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On all our tours I encourage our guests to also shoot verticals, not only horizontals. Magazines for instance, are all based on verticals, so if you ever want your picture to grace the cover or to be published on a full page, you'll need to shoot verticals as well.
A little while back I got an email from British Airways, asking whether I had a vertical version of my famous picture The Edge, of an elephant at Victoria Falls. And as a matter of fact I did, I just never processed it. When I started processing the image, I wondered why I hadn't done it earlier - the vertical version seems to make more sense because you can actually see the height of the falls and you can see all the water falling down.
Anyway, British Airways published the shot and I was happy they had given me a good reason to dive into my image library again.
Here's the background story that I wrote for the horizontal version:
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It's hard enough to make original pictures, but with some subjects it simply borders the impossible.
When I was at Victoria Falls last year, I thought about the billions of photographs that must have been taken there, and I almost decided to just visit the place without my camera. That was until I spoke with some of the local people, who told me that they had seen a bull elephant crossing the Zambezi river the day before. During my research I had not seen any images of the falls with an elephant in it, so I decided to stay a few extra days and try my luck.
The course of the Zambezi is dotted with numerous tree-covered islands, which increase in number as the river approaches the falls. As the dry season takes effect, the islets on the crest become wider and more numerous, and with the water level of the Zambezi dropping, once submerged walkways and fresh foraging possibilities present themselves. This elephant was apparently aware of this.
On the third day I left very early with a small boat to reach my location. On my way to the edge I suddenly saw the lone bull wading through shallow parts of the river, but it was far away and light levels were low, so I decided to continue to the falls. I took some sunrise shots and half an hour later I saw the elephant approaching the falls. I quickly collected my gear and moved carefully towards the edge where the water plummeted into a 360ft chasm - not particularly nice when you're afraid of heights... I set everything up in order to include as much as possible of the falls and made a composition. Luckily the elephant was aware of my preference to shoot into the light, so his position couldn't be better.
After I took the shots, I knew I had just witnessed and captured something very special. Later that day local people confirmed this by telling me that they had never seen an elephant so close to the edge of the falls before - exactly what I wanted to hear!
This image was featured as a double page spread in National Geographic, and won First Prize in the European Wildlife Photographer of the Year Awards.
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If you would like to join me on our next photo tour in Zambia and learn everything about wildlife photography, please check out my website for more information and tour impression video clips:
Squiver Photo Tours & Workshops
Hope to see you there!
Marsel
©2013 Marsel van Oosten, All Rights Reserved. This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.
Excerpt from ca.yahoo.com/news/niagara-falls-partially-frozen-followin...:
If you live in southern Ontario and are willing to brave the unusually cold weather we’re experiencing, you may want to consider a visit to Niagara Falls.
If you do, you’ll be treated to a rare spectacle: Several days of above-average cold have caused the Canadian side of the falls to partially freeze.
“One of the world’s most iconic natural wonders has transformed into a breathtaking winter scene,” Niagara Parks says in a press release circulated and republished on several media outlets.
“Following an extended period of extreme cold and snow, Niagara Falls has partially frozen, creating frosty mist and dazzling ice formations, captivating visitors and photographers worldwide.”
While the falls appear to be frozen solid, Niagara Parks says the “volume and constant movement” of the water make a full freeze nearly impossible — partial freezes, though, are relatively common.
In winter, about 85 million litres of water per minute tumble over the falls, hitting speeds of up to 40 kilometres per hour.
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I am wearing a fabulous dress by Malandra called Stoccolma Dress Latex 09 that is an exclusive at Swank. I combined its neon look with makeup from Braham Fashion, also an exclusive at Swank. I chose O67, which is made for EVOX/ BOM. This eyemakeup is straight out of the 1980s to me -- it's sexy, dark, and evocative with lavish eye-shadow and a fab underliner- Mr. X said he was mesmerized... and so was I, as always. Don't you think? Both are exclusives at SWANK.
