'Architecture locative collective et bien plus encore - mémoire2cité - Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
Le Joli Mai (Restauré) - Les grands ensembles BOBIGNY l Abreuvoir www.youtube.com/watch?v=eUY9XzjvWHE … et la www.youtube.com/watch?v=hK26k72xIkU … www.youtube.com/watch?v=xCKF0HEsWWo …
Genève Le Grand Saconnex & la Bulle Pirate - architecte Marçel Lachat -
Un film de Julien Donada içi www.youtube.com/watch?time_continue=1&v=4E723uQcpnU … … .Genève en 1970. pic.twitter.com/1dbtkAooLM è St-Etienne - La muraille de Chine, en 1973 ce grand immeuble du quartier de Montchovet, existait encore photos la Tribune/Progres.
www.youtube.com/watch?v=AJAylpe8G48 …, - la tour 80 HLM située au 1 rue Proudhon à Valentigney dans le quartier des Buis Cette tour emblématique du quartier avec ces 15 étages a été abattu par FERRARI DEMOLITION (68). VALENTIGNEY (25700) 1961 - Ville nouvelle-les Buis 3,11 mn www.youtube.com/watch?v=C_GvwSpQUMY … - Au nord-Est de St-Etienne, aux confins de la ville, se dresse une colline Montreynaud la ZUP de Raymond Martin l'architecte & Alexandre Chemetoff pour les paysages de St-Saens.. la vidéo içi * Réalisation : Dominique Bauguil www.youtube.com/watch?v=Sqfb27hXMDo … … - www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye 1975 Réalisateur : Sydney Jézéquel, Karenty
la construction des Autoroutes en France - Les liaisons moins dangereuses 1972 www.dailymotion.com/video/xxi0ae?playlist=x34ije - Ministère de l'Équipement et de l'Aménagement du Territoire - Dotation par la France d'autoroutes modernes "nécessité vitale" pour palier à l'inadaptation du réseau routier de l'époque voué à la paralysie : le reportage nous montre des images d'embouteillages. Le ministre de l'Équipement et de l'Aménagement du Territoire dans les deux gouvernements de Pierre Messmer, de 1972 à 1974, Olivier Guichard explique les ambitions du programme de construction qui doit atteindre 800 km par ans en 1978. L'ouverture de section nouvelles va bon train : Nancy / Metz par exemple. Le reportage nous montre l'intérieur des bureaux d'études qui conçoivent ces autoroute dont la conception est assistée par ordinateurs dont le projet d'ensemble en 3D est visualisé sur un écran. La voix off nous informe sur le financement de ces équipements. Puis on peut voir des images de la construction du pont sur la Seine à Saint Cloud reliant l'autoroute de Normandie au périphérique, de l'échangeur de Palaiseau sur 4 niveau : record d'Europe précise le commentaire. Le reportage nous informe que des sociétés d'économies mixtes ont étés crées pour les tronçons : Paris / Lille, Paris / Marseille, Paris / Normandie. Pour accélérer la construction l’État a eu recours à des concessions privées par exemple pour le tronçon Paris / Chartres. "Les autoroutes changent le visage de la France : artères économiques favorisant le développement industriel elles permettent de revitaliser des régions en perte de vitesse et de l'intégrer dans le mouvement général de l'expansion" Sur le plan européen elles vont combler le retard de la France et réaliser son insertion. Images de l'inauguration de l'autoroute entre Paris et Bruxelles par le président Georges Pompidou. Le reportage rappel que l'autre fonction capitale des autoroute est de favoriser la sécurité. La question de la limitation de vitesse est posée au ministre de l’Équipement, qui n'y est favorable que sur certains tronçons. Un des facteur de sécurité selon le commentaire est l'humanisation des autoroutes : aires de repos, restaurants, signalisation touristiques... "Rien n'est impossible aux techniques modernes" nous apprend la voix off qui prend comme exemple le déplacement sur rail de 65 mètres d'un château classé afin de faire passer l'autoroute Lille / Dunkerque.Durée : 4 minutes 30 secondes
Sur les routes de France les ponts renaissent 1945 reconstruction de la France après la Seconde Guerre mondiale www.dailymotion.com/video/xuxrii?playlist=x34ije , Quelques mois après la fin de la Seconde Guerre mondiale, un triste constat s'impose : 5 944 passages sont coupés, soit plus de 110 km de brèches ; de nombreuses villes se trouvent isolées.Les chantiers s'activent dans toute la France pour "gagner la bataille des communications routières". Mais outre la pénurie de main d’œuvre, il faut faire face au manque de matériaux (béton, métal) et donc déployer des trésors d'imagination pour reconstruire les ponts détruits. Si le savoir faire des tailleurs de pierre est exploité, le plus spectaculaire est le relevage des ponts, comme le pont de Galliéni à Lyon, où 7 à 800 tonnes d'acier sont sorti de l'eau avec des moyens de l'époque. En avril 1945, il reste 5 700 ponts à reconstruire soit 200 000 tonnes d'acier, 600 000 tonnes de ciment, 250 000 m3 de bois, 10 millions de journées d'ouvrier, prix de l'effort de reconstruction.1945
Auteurs / réalisateurs : images : G.Delaunay, A.Pol, son : C.Gauguier Production : Direction Technique des Services des Ponts et Chaussées / Ministère des Travaux Publics et des Transports Support original : 16 mm noir et blanc Durée : 14 min Thèmes principaux : infrastructures-ouvrages d'art Mot clés : chantier, pont, Reconstruction, restauration, béton précontraint, ministère des travaux publics et des transports
Lieux : Lyon, Tournon, Caen - Le Bosquel, un village renait 1947 l'album cinématographique de la reconstruction, réalisation Paul de Roubaix production ministère de la Reconstruction et de l'Urbanisme, village prototype, architecte Paul Dufournet, www.dailymotion.com/video/xx5tx8?playlist=x34ije - Demain Paris 1959 dessin animé présentant l'aménagement de la capitale dans les années 60, Animation, dessin animé à vocation pédagogique visant à promouvoir la politique d’aménagement suivie dans les années 60 à Paris. Un raccourci historique sur l’extension de Paris du Moyen Âge au XIXe siècle (Lutèce, œuvres de Turgot, Napoléon, Haussmann), ce dessin animé retrace la naissance de la banlieue et de ses avatars au XXe siècle. Il annonce les grands principes d’aménagement des villes nouvelles et la restructuration du centre de Paris (référence implicite à la charte d’Athènes). Le texte est travaillé en rimes et vers. Une chanson du vieux Paris conclut poétiquement cette vision du futur. Thèmes principaux : Aménagement urbain / planification-aménagement régional Mots-clés : Banlieue, extension spatiale, histoire, quartier, ville, ville nouvelle Lieu géographique : Paris 75 Architectes ou personnalités : Eugène Haussmann, Napoléon, Turgot Réalisateurs : André Martin, Michel Boschet Production : les films Roger Leenhardt
www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije , Film d'archive actualités de 1952 Reconstruction de la France sept ans après la fin de la seconde guerre mondiale état des lieux de la crise du logement , Actualités de 1952. Sept ans après la fin de la seconde guerre Mondiale état des lieux de la reconstruction de la France et de la crise du logement à l’œuvre, pénurie de logement, logements insalubres. Les actualités montrent des images d'archives de la destruction de la France, les Chars de la division Leclerc qui défilent sur les Champs Elysees. Le commentaire dénonce la lenteur de la reconstruction et notamment des manifestations qui ont eu lieue à Royan afin d''accélérer la reconstruction de la ville détruite.Le film montre à Strasbourg, Mulhouse, des réalisation moderne de grands ensembles et des images d'archive de la reconstruction du Havre de Saint Nazaire.Le film se termine à Marseille sur les réalisation nouvelles autour du vieux port puis on assiste à l'inauguration de la Cité Radieuse par le ministre de la Reconstruction et de l'Urbanisme Eugène Claudius-Petit en présence de son architecte Le Corbusier à qui le ministre remet la cravate de commandeur de la légion d'honneur. www.dailymotion.com/video/xk1g5j?playlist=x34ije Brigitte Gros - Urbanisme - Filmer les grands ensembles 2016 - par Camille Canteux chercheuse au CHS -Centre d'Histoire Sociale - Jeanne Menjoulet - Ce film du CHS daté de 2014 www.youtube.com/watch?v=VDUBwVPNh0s … L'UNION SOCIALE POUR L'HABITAT le Musée des H.L.M. musee-hlm.fr/ union-habitat.org/ - EXPOSITION :LES 50 ANS DE LA RESIDENCe SALMSON POINT-Du JOUR
www.salmsonlepointdujour.fr/pdf/Exposition_50_ans.pdf - Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte sottevilleaufildutemps.fr/2017/05/04/construction-de-limm... - www.20minutes.fr/paris/diaporama-7346-photo-854066-100-an... - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962-9... missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695...
ROSSLAND is in the West Kootenay region of south central British Columbia. High in the Monashee Mountains. In March 1897, Rossland became a city. The eight doctors, 17 legal firms, and 42 saloons served an estimated 7,000 residents. This peak aligned with the 1901 census count of 6,000. A string of newspapers followed, the Rossland Miner being the most enduring. The fire of August 1902 consumed both sides of upper Spokane Street, leaving only the old International Hotel standing. A December 1905 explosion wrecked roofs and shattered windows. The fires of January 1927, and March 1929, levelled the wooden buildings of Columbia Street. Depleting mines, World War I, and the Great Depression shrank the population.
The ROSSLAND Post Office was established - 1 March 1895 and became Rossland Postal Station of Trail - 1 May 1972.
LINK to a list of the Postmasters who served at the ROSSLAND Post Office - recherche-collection-search.bac-lac.gc.ca/eng/home/record...
- sent from - / ROSSLAND / PM / MY 4 / 99 / B.C. / - duplex cancel - this duplex hammer (DBC-323) was not listed in the Proof Book - it was most likely proofed c. 1898 - the ERD for this duplex hammer is - 23 June 1898 and the LRD is - 9 October 1901 - (RF C).
Addressed to: Wm. Rennie / Florist / Toronto / Ontario
- arrived at - / TORONTO / 15 / MY 10 / 99 / CANADA / - split ring arrival backstamp
Sent by: Jamieson Crawford / Rossland, British Columbia
Jamison Carlson Crawford
(b. 13 May 1859 in Paisley, Renfrewshire, Scotland, United Kingdom – d. 29 January 1949 at age 89 in Coquitlam, British Columbia, Canada) - occupations - farmer / bricklayer / shopman for the CPR - LINK to his death certificate - search-collections.royalbcmuseum.bc.ca/Image/Genealogy/04... - LINK to his Find a Grave site - www.findagrave.com/memorial/196219792/jamieson-crawford
His wife (first) - Margaret (nee Hinds) Crawford
(b. 1866 in Owen Sound, Grey, Ontario, Canada - d. ) they were married - 18 January 1886 in Owen Sound, Grey, Ontario, Canada
His wife (second) - Margreta (nee Baker) Crawford
(b. 1 July 1875 in Jersey City, Hudson County, New Jersey, USA - d. 24 May 1935 (aged 59) in Kamloops, Thompson-Nicola Regional District, British Columbia, Canada) - LINK to her Find a Grave site - www.findagrave.com/memorial/196640778/margreta-crawford
Their son - Daniel Jamieson Crawford - (confirms the Crawford family were living in Rossland, B.C. in 1899)
(b. 7 January 1899 in Rossland, Kootenay Boundary Regional District, British Columbia, Canada - d. 27 November 1982 (aged 83) in Revelstoke, Columbia-Shuswap Regional District, British Columbia, Canada) - LINK to his Find a Grave site - www.findagrave.com/memorial/196219537/daniel-jamieson-cra...
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WILLIAM RENNIE agriculturist, seed merchant, farm superintendent, and author; b. 15 March 1835 in Scarborough Township, Upper Canada, son of Robert Rennie and Elizabeth Fife; m. 13 March 1862 Sarah Glendinning of Scarborough, and they had four sons; d. 24 July 1910 in Swansea (Toronto).
Link to a biographical article on William Rennie - www.biographi.ca/en/bio/rennie_william_13E.html
willowgrovedaycamp.com/willows.html
We have just finished our third week of camp. The Willows campers have been kept very busy these past three weeks. The days have been flying by way too quickly. It was very exciting to have all our Willows family members join us for an outstanding visiting day. The children were extremely excited to share their activities with their parents, while the parents had fun pretending to be campers. We hope you had as much fun as we did and lunch together was terrific.
The children enjoyed this weeks theme of “I Spy”. They had fun decorating binoculars in Camper Creations. In Ceramics, each child enjoyed making their favorite food out of clay with the help of their parents. Their ceramic projects will be sent home shortly. To end our wonderful week, The Willows campers joined the rest of camp at Waterworld. The children drove
water boats and joined in other great water activities. A terrific time was had by all!
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on Willow Grove Day Camp and the services they provide please visit: willowgrovedaycamp.com/willows.html
[crosseye stereograph, see 3D with your right eye on the left image, and left on right.]
LOS ANGELES METROPOLITAN TRANSIT AUTHORITY #1543
These were the "Blimps" of the high speed Interurban, multiple unit, electric trains of Southern California's Pacific Electric, the famous "Big Red Cars". This car made it's last run April 6.1961, from Los Angeles, 6th and Main (where now stands a bus terminal) to Long Beach, CA at Ocean and Long Beach Blvd. just a block from The Pike. There was an elevated wooden trestle that allowed it to bridge dense downtown automotive traffic, then it came down to street level just short of Alameda and curved South to Long Beach Avenue. When it got to Clement's Junction (Washington Street) the roadbed opened up to four tracks, on the outside was the South and North bound Local Service using smaller cars. The interior pair of the four track sets was reserved for strings of these heavy, high speed electric commuter trains. The private right of way was four tracks through Watts and down to Long Beach Blvd., where these cars would then ride down the center of the street to downtown Long Beach. Another line branched from the end of four track operation at Willow, and rocked on down to Electric Avenue in Seal Beach, past Signal Hill, the Lagoon and Alamitos Bay.
The curious round windows on the end earned the cars their nickname and were the portholes for the motorman operator.
The wind up knob to the left of the end door was attached by rope to the hot shoe end of the trolly pole pickup the operator could open the door and adjust the pole or reel it in and let up the one on the other end to change direction, the end doors were for train crew only and were not used to communicate passengers between cars.
dsc04407, 2008:04:27 14:11:46, 3D, California, Los Angeles, Griffith Park, Travel Town, MTA #1543 Metropolitan Transit Authority, Pacific Electric "Big Red Car", Long Beach line Interurban "Blimp" or "Balloon Car", Green Livery of 1961
willowgrovedaycamp.com/willows.html
We have just finished our third week of camp. The Willows campers have been kept very busy these past three weeks. The days have been flying by way too quickly. It was very exciting to have all our Willows family members join us for an outstanding visiting day. The children were extremely excited to share their activities with their parents, while the parents had fun pretending to be campers. We hope you had as much fun as we did and lunch together was terrific.
