View allAll Photos Tagged HTML,

sw.kingdomsalvation.org/testimonies/the-never-quenching-l...?

 

Nguvu ya Maisha Ambayo Haiwezi Kuzimwa Kamwe

Dong Mei, Mkoa wa Henan

 

Mimi ni mtu wa kawaida. Niliishi maisha ya kawaida. Kama wengi wanaotamani sana mwanga, nilijaribu njia nyingi kutafuta maana ya kweli ya uwepo wa wanadamu, nikijaribu kuyapa maisha yangu umuhimu zaidi. Mwishowe, juhudi zangu zote zilikuwa bure. Lakini baada ya kuwa na bahati ya kutosha kukubali kazi ya Mwenyezi Mungu ya siku za mwisho, mabadiliko ya muujiza yalitokea katika maisha yangu. Yalileta rangi zaidi katika maisha yangu, na nilikuja kuelewa kwamba ni Mungu pekee ni Mtoa wa kweli wa roho na maisha ya wanadamu. Nilikuwa na furaha kwamba hatimaye nilikuwa nimepata njia sahihi ya maisha. Hata hivyo, huku nikitekeleza wajibu wangu wakati mmoja nilikamatwa kiharamu na kuteswa kikatili na serikali ya CCP. Kutoka kwa hili, safari ya maisha yangu ilipata uzoefu ambao kamwe sitasahau …

Siku moja mnamo Desemba 2011 takribani saa moja asubuhi, mimi na kiongozi mwingine wa kanisa ulikuwa tukitekeleza hesabu ya mali ya kanisa wakati zaidi ya maafisa kumi wa polisi ghafla waliingia. Mmoja wa hawa polisi waovu alitukurupia na kusema kwa kelele: “Msisonge!” Baada ya kuona kilichokuwa kikitokea, kichwa changu kilishtuka. Kisha, polisi waovu walituchunguza kama magaidi waliokuwa wakitekeleza wizi. Pia walipekua kila chumba, walivigeuza shelabela kwa haraka sana. Mwishowe, walipata mali fulani ya kanisa, kadi tatu za benki, risiti za kuweka pesa, kompyuta, simu za rununu, na kadhalika. Waliyachukua yote ngawira, na kisha walituchukua sisi wanne kwa kituo cha polisi.

Alasiri, polisi waovu waliwaleta ndani dada wengine watatu ambao walikuwa wamewakamata. Walitufungia sisi saba katika chumba na hawakuacha tuzungumze, wala hawakuturuhusu tulale usiku ulipofika. Baada ya kuona dada wakifungiwa ndani na mimi, na kufikiri kuhusu ni kiasi gani cha pesa ambacho kanisa lilipoteza, nilikuwa nimezuzuliwa na wasiwasi. Yote ambayo ningefanya ni kuomba kwa dharura kwa Mungu: Ee Mungu! Huku nikikabiliwa na hali ya aina hii, sijui la kufanya. Tafadhali linda moyo wangu na kuufanya mtulivu. Baada ya kuomba, nilifikiri maneno ya Mungu: “Usiogope, mambo kama haya yanapotendeka kanisani, yote yanaruhusiwa na Mimi. Simama na kuzungumza kwa niaba Yangu. Kuwa na imani kwamba mambo na masuala yote yanaruhusiwa na kiti Changu cha enzi na yote yana nia Zangu ndani yayo” (“Sura ya 41” ya Matamko ya Kristo Mwanzoni katika Neno Laonekana katika Mwili). “Unapaswa kujua kwamba vitu vyote vilivyo katika mazingira yanayo wazunguka vipo hapo kwa ruhusa Yangu, Mimi napanga yote. Oneni wazi na muridhishe moyo Wangu katika mazingira Niliyokupa” (“Sura ya 26” ya Matamko ya Kristo Mwanzoni katika Neno Laonekana katika Mwili). Maneno ya Mungu yalizima hofu kubwa moyoni mwangu. Nilitambua kwamba, leo, hii hali imenipata kwa ruhusa ya Mungu, na kwamba wakati ulikuwa umewadia ambapo Mungu alitaka nimshuhudie. Baada ya kuelewa mapenzi ya Mungu, nilimwomba Mungu na kusema: “Ee Mungu! Nataka kutii utaratibu na mipango Yako na kusimama imara katika ushuhuda Kwako—lakini mimi ni wa kimo kidogo, na naomba kwamba Unipe imani na nguvu, na kunilinda katika kusimama imara.”

Asubuhi iliyofuata, walitutenga na kutuhoji. “Najua wewe ni kiongozi wa kanisa. Tumekuwa tukiwafuatia ninyi watu kwa miezi mitano,” alisema mmoja wa polisi waovu kwa maringo. Nilipomsikia akieleza kwa utondoti kila kitu ambacho walikuwa wamefanya kunifuatia, nilitetemeka kwaa woga. Katika akili yangu, nilifikiri, serikali ya CCP kweli inaweka matayarisho mengi katika kutukamata. Kwa kuwa tayari wanajua mimi ni kiongozi wa kanisa, hakuna jinsi wataniacha niende. Mara moja niliweka azimio langu mbele ya Mungu: Afadhali nife badala ya kumsaliti Mungu na kuwa Yuda. Baada ya kuona kuwa kuhoji kwao hakukuwa kunazaa matunda yoyote, walimpa mtu kazi ya kunitazama na kutoniacha nilale.

Katika siku ya tatu ya mahojiano, mkuu wa polisi waovu aliwasha kompyuta na kunifanya nisome taarifa zilizomsingizia Mungu. Kwa kuona kwamba sikuguswa, baada ya hapo alinihoji kwa makini kuhusu fedha za kanisa. Niligeuza kichwa changu kwa upande mmoja na kumpuuza. Hili lilimfanya kukasirika sana na alianza kutukana. “Haijalishi usiposema lolote—tunaweza kukuzuia bila mwisho, na kukutesa wakati wowote ule tunaotaka,” alinitisha kwa ukali. Katikati ya usiku huo, polisi walianza mateso yao. Walivuta mkono wangu mmoja nyuma ya bega langu na mwingine juu kutoka kwa mgongo wangu. Walifinya mgongo wangu na miguu yao, kwa nguvu walitia pingu vifundo pamoja. Ilikuwa uchungu sana kiasi kwamba nilipiga yowe kwa maumivu—mifupa na nyama katika mabega yangu zilihizi kana kwamba zingepasuka. Ningeweza tu kupiga magoti bila kusonga na kichwa changu kikiwa sakafuni. Nilifikiri mayowe yangu yangewafanya watulize makali kwangu, lakini badala yake waliweka kikombe cha chai kati ya pingu na mgongo wangu, jambo ambalo lilizidisha tena maumivu. Mifupa katika mwili wangu wa juu ilihisi kana kwamba ilikuwa imevunjwa nusu. Nilihisi uchungu sana hivi kwamba sikuthubutu kupumua nje na jasho baridi ilitiririka usoni pangu. Punde tu nilipohisi kwamba singevumilia uchungu tena, mmoja wa polisi waovu alichukua fursa hii kuniambia: “Tupe tu jina na tutakuachilia uende mara moja.” Wakati huo, nilimwita Mungu aulinde moyo wangu. Mara moja nilifikiria wimbo: “Mungu katika mwili, Anateseka, napaswa kuteseka kiasi gani zaidi? Ikiwa ningekubali giza, ningemwonaje Mungu? Ningewezaje kukuacha kutafuta unaodaiwa kuwa uhuru? Afadhali niteseke ili kufidia moyo Wako unaohuzunika” (“Kusubiri Habari Njema za Mungu” katika Mfuateni Mwanakondoo na Kuimba Nyimbo Mpya). “Ndiyo,” Nilifikiria. “Kristo ndiye Mungu mtakatifu na mwenye haki. Alipata mwili na kuja duniani kuleta wokovu kwa wanadamu waliopotoka kwa kina. Kwa muda fulani sasa, Amekiwa akiteswa na kuwindwa na serikali ya CCP na amepingwa na kushutumiwa na wanadamu. Haikumpasa Mungu kuteseka kwa njia hii, lakini Anavumilia haya yote ili kutuokoa.” Kwa hivyo, baada ya kutafakari, niliona kwamba nilikuwa nikiteseka sasa ili kupata wokovu—napaswa kupitia mateso haya. Iwapo ningekubali kushindwa na Shetani kwa sababu singeweza kuvumilia uchungu, ningewezaje kukabiliana na Mungu wakati wowote tena? Kufikiri hili kulinipa nguvu, na nikakua mgumu mara nyingine tena. Polisi waovu walinitesa kwa takriban saa moja. Walipoondoa pingu, mwili wangu mzima ulianguka bila nguvu sakafuni. “Usipoongea tutafanya hilo tena!” walinipigia kelele. Niliwatazama na kutosema chochote. Moyo wangu ulijawa na chuki kwa polisi hawa waovu. Mmoja wa polisi waovu alisonga mbele kutia pingu tena. Huku nikifikiri uchungu mkali sana ambao nilikuwa nimeupita karibuni, niliendelea kumwomba Mungu moyoni mwangu. Kwa mshangao wangu, alipojaribu kuvuta mikono yangu nyuma ya mgongo wangu hangeweza kuisogeza. Haikuwa uchungu sana, pia. Alikuwa akijaribu kwa nguvu sana hivi kwamba kichwa chake chote kilikuwa kimejaa jasho—lakini bado hangeweza kutia pingu. “Una nguvu mwingi!” alitweta kwa hasira. Nilijua kwamba huyu alikuwa Mungu akinijali, kwamba Mungu alikuwa akinipa nguvu. Shukrani iwe kwa Mungu!

Kufika alfajiri kulikuwa vigumu. Bado nilikuwa na kiwewe nilipofikiri nyuma jinsi polisi waovu walikuwa wamenitesa. Pia walinitisha, wakiniambia kwamba iwapo singesema chochote, wangelazimika kunipeleka ndani sana ya milimani na kuniua. Baadaye, walipokamata waumini wengine, wangesema nililisaliti kanisa—wangechafua jina langu, na kuwafanya ndugu wengine wa kanisa wanichukie na kunikana. Kufikiri hilo, moyo wangu ulizidiwa na mawimbi ya majonzi na kutojiweza. Nilijipata nikihisi mwoga na mnyonge. Akilini mwangu nilifikiri: Afadhali nife. Kwa njia hiyo sitakuwa Yuda na kumsaliti Mungu, wala sitakanwa na ndugu zangu. Pia nitaepuka uchungu wa mateso ya mwili. Kwa hivyo nilingoja hadi wakati ambapo polisi waovu waliokuwa wakinilinda hawakuwa wakitia makini na kuupiga kichwa changu kwa nguvu sana dhidi ya ukuta—lakini yote yaliyotokea ilikuwa kwamba kichwa changu kiliona kizunguzungu, sikufa. Wakati huo, maneno ya Mungu yalinipa nuru kutoka ndani: “Wengine wanapokuelewa vibaya, unaweza kumwomba Mungu na kusema: ‘Ee Mungu! Siombi kwamba wengine wanivumilie au kunitendea vyema, wala kwamba wanielewe au kunikubali. Naomba tu kwamba niweze kukupenda moyoni mwangu, kwamba niwe na uhakika moyoni mwangu, na kwamba dhamiri yangu ni safi. Siombi kwamba wengine wanisifu, au kuniheshimu, ninatafuta tu kukuridhisha kutoka moyoni mwangu’” (“Ni kwa Kupitia Usafishaji tu Ndiyo Mwanadamu Anaweza Kumpenda Mungu kwa Kweli” katika Neno Laonekana katika Mwili). Maneno ya Mungu yaliondoa huzuni kutoka kwa moyo wangu. Ndiyo. Mungu huona mioyo ya ndani kabisa ya watu. Iwapo polisi wakinisingizia, hata kama ndugu wengine kwa kweli wanielewe visivyo na kunikataa kwa sababu hawajui kile kilichotendeka kwa kweli, naamini kwamba nia za Mungu ni nzuri; Mungu anajaribu imani na upendo wangu Kwake, na napaswa kufuatilia kumfanya Mungu kuridhika. Baada ya kubaini njama janja za Shetani, ghafla nilihisi mwenye fedheha na aibu. Niliona kwamba imani yangu kwa Mungu ilikuwa ndogo sana. Sikuwa nimeweza kusimama imara baada ya kupitia uchungu kidogo, na nilikuwa nimefikiri kutoroka na kuepuke mipango ya Mungu kupitia kifo. Lengo la polisi waovu katika kuzungumza maneno haya ya tishio lilikuwa kunifanya nimkane Mungu. Na isingekuwa ulinzi wa Mungu, ningedanganywa na njama zao janja. Nilipokuwa nikitafakari maneno ya Mungu, moyo wangu ulijawa na mwanga. Sikutaka tena kufa, ila kuishi maisha mazuri, na kutumia kile ambacho kweli niliishi kwa kudhihirisha kumshuhudia Mungu na kumletea Shetani aibu.

Polisi hao wawili waovu waliopewa kazi ya kunilinda waliuliza mbona nilikuwa nimegongesha kichwa changu dhidi ya ukuta. Nilisema kwa sababu polisi hao wengine walikuwa wamenipiga. “Kimsingi tunafanya kazi kupitia elimu. Usijali—sitawaacha wakupige tena,” mmoja wao alisema kwa tabasamu. Baada ya kusikia maneno yake ya faraja, nilifikiri: Hawa watu wawili si wabaya; tangu nikamatwe wamekuwa wazuri kabisa kwangu. Kwa hilo, nililegeza tahadhari yangu. Lakini wakati huo, maneno ya Mungu yalikuja ghafla moyoni mwangu: “Nyakati zote, watu Wangu wanapaswa kujihadhari dhidi ya hila danganyifu za Shetani, walinde lango la nyumba Yangu kwa ajili Yangu, … kitu ambacho kitawazuia kuingia katika mtego wa Shetani, wakati mtakapokuwa na majuto ya kuchelewa sana” (“Sura ya 3” ya Maneno ya Mungu kwa Ulimwengu Mzima katika Neno Laonekana katika Mwili). Maneno ya Mungu yalinipa kumbusho la wakati wa kufaa, yakinionyesha kwamba njama janja za ibilisi ni nyingi, na napaswa kuwa hadhari dhidi ya ibilisi hawa wakati wote. Sikutarajia hata kidogo kwamba punde wangefichua tabia zao halisi. Mmoja wa polisi waovu alianza kumkashifu Mungu, huku mwingine aliketi chini kando yangu alinipapasa mguu wangu, akinitazama kwa jicho la husuda na kuuliza kuhusu fedha za kanisa. Jioni, alipoona kwamba nilikuwa nikisinzia, alianza kupapasa kifua changu. Baada ya kuona kwamba walikuwa wamefichua tabia yao halisi, nilijawa na hasira. Ni sasa tu nilipoona waliodhaniwa polisi wa watu walikuwa tu wahuni na wadhalimu. Haya yalikuwa mambo mabaya yenye kustahili dharau, ambayo wangeweza kufanya. Kama matokeo, niliweza tu kumwomba Mungu kwa dharura ili anilinde kutokana na madhara yao.

Katika siku kadhaa zilizofuata, polisi waovu hawakunihoji tu kwa makini kuhusu kanisa, lakini pia walichukua zamu kunitazama ili kwamba nisilale. Baadaye, walipoona jinsi sikuwa nimewapa chochote, polisi hao wawili waovu waliokuwa wakinihoji walizidi kwa ghadhabu. Mmoja wao alinishambulia vikali, akinizaba kofi usoni, akinipiga kwa vishindo mara kadhaa. Uso wangu uliwasha, ulianza kuvimba, na mwishowe ukawa wenye ganzi sana kiasi kwamba singehisi chochote. Kwa sababu maswali yao hayakuwa yamezaa matunda yoyote kutoka kwangu, jioni moja mkuu wa polisi waovu alinipigia unyende na kusema, “Unahitaji kuanza kufungua mdomo wako. Unajaribu subira yangu—siamini kwamba hakuna chochote tunaweza kufanya na wewe. Nimekutana na watu wengi wagumu zaidi kukuliko. Tusipokuwa wakali kwako, hutatii katu!!” Alitoa amri na polisi waovu kadhaa walianza kunitesa. Jioni, chumba cha mahojiano kilikuwa cha huzuni na cha kuogofya—nilihisi kana kwamba nilikuwa jahanamu. Walinifanya nichutame sakafuni na kufunga mikono yangu katikati ya magoti na miguu yangu. Kisha, waliingiza kifimbo cha mbao katikati ya mapindi ya mikono yangu na nyuma ya magoti yangu, wakilazimisha mwili wangu wote kupinda juu. Kisha walikiinua kifimbo na kukiweka katikati ya meza mbili, wakiuacha mwili wangu wote ukining’inia hewani na kichwa changu kikiwa juu chini. Punde waliponiinua juu, kichwa changu kilipata kizunguzungu na niliona vigumu kupumua. Ilihisi kana kwamba nilikuwa nikisongwa. Kwa sababu nilikuwa nilining’inishwa hewani juu chini uzito wangu wote ulikuwa ukiangukia vifundo vyangu. Mwanzoni, ili kukomesha pingu kuukata mwili wangu, nilifumbata mikono yangu pamoja kwa kukaza, nikaupinda mwili wangu, na kujaribu kwa nguvu kadiri nilivyoweza kubaki katika hali hiyo. Lakini nguvu yangu ilipungua polepole. Mikono yangu iliteleza kutoka kwa vifundo vya miguu hadi kwa magoti yangu, na pingu ilikata kwa kina katika mwili wangu, ikiniacha na uchungu mkubwa sana. Baada ya kuning’inia hivi kwa takribani nusu saa, ilihisi kana kwamba damu yote katika mwili wangu ilikuwa imejikusanya kichwani mwangu. Uvimbe mchungu katika kichwa changu na macho ulifanya yahisi kana kwamba yalikuwa karibu kulipuka. Makato ya kina yalikuwa yamechimbwa katika vifundo vyangu, na mikono yangu ilikuwa imevimba sana kiasi kwamba ilionekana kama mikate miwili. Nilihisi nilikuwa ukingoni mwa kifo. “Siwezi kuvumilia tena, niweke chini!” nilipaza sauti kwa kukata tamaa. “Hakuna anayeweza kukuokoa ila wewe mwenyewe. Tuambie tu jina na tutakuacha uteremke chini,” alisema mmoja wa polisi waovu kwa ukali. Mwishowe, waliona kwa kweli nilikuwa katika taabu na waliniweka chini. Walinilisha glukosi kiasi na kuanza kunihoji tena. Nililala bila nguvu kama matope ardhini, macho yangu yakifumbwa kwa kukaza, nikiwa siwatilii makini. Bila kutarajia, polisi waovu waliniinua hewani tena. Bila nguvu ya kushikilia kwa mikono yangu, sikuwa na lingine ila kuacha pingu ijitie ndani katika vifundo vyangu, makali yaliyochongoka yakikata mwili wangu. Wakati huo, ilikuwa uchungu sana nilitoa yowe la kuhuzunisha sana. Sikuwa na nguvu ya kuendelea kupigana na kupumua kwangu kulikuwa kumekua kwa kina kifupi sana. Ilionekana kana kwamba wakati ulikuwa umesimama. Nilihisi kwamba nilikuwa nikiyumbayumba ukingoni mwa kifo. Nilipofikiri kwamba wakati huu kweli ningekufa, nilitaka kumwambia Mungu maneno yaliyokuwa moyoni mwangu kabla ya maisha yangu kuisha: “Ee Mungu! Wakati huu, ambapo kweli niko ukingoni mwa kifo, nahisi woga— lakini hata kama kweli nikifa leo, bado nitasifu haki Yako. Ee Mungu! Katika safari yangu fupi ya maisha, nakushukuru kwa kunichagua nirudi nyumbani kutoka kwa dunia hii ya dhambi, kunizuia kuzurura, nikiwa nimepotea, na kuniruhusu kuishi milele katika kumbatio Lako kunjufu. Ee Mungu, nimefurahia upendo Wako sana—na ilhali sasa tu, wakati maisha yangu yako karibu kuisha, ndipo nagundua kwamba sijatunza upendo Wako. Nyakati nyingi nimekufanya kuwa na huzuni na masikitiko; mimi ni kama mtoto mjinga anayejua tu kufurahia upendo wa mama yake, ilhali hajawahi kufikiria kuulipiza. Sasa tu ambapo niko karibu kupoteza maisha yangu ndipo naelewa kwamba ni lazima nitunze upendo Wako, na ni sasa tu ndipo najuta kukosa nyakati nyingi nzuri. Sasa, ninachojuta zaidi ni kwamba sijaweza kukufanyia lolote na unanidai mengi sana, na kama bado naweza kuishi, kwa hakika nitafanya kila niwezalo kutekeleza wajibu wangu, kufidia kile Unachonidai. Wakati huu, naomba tu kwamba Unipe nguvu, kuniruhusu kutowahi tena kuogopa kifo, na kuwa mwenye nguvu katika kile ninachokabili….” Tone baada ya tone la machozi lilianguka kutoka kwa paji la uso wangu. Usiku ulikuwa kimya kiasi cha kuogofya. Sauti ya pekee ilikuwa saa kubwa ikipiga ta-ta, kana kwamba kuhesabu sekunde ambazo zilisalia za maisha yangu. Hapo ndipo kitu cha muujiza kilifanyika: Nilihisi kana kwamba mwanga wa jua wa vuguvugu ulikuwa ukiniangazia, na polepole niliacha kuhisi uchungu mwilini mwangu. Maneno ya Mungu nguruma akilini mwangu: “Tangu unapoingia katika dunia hii ukilia, unaanza kutekeleza wajibu wako. Kwa kuchukua jukumu lako katika mpango wa Mungu na katika utaratibu Wake, unaanza safari yako katika maisha. Licha ya asili yako na licha ya safari iliyoko mbele yako, hakuna kitakachoepuka mpango na utaratibu ambao mbingu imeunda, na hakuna aliye na udhibiti wa hatima yake mwenyewe, kwa maana yule Anayetawala kila kitu ndiye tu Aliye na uwezo wa kazi hiyo” (“Mungu Ndiye Chanzo cha Uhai wa Mwanadamu” katika Neno Laonekana katika Mwili). Ndiyo—Mungu ndiye chanzo cha maisha yangu, Mungu hutawala kudura yangu, na lazima nijiachilie mikononi mwa Mungu na kujiweka katika matumizi Yake. Kutafakari maneno ya Mungu kulinipa hisia ya kufurahisha, tulivu moyoni mwangu, kana kwamba nilikuwa nikijinyoosha katika kumbatio kunjufu la Mungu. Nilijipata nikilala. Wakiwa na woga kwamba ningekufa, polisi waovu waliniweka chini na kwa haraka walinipa glukosi kiasi na maji. Katika kukaribia kwangu kifo, nilikuwa nimetazama matendo ya muujiza ya Mungu.

Siku iliyofuata, polisi waovu walishinda jioni nzima wakiniinua juu tena na tena. Walinihoji kuhusu mahali ambapo pesa za risiti ambazo walikuwa wamechukua ngariwa zilikuwa. Wakati huo wote, sikusema chochote—ilhali bado hawakukata tamaa. Ili kupata pesa za kanisa, walitumia kila njia yenye kustahili dharau kunitesa. Wakati huo, maneno ya Mungu yalirudia rudia moyoni mwangu: “Maelfu ya miaka ya chuki ikiwa imejaa kifuani, milenia ya dhambi imeandikwa katika moyo—inawezekanaje hii isichochee chuki? Kumlipiza Mungu, kuuondoa kabisa uadui wake, usimwache kutangatanga tena, na usimruhusu kufanya fujo zaidi kama anavyotaka! Sasa ndio wakati: Mwanadamu ana muda mrefu tangu akusanye nguvu zake zote, amejitolea nguvu zake zote, amelipa kila gharama, kwa hili, kuchana uso uliojificha wa pepo hili na kuwafanya watu, ambao wamepofushwa na kuvumilia kila aina ya mateso na taabu, kuinuka kutoka katika maumivu na kurudi kwa ibilisi huyu wa zamani” (“Kazi na Kuingia (8)” katika Neno Laonekana katika Mwili). Maneno ya Mungu yalinipa nguvu na imani kubwa. Ningepigana hadi kufa na Shetani, na hata kama ningekufa, ningesimama imara katika ushuhuda wangu kwa Mungu. Nikitiwa msukumo na maneno ya Mungu, bila kujua nilisahau uchungu. Kwa njia hii, kila wakati waliniinua juu, maneno ya Mungu yalinitia msukumo na kunipa motisha, na hivyo kadiri walivyonibeba juu mara nyingi, ndivyo nilivyoweza kubaini asili yao zaidi—ambayo ilikuwa ya ibilisi waovu—na ndivyo azimio langu kusimama imara katika ushuhuda wangu na kumridhisha Mungu lilivyokuwa kubwa zaidi. Mwishowe, wote walichoshwa na mimi. “Watu wengi sana hawawezi kuvumilia kutundikwa hivi kwa nusu saa, lakini amevumilia wakati huu wote—kwa kweli yeye ni sugu!” Niliwasikia wakitoa mawazo. Kwa kusikia maneno haya, nilijawa na msisimko. Akilini mwangu, nilifikiri: Mungu msaada wangu, huwezi kunivunja moyo. Mbali na mateso ya mwili, wakati wa siku na usiku zangu tisa katika kituo cha polisi polisi waovu pia walininyima usingizi. Kila wakati nilipofunga macho yangu na kuanza kusinzia, wangepiga vifimbo vyao dhidi ya meza, au sivyo wangenifanya nisimame na kukimbia huku na kule, au sivyo kunipigia kelele tu, wakijaribu kunihuzunisha na kuvunja akili yangu. Baada ya siku tisa, wakiona kwamba hawakuwa wamefikia lengo lao, polisi bado hawakukata tamaa. Walinipeleka katika hoteli, ambapo walitia pingu mikono yangu mbele ya miguu yangu, kisha wakaingiza kifimbo cha mbao katikati ya mapindi ya mikono na miguu yangu, nikilazimika kuketi mwili wangu ukiwa umepinda juu sakafuni. Walinifanya nibaki katika hali hii nikiketi sakafuni kwa siku kadhaa zilizofuata, ambayo ilisababisha pingu kuukata mwili wangu. Mikono na vifundo vyangu vilivimba na kubadilika rangi kuwa zambarau, na kikalio changu kilihisi uchungu sana sikuthubutu kukisugua ama kukishika; ilihisi kama nilikuwa nikikalia sindano. Siku moja, mmoja wa viongozi wa polisi waovu, akiona kwamba mahojiano yangu hayakuwa yamezaa matunda, alitembea kunifikia akiwa amekasirika sana na kunizaba kofi kwa nguvu usoni—kwa nguvu kiasi cha kutosha kulegeza meno yangu mbili.

Mwishowe, wakuu wawili kutoka kwa Idara ya Usalama wa Umma ya Mkoa walikuja. Punde walipowasili, waliondoa pingu, wakanisaidia kwenda kwa kochi, na kunipa kikombe cha maji. “Umekuwa na wakati mgumu kwa siku chache zilizopita—lakini usilitilie moyoni, walikuwa wakifuata tu amri,” walisema kwa unafiki. Unafiki wao ulinifanya niwachukie sana kiasi kwamba nilisaga meno yangu. Pia kuwasha kompyuta na kunionyesha ushahidi usio kweli. Walisema maneno mengi ambayo yalishutumu na kufukuru dhidi ya Mungu. Moyoni mwangu, nilihisi kukasirishwa. Nilitaka kubishana nao, lakini nilijua kwamba kufanya hivyo kungewafanya tu kukufuru dhidi ya Mungu kwa wayowayo hata zaidi. Wakati huu, nilihisi kweli jinsi taabu aliyopitia Mungu mwenye mwili ilivyokuwa kubwa, na jinsi Mungu alivyovumilia fedheha nyingi kwa ajili ya kumwokoa mwanadamu. Kilicho zaidi, niliona uhafifu na kustahili dharau kwa ibilisi hawa waovu. Moyoni mwangu, kwa siri niliapa kwamba ningejiondoa kabisa kwa Shetani na milele kuwa mwaminifu kwa Mungu. Baadaye, bila kujali jinsi walivyojaribu kunidanganya, niliendelea kufunga mdomo wangu na sikusema chochote. Baada ya kuona kuwa maneno yao hayakuwa na athari yoyote, wakuu hao wawili waliondoka tu kwa hasira.

Katika kipindi cha siku na usiku kumi katika hoteli, waliendelea kunitia pingu, wakinifanya kuchuchumaa sakafuni nikishika miguu yangu. Nikikumbuka tangu nilipokamatwa, nilikuwa nimeishi siku na usiku kumi na tisa katika kituo cha polisi na hoteli. Ulinzi wa upendo wa Mungu ulikuwa umeniruhusu nilale kidogo, lakini polisi waovu hawakuwa wameniruhusu kulala wakati huo wote; ningefunga macho tu kwa muda na wangefanya chochote kilichohitajika kuniweka macho—kupiga meza, kunipiga teke kwa nguvu, kunipigia kelele, kuniamuru nikimbie huku na kule, na kadhalika. Kila wakati ningeshtuliwa, moyo wangu ungetwanga kifuani mwangu, na ningehisi woga sana. Hilo, likiongezwa kwa mateso ya mara kwa mara ya polisi waovu, na nguvu yangu iliishia kupunguka kabisa, mwili wangu wote ulikuwa umevimba na usiotulia, na niliona kila kitu vikiwa mbili mbili. Ningejua kulikuwa na watu mbele yangu wakiongea, lakini sauti ya milio yao ingeonekana kana kwamba ilikuwa ikitoka mbali sana. Zaidi ya hayo, mijibizo yangu ilianza kuwa ya polepole sana. Kwa mimi kustahimili hili kwa kiasi fulani kulikuwa yote kwa sababu ya nguvu kuu ya Mungu! Kama alivyosema Mungu: “Husababisha binadamu kuzaliwa upya, na kumwezesha kwa ushupavu kuishi kwa kila jukumu lake. Kwa sababu ya uwezo Wake, na nguvu ya maisha Yake yasiyopungua, binadamu ameishi kwa kizazi baada ya kizazi, ambapo nguvu ya uhai wa Mungu umekuwa uti wa mgongo wa kuwepo kwa binadamu, na ambayo Mungu amelipia gharama ambayo hakuna mtu wa kawaida amewahi kulipa. Nguvu za Mungu za maisha zinaweza kutawala juu ya nguvu zozote; zaidi ya hayo, inazidi mamlaka yoyote. Maisha Yake ni ya milele, nguvu zake za ajabu, na nguvu Zake za maisha si rahisi kuzidiwa na kiumbe yeyote au nguvu za adui” (“Ni Kristo Wa Siku za Mwisho Pekee Ndiye Anayeweza Kumpa Mwanadamu Njia ya Uzima wa Milele” katika Neno Laonekana katika Mwili). Moyoni mwangu, nilitoa shukrani na sifa ya uaminifu kwa Mungu: Ee Mungu! Unatawala vitu vyote, matendo Yako ni yasiyokadirika, Wewe pekee ni mwenyezi, Wewe ni nguvu ya maisha isiyozimika, Wewe ni chemichemi ya maji hai kwa maisha yangu. Katika hali hii maalum, nimetazama nguvu Yako maalum na mamlaka. Mwishowe, polisi waovu hawakupata majibu kwa maswali yao kutoka kwangu, na walinituma hadi katika kituo cha kuzuia.

Njiani kuelekea katika kituo cha kuzuia, polisi wawili waliniambia: “Umefanya vizuri sana. Ninyi watu huenda mkawa katika kituo cha kuzuia, lakini ninyi ni watu wazuri. Kuna aina nyingi hapo: wauza madawa, wauaji, malaya—utaona utakapowasili.” “Kwa kuwa unajua sisi ni watu wazuri, mbona mnatukamata? Je, serikali haiongei kuhusu uhuru wa dini?” niliuliza. “Hiyo ni Chama cha Kikomunisti inawadanganya. Chama hicho hutupa riziki yetu, kwa hivyo lazima tufanye kinachosema. Hatuna chuki kwako ama kuwa na kitu chochote dhidi yako. Tulikukamata tu kwa sababu unamwamini Mungu,” mmoja wa polisi alisema. Baada ya kusikia hili, nilikumbuka kila kitu nilichokuwa nimepitia. Singeweza kuzuia kukumbuka maneno ya Mungu: “Uhuru wa dini? Haki halali na matakwa ya wananchi? Zote hizo ni njama za kufunika dhambi!” (“Kazi na Kuingia (8)” katika Neno Laonekana katika Mwili). Maneno ya Mungu yaliulenga kiini cha suala, yakiniruhusu kuona kwa kweli sura ya kweli ya serikali ya CCP na jinsi inavyojaribu kupata heshima ambayo haistahili; kwa juu juu, inapeperusha bendera ya uhuru wa dini, lakini kwa siri inakamata, kukandamiza, na kushambulia wale wanaomwamini Mungu pande zote za nchi, katika tumaini bure la kupiga marufuku kazi ya Mungu, na pia inapora pesa za kanisa bila aibu,yote ambayo huweka wazi asili yake ya kishetani inayomchukia Mungu na kuchukia ukweli.

Nikiwa katika kituo cha kuzuia, kulikuwa na nyakati ambapo nilikuwa dhaifu na katika maumivu. Lakini maneno ya Mungu yaliendelea kunipa moyo, kunipa nguvu na imani, kuniruhusu kuelewa kwamba ingawa Shetani alikuwa ameniondolea uhuru wa mwili, mateso yalikuwa yameniongeza, yakinifundisha kumtegemea Mungu wakati wa mateso ya hao ibilisi waovu, kuniruhusu kuelewa maana ya kweli ya ukweli mwingi, kuona thamani ya ukweli, na kuongeza azimio langu na motisha ya kufuatilia ukweli. Nilikuwa tayari kuendelea kumtii Mungu, na kupitia yote ambayo Mungu alikuwa amenipangia. Kama matokeo, nilipokuwa nikifanya kazi katika kituo cha kuzuia, niliimba nyimbo na kwa kimya nilifikiri kuhusu upendo wa Mungu. Nilihisi kwamba moyo wangu ulikuwa umekuja karibu na Mungu, na sikuona tena siku zikiwa chungu ama za kudhikisha sana.

Wakati wa kipindi hiki, polisi waovu walinihoji mara mingi zaidi. Nilimshukuru Mungu kwa kuniongoza katika kushinda mateso yao mara kwa mara tena. Baadaye polisi waovu waliondoa pesa zote kutoka kwa kadi zangu tatu za benki. Kutazama bila kujiweza peza za kanisa zikichukuliwa na polisi waovu kuliuvunja moyo wangu. Moyo wangu ulijawa na chuki kwa hili kundi lafi, ovu la ibilisi, na nilitamani sana ufalme wa Kristo kuwasili punde. Mwishowe, licha ya kutokuwa na ushahidi wowote, walinihukumu mwaka mmoja na miezi mitatu ya kuelimishwa tena kupitia kazi kwa ajili ya “kuvuruga utulivu wa umma.”