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makeup . "Feralis" (BOM) / by VENGE
hair . Leilani / by EscalateD
outfit . IOWA in brown / by JANGKA
boots . Eilidh boots in dark brown / by Lassitude & Ennui
sword . Legendary Sword (scripted RP weapon) / by LR Weapons
by Lumae:
skin . LeLutka Eden, T2 (BOM) @ mainshop!
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chest tattoo . Enchanted (Spririt) (BOM + mats) @ mainshop!
by NANTRA:
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also used:
eyes . Android Collection - L.Blue Robotic / by Gloom (from ACCESS' Cyber Fair)
head . EvoX AVALON / by LeLutka
teeth . The Sharps / by ContraptioN
body . Lara / by Maitreya
sparks . Fae Embers / by STATIC (@SLB18 shop and hop)
face pose . bento Facial expression HUD / by Happy Dispatch
backdrop . "Devote" from Behold the Day gacha / by The Bearded Guy
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Devocional diario | Todas las cosas están en las manos de Dios
Dios dice: “Yo he pronunciado estas palabras: Yo significo lo que digo, y lo que significo se logrará, y nadie puede cambiar esto; es algo absoluto. Sea lo que he expresado en el pasado o lo que diga en el futuro, todo se realizará, y toda la humanidad lo verá. Este es el principio subyacente a la obra de Mis palabras. [...] De todo lo que acontece en el universo, no hay nada en lo que Yo no tenga la última palabra. ¿Qué existe que no esté en Mis manos? Todo lo que Yo digo es ley, y entre los hombres, ¿quién hay que pueda cambiar Mi mente? ¿Podría ser el pacto que Yo hice en la tierra? Nada puede obstaculizar Mi plan; Yo estoy siempre presente en Mi obra, así como en el plan de Mi gestión. ¿En qué puede interferir el hombre? ¿No soy Yo quien ha hecho personalmente estas disposiciones? Al entrar en esta situación hoy, todo sigue sin desviarse de Mi plan o de lo que predije; Yo lo determiné todo hace mucho. ¿Quién de entre vosotros puede comprender Mi plan para este paso? Mi pueblo escuchará Mi voz, y todos y cada uno de los que me aman realmente regresarán ante Mi trono”.
Leer más: Cómo tener fe en Dios
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vita activa
Viajamos a través de Europa 8000 Km. Con un carro tirado por dos caballos, desde el Lago de Constanza a través de Francia y a lo largo de la costa mediterránea española hasta la punta sur de Europa. Sigue la vuelta por Portugal, España, Francia, Bélgica, Holanda, pasando por Berlín de nuevo hacía el Lago de Constanza donde termina nuestra ruta.
Un largo viaje, no sólo para nosotros si no también para nuestros dos caballos “Irish cob”.
Sin embargo, no es un viaje de placer, tampoco un viaje de aventura vacacional a través del soleado sur. A lo largo de nuestra ruta visitamos a agricultores y pasamos la noche en nuestro carro en las granjas. En colaboración con renombradas Organizaciones para el Medioambiente e internacionalmente reconocidos Investigadores queremos enterarnos mejor de la situación actual de la Agricultura en Europa. En lo referente al cultivo industrial, a la producción biológica, a la UE y la política agraria.
Especialmente lo referente a la Técnica Genética.
Los alimentos es fundamento de nuestra vida. No por casualidad se dice “se es lo que se come”. ¿No vivimos hoy y aquí tiempos prodigiosos? Todo el año podemos comprar tomates frescos y crujientes pimientos en el supermercado.
Las estanterías están siempre llenas, para comer hay más que suficiente. Realmente vivimos en tiempos prodigiosos.
Sin embargo, el precio que pagamos por ello es muy alto. Para poder ofrecer una gran gama de verduras y frutas por un módico precio todo el año los agricultores tienen que utilizar métodos de producción cada vez más refinados. La producción de alimentos se ha convertido en una técnica refinada de producción industrial, que abarca todos los campos de la cosecha, pasando por la lucha contra las plagas hasta la de cada una de las semillas.