The children enjoyed this weeks theme of “I Spy”. They had fun decorating binoculars in Camper Creations. In Ceramics, each child enjoyed making their favorite food out of clay with the help of their parents. Their ceramic projects will be sent home shortly. To end our wonderful week, The Willows campers joined the rest of camp at Waterworld. The children drove
water boats and joined in other great water activities. A terrific time was had by all!
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on Willow Grove Day Camp and the services they provide please visit: willowgrovedaycamp.com/willows.html
Purchased from Mitchell & Rammelsburg Furniture by Jesse Smith Norton (1826-1887), a Civil War colonel who lived in Toledo, Ohio.
The firm of Mitchell and Rammelsburg was perhaps the best known of the Cincinnati Victorian furniture makers. Robert Mitchell came to Cincinnati in 1829, an Irish immigrant intent on making his mark. After apprenticing himself to established cabinetmakers, he struck out on his own in 1836, eventually forming a partnership that would last until almost the end of the century.
Mitchell's counterpart was Frederick Rammelsburg, one of the thousands of German immigrants who settled in Cincinnati during a great wave of 19th-century settlement.
From their five-story showroom on Columbia Street, Mitchell and Rammelsburg advertised sofas, chairs and cased furniture — sideboards, dressers, desks and elaborate dining and bedroom suites.
Jesse Smith Norton enlisted as the 35 year old Colonel of the 21st Ohio Volunteer Infantry, enlisting on April 27, 1861 and receiving his commission May 15, 1861.
During the summer campaign of 1861, Colonel Norton was seriously wounded in the hip and captured July 17, 1861 at the Battle of Scarey Creek in western Virginia. Detained by the Confederates only briefly, then paroled, he returned home to recover and mustered out with the regiment August 12, 1861.
He was retained as Colonel of the 21st Ohio for three years' service. He led the regiment through the summer of 1862, where in northern Alabama, a number of problems came home to roost for him. In the first place, he had never been formally exchanged since his capture in July 1861, so his leadership of the 21st Ohio was in direct violation of his parole.
In the second instance, his departing divisional commander Brigadier General Ormsby M. Mitchel discovered him at a clambake with well-known Alabama secessionists.
Combined with an accusation of stealing then selling government horses for personal profit, Norton spent the next several months shuttling between his home in Perrysburg, Ohio and the capitals of Columbus and Washington, D.C. trying to clear his name. Meeting indifferent success, he resigned his commission to date December 20, 1862.
CRITICAL RUN IS A DEBATING FORMAT
www.emergencyrooms.org/criticalrun.html
THE 28/03/2012 we debate
IS NAVIGATION A TREAT ?
CAN ART BE CURATED BY A PHONE ?
"IS NAVIGATION BY PHONES AND BANKS A THREAT ?" Critical Run wednesday 28 mars / CPH
The App store has taken over state institutions like staten museum for kunst
Visitors are taking in charge and warmly recommanded to be guided by smartphones or ipods . the team from the museum , curators and directors are employing the word ipad every 3 minutes. their home page sound like they work for FONA .
but Can smart phones or ipad be promoted as inoffensif loving pedagogic tools we should swallow without doubts
is forgetting an active state
is beeing guided a state of apathy .
( i heard once at a DR- news conference that people need to be guided because they are stupid )
should we debate those issues together before to jump
Is the role of the national museum to promotte compagnies that some would also consider as global threat ?
the Critical Run ( run and debate before it is too late ) will take place in Kongenshave 16.15 meet in front t the kids ground ( lejeplads )
we will debate those issues of selectif history and Führung. with a group of artist immigrant in Denmark ( who is guiding whom to where )
every one is welcome with any opinion including hopenhagen believer fona or apple sales man believing in win-win
The Critical Run is in collaboration with BAZART and Critical Run
www.emergencyrooms.org/criticalrun.html
this debate will carry on globally until Documenta Kassel ( " The Next Documenta Should be curated by a phone " .
if you like to be one of the global critical run organisateur please contact : 1@colonel.dk
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and because we are talking about a museum exhibiting Jorn a little news from Guy Debord and ( navigation )
library.nothingness.org/articles/SI/en/display/2
CAN ART BE CURATED BY A PHONE ? / CRITICAL RUN the first CRITICAL RUN will take place in Copenhagen and the last in Kassel @documenta get informed of date :www.facebook.com/BIENNALIST or www.emergencyrooms.org/criticalrun.html if you want to be part of the debate and organise a Critical Run where you are please contact 1@colonel.dk
A DELEGATION OF FOREIGN ARTISTS / CURATORS AND FESTIVAL DIRECTORS LIVING IN DENMARK ARE EXPLORING AND DEBATING "DANISH ART " .
HOW IT WORKS .
A DIFFICULT QUESTION INDEED ....
the 28/03/2012 the DELEGATION visited Charlottenborg and Statens Museum for Kunst, did a Critical Run in between the two instutitions
.a video will follow and regular exploration in on plan COLLABORATION WITH BAZART ...more to come soon ....( new people can take contact ...)
THE DELEGATION :
Saied Masoudian
Neringa Abrutyte
Rene Victor Valqui Vidal
Marina Testa Pedersen
Diallo Ibrahima Sory
Pero Pivas
Branka Pivas Onofri
Faranak Sohi
Marcelo Lerer
Maher Khatib
Shohreh Shahrzad
Antonieta Medeiros Urioste
Maia Hauser
Åsmund Boye Kverneland
Thomas Fleurquin
Victor Monchamp
Ada Ortega Camara
Tijana Miskovic
Ginka Rinkova
Thierry Geoffroy
Elizabeth Löwe Hunter
Maja Spangsberg Jakobsen
Juan Fernando Lope
thank you Maja Spangsberg Jakobsen from Bazart /Peter Lind for the name and Marcello Lerer with cards / t6hanks to Claus Handberg Christensen / and the 2 institutions that welcome us //format : Thierry Geoffroy
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willowgrovedaycamp.com/willows.html
We have just finished our third week of camp. The Willows campers have been kept very busy these past three weeks. The days have been flying by way too quickly. It was very exciting to have all our Willows family members join us for an outstanding visiting day. The children were extremely excited to share their activities with their parents, while the parents had fun pretending to be campers. We hope you had as much fun as we did and lunch together was terrific.
The children enjoyed this weeks theme of “I Spy”. They had fun decorating binoculars in Camper Creations. In Ceramics, each child enjoyed making their favorite food out of clay with the help of their parents. Their ceramic projects will be sent home shortly. To end our wonderful week, The Willows campers joined the rest of camp at Waterworld. The children drove
water boats and joined in other great water activities. A terrific time was had by all!
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on Willow Grove Day Camp and the services they provide please visit: willowgrovedaycamp.com/willows.html
CIF CENTRAL SECTION CHAMPIONSHIP
Liberty High School - Wednesday, May 14, 2008
www.andynoise.com/valley08.html
Central Section Grand Masters
At Liberty
Team standings--unavailable.
400 relay--1. Bakersfield (Hunt, Turner, Johnson, Norwood), 42.28; 2. Clovis East (Bourbon, Scott, Smith, Woods), 42.58; 3. Redwood (Stewart, Ray, Root, Coles), 43.07; 4. Central (Newsome, Bigelow, Hammack, Phillips), 43.15. 1,600--1. Chris Schwartz, Foot, 4:15.80; 2. Jonathan Sanchez, Buch, 4:17.48; 3. Eric Battles, CW, 4:20.34; 4. Jesse Arellano, Mad, 4:21.56. 110H--1. Ethan DeJongh, MtW, 14.49; 2. Sean Johnson, Buch, 14.66; 3. Jon Funch, CW, 14.81; 4. Isiah Crunk, Wash, 15.17. 400--1. Maurice Lewis, Ed, 49.08; 2. Isiah Purvis, Lib, 49.13; 3. Daniel Lozano, Stock, 49.35; 4. Jelani Hendrix, Ed, 49.62. 100--1. Brendon Bigelow, Central, 10.62; 2. Emmanuel Turner, Bak, 10.81; 3. Matt Sumlin, Gar, 10.91; 4. Chris Lopez, GW, 10.98. 800--1. Anthony Mitchell, North, 1:54.19; 2. Aric Champagne, MtW, 1:54.97; 3. Andrew Campbell, CW, 1:55.69; 4. Arturo Ramirez, Centennial, 1:55.83. 300H--1. DeJongh, MtW, 37.93; 2. Cody Alves, Sel, 37.94; 3. James Smith, CE, 39.03; 4. Sean Johnson, Buch, 39.28. 200--1. Brendon Bigelow, Central, 21.29; 2. Isiah Purvis, Lib, 21.96; 3. Mario Navarette, Sanger, 22.04; 4. Chris Lopez, GW, 22.29. 3,200--1. Chris Schwartz, Foot, 9:24.19; 2. Jonathan Sanchez, Buch, 9:24.99; 3. Jon Ross, CE, 9:26.42; 4. Danny Vartanien, Buch, 9:26.42. 1,600 relay--1. Edison (Hendrix, Carter, Boughton, Lewis), 3:17.86; 2. Liberty (Hill, Garside, Affentranger, Purvis), 3:18.95; 3. Bakersfield (Miller, Turner, Johnson, Gooden), 3:20.06; 4. Clovis East (Ellis, Defonska, Woods, Smith), 3:22.40. PV--1. Andrew Lohse, Mad, 15-0; 2. Michael Peterson, CE, 15-0J; 3. Jeff Brenner, Cl, 14-6; 4. Frankie Puente, Sel, 14-0. SP--1. Dayshan Ragans, Foot, 60-7; 2. Matt Darr, Fron, 52-8.75; 3. Troy Rush, CW, 52-8.5; 4. Christian Millard, CE, 51-10.5. TJ--1. Johnny Carter, Ridge, 48-3; 2. Tyler Thompson, Shaf, 47-3; 3. Chris Kelly, Ridge, 46-11.5; 4. Jordan Smith, Central, 46-10.5. D--1. Dayshan Ragans, Foot, 199-2; 2. Jacob Budwig, Fowl, 168-8; 3. Niko Gomes, Cl, 164-10; 4. Matt Darr, Fron, 157-7. LJ--1. Kenny Phillips, Central, 23-4; 2. Tyler Thompson, Shaf, 21-11.5; 3. Dillon Root, Red, 21-11; 4. Kevin Norwood, GV, 21-8.75. HJ--1. Kenny Phillips, Central, 6-8; 2. Isiah Griggs, Bak, 6-6; 3. George Robbins, West, 6-4; 4. Jeff Brenner, Cl, 6-4J.
Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.
Girls track
Central Section Grand Masters
At Liberty
Team standings--unavailable.
400 relay--1. Edison (Eng, Scott, Thompson, Sears), 47.16; 2. Bullard (J. Williams, Riddlesprigger, Baisch, L. Williams), 48.17; 3. Tulare Western, 48.73; 4. Bakersfield (Torres, Belt, Brown, Wandick), 48.80. 1,600--1. Saleh Barsarian, Cl, 5:02.98; 2. Meghan Marvin, Cl, 5:03.02; 3. Chloe Allen, CW, 5:04.62; 4. Allison Gonzales, Ex, 5:11.52; 100H--1. Alyssa Monteverde, CW, 14.59; 2. Brianny Williams, Ed, 14.60; 3. Taylor Jackson, Fr, 15.04; 4. Jen Melton, CW, 15.37. 400--1. Breanna Thompson, Ed, 56.64; 2. Dedrea Wyrik, Sun, 57.49; 3. Lasasha Aldredge, Central, 58.12; 4. Taylor Donaldson, Reed, 58.13. 100--1. Megan Del Pino, CW, 11.66; 2. Jenna Prandini, Cl, 11.74; 3. Lynn Williams, Bul, 12.00; 4. Brushay Wandick, Bak, 12.01. 800--1. Allysa Mejia, Reed, 2:17.47; 2. Molly Pahkamaa, ElD, 2:17.73; 3. Katie Fry, Ex, 2:18.74; 4. Ashlee Thomas, Centennial, 2:19.77. 300H--1. Alyssa Monteverde, CW, 43.92; 2. Taylor Jackson, Fron, 44.86; 3. Brianny Williams, Ed, 45.69; 4. Alana Alexander, Centennial, 46.12. 200--1. Megan Del Pino, CW, 23.94; 2. Dominique Whittington, Lem, 24.65; 3. Brushay Wandick, Bak, 24.69; 4. Breanna Thompson, Ed, 24.90. 3,200--1. Jordan Hasay, MP, 10:24.78; 2. Meghan Marvin, Cl, 10:59.96; 3. Chloe Allen, CW, 11:06.19; 4. Corina Mendoza, Mad, 11:32.06. 1,600 relay--1. Edison (Burk, Thompson, Scott, Smith), 3:54.89; 2. Stockdale (Cady, Anderson, Mello, S. Anderson), 3:58.26; 3. Clovis West (Laidley, Capriotti, Del Pino, Monteverde), 3:59.02; 4. Reedley, 3:59.07. D--1. Anna Jelmini, Shaf, 162-5; 2. Alex Collatz, Stock, 148-6; 3. Carey Tuuamalemalo, Taft, 130-9; 4. Janae Coffee, CW, 121-6. LJ--1. Jenna Prandini, Cl, 18-7.25; 2. Lynn Williams, Bul, 18-0.75; 3. Alana Alexander, Centennial, 17-6.75; 4. Ja'Nia Sears, Ed, 17-6.5. HJ--1. Alyssa Monteverde, CW, 5-4; 2. Cristina Muro, GW, 5-2; 3. Katherine Mahr, Buch, 5-2; 4. Marish Riddlesprigger, Bul, 5-2J. SP--1. Anna Jelmini, Shaf, 44-0.75; 2. Destanie Yarbrough, CE, 37-10; 3. Heather Vermillion, Red, 37-9; 4. Tasha Firstone, CW, 36-6.5. TJ--1. Alana Alexander, Centennial, 38-3.75; 2. Jenna Prandini, Cl, 38-3; 3. Goziam Okolie, 36-10.5; 4. Alex Collatz, Stock, 36-2. PV--1. Allison Berryhill, CW, 11-6; 2. Amanda Klinchuch, Lib, 11-6J; 3. Cheree Jones, King, 10-6; 4. Emily Falkenstein, Buch, 10-6J.
Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.
CIF CENTRAL SECTION CHAMPIONSHIP
Liberty High School - Wednesday, May 14, 2008
www.andynoise.com/valley08.html
Central Section Grand Masters
At Liberty
Team standings--unavailable.