Baada ya kuteswa kikatili na serikali ya CCP, kwa kweli nilikuwa nimeonja upendo na wokovu wa Mungu kwangu, na nilikuja kufahamu ukuu na uweza wa Mungu na matendo Yake ya muujiza, nilikuwa nimeona mamlaka na nguvu ya maneno ya Mungu. Aidha kwa kweli nilikuwa nimemdharau Shetani. Katika kipindi hicho cha mateso, maneno ya Mungu yalikuwa yameandamana na mimi kupitia mchana na usiku za kudhikisha, maneno ya Mungu yalikuwa yameniruhusu kubaini njama janja za Shetani na kutoa ulinzi wa wakati wa kufaa. Maneno ya Mungu yalikuwa yamenifanya kuwa mwenye nguvu na ujasiri, yakiniruhusu kushinda mateso yao katili mara kwa mara tena. Maneno ya Mungu yalikuwa yamenipa nguvu na imani, yalikuwa yamenipa ujasiri wa kupigana na Shetani hadi mwisho kabisa…. Shukrani ziwe kwa Mungu! Mwenyezi Mungu ndiye ukweli, njia na uzima! Daima nitamfuata Mwenyezi Mungu hadi mwisho kabisa!

 

Image Source: Kanisa la Mwenyezi Mungu

 

Terms of Use: sw.kingdomsalvation.org/disclaimer.html

 

el.kingdomsalvation.org/gospel/God-s-incarnation-6.html

 

Σχετικά λόγια του Θεού:

 

« Η σωτηρία του ανθρώπου από τον Θεό δεν επιτελείται απευθείας μέσω του Πνεύματος ή ως Πνεύμα, διότι το Πνεύμα Του δεν μπορεί ούτε να το αγγίξει ούτε να το δει ο άνθρωπος και δεν μπορεί να το προσεγγίσει ο άνθρωπος. Αν προσπαθούσε να σώσει τον άνθρωπο άμεσα μέσω του Πνεύματος, ο άνθρωπος δεν θα ήταν σε θέση να λάβει τη σωτηρία Του. Και αν δεν ήταν ο Θεός που ενδύθηκε την εξωτερική μορφή ενός δημιουργημένου ανθρώπου, δεν θα ήταν σε θέση να λάβει αυτή τη σωτηρία. Γιατί ο άνθρωπος δεν μπορεί με κανέναν τρόπο να τον πλησιάσει, όπως όταν δεν μπορούσε κανείς να πλησιάσει το σύννεφο του Ιεχωβά. Μόνο μέσω της ενσάρκωσής Tου σε δημιουργημένο άνθρωπο, δηλαδή, μόνο θέτοντας την οδό Του στη σάρκα που θα γίνει,θα μπορεί προσωπικά να εμφυσήσει την οδό σε όλους όσους Τον ακολουθούν. Μόνο τότε ο άνθρωπος θα μπορέσει να ακούσει ο ίδιος την οδό Του, να δει την οδό Του και να λάβει την οδό Του, τότε μέσω αυτού θα σωθεί πλήρως. Εάν ο Θεός δεν ενσαρκωνόταν, κανένας θνητός δεν θα λάμβανε τόσο μεγάλη σωτηρία, και δεν θα σωζόταν ούτε ένας άνθρωπος. Εάν το Πνεύμα του Θεού εργαζόταν απευθείας μεταξύ των ανθρώπων, ο άνθρωπος θα πλήττονταν ή θα παρασυρόταν πλήρως και θα φυλακιζόταν από τον Σατανά, γιατί ο άνθρωπος δεν είναι σε θέση να συγχρωτιστεί με τον Θεό. Η πρώτη ενσάρκωση έγινε για να λυτρώσει τον άνθρωπο από την αμαρτία μέσω της σάρκας του Ιησού, δηλαδή, Αυτός έσωσε τον άνθρωπο από τον σταυρό, αλλά η διεφθαρμένη σατανική διάθεση παρέμενε ακόμα μέσα στον άνθρωπο. Η δεύτερη ενσάρκωση δεν πρέπει πλέον να χρησιμεύει ως προσφορά περί αμαρτίας, αλλά για να σώζει πλήρως όσους λυτρώθηκαν από την αμαρτία. Αυτό γίνεται έτσι ώστε όσοι συγχωρούνται να μπορούν να απελευθερωθούν από τις αμαρτίες τους και να εξαγνιστούν πλήρως και να επιτύχουν αλλαγή της διάθεσής τους, σπάζοντας έτσι τα δεσμά της επιρροής του σκότους του Σατανά και επιστρέφοντας ενώπιον του θρόνου του Θεού. Μόνο κατ’ αυτόν τον τρόπο μπορεί ο άνθρωπος να αγιοποιηθεί πλήρως. »

από «Το μυστήριο της ενσάρκωσης (4)» στο βιβλίο «Ο Λόγος Ενσαρκώνεται»

 

Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού

Όροι Χρήσης: el.kingdomsalvation.org/disclaimer.html

el.kingdomsalvation.org/videos/two-thousand-years-of-long...

 

βασιλεία του Θεού

Το ότι ο Θεός έχει ενσαρκωθεί τραντάζει το θρησκευτικό κόσμο,

 

αναταράσσει τη θρησκευτική τάξη

 

και αναδεύει τις ψυχές όλων αυτών που προσμένουν την εμφάνιση του Θεού.

 

Ποιος δε το θαυμάζει αυτό; Ποιος δε λαχταρά να δει το Θεό;

 

Ο Θεός πέρασε χρόνια εν μέσω των ανθρώπων, αλλά ο άνθρωπος απλά έχει άγνοια επ’ αυτού.

 

Σήμερα, ο Ίδιος ο Θεός έχει εμφανισθεί για να ανανεώσει την παλαιά αγάπη Του με τον άνθρωπο.

 

Αφού έφυγε από την Ιουδαία, ο Θεός εξαφανίστηκε χωρίς ίχνος.

 

Οι άνθρωποι προσμένουν να Τον ξαναδούν, αλλά ποτέ δεν περίμεναν

 

να επανενωθούν μαζί Του εδώ και τώρα.

 

Πως αυτό να μη φέρει αναμνήσεις του παρελθόντος;

 

Δύο χιλιάδες χρόνια πριν,

 

Ο Σίμων, υιός του Ιωνά συνάντησε τον

Κύριο Ιησού και έφαγε με τον Κύριο στο ίδιο τραπέζι.

 

Τα χρόνια που Τον ακολούθησε, εμβάθυναν την αγάπη του για Εκείνον.

 

Αγαπούσε τον Ιησού από τα βάθη της καρδιάς του.

 

Ο Θεός πέρασε χρόνια εν μέσω των ανθρώπων, αλλά ο άνθρωπος απλά έχει άγνοια επ’ αυτού.

 

Σήμερα, ο Ίδιος ο Θεός έχει εμφανισθεί για να ανανεώσει την παλαιά αγάπη Του με τον άνθρωπο,

 

να ανανεώσει την παλαιά αγάπη Του με τον άνθρωπο.

 

Από το βιβλίο «Ο Λόγος Ενσαρκώνεται»

 

Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού

Όροι Χρήσης: el.kingdomsalvation.org/disclaimer.html

democracystreet.blogspot.co.uk/2007/07/my-fifth-brompton-...

 

T6 Brompton folding bicycle with Brookes saddle boughts from Mike at Phoenix Cycles in Battersea Bridge Road, London (UK) in 2004, and serviced by him since.

 

phoenix-cycles.co.uk

 

Still my main bicycle.

 

www.brompton.co.uk/

 

See the British novelist Will Self writing about the Brompton in September 08:

".... if you feel tempted at this point to cast my piece aside, unread, on the quite reasonable grounds that not only do you not like bicycles, or cycling, but you especially revile the ghastly middle-aged-mannish gadget obsession that you already feel emanating from my prose in great waves, then I say: desist! Give me a chance! Read on, and if I can't convince you by the end of these 2,000 words that a Brompton folding bicycle is not only a superior means of locomotion, and a perfect antidote to the stresses of the modern world, but also a means of achieving a deeper harmony with place and culture than you've hitherto achieved, then I personally guarantee to come round to your house and sort out your old Allen keys – or something like that. ....."

 

www.independent.co.uk/news/uk/this-britain/the-wheel-thin...

 

This is me writing in October 2007: An amicable divorce

democracystreet.blogspot.co.uk/2007/10/dignified-divorce....

I have just seen my car driven away by a friend who's got it for free. I've been 'deciding' for 5 years - maybe longer. But the final decision to be rid of it came a week ago, since when it's sat in our drive, insurance cancelled. It helped that the cost of repairing its transmission was assessed as more than its worth. I have not been without a car since the 1960s. This evening is a moment long anticipated, regularly postponed.

I recall having some of my happiest childhood times in cars, with my family. What I best remember (something written about and filmed at the time) is the accessibility to places all over Britain we got from having a car in the 1950s. I realise we drove - 50 years ago - on roads that most people now see in absurd advertisements - filmed on locations in Croatia or Albania.

My mother and step-father were writers and journalists through the late 1940s and '50s. Cars were part of their salaries. We had the means to drive. We would arrive at places where there would be no cars for miles - or very few. We could park next to beaches, cliff tops, and high ridges with mighty views (see what I mean about advertising?). We reconnoitred long, lightly-paved rural lanes ending in cul-de-sacs where, after a word with a the farmer, we set up tent and fished in clear trout streams. We ate our catch fried in butter. I was often very happy - innocent of being in a vanguard of social change.

My step-father remarked once, when I was going on once about the 'beauties of the countryside' (I was a literary youth) that this sort of thing wouldn't last. 'We're doing things the very rich could do. Now we are doing it. Soon everyone will be doing it! We're part of the rot.' In later years he observed that the central dilemma of socialism (quoting Bertrand Russell) was that 'you can ruin anything by making it available to everybody.'

From the mid '60s, life on the open road, new motorways notwithstanding, became increasingly closed. The freeway became unfree as more and more people, understandably, sought access to a possession we'd enjoyed more exclusively. The freedoms promised by the advertisers of cars became more and more conditional. Friends of friends were killed in them and by them.

I started travelling abroad to get away from the crowds in my own country - often walking and relying on trains and buses when going to lonelier places that were still places. Travelling with my wife, we seldom returned more than twice because we could always see material prosperity spreading - as it rightly should - but in the process blighting the quietness and slowness of more self-sufficient economies we'd visited as guests rather than an important part of the new local economy. We saw fishing boats laid up and replaced by marinas and yachts. We saw heritage signage spreading, as places became consumer items and we became harvest. We too had been consuming but we'd usually enjoyed the only table in the house.

 

In his old age, my father said 'The only places left to live will be the cracks between the concrete. I advise you to to live in places already ruined. Maybe you will find the wisdom to make them better in some new way none of us understand.'

I did not revisit my childhood experiences of motor touring until 1995, when with my young children we toured the Peloponnese in a hired car. We had had help from the Greek half of my family identifying still isolated areas of the peninsula. The motorway southwest from Athens was under construction. We drove en famille from Athens via Corinth and Leonidi, Sparta, Kalamata and Messini to Pylos on almost empty roads, stopping when we wanted and having picnics, strolling together through ancient ruins. Stopping high in the Taygetos mountains in Lakonia (the point from where this summer's conflagration spread) one Sunday evening and hearing silence under a black sky pierced by a million stars (normally hidden above the yellowing pall of light polluted England), with no sound except the cooling cracking of the car, hot from ascending a narrow zigzag road where we encountered no other vehicle for half-hours at a time.

I took joy seeing my little daughter and wife who, unlike me, had never been to Greece, walking among the remains of a civilisation I associate with my roots as well as my present family. The car took us to the edge of beaches and right up to tavernas where we could park and walk to a table. Only once an ill-judged detour 'to see the sea' at Koroni jammed us into the narrow walking streets of an ex-fishing village grid-locked by visiting motorists - foreign, and the new expanding Greek middle classes, and us.

Back in England I saw this holiday as an anachronistic replay of my motoring childhood and realised I could not keep trying to stay ahead of people with the same aspirations as myself but slightly further back in the rat race. I had to start thinking about my step-father's old age advice. I kept my car but reduced my annual mileage below 3000. My favoured way of getting about became my feet, my bicycle, train or bus, while car ownership just went on increasing.

I have indeed found contentment and interest in the cracks in the concrete. I have watched wild fowl, inland seagulls, herons, urban rats, and foxes along canal towpaths, passing beneath the pillars of raised motorway junctions as I've cycled and walked the city, threading its congested roads and alleys free of worries about gridlock and parking. I have enjoyed picnics in the shadow of dilapidated industrial ruins. I've campaigned for more urban green space, for education for sustainable living. I've chatted across the rich world in cyberspace to like-minded people about ways to solve that central dilemma of making the riches of the world available to everyone without destroying it.

 

I've tried to imagine cities where more people will want to stay and make them into real places again instead of dismal, narrow economies where they can earn enough 'to get away.' I have found the roots of such cities in my own home town, as I walk and cycle about. Anyone hearing moralising in these reflections, should know that we fly to places still, that there's still a car in the drive (my wife's). My daughter has just bought her own. We are profligate with energy. This is more about about ending my long marriage to the car. It's been a gentle separation, then an amicable divorce from a long and increasingly jaded marriage of convenience.

 

Issue 5 of Seoul based 'B' Brand Documentary Magazine, which gets no financial support from the brands it chooses to cover, focused on the Brompton. It contains several of my images of the Brompton and a picture of me with this model by the Birmingham photographer Dan Burwood issuu.com/magazineb/docs/magazineb_brompton_abridgment_eng

You've gotta see it LARGE on black!

 

Captured with a Canon EOS 30D and a Canon EF-S 17-55mm f/2.8 IS USM lens.

 

Location: Tanner Bridge Road, Jefferson City, Missouri

 

This was a planned HDR scene I captured about a year ago. I've been spending a lot of time with Photoshop CS4 and ACR 5 lately and thought about re-working this piece and I'm glad I did. I have a tutorial about how I created the original HDR image here; however, after using my new process, I need to update the steps.

 

In short, I used to simply load my Canon 30D RAW files directly into Photomatix, tone map, then save as 16bit tiff. Then load the 16bit tiff into Photoshop to do further enhancing such as noise removal.

 

Now I process each RAW in ACR 5, apply Noiseware Pro NR and save each frame as a 16bit tiff, then I open each tiff with Photomatix, merge, tone map, save again as 16bit tiff, open in Photoshop, apply default Noiseware Pro NR, USM (radius 1.1, amt: 40%), then save as 8bit jpg, which is what you see above. This rendition is far better than my first version (much cleaner, sharper, and the tonal depth is better too).

Photo taken for my website.

 

--

Purchase this image and learn more about it at the source.

 

Source: photos.jdhancock.com/photo/2011-08-15-003457-gathering.html

ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE

 

is the critical run

and other emergency art format

 

CRITICAL RUN / Debate Format

 

Critical Run is an Art Format created by Thierry Geoffroy/Colonel

debate while running .

Debate and Run together,Now,before it is too late.

 

www.emergencyroomscanvas todo .org/criticalrun.html

 

The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates

New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,

Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...

 

CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because

a debate was necessary here and now.

 

In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich

part of Colonel solo show : The Awareness Muscle Training Center

 

----

 

Interesting publication for researches on running and art

 

www.emergencyrooms.org/formats.html

 

14 Performances. Relation Work (1976 - 1980). Filmed by Paolo Cardazzo. Marina Abramović/ Ulay. Neuer Berliner Kunstverein, Berlin, Germany.

 

Abramović, Marina. Student Body: Workshops 1979 - 2003: Performances 1993 - 2003. Milano: ed. Charta, 2003.

 

Bergson, Henri. Creative Evolution. London: Macmillan and Co., 1911.

Bergson, Henri. Key Writings. Edited by Keith Ansell-Pearson and John Mullarkey. New York:

 

Continuum, 2002.

Bergson, Henri. Matter and Memory. New York: Zone Books, 1988.

 

Blaikie, William. “Common Sense Physical Training.” In Athletics and Health: Modern Achievement: Advice and Instruction upon the Conduct of Life, Principles of Business, Care of Health, Duties of Citizenship, etc. Edited by Edward Everett Hale. New York: P.F. Collier & Son, 1902.

 

Blaikie, William. How to Get Strong and How to Stay So. New York: Harper & Brothers Publishers, 1883.

 

Cunningham, Merce. Changes: Notes on Choreography. New York: Something Else Press, 1969.

 

de Balzac, Honoré. The Human Comedy. EBook: Project Gutenberg, 2010. de Balzac, Honoré. Théorie de la démarche. 1833, 1853.

 

de Biran, Maine. “Opposition du principe de Descartes avec celui d’une science de l’homme. Première base d’une division des faits psychologiques et physiologiques. Perception et sensation animale.” In Maine de Biran. Librairie Philosophique J. VRIN, 1990.

 

de Tocqueville, Alexis. The Old Regime and the Revolution. New York: Harper & Brothers, Publishers, 1856.

 

Delaumosne, M. L’Abbe. “The Delsarte System.” Translated by Frances A. Shaw. In Delsarte System of Oratory, 4th Ed. New York: Edgar S. Werner, 1893.

 

Descartes, René. Méditations metaphysiques. 1641.

 

Gropius, Walter, and Arthur S. Wensinger, eds. The Theater of the Bauhaus: Oskar Schlemmer, Laszlo Moholy-Nagy, Farkas Molnár. Translated by Arthur S. Wensinger. Middleton, Conn.: Wesleyan University, 1961.

 

Hahn, Archibald. How to Sprint: The Theory of Spring Racing. New York: American Sports Publishing Company, 1923.

 

Hegel, Georg Wilhelm Friedrich. Phenomenology of Spirit. Translated by A.V. Miller. Oxford: Oxford University Press, 1977.

 

Helmholtz, Hermann. “On the Facts Underlying Geometry.” In Epistemological Writings: Hermann von Helmholtz. Edited by R.S. Cohen and Y. Elkana. Boston: D. Reidel Publishing Company, 1977.

 

Helmholtz, Hermann. Théorie physiologique de la musique fondée sur l’étude des sensations auditives. Paris: Masson, 1868.

 

Helmholtz, Hermann. Treatise of Physiological Optics (Handbuch der physiologischen Optik) 1856. 3 Volumes. Translated by James P.C. Southall. Milwaukee, 1924.

 

Holmes, Oliver Wendall. Soundings from the Atlantic. Boston: Tickknor and Fields, 1864. James, William. The Principles of Psychology. New York: Henry Holt & Co, 1890, 1918.

 

James, William. Writings 1902 - 1910. Edited by Bruce Kuklick. New York: Literary Classics of the United States, 1987.

 

Kandinsky, Vasily. Über Das Geistige in der Kunst. Dritte Auflage. München: R. Piper&Co, 1912.

 

Kant, Immanuel. “Was ist Aufklärung?” 1784.

 

Laban, Rudolf. A Life for Dance: Reminiscences. Translated by Lisa Ullmann. London: Macdonald & Evans, 1975.

 

Laban, Rudolf. Choreographie. Jena: E. Diederichs, 1926.

 

Laban, Rudolf. Choreutics. Edited by Lisa Ullmann. London: Macdonald & Evans, 1939, 1966.

 

Laban, Rudolf. Effort: Economy in Body Movement. 2nd Edition. Boston: Plays, 1947, 1974.

 

Laban, Rudolf. Principles of Dance and Movement Notation. New York: A Dance Horizons Republication, 1956, 1970.

 

Laban, Rudolf. The Language of Movement: A Guidebook to Choreutics. Edited by Lisa Ullmann. Boston: Plays, Inc., 1974.

  

MacKaye, Percy. “Steele Mackaye, Dynamic Artist of the American Theatre; An Outline of his Life Work,” in The Drama. Edited by William Norman Guthrie and Charles Hubbard Sergel. Chicago: The Dramatic Publishing Company, 1911.

 

Marey, Étienne-Jules. La Machine Animale: Locomotion Terrestre et Aérienne. Paris: Librairie Germer Baillière, 1873.

 

Marey, Étienne-Jules. Le Vol des Oiseaux. Paris: Libraire de l’académie de médecine, 1890. Marey, Étienne-Jules. Movement. Translated by Eric Pritchard. New York: D. Appleton and

 

Company, 1895.

 

Michelet, Jules. The History of France. Volume I. Translated by Walter K. Kelly. London: Chapman and Hall, 1844.

 

Morgan, Anna. An Hour with Delsarte: A Study of Expression. New York: Edgar S. Werner Publisher, 1891.

 

Muybridge, Eadweard. Animal Locomotion: An Electro-photographic Investigation of Consecutive Phases of Animal Movements. Philadelphia: University of Pennsylvania and J. B. Lippincott Company, 1887.

 

Muybridge, Eadweard. Descriptive Zoopraxography, or the Science of Animal Locomotion. Philadelphia: University of Pennsylvania, 1893.

 

Muybridge, Eadweard. The Attitudes of Animals in Motion: A Series of Photographs Illustrating the Consecutive Positions assumed by Animals in Performing Various Movements; Executed at Palo Alto, California, in 1878 and 1879 (1881). Albumen, Library of Congress, Washington, D.C., Library of Congress.

 

Muybridge, Eadweard. The Human Figure in Motion. New York: Dover Publications, 1955. Ramsaye, Terry. A Million and One Nights: A History of the Motion Picture. U.K.: Simon and

 

Schuster, Inc., 1926, 1954.

Richer, Paul. Physiologie Artistique: De l’Homme en Mouvement. Paris: Aulanier et Cie, 1896.

 

Sanburn, Frederic. Delsartean Scrap-book: Health, Personality, Beauty, House-Decoration, Dress, etc. New York: United States Book Company, c. 1890.

 

Schlemmer, Oskar. Briefe und Tagebücher: The Letters and Diaries of Oskar Schlemmer. Edited by Tut Schlemmer. Translated by Krishna Winston. Middletown, Conn: Wesleyan University Press, 1972.

  

Schlemmer, Oskar, and Heimo Kuchling. Der Mensch, Unterricht am Bauhaus. Nachgelassene Aufzeichnungen. Mainz: F. Kupferberg, 1969.

 

Schuftan, Werner. Handbuch des Tanzes. Preface by Rudolf von Laban. Mannheim: Verlag Deutscher Chorsänger Verband und Tänzerbund, 1928.

 

Shearman, Sir Montague. Athletics and Football. London: Longmans, Green, and Co., 1888. Smith, Shawn Michelle. At the Edge of Sight: Photography and the Unseen. Durham: Duke

 

University Press, 2013.

 

Stebbins, Genevieve. Delsarte System of Expression, 5th Edition. New York: Edgar S. Werner, 1894; orig. 1885.

 

Talbot, Frederick A. Practical Cinematography and its Applications. London: William Heinemann, 1913.

 

Wigman, Mary. The Mary Wigman Book: Her Writings. Middletown, CT: Wesleyan University Press, 1975.

 

Abramović, Marina, et al. Marina Abramović: Seven Easy Pieces. New York: Charta 2007. Acconci, Vito. Language to Cover a Page: The Early Writings of Vito Acconci. Edited by Craig

 

Dworkin. Cambridge: MIT Press, 2006.

Adolphs, Volker, and Philip Norten. Gehen Bleiben: Bewegung, Körper, Ort in der Kunst der

 

Gegenwart. Bonn: Kunstmuseum Bonn, 2007.

Agamben, Giorgio. “Movement.” In Dance: Documents of Contemporary Art. Edited André

 

Lepecki. London: MIT Press and WhiteChapel Gallery, 2012.

Alberro, Alexander, and Blake Stimson, eds. Institutional Critique: An Anthology of Artists’

 

Writings. Cambridge: MIT Press, 2009.

Albers, Kate Palmer. “Abundant Images and the Collective Sublime.” Exposure. Volume 46,

 

Issue 2 (Fall 2013).

 

Allen, Beverly. Rape Warfare: The Hidden Genocide in Bosnia-Herzegovina and Croatia. Minneapolis: University of Minnesota Press, 1996.

 

Alloway, Lawrence. The Venice Biennale 1895 - 1968: from salon to goldfish bowl. Greenwich, CT: New York Graphic Society LTD., 1968.

Anderson, Ben. “Affect and Biopower: Towards a Politics of Life.” Transactions - Institute of British Geographers, Issue 1 (2011).

 

Andras, Edit, and Bojana Pejic, eds. Gender Check: Femininity and Masculinity in the Art of Eastern Europe. Cologne: Buchhandlung Walther König, 2009.

 

Antliff, Mark. Inventing Bergson: Cultural Politics and the Parisian Avant-Garde. Princeton: Princeton University Press, 1992.

 

Arendt, Hannah. The Human Condition, Second Edition. Chicago: University of Chicago Press, 1958, 1998.

 

Arendt, Hannah. On Violence. New York: Harcourt Brace, 1969.

Atkins, Dawn, ed. Looking Queer: Body Image and Identity in Lesbian, Bisexual, Gay, and

 

Transgender Communities. New York: The Haworth Press, 1998.

Ault, Julie, ed. Alternative Art, New York, 1965-1985: A Cultural Politics Book for the Social

 

Text Collective. Minneapolis: University of Minnesota Press, 2002.

Auslander, Philip. “Going with the Flow: Performance Art and Mass Culture.” TDR. Volume 33,

 

Number 2 (Summer 1989).

Auslander, Philip. “The Performativity of Performance Documentation.” PAJ 84 (2006).

 

Backstein, Joseph, and Daniel Birnbaum, Sven-Olov Wallenstein. Thinking Worlds - The Moscow Conference on Philosophy, Politics, and Art. Berlin: Sternberg Press, 2008.

 

Badovinac, Zdenka. Body and the East: From the 1960s to the Present. Cambridge, Mass.: MIT Press, 1999.

 

Baer, Ulrich. Spectral Evidence: The Photography of Trauma. Cambridge: MIT Press, 2002. Baker, George. “Entr’acte.” October. Volume 105 (Summer 2003).

 

Bale, John. Imagined Olympians: Body Culture and Colonial Representations in Rwanda. Minneapolis: University of Minnesota Press, 2002.

 

Bale, John. Running Cultures: Racing in Time and Space. London: Frank Cass, 2004. Banes, Sally. Democracy’s Body: Judson Dance Theatre, 1962 - 1964. Durham, NC: Duke

 

University Press, 1993.

 

Banes, Sally. Terpsichore in Sneakers: Post-Modern Dance, 2nd edition. Middletown, CT: Wesleyan University Press, 1987.

  

Bartenieff, Irmgard. Body Movement: Coping with the Environment. New York: Routledge, 2002.

 

Barthes, Roland. Camera Lucida: Reflections on Photography. Translated by Richard Howard. New York: Hill and Wang, 198, 2010.

 

Barthes, Roland. Mythologies. Translated by Annette Lavers. New York: Hill and Wang, 1972. Batchen, Geoffrey. Burning with Desire: The Conception of Photography. Cambridge: MIT

 

Press, 1997.

 

Baudelaire, Charles. The Parisian Prowler, Le Spleen de Paris Petits Poèmes en Prose. Translated by Edward K. Kaplan. Athens: The University of Georgia Press, 1989.

 

Bauer, M. W. and G. Gaskell. Biotechnology — the Making of a Global Controversy. Cambridge: Cambridge University Press, 2002.

 

Bayat, Asef. Life as Politics: How Ordinary People Change the Middle East. Amsterdam: Amsterdam University Press, 2010, 2015.

 

Belaief, Lynne. “Meanings of the Body.” Journal of the Philosophy of Sport. Volume 4, Issue 1 (1977).

 

Bell, Catherine. Ritual: Perspectives and Dimensions. New York: Oxford University Press, 1997.

 

Benjamin, Walter. Charles Baudelaire: A Lyric Poet in the Era of High Capitalism. Translated by Harry Zohn. London: Verso, 1997.

 

Benjamin, Walter. Selected Writings, Volumes 1 - 4. Edited by Howard Eiland and Michael W. Jennings. Cambridge: Belknap Press of Harvard University Press, 2003 - 2006.

 

Benjamin, Walter. “The Storyteller: Reflections on the Works of Nikolai Leskov.” In Illuminations. Edited by Hannah Arendt. Translated by Harry Zohn. New York: Schocken Books, 2007.

 

Bennett, Jill. Empathic Vision: Affect, Trauma, and Contemporary Art. Stanford, CA; Stanford University Press, 2005.

 

Berger, John. About Looking. New York: Pantheon Books, 1980.

 

Bergson, Henri. Laughter: An Essay on the Meaning of the Comic. Translated by Cloudesley Brereton and Fred Rothwell. New York: The Macmillan Company, 1914.

  

Bishop, Claire, and Marta Dziewańska, eds. 1968 - 1989: Political Upheaval and Artistic Change. Warsaw: Museum of Modern Art, 2009.

 

Bishop, Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship. London: Verso, 2012.

 

Bishop, Claire. Radical Museology: or, What’s ‘Contemporary’ in Museums of Contemporary Art? London: Koenig Books, 2013.

 

Black, Graham. Transforming Museums in the Twenty-First Century. New York: Routledge, 2011.

 

Blaive, Muriel, and Christian Gerbel, Thomas Lindenberger, eds. Clashes in European Memory: The Case of Communist Repression and the Holocaust. Innsbruck: Studienverlag, 2011.

 

Blassnigg, Martha. Time, Memory, Consciousness and the Cinema Experience: Revisiting Ideas on Matter and Spirit. New York: Rodopi, 2009.

 

Bloomer, Kent C., and Charles Willard Moore. Body, Memory, and Architecture. New Haven: Yale University Press, 1977.

 

Boecker, Henning, et. al. “The Runner’s High: Opioidergic Mechanisms in the Human Brain.” Cerebral Cortex. Volume 18, Number 11 (2008).

 

Bougarel, Xavier, and Elissa Helms, Ger Duijzings, eds. The New Bosnian Mosaic: Identities, Memories and Moral Claims in a Post-War Society. Hampshire, England: Ashgate, 2007.

 

Bourdieu, Pierre. Outline of a Theory of Practice. Cambridge: Cambridge University Press, 1977.

 

Bourriaud, Nicolas. Relational Aesthetics. Dijon: Les Presses du réel, 1998, 2002.

 

Brandstetter, Gabriele. Poetics of Dance: Body, Image and Space in the Historical Avant- Gardes. Translated by Elena Polzer and Mark Franko. Oxford: Oxford University Press, 1995, 2015.

 

Braudy, Leo, and Marshall Cohen, eds. Film Theory and Criticism: Introductory Readings. New York: Oxford UP, 1999.

 

Braun, Marta. Eadweard Muybridge. London: Reaktion, 2010.

Braun, Marta. Picturing Time: The Work of Etienne-Jules Marey (1830 - 1904). Chicago:

 

University of Chicago Press, 1992, 1994.

 

Brettell, Richard R. Modern Art, 1851 - 1929: Capitalism and Representation. Oxford: Oxford University Press, 1999.

  

Brooke, J.D., and H.T.A. Whiting, eds. Human Movement - A Field of Study. London: Henry Kimpton Publishers, 1973.

 

Brown, Keith S., and Yannis Hamilakis, eds. The Usable Past: Greek Metahistories. Lanham, MD: Lexington Books, 2003.

 

Brunnbauer, Ulf, and Konrad Clewing, eds. Südost-Forschungen. Munich: R. Oldenbourg Verlag, 2008.

 

Bruno, Giuliana. Atlas of Emotion: Journeys in Art, Architecture, and Film. New York: Verso, 2002.

 

Bryzgel, Amy. Performing the East: Performance Art in Russia, Latvia, and Poland since 1980. London: I.B. Tauris, 2012.

 

Buchloh, Benjamin H. D. Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975. Cambridge: MIT Press, 2001, 2003.

 

Buck-Morss, Susan. The Dialectics of Seeing: Walter Benjamin and the Arcades Project. Cambridge: MIT Press, 1991.

 

Burchell, Graham, and Colin Gordon, Peter Miller, eds. The Foucault Effect: Studies in Governmentality. Chicago: University of Chicago Press, 1991.

 

Bürger, Peter. Theory of the Avant-Garde. Translated by Michael Shaw. Minneapolis: University of Minnesota Press and Manchester University Press, 1974, 1984.

 

Butler, Judith. Bodies that Matter: On the Discursive Limits of Sex. New York: Routledge, 1993. Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge,

 

2006.

 

Butler, Samuel. Unconscious Memory: A Comparison between the Theory of Dr. Ewald Hering and the ‘Philosophy of the Unconscious’ of Dr. Edward von Hartmann. London: David Bogue, 1880.

 

Cage, John. Silence: Lectures and Writings. Middletown, CT: Wesleyan University Press, 1961. Campany, David, ed. The Cinematic: Documents of Contemporary Art. Cambridge: MIT Press,

 

2007.

Canales, Jimena. A Tenth of a Second: A History. Chicago: University of Chicago Press, 2009.

 

Careri, Francesco. Walkscapes: Walking as an Aesthetic Practice. Translated by Steve Piccolo and Paul Hammond. Barcelona: Editorial Gusavo Gili, 2002.

  

Carroll, Noël. Theorizing the Moving Image. Cambridge: Cambridge University Press, 1996. Cetinić, Ljiljana, and Ana Panić, eds. Štafete: Titova Štafeta - Štafeta Mladosti, 1945 - 1987.

 

Belgrade: Tipografik plus, 2008.

Chase, Stuart. Men and Machines. New York: Macmillan Co, 1929.

 

Christesen, Paul. Sport and Democracy in the Ancient and Modern Worlds. Cambridge: Cambridge University Press, 2012.

 

Christian, Mary. Marina Abramović: The Artist is Present. New York: The Museum of Modern Art, 2010.

 

Clark, Kenneth. The Nude: A Study in Ideal Form. New York: Pantheon Books, 1956. Coleman, Simon, and John Eade, eds. Reframing Pilgrimage: Cultures in Motion. London:

 

Routledge, 2004.

 

Connerton, Paul. The Spirit of Mourning: History, Memory and the Body. Cambridge: Cambridge University Press, 2011.

 

Cosgrove, Denis. Geography and Vision: Seeing, Imagining and Representing the World. New York: I.B. Tauris, 2008.

 

Cottington, David. Cubism in the Shadow of War: The Avant-Garde and Politics in Paris 1905- 1914. New Haven: Yale University Press, 1998.

 

Crane, Susan, ed. Museums and Memory. Stanford: Stanford University Press, 2000. Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth

 

Century. Cambridge: MIT Press, 1990.

