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¿Quiénes entrarán al reino de Dios?
Hoy en día, los desastres suceden constantemente, ¿estás anhelado más que nunca que venga el Señor a llevarte al reino de los cielos? ¿Pero sabes? Hay estándares para entrar en el reino de los cielos, y no todos los creyentes pueden entrar en él. Entonces, ¿qué tipo de personas poseen tal condición? La respuesta está en la Palabra de Dios.
Está escrito en la Biblia: “En verdad, en verdad os digo que todo el que comete pecado es esclavo del pecado; y el esclavo no queda en la casa para siempre; el hijo sí permanece para siempre” (Juan 8:34-35). “Sed santos, porque Yo soy santo” (1 Pedro 1:16).
Dios Todopoderoso dice: “Debes saber qué tipo de personas deseo; los impuros no tienen permitido entrar en el reino, ni mancillar el suelo santo. Aunque puedes haber realizado muchas obras y obrado durante muchos años, si al final sigues siendo deplorablemente inmundo, entonces ¡será intolerable para la ley del Cielo que desees entrar en Mi reino! Desde la fundación del mundo hasta hoy, nunca he ofrecido acceso fácil a Mi reino a cualquiera que se gana mi favor. Esta es una norma celestial ¡y nadie puede quebrantarla!”.
Extracto de “La Palabra manifestada en carne”
De las palabras de Dios, sabemos claramente que Dios es santo y Su reino también, así que ¿cómo puede Dios permitir que entren en Su reino los que pecan con frecuencia?
También podría gustarte: Devocionales cristianos
Las escrituras tomadas de LA BIBLIA DE LAS AMERICAS® (LBLA) Copyright © 1986, 1995, 1997 por The Lockman Foundation usado con permiso. www.LBLA.com
Honfleur is a commune in the Calvados department in Normandy en.normandie-tourisme.fr/normandy-tourism-109-2.html in northwestern France. It is located on the southern bank of the estuary of the Seine across from le Havre and very close to the exit of the Pont de Normandie. Its inhabitants are called Honfleurais. It is especially known for its old, beautiful picturesque port, characterized by its houses with slate-covered frontages, painted many times by artists, including in particular Gustave Courbet, Eugène Boudin, Claude Monet and Johan Jongkind, forming the école de Honfleur (Honfleur school) which contributed to the appearance of the Impressionist movement. The Sainte-Catherine church, which has a bell tower separate from the principal building, is the largest church made out of wood in France. The first written record of Honfleur is a reference by Richard III, Duke of Normandy, in 1027. By the middle of the 12th century, the city represented a significant transit point for goods from Rouen to England. Located on the estuary of one of the principal rivers of France with a safe harbour and relatively rich hinterland, Honfleur profited from its strategic position from the start of the Hundred Years' War. The town's defences were strengthened by Charles V in order to protect the estuary of the Seine from attacks from the English. This was supported by the nearby port of Harfleur. However, Honfleur was taken and occupied by the English in 1357 and from 1419 to 1450. When under French control, raiding parties often set out from the port to ransack the English coasts, including partially destroying the town of Sandwich, in Kent, England, in the 1450s. At the end of the Hundred Years' War, Honfleur benefited from the boom in maritime trade until the end of the 18th century. Trade was disturbed during the wars of religion in the 16th century. The port saw the departure of a number of explorers, in particular in 1503 of Binot Paulmierde Gonneville to the coasts of Brazil. In 1506, local man Jean Denis departed for Newfoundland island and the mouth of the Saint Lawrence. An expedition in 1608, organised by Samuel de Champlain, founded the city of Quebec in modern day Canada. After 1608, Honfleur thrived on trade with Canada, the West Indies, the African coasts and the Azores. As a result, the town became one of the five principal ports for the slave trade in France. During this time the rapid growth of the town saw the demolition of its fortifications on the orders of Colbert. The wars of the French revolution and the First Empire, and in particular the continental blockade, caused the ruin of Honfleur. It only partially recovered during the 19th century with the trading of wood from northern Europe. Trade was however limited by the silting up of the entrance to the port and development of the modern port at Le Havre. The port however still functions today. On August 25, 1944, Honfleur was liberated together by the British army - 19th Platoon of the 12th Devon's, 6th Air Landing Brigade, the Belgian army (Brigade Piron) on 25 August 1944.[1] and the Canadian army without any combat. en.normandie-tourisme.fr/articles/honfleur-278-2.html
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All images are available as limited edition signed prints, please email vulturelabs@gmail.com
A midnight shoot in Vik southern Iceland. Just perfect conditions. Think we finished up at 5am this morning
My next upcoming B&W long exposure photography workshop will take place in London on the 29th and 30th of August, Please email vulturelabs@gmail.com for more information
Also if you want to attend a long exposure workshop in Iceland during September, please drop me an email, places are extremely limited.