400 relay--1. Bakersfield (Hunt, Turner, Johnson, Norwood), 42.28; 2. Clovis East (Bourbon, Scott, Smith, Woods), 42.58; 3. Redwood (Stewart, Ray, Root, Coles), 43.07; 4. Central (Newsome, Bigelow, Hammack, Phillips), 43.15. 1,600--1. Chris Schwartz, Foot, 4:15.80; 2. Jonathan Sanchez, Buch, 4:17.48; 3. Eric Battles, CW, 4:20.34; 4. Jesse Arellano, Mad, 4:21.56. 110H--1. Ethan DeJongh, MtW, 14.49; 2. Sean Johnson, Buch, 14.66; 3. Jon Funch, CW, 14.81; 4. Isiah Crunk, Wash, 15.17. 400--1. Maurice Lewis, Ed, 49.08; 2. Isiah Purvis, Lib, 49.13; 3. Daniel Lozano, Stock, 49.35; 4. Jelani Hendrix, Ed, 49.62. 100--1. Brendon Bigelow, Central, 10.62; 2. Emmanuel Turner, Bak, 10.81; 3. Matt Sumlin, Gar, 10.91; 4. Chris Lopez, GW, 10.98. 800--1. Anthony Mitchell, North, 1:54.19; 2. Aric Champagne, MtW, 1:54.97; 3. Andrew Campbell, CW, 1:55.69; 4. Arturo Ramirez, Centennial, 1:55.83. 300H--1. DeJongh, MtW, 37.93; 2. Cody Alves, Sel, 37.94; 3. James Smith, CE, 39.03; 4. Sean Johnson, Buch, 39.28. 200--1. Brendon Bigelow, Central, 21.29; 2. Isiah Purvis, Lib, 21.96; 3. Mario Navarette, Sanger, 22.04; 4. Chris Lopez, GW, 22.29. 3,200--1. Chris Schwartz, Foot, 9:24.19; 2. Jonathan Sanchez, Buch, 9:24.99; 3. Jon Ross, CE, 9:26.42; 4. Danny Vartanien, Buch, 9:26.42. 1,600 relay--1. Edison (Hendrix, Carter, Boughton, Lewis), 3:17.86; 2. Liberty (Hill, Garside, Affentranger, Purvis), 3:18.95; 3. Bakersfield (Miller, Turner, Johnson, Gooden), 3:20.06; 4. Clovis East (Ellis, Defonska, Woods, Smith), 3:22.40. PV--1. Andrew Lohse, Mad, 15-0; 2. Michael Peterson, CE, 15-0J; 3. Jeff Brenner, Cl, 14-6; 4. Frankie Puente, Sel, 14-0. SP--1. Dayshan Ragans, Foot, 60-7; 2. Matt Darr, Fron, 52-8.75; 3. Troy Rush, CW, 52-8.5; 4. Christian Millard, CE, 51-10.5. TJ--1. Johnny Carter, Ridge, 48-3; 2. Tyler Thompson, Shaf, 47-3; 3. Chris Kelly, Ridge, 46-11.5; 4. Jordan Smith, Central, 46-10.5. D--1. Dayshan Ragans, Foot, 199-2; 2. Jacob Budwig, Fowl, 168-8; 3. Niko Gomes, Cl, 164-10; 4. Matt Darr, Fron, 157-7. LJ--1. Kenny Phillips, Central, 23-4; 2. Tyler Thompson, Shaf, 21-11.5; 3. Dillon Root, Red, 21-11; 4. Kevin Norwood, GV, 21-8.75. HJ--1. Kenny Phillips, Central, 6-8; 2. Isiah Griggs, Bak, 6-6; 3. George Robbins, West, 6-4; 4. Jeff Brenner, Cl, 6-4J.
Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.
Girls track
Central Section Grand Masters
At Liberty
Team standings--unavailable.
400 relay--1. Edison (Eng, Scott, Thompson, Sears), 47.16; 2. Bullard (J. Williams, Riddlesprigger, Baisch, L. Williams), 48.17; 3. Tulare Western, 48.73; 4. Bakersfield (Torres, Belt, Brown, Wandick), 48.80. 1,600--1. Saleh Barsarian, Cl, 5:02.98; 2. Meghan Marvin, Cl, 5:03.02; 3. Chloe Allen, CW, 5:04.62; 4. Allison Gonzales, Ex, 5:11.52; 100H--1. Alyssa Monteverde, CW, 14.59; 2. Brianny Williams, Ed, 14.60; 3. Taylor Jackson, Fr, 15.04; 4. Jen Melton, CW, 15.37. 400--1. Breanna Thompson, Ed, 56.64; 2. Dedrea Wyrik, Sun, 57.49; 3. Lasasha Aldredge, Central, 58.12; 4. Taylor Donaldson, Reed, 58.13. 100--1. Megan Del Pino, CW, 11.66; 2. Jenna Prandini, Cl, 11.74; 3. Lynn Williams, Bul, 12.00; 4. Brushay Wandick, Bak, 12.01. 800--1. Allysa Mejia, Reed, 2:17.47; 2. Molly Pahkamaa, ElD, 2:17.73; 3. Katie Fry, Ex, 2:18.74; 4. Ashlee Thomas, Centennial, 2:19.77. 300H--1. Alyssa Monteverde, CW, 43.92; 2. Taylor Jackson, Fron, 44.86; 3. Brianny Williams, Ed, 45.69; 4. Alana Alexander, Centennial, 46.12. 200--1. Megan Del Pino, CW, 23.94; 2. Dominique Whittington, Lem, 24.65; 3. Brushay Wandick, Bak, 24.69; 4. Breanna Thompson, Ed, 24.90. 3,200--1. Jordan Hasay, MP, 10:24.78; 2. Meghan Marvin, Cl, 10:59.96; 3. Chloe Allen, CW, 11:06.19; 4. Corina Mendoza, Mad, 11:32.06. 1,600 relay--1. Edison (Burk, Thompson, Scott, Smith), 3:54.89; 2. Stockdale (Cady, Anderson, Mello, S. Anderson), 3:58.26; 3. Clovis West (Laidley, Capriotti, Del Pino, Monteverde), 3:59.02; 4. Reedley, 3:59.07. D--1. Anna Jelmini, Shaf, 162-5; 2. Alex Collatz, Stock, 148-6; 3. Carey Tuuamalemalo, Taft, 130-9; 4. Janae Coffee, CW, 121-6. LJ--1. Jenna Prandini, Cl, 18-7.25; 2. Lynn Williams, Bul, 18-0.75; 3. Alana Alexander, Centennial, 17-6.75; 4. Ja'Nia Sears, Ed, 17-6.5. HJ--1. Alyssa Monteverde, CW, 5-4; 2. Cristina Muro, GW, 5-2; 3. Katherine Mahr, Buch, 5-2; 4. Marish Riddlesprigger, Bul, 5-2J. SP--1. Anna Jelmini, Shaf, 44-0.75; 2. Destanie Yarbrough, CE, 37-10; 3. Heather Vermillion, Red, 37-9; 4. Tasha Firstone, CW, 36-6.5. TJ--1. Alana Alexander, Centennial, 38-3.75; 2. Jenna Prandini, Cl, 38-3; 3. Goziam Okolie, 36-10.5; 4. Alex Collatz, Stock, 36-2. PV--1. Allison Berryhill, CW, 11-6; 2. Amanda Klinchuch, Lib, 11-6J; 3. Cheree Jones, King, 10-6; 4. Emily Falkenstein, Buch, 10-6J.
Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.
www.harscorail.com/equipment/surfacing/6700-pd-tamper.html
6700 Production/Switch Tamper
The 6700 Tamper is the latest model of Harsco Rail’s well-known production and switch tamper. Harsco Rail’s 6700 Tamper is a high tech, refined machine known for top quality production, switch tamping, and transit system work. Harsco’s Positive Displacement Workhead Technology is an available option for this machine. Harsco Rail tampers are designed to meet local standards of the customer.
Light Reference System
The Light Reference System consists of the light buggy, mask sensors, surfacing sensor, and a lining sensor located at the rear of the machine. An encoder wheel by the right rear wheel is also used with the auto curve liner system.
Surfacing System
The Surfacing System detects the low spots in the track and the cross level between the two rails. The upper lights on the light buggy shine through the slot in the upper masks on the mask follower. The sensors mounted on the hydraulic and fuel tanks then detect the light and determine the position of the track.
Lining System
The Lining System detects how far the track is out of alignment from being straight and also determines the proper track position in curves. One lower light on the light carriage shines through the slot in the lower mask on the mask follower. The sensor mounted on the rear rail follower then detects the light and determines the position of the track.
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Railroad Tampers
Railroad tampers are another type of maintenance equipment that have greatly improved the efficiency and speed in maintaining the track and right-of-way. As there name implies railroad tampers use hydraulic jacks to "tamp" the ballast, which levels the stone around the ties as well as works it underneath the ties for proper support. As with virtually all maintenance equipment before these machines were constructed all such work was done by manual track gangs that required a strong back and powerful arms. The newest tampers come equipped with a bevy of electronics to also properly align the track after tamping and what are known as production tampers have the capability of lifting the rails to insure that the ballast is beneath the ties for maximum support. Today, tampers are manufactured by several companies including Harsco Rail (which bought out Fairmont, a long-time builder of this machine), Plasser American, and Dymax Rail.
Before the advent of mechanized railroad tampers the work of getting ballast beneath the ties as well as aligning the track was all done by hand and a good eye. The job involved a track gang of men who would push the ballast beneath the ties one at a time and track jacks were used to properly align the rails. As you can imagine it was slow, very labor intensive work all of which has been greatly improved with the mechanized railroad tamper. Railroad tampers almost always work as some kind of mechanized gang, usually as part of a tie or rail gang (which today normally consists of an army of machines, not men).
Today's tie and rail gangs include such machines as spike or rail anchor pullers (which pull the spikes/anchors clear of the tie), tie cranes (which remove the railroad ties once they are free of the rails), tie extractors/inserters (different from a tie crane these machines work vertically to remove or replace the railroad tie from underneath the rail), and spike inserters (as you might have guessed these machines use hydraulics to quickly drive spikes down in the tie plate and tie itself). If very heavy work is being done other large equipment will be used such as a mechanized tie relaying machine (which is essentially a type of railroad tie inserter) and/or even a rail train if new rail is to be laid.
As it is, tie and rail gangs may look like machines simply heading off to work in an elephant line. However, they are actually very coordinated work details with each machine and accompanying operator assigned a very specific task to get the work done as quickly as possible. The reason for speed and hastiness in finishing a maintenance job is simply, to keep the trains and goods moving. Delays are quite costly and avoided at all costs because if the freight isn't delivered the railroad's don't get paid! Standard railroad tampers work by using sets of heavy-grade steel jacks, which are hydraulically controlled, and feature a small paddle-like design on the very end of the tool.
These jacks are then lowered into the ballast at a certain depth, depending on the thickness of the ties and oscillate at thousands of revolutions per minute. This back and forth motion, along with "pushing" the ballast downward, allows the stone to become very free flowing and causes it to work beneath the ties, giving the track structure maximum support. Tamping also helps to level out the ballast a bit, although final sculpting and angling of the stone is left to ballast regulators. Perhaps, though, the most efficient type of railroad tamper is the production tamper. Looking as if it is a type of auto carrier a production tamper is capable of lifting the entire track structure where it is working (the reason for the extra support beams built into the machine).
The purpose of this is so the machine can not only more efficiently situate the ballast beneath and around the ties but also to properly align the track as well. Using what is known as the Delta System developed in the 1950s production tampers are able to remove the bumps and dips in the rail by aligning the track to a perfectly "flat" traveling surface (excluding superelevated curved track) using triangulation. One other type of railroad tamper is the switch tamper, which is able to swivel its equipment and jacks to work the intricate spaces between railroad switches and diamonds. To learn more about railroad tampers please visit Harsco Rail's website, which provides exact specifications and information concerning their latest models. There you can also check out other types of maintenance machines the company produces such as spike inserters/pullers, undercutters, and blowers.
Other Maintenance-Of-Way Equipment:
Shoulder Cleaners
Ditch Cleaners
Defect Detection Cars
Undercutters
Ballast Regulators
Spike Inserters/Pullers
Tie Cranes
Tie Extractors/Inserters
Rail Grinders
Lastly, for more reading about tampers you may want to consider the book Railway Maintenance Equipment: The Men and Machines That Keep the Railroads Running from noted author Brian Solomon. Throughout the book's 128 pages Solomon covers all types of maintenance equipment from tampers and undercutters to Jordan Spreaders and rotary snow plows. I own this book myself and have used it as reference material for this site many times. It's a great read on an often little understood area of railroading.
Goodwood Park Hotel, 22 Scotts Road, Singapore.
From: www.goodwoodparkhotel.com/history-en.html
The luxurious Goodwood Park Hotel has a rich history of luxury and exclusivity. Built in 1900, it began as the Teutonia Club – an elite enclave for the expatriate German community in Singapore.
In 1918, three Jewish brothers by the family name of Manasseh bought over the property and renamed it as Goodwood Hall after the residence of the Duke of Richmond and Gordon in England. Goodwood Hall was registered in 1922 as a restaurant-café-entertainment establishment. One of its highlights that year was a glittering performance by one of the world’s greatest ballerina, Anna Pavlova.
In 1929, the Manassehs turned Goodwood Hall into the Goodwood Park Hotel, catering to travelling businessmen from Malaya. The hotel became one of the best-known hotels at the end of the 1930s and among the noted guests from that period was the Duke of Windsor, then the Prince of Wales of England.
World War II, which reached Singapore shores in 1941, converted Goodwood Park Hotel into a residence for high-ranking Japanese soldiers during the three-year occupation of Singapore. After the war ended, the Hotel served as a British War Crimes Court before it was returned to Mr Vivian Bath, a Manasseh descendant, in 1947. The hotel also made local history then by being the first hotel in Singapore to offer a swimming pool in its premises, a visionary idea by Mr Vivian Bath.
The 1960s saw a rapid expansion of the Goodwood Park and the introduction of several innovative changes such as air-conditioned Goodwood taxis, the longest bar in Southeast Asia and an air-conditioned wine cellar. In 1963, Goodwood Park Hotel was bought over by Malayan Banking Group and in 1968, it changed hands again to become the property of the late Tan Sri Khoo Teck Puat, a former Managing Director of the bank. The hotel underwent massive renovations and expansion when Mrs Mavis Oei, the hotel’s current Chairman and daughter of Tan Sri Khoo Teck Puat, took over.
Goodwood Park Hotel Singapore has been improved and upgraded continuously to put it among the world’s best, and has since played host to many well-known dignitaries and personalities from all over the world. In March 1989, the historic tower of Goodwood Park Hotel was gazetted a national monument by the Singapore Preservation of Monuments Board, which has since merged with the Singapore National Heritage Board.
On 21 September 2010, this grand dame celebrated her 110th Anniversary.
This was shot for the Strobist Lighting 102 homework 3.3: balancing flash with ambient exposure indoors.
Lighting information in the image.
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Often, when indoors, a room will be lit relatively dimly. For that reason, using a strobe to illuminate your subject with the desired quality and quantity of light will often leave your background much darker than you want if you shoot anywhere near your camera's maximum sync speed.