Crow, Thomas. The Rise of the Sixties: American and European Art in the Era of Dissent.

 

London: Laurence King Publishing, 1996.

 

Csiksgentmihalyi, Mihaly. Creativity! Flow and psychology of discovery and invention. New York: Harper Collins, 1996.

 

Cumming, John. Runners & Walkers: A Nineteenth Century Sports Chronicle. Chicago: Regency Gateway, 1981.

 

Cvejić, Bojana, and Ana Vujanović. Public Sphere by Performance. Belgrade: b_books, TkH, 2012.

  

Dagg, Anne Innis. Running, Walking, and Jumping: The Science of Locomotion. New York: Crane, Russak & Company, Inc, 1977.

 

de Certeau, Michel. The Practice of Everyday Life. Translated by Steven Rendall. Berkeley: University of California Press, 1984, 1988.

 

de Certeau, Michel. The Writing of History. Translated by Tom Conley. New York: Columbia University Press, 1975, 1988.

 

de Groote, Pascale. Ballets Suédois: Jean Börlin. Ghent: University of Ghent, 2002.

de Waal, Frans. The Age of Empathy: Nature’s Lessons for a Kinder Society. New York:

 

Harmony Books, 2009.

 

Deleuze, Gilles. Cinema 1: The Movement-Image. Minneapolis: University of Minnesota Press, 1986.

 

Deleuze, Gilles, and Félix Guattari. A Thousand Plateaus. London: Continuum, 1980, 2008. Dewey, John. The Public and its Problems: An Essay in Political Inquiry. Edited by Melvin L.

 

Rogers. University Park, PA: The Pennsylvania State University, 2012.

di Giovanni, Janine. Madness Visible: A Memoir of War. London: Bloomsbury, 2005.

 

Djetelić, Pera, and Dragan Maršičević. Narodna Omladina i Jugoslovenski Kongres za Fizičku Kulturu. Beograd: Mladost, 1959.

 

Djurić, Dubravka, and Miško Šuvaković, eds. Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918 - 1991. Cambridge: MIT Press, 2003.

 

Donawerth, Jane, ed. Rhetorical Theory by Women before 1900: An Anthology. Lanham, MD: Rowman & Littlefield Publishers, Inc, 2002.

 

Dörr, Evelyn. Rudolf Laban: The Dancer of the Crystal. Lanham, Maryland: The Rowman & Littlefield Publishing Group, Inc., 2008.

 

Drakulić, Slavenka. Balkan Express: Fragments from the Other Side of War. London: Hutchinson, 1993.

 

Drakulić, Slavenka. They Would Never Hurt a Fly: War Criminals on Trial in the Hague. New York: Penguin, 2005.

 

Drapag, Vesna. Constructing Yugoslavia: A Transnational History. London: Palgrave Macmillan, 2010.

Duncan, Carol. Civilizing Rituals: Inside Public Art Museums. Abingdon: Routledge, 1995. Eamon, Christopher. Rearview Mirror: New Art from Central and Eastern Europe. Edmonton:

 

Art Gallery of Alberta, 2011.

 

Eichberg, Henning, ed. Body Cultures: Essays on Sport, Space, and Identity. London, New York: Routledge, 1998.

 

Elias, Norbert. The Civilizing Process. Sociogenetic and Psychogenetic Investigations. Oxford: Blackwell, 1939, 2000.

 

Elias, Norbert, and Eric Dunning. Quest for Excitement: Sport and Leisure in the Civilising Process. Dublin: University of College Dublin Press, 2008.

 

Enwezor, Okwui. Archive Fever: Uses of the Document in Contemporary Art. Göttingen: Steidl Publishers, 2008.

 

Erjavec, Aleš, ed. Postmodernism and the Postsocialist Condition: Politicized Art under Late Socialism. Berkeley: University of California Press, 2003.

 

Fer, Briony, and David Batchelor, Paul Wood. Realism, Rationalism, Surrealism: Art Between the Wars. New Haven: Yale University Press, 1993.

 

Finn, David. How to Visit A Museum. New York: Abrams, 1985.

Fleming, Bruce. Running is Life: Transcending the Crisis of Modernity. Lanham: University

 

Press of America, Inc, 2010.

 

Forrester, Sibelan E.S., and Magdalena J. Zaborowska, Elena Gapova, eds. Over the Wall/After the Fall: Post-Communist Cultures Through an East-West Gaze. Bloomington: Indiana University Press, 2004.

 

Foster, Hal. The Return of the Real: The Avant-Garde at the End of the Century. Cambridge: MIT Press, 1996.

 

Foster, Hal. “What’s Neo about the Neo-Avant-Garde?” October. Volume 70, The Duchamp Effect (Autumn, 1994), 5 - 32.

 

Foucault, Michel. Discipline and Punish: The Birth of the Prison. Translated by Alan Sheridan. New York: Vintage Books, Random House, Inc, 1977, 1995.

 

Foucault, Michel. The History of Sexuality Volume 1. Translated by Robert Hurley. New York: Pantheon Books, 1978.

 

Foucault, Michel. Power/Knowledge: Selected Interviews & Other Writings, 1972 - 1977. Edited by Colin Gordon. New York: Pantheon Books,1972, 1980.

  

Fraleigh, Sondra Horton. Dance and the Lived Body: A Descriptive Aesthetics. Pittsburgh: University of Pittsburgh Press, 1987.

 

Frampton, Hollis. “Eadweard Muybridge: Fragments of a Tesseract.” In On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton. Cambridge: MIT Press, 2009.

 

Fried, Michael. Four Honest Outlaws: Sala, Ray, Marioni, Gordon. New Haven: Yale University Press, 2011.

 

Gallagher, Catherine, and Thomas Laqueur, eds. The Making of the Modern Body: Sexuality and Society in the Nineteenth Century. Berkeley: University of California Press, 1987.

 

Gamwell, Lynn, ed. Dreams Nineteen Hundred to Two Thousand: Science, Art, and the Unconscious Mind. Binghamton: State University of New York at Binghamton, 2000.

 

Gay, Peter. Savage Reprisals: Bleak House, Madame Bovary, Buddenbrooks. New York: W.W. Norton & Company, 2002.

 

Gehm, Sabine, and Pirkko Husemann, Katharina von Wilke, eds. Knowledge in Motion: Perspectives of Artistic and Scientific Research in Dance. Translated by Bettina von Arps- Aubert. Bielefeld: Transcript, 2007.

 

Genoways, Hugh H., ed. Museum Philosophy for the Twenty-First Century. Oxford: AltaMira Press, 2006.

 

Geoghegan, Bernard Dionysius. “After Kittler: On the Cultural Techniques of Recent German Media Theory.” Theory Culture Society (August 2013).

 

Gidal, Peter. Materialist Film. London: Routledge, 1989.

Giedion, Siegfried. Space, Time, and Architecture: The Growth of a New Tradition. Cambridge:

 

Harvard University Press, 1974.

 

Godard, Jean-Luc. Godard on Godard. Edited by Jean Narboni and Tom Milne. New York: The Viking Press, 1968, 1972.

 

Gödl, Doris. “Challenging the Past: Serbian and Croatian Aggressor-Victim Narratives.” International Journal of Sociology 37. No. 1 (2007).

 

Goldberg, Roselee. Performance: Live Art Since the ‘60s. London: Thames & Hudson, 2004.

 

Goldberg, Roselee. Performance Art: From Futurism to the Present. London: Thames & Hudson, 2001.

  

Goldberg, Vicki, ed. Photography in Print: Writings from 1816 to the Present. New York: Simon and Schuster, 1981.

 

Golding, Sue, ed. The Eight Technologies of Otherness. London: Routledge, 1997. Gotaas, Thor. Running: A Global History. London: Reaktion Books, 2009.

 

Grau, Andrée, and Stephanie Jordan. Europe Dancing: Perspectives on Theatre, Dance, and Cultural Identity. New York: Routledge, 2000.

 

Grigorov, Dimitar. “‘Рачунајте на нас.’ ‘Oдломак’ о Титовој штафети или Штафети младости.” In Друштвену историју. Belgrade: 2008.

 

Grimes, Ronald L. Beginnings in Ritual Studies. Columbia: University of South Carolina Press, 1995.

 

Groys, Boris. Introduction to Antiphilosophy. Translated by David Fernbach. London: Verso, 2012.

 

Groys, Boris. The Communist Postscript. Translated by Thomas Ford. London: Verso, 2010. Groys, Boris, and Ann von der Heiden, Peter Weibel, eds. Zurück aus der Zukunft.

 

Osteuropäische Kulturen im Zeitalter des Postkommunismus. Berlin: Suhrkamp, 2005.

Gržinić, Marina, and Günther Heeg, Veronika Darian. Mind the Map! History is not a Given: A

 

th th

Critical Anthology Based on the Symposium [Leipzig, 13 -16 October 2005]. Frankfurt:

 

Revolver, 2006.

 

Guttman, Allen. “Sport, Politics, and the Engaged Historian.” Journal of Contemporary History. Volume 38, Number 3 (2003).

 

Hardt, Michael, and Antonio Negri. Empire. Boston, Harvard University Press, 2001. Hargreaves, Jennifer, and Patricia Anne Vertinsky, eds. Physical Culture, Power, and the Body.

 

New York: Routledge, 2007.

 

Harris, Mary Emma. The Arts at Black Mountain College. Cambridge: MIT Press, 1987, 2002.

 

Harte, Jane L., et. al. “The effects of running and meditation on beta-endorphin, corticotropin- releasing hormone and cortisol in plasma, and on mood.” Biological Psychology. Volume 40, Issue 3 (June 1995).

 

Harte, Jane L., and Georg H. Eifert. “The effects of running, environment, and attentional focus on athletes’ catecholamine and cortisol levels and moods.” Psychophysiology. Volume 32, Issue 1 (January 1995).

  

Havránek, Vít, ed. Jiří Kovanda: Actions and Installations, 2005-1976. Zurich: Tranzit & JRP|Ringier, 2006.

 

Helme, Sirje. PopKunst Forever: Estonian Pop Art at the Turn of the 1960s and 1970s. Tallinn: Art Museum of Estonia - Kumu Art Museu, 2010.

 

Hemmings, Frederick William John, ed. The Age of Realism. Baltimore: Penguin Books, 1974. Hendricks, Gordon. Eadweard Muybridge: The Father of the Motion Picture. New York:

 

Grossman Publishers, of Viking Press, 1975.

 

Henning, Michelle. Museums, Media, and Cultural Theory. New York: Open University Press, 2006.

 

Hewitt, Andrew. Social Choreography: Ideology as Performance in Dance and Everyday Movement. Durham: Duke University Press, 2005.

 

Higgins, Steven. Still Moving: The Film and Media Collections of the Museum of Modern Art. New York: The Museum of Modern Art, 2006.

 

Hoberman, John M. “Sport and Political Ideology.” Journal of Sport and Social Issues. Volume 1, Number 2 (1977).

 

Hodgson, John. Mastering Movement: The Life and Work of Rudolf Laban. New York: Routledge, 2001.

 

Hoelzl, Ingrid, and Friedrich Tietjen, eds. Images in Motion. Burges: Die Keure, 2012. Husserl, Edmund. The Phenomenology of Internal Time-Consciousness. Edited by Martin

 

Heidegger. Translated by James S. Churchill. Bloomington: Indiana University Press, 1964.

 

IRWIN, ed. East Art Map: Contemporary Art and Eastern Europe. London: Afterall and MIT Press, 2006.

 

Ivey, Paul Eli. Radiance from Halcyon: A Utopian Experiment in Religion and Science. Minneapolis: University of Minnesota Press, 2013.

 

Jameson, Frederic. Postmodernism, or, The Cultural Logic of Late Capitalism. Durham: Duke University Press,1991.

 

Janevski, Ana, ed. As Soon as I Open My Eyes I See a Film: Experiment in the Art of Yugoslavia in the 1960s and 1970s. Warsaw: Museum of Modern Art, 2010.

 

Jarausch, Konrad H., and Michael Geyer. Shattered Past: Reconstructing German Histories. Princeton, NJ: Princeton University Press, 2003.

  

Jones, Amelia. Body Art/Performing the Subject. Minneapolis: University of Minnesota Press, 1998.

 

Jones, Amelia, and Adrian Heathfield. Perform, Repeat, Record: Live Art in History. Chicago: University of Chicago Press, 2012.

 

Jones, Amelia. “The Body and Technology.” Art Journal. Volume 60, Number 1 (Spring, 2001). Joseph, Brandon W. Random Order: Robert Rauschenberg and the Neo-avant-garde.

 

Cambridge: MIT Press, 2003.

Joy, Jenn. The Choreographic. Cambridge: MIT Press, 2014.

 

Jünger, Ernst. “War and Photography.” Translated by Anthony Nassar. New German Critique. Number 59 (Spring-Summer, 1993).

 

Kater, Michael H. Hitler Youth. Cambridge, Mass.: Harvard University Press, 2004. Kebo, Ozren. Sarajevo za početnike. Sarajevo: Dani, 1996.

 

Kelley, Jeff, ed. Essays on the Blurring of Art and Life. Berkley: University of California Press, 1993, 2003.

 

Kern, Stephen. The Culture of Time and Space. Cambridge, Mass: Harvard University Press, 1983.

 

Kester, Grant H. Conversation Pieces: Community and Communication in Modern Art. Berkley: University of California Press, 2004.

 

Kholeif, Omar. Moving Image. London: Whitechapel, 2015.

Kirkpatrick, Sidney. The Revenge of Thomas Eakins. New Haven: Yale University Press, 2006.

 

Kirn, Gal, and Dubravka Sekulić, Žiga Testen, eds. Surfing the Black: Yugoslav Black Wave Cinema and its Transgressive Moments. Maastricht: Jan van Eyck Academie, 2012.

 

Kittler, Friedrich A. Gramophone, Film, Typewriter. Stanford: Stanford University Press, 1999. Klinger, Cornelia, and Bartomeu Mari. Modernologies: Contemporary Artists Researching

 

Modernity and Modernism. Barcelona: Museu d’Art Contemporani de Barcelona, 2009.

Knell, Simon J., et al., eds. National Museums: New Studies from around the World. New York:

 

Routledge, 2011.

Knudson, Duane. Fundamentals of Biomechanics, Second Edition. New York: Springer, 2007.

  

Knust, Albrecht. Handbook of Kinetography Laban: Examples. Hamburg: Das Tanzarchiv, 1958. Koch, Sabine, et al. Body Memory, Metaphor, and Movement. Philadelphia: John Benjamins

 

Publishing Company, 2012.

Krauss, Rosalind E. “Sculpture in the Expanded Field.” October. Volume 8 (Spring 1979).

 

Krauss, Rosalind E. The Originality of the Avant-Garde and Other Modernist Myths. Cambridge: MIT Press, 1985.

 

Kuligowski, Waldemar. “A Relay of Youth of the 21st Century. A Re-enactment of Ritual or a Grotesque Performance?” Cargo. Volume 10, Number 1 - 2 (2012).

 

Kwon, Miwon. One Place After Another: Site-Specific Art and Locational Identity. Cambridge: MIT Press, 2002.

 

LaBelle, Brandon. Background Noise: Perspectives on Sound Art. London and New York: Continuum International Publishing Group, 2006.

 

Lakoff, George, and Mark Johnson. Metaphors We Live By. Chicago: University of Chicago Press, 1980.

 

Landsberg, Alison. Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture. New York: Columbia University Press, 2004.

 

Laws, Kenneth, and Francia Russell. Physics and the Art of Dance: Understanding Movement. Oxford: Oxford University Press, 2002.

 

le Blanc, Guillaume. Courir: Méditations Physiques. Paris: Éditions Flammarion, 2012.

Leahy, Helen Rees. Museum Bodies: The Politics of Practices of Visiting and Viewing. Surrey,

 

England: Ashgate, 2012.

Lederman, Gail. Manliness and Civilization: A Cultural History of Gender and Race in the

 

United States, 1880 - 1917. Chicago: The University of Chicago Press, 1995. Lefebvre, Henri. The Production of Space. Oxford: Blackwell, 1991.

 

Lehman, Arnold L., and Brenda Richardson, eds. Oskar Schlemmer. Baltimore: The Baltimore Museum of Art, 1986.

 

Lemke, Thomas. Bio-Politics: An Advanced Introduction. Translated by Eric Frederick Trump. New York: New York University Press, 2011.

 

Lepage, Jean-Denis G.G. Hitler Youth, 1922 - 1945: An Illustrated History. London: McFarland & Company, Inc.,2009.

  

Lepecki, André, ed. Dance: Documents of Contemporary Art. London: MIT Press and WhiteChapel Gallery, 2012.

 

Leposavić, Radonja. vlasTito iskustvo. Belgrade: Publikum, 2005.

Licht, Alan. Sound Art: Beyond Music, Between Categories. New York: Rizzoli International

 

Publications, 2007.

 

Lippard, Lucy. Six Years: The Dematerialization of the Art Object from 1966 to 1972. Berkley: University of California Press, 1973.

 

Loland, Sigmund, and Berit Skirstad, Ivan Waddington. Pain and Injury in Sport: Social and Ethical Analysis. New York: Routledge, 2006.

 

Luthar, Breda, and Maruša Pušnik, eds. Remembering Utopia: The Culture of Everyday Life in Socialist Yugoslavia. Washington, D.C.: New Academia Publishers, 2010.

 

Mackay, Robin, and Armen Avanessian, eds. #Accelerate: The Accelerationist Reader. Falmouth, UK: Urbanomic, 2014.

 

Malcolm, Noel. Bosnia: A Short Story. London: MacMillan, 1994.

Maletic, Vera. Body - Space - Expression: The Development of Rudolf Laban’s Movement and

 

Dance Concepts. Amsterdam: Mouton de Gruyter, 1987.

Marie, Michel. The French New Wave: An Artistic School. Translated by Richard Neupert.

 

Oxford: Blackwell Publishing, 1997.

 

Marien, Mary Warner. Photography: A Cultural History. 2nd Edition. London: Laurence King Publishing Ltd, 2002, 2006.

 

Marks, Laura. Touch: Sensuous Theory and Multisensory Media. Minneapolis: University of Minnesota Press, 2002.

 

Marvin, Carolyn. When Old Technologies Were New: Thinking about Electric Communication in the Late Nineteenth Century. Oxford: Oxford University Press, 1988.

 

Mathews, Nancy Mowll. “The Body in Motion.” In Moving Pictures: American Art and Early Film, 1880 - 1910. Manchester, Vermont: Hudson Hills Press, 2005.

 

Mauss, Marcel. “Techniques of the Body” (1934). In Incorporations, Zone 6. Edited by Jonathan Crary and Sanford Kwinter. New York: Zone, 1992.

 

Mazower, Mark. Dark Continent: Europe’s Twentieth Century. New York: A.A. Knopf, 1999.

  

McGinnis, Peter M. Biomechanics of Sport and Exercise, Third Edition. Champaign, IL: Human Kinetics, 2013.

 

McSorley, Kevin, ed. War and the Body: Militarisation, Practice and Experience. New York: Routledge, 2013.

 

Meltzer, Eve. Systems We Have Loved: Conceptual Art, Affect, and the Antihumanist Turn. Chicago: The University of Chicago, 2013.

 

Merleau-Ponty, Maurice. The Phenomenology of Perception. Translated by Colin Smith. London: Routledge and Kegan Paul, 1962, 1989.

 

Metz, Christian. Film Language: A Semiotics of the Cinema. Translated by Michael Taylor. New York: Oxford University Press, 1974.

 

Metz, Christian. “Photography and Fetish.” October. Volume 34 (Autumn, 1985).

Meyer, James. Minimalism: Art and Polemics in the Sixties. New Haven: Yale University Press,

 

Michelson, Annette, ed. Kino-Eye: The Writings of Dziga Vertov. Translated by Kevin O’Brien. Berkeley: University of California Press, 1984.

 

Mirzoeff, Nicholas, ed. The Visual Culture Reader, Second Edition. New York: Routledge, 1998, 2002.

 

Mishima, Yukio. Sun and Steel: His Personal Testament on Art, Action, and Ritual Death. New York: Kodansha, 1970.

 

Mondloch, Kate. Screens: Viewing Media Installation Art. Minneapolis: The University of Minnesota Press, 2010.

 

Moore, Sarah J. Empire on Display: San Francisco’s Panama-Pacific International Exposition of 1915. Norman, OK: University of Oklahoma Press, 2013.

 

Morgan, William P. “Affective beneficence of vigorous physical activity.” Medicine and Science in Sports and Exercise. Volume 17, Number 1 (February 1985).

 

Morse, Meredith. Soft is Fast: Simone Forti in the 1960s and After. Cambridge: MIT Press, 2016.

 

Mosse, George L. The Image of Man: The Creation of Modern Masculinity. Oxford: Oxford University Press, 1996.

 

Motherwell, Robert, ed. Dada Painters and Poets. New Haven: Harvard University Press, 1981.

  

Mozley, Anita Ventura, ed. Eadweard Muybridge: The Stanford Years, 1872 - 1882. San Francisco: Stanford University, 1972.

 

Mulvey, Laura. Death 24x a Second: Stillness and the Moving Image. London: Reaction books, 2006.

 

Mumford, Lewis. Technics and Civilization. London: Routledge & Kegan Paul LTD, 1934, 1955.

 

Muñoz, José Esteban. Disidentifications: Queers of Color and the Performance of Politics. Minneapolis: The University of Minnesota Press, 1999.

 

Musolff, Andreas. Metaphor, Nation, and the Holocaust: The Concept of the Body Politic. New York: Routledge, 2010.

 

New Collectivism, ed. Neue Slowenische Kunst. Translated by Marjan Golobič. Hong Kong: Paramount Printing, 1991.

 

Newman, Michael, and Jon Bird, eds. Rewriting Conceptual Art. London: Reaction Books, 1999. O’Doherty, Brian. Inside the White Cube: The Ideology of the Gallery Space. Berkley:

 

University of California Press, 1986.

 

O’Rourke, Karen. Walking and Mapping: Artists as Cartographers. Cambridge: MIT Press, 2013.

 

Obrist, Hans Ulrich. Do It: The Compendium. New York: Independent Curators International/D.A.P., 2013.

 

Partsch-Bergsohn, Isa. Modern Dance in Germany and the Untied States: Crosscurrents and Influences. Chur: Harwood Academic Publishers, 1994.

 

Passerini, Luisa, ed. Memory and Totalitarianism. Oxford: Oxford University Press, 1992. Pavković, Aleksandar. The Fragmentation of Yugoslavia: Nationalism and War in the Balkans,

 

Second Edition. New York: St. Martin’s Press, 2000.

 

Pegrum, Mark A. Challenging Modernity: Dada Between Modern and Postmodern. Oxford: Berghahn Books, 2000.

 

Peiffer, Lorenz. Sport im Nationalsozialismus: Zum aktuellen Stand der sporthistorischen Forschung. Göttingen: Verlag Die Werkstaat, 2004, 2015.

 

Pejić, Bojana, and David Elliot. After the Wall: Art and Culture in Post-Communist Europe. Stockholm: Moderna Museet, 1999.

  

Penz, Otto. “Sport and Speed.” International Review for the Sociology of Sport. Volume 25, Number 2 (June 1990).

 

Peoples, Crocker. “A Psychological Analysis of the ‘Runner’s High’ (Human Performance).” Physical Educator. Volume 40, Number 1 (March 1, 1983).

 

Perica, Vjekoslav. Balkan Idols: Religion and Nationalism in Yugoslav States. Oxford: Oxford University Press, 2002.

 

Petrov, Ana. “Telesni projekti i regulacija normativnog tela: uloga fizičke kulture u Jugoslaviji.” Institut za etnologiju i folkloristiku. Issue 51, Number 2 (2014).

 

Pfister, Gertrud, ed. Gymnastics, A Transatlantic Movement: From Europe to America. New York: Routledge, 2011.

 

Phelan, Peggy. Unmarked: The Politics of Performance. New York: Routledge, 1993. Phillips, Christopher, ed. Photography in the Modern Era: European Documents and Critical

 

Writings, 1913 - 1940. New York: The Metropolitan Museum of Art/Aperature, 1990. Phillips, Murray G. Deconstructing Sport History: A Postmodern Analysis. Albany: State

 

University of New York Press, 2006.

 

Pissaro, Joachim, et al. Martin Creed: What’s the Point of It? London: Hayward Publishing, 2014.

 

Piotrowski, Piotr. In the Shadow of Yalta: Art and the Avant-Garde in Eastern Europe, 1945 - 1989. London: Reaktion, 2009.

 

Preston-Dunlop, Valerie. Rudolf Laban: An Extraordinary Life. London, Dance Books, 1998. Preziosi, Donald. Art Religion Amnesia: The Enchantments of Credulity. New York: Routledge,

  

Pursell, Caroll. White Heat: People and Technology. Berkley: University of California Press, 1994.

 

Quercetani, R. L. A World History of Track and Field Athletics 1864-1964. London: Oxford University Press, 1964.

 

Rabinbach, Anson. The Human Motor: Energy, Fatigue, and the Origins of Modernity. New York: Basic Books, 1990.

 

Rabinow, Paul, ed. The Foucault Reader. New York: Random House, 1984.

  

Radstone, Susannah, and Bill Schwarz, Memory: Histories, Theories, Debates. New York: Fordham University Press, 2010.

 

Rancière, Jacques. Aesthetics and its Discontents. Malden: Polity Press, 2004.

Rancière, Jacques. The Emancipated Spectator. Translated by Gregory Elliot. London: Verso,

 

Rancière, Jacques. The Politics of Aesthetics: The Distribution of the Sensible. London: Continuum, 2006.

 

Rees, A.L., and Duncan White, Steven Ball, David Curtis, eds. Expanded Cinema: Art, Performance, Film. London: Tate Publishing, 2011.

 

Rempel, Gerhard. Hitler’s Children: The Hitler Youth and the SS. Chapel Hill: University of North Carolina Press, 1989.

 

Richards, Mary. Marina Abramović. New York: Routledge, 2010.

Ricoeur, Paul. Oneself as Another. Translated by Kathleen Blamey. Chicago: University of

 

Chicago Press, 1992.

Rosa, Hartmut. Beschleunigung und Entfremdung: Entwurf einer Kritischen Theorie

 

spätmoderner Zeitlichkeit. Berlin: Suhrkamp, 2013.

Rosa, Hartmut, and William E. Scheuerman. High-Speed: Social Acceleration, Power, and

 

Modernity. University Park, PA: The Pennsylvania State University, 2009.

Rosati, Lauren, and Mary Anne Staniszewski, eds. Alternative Histories: New York Art Spaces,

 

1960-2010. Cambridge: MIT Press, 2012.

 

Rosenstone, Robert A., “History in Images/History in Words: Reflections on the Possibility of Really Putting History onto Film.” The American Historical Review. Volume 93. Number 5 (December 1988).

 

Rossol, Nadine. Performing the Nation in Interwar Germany: Sport, Spectacle, and Political Symbolism, 1926 - 1936. New York: Palgrave Macmillan, 2010.

 

Roxby-Maude, Alice, On Camera: Performance and Photography. Southampton: John Hansard Gallery, 2007.

 

Ruyter, Nancy Lee Chalfa. The Cultivation of Body and Mind in Nineteenth-Century American Delsartism. Westport, CT: Greenwood Press, 1999.

 

Salazar, James B. Bodies of Reform The Rhetoric of Character in Gilded Age America. New York: New York University Press, 2010.

  

Schechner, Richard. Essays on Performance Theory 1970 - 1976. New York: Drama Book Specialists, 1973, 1977.

 

Scheerder, Jeroen, and Koen Breedveld, eds. Running Across Europe: The Rise and Size of One of the Largest Sport Markets. New York: Palgrave Macmillan, 2015.

 

Seckinelgin, H., and Billy Wong, eds. Global Civil Society 2011: Globally and the Absence of Justice. Hampshire: Palgrave Macmillan, 2011.

 

Sekula, Allan. “The Body and the Archive.” October. Volume 39 (Winter, 1986). Semon, Richard. Die mnemischen Empmfindungen in ihren Beziehungen zu den

 

Originalempfindungen. Leipzig: W. Engelmann, 1909.

Shawn, Ted. Every Little Movement: A Book About François Delsarte. Pittsfield, MA: The Eagle

 

Printing and Binding Company, 1954.

Shayt, David H. “Stairway to Redemption: America’s Encounter with the British Prison

 

Treadmill.” Technology and Culture, Volume 30, Number 4 (Oct. 1989).

Sheridan, Heather, and Leslie Howe, and Keith Thompson, eds. Sporting Reflections: Some

 

Philosophical Perspectives. Aachen: Meyer & Meyer Verlag, 2007.

 

Siegmund, Gerald, and Stefan Hölscher, eds. Dance, Politics, and Co-Immunity: Thinking Resistances, Current Perspectives on Politics and Communities in the Arts. Volume 1. Zürich- Berlin: Diaphanes, 2013.

 

Sileo, Diego, and Eugenio Viola, PAC (Milano), eds. Marina Abramović: The Abramović Method. 2 Volumes. Milan: 24 ORE Cultura, 2012.

 

Silverman, Kaja. The Subject of Semiotics. New York: Oxford University Press, 1983.

Slevin, Tom. Vision of the Human: Art, World War One and the Modernist Subject. London: I.B.

 

Tauris, 2015.

 

Solnit, Rebecca. River of Shadows: Eadweard Muybridge and the Technological Wild West. New York: Viking, 2003.

 

Solnit, Rebecca. Wanderlust: A History of Walking. London: Verso, 2001.

Sontag, Susan. Against Interpretation and Other Essays. New York: Picador, 1966, 2001. Sontag, Susan. “Fascinating Fascism.” The New York Review of Books (6 February 1975). Sontag, Susan. On Photography. New York: Picador, 1977.

  

Spieker, Sven. The Big Archive: Art from Bureaucracy. Cambridge: MIT Press, 2008. Stepišnik, Drago. Oris Zgodovine Telesne Kulture na Slovenskem. Ljubljana: Dražavna založba

 

Slovenija, 1968.

 

Stipančić, Branka. “‘Zame je resničnost umetnost,’ Intervju s Tomislavom Gotovcem.” Vijenac, Number 123/VI (8 Oct. 1998).

 

Stoddart, Tom. Sarajevo. Washington, D.C.: Smithsonian Institution Press, 1998.

Stošić, Mirjana. “Body-name — The Brotherhood Chronotype and Social Choreography.”

 

Култура/Culture (2015).

Suljagić, Emir. Postcards from the Grave. Translated by Lejla Haverić. London: The Bosnian

 

Institute, 2005.

 

Susovski, Marijan, ed. The New Art Practice in Yugoslavia, 1966 - 1978. Zagreb: Gallery of Contemporary Art, 1978.

 

Sutil, Nicolás Salazar. Motion and Representation: The Language of Human Movement. Cambridge: MIT Press, 2015.

 

Swenson, Kirsten. Irrational Judgements: Eva Hesse, Sol Lewitt, and 1960s New York. New Haven: Yale University Press, 2015.

 

Szeemann, Harold. Zum freien Tanz, zu reiner Kunst. Rolandseck: Stiftung Hans Arp und Sophie Taeuber-Arp, 1991.

 

Tagg, John. The Burden of Representation: Essays on Photographies and Histories. Minneapolis: University of Minnesota Press, 1988.

 

Tilmans, Karin, and Frank van Vree, Jay Winter, eds. Performing the Past: Memory, History, and Identity in Modern Europe. Amsterdam: Amsterdam University Press, 2010.

 

Tumarkin, Maria M. Traumascapes: The Power and Fate of Places Transformed by Tragedies. Victoria, Australia: Melbourne University Press, 2005.

 

Udall, Sharyn R. Dance and American Art: A Long Embrace. Madison: University of Wisconsin Press, 2012.

 

Vacche, Angela Dalle. Film, Art, New Media: Museum without Walls? New York: Palgrave Macmillan, 2012.

 

Vertinsky, Patricia Anne. The Eternally Wounded Woman: Women, Doctors, and Exercise in the Late Nineteenth Century. Manchester: Manchester University Press, 1989.

  

Virilio, Paul. The Art of the Motor. Translated Julie Rose. Minneapolis: University of Minnesota Press, 1995.

 

Weibel, Peter. Beyond Art: A Third Culture. Vienna: Ambra Verlag, 2005.

 

Wells, Liz, ed. Photography: A Critical Introduction. New York: Rutledge, 1996/2015.

 

Westcott, James. When Marina Abramović Dies: A Biography. Cambridge: MIT Press, 2010.

 

White, Hayden. “Historiography and Historiophoty.” The American Historical Review. Volume 93. Number 5 (December 1988).

 

White, Hayden V. Metahistory: The Historical Imagination in Nineteenth-Century Europe. Baltimore: Johns Hopkins University Press, 1973.

 

Wiehager, Renate, ed. Moving Pictures: Photography and Film in Contemporary Art. Ostfildern- Ruit, Germany: Hate Cantz Publishers, 2001.

 

Williams, Raymond. Culture and Society, 1780 - 1950. New York: Columbia University Press, 1958/1983.

 

Wood, Catherine. Yvonne Rainer: The Mind is a Muscle. London: Afterall, 2007. Wood, Denis. The Power of Maps. New York: Guilford Press, 2010.

 

Woodward, Susan L. Balkan Tragedy: Chaos and Dissolution after the Cold War. Washington, D.C.: The Brookings Institution, 1995.

 

Young, Kevin. Deviance and Social Control in Sport. Champaign, IL: Human Kinetics, 2008. Youngblood, Gene. Expanded Cinema. New York: E.P. Dutton and Co., 1970.

 

Zelizer, Barbie, ed. Visual Culture and the Holocaust. New Brunswick: Rutgers University Press, 2001.

 

Zidić, Igor, and Ana Dević, Antonio Gotovac Lauer a.k.a. Tomislav Gotovac. Antonio Gotovac Lauer: Čelična mreža. Zagreb: Moderna Galerija and Studio Josip Račič, 2006.

 

Zorn, John W., ed. The Essential Delsarte. Metuchen, NJ: The Scarecrow Press, Inc, 1968.

 

Žižek, Slavoj. The Indivisible Remainder: An Essay on Schelling and Related Matters. London: Verso, 1996.