Y sin esa Industria sería inimaginable una forma tan intensa de agricultura. Para acelerar lo más rápida y económicamente posible la producción, son utilizados una gran cantidad de pesticidas y abonos artificiales. A costa de la calidad del agua y de nuestra salud.
Y un próximo paso será la transformación de la naturaleza.
Para ahorrar los costes de pesticida, las primeras generaciones de plantas transformadas genéticamente recibieron su propia licencia para la producción de veneno: un bacilo genético que se incorpora al genoma del maíz. Ciertamente el veneno producido por el así llamado Maíz-BT mataba también a las mariposas, pero debía ser absolutamente inofensivo para las personas.
Los nuevos productos que salen de los laboratorios de investigación van más allá. Genes de Pez en fresas, genoma humano combinado con DNS de Cerdo. La fantasía puede trabajar sin límites.
Lamentablemente también la práctica puede ser ilimitada. Pues, lo que aquí suena como ciencia ficción hace tiempo que es realidad. Muchos de estos productos alimentarios llegan hoy, sin etiqueta de calificación, a nuestros platos: A un filete no se le ve si fue alimentado con maíz genéticamente transformado.
Y si esto sigue así como en los últimos años, entonces no será necesario requerir la etiqueta en los productos genéticamente transformados: las plantas artificiales de los laboratorios químicos se habrán mezclado de tal forma con nuestras plantas naturales, entre otras vías a través de la polinización, que en el futuro nadie podrá decir con certeza si el desayuno viene o no del laboratorio.
Y así queda patentado. Las substancias en nuestras cocinas son un experimento de las grandes empresas químicas. „Se es lo que se come“. ¿Queremos ser así?
Cada paso que damos en dirección de alimentos diseñados por la técnica genética, no tiene vuelta posible. Una vez que a la naturaleza se le ha dado estas semillas se quedan en ella para siempre y siguen creciendo y multiplicándose.
Si queremos hacer algo en contra, entonces hoy, aquí y ahora.
En nuestro viaje a través de Europa vamos a documentar la situación actual de la expansión de las plantas transformadas por técnica genética. Tomarenos pruebas de los suelos y se las daremos a institutos cientificos para su análisis. Así se costituirá un mapa de la tècnica genética en Europa.
En muchas estaciones de nuestro recorrido contamos nuestras experiencias e intercambiamos información a cerca de la situación actual de la tecnología genética con escolares, estudiantes, políticos, consumidores y agricultores.
vita activa es un proyecto de la Sociedad de Conciertos y Aprendizaje social PRO ARTE gGmbH, Heiligenberg.
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Toutes mes photos et créations sont protégés par le droit d'auteur et tous droits réservés.
+ 41.000.000 affichages des albums, galeries et photos !
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If drivers can stay patient, so can we, by Gabriel Campanario. The Seattle Times
Susbscribe to my blog at www.seattletimes.com/seattlesketcher. Like on Facebook at facebook.com/seattlesketcher
Thank you!
Mostra fotografica di Maria Teresa Iacolare
Kestè - Napoli
28 novembre - 16 dicembre
Ebbene si, la mia prima mostriciattola :)
Un Grazie gigantesco a Fabrizio Caliendo per la possibilità che mi ha dato e per la sua preziosissima stima.
Un Bacio a Cri.
May 7, 2016 - Hwy 365 North / North of Wray Colorado
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It has been an excellent start to the 2016 chase Season. Bonus was, that I had the day off and no commitments except for storm chasing. I was set for an Epic Day!
I ended up with well over 700 pic from this storm chasing event, but I've skimmed it down to about 100+. Truly this will become some of my best severe weather photography to date...
I was seriously late the game on this storm. But I was never out of the game. I had now positioned myself just to the North of Wray Colorado.