Of course, you often won't want a background this heavily underexposed.
An elegant solution in many cases is simply to raise your exposure time. The background exposure will increase; but the subject exposure will stay pretty constant, it being mostly from the flash, which fires for only a small fraction of a second. That's especially true, as in the above composite image, where the ambient light in the room is coming from behind your subject.
The above image is a simple demonstration of the principle in question, rather than an attempt to make an interesting photo. (If I get time...)
This is all great for still objects. One obvious problem, though, is the risk of subject motion blur as you increase your exposure time, which leads to an obvious question: Why not just light the background with more strobes?
That's fine in a studio, but there are various instances where this might not work. For example:
1) When you don't have the time to set a bunch of equipment up.
2) When your subject is in a large space that would require an enormous amount of equipment and preparation to illuminate.
3) When an unplanned photo opportunity comes up, so you have to make do with the minimum of equipment.
Needless to say, this technique might not work for restless children and the like. It's not going to freeze motion like 1/1250s will. But remember that if your background is receiving sufficiently more ambient than your subject, or if your subject is pretty much still, the firing of the strobe can freeze a small amount of subject motion.
Conveniently, this ties in with a recent Strobist post about the most powerful light in your bag: your tripod. The point is that with a firm base for your camera, you can increase your exposure time sufficiently to let in all the ambient light you need for your background.
This also reminds me of perhaps my favorite Strobist post (I need to start reading more than one lighting website!), which warns you not to use your strobes just because you can, since there are plenty of situations when ambient light would do an equally good or even a better job.
Geoffroy normally works with art formats like the EMERGENCY ROOM
to stimulate urgent expression by artist about today 's emergencies :
www.emergencyrooms.org/formats.html
www.colonel.dk contact : emergencyrooms@gmail.comThierry Geoffroy/ Colonel will be exhibiting in the museum Kunsthalle Mannheim from october 2018 part of the exhibition Konstruktion der Welt .Kunst und Ökonomie
Constructing the World: Art and Economy 1919-1939 and 2008-2018
10/12/18 to 02/03/19
Ten years after the peak of the global financial crisis in 2008, which profoundly shook the economic systems of America and Europe and had a lasting effect on present-day life, this topical exhibition is the first to illustrate the economy’s dramatic influence on art and to make global comparisons, demonstrating these in an analysis of two separate eras. Economic phenomena in the classical modernism of the 1920s and 30s are not only explored by focusing on art from the German Weimar Republic, the Soviet Union, and the United States, but also juxtaposed with artists of the present day.
Curatorial team: Dr. Eckhart Gillen (Berlin), Dr. Ulrike Lorenz, Dr. Sebastian Baden
Project Lead: Dr. Inge Herold, Assistence: Lisa Valentina Riedel, M. A. mult., Elisabeth Bohnet, M.A.
How does contemporary art reflect the world of work today? The catalogue for the second part of the exhibition Constructing the World at the Kunsthalle Mannheim takes a look at this question. The focus of it is primarily on artistic positions of the past decade that deal with the social, political, and economic effects of the most recent economic crisis after 2008. The works address and interrogate new production conditions and developments on the labor market as well as political conflicts. The accompanying publication provides fascinating insights into the diverse artistic positions.
Artists participating 2008-2018
Maja Bajevic - BBM (Observers of Operators of Machines) - Bureau d'Études - Claire Fontaine - Jacques Coetzer - Abraham Cruzvillegas - Szilárd Cseke - Chto Delat - Jeremy Deller - Simon Denny - Tatjana Doll - Harun Farocki & Antje Ehmann - Thierry Geoffroy - Andreas Gursky - Thomas Hirschhorn - Olaf Holzapfel - Sanja Iveković - Charles Lim Yi Yong - Maha Maamoun - José Antonio Vega Macotela - Tobias Rehberger - Oliver Ressler & Dario Azzellini - Mika Rottenberg - Superflex - Zefrey Throwell - Volume V - Maya Zack - Artur Żmijewski
Artists participating 1919-1939
Berenice Abbott - Gerd Arntz - Lester Thomas Beall - Thomas Hart Benton - George Biddle - John Biggers - Peter Blume - Margaret Bourke-White - Jacob Burck - Clarence Holbrook Carter - Charlie Chaplin - Ottilie Cieluszek - Ralston Crawford - Francis Hyman Criss - Stuart Davis - Alexander A. Deineka - Rudolf Dischinger - Otto Dix - Nikolaj A. Dolgorukow - Arthur Durston - Sergej M. Eisenstein - Fred Ellis - Walker Evans - Philip Evergood - Conrad Felixmüller - Hans Finsler - Max Gebhard - Hugo Gellert - John R. Grabach - Otto Griebel - William Gropper - Carl Grossberg - George Grosz - Hans Grundig - Kurt Günther - O. Louis Guglielmi - John Heartfield - Werner Heldt - Karl Hubbuch - Eric Johansson - Joe Jones - Grethe Jürgens - William Karp - Lewis W. Hine - Hannah Höch - Heinrich Hoerle - Edward Hopper - Hermann Otto Hoyer - Edward McKnight Kauffer - Gerhard Keil - Gustavs Klucis - Käthe Kollwitz - Pawel D. Korin - Valentina N. Kulagina - Wilhelm Lachnit - Fritz Lang - Wladimir W. Lebedew - Jack Levine - El Lissitzky - Arkadi Lobanow - Louis Lozowick - Sergej A. Lutschischkin - Reginald Marsh - Carl Mayer - László Moholy-Nagy - Dimitri Moor - Reinhold Nägele - Otto Nagel - Alice Neel - Oskar Nerlinger -Solomon B. Nikritin - Alice Lex-Nerlinger - Gerta Overbeck - Werner Peiner - Kusma S. Petrow-Wodkin - Juri I. Pimeno w - Natalia Pinus - Michail M. Plaksin - Jackson Pollock - Curt Querner - Climent N. Redko - Albert Renger-Patzsch - Serafima V. Rjangina - Alexander Rodtschenk o - Theodore Roszak - Walter Ruttmann - Leni Riefens tahl - Nikolaus Sagrekov - Alexander N. Samochwalow - Paul Sample - August Sander - Arkadi S. Schaichet - Rudolf Schlichter - Wilhelm Schnarrenberger - Georg Scholz - Franz Wilhelm Seiwert - Ben Shahn - Charles Sheeler - Georgi und Wladimir A. Stenberg - Warwara Stepanowa - Paul Strand - Miklos Suba - Ernst Thoms - Alexander G. Tyschler - Bumpei Usui - Konstantin A. Vialov - Karl Völker - Wladimir A. Wassiljew - Dsiga Wertow - Piotr W. Wiljams - Grant Wood - Gustav Wunderwald - Ekaterina S. Zernova - Heinrich Zille
www.colonel.dk contact : emergencyrooms@gmail.com
#artformats #artformat #formatart #biennale #biennalism #biennalecritic
#ARTIVISM #streetartist #politicalartist #activistartist #Epigrammatists #socialcommentary
#premonitionart #avantgardeart #inadvanceart #urbanartist #InstitutionalCritique
#artintime #onlineart
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#artandeconomy #kunsthallemannheim #museum #mannheim#thierrygeoffroycolonel
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Neon Pink Cheap Sticks & Stones By Mori Lee 9281 Party Dress
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A Five-Year Photographic Journey with the M4/3 Series.
[What is Johnny Kitties? Visit my blog's Johnny Kitties page for information, a full list of Johnny Depp's filmography, and links to all previous Johnny Kitties blog posts: melissaconnolly.blogspot.com/p/johnny-kitties-celebrating...]
Why are we waiting for barbarians?
The daily routines of a magistrate (Mark Rylance) managing an isolated outpost of an unnamed empire is disrupted by a visit from Colonel Joll (Johnny Depp), who demands a report on the current state of affairs amid growing concerns of an impending uprising by the local nomads or — as the colonel refers to them — the barbarians. His cruel interrogation tactics toward them makes the magistrate question his loyalty to the empire over his conscience. Director Ciro Guerra's Waiting for the Barbarians is a thought-provoking film based on the 1980 novel, written and adapted by Nobel laureate J.M. Coetzee.
I haven't read this novel, but both Johnny and Mark Rylance immediately connected to the story's relevance. "The shocking thing for me, which was the beacon that stayed there, was the fact that it felt all true and relevant to today in many ways in a lot of different places in the world," Johnny explains. "Power begets power, and there are those who decide who follows or who is disposable or unnecessary, and all those decisions are made by the people at the top." Mark Rylance adds, "The way the novel can be extrapolated to almost any circumstance in the world, to any point in history, is staggering."
Who are the real barbarians here?
Because of the pandemic, Waiting for the Barbarians was released to streaming services, and I ended up watching it at my desk on my iMac. I prefer a trip to a movie theater for the big screen, but it was nice to be able to prepare my own snacks (hot chocolate and strawberries) and click play on YouTube whenever I was ready.
I was afraid to watch this movie because I already unintentionally saw headlines of mixed reviews that praised Johnny's terrifying performance. But, don't worry, that didn't stop me. Not only did I watch it, but I liked it! Of course, I prefer no cruelty or torture, but as a whole, I liked the look and feel of everything else in this film. Beautifully shot by cinematographer Chris Menges, it's got a meditative, slow pace and a great soundtrack by Giampiero Ambrosi to match.
The movie opens to this pulsating beat in an expansive desert, following a lone carriage surrounded by soldiers on horseback. Colonel Joll, a member of the police from the Bureau of State Security, has arrived at this random outpost to question the magistrate and locals about the current state of affairs.
Johnny is sinister and stoic with a steadfast frown here: He has always been great at expressing everything with a look rather than a word, and this performance is a good example. He does have some great lines, but mostly, he instills fear by just looking official and menacing. With a nod or other minor gesture, he can get his underlings to spring into action.
"I find the most interesting thing about bad guys throughout history, or characters like Joll, is that people don't wake up in the morning and decide while they are shaving: 'I'm going to be the meanest or worst human being. I'm going to cause as much havoc as possible,'" Johnny explains. "No, for me, playing Joll, he seemed very different to me than a bad guy. That felt like it would have been too easy. If you try to think about how a man like that is built, how he is turned, how a man like this arrives at that place: Is it really to be without emotion; is it sociopathy or psychopathy? Or is there somewhere in that guy that harbors a broken child in there or that has been hammered into a shape by his father or mother in his upbringing?"
Colonel Joll is a stark contrast to the magistrate, wonderfully portrayed by Mark Rylance. This quiet, thoughtful observer is kind, gentle and respectful toward the natives. Having witnessed the unnecessary pain and suffering that Colonel Joll inflicts on the locals without any real cause, you see the magistrate's frustration grow. The Colonel's explanation — "Pain is truth; all else is subject to doubt." — just doesn't cut it. As Colonel Joll's crew disturbs the peace and leaves the outpost in ruins, the magistrate's loyalty sides with the locals. It's a good thing, too, because these nomads will eventually get it together.
I like that there's so little action in this movie that it's hard for me to describe. For example, one scene shows the magistrate falling asleep after hours of washing a local woman's injured feet with warm water. Watching this movie, I could focus on what the characters were thinking. How often does that happen?
The Kitties will put a stop to any barbaric behavior.
The best part of Colonel Joll is his cool shades. Johnny describes them: "When Ciro came up with the shape, they were threatening, menacing, somehow; and the fact that he wouldn't take them off, he would make the magistrate as uncomfortable as possible. He learnt some tricks over the years. Calmness, stillness and quiet, and holding your response to a question can be quite disturbing to the person on the other side of you. They are levels of maintaining the armor."
Check out this sketch by production designer/set decorator Crispain Sallis. "Through that characterization, [Johnny] cut Colonel Joll back to the absolute bone, making any additional theatrical flourishes, such as the glasses or the swagger stick, things to absolutely relish," he explains.
In my own illustration, I'm not sure the shades come across quite as menacing, but Colonel Joll (Gordon) also accessorizes his uniform with a golden hammer that he considers using to beat up the next barbarian. (Did I mention he's not a nice guy?) This is the only moment where Colonel Joll manages a slight smirk, pleased with the fear-induced power he has over these nomads. When the magistrate (Comet) speaks up, pointing out his evil ways, Colonel Joll's face and stance stiffen and his frown returns. Don't worry, Comet didn't get hurt in the making of this illustration. (Also, I realized after I finished this drawing that the uniforms are a deep navy color — not black — but it all depends on the sunlight, right?)
Check out this Crock of Gold!
In other exciting Johnny news, be sure to catch Crock of Gold: A Few Rounds with Shane MacGowan, a documentary that Johnny produced about his friend and frontman of the Pogues. It is available now in the United States and Canada for viewing on home digital platforms and DVD. Additional worldwide releases are coming later this month. I am getting ready to watch it with the volume up.
What's next?
Look at me, all caught up with Johnny Kitties! Mark your calendars for February 5 to see Johnny as war photographer W. Eugene Smith in Minamata. I am pacing the floors for this one.
Customers seated at a Horluck's ice cream and soda fountain, Seattle, n.d.
Photographer:
Unknown
Subjects (LCTGM):
Soda fountains--Washington (State)--Seattle
Soda jerks--Washington (State)--Seattle
Men--Washington (State)--Seattle
Digital Collection:
Seattle Photograph Collection
content.lib.washington.edu/seattleweb/index.html
Item Number: SEA2939
Persistent URL:
content.lib.washington.edu/u?/seattle,2947
Visit Special Collections reproductions and rights page for information on ordering a copy.
University of Washington Libraries. Digital Collections content.lib.washington.edu/
willowgrovedaycamp.com/willows.html
We have just finished our third week of camp. The Willows campers have been kept very busy these past three weeks. The days have been flying by way too quickly. It was very exciting to have all our Willows family members join us for an outstanding visiting day. The children were extremely excited to share their activities with their parents, while the parents had fun pretending to be campers. We hope you had as much fun as we did and lunch together was terrific.
The children enjoyed this weeks theme of “I Spy”. They had fun decorating binoculars in Camper Creations. In Ceramics, each child enjoyed making their favorite food out of clay with the help of their parents. Their ceramic projects will be sent home shortly. To end our wonderful week, The Willows campers joined the rest of camp at Waterworld. The children drove
water boats and joined in other great water activities. A terrific time was had by all!
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on Willow Grove Day Camp and the services they provide please visit: willowgrovedaycamp.com/willows.html
Zulu Christian Song "Sithandwa Sami, Ngicela Ungilinde" Thanda uNkulunkulu Impilo Yami Yonke
I
Ngaphezu kwezihlahla, kweqe inyanga enokuthula. Njengesithandwa sami, esilungile nesihle.
O sithandwa sami, uKuphi? Manje ngiyakhala. Uyakuzwa ukukhala kwami?
Nguwe onginika uthando. Uwena ongikhathalelayo.
Uwena ohlale ucabanga ngami njalo. Uwena onakekela ngesisa impilo yami.