Finally, post processing workshops will be available from August, learn Lightroom CC, Photoshop CC, DXO Optics Pro 10, Silver Efex Pro 2
Excerpt from english.cha.go.kr/html/HtmlPage.do?pg=/royal/RoyalPalaces...:
If one passes the garden at the rear of the Juhamnu Pavilion and walks down along the slope of the hill leading into the stairway, the person can find a square pond on the opposite side and a pavilion on the north bank of the pond. This is the Aeryeonjeong, which is composed of only 1 kan. Looking out of the windows of the pavilion, one can enjoy a wonderful view. It looks like just a framed picture, owing to the decorations attached to the upper part of the pillars. Of course, the mood of the picture depends on the season. In particular, the stone structure, through which water comes into the pond, is opposite excellent in beauty and technique of design.
el.godfootsteps.org/God-made-all-things-for-man.html
Βασιλεία του Θεού
I
Τα πάντα είναι αλληλένδετα,
αλληλοεξαρτώμενα,
έτσι, το περιβάλλον του ανθρώπου
είναι προστατευμένο.
Υπό την αρχή αυτή,
συνεχίζει κι επιβιώνει.
Σ’ αυτό το περιβάλλον,
ο άνθρωπος μπορεί ν’ αναπαραχθεί,
να ευδοκιμήσει.
Ο Θεός χρησιμοποιεί τον κανόνα αυτόν
για να διαφυλάξει τη ζωή των πάντων,
διασφαλίζοντας την ύπαρξή τους
με τις πράξεις Του τις θαυμαστές.
Με τον τρόπο αυτόν,
παρέχει για τα πάντα.
Και με τον ίδιο τρόπο,
παρέχει για όλη την ανθρωπότητα.
Ο Θεός δημιούργησε
τους ουρανούς, τη γη
και τα πάντα για την ανθρωπότητα.
Δημιούργησε το περιβάλλον
του ανθρώπου
κι έφτιαξε έναν εξαίσιο κόσμο.
Ο Θεός χρησιμοποιεί ό,τι δημιούργησε
για να προστατεύσει
και να διατηρήσει
το σπίτι της ανθρωπότητας
που Αυτός δημιούργησε.
Έτσι Αυτός παρέχει
για τα πάντα και τον άνθρωπο.
II
Ο Θεός είναι ο Άρχοντας
των κανόνων του σύμπαντος,
των κανόνων που διέπουν
την επιβίωση των πάντων.
Πράττει έτσι ώστε το σύμπαν
και τα πάντα να ζουν αρμονικά,
ώστε να μην χαθούν
ή ξαφνικά να εξαφανιστούν.
Αυτό γίνεται ώστε ο άνθρωπος
να μπορεί να υπάρχει
και να ζει σ’ αυτό το περιβάλλον
υπό την ηγεσία του Θεού.
Οι κανόνες που διέπουνε τα πάντα
βρίσκονται υπό την εξουσία Του
κι η ανθρωπότητα δεν μπορεί
να επέμβει επάνω τους
ή να τους αλλάξει.
Μόνο ο Θεός, μόνο Αυτός
γνωρίζει αυτούς τους νόμους.
Μόνο ο Θεός, μόνο Αυτός,
τους ελέγχει από ψηλά.
Ο Θεός δημιούργησε
τους ουρανούς, τη γη
και τα πάντα για την ανθρωπότητα.
Δημιούργησε το περιβάλλον
του ανθρώπου
κι έφτιαξε έναν εξαίσιο κόσμο.
Ο Θεός χρησιμοποιεί ό,τι δημιούργησε
για να προστατεύσει
και να διατηρήσει
το σπίτι της ανθρωπότητας
που Αυτός δημιούργησε.
Έτσι Αυτός παρέχει
για τα πάντα και τον άνθρωπο.