Strategically, you want to be to the south east, southwest for the best light... It's all about timing, and I thought it wouldn't produce till it was well west of my location. Giving me that perfect view of the backside rotation of the storm.
In my opinion, I found a perfect view, looking due south southeast. I ended up on the northwest side of the rotation. Dangerous yes...but this will eventually give me one excellent view of this tornado and all her glory.
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Dale Kaminski @ NebraskaSC Photography
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Tsurunoyu Onsen is one of eight hot-spring baths that belong to Nyutou Onsenkyo which is located near the foot of Nyutou san(1478m). Tsurunoyu Onsen is one of the oldest hot spring resorts of Nyutou Onsenkyo. Tsurunoyu Onsen dates back to 1638 and 1661 when the second lord of Akita Yoshitaka Satake and Iwashiro Kameda visited Tsurunoyu Onsen for therapy respectively. Visitations by the general public began to be recorded during the Genroku era(1688~1704).
Tsurunoyu Onsen derives its name from the fact that a local hunter saw a crane (“Tsuru” in Japanese) healing its wounds in the spring.
Quoted from www.tsurunoyu.com/english.html
Excerpt from jproc.ca/haida/40mm_bofors.html:
The Bofors 40 mm gun, is an anti-aircraft cannon designed in the 1930s by the Swedish arms manufacturer AB Bofors. It was one of the most popular medium-weight anti-aircraft systems during World War II and used by most of the western Allies as well as some captured systems being used by the Axis powers. A small number of these weapons saw action as late as the Persian Gulf War.
These 40 mm, Bofors anti-aircraft guns were installed between 1946 and 1947, on top of the original twin 20 mm OERLIKON power mountings. This was an RCN innovation. The mounting operated hydraulically, with the fluid being supplied by the pumps forward of the after funnel on the Bofor deck, and aft of the helm at the Emergency Steering position. The mounting moved in response to the movement of the fire control "joystick". These guns used to have a Mark II Gun sight, but they are missing.
The design of the gun is such that it had a very high rate of fire due to the fact that the vertical block in the breech, opened upon recoil of the gun, so that the casing was ejected almost immediately after firing. This resulted in a rate of fire of 120 rounds per minute. The rounds were loaded into the breech in "clips" of four and by a crew of four. They were: Trainer/Aimer, Breechworker, Layer, and Loader. The ammunition used was high explosive, and was not fused. The gun could elevate to 70 degrees, and could depress to 0 degrees which allowed it to be used against close in surface contacts which were below the arc of fire of the twin 4 inch guns. The Boffins was very useful in Korea for blowing up floating mines.
HAIDA was fitted with the Mk VII Bofors. In Wikipedia, Mk VII is defined as "a single barreled, hydraulically powered mounting that superseded the Mark III and entered service in 1945.
Excerpt from www.amo.gov.hk/en/historic-buildings/monuments/hong-kong-...:
Tung Lin Kok Yuen is situated at No. 15, Shan Kwong Road, Happy Valley, Hong Kong, being a Buddhist monastery founded in 1935 by Lady Clara Ho Tung and her husband Sir Robert Ho Tung. The name of the monastery was derived from the couple’s name Sir Robert Ho Tung and Lady Clara (Dharma name Lin Kok).
Lady Clara was a Buddhist and lay patron who had a passionate desire to spread the wisdom and practice of Buddhism as well as to promote the education of women. She founded the Po Kok Free School and the Po Kok Buddhist Institute in Hong Kong in the early 1930s to provide education for women and training for nuns. After Tung Lin Kok Yuen was first built, it housed both the School and the Buddhist Institute. As it is located in the residential area of Happy Valley, Tung Lin Kok Yuen marked the emergence of an urban monastery model in Hong Kong, as contrasted to the traditional monastery setting in the mountains.