Inyanga, ngemuva kolunye uhlangothi lwesibhakabhaka. Ungenzi isithandwa sami silinde kakhulu.
Ngicela umtshele ukuthi ngiyamkhumbula.
Ungakhohlwa ukuthatha nothando lwami, nothando lwami.
II
Amahansi asendle ndawonye, andizela kude.
Ingabe azobuyisa umyalezo ovela esithandweni sami?
O ngiyacela, ngicela ungiboleke amaphiko akho. Ngingandiza ngibuye endaweni yakithi efudumele.
Ngizobuyisela ukukhathazeka kwesithandwa sami. Ngifuna ukusitshela ukuthi: Ungadabuki!
Ngizokunikeza impendulo ezokujabulisa.
Ngakho imizamo oyenzile ngeke ibe yize.
Yeka ukuthi ngifisa kanjani ukuba ngikhule,
Ngikhululeke ekuzuleni, ekuphileni okubuhlungu.
O sithandwa sami, ngicela ungilinde. Ngizondizela kude ekunethezekeni kwale lizwe.
Ngizobuyisela ukukhathazeka kwesithandwa sami. Ngifuna ukusitshela ukuthi: Ungadabuki!
Ngizokunikeza impendulo ezokujabulisa.
Ngakho imizamo oyenzile ngeke ibe yize.
Ngakho imizamo oyenzile ngeke ibe yize.
Khetha kulokhu: Landela iWundlu Nihlabelele Izihlabelelo Ezintsha
Image Source: IBandla LikaNkulunkulu USomandla
willowgrovedaycamp.com/willows.html
We have just finished our third week of camp. The Willows campers have been kept very busy these past three weeks. The days have been flying by way too quickly. It was very exciting to have all our Willows family members join us for an outstanding visiting day. The children were extremely excited to share their activities with their parents, while the parents had fun pretending to be campers. We hope you had as much fun as we did and lunch together was terrific.
The children enjoyed this weeks theme of “I Spy”. They had fun decorating binoculars in Camper Creations. In Ceramics, each child enjoyed making their favorite food out of clay with the help of their parents. Their ceramic projects will be sent home shortly. To end our wonderful week, The Willows campers joined the rest of camp at Waterworld. The children drove
water boats and joined in other great water activities. A terrific time was had by all!
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on Willow Grove Day Camp and the services they provide please visit: willowgrovedaycamp.com/willows.html
"Oh, life is a glorious cycle of song,
A medley of extemporanea;
And love is a thing that can never go wrong,
And I am Marie of Roumania."
(Dorothy PARKER)
Author of memoirs children books published in London.
Queen Marie of Romania, (1875, England – 1938, Sinaia, România) (Regina Maria), Princess of Great Britain,
Grand daughter of Queen Victoria and of Tzar Alexander II of Russia
Spouse of King Ferdinand I, crowned at Alba Iulia.
Mother of King Carol II, Prince Nicolae, Princesses Marie (Mignon,Queen of Yugoslavia), Elisabeta (Queen of Greece), Ileana (Acrhduchess of Austria).
Diplomatic Mission Negotiator, War-time Red Cross Officer, Writer, Patron of Charities
writer. The Queens biography, quotations and exhaustive bibliography is part of a new Anthology published as an E-Book under the title:
"Blouse Roumaine - the Unsung Voices of Romanian Women"
Presented and Selected by Constantin ROMAN
Anthology E-BOOK (11BM)
DISTRIBUTION: Online with credit card
COST: $ 54.99, £34.99 (ca Euros 35.50)
LINK: www.blouseroumaine.com/orderthebook_p1.html
CONTENTS:
2,250,000 words,
over 1,000 pages,
ca 160 illustrations in text
160 critical biographies,
58 social categories/professions,
600 quotations (mostly translated into English for the first time),
circa 3,000 bibliographical references (including URLs and credits)
6 Indexes (alphabetical, by profession, timeline, quotation Index, place
index and name index)
AUTHOR: Constantin Roman is a Scholar with a Doctorate from Cambridge and a Member of the Society of Authors (London). He is an International Adviser, Guest Speaker, Professor Honoris Causa and Commander of the Order of Merit.
INDEX BY PROSFESSION: 58 CATEGORIES by Call, Profession or Social Status
Academics (22), Actresses (9), Anti-Communist Fighters (14), Architects/Interior Designers (2), Art Critics (9), Artist Book Binders (1), Ballerinas (6), Charity Workers/Benefactors (20), Communist Public Figures (2), Courtesans (3), Designers (2), Diplomats (4), Essayists (11), Ethnographers (6), Exiles & First-generation Romanians born abroad (87), Explorers (1), Feminists (12), Folk Singers (1), Gymnasts, Dressage Riders (2), Historians (5), Honorary Romanian Women (15), Illustrators (3), Journalists (13), Lawyers (4), Librarians (3), Linguists (2), Literary Critics (1), Media (15), Medical Doctors/Nurses (5), Memoir Writers (16), Missionaries and Nuns (4), Mountainéers (2), Museographers (1), Musical Instruments Makers (1), Novelists (24), Opera Singers (16), Painters (14), Peasant Farmers (6), Philosophers and Philosophy Graduates (4), Pianists (6), Pilots (4), Playwrights (5), Poets (29), Political Prisoners (30), Politicians (5), Revolutionaries (2), Royals and Aristocrats (34), Scientists (8), Sculptors (4), Slave (1), Socialites/Hostesses (20), Spouses/Relations of Public Figures (51), Spies (2), Tapestry Weavers (4), Translators (25), Unknown Illustrious (6), Violinists (4), Workers (3)
NOTE:
Most of the above 160 Romanian women, in the best tradition of versatility, are true polymaths and therefore nearly each one of them falls in more than just one category, often three or more. This explains why adding the numbers of the 57 individual categories bears no relation to the actual total of the above 160 women included in Blouse Roumaine.
-----------------------------------------------------------------------------------------------------------
LIST OF 160 CRITICAL BIOGRAPHIES (each supported by Quotations and Bibliography)
AA *Gabriela Adamesteanu *Florenta Albu *Nina Arbore *Elena Arnàutoiu *Ioana Raluca Voicu-Arnàutoiu, *Laurentia Arnàutoiu *Mariea Plop - Arnàutoiu *Ana Aslan *Lady Elizabeth Asquith Bibescu
BB *Lauren Bacall *Lady Florence Baker *Zoe Bàlàceanu *Ecaterina Bàlàcioiu-Lovinescu *Victorine de Bellio *Pss. Marta Bibescu *Adriana Bittel *Maria Prodan Bjørnson *Ana Blandiana *Yvonne Blondel *Lola Bobescu *Smaranda Bràescu *Elena Bràtianu *Élise Bràtianu *Ioana Bràtianu *Elena Bràtianu- Racottà *Letitzia Bucur
CC *Anne-Marie Callimachi *Georgeta Cancicov *Madeleine Cancicov *Pss. Alexandra Cantacuzino *Pss.Maria Cantacuzino (Madame Puvis de Chavannes) *Pss. Maruca Cantacuzino-Enesco* Pss. Catherine Caradja *Elena Caragiani-Stoenescu *Marta Caraion-Blanc, *Nina Cassian, *Otilia Cazimir *Elena Ceausescu *Maria Cebotari *Ioana Celibidache *Hélène Chrissoveloni (Mme Paul Morand)*Alice Cocea *Irina Codreanu *Lizica Codreanu *Alina Cojocaru *Nadia Comàneci *Denisa Comànescu *Lena Constante *Silvia Constantinescu *Doina Cornea *Hortense Cornu *Viorica Cortez*Otilia Cosmutzà *Sandra Cotovu *Ileana Cotrubas *Carmen-Daniela Cràsnaru *Mioara Cremene *Florica Cristoforeanu *Pss. Elena Cuza
DD *Hariclea Darclée *Cella Delavrancea *Alina Diaconú *Varinca Diaconú *Anca Diamandy *Marie Ana Dràgescu *Rodica Dràghincescu *Bucura Dumbravà *Natalia Dumitrescu
EE *Micaela Eleutheriade *Queen Elisabeth of Romania (‘Carmen Sylva’) *Alexandra Enescu *Mica Ertegün
FF *Lizi Florescu, *Maria Forescu *Nicoleta Franck *Aurora Fúlgida
GG *Angela Gheorghiu *Pss Grigore Ghica *Pss. Georges Ghika (Liane de Pougy) *Veturia Goga *Maria Golescu *Nadia Gray *Olga Greceanu *Pss. Helen of Greece *Nicole Valéry-Grossu *Carmen Groza
HH *Virginia Andreescu Haret *Clara Haskil *Lucia Hossu-Longin
II *Pss. Ileana of Romania *Ana Ipàtescu *Marie-France Ionesco *Dora d’Istria *Rodica Iulian
JJ *Doina Jela *Lucretia Jurj
KK *Mite Kremnitz
LL *Marie-Jeanne Lecca *Madeleine Lipatti *Monica Lovinescu *Elena Lupescu
MM *Maria Mailat *Ileana Màlàncioiu *Ionela Manolesco *Lilly Marcou *Silvia Marcovici *Queen Marie of Romania *Ioana A. Marin *Ioana Meitani *Gabriela Melinescu *Veronica Micle *Nelly Miricioiu *Herta Müller *Alina Mungiu-Pippidi *Agnes Kelly Murgoci
NN *Mabel Nandris *Anita Nandris-Cudla *Lucia Negoità *Mariana Nicolesco *Countess Anna de Noailles *Ana Novac
OO *Helen O’Brien *Oana Orlea
PP *Hortensia Papadat-Bengescu *Milita Pàtrascu *Ana Pauker *Marta Petreu *Cornelia Pillat *Magdalena Popa *Elvira Popescu
RR *Ruxandra Racovitzà *Elisabeta Rizea *Eugenia Roman *Stella Roman *Queen Ana de România, *Pss. Margarita de România *Maria Rosetti *Elisabeth Roudinesco
SS *Annie Samuelli *Sylvia Sidney *Henriette-Yvonne Stahl *Countess Leopold Starszensky *Elena Stefoi *Pss. Marina Stirbey *Sanda Stolojan *Cecilia Cutzescu-Storck
TT *Maria Tànase *Aretia Tàtàrescu *Monica Theodorescu *Elena Theodorini
UU *Viorica Ursuleac
VV *Elena Vàcàrescu *Leontina Vàduva *Ana Velescu *Marioara Ventura *Anca Visdei *Wanda Sachelarie Vladimirescu *Alice Steriade Voinescu
WW *Sabina Wurmbrand
ZZ *Virginia Zeani
FaceBook｜Blogger ｜Instagram ｜500PX
You can licence images through My Getty image
All of My Reviews｜心得文：
Olympus MZD 17mm f/1.2 PRO Review
Olympus MZD 25mm f/1.2 PRO Review
Olympus MZD 45mm f/1.2 PRO Review
Panasonic LEICA DG 12mm f/1.4 Review
Panasonic LEICA DG 8-18mm f/2.8-4 Review
A Five-Year Photographic Journey with the M4/3 Series.
www.decorobra.com/como-organizar-la-sala-de-estudio.html
La sala de estudio es un ambiente muy importante de su casa que no sólo deben lucir bien... debe ser también funcional, tener la configuración correcta y el ambiente adecuado. Un cuarto de estudio debe ser un espacio amplio y elegante donde usted pueda pasar tiempo, hacer tareas o simplemente estudiar y reflexionar.
Si se propone crear una sala de estudio en el hogar, es recomendable que tenga en cuenta algunos puntos claves, como quién va a utilizar el espacio (adultos, jóvenes), qué tipo de actividades concretas usted va a realizar en la sala, que organización le dará a los muebles para que sea un espacio funcional, etc.
La puesta en marcha de una sala de estudio requiere de un buen tamaño de escritorio con un ordenador de sobremesa. Esto le será muy útil también si tu trabajo no requiere movilidad. Si está ejecutando un negocio desde casa, entonces debe prestar atención a las necesidades de almacenamiento y las herramientas de comunicaciones como máquinas de fax.
La sala de estudio es también el lugar perfecto para exhibir su colección de libros en estanterías diseñadas para lucir una biblioteca de estilo tradicional, siempre combinadas con el resto del mobiliario utilizado.
Además debe procurar que los colores y diseños de los muebles sean de su agrado. Hablando de colores, antes de escoger un color para su cuarto de estudio, es muy importante echar un vistazo a sus preferencias y sus toques personales. Por ejemplo, la combinación de blancos con algunos tonos azules será bastante neutra y agradable. Luego debe enfocarse en la decoración pensando en todo tipo de adornos y accesorios que vayan a ser de su utilidad. Respecto a los muebles básicos no olvide colocar un escritorio, silla cómoda, lámpara de mesa, tablero para escribir sus tareas, y hasta puede agregar una pizarra. La iluminación ideal sería una lámpara de escritorio que sea de luz blanca. No se recomiendan lámparas con luz de colores, ya que esto esfuerza la vista.
[gallery link="file"]
27 June 2014
Imago Anatopism
LEA10
Second Life
lindenarts.blogspot.com/2014/05/transitt-imago-anatopism....
Mimesis Monday
(Heidi Dahlsveen)
historieforteller.wordpress.com/tag/imago-anatopism/
Alpha Auer
(Elif Ayiter)
www.flickr.com/photos/alpha_auer/sets/72157644047392579
zikiquesti.blogspot.com/2014/05/transitt-imago-anatopism....
From the notecards:
“”
About Imago Anatopism:
The project tells the tale of Volund, a nordic, elf, a symbol following Joseph Campbell's "Hero with a Thousand Faces." Volund undergoes many persona changes during his travels in which he encounters several others that shape and transform him.
Stage 1: At the start of the tale Volund, a Norsk elf who is probably born on the edge of the world between Midgaard – the home of humans, and Utgaard – the home home of giants, is still a young boy who is taken by his father to a mountian where a tribe of dwarfs are to teach him the craft of blacksmithing.
At this early stage all Volund gets are the basics: Skin, shape, eyes and a pair of shoes.
Stage 2: This is the stage in which Volund is refuses the call to the adventure. He is still a timid boy who does not hear, or misinterprets the call or may even misuse the call since he is not yet mature enough to make his own decisions and only follows the decisions of others. All this leads to the murder of his father which makes Volund realise life's dangers and the magnitude of his task.
Symbolizing this blindness, at stage 2 Volund only gets a mask as an attachment.
Stage 3: Setting out on his adventure, Volund goes back to the mountain in order to learn further secrets of forging and the creation of magic tools from the dwarf. Such supernatural aids are both good and bad and once Volund puts on his magic belt and helmet he realizes that it is the dwarfs that killed his father. This makes them his enemy and he has a narrow escape as he leaves the mountain.
Thus, at stage 3 Volund gets a magic belt and helmet as two new attachments.
Stage 4: The idea of the entering another world is often symbolized by the belly of the whale. Volund is no different in this regard, and he throws himself into the ocean to float away to the unknown.
Thus, at stage 4 Volund gets a harpoon as a new attachment.