 

----

  

------------about Venice Biennale history from wikipedia ---------

curators previous

* 1948 – Rodolfo Pallucchini

* 1966 – Gian Alberto Dell'Acqua

* 1968 – Maurizio Calvesi and Guido Ballo

* 1970 – Umbro Apollonio

* 1972 – Mario Penelope

* 1974 – Vittorio Gregotti

* 1978 – Luigi Scarpa

* 1980 – Luigi Carluccio

* 1982 – Sisto Dalla Palma

* 1984 – Maurizio Calvesi

* 1986 – Maurizio Calvesi

* 1988 – Giovanni Carandente

* 1990 – Giovanni Carandente

* 1993 – Achille Bonito Oliva

* 1995 – Jean Clair

* 1997 – Germano Celant

* 1999 – Harald Szeemann

* 2001 – Harald Szeemann

* 2003 – Francesco Bonami

* 2005 – María de Corral and Rosa Martinez

* 2007 – Robert Storr

* 2009 – Daniel Birnbaum

* 2011 – Bice Curiger

* 2013 – Massimiliano Gioni

* 2015 – Okwui Enwezor

* 2017 – Christine Macel[19]

* 2019 – Ralph Rugoff[20]

  

----------

 

#art #artist #artistic #artists #arte #artwork

 

Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal

 

venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya

 

art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist

 

other Biennale :(Biennials ) :

Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS

* Dakar

  

kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער

 

Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya

 

Thierry Geoffroy / Colonel

#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist

 

#artformat #formatart

#emergencyart #urgencyart #urgentart #artofthenow #nowart

emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart

 

#InstitutionalCritique

 

#venicebiennale #venicebiennale2017 #venicebiennale2015

#venicebiennale2019

#venice #biennale #venicebiennale #venezia #italy

#venezia #venice #veniceitaly #venicebiennale

 

#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday

 

#biennalevenice

 

Institutional Critique

 

Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology

 

Racial and Ethnic Identity, Neo-Conceptualism, Diaristic

 

Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,

 

Culture, Collective History, Group of Portraits, Photographic Source

 

, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary

 

War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict

 

Personal Histories, Alter Egos and Avatars

 

Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text

  

Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism

 

Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis

 

—-

 

CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.​

Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.

 

It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...

 

The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...

 

Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...

 

Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .

 

www.emergencyrooms.org/criticalrun.html

 

www.emergencyrooms.org/formats.html

-------

In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center

------

for activating the format or for inviting the installation

please contact 1@colonel.dk

 

www.colonel.dk/

 

-----

 

critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,

 

Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary

,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat

 

,now art,copenhagen,denmark

 

ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE

 

is the critical run

and other emergency art format

 

CRITICAL RUN / Debate Format

 

Critical Run is an Art Format created by Thierry Geoffroy/Colonel

debate while running .

Debate and Run together,Now,before it is too late.

 

www.emergencyroomscanvas todo .org/criticalrun.html

 

The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates

New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,

Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...

 

CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because

a debate was necessary here and now.

 

In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich

part of Colonel solo show : The Awareness Muscle Training Center

 

----

 

Interesting publication for researches on running and art

 

www.emergencyrooms.org/formats.html

 

14 Performances. Relation Work (1976 - 1980). Filmed by Paolo Cardazzo. Marina Abramović/ Ulay. Neuer Berliner Kunstverein, Berlin, Germany.

 

Abramović, Marina. Student Body: Workshops 1979 - 2003: Performances 1993 - 2003. Milano: ed. Charta, 2003.

 

Bergson, Henri. Creative Evolution. London: Macmillan and Co., 1911.

Bergson, Henri. Key Writings. Edited by Keith Ansell-Pearson and John Mullarkey. New York:

 

Continuum, 2002.

Bergson, Henri. Matter and Memory. New York: Zone Books, 1988.

 

Blaikie, William. “Common Sense Physical Training.” In Athletics and Health: Modern Achievement: Advice and Instruction upon the Conduct of Life, Principles of Business, Care of Health, Duties of Citizenship, etc. Edited by Edward Everett Hale. New York: P.F. Collier & Son, 1902.

 

Blaikie, William. How to Get Strong and How to Stay So. New York: Harper & Brothers Publishers, 1883.

 

Cunningham, Merce. Changes: Notes on Choreography. New York: Something Else Press, 1969.

 

de Balzac, Honoré. The Human Comedy. EBook: Project Gutenberg, 2010. de Balzac, Honoré. Théorie de la démarche. 1833, 1853.

 

de Biran, Maine. “Opposition du principe de Descartes avec celui d’une science de l’homme. Première base d’une division des faits psychologiques et physiologiques. Perception et sensation animale.” In Maine de Biran. Librairie Philosophique J. VRIN, 1990.

 

de Tocqueville, Alexis. The Old Regime and the Revolution. New York: Harper & Brothers, Publishers, 1856.

 

Delaumosne, M. L’Abbe. “The Delsarte System.” Translated by Frances A. Shaw. In Delsarte System of Oratory, 4th Ed. New York: Edgar S. Werner, 1893.

 

Descartes, René. Méditations metaphysiques. 1641.

 

Gropius, Walter, and Arthur S. Wensinger, eds. The Theater of the Bauhaus: Oskar Schlemmer, Laszlo Moholy-Nagy, Farkas Molnár. Translated by Arthur S. Wensinger. Middleton, Conn.: Wesleyan University, 1961.

 

Hahn, Archibald. How to Sprint: The Theory of Spring Racing. New York: American Sports Publishing Company, 1923.

 

Hegel, Georg Wilhelm Friedrich. Phenomenology of Spirit. Translated by A.V. Miller. Oxford: Oxford University Press, 1977.

 

Helmholtz, Hermann. “On the Facts Underlying Geometry.” In Epistemological Writings: Hermann von Helmholtz. Edited by R.S. Cohen and Y. Elkana. Boston: D. Reidel Publishing Company, 1977.

 

Helmholtz, Hermann. Théorie physiologique de la musique fondée sur l’étude des sensations auditives. Paris: Masson, 1868.

 

Helmholtz, Hermann. Treatise of Physiological Optics (Handbuch der physiologischen Optik) 1856. 3 Volumes. Translated by James P.C. Southall. Milwaukee, 1924.

 

Holmes, Oliver Wendall. Soundings from the Atlantic. Boston: Tickknor and Fields, 1864. James, William. The Principles of Psychology. New York: Henry Holt & Co, 1890, 1918.

 

James, William. Writings 1902 - 1910. Edited by Bruce Kuklick. New York: Literary Classics of the United States, 1987.

 

Kandinsky, Vasily. Über Das Geistige in der Kunst. Dritte Auflage. München: R. Piper&Co, 1912.

 

Kant, Immanuel. “Was ist Aufklärung?” 1784.

 

Laban, Rudolf. A Life for Dance: Reminiscences. Translated by Lisa Ullmann. London: Macdonald & Evans, 1975.

 

Laban, Rudolf. Choreographie. Jena: E. Diederichs, 1926.

 

Laban, Rudolf. Choreutics. Edited by Lisa Ullmann. London: Macdonald & Evans, 1939, 1966.

 

Laban, Rudolf. Effort: Economy in Body Movement. 2nd Edition. Boston: Plays, 1947, 1974.

 

Laban, Rudolf. Principles of Dance and Movement Notation. New York: A Dance Horizons Republication, 1956, 1970.

 

Laban, Rudolf. The Language of Movement: A Guidebook to Choreutics. Edited by Lisa Ullmann. Boston: Plays, Inc., 1974.

  

MacKaye, Percy. “Steele Mackaye, Dynamic Artist of the American Theatre; An Outline of his Life Work,” in The Drama. Edited by William Norman Guthrie and Charles Hubbard Sergel. Chicago: The Dramatic Publishing Company, 1911.

 

Marey, Étienne-Jules. La Machine Animale: Locomotion Terrestre et Aérienne. Paris: Librairie Germer Baillière, 1873.

 

Marey, Étienne-Jules. Le Vol des Oiseaux. Paris: Libraire de l’académie de médecine, 1890. Marey, Étienne-Jules. Movement. Translated by Eric Pritchard. New York: D. Appleton and

 

Company, 1895.

 

Michelet, Jules. The History of France. Volume I. Translated by Walter K. Kelly. London: Chapman and Hall, 1844.

 

Morgan, Anna. An Hour with Delsarte: A Study of Expression. New York: Edgar S. Werner Publisher, 1891.

 

Muybridge, Eadweard. Animal Locomotion: An Electro-photographic Investigation of Consecutive Phases of Animal Movements. Philadelphia: University of Pennsylvania and J. B. Lippincott Company, 1887.

 

Muybridge, Eadweard. Descriptive Zoopraxography, or the Science of Animal Locomotion. Philadelphia: University of Pennsylvania, 1893.

 

Muybridge, Eadweard. The Attitudes of Animals in Motion: A Series of Photographs Illustrating the Consecutive Positions assumed by Animals in Performing Various Movements; Executed at Palo Alto, California, in 1878 and 1879 (1881). Albumen, Library of Congress, Washington, D.C., Library of Congress.

 

Muybridge, Eadweard. The Human Figure in Motion. New York: Dover Publications, 1955. Ramsaye, Terry. A Million and One Nights: A History of the Motion Picture. U.K.: Simon and

 

Schuster, Inc., 1926, 1954.

Richer, Paul. Physiologie Artistique: De l’Homme en Mouvement. Paris: Aulanier et Cie, 1896.

 

Sanburn, Frederic. Delsartean Scrap-book: Health, Personality, Beauty, House-Decoration, Dress, etc. New York: United States Book Company, c. 1890.

 

Schlemmer, Oskar. Briefe und Tagebücher: The Letters and Diaries of Oskar Schlemmer. Edited by Tut Schlemmer. Translated by Krishna Winston. Middletown, Conn: Wesleyan University Press, 1972.

  

Schlemmer, Oskar, and Heimo Kuchling. Der Mensch, Unterricht am Bauhaus. Nachgelassene Aufzeichnungen. Mainz: F. Kupferberg, 1969.

 

Schuftan, Werner. Handbuch des Tanzes. Preface by Rudolf von Laban. Mannheim: Verlag Deutscher Chorsänger Verband und Tänzerbund, 1928.

 

Shearman, Sir Montague. Athletics and Football. London: Longmans, Green, and Co., 1888. Smith, Shawn Michelle. At the Edge of Sight: Photography and the Unseen. Durham: Duke

 

University Press, 2013.

 

Stebbins, Genevieve. Delsarte System of Expression, 5th Edition. New York: Edgar S. Werner, 1894; orig. 1885.

 

Talbot, Frederick A. Practical Cinematography and its Applications. London: William Heinemann, 1913.

 

Wigman, Mary. The Mary Wigman Book: Her Writings. Middletown, CT: Wesleyan University Press, 1975.

 

Abramović, Marina, et al. Marina Abramović: Seven Easy Pieces. New York: Charta 2007. Acconci, Vito. Language to Cover a Page: The Early Writings of Vito Acconci. Edited by Craig

 

Dworkin. Cambridge: MIT Press, 2006.

Adolphs, Volker, and Philip Norten. Gehen Bleiben: Bewegung, Körper, Ort in der Kunst der

 

Gegenwart. Bonn: Kunstmuseum Bonn, 2007.

Agamben, Giorgio. “Movement.” In Dance: Documents of Contemporary Art. Edited André

 

Lepecki. London: MIT Press and WhiteChapel Gallery, 2012.

Alberro, Alexander, and Blake Stimson, eds. Institutional Critique: An Anthology of Artists’

 

Writings. Cambridge: MIT Press, 2009.

Albers, Kate Palmer. “Abundant Images and the Collective Sublime.” Exposure. Volume 46,

 

Issue 2 (Fall 2013).

 

Allen, Beverly. Rape Warfare: The Hidden Genocide in Bosnia-Herzegovina and Croatia. Minneapolis: University of Minnesota Press, 1996.

 

Alloway, Lawrence. The Venice Biennale 1895 - 1968: from salon to goldfish bowl. Greenwich, CT: New York Graphic Society LTD., 1968.

Anderson, Ben. “Affect and Biopower: Towards a Politics of Life.” Transactions - Institute of British Geographers, Issue 1 (2011).

 

Andras, Edit, and Bojana Pejic, eds. Gender Check: Femininity and Masculinity in the Art of Eastern Europe. Cologne: Buchhandlung Walther König, 2009.

 

Antliff, Mark. Inventing Bergson: Cultural Politics and the Parisian Avant-Garde. Princeton: Princeton University Press, 1992.

 

Arendt, Hannah. The Human Condition, Second Edition. Chicago: University of Chicago Press, 1958, 1998.

 

Arendt, Hannah. On Violence. New York: Harcourt Brace, 1969.

Atkins, Dawn, ed. Looking Queer: Body Image and Identity in Lesbian, Bisexual, Gay, and

 

Transgender Communities. New York: The Haworth Press, 1998.

Ault, Julie, ed. Alternative Art, New York, 1965-1985: A Cultural Politics Book for the Social

 

Text Collective. Minneapolis: University of Minnesota Press, 2002.

Auslander, Philip. “Going with the Flow: Performance Art and Mass Culture.” TDR. Volume 33,

 

Number 2 (Summer 1989).

Auslander, Philip. “The Performativity of Performance Documentation.” PAJ 84 (2006).

 

Backstein, Joseph, and Daniel Birnbaum, Sven-Olov Wallenstein. Thinking Worlds - The Moscow Conference on Philosophy, Politics, and Art. Berlin: Sternberg Press, 2008.

 

Badovinac, Zdenka. Body and the East: From the 1960s to the Present. Cambridge, Mass.: MIT Press, 1999.

 

Baer, Ulrich. Spectral Evidence: The Photography of Trauma. Cambridge: MIT Press, 2002. Baker, George. “Entr’acte.” October. Volume 105 (Summer 2003).

 

Bale, John. Imagined Olympians: Body Culture and Colonial Representations in Rwanda. Minneapolis: University of Minnesota Press, 2002.

 

Bale, John. Running Cultures: Racing in Time and Space. London: Frank Cass, 2004. Banes, Sally. Democracy’s Body: Judson Dance Theatre, 1962 - 1964. Durham, NC: Duke

 

University Press, 1993.

 

Banes, Sally. Terpsichore in Sneakers: Post-Modern Dance, 2nd edition. Middletown, CT: Wesleyan University Press, 1987.

  

Bartenieff, Irmgard. Body Movement: Coping with the Environment. New York: Routledge, 2002.

 

Barthes, Roland. Camera Lucida: Reflections on Photography. Translated by Richard Howard. New York: Hill and Wang, 198, 2010.

 

Barthes, Roland. Mythologies. Translated by Annette Lavers. New York: Hill and Wang, 1972. Batchen, Geoffrey. Burning with Desire: The Conception of Photography. Cambridge: MIT

 

Press, 1997.

 

Baudelaire, Charles. The Parisian Prowler, Le Spleen de Paris Petits Poèmes en Prose. Translated by Edward K. Kaplan. Athens: The University of Georgia Press, 1989.

 

Bauer, M. W. and G. Gaskell. Biotechnology — the Making of a Global Controversy. Cambridge: Cambridge University Press, 2002.

 

Bayat, Asef. Life as Politics: How Ordinary People Change the Middle East. Amsterdam: Amsterdam University Press, 2010, 2015.

 

Belaief, Lynne. “Meanings of the Body.” Journal of the Philosophy of Sport. Volume 4, Issue 1 (1977).

 

Bell, Catherine. Ritual: Perspectives and Dimensions. New York: Oxford University Press, 1997.

 

Benjamin, Walter. Charles Baudelaire: A Lyric Poet in the Era of High Capitalism. Translated by Harry Zohn. London: Verso, 1997.

 

Benjamin, Walter. Selected Writings, Volumes 1 - 4. Edited by Howard Eiland and Michael W. Jennings. Cambridge: Belknap Press of Harvard University Press, 2003 - 2006.

 

Benjamin, Walter. “The Storyteller: Reflections on the Works of Nikolai Leskov.” In Illuminations. Edited by Hannah Arendt. Translated by Harry Zohn. New York: Schocken Books, 2007.

 

Bennett, Jill. Empathic Vision: Affect, Trauma, and Contemporary Art. Stanford, CA; Stanford University Press, 2005.

 

Berger, John. About Looking. New York: Pantheon Books, 1980.

 

Bergson, Henri. Laughter: An Essay on the Meaning of the Comic. Translated by Cloudesley Brereton and Fred Rothwell. New York: The Macmillan Company, 1914.

  

Bishop, Claire, and Marta Dziewańska, eds. 1968 - 1989: Political Upheaval and Artistic Change. Warsaw: Museum of Modern Art, 2009.

 

Bishop, Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship. London: Verso, 2012.

 

Bishop, Claire. Radical Museology: or, What’s ‘Contemporary’ in Museums of Contemporary Art? London: Koenig Books, 2013.

 

Black, Graham. Transforming Museums in the Twenty-First Century. New York: Routledge, 2011.

 

Blaive, Muriel, and Christian Gerbel, Thomas Lindenberger, eds. Clashes in European Memory: The Case of Communist Repression and the Holocaust. Innsbruck: Studienverlag, 2011.

 

Blassnigg, Martha. Time, Memory, Consciousness and the Cinema Experience: Revisiting Ideas on Matter and Spirit. New York: Rodopi, 2009.

 

Bloomer, Kent C., and Charles Willard Moore. Body, Memory, and Architecture. New Haven: Yale University Press, 1977.

 

Boecker, Henning, et. al. “The Runner’s High: Opioidergic Mechanisms in the Human Brain.” Cerebral Cortex. Volume 18, Number 11 (2008).

 

Bougarel, Xavier, and Elissa Helms, Ger Duijzings, eds. The New Bosnian Mosaic: Identities, Memories and Moral Claims in a Post-War Society. Hampshire, England: Ashgate, 2007.

 

Bourdieu, Pierre. Outline of a Theory of Practice. Cambridge: Cambridge University Press, 1977.

 

Bourriaud, Nicolas. Relational Aesthetics. Dijon: Les Presses du réel, 1998, 2002.

 

Brandstetter, Gabriele. Poetics of Dance: Body, Image and Space in the Historical Avant- Gardes. Translated by Elena Polzer and Mark Franko. Oxford: Oxford University Press, 1995, 2015.

 

Braudy, Leo, and Marshall Cohen, eds. Film Theory and Criticism: Introductory Readings. New York: Oxford UP, 1999.

 

Braun, Marta. Eadweard Muybridge. London: Reaktion, 2010.

Braun, Marta. Picturing Time: The Work of Etienne-Jules Marey (1830 - 1904). Chicago:

 

University of Chicago Press, 1992, 1994.

 

Brettell, Richard R. Modern Art, 1851 - 1929: Capitalism and Representation. Oxford: Oxford University Press, 1999.

  

Brooke, J.D., and H.T.A. Whiting, eds. Human Movement - A Field of Study. London: Henry Kimpton Publishers, 1973.

 

Brown, Keith S., and Yannis Hamilakis, eds. The Usable Past: Greek Metahistories. Lanham, MD: Lexington Books, 2003.

 

Brunnbauer, Ulf, and Konrad Clewing, eds. Südost-Forschungen. Munich: R. Oldenbourg Verlag, 2008.

 

Bruno, Giuliana. Atlas of Emotion: Journeys in Art, Architecture, and Film. New York: Verso, 2002.

 

Bryzgel, Amy. Performing the East: Performance Art in Russia, Latvia, and Poland since 1980. London: I.B. Tauris, 2012.

 

Buchloh, Benjamin H. D. Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975. Cambridge: MIT Press, 2001, 2003.

 

Buck-Morss, Susan. The Dialectics of Seeing: Walter Benjamin and the Arcades Project. Cambridge: MIT Press, 1991.

 

Burchell, Graham, and Colin Gordon, Peter Miller, eds. The Foucault Effect: Studies in Governmentality. Chicago: University of Chicago Press, 1991.

 

Bürger, Peter. Theory of the Avant-Garde. Translated by Michael Shaw. Minneapolis: University of Minnesota Press and Manchester University Press, 1974, 1984.

 

Butler, Judith. Bodies that Matter: On the Discursive Limits of Sex. New York: Routledge, 1993. Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge,

 

2006.

 

Butler, Samuel. Unconscious Memory: A Comparison between the Theory of Dr. Ewald Hering and the ‘Philosophy of the Unconscious’ of Dr. Edward von Hartmann. London: David Bogue, 1880.

 

Cage, John. Silence: Lectures and Writings. Middletown, CT: Wesleyan University Press, 1961. Campany, David, ed. The Cinematic: Documents of Contemporary Art. Cambridge: MIT Press,

 

2007.

Canales, Jimena. A Tenth of a Second: A History. Chicago: University of Chicago Press, 2009.

 

Careri, Francesco. Walkscapes: Walking as an Aesthetic Practice. Translated by Steve Piccolo and Paul Hammond. Barcelona: Editorial Gusavo Gili, 2002.

  

Carroll, Noël. Theorizing the Moving Image. Cambridge: Cambridge University Press, 1996. Cetinić, Ljiljana, and Ana Panić, eds. Štafete: Titova Štafeta - Štafeta Mladosti, 1945 - 1987.

 

Belgrade: Tipografik plus, 2008.

Chase, Stuart. Men and Machines. New York: Macmillan Co, 1929.

 

Christesen, Paul. Sport and Democracy in the Ancient and Modern Worlds. Cambridge: Cambridge University Press, 2012.

 

Christian, Mary. Marina Abramović: The Artist is Present. New York: The Museum of Modern Art, 2010.

 

Clark, Kenneth. The Nude: A Study in Ideal Form. New York: Pantheon Books, 1956. Coleman, Simon, and John Eade, eds. Reframing Pilgrimage: Cultures in Motion. London:

 

Routledge, 2004.

 

Connerton, Paul. The Spirit of Mourning: History, Memory and the Body. Cambridge: Cambridge University Press, 2011.

 

Cosgrove, Denis. Geography and Vision: Seeing, Imagining and Representing the World. New York: I.B. Tauris, 2008.

 

Cottington, David. Cubism in the Shadow of War: The Avant-Garde and Politics in Paris 1905- 1914. New Haven: Yale University Press, 1998.

 

Crane, Susan, ed. Museums and Memory. Stanford: Stanford University Press, 2000. Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth

 

Century. Cambridge: MIT Press, 1990.

Crow, Thomas. The Rise of the Sixties: American and European Art in the Era of Dissent.

 

London: Laurence King Publishing, 1996.

 

Csiksgentmihalyi, Mihaly. Creativity! Flow and psychology of discovery and invention. New York: Harper Collins, 1996.

 

Cumming, John. Runners & Walkers: A Nineteenth Century Sports Chronicle. Chicago: Regency Gateway, 1981.

 

Cvejić, Bojana, and Ana Vujanović. Public Sphere by Performance. Belgrade: b_books, TkH, 2012.

  

Dagg, Anne Innis. Running, Walking, and Jumping: The Science of Locomotion. New York: Crane, Russak & Company, Inc, 1977.

 

de Certeau, Michel. The Practice of Everyday Life. Translated by Steven Rendall. Berkeley: University of California Press, 1984, 1988.

 

de Certeau, Michel. The Writing of History. Translated by Tom Conley. New York: Columbia University Press, 1975, 1988.

 

de Groote, Pascale. Ballets Suédois: Jean Börlin. Ghent: University of Ghent, 2002.

de Waal, Frans. The Age of Empathy: Nature’s Lessons for a Kinder Society. New York:

 

Harmony Books, 2009.

 

Deleuze, Gilles. Cinema 1: The Movement-Image. Minneapolis: University of Minnesota Press, 1986.

 

Deleuze, Gilles, and Félix Guattari. A Thousand Plateaus. London: Continuum, 1980, 2008. Dewey, John. The Public and its Problems: An Essay in Political Inquiry. Edited by Melvin L.

 

Rogers. University Park, PA: The Pennsylvania State University, 2012.

di Giovanni, Janine. Madness Visible: A Memoir of War. London: Bloomsbury, 2005.

 

Djetelić, Pera, and Dragan Maršičević. Narodna Omladina i Jugoslovenski Kongres za Fizičku Kulturu. Beograd: Mladost, 1959.

 

Djurić, Dubravka, and Miško Šuvaković, eds. Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918 - 1991. Cambridge: MIT Press, 2003.

 

Donawerth, Jane, ed. Rhetorical Theory by Women before 1900: An Anthology. Lanham, MD: Rowman & Littlefield Publishers, Inc, 2002.

 

Dörr, Evelyn. Rudolf Laban: The Dancer of the Crystal. Lanham, Maryland: The Rowman & Littlefield Publishing Group, Inc., 2008.

 

Drakulić, Slavenka. Balkan Express: Fragments from the Other Side of War. London: Hutchinson, 1993.

 

Drakulić, Slavenka. They Would Never Hurt a Fly: War Criminals on Trial in the Hague. New York: Penguin, 2005.

 

Drapag, Vesna. Constructing Yugoslavia: A Transnational History. London: Palgrave Macmillan, 2010.

Duncan, Carol. Civilizing Rituals: Inside Public Art Museums. Abingdon: Routledge, 1995. Eamon, Christopher. Rearview Mirror: New Art from Central and Eastern Europe. Edmonton:

 

Art Gallery of Alberta, 2011.

 

Eichberg, Henning, ed. Body Cultures: Essays on Sport, Space, and Identity. London, New York: Routledge, 1998.

 

Elias, Norbert. The Civilizing Process. Sociogenetic and Psychogenetic Investigations. Oxford: Blackwell, 1939, 2000.

 

Elias, Norbert, and Eric Dunning. Quest for Excitement: Sport and Leisure in the Civilising Process. Dublin: University of College Dublin Press, 2008.

 

Enwezor, Okwui. Archive Fever: Uses of the Document in Contemporary Art. Göttingen: Steidl Publishers, 2008.

 

Erjavec, Aleš, ed. Postmodernism and the Postsocialist Condition: Politicized Art under Late Socialism. Berkeley: University of California Press, 2003.

 

Fer, Briony, and David Batchelor, Paul Wood. Realism, Rationalism, Surrealism: Art Between the Wars. New Haven: Yale University Press, 1993.

 

Finn, David. How to Visit A Museum. New York: Abrams, 1985.

Fleming, Bruce. Running is Life: Transcending the Crisis of Modernity. Lanham: University

 

Press of America, Inc, 2010.

 

Forrester, Sibelan E.S., and Magdalena J. Zaborowska, Elena Gapova, eds. Over the Wall/After the Fall: Post-Communist Cultures Through an East-West Gaze. Bloomington: Indiana University Press, 2004.

 

Foster, Hal. The Return of the Real: The Avant-Garde at the End of the Century. Cambridge: MIT Press, 1996.

 

Foster, Hal. “What’s Neo about the Neo-Avant-Garde?” October. Volume 70, The Duchamp Effect (Autumn, 1994), 5 - 32.

 

Foucault, Michel. Discipline and Punish: The Birth of the Prison. Translated by Alan Sheridan. New York: Vintage Books, Random House, Inc, 1977, 1995.

 

Foucault, Michel. The History of Sexuality Volume 1. Translated by Robert Hurley. New York: Pantheon Books, 1978.

 

Foucault, Michel. Power/Knowledge: Selected Interviews & Other Writings, 1972 - 1977. Edited by Colin Gordon. New York: Pantheon Books,1972, 1980.

  

Fraleigh, Sondra Horton. Dance and the Lived Body: A Descriptive Aesthetics. Pittsburgh: University of Pittsburgh Press, 1987.

 

Frampton, Hollis. “Eadweard Muybridge: Fragments of a Tesseract.” In On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton. Cambridge: MIT Press, 2009.

 

Fried, Michael. Four Honest Outlaws: Sala, Ray, Marioni, Gordon. New Haven: Yale University Press, 2011.

 

Gallagher, Catherine, and Thomas Laqueur, eds. The Making of the Modern Body: Sexuality and Society in the Nineteenth Century. Berkeley: University of California Press, 1987.

 

Gamwell, Lynn, ed. Dreams Nineteen Hundred to Two Thousand: Science, Art, and the Unconscious Mind. Binghamton: State University of New York at Binghamton, 2000.

 

Gay, Peter. Savage Reprisals: Bleak House, Madame Bovary, Buddenbrooks. New York: W.W. Norton & Company, 2002.

 

Gehm, Sabine, and Pirkko Husemann, Katharina von Wilke, eds. Knowledge in Motion: Perspectives of Artistic and Scientific Research in Dance. Translated by Bettina von Arps- Aubert. Bielefeld: Transcript, 2007.

 

Genoways, Hugh H., ed. Museum Philosophy for the Twenty-First Century. Oxford: AltaMira Press, 2006.

 

Geoghegan, Bernard Dionysius. “After Kittler: On the Cultural Techniques of Recent German Media Theory.” Theory Culture Society (August 2013).

 

Gidal, Peter. Materialist Film. London: Routledge, 1989.

Giedion, Siegfried. Space, Time, and Architecture: The Growth of a New Tradition. Cambridge:

 

Harvard University Press, 1974.

 

Godard, Jean-Luc. Godard on Godard. Edited by Jean Narboni and Tom Milne. New York: The Viking Press, 1968, 1972.

 

Gödl, Doris. “Challenging the Past: Serbian and Croatian Aggressor-Victim Narratives.” International Journal of Sociology 37. No. 1 (2007).

 

Goldberg, Roselee. Performance: Live Art Since the ‘60s. London: Thames & Hudson, 2004.

 

Goldberg, Roselee. Performance Art: From Futurism to the Present. London: Thames & Hudson, 2001.

  

Goldberg, Vicki, ed. Photography in Print: Writings from 1816 to the Present. New York: Simon and Schuster, 1981.

 

Golding, Sue, ed. The Eight Technologies of Otherness. London: Routledge, 1997. Gotaas, Thor. Running: A Global History. London: Reaktion Books, 2009.

 

Grau, Andrée, and Stephanie Jordan. Europe Dancing: Perspectives on Theatre, Dance, and Cultural Identity. New York: Routledge, 2000.

 

Grigorov, Dimitar. “‘Рачунајте на нас.’ ‘Oдломак’ о Титовој штафети или Штафети младости.” In Друштвену историју. Belgrade: 2008.

 

Grimes, Ronald L. Beginnings in Ritual Studies. Columbia: University of South Carolina Press, 1995.

 

Groys, Boris. Introduction to Antiphilosophy. Translated by David Fernbach. London: Verso, 2012.

 

Groys, Boris. The Communist Postscript. Translated by Thomas Ford. London: Verso, 2010. Groys, Boris, and Ann von der Heiden, Peter Weibel, eds. Zurück aus der Zukunft.

 

Osteuropäische Kulturen im Zeitalter des Postkommunismus. Berlin: Suhrkamp, 2005.

Gržinić, Marina, and Günther Heeg, Veronika Darian. Mind the Map! History is not a Given: A

 

th th

Critical Anthology Based on the Symposium [Leipzig, 13 -16 October 2005]. Frankfurt:

 

Revolver, 2006.

 

Guttman, Allen. “Sport, Politics, and the Engaged Historian.” Journal of Contemporary History. Volume 38, Number 3 (2003).

 

Hardt, Michael, and Antonio Negri. Empire. Boston, Harvard University Press, 2001. Hargreaves, Jennifer, and Patricia Anne Vertinsky, eds. Physical Culture, Power, and the Body.

 

New York: Routledge, 2007.

 

Harris, Mary Emma. The Arts at Black Mountain College. Cambridge: MIT Press, 1987, 2002.

 

Harte, Jane L., et. al. “The effects of running and meditation on beta-endorphin, corticotropin- releasing hormone and cortisol in plasma, and on mood.” Biological Psychology. Volume 40, Issue 3 (June 1995).

 

Harte, Jane L., and Georg H. Eifert. “The effects of running, environment, and attentional focus on athletes’ catecholamine and cortisol levels and moods.” Psychophysiology. Volume 32, Issue 1 (January 1995).

  

Havránek, Vít, ed. Jiří Kovanda: Actions and Installations, 2005-1976. Zurich: Tranzit & JRP|Ringier, 2006.

 

Helme, Sirje. PopKunst Forever: Estonian Pop Art at the Turn of the 1960s and 1970s. Tallinn: Art Museum of Estonia - Kumu Art Museu, 2010.

 

Hemmings, Frederick William John, ed. The Age of Realism. Baltimore: Penguin Books, 1974. Hendricks, Gordon. Eadweard Muybridge: The Father of the Motion Picture. New York:

 

Grossman Publishers, of Viking Press, 1975.

 

Henning, Michelle. Museums, Media, and Cultural Theory. New York: Open University Press, 2006.

 

Hewitt, Andrew. Social Choreography: Ideology as Performance in Dance and Everyday Movement. Durham: Duke University Press, 2005.

 

Higgins, Steven. Still Moving: The Film and Media Collections of the Museum of Modern Art. New York: The Museum of Modern Art, 2006.

 

Hoberman, John M. “Sport and Political Ideology.” Journal of Sport and Social Issues. Volume 1, Number 2 (1977).

 

Hodgson, John. Mastering Movement: The Life and Work of Rudolf Laban. New York: Routledge, 2001.

 

Hoelzl, Ingrid, and Friedrich Tietjen, eds. Images in Motion. Burges: Die Keure, 2012. Husserl, Edmund. The Phenomenology of Internal Time-Consciousness. Edited by Martin

 

Heidegger. Translated by James S. Churchill. Bloomington: Indiana University Press, 1964.

 

IRWIN, ed. East Art Map: Contemporary Art and Eastern Europe. London: Afterall and MIT Press, 2006.

 

Ivey, Paul Eli. Radiance from Halcyon: A Utopian Experiment in Religion and Science. Minneapolis: University of Minnesota Press, 2013.

 

Jameson, Frederic. Postmodernism, or, The Cultural Logic of Late Capitalism. Durham: Duke University Press,1991.

 

Janevski, Ana, ed. As Soon as I Open My Eyes I See a Film: Experiment in the Art of Yugoslavia in the 1960s and 1970s. Warsaw: Museum of Modern Art, 2010.

 

Jarausch, Konrad H., and Michael Geyer. Shattered Past: Reconstructing German Histories. Princeton, NJ: Princeton University Press, 2003.

  

Jones, Amelia. Body Art/Performing the Subject. Minneapolis: University of Minnesota Press, 1998.

 

Jones, Amelia, and Adrian Heathfield. Perform, Repeat, Record: Live Art in History. Chicago: University of Chicago Press, 2012.

 

Jones, Amelia. “The Body and Technology.” Art Journal. Volume 60, Number 1 (Spring, 2001). Joseph, Brandon W. Random Order: Robert Rauschenberg and the Neo-avant-garde.

 

Cambridge: MIT Press, 2003.

Joy, Jenn. The Choreographic. Cambridge: MIT Press, 2014.

 

Jünger, Ernst. “War and Photography.” Translated by Anthony Nassar. New German Critique. Number 59 (Spring-Summer, 1993).

 

Kater, Michael H. Hitler Youth. Cambridge, Mass.: Harvard University Press, 2004. Kebo, Ozren. Sarajevo za početnike. Sarajevo: Dani, 1996.

 

Kelley, Jeff, ed. Essays on the Blurring of Art and Life. Berkley: University of California Press, 1993, 2003.