With its arrowhead-shaped building plan, Tung Lin Kok Yuen’s appearance resembles a “giant ship” symbolising one of Mahayana Buddhism’s concepts of ferrying all beings to the “other shore”, or in other words enlightenment itself. The architect responsible for the building design was Fung Tsun, and Venerable Shi Ai Ting provided extensive advice for details which embody the Buddhist doctrine. While Tung Lin Kok Yuen adopted Western structural forms, it retained traditional Chinese designs in both its interior and exterior decorations such as flying eaves, brackets and glazed tile roofs. Following the traditional Chinese layout for a Buddhist monastery, it had a Skanda Hall, the Grand Buddha Hall and a Tripitaka Library in designated sequence. On each side of the Grand Buddha Hall were the Dharma Bell and the Dharma Drum. Behind the Grand Buddha Hall there was a courtyard which was redeveloped in 1954 into a three-storied Lin Kok Memorial Building. This was also designed by Fung Tsun to be integrated with the original building in the same style of architecture. The first floor of the Lin Kok Memorial Building now houses the Bhaisajyaguru Buddha Hall.
Tung Lin Kok Yuen was declared a monument in 2017.
Can be viewed larger but avoid the original size.
In a black and white film mood, at least parts of this is.
I'm not going to tell you about a girl...
If you need something softer, this is beautiful...
(I know Sarah Brightman did a cover of this later, but she's the blandest, most boring artist I know, all surface and zero content so just try to avoid her version. Please. May good taste be with you.)
Credits: bluemoodstyle.blogspot.com/2025/12/q-iot.html
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✿Moon. Hair // - Strange
✿ LELUTKA HEAD
✿ EBODY REBORN
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il Circolo Arci RISING LOVE il 15 APRILE 2010 dalle 21.00
presenta:
dalle 21.00 Expò SK8 LIKE CANVAS Vol. 1
da un'idea di Mr.Klevra, a cura di Mr. Klevra ed in collaborazione con Silvia Bagnacani
dalle 23.00 ALESSIO BERTALLOT djset
Expò dal 15 al 25 Aprile 2010
Vernissage giovedì 15 Aprile ore 21.00
100 tavole da skateboard personalizzate a mano da 60 e più artisti internazionali tra writer, street artist, illustratori, grafici e tatuatori da ogni angolo del pianeta
Nel corso della serata di inaugurazione: live painting performance, proiezioni video di skateboarding e distribuzione gratuita del catalogo
Main sponsor della serata ATTACKIT
Skate Like Canvas Vol.I Group Show (gli artisti e i paesi di provenienza):
“#” (ITALIA), AGONISTICO (ITALIA), ARAD BERT (ISRAELE), ARTESTENCIVA (BRASILE), ASPE (ITALIA), BEN MERRELL (USA), BIODPI (ITALIA), BOL23 (ITALIA), BRAHMAN (ITALIA), BR1–999 (ITALIA), CARLOS ILLUSTRATION (USA), CINASKI (ITALIA), CRISTIANO ABDE (EGITTO), DAMA (ITALIA), DIAMOND (ITALIA), DIANA KOEHNE (GERMANIA), DOES (OLANDA), DOWNER (USA), EITEL (GERMANIA), EMANUEL KLEE (GERMANIA), ERIK SCHUESSLER (USA), FELIPE BEDOYA (COLOMBIA), FIDIA (ITALIA), GAWD (CANADA), GIANLUCA FASCETTO (ITALIA), GRAFFITI (ARGENTINA), GRAPHIC WISH (ITALIA), GRAVE INDUSTRIES (UK), GRECO (ITALIA), JAMES HICKS (USA), JASON RUDOLPH PEÑA (USA), JB ROCK (ITALIA), LOVE QUIET (ITALIA), LUCA ZAMPRIOLO (ITALIA), KIMMINGS (UK), KIV (ITALIA), KLINGRATRON (UK), KRAMERJEIRA (BRASILE), KRAYON (ITALIA), KULT (GERMANIA), LUKE DA DUKE (OLANDA), MAD DOG (ITALIA), MARCO REA (ITALIA), MATT JONES (UK), MASON STORM (UK), MICHELE ANGELO (SPAGNA-ITALIA), MR.G (ITALIA), MR.KLEVRA (ITALIA), NICK ALIVE (BRASILE), NOHJCOLEY (USA), OMINO71 (ITALIA), ORMA (ITALIA), ORLANDO MIANI (ITALIA), PARS PROTOTO (GERMANIA), PAUME SARIN (FRANCIA), PIXEL PANCHO (SPAGNA-ITALIA), RATACRUDA (PERU), ROBERTO GOODMAN (ITALIA), ROBOF (ITALIA), SHIGEO SATO (GIAPPONE), SINERO (GERMANIA), SONE (ITALIA), STEVE HAMILTON AKA SHAM (USA), STICKEE (UK), TEDDY KILLER (ITALIA), THE YOUNG (GERMANIA), TONY PEREZ (USA), TRUFF (BRASILE), VAN DER MOSER (ITALIA) e tanti altri
Quantum embranchlement.