Stage 5: It is at this stage that Volund starts discovering his strength and power. He now has the ability to forge magic objects, such as life-like statues and wonderful weapons. It is at this stage that Volund meets a valkyrie (in this instance, a symbol for the concept of "goddess"), whom he first sees as a swan who is taking off her feathers in order to bathe in lake. Volund hides her feathers and makes her his first wife. However she leaves him at the end of 7 years when she finally finds her feathers and flees away.
"She is the mother, sister, mistress, bride," Campbell writes of the goddess. But she is also the death of of everything that dies. Campbell continues: "Woman, in the picture language of mythology, represents the totality of what can be known. The hero is the one who comes to know."
At stage 5 Volund gets a big present that he gives to the goddess as an offering as a new attachment.
Stage 6: Volund gets 9 rings from the valkyrie, which is a symbol of union. However these ring are also things that he can measure his own forging up against.
Stage 7: Volund is now supposed to start his journey back home, with newly gained wisdom. However, he faces yet another obstacle through the king who tries to hinder Volund from leaving by crippling him.
Thus, unsurprisingly, at this stage Volund gets a cane. There are several versions of this with different poses.
Stage 8: Volund gets his revenge upon the king by raping his daughter.
To quote Campbell again: "And always, after the first thrills of getting under way, the adventure develops into a journey of darkness, horror, disgust and phantasmagoric fears."
And so, at this stage Volund gets a caged bird with which he can seduce the king's daughter.
Stage 9: Volund has now made the king's daughter pregnant. However, in order to ensure that his own son inherits the throne, Volund also takes the precaution of killing the king's two sons.
Thus, at this stage the new attachment that Volund gets is a sword.
Stage 10: We are now nearing the end of the story and Volund sits bird-like on a roof, and tells the king what has happend and what the future will be.
Stage 11: While Volund started his journey in the ocean his return home is through the sky. He forges himself a huge pair of wings with which he flies back home.
Stage 12: We have come to the end of the tale and Volund has finally returned home as a wiser, older man who now deserves to put on the shiled and mantle of the hero.
Campbell writes: ”The hero is the champion of things becoming, not of things become, because he is.” And later ”Having died to his personal ego, he arose again established in the Self”.
Links het voormalige wijkgebouw van het Groene Kruis (1938), van architect Pieter Mekkes (1887-1968). In 1961 gewijzigd in een dubbel woonhuis aan de Brink ZZ 2-4. Op deze locatie stond de tramremise van de paardentram: www.oudzuidlaren.nl/html/paardetram.html
Naast het voormalige wijkgebouw van het Groene Kruis staat de voormalige boerderij van Dr. H. Hamminga aan de Brink Zuidzijde 4. Hij is een zoon van huisarts Lambertus Hamminga, woonachtig aan de Brink Oostzijde 2, geb. Zuidlaren 4-8-1889, ovl. Zuidlaren 8-12-1957, kleinzoon van Hendrik Hamminga (1860-1935), landbouwer (adres A 204), en Jochemina Hamminga, achterkleinzoon van Lambert Hamminga (1819-1897), landbouwer (adres A 204), en Aaltje Julsing en achterachterkleinzoon van Jan Hamminga, landbouwer, en Hendrikje Schuiling:
web.archive.org/web/20161020100621/http://www.panoramio.c...
In het midden Huize "Laar End" aan de Brink ZZ 8, oorspronkelijk eenlaags:
web.archive.org/web/20161028155159/www.panoramio.com/phot...
web.archive.org/web/20161028155156/http://www.panoramio.c...
web.archive.org/web/20161031100511/http://www.panoramio.c...
Het Buiten Verblyf van Dr. Wicher Oncko van Swinderen te Zuidlaren werd in 1784 te koop aangeboden ten Huize van de Wed. van Evert Jans aan de Brink in Zuidlaren.
Dr. Wichter Oncko van Swinderen, geb. Groningen 4-1-1766, ovl. Paterswolde (Huis te Paterswolde, ook Huize Nijborg) 3-10-1800, zoon van Abraham Quevellerius van Swinderen en Gesina van Rehden, tr. 1. 15-6-1791 Catharina Mechelina van Coevorden, ovl. 24-4-1794; tr. 2. 23-5-1796 Aletta van Swinderen, geb. Vlagtwedde 20-1-1765, ovl. Paterswolde (Huis te Paterswolde, ook Huize Nijborg) 23-10-1800, dochter van Albert Hindrik van Swinderen en Edzardina Sparringa.
Ommelander Courant van 7-10-1800 en 28-10-1800:
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Groninger Courant van 22-8-1794:
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Zyne Excellentie de Heer Lt. Generaal J.W. de Famars, ovl. 1785, bood op 12-9-1774 ten Huize van de Weduwe van Evert Jans te Zuidlaren bezittingen in Schipborg, Zuidlaren, Midlaren en De Groeve te koop aan. Groninger Courant van 2-9-1774:
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"Geslachtlijst van de familie Van Swinderen. Opgemaakt en met eenige bijlagen vermeerderd", door Th. van Swinderen; Groningen 22 April 1850 (Google Books).
Joan Pieter Servatius, ontvanger belasting, geb. Maastricht
2-1-1752, ovl. Zuidlaren, Laareind, 25-3-1819, zoon van
Matias Servatius en Catharina Willig, tr. Gerardina Fokkelina Engelhard, geb. Bourtange 23-2-1758, ovl. Assen 1-3-1838, dochter van Nicolaas Engelhard en Maria Alting.
Overlijdensbericht van Gerardina Fokkelina Servatius-Engelhard in de Javasche Courant van 4-8-1838:
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Hun zoon Nicolaas Gerard Servatius, ontvanger, geb. Coevorden 21-4-1793, ovl. Assen 15-5-1870, tr. Groningen 4-9-1819 Charlotta Gerardina van Swinderen, geb. Paterswolde 1798, ovl. Leiden (Breedestraat) 26-6-1858, oud 60 jaar, dochter van Wicher Onco van Swinderen en Aletta van Swinderen.
De Wed. van de Heer J.P. Servatius te Assen bood het Buitengoed Laareind aan de Brink ZZ 8 in Zuidlaren in 1835 te koop aan. Mocht het Buitengoed niet naar genoegen worden verkocht, dan zou het op Afbraak worden verkocht. Groninger Courant van 13-10-1835: resolver.kb.nl/resolve?urn=ddd:010772134:mpeg21:a0006
Charlotte Gerardine Servatius-van Swinderen bood het Buitengoed Laareind aan de Brink ZZ 8 in Zuidlaren in 1838 te koop aan.
Huwelijkdatum: 10-11-1748; 1e Proclamatiedatum: 3-11-1748;
Bruidegom: Evert Jans, Jongeman; woonplaats: Gasselte
Bruid: Gesina Ottens Karst, Jongedochter; woonplaats: Zuitlaren. Hun kinderen heten Grietje, Jantje, Jan, Otte en Roelofje.
Gedoopt: Roelofje, geboren te Zuidlaren, gedoopt op 28-10-1759, dochter van Evert Jans en Gesina Ottens Karst.
Huwelijkdatum: 24-4-1808; 1e Proclamatiedatum: 3-4-1808;
Bruidegom: Otto Everts, Jongeman; woonplaats: Zuidlaren
Bruid: Henderkien Lukas, Jongedochter; woonplaats: Zuidlaren.
Op 6-2-1813 werd Evert Everts in Zuidlaren geboren, zoon van Otto Everts, brouwer, tapper, koopman, landbouwer, ovl. Zuidlaren 6-11-1835, oud 71 jaar, en van Hendrikje Lukas Strating, dochter van landbouwer Lucas Jans Strating (1753-1819) en Jantje Jans Tiddens (1750-1834).
Kastelein Otto Everts in Zuidlaren in 1803 en 1808. Ommelander Courant van 27-12-1803 en 1-3-1808:
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Kastelein Otto Everts in Zuidlaren in 1814. Advertentieblad, bekendmakingen en onderscheidene berigten van Groningen
11-1-1814:
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De Erven Otto Everts en Hendrikje Lucas Strating boden op 29-1-1838, ten Huize van Thale Zondag, de Behuizinge en Hof.......aan de Brink te koop aan. Drentsche Courant van 23-1-1838: resolver.kb.nl/resolve?urn=ddd:010785121:mpeg21:a0008
In 1832 was landbouwer Lucas Strating eigenaar van het perceel Kad. G 73 aan de Brink, gelegen naast het perceel G 67 van Willem Jacob graaf van Heiden, Lid van het College van Gedeputeerde Staten, geb. Den Haag 15-11-1778, ovl. Zuidlaren 3-6-1835:
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Oude Staten Archieven (OSA), toegangsnummer 0001, inventarisnummer 868.37, Haardstedengeld Zuidlaren, Zuidlaren, 1784, pagina 5245
Vermelding: De Weduwe van Evert Jans, heeft nering.
Bedrag: 2-00-00.
Oude Staten Archieven (OSA), toegangsnummer 0001, inventarisnummer 868.37, Haardstedengeld Zuidlaren, Zuidlaren, 1794, pagina 5257
Vermelding: De Wed: Evert Jans brouwersche.
Bedrag: 2-00-00.
Van 1838 tot 1870 woonde timmerman en metselaar Willem Sikkens, geb. Zuidlaren 25-1-1795, ovl. Zuidlaren 3-6-1870, zoon van timmerman Jan Alberts Sikkens (1751-1824) en Anniggien Kars Peulinga (1765-1846), aan de Brink ZZ 8 (Kad. Sectie G 655), later Huize "Laar End". Hij was aandeelhouder in de door J.J.A. Ardesch, P.A.G. de Milly, Dr. B.W. van de Sande Slot en Mr. L. graaf van Heiden Reinestein in 1856 opgerichte “Oostermoersche Straatweg-maatschappij”. Alle aandeelhouders worden bij naam genoemd in de Nederlandsche Staatscourant van 8-11-1856. In 1880 heeft de H. Wuffing het huis (Kad. Sectie G 1403) laten verbouwen. Omstreeks 1909 kocht de Jkvr. Nicoline Hobbine Daniële van Andringa de Kempenaer, ovl. Huize "Laer-End" 6-10-1942, oud 67 jaar, het pand Brink ZZ 8 van trambeambte en houthandelaar Jan Jakobs Zondag (1874-1947) en huismeester Jan Beekman (1864-1948), die het in hetzelfde jaar hadden gekocht van Pieter Krul, sigarenfabrikant in Groningen, geb. Bolsward 11-3-1840, ovl. Groningen 18-6-1917. In 1911 is er een verdieping opgebouwd onder architectuur van ir. Gerhardus Knuttel, geb. Delft 8-12-1880, ovl. Rijswijk 22-2-1961; de bouwvergunning is van 30-5-1911. Knuttel was in 1913 de architect van Huize de Kempenaer aan de Rijksstraatweg 240 in Haren, en in 1915 van het landhuis aan de Dr. Nassaulaan 20 in Assen.
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Hij was aandeelhouder in de in 1856 opgerichte “Oostermoersche Straatweg-maatschappij”. Zijn erven boden op 20-1-1871 zijn huis en tuin te koop aan ten huize van Berend Bakker. Mogelijk was hij betrokken bij het ontwerp en de bouw van de tolhuizen in Schuilingsoord, Midlaren en De Groeve. In de advertentie werd gesproken over "eene ruime en nette Behuizinge en Erf, staande op eene aangename stand aan de Brink te Zuidlaren, en een akker Bouwland op de Esch aldaar" (Kad. Sectie G 377). Op 14-1-1871 werd Hooiland en Bouwland van Willem Sikkens in Eelde verkocht. Provinciale Drentsche en Asser Courant van 7-1-1871, 9-1-1871 en 16-1-1871:
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Willems Sikkens had een zoon Hendrik Sikkens, opzigter waterstaat, geb. Zuidlaren 28-6-1840, ovl. De Punt (Vries) 30-7-1866, en twee dochters, nl. Jantien Sikkens, geb. Zuidlaren 14-1-1848 en Geesje Sikkens, geb. Zuidlaren 6-2-1854.
Willem Sikkens had een broer Albert Sikkens, timmerman, geb. Zuidlaren 6-6-1791, ovl. Zuidlaren 22-5-1877, gehuwd met Barbara Leen, en een broer Kars Sikkens, kuiper, timmerman, geb. Zuidlaren ca. 1793, ovl. Zuidlaren 18-9-1847, gehuwd met Geertruid Klaassens Nijland.
Tolhuis Schuilingsoord: www.panoramio.com/photo/103030774
Willem Sikkens was aandeelhouder in de door J.J.A. Ardesch, P.A.G. de Milly, Dr. B.W. van de Sande Slot en Mr. L. graaf van Heiden Reinestein in 1856 opgerichte “Oostermoersche Straatweg-maatschappij”. Alle aandeelhouders worden bij naam genoemd in de Nederlandsche Staatscourant van 8-11-1856:
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Tolhuis Schuilingsoord: www.panoramio.com/photo/103030774
Zie ook de volgende foto's van de Brink:
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Bij Koninklijk Besluit van 19-8-1855 kregen de heren J.J.A. Ardesch, Jhr. mr. P.A.G. de Milly, dr. B.W. van de Sande Slot en mr. L. graaf van Heiden Reinestein, allen uit Zuidlaren, toestemming voor de aanleg van een kunstweg van Zuidlaren over Annen en Eext tot Gieten en daar aansluitende aan de provincialen weg van Assen naar de Hilte, met concessie tot tolheffing aan twee tolboomen. Groninger Courant van 26-8-1855 (resolver.kb.nl/resolve?urn=ddd:010771365:mpeg21:a0022). J.J.A. Ardesch is de gepensioneerd Generaal-Majoor Johan Jacob Anton Ardesch, geb. Veere 31-1-1787, ovl. Zuidlaren 1-11-1857. Op 19-4-1906 werd ten sterfhuize van mevr. Sebastiana Ardesch-de Rooij in Zuidlaren (A nr. 52) ten verzoeke van G. Kniphorst te Stadskanaal een Boeldag gehouden, tot verkoop van Tafels Stoelen, Klok etc. Zij is geb. Den Haag 4-11-1812, ovl. Zuidlaren 20-1-1906. Nieuwsblad van het Noorden van 8-4-1906:
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P.A.G. de Milly is Jhr. Paul Antoine Guillaume de Milly, Burgemeester van Zuidlaren van 1843 tot 1883, geb. Den Bosch 22-11-1807, ovl. Zuidlaren 5-2-1890. Dr. B.W. van de Sande Slot is de arts Bernardus Willem van de Sande Slot, geb. Meppel 27-7-1813, ovl. Zuidlaren 1-5-1873. Mr. L. graaf van Heiden Reinestein is Louis van Heiden Reinestein, Commissaris des Konings in Groningen, Burgemeester van Zuidlaren van 1832 tot 1838, geb. Laarwoud, Zuidlaren, 11-7-1882, ovl. Zuidlaren 2-11-1882.