 

Kern, Stephen. The Culture of Time and Space. Cambridge, Mass: Harvard University Press, 1983.

 

Kester, Grant H. Conversation Pieces: Community and Communication in Modern Art. Berkley: University of California Press, 2004.

 

Kholeif, Omar. Moving Image. London: Whitechapel, 2015.

Kirkpatrick, Sidney. The Revenge of Thomas Eakins. New Haven: Yale University Press, 2006.

 

Kirn, Gal, and Dubravka Sekulić, Žiga Testen, eds. Surfing the Black: Yugoslav Black Wave Cinema and its Transgressive Moments. Maastricht: Jan van Eyck Academie, 2012.

 

Kittler, Friedrich A. Gramophone, Film, Typewriter. Stanford: Stanford University Press, 1999. Klinger, Cornelia, and Bartomeu Mari. Modernologies: Contemporary Artists Researching

 

Modernity and Modernism. Barcelona: Museu d’Art Contemporani de Barcelona, 2009.

Knell, Simon J., et al., eds. National Museums: New Studies from around the World. New York:

 

Routledge, 2011.

Knudson, Duane. Fundamentals of Biomechanics, Second Edition. New York: Springer, 2007.

  

Knust, Albrecht. Handbook of Kinetography Laban: Examples. Hamburg: Das Tanzarchiv, 1958. Koch, Sabine, et al. Body Memory, Metaphor, and Movement. Philadelphia: John Benjamins

 

Publishing Company, 2012.

Krauss, Rosalind E. “Sculpture in the Expanded Field.” October. Volume 8 (Spring 1979).

 

Krauss, Rosalind E. The Originality of the Avant-Garde and Other Modernist Myths. Cambridge: MIT Press, 1985.

 

Kuligowski, Waldemar. “A Relay of Youth of the 21st Century. A Re-enactment of Ritual or a Grotesque Performance?” Cargo. Volume 10, Number 1 - 2 (2012).

 

Kwon, Miwon. One Place After Another: Site-Specific Art and Locational Identity. Cambridge: MIT Press, 2002.

 

LaBelle, Brandon. Background Noise: Perspectives on Sound Art. London and New York: Continuum International Publishing Group, 2006.

 

Lakoff, George, and Mark Johnson. Metaphors We Live By. Chicago: University of Chicago Press, 1980.

 

Landsberg, Alison. Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture. New York: Columbia University Press, 2004.

 

Laws, Kenneth, and Francia Russell. Physics and the Art of Dance: Understanding Movement. Oxford: Oxford University Press, 2002.

 

le Blanc, Guillaume. Courir: Méditations Physiques. Paris: Éditions Flammarion, 2012.

Leahy, Helen Rees. Museum Bodies: The Politics of Practices of Visiting and Viewing. Surrey,

 

England: Ashgate, 2012.

Lederman, Gail. Manliness and Civilization: A Cultural History of Gender and Race in the

 

United States, 1880 - 1917. Chicago: The University of Chicago Press, 1995. Lefebvre, Henri. The Production of Space. Oxford: Blackwell, 1991.

 

Lehman, Arnold L., and Brenda Richardson, eds. Oskar Schlemmer. Baltimore: The Baltimore Museum of Art, 1986.

 

Lemke, Thomas. Bio-Politics: An Advanced Introduction. Translated by Eric Frederick Trump. New York: New York University Press, 2011.

 

Lepage, Jean-Denis G.G. Hitler Youth, 1922 - 1945: An Illustrated History. London: McFarland & Company, Inc.,2009.

  

Lepecki, André, ed. Dance: Documents of Contemporary Art. London: MIT Press and WhiteChapel Gallery, 2012.

 

Leposavić, Radonja. vlasTito iskustvo. Belgrade: Publikum, 2005.

Licht, Alan. Sound Art: Beyond Music, Between Categories. New York: Rizzoli International

 

Publications, 2007.

 

Lippard, Lucy. Six Years: The Dematerialization of the Art Object from 1966 to 1972. Berkley: University of California Press, 1973.

 

Loland, Sigmund, and Berit Skirstad, Ivan Waddington. Pain and Injury in Sport: Social and Ethical Analysis. New York: Routledge, 2006.

 

Luthar, Breda, and Maruša Pušnik, eds. Remembering Utopia: The Culture of Everyday Life in Socialist Yugoslavia. Washington, D.C.: New Academia Publishers, 2010.

 

Mackay, Robin, and Armen Avanessian, eds. #Accelerate: The Accelerationist Reader. Falmouth, UK: Urbanomic, 2014.

 

Malcolm, Noel. Bosnia: A Short Story. London: MacMillan, 1994.

Maletic, Vera. Body - Space - Expression: The Development of Rudolf Laban’s Movement and

 

Dance Concepts. Amsterdam: Mouton de Gruyter, 1987.

Marie, Michel. The French New Wave: An Artistic School. Translated by Richard Neupert.

 

Oxford: Blackwell Publishing, 1997.

 

Marien, Mary Warner. Photography: A Cultural History. 2nd Edition. London: Laurence King Publishing Ltd, 2002, 2006.

 

Marks, Laura. Touch: Sensuous Theory and Multisensory Media. Minneapolis: University of Minnesota Press, 2002.

 

Marvin, Carolyn. When Old Technologies Were New: Thinking about Electric Communication in the Late Nineteenth Century. Oxford: Oxford University Press, 1988.

 

Mathews, Nancy Mowll. “The Body in Motion.” In Moving Pictures: American Art and Early Film, 1880 - 1910. Manchester, Vermont: Hudson Hills Press, 2005.

 

Mauss, Marcel. “Techniques of the Body” (1934). In Incorporations, Zone 6. Edited by Jonathan Crary and Sanford Kwinter. New York: Zone, 1992.

 

Mazower, Mark. Dark Continent: Europe’s Twentieth Century. New York: A.A. Knopf, 1999.

  

McGinnis, Peter M. Biomechanics of Sport and Exercise, Third Edition. Champaign, IL: Human Kinetics, 2013.

 

McSorley, Kevin, ed. War and the Body: Militarisation, Practice and Experience. New York: Routledge, 2013.

 

Meltzer, Eve. Systems We Have Loved: Conceptual Art, Affect, and the Antihumanist Turn. Chicago: The University of Chicago, 2013.

 

Merleau-Ponty, Maurice. The Phenomenology of Perception. Translated by Colin Smith. London: Routledge and Kegan Paul, 1962, 1989.

 

Metz, Christian. Film Language: A Semiotics of the Cinema. Translated by Michael Taylor. New York: Oxford University Press, 1974.

 

Metz, Christian. “Photography and Fetish.” October. Volume 34 (Autumn, 1985).

Meyer, James. Minimalism: Art and Polemics in the Sixties. New Haven: Yale University Press,

 

Michelson, Annette, ed. Kino-Eye: The Writings of Dziga Vertov. Translated by Kevin O’Brien. Berkeley: University of California Press, 1984.

 

Mirzoeff, Nicholas, ed. The Visual Culture Reader, Second Edition. New York: Routledge, 1998, 2002.

 

Mishima, Yukio. Sun and Steel: His Personal Testament on Art, Action, and Ritual Death. New York: Kodansha, 1970.

 

Mondloch, Kate. Screens: Viewing Media Installation Art. Minneapolis: The University of Minnesota Press, 2010.

 

Moore, Sarah J. Empire on Display: San Francisco’s Panama-Pacific International Exposition of 1915. Norman, OK: University of Oklahoma Press, 2013.

 

Morgan, William P. “Affective beneficence of vigorous physical activity.” Medicine and Science in Sports and Exercise. Volume 17, Number 1 (February 1985).

 

Morse, Meredith. Soft is Fast: Simone Forti in the 1960s and After. Cambridge: MIT Press, 2016.

 

Mosse, George L. The Image of Man: The Creation of Modern Masculinity. Oxford: Oxford University Press, 1996.

 

Motherwell, Robert, ed. Dada Painters and Poets. New Haven: Harvard University Press, 1981.

  

Mozley, Anita Ventura, ed. Eadweard Muybridge: The Stanford Years, 1872 - 1882. San Francisco: Stanford University, 1972.

 

Mulvey, Laura. Death 24x a Second: Stillness and the Moving Image. London: Reaction books, 2006.

 

Mumford, Lewis. Technics and Civilization. London: Routledge & Kegan Paul LTD, 1934, 1955.

 

Muñoz, José Esteban. Disidentifications: Queers of Color and the Performance of Politics. Minneapolis: The University of Minnesota Press, 1999.

 

Musolff, Andreas. Metaphor, Nation, and the Holocaust: The Concept of the Body Politic. New York: Routledge, 2010.

 

New Collectivism, ed. Neue Slowenische Kunst. Translated by Marjan Golobič. Hong Kong: Paramount Printing, 1991.

 

Newman, Michael, and Jon Bird, eds. Rewriting Conceptual Art. London: Reaction Books, 1999. O’Doherty, Brian. Inside the White Cube: The Ideology of the Gallery Space. Berkley:

 

University of California Press, 1986.

 

O’Rourke, Karen. Walking and Mapping: Artists as Cartographers. Cambridge: MIT Press, 2013.

 

Obrist, Hans Ulrich. Do It: The Compendium. New York: Independent Curators International/D.A.P., 2013.

 

Partsch-Bergsohn, Isa. Modern Dance in Germany and the Untied States: Crosscurrents and Influences. Chur: Harwood Academic Publishers, 1994.

 

Passerini, Luisa, ed. Memory and Totalitarianism. Oxford: Oxford University Press, 1992. Pavković, Aleksandar. The Fragmentation of Yugoslavia: Nationalism and War in the Balkans,

 

Second Edition. New York: St. Martin’s Press, 2000.

 

Pegrum, Mark A. Challenging Modernity: Dada Between Modern and Postmodern. Oxford: Berghahn Books, 2000.

 

Peiffer, Lorenz. Sport im Nationalsozialismus: Zum aktuellen Stand der sporthistorischen Forschung. Göttingen: Verlag Die Werkstaat, 2004, 2015.

 

Pejić, Bojana, and David Elliot. After the Wall: Art and Culture in Post-Communist Europe. Stockholm: Moderna Museet, 1999.

  

Penz, Otto. “Sport and Speed.” International Review for the Sociology of Sport. Volume 25, Number 2 (June 1990).

 

Peoples, Crocker. “A Psychological Analysis of the ‘Runner’s High’ (Human Performance).” Physical Educator. Volume 40, Number 1 (March 1, 1983).

 

Perica, Vjekoslav. Balkan Idols: Religion and Nationalism in Yugoslav States. Oxford: Oxford University Press, 2002.

 

Petrov, Ana. “Telesni projekti i regulacija normativnog tela: uloga fizičke kulture u Jugoslaviji.” Institut za etnologiju i folkloristiku. Issue 51, Number 2 (2014).

 

Pfister, Gertrud, ed. Gymnastics, A Transatlantic Movement: From Europe to America. New York: Routledge, 2011.

 

Phelan, Peggy. Unmarked: The Politics of Performance. New York: Routledge, 1993. Phillips, Christopher, ed. Photography in the Modern Era: European Documents and Critical

 

Writings, 1913 - 1940. New York: The Metropolitan Museum of Art/Aperature, 1990. Phillips, Murray G. Deconstructing Sport History: A Postmodern Analysis. Albany: State

 

University of New York Press, 2006.

 

Pissaro, Joachim, et al. Martin Creed: What’s the Point of It? London: Hayward Publishing, 2014.

 

Piotrowski, Piotr. In the Shadow of Yalta: Art and the Avant-Garde in Eastern Europe, 1945 - 1989. London: Reaktion, 2009.

 

Preston-Dunlop, Valerie. Rudolf Laban: An Extraordinary Life. London, Dance Books, 1998. Preziosi, Donald. Art Religion Amnesia: The Enchantments of Credulity. New York: Routledge,

  

Pursell, Caroll. White Heat: People and Technology. Berkley: University of California Press, 1994.

 

Quercetani, R. L. A World History of Track and Field Athletics 1864-1964. London: Oxford University Press, 1964.

 

Rabinbach, Anson. The Human Motor: Energy, Fatigue, and the Origins of Modernity. New York: Basic Books, 1990.

 

Rabinow, Paul, ed. The Foucault Reader. New York: Random House, 1984.

  

Radstone, Susannah, and Bill Schwarz, Memory: Histories, Theories, Debates. New York: Fordham University Press, 2010.

 

Rancière, Jacques. Aesthetics and its Discontents. Malden: Polity Press, 2004.

Rancière, Jacques. The Emancipated Spectator. Translated by Gregory Elliot. London: Verso,

 

Rancière, Jacques. The Politics of Aesthetics: The Distribution of the Sensible. London: Continuum, 2006.

 

Rees, A.L., and Duncan White, Steven Ball, David Curtis, eds. Expanded Cinema: Art, Performance, Film. London: Tate Publishing, 2011.

 

Rempel, Gerhard. Hitler’s Children: The Hitler Youth and the SS. Chapel Hill: University of North Carolina Press, 1989.

 

Richards, Mary. Marina Abramović. New York: Routledge, 2010.

Ricoeur, Paul. Oneself as Another. Translated by Kathleen Blamey. Chicago: University of

 

Chicago Press, 1992.

Rosa, Hartmut. Beschleunigung und Entfremdung: Entwurf einer Kritischen Theorie

 

spätmoderner Zeitlichkeit. Berlin: Suhrkamp, 2013.

Rosa, Hartmut, and William E. Scheuerman. High-Speed: Social Acceleration, Power, and

 

Modernity. University Park, PA: The Pennsylvania State University, 2009.

Rosati, Lauren, and Mary Anne Staniszewski, eds. Alternative Histories: New York Art Spaces,

 

1960-2010. Cambridge: MIT Press, 2012.

 

Rosenstone, Robert A., “History in Images/History in Words: Reflections on the Possibility of Really Putting History onto Film.” The American Historical Review. Volume 93. Number 5 (December 1988).

 

Rossol, Nadine. Performing the Nation in Interwar Germany: Sport, Spectacle, and Political Symbolism, 1926 - 1936. New York: Palgrave Macmillan, 2010.

 

Roxby-Maude, Alice, On Camera: Performance and Photography. Southampton: John Hansard Gallery, 2007.

 

Ruyter, Nancy Lee Chalfa. The Cultivation of Body and Mind in Nineteenth-Century American Delsartism. Westport, CT: Greenwood Press, 1999.

 

Salazar, James B. Bodies of Reform The Rhetoric of Character in Gilded Age America. New York: New York University Press, 2010.

  

Schechner, Richard. Essays on Performance Theory 1970 - 1976. New York: Drama Book Specialists, 1973, 1977.

 

Scheerder, Jeroen, and Koen Breedveld, eds. Running Across Europe: The Rise and Size of One of the Largest Sport Markets. New York: Palgrave Macmillan, 2015.

 

Seckinelgin, H., and Billy Wong, eds. Global Civil Society 2011: Globally and the Absence of Justice. Hampshire: Palgrave Macmillan, 2011.

 

Sekula, Allan. “The Body and the Archive.” October. Volume 39 (Winter, 1986). Semon, Richard. Die mnemischen Empmfindungen in ihren Beziehungen zu den

 

Originalempfindungen. Leipzig: W. Engelmann, 1909.

Shawn, Ted. Every Little Movement: A Book About François Delsarte. Pittsfield, MA: The Eagle

 

Printing and Binding Company, 1954.

Shayt, David H. “Stairway to Redemption: America’s Encounter with the British Prison

 

Treadmill.” Technology and Culture, Volume 30, Number 4 (Oct. 1989).

Sheridan, Heather, and Leslie Howe, and Keith Thompson, eds. Sporting Reflections: Some

 

Philosophical Perspectives. Aachen: Meyer & Meyer Verlag, 2007.

 

Siegmund, Gerald, and Stefan Hölscher, eds. Dance, Politics, and Co-Immunity: Thinking Resistances, Current Perspectives on Politics and Communities in the Arts. Volume 1. Zürich- Berlin: Diaphanes, 2013.

 

Sileo, Diego, and Eugenio Viola, PAC (Milano), eds. Marina Abramović: The Abramović Method. 2 Volumes. Milan: 24 ORE Cultura, 2012.

 

Silverman, Kaja. The Subject of Semiotics. New York: Oxford University Press, 1983.

Slevin, Tom. Vision of the Human: Art, World War One and the Modernist Subject. London: I.B.

 

Tauris, 2015.

 

Solnit, Rebecca. River of Shadows: Eadweard Muybridge and the Technological Wild West. New York: Viking, 2003.

 

Solnit, Rebecca. Wanderlust: A History of Walking. London: Verso, 2001.

Sontag, Susan. Against Interpretation and Other Essays. New York: Picador, 1966, 2001. Sontag, Susan. “Fascinating Fascism.” The New York Review of Books (6 February 1975). Sontag, Susan. On Photography. New York: Picador, 1977.

  

Spieker, Sven. The Big Archive: Art from Bureaucracy. Cambridge: MIT Press, 2008. Stepišnik, Drago. Oris Zgodovine Telesne Kulture na Slovenskem. Ljubljana: Dražavna založba

 

Slovenija, 1968.

 

Stipančić, Branka. “‘Zame je resničnost umetnost,’ Intervju s Tomislavom Gotovcem.” Vijenac, Number 123/VI (8 Oct. 1998).

 

Stoddart, Tom. Sarajevo. Washington, D.C.: Smithsonian Institution Press, 1998.

Stošić, Mirjana. “Body-name — The Brotherhood Chronotype and Social Choreography.”

 

Култура/Culture (2015).

Suljagić, Emir. Postcards from the Grave. Translated by Lejla Haverić. London: The Bosnian

 

Institute, 2005.

 

Susovski, Marijan, ed. The New Art Practice in Yugoslavia, 1966 - 1978. Zagreb: Gallery of Contemporary Art, 1978.

 

Sutil, Nicolás Salazar. Motion and Representation: The Language of Human Movement. Cambridge: MIT Press, 2015.

 

Swenson, Kirsten. Irrational Judgements: Eva Hesse, Sol Lewitt, and 1960s New York. New Haven: Yale University Press, 2015.

 

Szeemann, Harold. Zum freien Tanz, zu reiner Kunst. Rolandseck: Stiftung Hans Arp und Sophie Taeuber-Arp, 1991.

 

Tagg, John. The Burden of Representation: Essays on Photographies and Histories. Minneapolis: University of Minnesota Press, 1988.

 

Tilmans, Karin, and Frank van Vree, Jay Winter, eds. Performing the Past: Memory, History, and Identity in Modern Europe. Amsterdam: Amsterdam University Press, 2010.

 

Tumarkin, Maria M. Traumascapes: The Power and Fate of Places Transformed by Tragedies. Victoria, Australia: Melbourne University Press, 2005.

 

Udall, Sharyn R. Dance and American Art: A Long Embrace. Madison: University of Wisconsin Press, 2012.

 

Vacche, Angela Dalle. Film, Art, New Media: Museum without Walls? New York: Palgrave Macmillan, 2012.

 

Vertinsky, Patricia Anne. The Eternally Wounded Woman: Women, Doctors, and Exercise in the Late Nineteenth Century. Manchester: Manchester University Press, 1989.

  

Virilio, Paul. The Art of the Motor. Translated Julie Rose. Minneapolis: University of Minnesota Press, 1995.

 

Weibel, Peter. Beyond Art: A Third Culture. Vienna: Ambra Verlag, 2005.

 

Wells, Liz, ed. Photography: A Critical Introduction. New York: Rutledge, 1996/2015.

 

Westcott, James. When Marina Abramović Dies: A Biography. Cambridge: MIT Press, 2010.

 

White, Hayden. “Historiography and Historiophoty.” The American Historical Review. Volume 93. Number 5 (December 1988).

 

White, Hayden V. Metahistory: The Historical Imagination in Nineteenth-Century Europe. Baltimore: Johns Hopkins University Press, 1973.

 

Wiehager, Renate, ed. Moving Pictures: Photography and Film in Contemporary Art. Ostfildern- Ruit, Germany: Hate Cantz Publishers, 2001.

 

Williams, Raymond. Culture and Society, 1780 - 1950. New York: Columbia University Press, 1958/1983.

 

Wood, Catherine. Yvonne Rainer: The Mind is a Muscle. London: Afterall, 2007. Wood, Denis. The Power of Maps. New York: Guilford Press, 2010.

 

Woodward, Susan L. Balkan Tragedy: Chaos and Dissolution after the Cold War. Washington, D.C.: The Brookings Institution, 1995.

 

Young, Kevin. Deviance and Social Control in Sport. Champaign, IL: Human Kinetics, 2008. Youngblood, Gene. Expanded Cinema. New York: E.P. Dutton and Co., 1970.

 

Zelizer, Barbie, ed. Visual Culture and the Holocaust. New Brunswick: Rutgers University Press, 2001.

 

Zidić, Igor, and Ana Dević, Antonio Gotovac Lauer a.k.a. Tomislav Gotovac. Antonio Gotovac Lauer: Čelična mreža. Zagreb: Moderna Galerija and Studio Josip Račič, 2006.

 

Zorn, John W., ed. The Essential Delsarte. Metuchen, NJ: The Scarecrow Press, Inc, 1968.

 

Žižek, Slavoj. The Indivisible Remainder: An Essay on Schelling and Related Matters. London: Verso, 1996.

 

----

  

------------about Venice Biennale history from wikipedia ---------

curators previous

* 1948 – Rodolfo Pallucchini

* 1966 – Gian Alberto Dell'Acqua

* 1968 – Maurizio Calvesi and Guido Ballo

* 1970 – Umbro Apollonio

* 1972 – Mario Penelope

* 1974 – Vittorio Gregotti

* 1978 – Luigi Scarpa

* 1980 – Luigi Carluccio

* 1982 – Sisto Dalla Palma

* 1984 – Maurizio Calvesi

* 1986 – Maurizio Calvesi

* 1988 – Giovanni Carandente

* 1990 – Giovanni Carandente

* 1993 – Achille Bonito Oliva

* 1995 – Jean Clair

* 1997 – Germano Celant

* 1999 – Harald Szeemann

* 2001 – Harald Szeemann

* 2003 – Francesco Bonami

* 2005 – María de Corral and Rosa Martinez

* 2007 – Robert Storr

* 2009 – Daniel Birnbaum

* 2011 – Bice Curiger

* 2013 – Massimiliano Gioni

* 2015 – Okwui Enwezor

* 2017 – Christine Macel[19]

* 2019 – Ralph Rugoff[20]

  

----------

 

#art #artist #artistic #artists #arte #artwork

 

Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal

 

venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya

 

art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist

 

other Biennale :(Biennials ) :

Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS

* Dakar

  

kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער

 

Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya

 

Thierry Geoffroy / Colonel

#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist

 

#artformat #formatart

#emergencyart #urgencyart #urgentart #artofthenow #nowart

emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart

 

#InstitutionalCritique

 

#venicebiennale #venicebiennale2017 #venicebiennale2015

#venicebiennale2019

#venice #biennale #venicebiennale #venezia #italy

#venezia #venice #veniceitaly #venicebiennale

 

#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday

 

#biennalevenice

 

Institutional Critique

 

Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology

 

Racial and Ethnic Identity, Neo-Conceptualism, Diaristic

 

Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,

 

Culture, Collective History, Group of Portraits, Photographic Source

 

, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary

 

War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict

 

Personal Histories, Alter Egos and Avatars

 

Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text

  

Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism

 

Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis

 

—-

 

CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.​

Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.

 

It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...

 

The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...

 

Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...

 

Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .

 

www.emergencyrooms.org/criticalrun.html

 

www.emergencyrooms.org/formats.html

-------

In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center

------

for activating the format or for inviting the installation

please contact 1@colonel.dk

 

www.colonel.dk/

 

-----

 

critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,

 

Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary

,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat

 

,now art,copenhagen,denmark

 

ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE

 

is the critical run

and other emergency art format

 

CRITICAL RUN / Debate Format

 

Critical Run is an Art Format created by Thierry Geoffroy/Colonel

debate while running .

Debate and Run together,Now,before it is too late.

 

www.emergencyroomscanvas todo .org/criticalrun.html

 

The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates

New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,

Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...

 

CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because

a debate was necessary here and now.

 

In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich

part of Colonel solo show : The Awareness Muscle Training Center

 

----

 

Interesting publication for researches on running and art

 

www.emergencyrooms.org/formats.html

 

14 Performances. Relation Work (1976 - 1980). Filmed by Paolo Cardazzo. Marina Abramović/ Ulay. Neuer Berliner Kunstverein, Berlin, Germany.

 

Abramović, Marina. Student Body: Workshops 1979 - 2003: Performances 1993 - 2003. Milano: ed. Charta, 2003.

 

Bergson, Henri. Creative Evolution. London: Macmillan and Co., 1911.

Bergson, Henri. Key Writings. Edited by Keith Ansell-Pearson and John Mullarkey. New York:

 

Continuum, 2002.

Bergson, Henri. Matter and Memory. New York: Zone Books, 1988.

 

Blaikie, William. “Common Sense Physical Training.” In Athletics and Health: Modern Achievement: Advice and Instruction upon the Conduct of Life, Principles of Business, Care of Health, Duties of Citizenship, etc. Edited by Edward Everett Hale. New York: P.F. Collier & Son, 1902.

 

Blaikie, William. How to Get Strong and How to Stay So. New York: Harper & Brothers Publishers, 1883.

 

Cunningham, Merce. Changes: Notes on Choreography. New York: Something Else Press, 1969.

 

de Balzac, Honoré. The Human Comedy. EBook: Project Gutenberg, 2010. de Balzac, Honoré. Théorie de la démarche. 1833, 1853.

 

de Biran, Maine. “Opposition du principe de Descartes avec celui d’une science de l’homme. Première base d’une division des faits psychologiques et physiologiques. Perception et sensation animale.” In Maine de Biran. Librairie Philosophique J. VRIN, 1990.

 

de Tocqueville, Alexis. The Old Regime and the Revolution. New York: Harper & Brothers, Publishers, 1856.

 

Delaumosne, M. L’Abbe. “The Delsarte System.” Translated by Frances A. Shaw. In Delsarte System of Oratory, 4th Ed. New York: Edgar S. Werner, 1893.

 

Descartes, René. Méditations metaphysiques. 1641.

 

Gropius, Walter, and Arthur S. Wensinger, eds. The Theater of the Bauhaus: Oskar Schlemmer, Laszlo Moholy-Nagy, Farkas Molnár. Translated by Arthur S. Wensinger. Middleton, Conn.: Wesleyan University, 1961.

 

Hahn, Archibald. How to Sprint: The Theory of Spring Racing. New York: American Sports Publishing Company, 1923.

 

Hegel, Georg Wilhelm Friedrich. Phenomenology of Spirit. Translated by A.V. Miller. Oxford: Oxford University Press, 1977.

 

Helmholtz, Hermann. “On the Facts Underlying Geometry.” In Epistemological Writings: Hermann von Helmholtz. Edited by R.S. Cohen and Y. Elkana. Boston: D. Reidel Publishing Company, 1977.

 

Helmholtz, Hermann. Théorie physiologique de la musique fondée sur l’étude des sensations auditives. Paris: Masson, 1868.

 

Helmholtz, Hermann. Treatise of Physiological Optics (Handbuch der physiologischen Optik) 1856. 3 Volumes. Translated by James P.C. Southall. Milwaukee, 1924.

 

Holmes, Oliver Wendall. Soundings from the Atlantic. Boston: Tickknor and Fields, 1864. James, William. The Principles of Psychology. New York: Henry Holt & Co, 1890, 1918.

 

James, William. Writings 1902 - 1910. Edited by Bruce Kuklick. New York: Literary Classics of the United States, 1987.

 

Kandinsky, Vasily. Über Das Geistige in der Kunst. Dritte Auflage. München: R. Piper&Co, 1912.

 

Kant, Immanuel. “Was ist Aufklärung?” 1784.

 

Laban, Rudolf. A Life for Dance: Reminiscences. Translated by Lisa Ullmann. London: Macdonald & Evans, 1975.

 

Laban, Rudolf. Choreographie. Jena: E. Diederichs, 1926.

 

Laban, Rudolf. Choreutics. Edited by Lisa Ullmann. London: Macdonald & Evans, 1939, 1966.

 

Laban, Rudolf. Effort: Economy in Body Movement. 2nd Edition. Boston: Plays, 1947, 1974.

 

Laban, Rudolf. Principles of Dance and Movement Notation. New York: A Dance Horizons Republication, 1956, 1970.

 

Laban, Rudolf. The Language of Movement: A Guidebook to Choreutics. Edited by Lisa Ullmann. Boston: Plays, Inc., 1974.

  

MacKaye, Percy. “Steele Mackaye, Dynamic Artist of the American Theatre; An Outline of his Life Work,” in The Drama. Edited by William Norman Guthrie and Charles Hubbard Sergel. Chicago: The Dramatic Publishing Company, 1911.

 

Marey, Étienne-Jules. La Machine Animale: Locomotion Terrestre et Aérienne. Paris: Librairie Germer Baillière, 1873.

 

Marey, Étienne-Jules. Le Vol des Oiseaux. Paris: Libraire de l’académie de médecine, 1890. Marey, Étienne-Jules. Movement. Translated by Eric Pritchard. New York: D. Appleton and

 

Company, 1895.

 

Michelet, Jules. The History of France. Volume I. Translated by Walter K. Kelly. London: Chapman and Hall, 1844.

 

Morgan, Anna. An Hour with Delsarte: A Study of Expression. New York: Edgar S. Werner Publisher, 1891.

 

Muybridge, Eadweard. Animal Locomotion: An Electro-photographic Investigation of Consecutive Phases of Animal Movements. Philadelphia: University of Pennsylvania and J. B. Lippincott Company, 1887.

 

Muybridge, Eadweard. Descriptive Zoopraxography, or the Science of Animal Locomotion. Philadelphia: University of Pennsylvania, 1893.

 

Muybridge, Eadweard. The Attitudes of Animals in Motion: A Series of Photographs Illustrating the Consecutive Positions assumed by Animals in Performing Various Movements; Executed at Palo Alto, California, in 1878 and 1879 (1881). Albumen, Library of Congress, Washington, D.C., Library of Congress.

 

Muybridge, Eadweard. The Human Figure in Motion. New York: Dover Publications, 1955. Ramsaye, Terry. A Million and One Nights: A History of the Motion Picture. U.K.: Simon and

 

Schuster, Inc., 1926, 1954.

Richer, Paul. Physiologie Artistique: De l’Homme en Mouvement. Paris: Aulanier et Cie, 1896.

 

Sanburn, Frederic. Delsartean Scrap-book: Health, Personality, Beauty, House-Decoration, Dress, etc. New York: United States Book Company, c. 1890.

 

Schlemmer, Oskar. Briefe und Tagebücher: The Letters and Diaries of Oskar Schlemmer. Edited by Tut Schlemmer. Translated by Krishna Winston. Middletown, Conn: Wesleyan University Press, 1972.

  

Schlemmer, Oskar, and Heimo Kuchling. Der Mensch, Unterricht am Bauhaus. Nachgelassene Aufzeichnungen. Mainz: F. Kupferberg, 1969.

 

Schuftan, Werner. Handbuch des Tanzes. Preface by Rudolf von Laban. Mannheim: Verlag Deutscher Chorsänger Verband und Tänzerbund, 1928.

 

Shearman, Sir Montague. Athletics and Football. London: Longmans, Green, and Co., 1888. Smith, Shawn Michelle. At the Edge of Sight: Photography and the Unseen. Durham: Duke

 

University Press, 2013.

 

Stebbins, Genevieve. Delsarte System of Expression, 5th Edition. New York: Edgar S. Werner, 1894; orig. 1885.

 

Talbot, Frederick A. Practical Cinematography and its Applications. London: William Heinemann, 1913.

 

Wigman, Mary. The Mary Wigman Book: Her Writings. Middletown, CT: Wesleyan University Press, 1975.

 

Abramović, Marina, et al. Marina Abramović: Seven Easy Pieces. New York: Charta 2007. Acconci, Vito. Language to Cover a Page: The Early Writings of Vito Acconci. Edited by Craig

 

Dworkin. Cambridge: MIT Press, 2006.

Adolphs, Volker, and Philip Norten. Gehen Bleiben: Bewegung, Körper, Ort in der Kunst der

 

Gegenwart. Bonn: Kunstmuseum Bonn, 2007.

Agamben, Giorgio. “Movement.” In Dance: Documents of Contemporary Art. Edited André

 

Lepecki. London: MIT Press and WhiteChapel Gallery, 2012.

Alberro, Alexander, and Blake Stimson, eds. Institutional Critique: An Anthology of Artists’

 

Writings. Cambridge: MIT Press, 2009.

Albers, Kate Palmer. “Abundant Images and the Collective Sublime.” Exposure. Volume 46,

 

Issue 2 (Fall 2013).

 

Allen, Beverly. Rape Warfare: The Hidden Genocide in Bosnia-Herzegovina and Croatia. Minneapolis: University of Minnesota Press, 1996.

 

Alloway, Lawrence. The Venice Biennale 1895 - 1968: from salon to goldfish bowl. Greenwich, CT: New York Graphic Society LTD., 1968.

Anderson, Ben. “Affect and Biopower: Towards a Politics of Life.” Transactions - Institute of British Geographers, Issue 1 (2011).

 

Andras, Edit, and Bojana Pejic, eds. Gender Check: Femininity and Masculinity in the Art of Eastern Europe. Cologne: Buchhandlung Walther König, 2009.

 

Antliff, Mark. Inventing Bergson: Cultural Politics and the Parisian Avant-Garde. Princeton: Princeton University Press, 1992.

 

Arendt, Hannah. The Human Condition, Second Edition. Chicago: University of Chicago Press, 1958, 1998.

 

Arendt, Hannah. On Violence. New York: Harcourt Brace, 1969.

Atkins, Dawn, ed. Looking Queer: Body Image and Identity in Lesbian, Bisexual, Gay, and

 

Transgender Communities. New York: The Haworth Press, 1998.

Ault, Julie, ed. Alternative Art, New York, 1965-1985: A Cultural Politics Book for the Social

 

Text Collective. Minneapolis: University of Minnesota Press, 2002.

Auslander, Philip. “Going with the Flow: Performance Art and Mass Culture.” TDR. Volume 33,

 

Number 2 (Summer 1989).

Auslander, Philip. “The Performativity of Performance Documentation.” PAJ 84 (2006).

 

Backstein, Joseph, and Daniel Birnbaum, Sven-Olov Wallenstein. Thinking Worlds - The Moscow Conference on Philosophy, Politics, and Art. Berlin: Sternberg Press, 2008.