DeKalb County (Oak Grove), Georgia, USA.
14 March 2020.
****************
▶ Photo by Yours For Good Fermentables.com.
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▶ Camera: Olympus OM-D E-M10 II.
---> Lens: Olympus M.14-42mm F3.5-5.6 II R
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---> Shutter speed: 1/640
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---> Olympus WCON-P-01 Wide Converter (11 mm focal length)
▶ Commercial use requires explicit permission, as per Creative Commons.
Excerpt from www.discoverhongkong.com/ca/explore/unmissable-adventures...:
Auspicious Elephants at Shun Hing Street
In traditional Chinese culture, the elephant is a symbol of good fortune and affluence. The pronunciation of ‘elephant’ (xiàng) is similar to that of ‘auspiciousness’(xiáng), plus the way elephants draw water using their trunks also represents drawing in wealth. At the entrance to the open area of the public housing on Shun Hing Street (facing the Chung Ying Street police post), stands a striking pavilion with red pillars and a green tiled roof. It’s adorned with small golden tiles on the edges, and at the top, two lifelike dragons are guarding a pearl that represents Sha Tau Kok. In the front, there is a pair of elaborately sculpted elephants. Rumour has it that they were set up by a feng shui master to help residents of Sha Tau Kok to draw wealth and fortune from the natural treasure trove of Starling Inlet (water symbolises wealth in Chinese culture). You may touch the elephants for good luck — touch the one with its trunk raised first to bring wealth and fortune, then the one with its trunk lowered to safeguard them. Remember to follow the correct order!
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Excerpt from www.mtr.com.hk/en/customer/community/art_archi_life_in_me...:
Life in Mei Foo-Now and Then by Ng Yuen Wa
The sixteen panels will be divided into two main parts according to their themes, one part is about the past of Mei Foo and the other illustrates the life of the Mei Foo residents at the present moment. These two main parts can be subdivided into four groups, each group consisting of four panels:
The first group, On the Night of the Mid-Autumn Festival , depicts how the Mei Foo residents used to share their love and joy at the podium under the full moon at the Mid-Autumn Festival.;
The second group, centred on the theme of Memory of the Seashore, brings the viewers back to a time when there was a wonderful seashore at the Mei Foo Sun Chuen. With a touch of nostalgia, this group of works highlights the sublime seascape and the serene atmosphere of the Mei Foo Sun Chuen.
The Mei Foo residents depicted in the third group, Apartment in the Starry Metropolitan, enjoy the glittering night scene of this prosperous metropolitan – Hong Kong – through gazing out of their apartment windows, while they are resting in their apartments after a day of work.
In Mei Foo, a piece of land has been reclaimed from the sea and a park with different kinds of recreational facilities is built on the reclamation area. The fourth group of work, entitled A Delightful Weekend, focuses on the recreational activities of the Mei Foo residents taking place in the park.