Rechts de boerderij aan de Brink Zuidzijde 10, al zeer lang in bezit van de familie Karsens.
In 1832 was de wed. Roelof Karsten de eigenaar van het perceel aan de Brink ZZ, Kad. G 298 art. 159.
Zij is Lammigje Sissingh, ovl. Zuidlaren 29-9-1854, oud 62 jaar, weduwe van Roelof Karsten, geb. Zuidlaren 2-3-1777, ovl. Zuidlaren 12-11-1819, zoon van Willem Carsten ovl. Zuidlaren 24-2-1816, oud 75 jaar, en van Hendrikje Tamming (ook Tammink), kleinzoon van Otte Carsten en Grietje Roelfs.
In 1896 was vermoedelijk Reinder Karsens de eigenaar, geb. Zuidlaren 24-9-1850, ovl. Zuidlaren 10-8-1923, gehuwd met Harmtien Hamminga, zoon van Roelof Karsens, geb. Zuidlaren 18-4-1823, ovl. 20-2-1876, en van Elisabet Kluiving, kleinzoon van Tijs Kars(s)ens (1793-1865) en Adriaantje Wuffing, achterkleinzoon van Kars Lammers Karssens en Geesje Klaasens. Op deze afbeelding staat de poststempoel van 1918.
Op 11-7-1802 zijn 32 huizen en schuren in Zuidlaren afgebrand. De brand begon in het huis van olieslager en koopman Jan Hessels.
Het Hoge-Huis "voor aan de Straat te Zuidlaren", van de Geertruit Karsten-Bavinge, weduwe van Roelof Ottens Karsten (ook Carsten), brandde volledig af. Zij overleed in Zuidlaren op 20-11-1803.
Op 29-7-1803 hielden H. Tammink en W. Sissink een aanbesteding ten huize van Adde Jans van het "Optimmeren van hun Behuizingen en Schuuren". Groninger Courant van 22-7-1803: resolver.kb.nl/resolve?urn=ddd:010159455:mpeg21:a0014
H. Tammink is vermoedelijk Harmen Tammink, landbouwer, geb. Zuidlaren 7-10-1742, ovl. Zuidlaren 16-9-1817, zoon van Jan Roelofs Tammink en Grietje Harms Hemsing, tr. Zuidlaren 28-11-1769 Alberdina Hoenderken, jongedochter van Noordlaren. Zijn overlijden werd aangegeven door zijn buurmannen Harm Freriks Bakker (52 jr), bakker, en Derk Jacobs Hagedoorn (41 jr), landbouwer, kastelein.
In 1832 was landbouwer Roelof Tammink de eigenaar van het pand Kad. G 148, art. 310, gelegen aan wat later de Kleine Brink werd genoemd, op de hoek met de Brinkstraat. Hij is ged. Zuidlaren 3-3-1776, ovl. Zuidlaren 10-7-1846, zoon van Harmen Tammink en Alberdina Hoenderkens, echtgenoot van Jantien Pelinck, geb. Norg 7-3-1782, ovl. Zuidlaren 8-4-1857, De weduwe Derk Jacobs Hagedoorn was in 1832 eigenaar van het huis Kad. G 132, art. 103, ongeveer waar later "De Koppelpaarden" is gebouwd: www.flickr.com/photos/148859204@N07/32795101964/in/photolist
W. Sissink is vermoedelijk Willem Sissing(h), ged. Zuidlaren 9-9-1753, ovl. Zuidlaren 8-1-1808, zoon van Lukas Sissing en Aaltje Willem Dekkers, tr. 1. Zuidlaren 18-6-1790 Hillegonda Homans, jongedochter van Vries, begr. Zuidlaren 25-1-1801; tr. 2. Zuidlaren 7-6-1801 Ida Bavingh, jongedochter van Tarelo, geb. Vries 1-8-1762, ovl. Taarlo 23-2-1831, dochter van Willem Baving en Aaltien Harders.
Willem Sissing(h) en Hillegonda Homans hadden twee zonen: Lucas, geb. Zuidlaren 16-5-1791, ovl. Zuidlaren 8-8-1802, en Fredrik, geb. Zuidlaren 21-8-1793.
In 1832 was Hendrik Sissing in Noordlaren de eigenaar van het huis Kad. G 91, art. 286, aan de Brink ZZ in Zuidlaren. Hendrik Sissing, geb. Zuidlaren, ovl. Noordlaren 26-1-1845, oud 86 jaar, zoon van Harm Sissing en Jantien Baving, was gehuwd met Dorothea Ottens, ovl. Noordlaren 20-2-1844, oud 82 jaar.
Harm Sissing was in 1832 eigenaar van het huis Kad. G 301, art. 283 aan de Brink ZZ, naast Huize Laareind van de wed. Joan Pieter Servatius. Harm Sissing, geb. Zuidlaren 9-12-1788, ovl. Zuidlaren 13-8-1837, zoon van Egbert Harms Sissing (ook Sissink en Sissingh) en Grietjen Hendriks Wuffing (ook Wuffen), tr. Grietjen Wuffing (ook Wuffen), ovl. Zuidlaren 5-4-1847, oud 53 jaar, dochter van Willem Egberts Wuffing en Wemelina Egberts. Egbert Harms Sissing (ook Sissink en Sissingh), geb. Vries 22-3-1756, ovl. ten huize van de wed. Roelof Carsten in Zuidlaren 22-3-1824, oud 68 jaar, is een zoon van Harm Sissingh en Jantien Baving. Egbert's overlijden werd aangegeven door de buurmannen Roelof Jans Strating, oud 31 jaar, landbouwer, en Jeen Reenks de Boer, oud 31 jaar, commies.
Jan Hessels is Jan Hessel Hessels, geb. Wittelte/Diever 1760, ovl. Zuidlaren (huis nr. 88) 1-8-1813, oud 53 jaar. Zijn overlijden werd aangegeven door de buurmannen Otte Everts en Willem Bos. Otte Everts, landbouwer, tapper, overleed in Zuidlaren op 6-11-1835, oud 71 jaar, echtgenoot van Hendrikje Lucas Strating; zijn overlijden werd aangegeven door de buurmannen Albert Bazuin (60 jr), landbouwer, en Folkert Gabriel Bolt (41 jr), tuinier. Albert Bazuin was gevestigd aan de Brink OZ, Kad. G 74, art. 14, naast Lucas Strating, Kad. G 73, art. 305. Lucas Strating was weer de buurman van Willem Jacob graaf van Heiden, Schout en Lid van het College van Gedeputeerde Staten van Drenthe, Kad. G 67, art. 111:
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Jan Hessels is een zoon van wijlen Hessel Jans en Hilligje Jans Boldinghe, woonachtig in Wittelte, echtgenoot van Margien Koops, geb. Peize 13-4-1730, ovl. Peize 16-9-1817. Zij zijn de ouders van Hessel Jan Hessels, gemeenteontvanger, geb. Smilde 25-12-1790, ovl. Zuidlaren 18-11-1874, echtgenoot van Tjaatje Bosscher (ook Bosker), geb. Winschoten 25-12-1788, ovl. Zuidlaren 10-7-1877.
Op 26-8-1803 werd een collecte gehouden door de Commissie tot de Directie over de gecollecteerde Penningen om de getroffenen te helpen.
Bataafsche Leeuwarder Courant van 16-7-1803:
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Groninger Courant van 12-8-1803, 16-8-1803, 26-8-1803:
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Ommelander Courant van 19-8-1803 en 14-10-1803:
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"De Erfgenamen van Wylen de Wedw. R. Carsten zyn voornemens door het Gericht van Zuidlaren publyk te laten verkopen: Een Huisplaatse voor aan de Straat te Zuidlaren, met de van de Brand overgebleeven Materialen daarop staande, van ouds het Hoge-Huis genaamt; benevens om de 7 Mudden Bouwland, en Weideland en 2 Matten Hooyland, het Knypstuk genaamt, gelegen aan het Drentsche Diep, tegen over het Foxholster Meer. Deze Verkopinge zal zyn op eerstkende Donderdag de 29 December 1803, ten Huize van Otte Everts te Zuidlaren". Ommelander Courant van 27-12-1803: resolver.kb.nl/resolve?urn=ddd:010215689:mpeg21:a0013
Geertruit Bavinge, jongedochter van Zuitlaren, tr. Zuidlaren 11-5-1749 Roelof Ottens Karst, jongeman van Zuitlaren.
Op 2-5-1751 werd Otte Kars, zoon van Roelof Ottens Karst en Geertruit Bavinge, in Zuidlaren gedoopt.
Op 17-11-1754 werd Grietje Karst, dochter van Roelof Karst en Geertruit Baving, in Zuidlaren gedoopt.
Op 27-11-1757 werd Jan Karst, zoon van Roelof Ottens Karst en Geertruit Bavinge, in Zuidlaren gedoopt.
Geertruida Bavingh overleed in Zuidlaren op 20-11-1803, gehuwd geweest met R. Carst. De weduwe van Roelf Cars(t) was keutersche en had in 1764 en 1774 een winkel:
Oude Staten Archieven (OSA), toegangsnummer 0001, inventarisnummer 868.37, Haardstedengeld Zuidlaren, Zuidlaren, 1764, pagina 5208
Oude Staten Archieven (OSA), toegangsnummer 0001, inventarisnummer 868.37, Haardstedengeld Zuidlaren, Zuidlaren, 1774, pagina 5225.
In 1832 was de weduwe Jan Sikkens de eigenaar van een huis aan de Brink ZZ, Kad. G 294 art. 278, nabij Laar-End op nr. 8.
Op 19-11-1835 werd Laar-Eind te koop aangeboden. Groninger Courant van 17-11-1835: resolver.kb.nl/resolve?urn=ddd:010772145:mpeg21:a0019
Lit.: "Landbouwers in Zuidlaren in 1896", door Hans Fidder, in "De Zeven Brinken", uitgave van de Historische Vereniging Zuidlaren, jaargang 20, nr. 1, maart 2013. "De Drentsche Scheper", door Henk Brink, in het tijdschrift "De Zeven Brinken" van de Historische Vereniging Zuidlren, Jaargang 21 nummer 2, juni 2014 (een scheper is een schaapsherder).
"Laar End" werd bewoond door Jonkvrouwe Nicoline Hobbine Daniële van Andringa de Kempenaer (1875-1942), ovl. Huize "Laer-End" 6-10-1942, oud 67 jaar. Nieuwsblad van het Noorden van 7-10-1942 (resolver.kb.nl/resolve?urn=ddd:010330388:mpeg21:a0079). Haar broer Willem Regnerus Livius van Andringa de Kempenaer trouwde in Zuidlaren op 9-6-1909 met Marie Anne Wilhelmine Louise de Millij van Heiden Reinestein, dochter van Louis Albert Sigismond Jacques de Milly van Heiden Reinestein, geb. in Zuidlaren in 1847 en burgemeester van Zuidlaren van 1888-1893. Na Nicoline Hobbine Daniële van Andringa de Kempenaer (1875-1942) werd Laar-End bewoond door Arnold Regenerus Marie Dorhout Mees, geb. Winschoten 27-12-1908, ovl. Zuidlaren 7-10-1945, en echtgenote Ingrid Vivi Dorhout Mees-Wallin. Arnold Regenerus Marie Dorhout Mees is een zoon van Arnoldus Regnerus Dorhout Mees, substituut griffier, en Maria van Andringa de Kempenaer. "Restauratie van landhuis Laar End te Zuidlaren" in het Nieuwsblad van het Noorden van 18-6-1963:
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De nabijgelegen synagoge is zeer waarschijnlijk ontworpen door architect Geert Stel, geb. Assen 30-12-1847, ovl. Assen 8-1-1910. De synagoge is op 28-5-1884 ingewijd:
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Provinciale Drentsche en Asser Courant van 21-5-1884:
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De synagoge in Beilen is in 1884 ontworpen door architect Geert Stel te Assen:
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Provinciale Drentsche en Asser Courant van 16-10-1884:
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In 1890 werd de bouw van een nieuw Raadhuis door B&W van de Gemeente Gasselte toevertrouwd aan architect G. Stel. Algemeen Handelsblad van 5-2-1890 (resolver.kb.nl/resolve?urn=ddd:010142692:mpeg21:a0014).
Dit Raadhuis, gelegen aan de Vaart 11 in Gasselternijveen, is een Rijksmonument met nr. 508692 (monumentenregister.cultureelerfgoed.nl).
In 1895 was Stel de architect van een school en onderwijzerswoning te Nieuwediep en van de verbouw van scholen in Gieterveen en Gieten. Nieuwsblad van het Noorden van 31-7-1895 (resolver.kb.nl/resolve?urn=ddd:010885642:mpeg21:a0059).
Geert Stel was in 1891 en 1895 de architect van Villa "Anna" (vanaf 1911 Villa "Maloja") aan de Hoofdweg 276 in Paterswolde, en in 1895 ook van de verbouw van Villa "Vosbergen" in Paterswolde.
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Architect G. Stel werd op 26-10-1897 door de Gemeenteraad van Assen benoemd tot leraar aan de Gemeentelijke Teekenschool. De Telegraaf van 27-10-1897 (resolver.kb.nl/resolve?urn=ddd:110541039:mpeg21:a0023).
In 1897 was architect Stel verantwoordelijk voor het verbouwen van scholen in Hooghalen, Hijken en Wijster in de Gemeente Beilen. Nieuwsblad van het Noorden van 14-9-1897 (resolver.kb.nl/resolve?urn=ddd:010885128:mpeg21:a0031).
In 1898 was hij de architect van een Drukkerij met bureaux voor Gratema in Assen. Nieuwsblad van het Noorden van 29-12-1898 (resolver.kb.nl/resolve?urn=ddd:010887490:mpeg21:a0027).
"Te Zuidlaren is vanwege de Vereeniging ter bevordering van het Ambachtsonderwijs in Drenthe een teekencursus geopend welke onder leiding staat van den Heer G. Stel, architect te Assen". Het nieuws van den dag : kleine courant van 2-12-1898 (resolver.kb.nl/resolve?urn=ddd:010126087:mpeg21:a0094).
G. Stel was in 1899 de architect van een dubbel huis aan de Molenstraat in Assen i.o.v. de wed. Zwiers. Nieuwsblad van het Noorden van 28-10-1899 (resolver.kb.nl/resolve?urn=ddd:010886458:mpeg21:a0029).
In 1900 was Stel de architect van een onderwijzerswoning te Wittelte, Gemeente Diever. Leeuwarder Courant 3-4-1900 (resolver.kb.nl/resolve?urn=ddd:010595736:mpeg21:a0049).
In 1901 werd Stel benoemd tot onderwijzer "aan den teekencursus te Beilen". Het nieuws van den dag : kleine courant 15-01-1901 (resolver.kb.nl/resolve?urn=ddd:010128091:mpeg21:a0143).