 

Badovinac, Zdenka. Body and the East: From the 1960s to the Present. Cambridge, Mass.: MIT Press, 1999.

 

Baer, Ulrich. Spectral Evidence: The Photography of Trauma. Cambridge: MIT Press, 2002. Baker, George. “Entr’acte.” October. Volume 105 (Summer 2003).

 

Bale, John. Imagined Olympians: Body Culture and Colonial Representations in Rwanda. Minneapolis: University of Minnesota Press, 2002.

 

Bale, John. Running Cultures: Racing in Time and Space. London: Frank Cass, 2004. Banes, Sally. Democracy’s Body: Judson Dance Theatre, 1962 - 1964. Durham, NC: Duke

 

University Press, 1993.

 

Banes, Sally. Terpsichore in Sneakers: Post-Modern Dance, 2nd edition. Middletown, CT: Wesleyan University Press, 1987.

  

Bartenieff, Irmgard. Body Movement: Coping with the Environment. New York: Routledge, 2002.

 

Barthes, Roland. Camera Lucida: Reflections on Photography. Translated by Richard Howard. New York: Hill and Wang, 198, 2010.

 

Barthes, Roland. Mythologies. Translated by Annette Lavers. New York: Hill and Wang, 1972. Batchen, Geoffrey. Burning with Desire: The Conception of Photography. Cambridge: MIT

 

Press, 1997.

 

Baudelaire, Charles. The Parisian Prowler, Le Spleen de Paris Petits Poèmes en Prose. Translated by Edward K. Kaplan. Athens: The University of Georgia Press, 1989.

 

Bauer, M. W. and G. Gaskell. Biotechnology — the Making of a Global Controversy. Cambridge: Cambridge University Press, 2002.

 

Bayat, Asef. Life as Politics: How Ordinary People Change the Middle East. Amsterdam: Amsterdam University Press, 2010, 2015.

 

Belaief, Lynne. “Meanings of the Body.” Journal of the Philosophy of Sport. Volume 4, Issue 1 (1977).

 

Bell, Catherine. Ritual: Perspectives and Dimensions. New York: Oxford University Press, 1997.

 

Benjamin, Walter. Charles Baudelaire: A Lyric Poet in the Era of High Capitalism. Translated by Harry Zohn. London: Verso, 1997.

 

Benjamin, Walter. Selected Writings, Volumes 1 - 4. Edited by Howard Eiland and Michael W. Jennings. Cambridge: Belknap Press of Harvard University Press, 2003 - 2006.

 

Benjamin, Walter. “The Storyteller: Reflections on the Works of Nikolai Leskov.” In Illuminations. Edited by Hannah Arendt. Translated by Harry Zohn. New York: Schocken Books, 2007.

 

Bennett, Jill. Empathic Vision: Affect, Trauma, and Contemporary Art. Stanford, CA; Stanford University Press, 2005.

 

Berger, John. About Looking. New York: Pantheon Books, 1980.

 

Bergson, Henri. Laughter: An Essay on the Meaning of the Comic. Translated by Cloudesley Brereton and Fred Rothwell. New York: The Macmillan Company, 1914.

  

Bishop, Claire, and Marta Dziewańska, eds. 1968 - 1989: Political Upheaval and Artistic Change. Warsaw: Museum of Modern Art, 2009.

 

Bishop, Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship. London: Verso, 2012.

 

Bishop, Claire. Radical Museology: or, What’s ‘Contemporary’ in Museums of Contemporary Art? London: Koenig Books, 2013.

 

Black, Graham. Transforming Museums in the Twenty-First Century. New York: Routledge, 2011.

 

Blaive, Muriel, and Christian Gerbel, Thomas Lindenberger, eds. Clashes in European Memory: The Case of Communist Repression and the Holocaust. Innsbruck: Studienverlag, 2011.

 

Blassnigg, Martha. Time, Memory, Consciousness and the Cinema Experience: Revisiting Ideas on Matter and Spirit. New York: Rodopi, 2009.

 

Bloomer, Kent C., and Charles Willard Moore. Body, Memory, and Architecture. New Haven: Yale University Press, 1977.

 

Boecker, Henning, et. al. “The Runner’s High: Opioidergic Mechanisms in the Human Brain.” Cerebral Cortex. Volume 18, Number 11 (2008).

 

Bougarel, Xavier, and Elissa Helms, Ger Duijzings, eds. The New Bosnian Mosaic: Identities, Memories and Moral Claims in a Post-War Society. Hampshire, England: Ashgate, 2007.

 

Bourdieu, Pierre. Outline of a Theory of Practice. Cambridge: Cambridge University Press, 1977.

 

Bourriaud, Nicolas. Relational Aesthetics. Dijon: Les Presses du réel, 1998, 2002.

 

Brandstetter, Gabriele. Poetics of Dance: Body, Image and Space in the Historical Avant- Gardes. Translated by Elena Polzer and Mark Franko. Oxford: Oxford University Press, 1995, 2015.

 

Braudy, Leo, and Marshall Cohen, eds. Film Theory and Criticism: Introductory Readings. New York: Oxford UP, 1999.

 

Braun, Marta. Eadweard Muybridge. London: Reaktion, 2010.

Braun, Marta. Picturing Time: The Work of Etienne-Jules Marey (1830 - 1904). Chicago:

 

University of Chicago Press, 1992, 1994.

 

Brettell, Richard R. Modern Art, 1851 - 1929: Capitalism and Representation. Oxford: Oxford University Press, 1999.

  

Brooke, J.D., and H.T.A. Whiting, eds. Human Movement - A Field of Study. London: Henry Kimpton Publishers, 1973.

 

Brown, Keith S., and Yannis Hamilakis, eds. The Usable Past: Greek Metahistories. Lanham, MD: Lexington Books, 2003.

 

Brunnbauer, Ulf, and Konrad Clewing, eds. Südost-Forschungen. Munich: R. Oldenbourg Verlag, 2008.

 

Bruno, Giuliana. Atlas of Emotion: Journeys in Art, Architecture, and Film. New York: Verso, 2002.

 

Bryzgel, Amy. Performing the East: Performance Art in Russia, Latvia, and Poland since 1980. London: I.B. Tauris, 2012.

 

Buchloh, Benjamin H. D. Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975. Cambridge: MIT Press, 2001, 2003.

 

Buck-Morss, Susan. The Dialectics of Seeing: Walter Benjamin and the Arcades Project. Cambridge: MIT Press, 1991.

 

Burchell, Graham, and Colin Gordon, Peter Miller, eds. The Foucault Effect: Studies in Governmentality. Chicago: University of Chicago Press, 1991.

 

Bürger, Peter. Theory of the Avant-Garde. Translated by Michael Shaw. Minneapolis: University of Minnesota Press and Manchester University Press, 1974, 1984.

 

Butler, Judith. Bodies that Matter: On the Discursive Limits of Sex. New York: Routledge, 1993. Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge,

 

2006.

 

Butler, Samuel. Unconscious Memory: A Comparison between the Theory of Dr. Ewald Hering and the ‘Philosophy of the Unconscious’ of Dr. Edward von Hartmann. London: David Bogue, 1880.

 

Cage, John. Silence: Lectures and Writings. Middletown, CT: Wesleyan University Press, 1961. Campany, David, ed. The Cinematic: Documents of Contemporary Art. Cambridge: MIT Press,

 

2007.

Canales, Jimena. A Tenth of a Second: A History. Chicago: University of Chicago Press, 2009.

 

Careri, Francesco. Walkscapes: Walking as an Aesthetic Practice. Translated by Steve Piccolo and Paul Hammond. Barcelona: Editorial Gusavo Gili, 2002.

  

Carroll, Noël. Theorizing the Moving Image. Cambridge: Cambridge University Press, 1996. Cetinić, Ljiljana, and Ana Panić, eds. Štafete: Titova Štafeta - Štafeta Mladosti, 1945 - 1987.

 

Belgrade: Tipografik plus, 2008.

Chase, Stuart. Men and Machines. New York: Macmillan Co, 1929.

 

Christesen, Paul. Sport and Democracy in the Ancient and Modern Worlds. Cambridge: Cambridge University Press, 2012.

 

Christian, Mary. Marina Abramović: The Artist is Present. New York: The Museum of Modern Art, 2010.

 

Clark, Kenneth. The Nude: A Study in Ideal Form. New York: Pantheon Books, 1956. Coleman, Simon, and John Eade, eds. Reframing Pilgrimage: Cultures in Motion. London:

 

Routledge, 2004.

 

Connerton, Paul. The Spirit of Mourning: History, Memory and the Body. Cambridge: Cambridge University Press, 2011.

 

Cosgrove, Denis. Geography and Vision: Seeing, Imagining and Representing the World. New York: I.B. Tauris, 2008.

 

Cottington, David. Cubism in the Shadow of War: The Avant-Garde and Politics in Paris 1905- 1914. New Haven: Yale University Press, 1998.

 

Crane, Susan, ed. Museums and Memory. Stanford: Stanford University Press, 2000. Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth

 

Century. Cambridge: MIT Press, 1990.

Crow, Thomas. The Rise of the Sixties: American and European Art in the Era of Dissent.

 

London: Laurence King Publishing, 1996.

 

Csiksgentmihalyi, Mihaly. Creativity! Flow and psychology of discovery and invention. New York: Harper Collins, 1996.

 

Cumming, John. Runners & Walkers: A Nineteenth Century Sports Chronicle. Chicago: Regency Gateway, 1981.

 

Cvejić, Bojana, and Ana Vujanović. Public Sphere by Performance. Belgrade: b_books, TkH, 2012.

  

Dagg, Anne Innis. Running, Walking, and Jumping: The Science of Locomotion. New York: Crane, Russak & Company, Inc, 1977.

 

de Certeau, Michel. The Practice of Everyday Life. Translated by Steven Rendall. Berkeley: University of California Press, 1984, 1988.

 

de Certeau, Michel. The Writing of History. Translated by Tom Conley. New York: Columbia University Press, 1975, 1988.

 

de Groote, Pascale. Ballets Suédois: Jean Börlin. Ghent: University of Ghent, 2002.

de Waal, Frans. The Age of Empathy: Nature’s Lessons for a Kinder Society. New York:

 

Harmony Books, 2009.

 

Deleuze, Gilles. Cinema 1: The Movement-Image. Minneapolis: University of Minnesota Press, 1986.

 

Deleuze, Gilles, and Félix Guattari. A Thousand Plateaus. London: Continuum, 1980, 2008. Dewey, John. The Public and its Problems: An Essay in Political Inquiry. Edited by Melvin L.

 

Rogers. University Park, PA: The Pennsylvania State University, 2012.

di Giovanni, Janine. Madness Visible: A Memoir of War. London: Bloomsbury, 2005.

 

Djetelić, Pera, and Dragan Maršičević. Narodna Omladina i Jugoslovenski Kongres za Fizičku Kulturu. Beograd: Mladost, 1959.

 

Djurić, Dubravka, and Miško Šuvaković, eds. Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918 - 1991. Cambridge: MIT Press, 2003.

 

Donawerth, Jane, ed. Rhetorical Theory by Women before 1900: An Anthology. Lanham, MD: Rowman & Littlefield Publishers, Inc, 2002.

 

Dörr, Evelyn. Rudolf Laban: The Dancer of the Crystal. Lanham, Maryland: The Rowman & Littlefield Publishing Group, Inc., 2008.

 

Drakulić, Slavenka. Balkan Express: Fragments from the Other Side of War. London: Hutchinson, 1993.

 

Drakulić, Slavenka. They Would Never Hurt a Fly: War Criminals on Trial in the Hague. New York: Penguin, 2005.

 

Drapag, Vesna. Constructing Yugoslavia: A Transnational History. London: Palgrave Macmillan, 2010.

Duncan, Carol. Civilizing Rituals: Inside Public Art Museums. Abingdon: Routledge, 1995. Eamon, Christopher. Rearview Mirror: New Art from Central and Eastern Europe. Edmonton:

 

Art Gallery of Alberta, 2011.

 

Eichberg, Henning, ed. Body Cultures: Essays on Sport, Space, and Identity. London, New York: Routledge, 1998.

 

Elias, Norbert. The Civilizing Process. Sociogenetic and Psychogenetic Investigations. Oxford: Blackwell, 1939, 2000.

 

Elias, Norbert, and Eric Dunning. Quest for Excitement: Sport and Leisure in the Civilising Process. Dublin: University of College Dublin Press, 2008.

 

Enwezor, Okwui. Archive Fever: Uses of the Document in Contemporary Art. Göttingen: Steidl Publishers, 2008.

 

Erjavec, Aleš, ed. Postmodernism and the Postsocialist Condition: Politicized Art under Late Socialism. Berkeley: University of California Press, 2003.

 

Fer, Briony, and David Batchelor, Paul Wood. Realism, Rationalism, Surrealism: Art Between the Wars. New Haven: Yale University Press, 1993.

 

Finn, David. How to Visit A Museum. New York: Abrams, 1985.

Fleming, Bruce. Running is Life: Transcending the Crisis of Modernity. Lanham: University

 

Press of America, Inc, 2010.

 

Forrester, Sibelan E.S., and Magdalena J. Zaborowska, Elena Gapova, eds. Over the Wall/After the Fall: Post-Communist Cultures Through an East-West Gaze. Bloomington: Indiana University Press, 2004.

 

Foster, Hal. The Return of the Real: The Avant-Garde at the End of the Century. Cambridge: MIT Press, 1996.

 

Foster, Hal. “What’s Neo about the Neo-Avant-Garde?” October. Volume 70, The Duchamp Effect (Autumn, 1994), 5 - 32.

 

Foucault, Michel. Discipline and Punish: The Birth of the Prison. Translated by Alan Sheridan. New York: Vintage Books, Random House, Inc, 1977, 1995.

 

Foucault, Michel. The History of Sexuality Volume 1. Translated by Robert Hurley. New York: Pantheon Books, 1978.

 

Foucault, Michel. Power/Knowledge: Selected Interviews & Other Writings, 1972 - 1977. Edited by Colin Gordon. New York: Pantheon Books,1972, 1980.

  

Fraleigh, Sondra Horton. Dance and the Lived Body: A Descriptive Aesthetics. Pittsburgh: University of Pittsburgh Press, 1987.

 

Frampton, Hollis. “Eadweard Muybridge: Fragments of a Tesseract.” In On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton. Cambridge: MIT Press, 2009.

 

Fried, Michael. Four Honest Outlaws: Sala, Ray, Marioni, Gordon. New Haven: Yale University Press, 2011.

 

Gallagher, Catherine, and Thomas Laqueur, eds. The Making of the Modern Body: Sexuality and Society in the Nineteenth Century. Berkeley: University of California Press, 1987.

 

Gamwell, Lynn, ed. Dreams Nineteen Hundred to Two Thousand: Science, Art, and the Unconscious Mind. Binghamton: State University of New York at Binghamton, 2000.

 

Gay, Peter. Savage Reprisals: Bleak House, Madame Bovary, Buddenbrooks. New York: W.W. Norton & Company, 2002.

 

Gehm, Sabine, and Pirkko Husemann, Katharina von Wilke, eds. Knowledge in Motion: Perspectives of Artistic and Scientific Research in Dance. Translated by Bettina von Arps- Aubert. Bielefeld: Transcript, 2007.

 

Genoways, Hugh H., ed. Museum Philosophy for the Twenty-First Century. Oxford: AltaMira Press, 2006.

 

Geoghegan, Bernard Dionysius. “After Kittler: On the Cultural Techniques of Recent German Media Theory.” Theory Culture Society (August 2013).

 

Gidal, Peter. Materialist Film. London: Routledge, 1989.

Giedion, Siegfried. Space, Time, and Architecture: The Growth of a New Tradition. Cambridge:

 

Harvard University Press, 1974.

 

Godard, Jean-Luc. Godard on Godard. Edited by Jean Narboni and Tom Milne. New York: The Viking Press, 1968, 1972.

 

Gödl, Doris. “Challenging the Past: Serbian and Croatian Aggressor-Victim Narratives.” International Journal of Sociology 37. No. 1 (2007).

 

Goldberg, Roselee. Performance: Live Art Since the ‘60s. London: Thames & Hudson, 2004.

 

Goldberg, Roselee. Performance Art: From Futurism to the Present. London: Thames & Hudson, 2001.

  

Goldberg, Vicki, ed. Photography in Print: Writings from 1816 to the Present. New York: Simon and Schuster, 1981.

 

Golding, Sue, ed. The Eight Technologies of Otherness. London: Routledge, 1997. Gotaas, Thor. Running: A Global History. London: Reaktion Books, 2009.

 

Grau, Andrée, and Stephanie Jordan. Europe Dancing: Perspectives on Theatre, Dance, and Cultural Identity. New York: Routledge, 2000.

 

Grigorov, Dimitar. “‘Рачунајте на нас.’ ‘Oдломак’ о Титовој штафети или Штафети младости.” In Друштвену историју. Belgrade: 2008.

 

Grimes, Ronald L. Beginnings in Ritual Studies. Columbia: University of South Carolina Press, 1995.

 

Groys, Boris. Introduction to Antiphilosophy. Translated by David Fernbach. London: Verso, 2012.

 

Groys, Boris. The Communist Postscript. Translated by Thomas Ford. London: Verso, 2010. Groys, Boris, and Ann von der Heiden, Peter Weibel, eds. Zurück aus der Zukunft.

 

Osteuropäische Kulturen im Zeitalter des Postkommunismus. Berlin: Suhrkamp, 2005.

Gržinić, Marina, and Günther Heeg, Veronika Darian. Mind the Map! History is not a Given: A

 

th th

Critical Anthology Based on the Symposium [Leipzig, 13 -16 October 2005]. Frankfurt:

 

Revolver, 2006.

 

Guttman, Allen. “Sport, Politics, and the Engaged Historian.” Journal of Contemporary History. Volume 38, Number 3 (2003).

 

Hardt, Michael, and Antonio Negri. Empire. Boston, Harvard University Press, 2001. Hargreaves, Jennifer, and Patricia Anne Vertinsky, eds. Physical Culture, Power, and the Body.

 

New York: Routledge, 2007.

 

Harris, Mary Emma. The Arts at Black Mountain College. Cambridge: MIT Press, 1987, 2002.

 

Harte, Jane L., et. al. “The effects of running and meditation on beta-endorphin, corticotropin- releasing hormone and cortisol in plasma, and on mood.” Biological Psychology. Volume 40, Issue 3 (June 1995).

 

Harte, Jane L., and Georg H. Eifert. “The effects of running, environment, and attentional focus on athletes’ catecholamine and cortisol levels and moods.” Psychophysiology. Volume 32, Issue 1 (January 1995).

  

Havránek, Vít, ed. Jiří Kovanda: Actions and Installations, 2005-1976. Zurich: Tranzit & JRP|Ringier, 2006.

 

Helme, Sirje. PopKunst Forever: Estonian Pop Art at the Turn of the 1960s and 1970s. Tallinn: Art Museum of Estonia - Kumu Art Museu, 2010.

 

Hemmings, Frederick William John, ed. The Age of Realism. Baltimore: Penguin Books, 1974. Hendricks, Gordon. Eadweard Muybridge: The Father of the Motion Picture. New York:

 

Grossman Publishers, of Viking Press, 1975.

 

Henning, Michelle. Museums, Media, and Cultural Theory. New York: Open University Press, 2006.

 

Hewitt, Andrew. Social Choreography: Ideology as Performance in Dance and Everyday Movement. Durham: Duke University Press, 2005.

 

Higgins, Steven. Still Moving: The Film and Media Collections of the Museum of Modern Art. New York: The Museum of Modern Art, 2006.

 

Hoberman, John M. “Sport and Political Ideology.” Journal of Sport and Social Issues. Volume 1, Number 2 (1977).

 

Hodgson, John. Mastering Movement: The Life and Work of Rudolf Laban. New York: Routledge, 2001.

 

Hoelzl, Ingrid, and Friedrich Tietjen, eds. Images in Motion. Burges: Die Keure, 2012. Husserl, Edmund. The Phenomenology of Internal Time-Consciousness. Edited by Martin

 

Heidegger. Translated by James S. Churchill. Bloomington: Indiana University Press, 1964.

 

IRWIN, ed. East Art Map: Contemporary Art and Eastern Europe. London: Afterall and MIT Press, 2006.

 

Ivey, Paul Eli. Radiance from Halcyon: A Utopian Experiment in Religion and Science. Minneapolis: University of Minnesota Press, 2013.

 

Jameson, Frederic. Postmodernism, or, The Cultural Logic of Late Capitalism. Durham: Duke University Press,1991.

 

Janevski, Ana, ed. As Soon as I Open My Eyes I See a Film: Experiment in the Art of Yugoslavia in the 1960s and 1970s. Warsaw: Museum of Modern Art, 2010.

 

Jarausch, Konrad H., and Michael Geyer. Shattered Past: Reconstructing German Histories. Princeton, NJ: Princeton University Press, 2003.

  

Jones, Amelia. Body Art/Performing the Subject. Minneapolis: University of Minnesota Press, 1998.

 

Jones, Amelia, and Adrian Heathfield. Perform, Repeat, Record: Live Art in History. Chicago: University of Chicago Press, 2012.

 

Jones, Amelia. “The Body and Technology.” Art Journal. Volume 60, Number 1 (Spring, 2001). Joseph, Brandon W. Random Order: Robert Rauschenberg and the Neo-avant-garde.

 

Cambridge: MIT Press, 2003.

Joy, Jenn. The Choreographic. Cambridge: MIT Press, 2014.

 

Jünger, Ernst. “War and Photography.” Translated by Anthony Nassar. New German Critique. Number 59 (Spring-Summer, 1993).

 

Kater, Michael H. Hitler Youth. Cambridge, Mass.: Harvard University Press, 2004. Kebo, Ozren. Sarajevo za početnike. Sarajevo: Dani, 1996.

 

Kelley, Jeff, ed. Essays on the Blurring of Art and Life. Berkley: University of California Press, 1993, 2003.

 

Kern, Stephen. The Culture of Time and Space. Cambridge, Mass: Harvard University Press, 1983.

 

Kester, Grant H. Conversation Pieces: Community and Communication in Modern Art. Berkley: University of California Press, 2004.

 

Kholeif, Omar. Moving Image. London: Whitechapel, 2015.

Kirkpatrick, Sidney. The Revenge of Thomas Eakins. New Haven: Yale University Press, 2006.

 

Kirn, Gal, and Dubravka Sekulić, Žiga Testen, eds. Surfing the Black: Yugoslav Black Wave Cinema and its Transgressive Moments. Maastricht: Jan van Eyck Academie, 2012.

 

Kittler, Friedrich A. Gramophone, Film, Typewriter. Stanford: Stanford University Press, 1999. Klinger, Cornelia, and Bartomeu Mari. Modernologies: Contemporary Artists Researching

 

Modernity and Modernism. Barcelona: Museu d’Art Contemporani de Barcelona, 2009.

Knell, Simon J., et al., eds. National Museums: New Studies from around the World. New York:

 

Routledge, 2011.

Knudson, Duane. Fundamentals of Biomechanics, Second Edition. New York: Springer, 2007.

  

Knust, Albrecht. Handbook of Kinetography Laban: Examples. Hamburg: Das Tanzarchiv, 1958. Koch, Sabine, et al. Body Memory, Metaphor, and Movement. Philadelphia: John Benjamins

 

Publishing Company, 2012.

Krauss, Rosalind E. “Sculpture in the Expanded Field.” October. Volume 8 (Spring 1979).

 

Krauss, Rosalind E. The Originality of the Avant-Garde and Other Modernist Myths. Cambridge: MIT Press, 1985.

 

Kuligowski, Waldemar. “A Relay of Youth of the 21st Century. A Re-enactment of Ritual or a Grotesque Performance?” Cargo. Volume 10, Number 1 - 2 (2012).

 

Kwon, Miwon. One Place After Another: Site-Specific Art and Locational Identity. Cambridge: MIT Press, 2002.

 

LaBelle, Brandon. Background Noise: Perspectives on Sound Art. London and New York: Continuum International Publishing Group, 2006.

 

Lakoff, George, and Mark Johnson. Metaphors We Live By. Chicago: University of Chicago Press, 1980.

 

Landsberg, Alison. Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture. New York: Columbia University Press, 2004.

 

Laws, Kenneth, and Francia Russell. Physics and the Art of Dance: Understanding Movement. Oxford: Oxford University Press, 2002.

 

le Blanc, Guillaume. Courir: Méditations Physiques. Paris: Éditions Flammarion, 2012.

Leahy, Helen Rees. Museum Bodies: The Politics of Practices of Visiting and Viewing. Surrey,

 

England: Ashgate, 2012.

Lederman, Gail. Manliness and Civilization: A Cultural History of Gender and Race in the

 

United States, 1880 - 1917. Chicago: The University of Chicago Press, 1995. Lefebvre, Henri. The Production of Space. Oxford: Blackwell, 1991.

 

Lehman, Arnold L., and Brenda Richardson, eds. Oskar Schlemmer. Baltimore: The Baltimore Museum of Art, 1986.

 

Lemke, Thomas. Bio-Politics: An Advanced Introduction. Translated by Eric Frederick Trump. New York: New York University Press, 2011.

 

Lepage, Jean-Denis G.G. Hitler Youth, 1922 - 1945: An Illustrated History. London: McFarland & Company, Inc.,2009.

  

Lepecki, André, ed. Dance: Documents of Contemporary Art. London: MIT Press and WhiteChapel Gallery, 2012.

 

Leposavić, Radonja. vlasTito iskustvo. Belgrade: Publikum, 2005.

Licht, Alan. Sound Art: Beyond Music, Between Categories. New York: Rizzoli International

 

Publications, 2007.

 

Lippard, Lucy. Six Years: The Dematerialization of the Art Object from 1966 to 1972. Berkley: University of California Press, 1973.

 

Loland, Sigmund, and Berit Skirstad, Ivan Waddington. Pain and Injury in Sport: Social and Ethical Analysis. New York: Routledge, 2006.

 

Luthar, Breda, and Maruša Pušnik, eds. Remembering Utopia: The Culture of Everyday Life in Socialist Yugoslavia. Washington, D.C.: New Academia Publishers, 2010.

 

Mackay, Robin, and Armen Avanessian, eds. #Accelerate: The Accelerationist Reader. Falmouth, UK: Urbanomic, 2014.

 

Malcolm, Noel. Bosnia: A Short Story. London: MacMillan, 1994.

Maletic, Vera. Body - Space - Expression: The Development of Rudolf Laban’s Movement and

 

Dance Concepts. Amsterdam: Mouton de Gruyter, 1987.

Marie, Michel. The French New Wave: An Artistic School. Translated by Richard Neupert.

 

Oxford: Blackwell Publishing, 1997.

 

Marien, Mary Warner. Photography: A Cultural History. 2nd Edition. London: Laurence King Publishing Ltd, 2002, 2006.

 

Marks, Laura. Touch: Sensuous Theory and Multisensory Media. Minneapolis: University of Minnesota Press, 2002.

 

Marvin, Carolyn. When Old Technologies Were New: Thinking about Electric Communication in the Late Nineteenth Century. Oxford: Oxford University Press, 1988.

 

Mathews, Nancy Mowll. “The Body in Motion.” In Moving Pictures: American Art and Early Film, 1880 - 1910. Manchester, Vermont: Hudson Hills Press, 2005.

 

Mauss, Marcel. “Techniques of the Body” (1934). In Incorporations, Zone 6. Edited by Jonathan Crary and Sanford Kwinter. New York: Zone, 1992.

 

Mazower, Mark. Dark Continent: Europe’s Twentieth Century. New York: A.A. Knopf, 1999.

  

McGinnis, Peter M. Biomechanics of Sport and Exercise, Third Edition. Champaign, IL: Human Kinetics, 2013.

 

McSorley, Kevin, ed. War and the Body: Militarisation, Practice and Experience. New York: Routledge, 2013.

 

Meltzer, Eve. Systems We Have Loved: Conceptual Art, Affect, and the Antihumanist Turn. Chicago: The University of Chicago, 2013.

 

Merleau-Ponty, Maurice. The Phenomenology of Perception. Translated by Colin Smith. London: Routledge and Kegan Paul, 1962, 1989.

 

Metz, Christian. Film Language: A Semiotics of the Cinema. Translated by Michael Taylor. New York: Oxford University Press, 1974.

 

Metz, Christian. “Photography and Fetish.” October. Volume 34 (Autumn, 1985).

Meyer, James. Minimalism: Art and Polemics in the Sixties. New Haven: Yale University Press,

 

Michelson, Annette, ed. Kino-Eye: The Writings of Dziga Vertov. Translated by Kevin O’Brien. Berkeley: University of California Press, 1984.

 

Mirzoeff, Nicholas, ed. The Visual Culture Reader, Second Edition. New York: Routledge, 1998, 2002.

 

Mishima, Yukio. Sun and Steel: His Personal Testament on Art, Action, and Ritual Death. New York: Kodansha, 1970.

 

Mondloch, Kate. Screens: Viewing Media Installation Art. Minneapolis: The University of Minnesota Press, 2010.

 

Moore, Sarah J. Empire on Display: San Francisco’s Panama-Pacific International Exposition of 1915. Norman, OK: University of Oklahoma Press, 2013.

 

Morgan, William P. “Affective beneficence of vigorous physical activity.” Medicine and Science in Sports and Exercise. Volume 17, Number 1 (February 1985).

 

Morse, Meredith. Soft is Fast: Simone Forti in the 1960s and After. Cambridge: MIT Press, 2016.

 

Mosse, George L. The Image of Man: The Creation of Modern Masculinity. Oxford: Oxford University Press, 1996.

 

Motherwell, Robert, ed. Dada Painters and Poets. New Haven: Harvard University Press, 1981.

  

Mozley, Anita Ventura, ed. Eadweard Muybridge: The Stanford Years, 1872 - 1882. San Francisco: Stanford University, 1972.

 

Mulvey, Laura. Death 24x a Second: Stillness and the Moving Image. London: Reaction books, 2006.

 

Mumford, Lewis. Technics and Civilization. London: Routledge & Kegan Paul LTD, 1934, 1955.

 

Muñoz, José Esteban. Disidentifications: Queers of Color and the Performance of Politics. Minneapolis: The University of Minnesota Press, 1999.

 

Musolff, Andreas. Metaphor, Nation, and the Holocaust: The Concept of the Body Politic. New York: Routledge, 2010.

 

New Collectivism, ed. Neue Slowenische Kunst. Translated by Marjan Golobič. Hong Kong: Paramount Printing, 1991.

 

Newman, Michael, and Jon Bird, eds. Rewriting Conceptual Art. London: Reaction Books, 1999. O’Doherty, Brian. Inside the White Cube: The Ideology of the Gallery Space. Berkley:

 

University of California Press, 1986.

 

O’Rourke, Karen. Walking and Mapping: Artists as Cartographers. Cambridge: MIT Press, 2013.

 

Obrist, Hans Ulrich. Do It: The Compendium. New York: Independent Curators International/D.A.P., 2013.

 

Partsch-Bergsohn, Isa. Modern Dance in Germany and the Untied States: Crosscurrents and Influences. Chur: Harwood Academic Publishers, 1994.

 

Passerini, Luisa, ed. Memory and Totalitarianism. Oxford: Oxford University Press, 1992. Pavković, Aleksandar. The Fragmentation of Yugoslavia: Nationalism and War in the Balkans,

 

Second Edition. New York: St. Martin’s Press, 2000.

 

Pegrum, Mark A. Challenging Modernity: Dada Between Modern and Postmodern. Oxford: Berghahn Books, 2000.

 

Peiffer, Lorenz. Sport im Nationalsozialismus: Zum aktuellen Stand der sporthistorischen Forschung. Göttingen: Verlag Die Werkstaat, 2004, 2015.

 

Pejić, Bojana, and David Elliot. After the Wall: Art and Culture in Post-Communist Europe. Stockholm: Moderna Museet, 1999.

  

Penz, Otto. “Sport and Speed.” International Review for the Sociology of Sport. Volume 25, Number 2 (June 1990).

 

Peoples, Crocker. “A Psychological Analysis of the ‘Runner’s High’ (Human Performance).” Physical Educator. Volume 40, Number 1 (March 1, 1983).

 

Perica, Vjekoslav. Balkan Idols: Religion and Nationalism in Yugoslav States. Oxford: Oxford University Press, 2002.

 

Petrov, Ana. “Telesni projekti i regulacija normativnog tela: uloga fizičke kulture u Jugoslaviji.” Institut za etnologiju i folkloristiku. Issue 51, Number 2 (2014).

 

Pfister, Gertrud, ed. Gymnastics, A Transatlantic Movement: From Europe to America. New York: Routledge, 2011.

 

Phelan, Peggy. Unmarked: The Politics of Performance. New York: Routledge, 1993. Phillips, Christopher, ed. Photography in the Modern Era: European Documents and Critical

 

Writings, 1913 - 1940. New York: The Metropolitan Museum of Art/Aperature, 1990. Phillips, Murray G. Deconstructing Sport History: A Postmodern Analysis. Albany: State

 

University of New York Press, 2006.

 

Pissaro, Joachim, et al. Martin Creed: What’s the Point of It? London: Hayward Publishing, 2014.

 

Piotrowski, Piotr. In the Shadow of Yalta: Art and the Avant-Garde in Eastern Europe, 1945 - 1989. London: Reaktion, 2009.

 

Preston-Dunlop, Valerie. Rudolf Laban: An Extraordinary Life. London, Dance Books, 1998. Preziosi, Donald. Art Religion Amnesia: The Enchantments of Credulity. New York: Routledge,

  

Pursell, Caroll. White Heat: People and Technology. Berkley: University of California Press, 1994.

 

Quercetani, R. L. A World History of Track and Field Athletics 1864-1964. London: Oxford University Press, 1964.

 

Rabinbach, Anson. The Human Motor: Energy, Fatigue, and the Origins of Modernity. New York: Basic Books, 1990.

 

Rabinow, Paul, ed. The Foucault Reader. New York: Random House, 1984.

  

Radstone, Susannah, and Bill Schwarz, Memory: Histories, Theories, Debates. New York: Fordham University Press, 2010.

 

Rancière, Jacques. Aesthetics and its Discontents. Malden: Polity Press, 2004.

Rancière, Jacques. The Emancipated Spectator. Translated by Gregory Elliot. London: Verso,

 

Rancière, Jacques. The Politics of Aesthetics: The Distribution of the Sensible. London: Continuum, 2006.

 

Rees, A.L., and Duncan White, Steven Ball, David Curtis, eds. Expanded Cinema: Art, Performance, Film. London: Tate Publishing, 2011.

 

Rempel, Gerhard. Hitler’s Children: The Hitler Youth and the SS. Chapel Hill: University of North Carolina Press, 1989.

 

Richards, Mary. Marina Abramović. New York: Routledge, 2010.