This dramatic image from January 2006 offers a peek inside a cavern of roiling dust and gas where thousands of stars are forming. The image, taken by the Advanced Camera for Surveys (ACS) aboard the Hubble Space Telescope, represents the sharpest view ever taken of this region until this time, called the Orion Nebula. More than 3,000 stars of various sizes appear in this image. Some of them have never been seen in visible light. These stars reside in a dramatic dust-and-gas landscape of plateaus, mountains, and valleys that are reminiscent of the Grand Canyon.
The Orion Nebula is a picture book of star formation, from the massive, young stars that are shaping the nebula to the pillars of dense gas that may be the homes of budding stars. The bright central region is the home of the four heftiest stars in the nebula. The stars are called the Trapezium because they are arranged in a trapezoid pattern. Ultraviolet light unleashed by these stars is carving a cavity in the nebula and disrupting the growth of hundreds of smaller stars. Located near the Trapezium stars are stars still young enough to have disks of material encircling them. These disks are called protoplanetary disks or "proplyds" and are too small to see clearly in this image. The disks are the building blocks of solar systems.
Image Credit: NASA,ESA, M. Robberto (Space Telescope Science Institute/ESA) and the Hubble Space Telescope Orion Treasury Project Team
#NASA #MarshallSpaceFlightCenter #MSFC #Marshall #HubbleSpaceTelescope #HST #astronomy #space #astrophysics #solarsystemandbeyond #gsfc #Goddard #GoddardSpaceFlightCenter #ESA #EuropeanSpaceAgency #nebula
el.kingdomsalvation.org/gospel.html
Παντοδύναμου Θεού λέει: «Ας δούμε τι λέει το πρώτο χωρίο: “Και είπεν ο Θεός, Γενηθήτω φώς· και έγεινε φώς· και είδεν ο Θεός το φως ότι ήτο καλόν· και διεχώρισεν ο Θεός το φως από του σκότους· και εκάλεσεν ο Θεός το φως, Ημέραν· το δε σκότος εκάλεσε, Νύκτα. Και έγεινεν εσπέρα και έγεινε πρωΐ, ημέρα πρώτη” (Γέν. 1:3-5). Το χωρίο αυτό περιγράφει την πρώτη πράξη του Θεού στην αρχή της δημιουργίας και την πρώτη μέρα του Θεού στην οποία υπήρχε ένα απόγευμα και ένα πρωί. Αλλά ήταν μια εξαιρετική μέρα: ο Θεός άρχισε να ετοιμάζει το φως για όλα τα πράγματα και, επιπλέον, διαχώρισε το φως από το σκοτάδι. Εκείνη τη μέρα, ο Θεός άρχισε να μιλά και ο λόγος Του με τη εξουσία Του ήταν πλάι–πλάι. Η εξουσία Του άρχισε να ξεχωρίζει από όλα τα πράγματα και η δύναμή Του εξαπλώθηκε σε όλα τα πράγματα σαν αποτέλεσμα του λόγου Του. Από αυτή τη μέρα και μετά, δημιουργήθηκαν όλα τα πράγματα και κράτησαν γερά χάρη στον λόγο του Θεού, στην εξουσία του Θεού και στη δύναμη του Θεού και άρχισαν να λειτουργούν χάρη στον λόγο του Θεού, στην εξουσία του Θεού και στη δύναμη του Θεού. Όταν ο Θεός εκστόμισε τις λέξεις “Γενηθήτω φώς”, έγινε φως. Ο Θεός δεν ξεκίνησε κάποιο εγχείρημα. Το φως εμφανίστηκε ως αποτέλεσμα