III
Καθετί ζωντανό διέπεται
απ' το θεϊκό κανόνα Του.
Σε καθετί ζωντανό δόθηκε ζωή
όταν το δημιούργησε ο Θεός.
Η ζωή που του έδωσε ο Θεός,
ακολουθεί τους δικούς
της νόμους επιβίωσης.
Δεν χρειάζεται καμιά μεταβολή
ούτε βοήθεια από τον άνθρωπο,
αφού έτσι ο Θεός παρέχει
για τα πάντα.
Ο Θεός δημιούργησε
τους ουρανούς, τη γη
και τα πάντα για την ανθρωπότητα.
Δημιούργησε το περιβάλλον
του ανθρώπου
κι έφτιαξε έναν εξαίσιο κόσμο.
Ο Θεός χρησιμοποιεί ό,τι δημιούργησε
για να προστατεύσει
και να διατηρήσει
το σπίτι της ανθρωπότητας
που Αυτός δημιούργησε.
Έτσι Αυτός παρέχει για τα πάντα,
έτσι Αυτός παρέχει για τα πάντα,
έτσι Αυτός παρέχει
για τα πάντα και τον άνθρωπο.
από το βιβλίο «Ο Λόγος Ενσαρκώνεται»
Ύμνοι
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
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Excerpt from www.amo.gov.hk/en/historic-buildings/monuments/hong-kong-...:
Tung Wah Coffin Home
Situated on Sandy Bay Road, Tung Wah Coffin Home was established in 1899. It is believed that the predecessor of Tung Wah Coffin Home was a coffin home near the slaughter house in Kennedy Town, which was established in 1875 with funds from the Man Mo Temple in Sheung Wan. Its management was later handed over to Tung Wah Hospital. In 1899, Tung Wah Coffin Home was officially named when a plot of land in Sandy Bay was granted by the Government for rebuilding the coffin home.
Taking advantage of Hong Kong’s entrepot status, its geographic location at the doorway to mainland China, and the close connections of Tung Wah Hospital’s board members with overseas organisations and global business network, the coffin home was able to provide a repatriation service for those deceased abroad by providing a temporary depository at the coffin home, from where the deceased could then be returned to their birth place for burial. This service eventually allowed the coffin home became the centre of a global charity hub during the last century.
Tung Wah Coffin Home now consists two halls, 72 rooms, gateways, pavilion and gardens built in different periods. Its buildings reflect a variety of architectural styles, ranging from traditional Chinese vernacular architecture to modern Western-style elements, and others that are a hybrid of both. Tung Wah Coffin Home underwent a large scale restoration project between 2003 and 2004, with a view to restore the coffin home’s elements to their original architectural styles. The restoration project won the Award of Merit in the 2005 UNESCO Asia-Pacific Heritage Awards and the Award of Honor in the Heritage Preservation and Conservation Awards offered by the Antiquities and Monuments Office in the same year.
Tung Wah Coffin Home was declared a monument in 2020.
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Bastet was also referred to by the following titles: “The Lady of the East” due to her protective nature, “The Female Devourer” based on the meaning of her name and “the Tearer” due to her destructive second nature.
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HAIR: [monso] Belinda Hair
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Fantasy set is rigged for Freya, hourglass, Isis, Legacy, Maitreya and Venus and comes in single colors or fatpack.
Captive sleeves and choker is rigged for Freya, Isis, Venus, Hourglass, Legacy & Maitreya and comes in single colors or fatpack.
Angelica boots are rigged for Freya, Legacy, Maitreya and Petite. These boots come with color change HUD with lots of colors and patterns and you can change multiple parts of the boots. Love these!
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Excerpt from www.mtr.com.hk/en/customer/community/art_archi_wanchai.html:
Art in station architecture
Artwork Title:
This is Wan Chai
Artist Name:
Jevan Chowdhury
Location:
Wan Chai Station
Artwork Completion Date:
March 2020
Concept:
“This is Wan Chai” is an observation of the theatrical stage that everyday life presents, as seen through the lens of magical realism. Images of Wan Chai’s iconic heritage are enriched by the performances of over 40 principal, soloist, coryphée and corps de ballet dancers from the Hong Kong Ballet as well as members of the public. Spanning a length of approximately 150 metres, the artwork reimagines and reinvents the station as a public space at the heart of the local community. In this way, the station is transformed into a living stage of choreographed street scenes that commuters play their part in as they pass through.