Ricoeur, Paul. Oneself as Another. Translated by Kathleen Blamey. Chicago: University of

 

Chicago Press, 1992.

Rosa, Hartmut. Beschleunigung und Entfremdung: Entwurf einer Kritischen Theorie

 

spätmoderner Zeitlichkeit. Berlin: Suhrkamp, 2013.

Rosa, Hartmut, and William E. Scheuerman. High-Speed: Social Acceleration, Power, and

 

Modernity. University Park, PA: The Pennsylvania State University, 2009.

Rosati, Lauren, and Mary Anne Staniszewski, eds. Alternative Histories: New York Art Spaces,

 

1960-2010. Cambridge: MIT Press, 2012.

 

Rosenstone, Robert A., “History in Images/History in Words: Reflections on the Possibility of Really Putting History onto Film.” The American Historical Review. Volume 93. Number 5 (December 1988).

 

Rossol, Nadine. Performing the Nation in Interwar Germany: Sport, Spectacle, and Political Symbolism, 1926 - 1936. New York: Palgrave Macmillan, 2010.

 

Roxby-Maude, Alice, On Camera: Performance and Photography. Southampton: John Hansard Gallery, 2007.

 

Ruyter, Nancy Lee Chalfa. The Cultivation of Body and Mind in Nineteenth-Century American Delsartism. Westport, CT: Greenwood Press, 1999.

 

Salazar, James B. Bodies of Reform The Rhetoric of Character in Gilded Age America. New York: New York University Press, 2010.

  

Schechner, Richard. Essays on Performance Theory 1970 - 1976. New York: Drama Book Specialists, 1973, 1977.

 

Scheerder, Jeroen, and Koen Breedveld, eds. Running Across Europe: The Rise and Size of One of the Largest Sport Markets. New York: Palgrave Macmillan, 2015.

 

Seckinelgin, H., and Billy Wong, eds. Global Civil Society 2011: Globally and the Absence of Justice. Hampshire: Palgrave Macmillan, 2011.

 

Sekula, Allan. “The Body and the Archive.” October. Volume 39 (Winter, 1986). Semon, Richard. Die mnemischen Empmfindungen in ihren Beziehungen zu den

 

Originalempfindungen. Leipzig: W. Engelmann, 1909.

Shawn, Ted. Every Little Movement: A Book About François Delsarte. Pittsfield, MA: The Eagle

 

Printing and Binding Company, 1954.

Shayt, David H. “Stairway to Redemption: America’s Encounter with the British Prison

 

Treadmill.” Technology and Culture, Volume 30, Number 4 (Oct. 1989).

Sheridan, Heather, and Leslie Howe, and Keith Thompson, eds. Sporting Reflections: Some

 

Philosophical Perspectives. Aachen: Meyer & Meyer Verlag, 2007.

 

Siegmund, Gerald, and Stefan Hölscher, eds. Dance, Politics, and Co-Immunity: Thinking Resistances, Current Perspectives on Politics and Communities in the Arts. Volume 1. Zürich- Berlin: Diaphanes, 2013.

 

Sileo, Diego, and Eugenio Viola, PAC (Milano), eds. Marina Abramović: The Abramović Method. 2 Volumes. Milan: 24 ORE Cultura, 2012.

 

Silverman, Kaja. The Subject of Semiotics. New York: Oxford University Press, 1983.

Slevin, Tom. Vision of the Human: Art, World War One and the Modernist Subject. London: I.B.

 

Tauris, 2015.

 

Solnit, Rebecca. River of Shadows: Eadweard Muybridge and the Technological Wild West. New York: Viking, 2003.

 

Solnit, Rebecca. Wanderlust: A History of Walking. London: Verso, 2001.

Sontag, Susan. Against Interpretation and Other Essays. New York: Picador, 1966, 2001. Sontag, Susan. “Fascinating Fascism.” The New York Review of Books (6 February 1975). Sontag, Susan. On Photography. New York: Picador, 1977.

  

Spieker, Sven. The Big Archive: Art from Bureaucracy. Cambridge: MIT Press, 2008. Stepišnik, Drago. Oris Zgodovine Telesne Kulture na Slovenskem. Ljubljana: Dražavna založba

 

Slovenija, 1968.

 

Stipančić, Branka. “‘Zame je resničnost umetnost,’ Intervju s Tomislavom Gotovcem.” Vijenac, Number 123/VI (8 Oct. 1998).

 

Stoddart, Tom. Sarajevo. Washington, D.C.: Smithsonian Institution Press, 1998.

Stošić, Mirjana. “Body-name — The Brotherhood Chronotype and Social Choreography.”

 

Култура/Culture (2015).

Suljagić, Emir. Postcards from the Grave. Translated by Lejla Haverić. London: The Bosnian

 

Institute, 2005.

 

Susovski, Marijan, ed. The New Art Practice in Yugoslavia, 1966 - 1978. Zagreb: Gallery of Contemporary Art, 1978.

 

Sutil, Nicolás Salazar. Motion and Representation: The Language of Human Movement. Cambridge: MIT Press, 2015.

 

Swenson, Kirsten. Irrational Judgements: Eva Hesse, Sol Lewitt, and 1960s New York. New Haven: Yale University Press, 2015.

 

Szeemann, Harold. Zum freien Tanz, zu reiner Kunst. Rolandseck: Stiftung Hans Arp und Sophie Taeuber-Arp, 1991.

 

Tagg, John. The Burden of Representation: Essays on Photographies and Histories. Minneapolis: University of Minnesota Press, 1988.

 

Tilmans, Karin, and Frank van Vree, Jay Winter, eds. Performing the Past: Memory, History, and Identity in Modern Europe. Amsterdam: Amsterdam University Press, 2010.

 

Tumarkin, Maria M. Traumascapes: The Power and Fate of Places Transformed by Tragedies. Victoria, Australia: Melbourne University Press, 2005.

 

Udall, Sharyn R. Dance and American Art: A Long Embrace. Madison: University of Wisconsin Press, 2012.

 

Vacche, Angela Dalle. Film, Art, New Media: Museum without Walls? New York: Palgrave Macmillan, 2012.

 

Vertinsky, Patricia Anne. The Eternally Wounded Woman: Women, Doctors, and Exercise in the Late Nineteenth Century. Manchester: Manchester University Press, 1989.

  

Virilio, Paul. The Art of the Motor. Translated Julie Rose. Minneapolis: University of Minnesota Press, 1995.

 

Weibel, Peter. Beyond Art: A Third Culture. Vienna: Ambra Verlag, 2005.

 

Wells, Liz, ed. Photography: A Critical Introduction. New York: Rutledge, 1996/2015.

 

Westcott, James. When Marina Abramović Dies: A Biography. Cambridge: MIT Press, 2010.

 

White, Hayden. “Historiography and Historiophoty.” The American Historical Review. Volume 93. Number 5 (December 1988).

 

White, Hayden V. Metahistory: The Historical Imagination in Nineteenth-Century Europe. Baltimore: Johns Hopkins University Press, 1973.

 

Wiehager, Renate, ed. Moving Pictures: Photography and Film in Contemporary Art. Ostfildern- Ruit, Germany: Hate Cantz Publishers, 2001.

 

Williams, Raymond. Culture and Society, 1780 - 1950. New York: Columbia University Press, 1958/1983.

 

Wood, Catherine. Yvonne Rainer: The Mind is a Muscle. London: Afterall, 2007. Wood, Denis. The Power of Maps. New York: Guilford Press, 2010.

 

Woodward, Susan L. Balkan Tragedy: Chaos and Dissolution after the Cold War. Washington, D.C.: The Brookings Institution, 1995.

 

Young, Kevin. Deviance and Social Control in Sport. Champaign, IL: Human Kinetics, 2008. Youngblood, Gene. Expanded Cinema. New York: E.P. Dutton and Co., 1970.

 

Zelizer, Barbie, ed. Visual Culture and the Holocaust. New Brunswick: Rutgers University Press, 2001.

 

Zidić, Igor, and Ana Dević, Antonio Gotovac Lauer a.k.a. Tomislav Gotovac. Antonio Gotovac Lauer: Čelična mreža. Zagreb: Moderna Galerija and Studio Josip Račič, 2006.

 

Zorn, John W., ed. The Essential Delsarte. Metuchen, NJ: The Scarecrow Press, Inc, 1968.

 

Žižek, Slavoj. The Indivisible Remainder: An Essay on Schelling and Related Matters. London: Verso, 1996.

 

----

  

------------about Venice Biennale history from wikipedia ---------

curators previous

* 1948 – Rodolfo Pallucchini

* 1966 – Gian Alberto Dell'Acqua

* 1968 – Maurizio Calvesi and Guido Ballo

* 1970 – Umbro Apollonio

* 1972 – Mario Penelope

* 1974 – Vittorio Gregotti

* 1978 – Luigi Scarpa

* 1980 – Luigi Carluccio

* 1982 – Sisto Dalla Palma

* 1984 – Maurizio Calvesi

* 1986 – Maurizio Calvesi

* 1988 – Giovanni Carandente

* 1990 – Giovanni Carandente

* 1993 – Achille Bonito Oliva

* 1995 – Jean Clair

* 1997 – Germano Celant

* 1999 – Harald Szeemann

* 2001 – Harald Szeemann

* 2003 – Francesco Bonami

* 2005 – María de Corral and Rosa Martinez

* 2007 – Robert Storr

* 2009 – Daniel Birnbaum

* 2011 – Bice Curiger

* 2013 – Massimiliano Gioni

* 2015 – Okwui Enwezor

* 2017 – Christine Macel[19]

* 2019 – Ralph Rugoff[20]

  

----------

 

#art #artist #artistic #artists #arte #artwork

 

Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal

 

venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya

 

art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist

 

other Biennale :(Biennials ) :

Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS

* Dakar

  

kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער

 

Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya

 

Thierry Geoffroy / Colonel

#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist

 

#artformat #formatart

#emergencyart #urgencyart #urgentart #artofthenow #nowart

emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart

 

#InstitutionalCritique

 

#venicebiennale #venicebiennale2017 #venicebiennale2015

#venicebiennale2019

#venice #biennale #venicebiennale #venezia #italy

#venezia #venice #veniceitaly #venicebiennale

 

#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday

 

#biennalevenice

 

Institutional Critique

 

Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology

 

Racial and Ethnic Identity, Neo-Conceptualism, Diaristic

 

Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,

 

Culture, Collective History, Group of Portraits, Photographic Source

 

, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary

 

War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict

 

Personal Histories, Alter Egos and Avatars

 

Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text

  

Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism

 

Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis

 

—-

 

CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.​

Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.

 

It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...

 

The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...

 

Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...

 

Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .

 

www.emergencyrooms.org/criticalrun.html

 

www.emergencyrooms.org/formats.html

-------

In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center

------

for activating the format or for inviting the installation

please contact 1@colonel.dk

 

www.colonel.dk/

 

-----

 

critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,

 

Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary

,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat

 

,now art,copenhagen,denmark

 

traveladventureeverywhere.blogspot.com/2018/12/moscow-rus...

  

..

 

.

 

.

 

.

 

.

 

.

  

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

  

ALBANIA

 

Albanian Trilogy: A Series of Devious Stratagems

 

Armando Lulaj

 

Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale

 

ANDORRA

 

Inner Landscapes

 

Roqué, Joan Xandri

 

Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez

 

Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865

 

ANGOLA

 

On Ways of Travelling

 

António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira

 

Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810

 

ARGENTINA

 

The Uprising of Form

 

Juan Carlos Diste´fano

 

Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi

 

ARMENIA, Republic of

 

Armenity / Haiyutioun

 

Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK

 

Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni

 

AUSTRALIA

 

Fiona Hall: Wrong Way Time

 

Fiona Hall

 

Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini

 

AUSTRIA

 

Heimo Zobernig

 

Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini

 

AZERBAIJAN, Republic of

 

Beyond the Line

 

Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada

 

Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949

 

Vita Vitale

 

Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie

 

Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416

 

BELARUS, Republic of

 

War Witness Archive

 

Konstantin Selikhanov

 

Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145

 

BELGIUM

 

Personnes et les autres

 

Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton

 

Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini

 

COSTA RICA

 

"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".

 

Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli

 

Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani

 

CROATIA

 

Studies on Shivering: The Third Degree

 

Damir Ocko

 

Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina

 

CUBA

 

El artista entre la individualidad y el contexto

 

Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo

 

Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island

 

CYPRUS, Republic of

 

Two Days After Forever

 

Christodoulos Panayiotou

 

Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079

 

CZECH Republic and SLOVAK Republic

 

Apotheosis

 

Jirí David

 

Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini

 

ECUADOR

 

Gold Water: Apocalyptic Black Mirrors

 

Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet

 

Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701

 

ESTONIA

 

NSFW. From the Abyss of History

 

Jaanus Samma

 

Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199

 

EGYPT

 

CAN YOU SEE

 

Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud

 

Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini

 

FINLAND (Pavilion Alvar Aalto)

 

Hours, Years, Aeons

 

IC-98

 

Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini

 

FRANCE

 

revolutions

 

Céleste Boursier-Mougenot

 

Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini

 

GEORGIA

 

Crawling Border

 

Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia

 

Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi

 

GERMANY

 

Fabrik

 

Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony

 

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini

 

GREAT BRITAIN

 

Sarah Lucas

 

Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini

 

GRENADA *

 

Present Nearness

 

Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi

 

Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919

 

GREECE

 

Why Look at Animals? AGRIMIKÁ.

 

Maria Papadimitriou

 

Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini

 

BRAZIL

 

So much that it doesn't fit here

 

Antonio Manuel, André Komatsu, Berna Reale

 

Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini

 

CANADA

 

Canadassimo

 

BGL

 

Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini

 

CHILE

 

Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld

 

Paz Errázuriz, Lotty Rosenfeld

 

Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie

 

CHINA, People’s Republic of

 

Other Future

 

LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station

 

Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini

 

GUATEMALA

 

Sweet Death

 

Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe

 

Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani

 

HOLY SEE

 

Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi

 

HUNGARY

 

Sustainable Identities

 

Szilárd Cseke

 

Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini

 

ICELAND

 

Christoph Büchel

 

Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed

 

INDONESIA, Republic of

 

Komodo Voyage

 

Heri Dono

 

Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale

 

IRAN

 

Iranian Highlights

 

Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai

 

The Great Game

 

Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim

 

Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio

 

IRAQ

 

Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879

 

IRELAND

 

Adventure: Capital

 

Sean Lynch

 

Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie

 

ISRAEL

 

Tsibi Geva | Archeology of the Present

 

Tsibi Geva

 

Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini

   

ITALY

 

Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale

   

JAPAN

 

The Key in the Hand

 

Chiharu Shiota

 

Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini

   

KENYA

 

Creating Identities

 

Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center

 

Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island

   

KOREA, Republic of

 

The Ways of Folding Space & Flying

 

MOON Kyungwon & JEON Joonho

 

Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini

   

KOSOVO, Republic of

 

Speculating on the blue

 

Flaka Haliti

 

Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie

   

LATVIA

 

Armpit

 

Katrina Neiburga, Andris Eglitis

 

Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale

   

LITHUANIA

 

Museum

 

Dainius Liškevicius

 

Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro

   

LUXEMBOURG, Grand Duchy of

 

Paradiso Lussemburgo

 

Filip Markiewicz

 

Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052

   

MACEDONIA, Former Yugoslavian Republic of

 

We are all in this alone

 

Hristina Ivanoska and Yane Calovski

 

Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi

   

MAURITIUS *

 

From One Citizen You Gather an Idea

 

Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer

 

Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252

   

MEXICO

 

Possesing Nature

 

Tania Candiani, Luis Felipe Ortega

 

Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi

   

MONGOLIA *

 

Other Home

 

Enkhbold Togmidshiirev, Unen Enkh

 

Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora

   

MONTENEGRO

 

,,Ti ricordi Sjecaš li se You Remember "

 

Aleksandar Duravcevic

 

Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero

   

MOZAMBIQUE, Republic of *

 

Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique

 

Mozambique Artists

 

Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale

   

NETHERLANDS, The

 

herman de vries - to be all ways to be

 

herman de vries

 

Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini

   

NEW ZEALAND

 

Secret Power

 

Simon Denny

 

Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport

   

NORDIC PAVILION (NORWAY)

 

Camille Norment

 

Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini

   

PERU

 

Misplaced Ruins

 

Gilda Mantilla and Raimond Chaves

 

Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi

   

PHILIPPINES

 

Tie a String Around the World

 

Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz

 

Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora

   

POLAND

 

Halka/Haiti. 18°48’05”N 72°23’01”W

 

C.T. Jasper, Joanna Malinowska

 

Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini

   

PORTUGAL

 

I Will Be Your Mirror / poems and problems

 

João Louro

 

Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano

   

ROMANIA

 

Adrian Ghenie: Darwin’s Room

 

Adrian Ghenie

 

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini

   

Inventing the Truth. On Fiction and Reality

 

Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar

 

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice

   

RUSSIA

 

The Green Pavilion

 

Irina Nakhova

 

Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini

   

SERBIA

 

United Dead Nations

 

Ivan Grubanov

 

Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini

   

SAN MARINO

 

Repubblica di San Marino “ Friendship Project “ China

 

Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini

 

Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC

   

SEYCHELLES, Republic of *

 

A Clockwork Sunset

 

George Camille, Léon Wilma Loïs Radegonde

 

Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora

   

SINGAPORE

 

Sea State

 

Charles Lim Yi Yong

 

Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi

   

SLOVENIA, Republic of

 

UTTER / The violent necessity for the embodied presence of hope

 

JAŠA

 

Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie

   

SPAIN

 

Los Sujetos (The Subjects)

 

Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí

 

Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini

   

SYRIAN ARAB REPUBLIC

 

Origini della civiltà

 

Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha

 

Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island

   

SWEDEN

 

Excavation of the Image: Imprint, Shadow, Spectre, Thought

 

Lina Selander

 

Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale

   

SWITZERLAND

 

Our Product

 

Pamela Rosenkranz

 

Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini

   

THAILAND

 

Earth, Air, Fire & Water

 

Kamol Tassananchalee

 

Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260

   

TURKEY

 

Respiro

 

Sarkis

 

Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi

   

TUVALU

 

Crossing the Tide

 

Vincent J.F. Huang

 

Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale

   

UKRAINE

 

Hope!

 

Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin

 

Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri

   

UNITED ARAB EMIRATES

 

1980 – Today: Exhibitions in the United Arab Emirates

 

Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar

 

Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi

   

UNITED STATES OF AMERICA

 

Joan Jonas: They Come to Us Without a Word

 

Joan Jonas

 

Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini

   

URUGUAY

 

Global Myopia II (Pencil & Paper)

 

Marco Maggi

 

Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini

   

VENEZUELA, Bolivarian Republic of

 

Te doy mi palabra (I give you my word)

 

Argelia Bravo, Félix Molina (Flix)

 

Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini

   

ZIMBABWE, Republic of

 

Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.

 

Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro

 

Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta

   

ITALO-LATIN AMERICAN INSTITUTE

 

Voces Indígenas

 

Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale

 

ARGENTINA

 

Sofia Medici and Laura Kalauz

 

PLURINATIONAL STATE OF BOLIVIA

 

Sonia Falcone and José Laura Yapita

 

BRAZIL

 

Adriana Barreto

 

Paulo Nazareth

 

CHILE

 

Rainer Krause

 

COLOMBIA

 

León David Cobo,

 

María Cristina Rincón and Claudia Rodríguez

 

COSTA RICA

 

Priscilla Monge

 

ECUADOR

 

Fabiano Kueva

 

EL SALVADOR

 

Mauricio Kabistan

 

GUATEMALA

 

Sandra Monterroso

 

HAITI

 

Barbara Prézeau Stephenson

 

HONDURAS

 

Leonardo González

 

PANAMA

 

Humberto Vélez

 

NICARAGUA

 

Raúl Quintanilla

 

PARAGUAY

 

Erika Meza

 

Javier López

 

PERU

 

José Huamán Turpo

 

URUGUAY

 

Gustavo Tabares

   

Ellen Slegers

     

001 Inverso Mundus. AES+F

 

Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960

 

May 9th – October 31st

 

Organization: VITRARIA Glass + A Museum

 

www.vitraria.com

 

www.inversomundus.com

   

Catalonia in Venice: Singularity

 

Cantieri Navali, Castello, 40 (Calle Quintavalle)

 

May 9th - November 22nd

 

Organization: Institut Ramon Llull

 

www.llull.cat

 

venezia2015.llull.cat

   

Conversion. Recycle Group

 

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

 

May 6th - October 31st

 

Organization: Moscow Museum of Modern Art

 

www.mmoma.ru/

   

Dansaekhwa

 

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

 

May 7th – August 15th

 

Organization: The Boghossian Foundation

 

www.villaempain.com

   

Dispossession

 

Palazzo Donà Brusa, Campo San Polo, 2177

 

May 9th - November 22nd

 

Organization: European Capital of Culture Wroclaw 2016

 

wroclaw2016.pl/biennale/

   

EM15 presents Doug Fishbone’s Leisure Land Golf

 

Arsenale Docks, Castello, 40A, 40B, 41C

 

May 6th - July 26th

 

Organization: EM15

 

www.em15venice.co.uk

   

Eredità e Sperimentazione

 

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

 

May 9th - November 22nd

 

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

 

www.bioarchitettura.it

   

Frontiers Reimagined

 

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

 

May 9th - November 22nd

 

Organization: Tagore Foundation International; Polo museale del Veneto

 

www.frontiersreimagined.org

   

Glasstress 2015 Gotika

 

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

 

May 9th — November 22nd

 

Organization: The State Hermitage Museum

 

www.hermitagemuseum.org

   

Graham Fagen: Scotland + Venice 2015

 

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

 

May 9th - November 22nd

 

Organization: Scotland + Venice

 

www.scotlandandvenice.com

   

Grisha Bruskin. An Archaeologist’s Collection

 

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

 

May 6th – November 22nd

 

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

 

www.unive.it/csar

   

Helen Sear, ... The Rest Is Smoke

 

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

 

May 9th - November 22nd

 

Organization: Cymru yn Fenis/Wales in Venice

 

www.walesinvenice.org.uk

   

Highway to Hell

 

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

 

May 9th - November 22nd

 

Organization: Hubei Museum of Art

 

www.hbmoa.com

   

Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

 

Palazzo Faccanon, San Marco, 5016 (Mercerie)

 

May 7th – August 4th

 

Organization: Shanghai Himalayas Museum

 

www.himalayasmuseum.org

   

In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

 

Dorsoduro, 417 (Zattere)

 

May 6th - November 15th

 

Organization: ArsCulture

 

www.arsculture.org/

 

www.eyeofthunderstorm.com

   

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

 

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

 

May 9th – June 30th; September 11st – October 31st

 

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

 

www.i-amfoundation.org

 

www.venicebiennale-italiadocet.org

   

Jaume Plensa: Together

 

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

 

May 6th – November 22nd

 

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

 

www.praglia.it

   

Jenny Holzer "War Paintings"

 

Museo Correr, San Marco, 52 (Piazza San Marco)

 

May 6th – November 22nd

 

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

 

www.writtenartfoundation.com

 

correr.visitmuve.it

   

Jump into the Unknown

 

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

 

May 9th – June 18th

 

Organization: Nine Dragon Heads

 

9dh-venice.com

   

Learn from Masters

 

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

 

May 9th – November 22nd

 

Organization: Pan Tianshou Foundation

 

pantianshou.caa.edu.cn/foundation_en

   

My East is Your West

 

Palazzo Benzon, San Marco, 3927

 

May 6th – October 31st

 

Organization: The Gujral Foundation

 

www.gujralfoundation.org

       

Ornamentalism. The Purvitis Prize

 

Arsenale Nord, Tesa 99

 

May 9th – November 22nd

 

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

 

www.purvisabalva.lv/en/ornamentalism

   

Path and Adventure

 

Arsenale, Castello, 2126/A (Campo della Tana)

 

May 9th – November 22nd

 

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

 

www.iacm.gov.mo

 

www.mam.gov.mo

 

www.icm.gov.mo

   

Patricia Cronin: Shrine for Girls, Venice

 

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

 

May 9th – November 22nd

 

Organization: Brooklyn Rail Curatorial Projects

 

curatorialprojects.brooklynrail.org

   

Roberto Sebastian Matta. Sculture

 

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

 

May 9th – November 22nd

 

Organization: Fondazione Echaurren Salaris

 

www.fondazioneechaurrensalaris.it

 

www.maggioregam.com/56Biennale_Matta

   

Salon Suisse: S.O.S. Dada - The World Is A Mess

 

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

 

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

 

Organization: Swiss Arts Council Pro Helvetia

 

www.prohelvetia.ch

 

www.biennials.ch

   

Sean Scully: Land Sea

 

Palazzo Falier, San Marco, 2906

 

May 9th – November 22nd

 

Organization: Fondazione Volume!

 

www.fondazionevolume.com

   

Sepphoris. Alessandro Valeri

 

Molino Stucky, interior atrium, Giudecca, 812

 

May 9th – November 22nd

 

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

 

www.sepphorisproject.org

   

Tesla Revisited

 

Palazzo Nani Mocenigo, Dorsoduro, 960

 

May 9th – October 18th

 

Organization: VITRARIA Glass + A Museum

 

www.vitraria.com/

   

The Bridges of Graffiti

 

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

 

May 9th - November 22nd

 

Organization: Associazione Culturale Inossidabile

 

www.inossidabileac.com

   

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

 

Palazzo Tiepolo Passi, San Polo, 2774

 

May 6th - November 22nd

 

Organization: Fundaciò Artigas; ArsCulture

 

www.fundacio-artigas.com/

 

www.arsculture.org/

 

www.dialogueoffire.org

   

The Question of Beings

 

Istituto Santa Maria della Pietà, Castello, 3701

 

May 9th - November 22nd

 

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

 

www.mocataipei.org.tw

   

The Revenge of the Common Place

 

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

 

May 9th – September 30th

 

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

 

www.vub.ac.be/

   

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

 

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

 

October 24th – November 1st

 

Organization: Kunstmuseum Liechtenstein

 

www.kunstmuseum.li

 

www.silverlining.li

   

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

 

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

 

May 7th - November 22nd

 

Organization: ArsCulture

 

www.arsculture.org/

   

The Union of Fire and Water

 

Palazzo Barbaro, San Marco, 2840

 

May 9th - November 22nd

 

Organization: YARAT Contemporary Art Organisation

 

www.yarat.az

 

www.bakuvenice2015.com

   

Thirty Light Years - Theatre of Chinese Art

 

Palazzo Rossini, San Marco, 4013 (Campo Manin)

 

May 9th - November 22nd

 

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

 

www.globalartcenter.org

 

www.gdmoa.org

   

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

 

Arsenale, Castello, 2126 (Campo della Tana)

 

May 9th - November 22nd

 

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

 

www.westkowloon.hk/en/mplus

 

www.hkadc.org.hk

 

www.venicebiennale.hk

   

Under the Surface, Newfoundland and Labrador at Venice

 

Galleria Ca' Rezzonico, Dorsoduro, 2793

 

May 9th - November 22nd

 

Organization: Terra Nova Art Foundation

 

tnaf.ca

   

Ursula von Rydingsvard

 

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

 

May 6th - November 22nd

 

Organization:Yorkshire Sculpture Park

 

www.ysp.co.uk

   

We Must Risk Delight: Twenty Artists from Los Angeles

 

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

 

May 7th - November 22nd

 

Organization: bardoLA

 

www.bardoLA.org

   

Wu Tien-Chang: Never Say Goodbye

 

Palazzo delle Prigioni, Castello, 4209 (San Marco)

 

May 9th - November 22nd

 

Organization: Taipei Fine Arts Museum of Taiwan

 

www.tfam.museum

   

NO Self promotion by Image / HTML or WEB Link

NO Faves With out Comments plz,

Doing such act might cause you A Block from Me

Only Appreciation. Critics . comments Faves, Notes , Blog it And Own Comments are welcome and NO Round Up Comments plz !!

Take Some time with me to share your feelings here,

__________________________

,990613022011,

 

,Pay Visit to my:

 

Light Box

 

Getty Image Here

Twitter Here

Face Book Here

My Blog Here

 

___________________________________________________________

.

 

The Edit of this Photo Demands Your View In BLACK with Large size for better out put, Plz Press L for Black

 

_______________________________________

.Description

 

This is the cover photo of my set Spring Celebration 2011 [বসন্ত উথসব ২০১১(Bashanto Uthsob) ]

   

This Photo was taken on 13th Feb 2011 / 01 Falgun 1417 Bangoli Calender Yr at 4:30 pm , from Rabindro Sorobor [ A open air Cultural Venue ] Dhaka BANGLADESH . All the photos are Candid and with less treatment, The Spring Celebration here in BANGLADESH is Commonly known as Bashanto Uthsob,[ Bashanto is :

A name of Color

A name of most soothing weather

A name of flowery days

and Most Interesting season here in Bangladesh ]

 

This is the 1st Day of Falgun[ Falgun is a Bangoli Calendar Month ] Every Bangoli Calendar Year on 13th February comes as Our celebration day, Same As Valentine day on 14th Feb , We Follow both the day as our Valentine day, 13th Feb as for Bangoli and 14th Feb as FOR western culture,

 

The First day of Falgun is memorable for its colorful celebration. People from all age and categories celebrate this day with joy amd Festivities to welcome the spring season . They celebrate this day with folk dances , music, recitations and rallies throughout the country to commemorate the Bashanta Uthsob. Girls ware Yellow sarees and Boys wear Yellow Panjabees to celebrate the day, Most of the youth and children’s Painted their faces to make the day more colorful . At the same time , people hope that the coming days will be full of light and Joy,

 

The Spring [BASHANTO ] Comes to Bangladesh is the end state of Winter and the beginning of Summer, with new leafs in the branches of trees ,

Beds are full with Flowers in the garden and The Bird [KOKIL] Twitted are all the Happening in Spring [Bashanto ]

 

_____________________

   

Thanks In Advance for not Inviting me to any Group and Attaching Graphics to this picture as a part of your comments, I appreciate you to view my photo , click Faves and write your comments instead you copy pest your comment to me.

 

Press F to Faves This Photo

  

-Please don't use or alter this image on websites, blogs or any other media without my explicit permission. © All rights reserved,

 

[crosseye stereograph, see 3D with your right eye on the left image, and left on right.]

 

That's "The Pike" in Long Beach, California, circa mid 1960's. The Pike was one of the reasons Disneyland was created. Although Walt is quoted as having been sitting on a bench near Griffith Park's carousel when the question of "Why isn't there a place where parents and their kids can both have fun (together)?" This is the place he was thinking of what NOT to do, from among several like it, such as Pacific Ocean Park, Santa Monica Pier, and Newport. The pike was full of trash everywhere, barkers, rotten old dark rides (It was later discovered that the mummy in Laugh in the Dark, contained actual, recent, human remains.) There were swearing sailors pissing in public corners, and vomit that had been in place so long it had become part of the pavement. In the photo is Looff's carousel on the left and, on the right, the famous twin racer coaster, Cyclone Racer. It was famous for sending trains full of people to their untimely demise, their last drink, a watery ocean drowning, when the poorly maintained track gave way.

 

Although before my time, the Pike in Long Beach was fed by the sailors on leave from the Naval Ship Yards on Terminal Island to the West beyond the mouth of the Los Angeles River. War time saw The Pike in it's heyday, and wartime was it's greatest contribution. In the Post-War fifties, The Pike faced an economic downturn, and with direct competition for the family pass-time dollar from Knott's Berry Farm (and nearby Alligator Farm) and the splendidly new Disneyland, the independent operators either banded together with, or, (the smart move) sold out to the new management. New management, new name, NU-PIKE! And the name du jour was just as imaginative as it's implementation - sparse. The Long Beach city council contracted all of the owner/operators to maintain standards, patched the old road that was now a pedestrian walkway, hired custodians, tore out The Plunge, and slapped (more slopped) paint hither and yon. The RTD 36f bus (f for Freeway Flier) to LA was no match at bringing as many gleeful revelers as the high speed interurban electric railroad of the Pacific Electric (of Who Framed Roger Rabbit fame) had been. I was born 5 days before the last one of the Big Red Cars rolled down Long Beach Blvd. I have been told I was on the last one, but, as an infant, I couldn't have remembered my first and last ride, home from the hospital. The new zoo was a petting pen full of mangy goats. The fun zone (seen in another picture) was an alley cluttered with tourist trap shops mixed with buildings containing a hall of mirrors, bumper-cars, stick your head in a hole souvenir photographer, and the side show guy that would spurt stage blood pumped from his chair through his piercings after driving a spike through the one in his hand - the guy that taught me to smoke cigarettes.

Kiddy-land was a collection of lame traveling carnival truck rides running in 30 foot circles - 16 motorcycles, 8 cars, 8 boats, 8 helicopters (as seen in the introduction of "The Courtship of Eddie's Father" - before their move to the NU-PIKE - while still at Pierpoint Landing.)

The miniature railroad who's cars later went to Gene Autry's Melodyland before winding up circling today's Travel Town was near the picnic grounds. Hobos and the homeless camped near the cinderblock restrooms that were locked at night, so folks just peed on the walls, NU-PIKE, same old smell.

 

Charles I.D. Looff built the carousel seen on the left and lived above it in the roof.

 

The Plunge was like other plunges along the California Coast, for bathers, like the Redondo Beach Plunge, filtered ocean salt water warmed by the cooling towers of the nearby power-plant.

There was another attraction just East of the Dual Ferris wheel, which was the most interesting way to execute exotic saltwater fish ever. It was a UFO shaped diving vessel ringed by porthole windows and a water tight door. Attached at the top and bottom was a loop of cable wound around a motor pulley and through some lead weights. Moments after the door was closed, the floor dropped as the whole vessel plunged into a tank of pressure shocked fish that would suddenly behave like none of their kind ever would in the wild, knocked the sense right out of 'em. Other attractions were considered and dismissed, but The Queen Mary was re-fabricated (read gutted) into Jacques Cousteau's Living Seas as well as a convention center, and an historic tour above. Trying to loose the looser image they quickly renamed the pike "Queensway Park" and fabricated a London-esque town called "Queensway Village" at the base of the gantryway to the ship. This was soon followed by the construction of Queensway Bridge extending Magnolia across the mouth of the Los Angeles River and creating a loop convenient to the southern end of Interstate 710, the Long Beach Freeway. That began the landfill happy wanton destruction of the entire area. Today the Shoreline Drive hosts the Long Beach Grand Prix precisely on top of where bathers would toe test the temp on the shoreline.

 

This Pictured Sign represents the neon shiny small moment in history, of the repackaged, same ol', same ol' NU_PUKE.

 

Re-packaged as Crosseye-Stereograph from Curious Hanman's Nu-pike-Neon a Parallel Stereograph.