του λόγου Του. Αυτό ήταν το φως, το οποίο ο Θεός ονόμασε μέρα και από αυτό εξαρτάται η ανθρώπινη ύπαρξη ακόμα και σήμερα. Επειδή το πρόσταξε ο Θεός, η υπόσταση και η αξία του δεν έχουν αλλάξει ποτέ και αυτό δεν εξαφανίστηκε ποτέ. Η ύπαρξή του αποδεικνύει την εξουσία και τη δύναμη του Θεού και διακηρύσσει την ύπαρξη του Δημιουργού, και επιβεβαιώνει ξανά και ξανά την ταυτότητα και τη θέση του Δημιουργού. Δεν είναι απροσδιόριστο, ούτε απατηλό, αλλά είναι ένα αληθινό φως, ορατό από τον άνθρωπο. Από τη στιγμή εκείνη και μετά, σ’ αυτόν τον άδειο κόσμο στον οποίο “η δε γη ήτο άμορφος και έρημος· και σκότος επί του προσώπου της αβύσσου”, παρήχθη το πρώτο υλικό αγαθό. Αυτό το πράγμα είναι αποτέλεσμα των λέξεων από το στόμα του Θεού και εμφανίστηκε στην πρώτη πράξη της δημιουργίας όλων των πραγμάτων από τη εξουσία και τον λόγο του Θεού. Λίγο μετά, ο Θεός πρόσταξε να ξεχωρίσει το φως από το σκοτάδι… Όλα άλλαξαν και ολοκληρώθηκαν χάρη στον λόγο του Θεού… Ο Θεός αποκάλεσε αυτό το φως «Μέρα» και το σκοτάδι «Νύχτα». Από τότε, το πρώτο απόγευμα και το πρώτο πρωινό δημιουργήθηκαν στον κόσμο που ο Θεός ήθελε να δημιουργήσει και ο Θεός είπε ότι αυτή ήταν η πρώτη μέρα. Αυτή η μέρα ήταν η πρώτη μέρα της δημιουργίας όλων των πραγμάτων από τον Δημιουργό, ήταν η αρχή της δημιουργίας όλων των πραγμάτων και η πρώτη φορά που φάνηκε η εξουσία και η δύναμη του Δημιουργού σ’ αυτόν τον κόσμο που Εκείνος δημιούργησε. ...»
σύσταση： Ευαγγέλιο
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
Όροι Χρήσης： el.kingdomsalvation.org/disclaimer.html
Information & Credits are on the blog post - rissasecondlife.blogspot.com/2019/04/bunny-crossing.html
Credits: bluemoodstyle.blogspot.com/2024/10/blog-post_25.html
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Ενσάρκωση
Ο Θεός λέει:« ... Για παράδειγμα, ένα βουνό έχει ένα συγκεκριμένο ύψος, η βάση του έχει συγκεκριμένη έκταση, έχει ένα συγκεκριμένο υψόμετρο και έχει μια συγκεκριμένη ποσότητα βλάστησης. Όλα αυτά είναι σχεδιασμένα και υπολογισμένα από τον Θεό και το ύψος του ή η έκτασή του δεν θα αλλάξουν αυθαίρετα. ...
Γιατί, λοιπόν, ο Θεός διαχειρίζεται όλα αυτά τα διάφορα εδάφη που υπάρχουν στη γη με αυτόν τον τρόπο; Ο λόγος είναι ώστε τα ζωντανά όντα που επιβιώνουν στα διάφορα γεωγραφικά περιβάλλοντα να έχουν ένα σταθερό περιβάλλον, έτσι ώστε να είναι σε θέση να συνεχίσουν να ζουν και να πολλαπλασιάζονται σε ένα σταθερό περιβάλλον. Όλα αυτά τα όντα – αυτά που είναι κινητά και αυτά που είναι σταθερά, αυτά που μπορούν να αναπνεύσουν και αυτά που δεν μπορούν –αποτελούν ένα μοναδικό περιβάλλον για την επιβίωση του ανθρώπινου γένους. Μόνο αυτού του είδους το περιβάλλον μπορεί να θρέψει γενιές και γενιές ανθρώπων, και μόνο αυτού του είδους το περιβάλλον μπορεί να επιτρέψει στους ανθρώπους να συνεχίσουν να επιβιώνουν ειρηνικά, η μια γενιά μετά την άλλη. ...
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