“This is Wan Chai” is part of the “Moving Cities” series. Commissioned by MTR Corporation and jointly initiated with Hong Kong Design Centre, it was made in collaboration with Hong Kong Ballet, Treacle Media, UK’s Department for International Trade and Conran + Partners. Moving Cities is part of an on-going global inventory of film and photographic work in which world cities are transcribed through dance.
so I figured ya know what I need a legit excuse to upload this
I was tagged a few times so here are ten things that, without fail, will make me a little bit happier
If I tagged you then you should let me know ten little things that make your day better :]
1. harry potter references
2. picking up a film roll
3. a really great pun
4. finding money in my pocket
5. a really relaxing hot bath
6. movie theatre popcorn
7. stumbling on people with accents
8. finishing a great book
9. perfect hair days without effort
10. blasting music in the car
A la point du Brusc .
Dans les années 70, la grande ile était devenue un camping sauvage géant, alors que la petite ile servait de parking. Heureusement, le grand Gaou a été rendu à la nature, il y a maintenant 30 ans. Plus récemment, le petit Gaou est aussi devenu zone protégé et on n’y vient plus en voiture. Plusieurs parkings ont été aménagés entre la pointe du Brusc et le Gaou, alors que juste avant le pont qui mène à la petite ile, un jardin paysager avec des bancs, permet de profiter de la mer, face aux iles. Il y a aussi des jeux de boules, des sanitaires, des tables à pique-nique et un petit restaurant, Le Vénus du Gaou, ouvert uniquement en période estivale, qui a remplacé l’ancien ‘Royaume de la Bouillabaisse’, situé au petit Gaou et qui a fermé.
In of Brusc.
In the 70s, the big island had become a huge wilderness camping, while the small island served as parking lot. Fortunately, big Gaou was returned to the nature, now 30 years ago. More recently, small Gaou also became zone protégé and we do not come there any more by car. Several parking lots were fitted out between the point(headland) of Brusc and Gaou, while just before the bridge(deck) which leads to the small island, the landscaped garden with benches, allows to take advantage of the sea, in front of the islands. There are also games of bowls, toilets, tables with picnic and small restaurant, Venus of Gaou, opened only in summer, which replaced the former(old) ' Kingdom of the Fish soup ', placed to small Gaou and which closed.
Le reste ici : www.var-loc.net/actualite/six-fours-tourisme-le-gaou-une-...
Excerpt from www.mtr.com.hk/en/customer/community/art_archi_hku_our_me...:
Art in station architecture
Artwork Title:
Our Memories of the Western District - HKU
Artist Name:
Photo winners from local community and MTR Corporation (Hong Kong)
Artwork Location:
HKU Station - Concourse
Form of Artwork:
Digital Printing on Glass
Artwork Completion Date:
December 2014
Artist's Concept:
The photographic competition entitled "Our Memories of the Western District" was the inaugural activity of the West Island Line Community Art Programme. Unique images of the HKU area were captured by local residents and the winning photographs from the champion, 1st runner-up, 2nd runner-up and merit award recipients were selected as the theme images for use in HKU Station. These photographic images were then pixelated using thousands of images collected from the community and then combined with monochrome graphics to create a panoramic collage, reflecting the uniqueness and culture of Western District with traditional buildings and daily life of the local community.
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Người đi ngang qua khiến cho tâm hồn này
Đang yên vui bỗng dưng bối rối
Ánh mắt ấy sao thơ ngây
Đôi môi cong thật nồng nàn
Chỉ muốn yêu em mà thôi
Lòng em lung lay chỉ mới khi gặp chàng
Con tim em dường như muốn nói
Bóng dáng ấy sao thân quen
Đi bên em thật nhẹ nhàng
Chỉ muốn bên anh mà thôi
Xin được một lần
Cùng em ta sánh bước bên nhau thật lâu
Xin được một lần
Kề vai nhau ngắm ánh sao trên đường vắng
Những phút ấy sao trôi qua thật vội vàng
Xin thời gian đừng trôi quá nhanh
Chỉ cần một phút được ngồi bên em
Chỉ cần một phút ôm em vào lòng
Chỉ thế thôi, là khiến cho anh vui lắm rồi
Chỉ cần một phút được cầm tay nhau
Mình cùng nguyện ước thề nguyền trăng sao
Người ơi...tim anh đang thuộc về em
Chỉ cần một phút được nhìn anh yêu
Là niềm hạnh phúc trong em thật nhiều
Người biết không, em chờ phút giây đã lâu lắm rồi
Chỉ còn một phút ở lại bên nhau
Hãy cùng nguyện ước hẹn thề mai sau
Người ơi...tim ta sẽ hoài có nhau
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2511 - Thank you for everything
8 days happiness :] :x
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Butterfly Garden of Wisconsin
www.butterflygardensofwisconsin.com/Butterfly_Gardens_of_...