In 1902 was G. Stel de architect van een dubbele woning met pakhuis in de Schoolstraat in Assen voor G. H. Klapdoor. Nieuwsblad van het Noorden van 5-3-1902 (resolver.kb.nl/resolve?urn=ddd:010890529:mpeg21:a0081).
In 1906 was G. Stel de architect van een dubbel woonhuis aan de Zuidersingel in Assen voor mej. H. Zuidweg. Nieuwsblad van het Noorden van 16-10-1906 (resolver.kb.nl/resolve?urn=ddd:010894831:mpeg21:a0045).
In 1906 was G. Stel de architect van een boschhuisje op "De Eerste Steen" in Assen voor Hendrik Jan Oosting (1842-1915). Dit huis is een Rijksmonument met nummer 469371:
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"De Eerste Steen" was het landgoed van zijn voorvader Jan Haak Oosting (1749-1828). Nieuwsblad van het Noorden van 16-12-1906 (resolver.kb.nl/resolve?urn=ddd:010894884:mpeg21:a0037).
In 1907 werd een Heerenhuis aan de Oostersingel in Assen te koop aangeboden. Inlichtingen konden worden ingewonnen bij architect G. Stel. Nieuwsblad van het Noorden van 13-10-1907 (resolver.kb.nl/resolve?urn=ddd:010890200:mpeg21:a0110).
willowgrovedaycamp.com/willows.html
The Willows at Willow Grove Day Camp is a camp for 3 and 4 year old children. This unique camp experience offers your child an early opportunity to learn and socialize with children their own age.
During the first week of camp, lots of fun was had as the children and counselors got to know each other. “Sun and Surf” was our first week theme. The children really enjoyed decorating their bucket and shovel memo pads during Arts and Crafts. Along with this activity, the Polar Bears and Penguins enthusiastically participated in Nature, Gymnastics, Dance, Tennis and Soccer. We are looking forward to the next seven weeks of fun-filled activities.
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on the Willows and Willow Grove Day Camp please visit: willowgrovedaycamp.com/willows.html
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Here's the story back in January...
jermalism.b...ephs-hospital.html
Here's the story a few nights ago, a whole different place...
It was the middle of the night and we had already been inside and up top for hours on end by the time we made it down to the morgue. That's when we heard the footsteps and voices coming towards us, my brother and i, trapped in the morgue.
It doesn't even resemble the hospital it was in January. EVERYTHING has either been stolen or destroyed. Furniture is smashed outside below broken windows. Some window frames are even bent up from the furniture smashing through. Drywall has been torn into all over the place and the scrappers have clearly been very busy. The wheelchairs and beds and everything else are either destroyed or flipped or thrown outside or gone. No sign of the microscope, of course. The lab, which had been virtually untouched in my first visits, looks like a war zone. The boiler room has been dismantled by scrappers and the asbestos that wrapped the pipes covers the floor that was already covered with a half inch of pigeon shit. All of the tools and doo-dads from the boiler room are also gone, there are signs that this area has been continually re-sealed and broken into, they tried to protect it to no avail. In the back of the boiler room a pigeon flew directly into my face in the pitch blackness and ricocheted out the open doorway. Nasty. As we wandered down to the morgue to cap off our visit, I told my brother how sad it made me that the hospital that i was born in was in such a sad state. We were silent for another minute until we got to the morgue, that's when we heard the voices and footsteps approaching. Then we saw the flashlights. We didn't even look around, we knew we had nowhere to go, we were trapped in the morgue.
"We're not the cops man, who are you?" are the only words we could make out of a maze of mumbling echoing voices as they came around the corner. Four of them, not just scrappers, but hardcore addicts, it was in their crazy eyes. Methheads. A quick awkward introduction got more awkward quickly as one of them decided to blurt out something like we're robbing the place blind, brass, been doing it for months. To which the others turned on him, telling him to shut up. We pulled out cigarettes, knowing that they would want some, and we offered to them all, while lighting up and announcing that we were gonna hit the roof. Told them to have a good night and good luck. They were visibly not happy to leave things like this in the morgue, but we turned our backs and walked away. On the next floor we booked it down the hall and into the staircase. As we went down the stairs again, we could hear them arguing and approaching the same exit, the only exit, behind us. The alpha dog was barking that dude fucked up and that they gotta get out and those fucking guys fucked us and then one of them says "We should just rob them, they had cameras." Word for fucking word, i'll never forget the way that sentence sounded, i was genuinely scared. Fighting addicts that likely have diseases is something i try to avoid at all costs, call me crazy. When we got to the exit we realized that they had tethered it shut behind them with a thin plastic tube so that no one else could enter. Or exit. As my brother quickly untied some sort of knot i'd never seen the door opened a flight or two up and their perspective robbery conversation got so much louder and more real. Their footsteps and flashlights were getting so close. My brother untied that thing with no time to spare. It was like a movie when that door opened and we ran outside and turned off our flashlights and booked it into the pitch blackness. They were mad at this point, exiting behind us scanning with their flashlights, yelling. They made a ridiculous scene and then re-entered. We watched the cops follow them back in just minutes later with a K9 unit. Needless to say, we didn't stick around to find out how the story ends. But as of this morning, Joey is sealed tight.
CIF CENTRAL SECTION CHAMPIONSHIP
Liberty High School - Wednesday, May 14, 2008
www.andynoise.com/valley08.html
Central Section Grand Masters
At Liberty
Team standings--unavailable.
400 relay--1. Bakersfield (Hunt, Turner, Johnson, Norwood), 42.28; 2. Clovis East (Bourbon, Scott, Smith, Woods), 42.58; 3. Redwood (Stewart, Ray, Root, Coles), 43.07; 4. Central (Newsome, Bigelow, Hammack, Phillips), 43.15. 1,600--1. Chris Schwartz, Foot, 4:15.80; 2. Jonathan Sanchez, Buch, 4:17.48; 3. Eric Battles, CW, 4:20.34; 4. Jesse Arellano, Mad, 4:21.56. 110H--1. Ethan DeJongh, MtW, 14.49; 2. Sean Johnson, Buch, 14.66; 3. Jon Funch, CW, 14.81; 4. Isiah Crunk, Wash, 15.17. 400--1. Maurice Lewis, Ed, 49.08; 2. Isiah Purvis, Lib, 49.13; 3. Daniel Lozano, Stock, 49.35; 4. Jelani Hendrix, Ed, 49.62. 100--1. Brendon Bigelow, Central, 10.62; 2. Emmanuel Turner, Bak, 10.81; 3. Matt Sumlin, Gar, 10.91; 4. Chris Lopez, GW, 10.98. 800--1. Anthony Mitchell, North, 1:54.19; 2. Aric Champagne, MtW, 1:54.97; 3. Andrew Campbell, CW, 1:55.69; 4. Arturo Ramirez, Centennial, 1:55.83. 300H--1. DeJongh, MtW, 37.93; 2. Cody Alves, Sel, 37.94; 3. James Smith, CE, 39.03; 4. Sean Johnson, Buch, 39.28. 200--1. Brendon Bigelow, Central, 21.29; 2. Isiah Purvis, Lib, 21.96; 3. Mario Navarette, Sanger, 22.04; 4. Chris Lopez, GW, 22.29. 3,200--1. Chris Schwartz, Foot, 9:24.19; 2. Jonathan Sanchez, Buch, 9:24.99; 3. Jon Ross, CE, 9:26.42; 4. Danny Vartanien, Buch, 9:26.42. 1,600 relay--1. Edison (Hendrix, Carter, Boughton, Lewis), 3:17.86; 2. Liberty (Hill, Garside, Affentranger, Purvis), 3:18.95; 3. Bakersfield (Miller, Turner, Johnson, Gooden), 3:20.06; 4. Clovis East (Ellis, Defonska, Woods, Smith), 3:22.40. PV--1. Andrew Lohse, Mad, 15-0; 2. Michael Peterson, CE, 15-0J; 3. Jeff Brenner, Cl, 14-6; 4. Frankie Puente, Sel, 14-0. SP--1. Dayshan Ragans, Foot, 60-7; 2. Matt Darr, Fron, 52-8.75; 3. Troy Rush, CW, 52-8.5; 4. Christian Millard, CE, 51-10.5. TJ--1. Johnny Carter, Ridge, 48-3; 2. Tyler Thompson, Shaf, 47-3; 3. Chris Kelly, Ridge, 46-11.5; 4. Jordan Smith, Central, 46-10.5. D--1. Dayshan Ragans, Foot, 199-2; 2. Jacob Budwig, Fowl, 168-8; 3. Niko Gomes, Cl, 164-10; 4. Matt Darr, Fron, 157-7. LJ--1. Kenny Phillips, Central, 23-4; 2. Tyler Thompson, Shaf, 21-11.5; 3. Dillon Root, Red, 21-11; 4. Kevin Norwood, GV, 21-8.75. HJ--1. Kenny Phillips, Central, 6-8; 2. Isiah Griggs, Bak, 6-6; 3. George Robbins, West, 6-4; 4. Jeff Brenner, Cl, 6-4J.
Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.
Girls track
Central Section Grand Masters
At Liberty
Team standings--unavailable.
400 relay--1. Edison (Eng, Scott, Thompson, Sears), 47.16; 2. Bullard (J. Williams, Riddlesprigger, Baisch, L. Williams), 48.17; 3. Tulare Western, 48.73; 4. Bakersfield (Torres, Belt, Brown, Wandick), 48.80. 1,600--1. Saleh Barsarian, Cl, 5:02.98; 2. Meghan Marvin, Cl, 5:03.02; 3. Chloe Allen, CW, 5:04.62; 4. Allison Gonzales, Ex, 5:11.52; 100H--1. Alyssa Monteverde, CW, 14.59; 2. Brianny Williams, Ed, 14.60; 3. Taylor Jackson, Fr, 15.04; 4. Jen Melton, CW, 15.37. 400--1. Breanna Thompson, Ed, 56.64; 2. Dedrea Wyrik, Sun, 57.49; 3. Lasasha Aldredge, Central, 58.12; 4. Taylor Donaldson, Reed, 58.13. 100--1. Megan Del Pino, CW, 11.66; 2. Jenna Prandini, Cl, 11.74; 3. Lynn Williams, Bul, 12.00; 4. Brushay Wandick, Bak, 12.01. 800--1. Allysa Mejia, Reed, 2:17.47; 2. Molly Pahkamaa, ElD, 2:17.73; 3. Katie Fry, Ex, 2:18.74; 4. Ashlee Thomas, Centennial, 2:19.77. 300H--1. Alyssa Monteverde, CW, 43.92; 2. Taylor Jackson, Fron, 44.86; 3. Brianny Williams, Ed, 45.69; 4. Alana Alexander, Centennial, 46.12. 200--1. Megan Del Pino, CW, 23.94; 2. Dominique Whittington, Lem, 24.65; 3. Brushay Wandick, Bak, 24.69; 4. Breanna Thompson, Ed, 24.90. 3,200--1. Jordan Hasay, MP, 10:24.78; 2. Meghan Marvin, Cl, 10:59.96; 3. Chloe Allen, CW, 11:06.19; 4. Corina Mendoza, Mad, 11:32.06. 1,600 relay--1. Edison (Burk, Thompson, Scott, Smith), 3:54.89; 2. Stockdale (Cady, Anderson, Mello, S. Anderson), 3:58.26; 3. Clovis West (Laidley, Capriotti, Del Pino, Monteverde), 3:59.02; 4. Reedley, 3:59.07. D--1. Anna Jelmini, Shaf, 162-5; 2. Alex Collatz, Stock, 148-6; 3. Carey Tuuamalemalo, Taft, 130-9; 4. Janae Coffee, CW, 121-6. LJ--1. Jenna Prandini, Cl, 18-7.25; 2. Lynn Williams, Bul, 18-0.75; 3. Alana Alexander, Centennial, 17-6.75; 4. Ja'Nia Sears, Ed, 17-6.5. HJ--1. Alyssa Monteverde, CW, 5-4; 2. Cristina Muro, GW, 5-2; 3. Katherine Mahr, Buch, 5-2; 4. Marish Riddlesprigger, Bul, 5-2J. SP--1. Anna Jelmini, Shaf, 44-0.75; 2. Destanie Yarbrough, CE, 37-10; 3. Heather Vermillion, Red, 37-9; 4. Tasha Firstone, CW, 36-6.5. TJ--1. Alana Alexander, Centennial, 38-3.75; 2. Jenna Prandini, Cl, 38-3; 3. Goziam Okolie, 36-10.5; 4. Alex Collatz, Stock, 36-2. PV--1. Allison Berryhill, CW, 11-6; 2. Amanda Klinchuch, Lib, 11-6J; 3. Cheree Jones, King, 10-6; 4. Emily Falkenstein, Buch, 10-6J.
Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.
is approached via a neat driveway which opens into a large parking area with the villa on the seaward side and the staff service building discretely tucked away on the inland side below an orchard garden. An impressive porte cochere bordered by ponds heralds the entrance to the villa. Behind this is the living pavilion and, some distance to the left, the two-bedroom guesthouse. To the right lie the dining pavilion and the master suite. The swimming pool and comfortably furnished bale are positioned close to the beach on the far side of the gardens to make the most of the glorious sea views.
Mandarin Duck (Aix galericulata)
Woody duck
Kowloon Park
Hong-Kong
Located in the central zone of Tsim Sha Tsui in Hong Kong, Kowloon Park is one of the largest parks in Kowloon, covering an area of about 13.5 hectares (about 33 acres). It is said to be the 'green lung' at the centre of city.
The park was opened by the then Governor, Sir David Trench on June 24th. In 1989, it was rebuilt, funded by the former Royal Hong Kong Jockey Club at a cost of about HK$300 million.
The park was built in a classical Chinese style, and is visited by many tourists. Flowers and trees are plenty in the park. There is an attractive variety of rarely-seen beautiful birds and flowers.
The park boasts an abundance of scenic spots and enough establishments for tourists to enjoy themselves. The scenic spots mainly include the Maze Garden, Color Garden, Chinese Garden, Roof Gardens, Banyan Court and Bird Lake. And the establishments comprise a mini soccer pitch, the Fitness Trail, Children's Playground, Discovery Playground, Sculpture Walk & Sculpture Garden, a piazza, an aviary, a swimming pool and a sports center. The swimming pool is one of the best equipped in Hong Kong and can hold 1,500 people.
From 07:30 to 09:30 on Fridays, the park provides the activity of watching birds for tourists free of charge. The gathering point is at the arcade of the park. And from 14:30 to 16:30 on Sundays, there are free performances on the Sculpture Walk, including lion/dragon dance and different disciplines of martial arts. Additionally, from 13:00 to 19:00 on Sundays and public holidays, at the loggia of the park exit, there are many stalls selling Chinese traditional handworks, calligraphy and many other souvenirs.
Next to the park is the Park Lane Shopper's Boulevard which imitates the American style. The shops there mainly sell the clothes from the native or abroad, which are very popular with the young people. After shopping, you can go to the park and find a comfortable place for a rest.
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