Appleton is a city in Outagamie (mostly), Calumet, and Winnebago counties in the U.S. state of Wisconsin. One of the Fox Cities, it is situated on the Fox River, 30 miles (48 km) southwest of Green Bay and 100 miles (160 km) north of Milwaukee. Appleton is the county seat of Outagamie County. The population was 72,623 at the 2010 census. Of this figure, 60,045 resided in Outagamie County, 11,088 in Calumet County, and 1,490 in Winnebago County. Appleton is the principal city of the Appleton, Wisconsin Metropolitan Statistical Area, which is included in the Appleton-Oshkosh-Neenah, Wisconsin Combined Statistical Area. Appleton is home to the two tallest buildings in Outagamie County, the Zuelke Building and the 222 Building, at 168 and 183 feet, respectively. Appleton serves as the heart of the Fox River Valley, and is home to the Fox Cities Exhibition Center, Fox Cities Performing Arts Center, Fox River Mall, Neuroscience Group Field at Fox Cities Stadium, Appleton International Airport, and the Valley's two major hospitals: St. Elizabeth Hospital and ThedaCare Regional Medical Center–Appleton (better known as "Appleton Medical Center"). It also hosts a large number of regional events such as its Flag Day parade, Memorial Day parade, Christmas parade, Octoberfest, Mile of Music, and others.
Excerpt from miyajima.or.jp/english/spot/spot_other.html:
Designated as a National Important Cultural Property on August 29, 1910
Hokoku Shrine is dedicated to the warlord Toyotomi Hideyoshi (one of the three unifiers of Japan in the 16th century) and his loyal aid Kato Kiyomasa. The reason for building this structure is clearly stated in a letter by Ankokuji Ekei, head monk of Ankokuji Temple. In 1587, Ekei asked Daiganji Temple, the temple in charge of construction and repair work in Miyajima including Itsukushima Shrine, to build a Buddhist library in which the chanting of Senbu-kyo sutras could be held every month. As there is no board ceiling or outer gate, it is believed that the construction of the building was not completed.
Originally, Amida Buddha and two subordinate Buddhist saints, Anan and Kasho-sonja, were enshrined in the Buddhist altar until the early Meiji era. Since that time, however, the altar has been used in Shinto rituals.
The building is called Senjokaku (Hall of One Thousand Tatami Mats), reflecting its standing as the largest structure on Miyajima Island. The shrine was a popular landmark in Miyajima where many people came to relax and cool themselves and to buy popular souvenirs such as tooth picks, and a variety of legends and traditions have been created here.
The fact that this structure, unique among the buildings belonging to Itsukushima Shrine, is unpainted and that its exact date of founding is recorded makes it a valuable gauge of the passage of time. The traces of weathering on its pillars and floor boards can be used to determine the approximate age of any other wooden structure on Miyajima.
A piece of wood used as a measuring device in the reconstruction work of the O-Torii in 1873 hangs on a pillar under the floor of the south part of the shrine. Countless votive picture tablets that had been hanging on the walls of Itsukushima Shrine buildings until the mid Meiji era decorate the walls inside the hall.
The shrine did not yet exist at the time of the Battle of Itsukushima in 1555 when the Mori clan defeated the Sue clan to unify the Chugoku region. The headquarters of the Sue clan was located on this hill, which was then called To-no-oka (Pagoda Hill). Starting in the Meiji era, the hill was developed through the establishment of stone steps, among other additions.
Excerpt from www.japan-experience.com/all-about-japan/miyajima/temples...:
Its bare appearance may not intrigue you at first. Only unfinished walls and a hundred pillars. Although the building is pretty, there is something missing. But once inside, look up: the gigantic ceiling is covered with a mosaic of paintings whose subjects are as varied as the styles and periods of implementation. Medieval battles, Buddhist representations, landscapes and animals in a modern style, the eye does not know where to turn.
el.kingdomsalvation.org/gospel.html
Ο Θεός λέει:« ...Ό,τι έχει δημιουργήσει ο Θεός, συμπεριλαμβανομένων εκείνων που κινούνται αλλά και εκείνων που είναι ακίνητα, όπως για παράδειγμα τα πτηνά και τα ψάρια κι όπως τα δέντρα και τα λουλούδια, συμπεριλαμβανομένων και των ζώων της φάρμας, των εντόμων και των αγρίων ζώων που έπλασε την έκτη ημέρα – ήταν όλα καλά με τον Θεό και επιπλέον, στα μάτια του Θεού, όλα αυτά, σύμφωνα με το σχέδιό Του, είχαν όλα φθάσει στο στάδιο της τελειότητας και ήταν στο επίπεδο που επιθυμούσε ο Θεός. Βήμα-βήμα ο Δημιουργός πραγματοποίησε το έργο που επιθυμούσε να κάνει, σύμφωνα με το σχέδιό Του. Το ένα μετά το άλλο, τα πράγματα που ήθελε να δημιουργήσει εμφανίστηκαν και η εμφάνιση του καθενός από αυτά ήταν η απεικόνιση της εξουσίας του Δημιουργού και η αποκρυστάλλωση της εξουσίας Του, και εξαιτίας αυτής της αποκρυστάλλωσης, όλα τα δημιουργήματά Του, δεν θα μπορούσαν παρά να είναι ευγνώμονα στη χάρη του Δημιουργού και στις παροχές Του. Καθώς οι θαυματουργές πράξεις του Θεού εκδηλώνονταν, αυτός ο κόσμος κομμάτι-κομμάτι γέμισε, με όλα αυτά που δημιούργησε ο Θεός κι άλλαξε από το χάος και το σκοτάδι κι έγινε καθαρό και φωτεινό κι από τη θανάσιμη ακινησία πέρασε στη ζωντάνια και την απεριόριστη ζωτικότητα.... »
από το βιβλίο «Ο Λόγος Ενσαρκώνεται»
το θέλημα του θεού
Mouche verte / Common green bottle fly
Lucilia sp. (Lucilia sericata ?)
spipoll.snv.jussieu.fr/mkey/mkey-spipoll.html
aramel.free.fr/INSECTES15-50.shtml
The common green bottle fly (Lucilia sericata) is a blow fly found in most areas of the world, and the most well-known of the numerous green bottle fly species. It is 10–14 mm long, slightly larger than a house fly, and has brilliant, metallic, blue-green or golden coloration with black markings.
Medical importance
L. sericata has been of medical importance since 1826, when Meigen removed larvae from the eyes and facial cavities of a human patient. L. sericata has shown promise in three separate clinical approaches. First, larvae have been shown to debride wounds with extremely low probability of myiasis upon clinical application. Larval secretions have been shown to help in tissue regeneration. Basically, L. sericata larvae can be used as biosurgery agents in cases where antibiotics and surgery are impractical.
en.wikipedia.org/wiki/Common_green_bottle_fly#Medical_imp...
La mouche verte commune (Lucilia sericata) est une mouche commune dans le monde et la plus connue des nombreuses espèces de mouches vertes. De 10 à 14 mm de long, légèrement plus grande qu'une mouche domestique, elle présente une coloration brillante, métallique, bleu-verte ou dorée avec des marques noires.
Importance médicale
L. sericata a une importance médicale depuis 1826, lorsque Meigen a retiré les larves des yeux et des cavités faciales d'un patient humain. L. sericata s'est montré prometteuse dans trois approches cliniques distinctes. Premièrement, il a été démontré que les larves corrigent les plaies avec une probabilité extrêmement faible de myiasis lors d’une application clinique. Il a été démontré que les sécrétions larvaires aident à la régénération des tissus. Fondamentalement, les larves de L. sericata peuvent être utilisées comme agents de biochirurgie dans les cas où les antibiotiques et la chirurgie ne sont pas employables.
Location: Village of Suban, Rejang Lebong district, Bengkulu province - Indonesia.
Read more about Suban at virtualadrian.blogspot.com/2013/04/suban-hot-springs.html
#suban #airpanassuban #subanhotspring