 

It is important to note that Disney Seas was supposed to go here when Disney Corp., in order to own the Disneyland Hotel, bought the Wrather Corp., who was the contractor operating the Queen Mary. Instead Disney Seas opened in Tokyo, Japan.

Source: www.autoworldmuseum.com/about.html

 

Why build an automotive museum? Because one way or another, our lives are touched by the automobile. We remember our parents’ cars, the ones we traveled in with family, the ones we borrowed for our first car date, the first ones we bought. The fast cars, the junkers, the modified ones and the ones we rebuilt—all of them are tied to us in memory. We even dream of cars.

 

William E. Backer, former owner of Backer Potato Chip Company in Fulton, Missouri, looked back in time and found that a vintage automobile was a thing of fascination. His memories were of old country roads and two lane highways. Bill Backer was an engineer and a builder who loved to tinker. Having built a successful potato chip company, he looked back at the cars that were part of his childhood. Shortly after, he owned a Canadian 1924 Dodge Touring. Dark blue with black fenders and a cloth top. Bill drove his family around the back country roads of Callaway County, Missouri and felt himself touching fading memories.

 

Not long after he collected the Dodge, Bill had a 1909 Ford Model T. Soon after that, a 1930 Model A. Then a 1929 Cord, a 1931 Rolls Royce Phantom II, a 1957 Chevy Bel Air, and so on. By the mid 1990’s, the number of classic autos in the collection neared 100. Bill found a home for many of his classic cars in an old retail building in Fulton. The Auto World Museum Foundation was formed and a classic car museum was opened to the public. Ten years later, in 2006, the automobile museum was moved to its current home at 200 Peacock Drive in Fulton. It is a building dedicated to the history of vintage and modern automobiles as well as the history of Callaway County and Fulton, Missouri.

 

After his passing in 2008, his daughter, Vicki McDaniel, assumed leadership of the museum and the collection of cars. Since then, the collection of vintage autos has changed a little. However, her primary passion is for the presentation of antique cars and modern ones in a place that everyone can visit.

 

The presentation of cars and staging of the museum is the vision of Tom K. Jones, Artistic Director of TKJ Designs in Fulton, Missouri. His concept for the museum was a movement through time and a portrayal of the history of Callaway County, Missouri. Auto World Museum is a stage—a movement through history. Its deep black curtains, scenes from back when, panels of advertising and memorabilia will take you through a history of motion in time. At first, you will visit a period not that long ago, although some say 100 years is a long time. As you move in a clockwise direction through the museum, you will find enticing displays. The simplicity of family drives in the convertible. The decadence of Hollywood and its fancy cars. The sights and sounds of the drive-in as you watched from the comfort of your Studebaker or Corvair. You will ponder when gas prices were really, really low. Finally, you will find yourself nearing the future, with displays of alternative fuel vehicles.

 

Auto World Museum will spark your curiosity. We hope that you will find that our collection of vintage and modern automobiles fascinates you the way that it did Bill Backer. We hope you will continue the journey with us as we add to the collection over time. We would like to thank William Harrison for his dedication to the research on the autos in the museum.

www.kingdomsalvation.org/es/many-are-called-but-few-are-c...

 

Dios Todopoderoso dice: "Llamo a Mi casa a todos los que he predestinado para que escuchen Mi palabra, entonces pongo ante Mi trono a todos quienes obedecen y anhelan Mi palabra. Aquellos quienes traicionan Mi palabra, aquellos quienes no me obedecen ni se someten a Mí, y aquellos quienes abiertamente me desafían, serán echados a un lado a esperar su castigo final. Todos los hombres viven en perversión y bajo la mano del maligno, así que no muchos de los que me siguen realmente anhelan la verdad. Es decir, la mayoría no me adora con un corazón verdadero o con la verdad, sino que tratan de ganar Mi confianza a través de la perversión, la rebelión y las medidas engañosas. Es por esta razón que digo, “Muchos son llamados, pero pocos escogidos”. Todos los que son llamados están profundamente pervertidos y viven en la misma época, pero aquellos quienes son escogidos son sólo esa parte que cree y reconoce la verdad, y que práctica la verdad. Estos hombres son sólo una parte muy pequeña de la totalidad, y de entre estos hombres recibiré más gloria. Si os medís con estas palabras, ¿sabes si estás entre los escogidos? ¿Cuál será tu fin?

De "La Palabra manifestada en carne"

 

Leer más Palabras de Dios

www.mpix.eu/2012/11/efke-ir820.html

 

Sinar Alpina, Efke IR820 + R72.

Rated ISO 1,5. Measured 16s, exposed 45sec.

Developed in Rodinal 1+25 - 12:30min cont. agitation.

Postprocessed

traveladventureeverywhere.blogspot.com/2018/08/vdnkh-exhi...

..

 

..

 

.

 

.

 

.

 

.

 

.

  

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

  

ALBANIA

 

Albanian Trilogy: A Series of Devious Stratagems

 

Armando Lulaj

 

Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale

 

ANDORRA

 

Inner Landscapes

 

Roqué, Joan Xandri

 

Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez

 

Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865

 

ANGOLA

 

On Ways of Travelling

 

António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira

 

Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810

 

ARGENTINA

 

The Uprising of Form

 

Juan Carlos Diste´fano

 

Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi

 

ARMENIA, Republic of

 

Armenity / Haiyutioun

 

Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK

 

Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni

 

AUSTRALIA

 

Fiona Hall: Wrong Way Time

 

Fiona Hall

 

Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini

 

AUSTRIA

 

Heimo Zobernig

 

Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini

 

AZERBAIJAN, Republic of

 

Beyond the Line

 

Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada

 

Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949

 

Vita Vitale

 

Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie

 

Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416

 

BELARUS, Republic of

 

War Witness Archive

 

Konstantin Selikhanov

 

Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145

 

BELGIUM

 

Personnes et les autres

 

Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton

 

Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini

 

COSTA RICA

 

"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".

 

Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli

 

Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani

 

CROATIA

 

Studies on Shivering: The Third Degree

 

Damir Ocko

 

Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina

 

CUBA

 

El artista entre la individualidad y el contexto

 

Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo

 

Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island

 

CYPRUS, Republic of

 

Two Days After Forever

 

Christodoulos Panayiotou

 

Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079

 

CZECH Republic and SLOVAK Republic

 

Apotheosis

 

Jirí David

 

Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini

 

ECUADOR

 

Gold Water: Apocalyptic Black Mirrors

 

Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet

 

Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701

 

ESTONIA

 

NSFW. From the Abyss of History

 

Jaanus Samma

 

Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199

 

EGYPT

 

CAN YOU SEE

 

Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud

 

Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini

 

FINLAND (Pavilion Alvar Aalto)

 

Hours, Years, Aeons

 

IC-98

 

Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini

 

FRANCE

 

revolutions

 

Céleste Boursier-Mougenot

 

Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini

 

GEORGIA

 

Crawling Border

 

Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia

 

Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi

 

GERMANY

 

Fabrik

 

Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony

 

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini

 

GREAT BRITAIN

 

Sarah Lucas

 

Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini

 

GRENADA *

 

Present Nearness

 

Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi

 

Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919

 

GREECE

 

Why Look at Animals? AGRIMIKÁ.

 

Maria Papadimitriou

 

Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini

 

BRAZIL

 

So much that it doesn't fit here

 

Antonio Manuel, André Komatsu, Berna Reale

 

Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini

 

CANADA

 

Canadassimo

 

BGL

 

Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini

 

CHILE

 

Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld

 

Paz Errázuriz, Lotty Rosenfeld

 

Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie

 

CHINA, People’s Republic of

 

Other Future

 

LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station

 

Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini

 

GUATEMALA

 

Sweet Death

 

Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe

 

Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani

 

HOLY SEE

 

Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi

 

HUNGARY

 

Sustainable Identities

 

Szilárd Cseke

 

Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini

 

ICELAND

 

Christoph Büchel

 

Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed

 

INDONESIA, Republic of

 

Komodo Voyage

 

Heri Dono

 

Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale

 

IRAN

 

Iranian Highlights

 

Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai

 

The Great Game

 

Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim

 

Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio

 

IRAQ

 

Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879

 

IRELAND

 

Adventure: Capital

 

Sean Lynch

 

Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie

 

ISRAEL

 

Tsibi Geva | Archeology of the Present

 

Tsibi Geva

 

Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini

   

ITALY

 

Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale

   

JAPAN

 

The Key in the Hand

 

Chiharu Shiota

 

Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini

   

KENYA

 

Creating Identities

 

Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center

 

Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island

   

KOREA, Republic of

 

The Ways of Folding Space & Flying

 

MOON Kyungwon & JEON Joonho

 

Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini

   

KOSOVO, Republic of

 

Speculating on the blue

 

Flaka Haliti

 

Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie

   

LATVIA

 

Armpit

 

Katrina Neiburga, Andris Eglitis

 

Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale

   

LITHUANIA

 

Museum

 

Dainius Liškevicius

 

Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro

   

LUXEMBOURG, Grand Duchy of

 

Paradiso Lussemburgo

 

Filip Markiewicz

 

Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052

   

MACEDONIA, Former Yugoslavian Republic of

 

We are all in this alone

 

Hristina Ivanoska and Yane Calovski

 

Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi

   

MAURITIUS *

 

From One Citizen You Gather an Idea

 

Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer

 

Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252

   

MEXICO

 

Possesing Nature

 

Tania Candiani, Luis Felipe Ortega

 

Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi

   

MONGOLIA *

 

Other Home

 

Enkhbold Togmidshiirev, Unen Enkh

 

Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora

   

MONTENEGRO

 

,,Ti ricordi Sjecaš li se You Remember "

 

Aleksandar Duravcevic

 

Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero

   

MOZAMBIQUE, Republic of *

 

Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique

 

Mozambique Artists

 

Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale

   

NETHERLANDS, The

 

herman de vries - to be all ways to be

 

herman de vries

 

Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini

   

NEW ZEALAND

 

Secret Power

 

Simon Denny

 

Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport

   

NORDIC PAVILION (NORWAY)

 

Camille Norment

 

Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini

   

PERU

 

Misplaced Ruins

 

Gilda Mantilla and Raimond Chaves

 

Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi

   

PHILIPPINES

 

Tie a String Around the World

 

Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz

 

Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora

   

POLAND

 

Halka/Haiti. 18°48’05”N 72°23’01”W

 

C.T. Jasper, Joanna Malinowska

 

Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini

   

PORTUGAL

 

I Will Be Your Mirror / poems and problems

 

João Louro

 

Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano

   

ROMANIA

 

Adrian Ghenie: Darwin’s Room

 

Adrian Ghenie

 

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini

   

Inventing the Truth. On Fiction and Reality

 

Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar

 

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice

   

RUSSIA

 

The Green Pavilion

 

Irina Nakhova

 

Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini

   

SERBIA

 

United Dead Nations

 

Ivan Grubanov

 

Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini

   

SAN MARINO

 

Repubblica di San Marino “ Friendship Project “ China

 

Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini

 

Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC

   

SEYCHELLES, Republic of *

 

A Clockwork Sunset

 

George Camille, Léon Wilma Loïs Radegonde

 

Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora

   

SINGAPORE

 

Sea State

 

Charles Lim Yi Yong

 

Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi

   

SLOVENIA, Republic of

 

UTTER / The violent necessity for the embodied presence of hope

 

JAŠA

 

Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie

   

SPAIN

 

Los Sujetos (The Subjects)

 

Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí

 

Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini

   

SYRIAN ARAB REPUBLIC

 

Origini della civiltà

 

Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha

 

Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island

   

SWEDEN

 

Excavation of the Image: Imprint, Shadow, Spectre, Thought

 

Lina Selander

 

Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale

   

SWITZERLAND

 

Our Product

 

Pamela Rosenkranz

 

Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini

   

THAILAND

 

Earth, Air, Fire & Water

 

Kamol Tassananchalee

 

Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260

   

TURKEY

 

Respiro

 

Sarkis

 

Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi

   

TUVALU

 

Crossing the Tide

 

Vincent J.F. Huang

 

Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale

   

UKRAINE

 

Hope!

 

Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin

 

Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri

   

UNITED ARAB EMIRATES

 

1980 – Today: Exhibitions in the United Arab Emirates

 

Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar

 

Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi

   

UNITED STATES OF AMERICA

 

Joan Jonas: They Come to Us Without a Word

 

Joan Jonas

 

Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini

   

URUGUAY

 

Global Myopia II (Pencil & Paper)

 

Marco Maggi

 

Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini

   

VENEZUELA, Bolivarian Republic of

 

Te doy mi palabra (I give you my word)

 

Argelia Bravo, Félix Molina (Flix)

 

Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini

   

ZIMBABWE, Republic of

 

Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.

 

Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro

 

Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta

   

ITALO-LATIN AMERICAN INSTITUTE

 

Voces Indígenas

 

Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale

 

ARGENTINA

 

Sofia Medici and Laura Kalauz

 

PLURINATIONAL STATE OF BOLIVIA

 

Sonia Falcone and José Laura Yapita

 

BRAZIL

 

Adriana Barreto

 

Paulo Nazareth

 

CHILE

 

Rainer Krause

 

COLOMBIA

 

León David Cobo,

 

María Cristina Rincón and Claudia Rodríguez

 

COSTA RICA

 

Priscilla Monge

 

ECUADOR

 

Fabiano Kueva

 

EL SALVADOR

 

Mauricio Kabistan

 

GUATEMALA

 

Sandra Monterroso

 

HAITI

 

Barbara Prézeau Stephenson

 

HONDURAS

 

Leonardo González

 

PANAMA

 

Humberto Vélez

 

NICARAGUA

 

Raúl Quintanilla

 

PARAGUAY

 

Erika Meza

 

Javier López

 

PERU

 

José Huamán Turpo

 

URUGUAY

 

Gustavo Tabares

   

Ellen Slegers

     

001 Inverso Mundus. AES+F

 

Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960

 

May 9th – October 31st

 

Organization: VITRARIA Glass + A Museum

 

www.vitraria.com

 

www.inversomundus.com

   

Catalonia in Venice: Singularity

 

Cantieri Navali, Castello, 40 (Calle Quintavalle)

 

May 9th - November 22nd

 

Organization: Institut Ramon Llull

 

www.llull.cat

 

venezia2015.llull.cat

   

Conversion. Recycle Group

 

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

 

May 6th - October 31st

 

Organization: Moscow Museum of Modern Art

 

www.mmoma.ru/

   

Dansaekhwa

 

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

 

May 7th – August 15th

 

Organization: The Boghossian Foundation

 

www.villaempain.com

   

Dispossession

 

Palazzo Donà Brusa, Campo San Polo, 2177

 

May 9th - November 22nd

 

Organization: European Capital of Culture Wroclaw 2016

 

wroclaw2016.pl/biennale/

   

EM15 presents Doug Fishbone’s Leisure Land Golf

 

Arsenale Docks, Castello, 40A, 40B, 41C

 

May 6th - July 26th

 

Organization: EM15

 

www.em15venice.co.uk

   

Eredità e Sperimentazione

 

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

 

May 9th - November 22nd

 

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

 

www.bioarchitettura.it

   

Frontiers Reimagined

 

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

 

May 9th - November 22nd

 

Organization: Tagore Foundation International; Polo museale del Veneto

 

www.frontiersreimagined.org

   

Glasstress 2015 Gotika

 

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

 

May 9th — November 22nd

 

Organization: The State Hermitage Museum

 

www.hermitagemuseum.org

   

Graham Fagen: Scotland + Venice 2015

 

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

 

May 9th - November 22nd

 

Organization: Scotland + Venice

 

www.scotlandandvenice.com

   

Grisha Bruskin. An Archaeologist’s Collection

 

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

 

May 6th – November 22nd

 

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

 

www.unive.it/csar

   

Helen Sear, ... The Rest Is Smoke

 

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

 

May 9th - November 22nd

 

Organization: Cymru yn Fenis/Wales in Venice

 

www.walesinvenice.org.uk

   

Highway to Hell

 

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

 

May 9th - November 22nd

 

Organization: Hubei Museum of Art

 

www.hbmoa.com

   

Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

 

Palazzo Faccanon, San Marco, 5016 (Mercerie)

 

May 7th – August 4th

 

Organization: Shanghai Himalayas Museum

 

www.himalayasmuseum.org

   

In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

 

Dorsoduro, 417 (Zattere)

 

May 6th - November 15th

 

Organization: ArsCulture

 

www.arsculture.org/

 

www.eyeofthunderstorm.com

   

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

 

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

 

May 9th – June 30th; September 11st – October 31st

 

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

 

www.i-amfoundation.org

 

www.venicebiennale-italiadocet.org

   

Jaume Plensa: Together

 

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

 

May 6th – November 22nd

 

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

 

www.praglia.it

   

Jenny Holzer "War Paintings"

 

Museo Correr, San Marco, 52 (Piazza San Marco)

 

May 6th – November 22nd

 

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

 

www.writtenartfoundation.com

 

correr.visitmuve.it

   

Jump into the Unknown

 

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

 

May 9th – June 18th

 

Organization: Nine Dragon Heads

 

9dh-venice.com

   

Learn from Masters

 

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

 

May 9th – November 22nd

 

Organization: Pan Tianshou Foundation

 

pantianshou.caa.edu.cn/foundation_en

   

My East is Your West

 

Palazzo Benzon, San Marco, 3927

 

May 6th – October 31st

 

Organization: The Gujral Foundation

 

www.gujralfoundation.org

       

Ornamentalism. The Purvitis Prize

 

Arsenale Nord, Tesa 99

 

May 9th – November 22nd

 

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

 

www.purvisabalva.lv/en/ornamentalism

   

Path and Adventure

 

Arsenale, Castello, 2126/A (Campo della Tana)

 

May 9th – November 22nd

 

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

 

www.iacm.gov.mo

 

www.mam.gov.mo

 

www.icm.gov.mo

   

Patricia Cronin: Shrine for Girls, Venice

 

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

 

May 9th – November 22nd

 

Organization: Brooklyn Rail Curatorial Projects

 

curatorialprojects.brooklynrail.org

   

Roberto Sebastian Matta. Sculture

 

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

 

May 9th – November 22nd

 

Organization: Fondazione Echaurren Salaris

 

www.fondazioneechaurrensalaris.it

 

www.maggioregam.com/56Biennale_Matta

   

Salon Suisse: S.O.S. Dada - The World Is A Mess

 

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

 

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

 

Organization: Swiss Arts Council Pro Helvetia

 

www.prohelvetia.ch

 

www.biennials.ch

   

Sean Scully: Land Sea

 

Palazzo Falier, San Marco, 2906

 

May 9th – November 22nd

 

Organization: Fondazione Volume!

 

www.fondazionevolume.com

   

Sepphoris. Alessandro Valeri

 

Molino Stucky, interior atrium, Giudecca, 812

 

May 9th – November 22nd

 

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

 

www.sepphorisproject.org

   

Tesla Revisited

 

Palazzo Nani Mocenigo, Dorsoduro, 960

 

May 9th – October 18th

 

Organization: VITRARIA Glass + A Museum

 

www.vitraria.com/

   

The Bridges of Graffiti

 

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

 

May 9th - November 22nd

 

Organization: Associazione Culturale Inossidabile

 

www.inossidabileac.com

   

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

 

Palazzo Tiepolo Passi, San Polo, 2774

 

May 6th - November 22nd

 

Organization: Fundaciò Artigas; ArsCulture

 

www.fundacio-artigas.com/

 

www.arsculture.org/

 

www.dialogueoffire.org

   

The Question of Beings

 

Istituto Santa Maria della Pietà, Castello, 3701

 

May 9th - November 22nd

 

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

 

www.mocataipei.org.tw

   

The Revenge of the Common Place

 

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

 

May 9th – September 30th

 

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

 

www.vub.ac.be/

   

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

 

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

 

October 24th – November 1st

 

Organization: Kunstmuseum Liechtenstein

 

www.kunstmuseum.li

 

www.silverlining.li

   

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

 

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

 

May 7th - November 22nd

 

Organization: ArsCulture

 

www.arsculture.org/

   

The Union of Fire and Water

 

Palazzo Barbaro, San Marco, 2840

 

May 9th - November 22nd

 

Organization: YARAT Contemporary Art Organisation

 

www.yarat.az

 

www.bakuvenice2015.com

   

Thirty Light Years - Theatre of Chinese Art

 

Palazzo Rossini, San Marco, 4013 (Campo Manin)

 

May 9th - November 22nd

 

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

 

www.globalartcenter.org

 

www.gdmoa.org

   

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

 

Arsenale, Castello, 2126 (Campo della Tana)

 

May 9th - November 22nd

 

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

 

www.westkowloon.hk/en/mplus

 

www.hkadc.org.hk

 

www.venicebiennale.hk

   

Under the Surface, Newfoundland and Labrador at Venice

 

Galleria Ca' Rezzonico, Dorsoduro, 2793

 

May 9th - November 22nd

 

Organization: Terra Nova Art Foundation

 

tnaf.ca

   

Ursula von Rydingsvard

 

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

 

May 6th - November 22nd

 

Organization:Yorkshire Sculpture Park

 

www.ysp.co.uk

   

We Must Risk Delight: Twenty Artists from Los Angeles

 

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

 

May 7th - November 22nd

 

Organization: bardoLA

 

www.bardoLA.org

   

Wu Tien-Chang: Never Say Goodbye

 

Palazzo delle Prigioni, Castello, 4209 (San Marco)

 

May 9th - November 22nd

 

Organization: Taipei Fine Arts Museum of Taiwan

 

www.tfam.museum

 

please check out this site:

djiin.wordpress.com/

 

www.michaelheart.com/Song_for_Gaza.html

 

UPDATE>>>UPDATE>>>UPDATE

:

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

+1300 Palestinians murdered by Israel in Gaza

(most are children &women)

+5300 injured with critical situations (48% children)

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

Israel rejected the UN resolution for an immediate ceasefire in Gaza:

english.aljazeera.net/news/americas/2009/01/2009191340884...

 

Video: Gaza medics' lives at risk:

english.aljazeera.net/news/middleeast/2009/01/20091820561...

 

Israel 'shelled civilian shelter' :

news.bbc.co.uk/2/hi/middle_east/7819492.stm

 

 

where is the world of freedom and humanity !!!???

 

27/12/2008:

Israeli F-16 bombers have pounded key targets across the Gaza Strip, killing at least 225 people

news.bbc.co.uk/2/hi/middle_east/7800985.stm

 

Please know this fact for sure:

in all the human history, every time there was an occupation, there was resistance.

as long as Palestinians lands are occupied and blood showers continue

resistance will last till the last man, woman, or child.

freedom is not cheap right!?

remember the french resistance against Nazis for example!

do you remember the Russian casualties in WW2 ?

 

Palestinians wont give up, if you are fair support their right of living in dignity

under the shadow of freedom away from killing everyday...

 

!!! OCCUPATION MUST END !!!

 

I give up my rights upon posting this photo...

you are free to use it in any way and welcomed to post it in your photostream

to declare an attitude.

 

29/12/2008:

+350 killed including women and children

+1650 wounded including dangerous situations...

where is the world of freedom and humanity !!!???

 

31/12/2008:

+390 killed including women and children

+2000 wounded including dangerous situations...

where is the world of freedom and humanity !!!???

 

God help innocent people in GAZA

 

traveladventureeverywhere.blogspot.com/2020/08/holy-mosco...

 

..

 

.

 

.

 

.

 

.

 

.

  

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

  

ALBANIA

 

Albanian Trilogy: A Series of Devious Stratagems

 

Armando Lulaj

 

Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale

 

ANDORRA

 

Inner Landscapes

 

Roqué, Joan Xandri

 

Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez

 

Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865

 

ANGOLA

 

On Ways of Travelling

 

António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira

 

Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810

 

ARGENTINA

 

The Uprising of Form

 

Juan Carlos Diste´fano

 

Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi

 

ARMENIA, Republic of

 

Armenity / Haiyutioun

 

Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK

 

Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni

 

AUSTRALIA

 

Fiona Hall: Wrong Way Time

 

Fiona Hall

 

Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini

 

AUSTRIA

 

Heimo Zobernig

 

Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini

 

AZERBAIJAN, Republic of

 

Beyond the Line

 

Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada

 

Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949

 

Vita Vitale

 

Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie

 

Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416

 

BELARUS, Republic of

 

War Witness Archive

 

Konstantin Selikhanov

 

Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145

 

BELGIUM

 

Personnes et les autres

 

Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton

 

Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini

 

COSTA RICA

 

"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".

 

Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli

 

Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani

 

CROATIA

 

Studies on Shivering: The Third Degree

 

Damir Ocko

 

Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina

 

CUBA

 

El artista entre la individualidad y el contexto

 

Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo

 

Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island

 

CYPRUS, Republic of

 

Two Days After Forever

 

Christodoulos Panayiotou

 

Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079

 

CZECH Republic and SLOVAK Republic

 

Apotheosis

 

Jirí David

 

Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini

 

ECUADOR

 

Gold Water: Apocalyptic Black Mirrors

 

Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet

 

Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701

 

ESTONIA

 

NSFW. From the Abyss of History

 

Jaanus Samma

 

Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199

 

EGYPT

 

CAN YOU SEE

 

Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud

 

Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini

 

FINLAND (Pavilion Alvar Aalto)

 

Hours, Years, Aeons

 

IC-98

 

Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini

 

FRANCE

 

revolutions

 

Céleste Boursier-Mougenot

 

Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini

 

GEORGIA

 

Crawling Border

 

Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia

 

Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi

 

GERMANY

 

Fabrik

 

Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony

 

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini

 

GREAT BRITAIN

 

Sarah Lucas

 

Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini

 

GRENADA *

 

Present Nearness

 

Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi

 

Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919

 

GREECE

 

Why Look at Animals? AGRIMIKÁ.

 

Maria Papadimitriou

 

Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini

 

BRAZIL

 

So much that it doesn't fit here

 

Antonio Manuel, André Komatsu, Berna Reale

 

Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini

 

CANADA

 

Canadassimo

 

BGL

 

Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini

 

CHILE

 

Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld

 

Paz Errázuriz, Lotty Rosenfeld

 

Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie

 

CHINA, People’s Republic of

 

Other Future

 

LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station

 

Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini

 

GUATEMALA

 

Sweet Death

 

Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe

 

Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani

 

HOLY SEE

 

Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi

 

HUNGARY

 

Sustainable Identities

 

Szilárd Cseke

 

Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini

 

ICELAND

 

Christoph Büchel

 

Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed

 

INDONESIA, Republic of

 

Komodo Voyage

 

Heri Dono

 

Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale

 

IRAN

 

Iranian Highlights

 

Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai

 

The Great Game

 

Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim

 

Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio

 

IRAQ

 

Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879

 

IRELAND

 

Adventure: Capital

 

Sean Lynch

 

Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie

 

ISRAEL

 

Tsibi Geva | Archeology of the Present

 

Tsibi Geva

 

Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini

   

ITALY

 

Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale

   

JAPAN

 

The Key in the Hand

 

Chiharu Shiota

 

Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini

   

KENYA

 

Creating Identities

 

Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center

 

Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island

   

KOREA, Republic of

 

The Ways of Folding Space & Flying

 

MOON Kyungwon & JEON Joonho

 

Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini

   

KOSOVO, Republic of

 

Speculating on the blue

 

Flaka Haliti

 

Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie

   

LATVIA

 

Armpit

 

Katrina Neiburga, Andris Eglitis

 

Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale

   

LITHUANIA

 

Museum

 

Dainius Liškevicius

 

Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro

   

LUXEMBOURG, Grand Duchy of

 

Paradiso Lussemburgo

 

Filip Markiewicz

 

Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052

   

MACEDONIA, Former Yugoslavian Republic of

 

We are all in this alone

 

Hristina Ivanoska and Yane Calovski

 

Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi

   

MAURITIUS *

 

From One Citizen You Gather an Idea

 

Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer

 

Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252

   

MEXICO

 

Possesing Nature

 

Tania Candiani, Luis Felipe Ortega

 

Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi

   

MONGOLIA *

 

Other Home

 

Enkhbold Togmidshiirev, Unen Enkh

 

Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora

   

MONTENEGRO

 

,,Ti ricordi Sjecaš li se You Remember "

 

Aleksandar Duravcevic

 

Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero

   

MOZAMBIQUE, Republic of *

 

Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique

 

Mozambique Artists

 

Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale

   

NETHERLANDS, The

 

herman de vries - to be all ways to be

 

herman de vries

 

Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini

   

NEW ZEALAND

 

Secret Power

 

Simon Denny

 

Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport

   

NORDIC PAVILION (NORWAY)

 

Camille Norment

 

Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini

   

PERU

 

Misplaced Ruins

 

Gilda Mantilla and Raimond Chaves

 

Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi

   

PHILIPPINES

 

Tie a String Around the World

 

Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz

 

Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora

   

POLAND

 

Halka/Haiti. 18°48’05”N 72°23’01”W

 

C.T. Jasper, Joanna Malinowska

 

Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini

   

PORTUGAL

 

I Will Be Your Mirror / poems and problems

 

João Louro

 

Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano

   

ROMANIA

 

Adrian Ghenie: Darwin’s Room

 

Adrian Ghenie

 

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini

   

Inventing the Truth. On Fiction and Reality

 

Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar

 

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice

   

RUSSIA

 

The Green Pavilion

 

Irina Nakhova

 

Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini

   

SERBIA

 

United Dead Nations

 

Ivan Grubanov

 

Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini

   

SAN MARINO

 

Repubblica di San Marino “ Friendship Project “ China

 

Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini

 

Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC

   

SEYCHELLES, Republic of *

 

A Clockwork Sunset

 

George Camille, Léon Wilma Loïs Radegonde

 

Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora

   

SINGAPORE

 

Sea State

 

Charles Lim Yi Yong

 

Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi

   

SLOVENIA, Republic of

 

UTTER / The violent necessity for the embodied presence of hope

 

JAŠA

 

Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie

   

SPAIN

 

Los Sujetos (The Subjects)

 

Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí

 

Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini

   

SYRIAN ARAB REPUBLIC

 

Origini della civiltà

 

Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha

 

Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island

   

SWEDEN

 

Excavation of the Image: Imprint, Shadow, Spectre, Thought

 

Lina Selander

 

Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale

   

SWITZERLAND

 

Our Product

 

Pamela Rosenkranz

 

Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini

   

THAILAND

 

Earth, Air, Fire & Water

 

Kamol Tassananchalee

 

Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260

   

TURKEY

 

Respiro

 

Sarkis

 

Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi

   

TUVALU

 

Crossing the Tide

 

Vincent J.F. Huang

 

Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale

   

UKRAINE

 

Hope!

 

Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin

 

Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri

   

UNITED ARAB EMIRATES

 

1980 – Today: Exhibitions in the United Arab Emirates

 

Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar

 

Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi

   

UNITED STATES OF AMERICA

 

Joan Jonas: They Come to Us Without a Word

 

Joan Jonas

 

Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini

   

URUGUAY

 

Global Myopia II (Pencil & Paper)

 

Marco Maggi

 

Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini

   

VENEZUELA, Bolivarian Republic of

 

Te doy mi palabra (I give you my word)

 

Argelia Bravo, Félix Molina (Flix)

 

Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini

   

ZIMBABWE, Republic of

 

Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.

 

Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro

 

Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta

   

ITALO-LATIN AMERICAN INSTITUTE

 

Voces Indígenas

 

Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale

 

ARGENTINA

 

Sofia Medici and Laura Kalauz

 

PLURINATIONAL STATE OF BOLIVIA

 

Sonia Falcone and José Laura Yapita

 

BRAZIL

 

Adriana Barreto

 

Paulo Nazareth

 

CHILE

 

Rainer Krause

 

COLOMBIA

 

León David Cobo,

 

María Cristina Rincón and Claudia Rodríguez

 

COSTA RICA

 

Priscilla Monge

 

ECUADOR

 

Fabiano Kueva

 

EL SALVADOR

 

Mauricio Kabistan

 

GUATEMALA

 

Sandra Monterroso

 

HAITI

 

Barbara Prézeau Stephenson

 

HONDURAS

 

Leonardo González

 

PANAMA

 

Humberto Vélez

 

NICARAGUA

 

Raúl Quintanilla

 

PARAGUAY

 

Erika Meza

 

Javier López

 

PERU

 

José Huamán Turpo

 

URUGUAY

 

Gustavo Tabares

   

Ellen Slegers

     

001 Inverso Mundus. AES+F

 

Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960

 

May 9th – October 31st

 

Organization: VITRARIA Glass + A Museum

 

www.vitraria.com

 

www.inversomundus.com

   

Catalonia in Venice: Singularity

 

Cantieri Navali, Castello, 40 (Calle Quintavalle)

 

May 9th - November 22nd

 

Organization: Institut Ramon Llull

 

www.llull.cat

 

venezia2015.llull.cat

   

Conversion. Recycle Group

 

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

 

May 6th - October 31st

 

Organization: Moscow Museum of Modern Art

 

www.mmoma.ru/

   

Dansaekhwa

 

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

 

May 7th – August 15th

 

Organization: The Boghossian Foundation

 

www.villaempain.com

   

Dispossession

 

Palazzo Donà Brusa, Campo San Polo, 2177

 

May 9th - November 22nd

 

Organization: European Capital of Culture Wroclaw 2016

 

wroclaw2016.pl/biennale/

   

EM15 presents Doug Fishbone’s Leisure Land Golf

 

Arsenale Docks, Castello, 40A, 40B, 41C

 

May 6th - July 26th

 

Organization: EM15

 

www.em15venice.co.uk

   

Eredità e Sperimentazione

 

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

 

May 9th - November 22nd

 

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

 

www.bioarchitettura.it

   

Frontiers Reimagined

 

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

 

May 9th - November 22nd

 

Organization: Tagore Foundation International; Polo museale del Veneto

 

www.frontiersreimagined.org

   

Glasstress 2015 Gotika

 

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

 

May 9th — November 22nd

 

Organization: The State Hermitage Museum

 

www.hermitagemuseum.org

   

Graham Fagen: Scotland + Venice 2015

 

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

 

May 9th - November 22nd

 

Organization: Scotland + Venice

 

www.scotlandandvenice.com

   

Grisha Bruskin. An Archaeologist’s Collection

 

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

 

May 6th – November 22nd

 

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

 

www.unive.it/csar

   

Helen Sear, ... The Rest Is Smoke

 

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

 

May 9th - November 22nd

 

Organization: Cymru yn Fenis/Wales in Venice

 

www.walesinvenice.org.uk

   

Highway to Hell

 

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

 

May 9th - November 22nd

 

Organization: Hubei Museum of Art

 

www.hbmoa.com

   

Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

 

Palazzo Faccanon, San Marco, 5016 (Mercerie)

 

May 7th – August 4th

 

Organization: Shanghai Himalayas Museum

 

www.himalayasmuseum.org

   

In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

 

Dorsoduro, 417 (Zattere)

 

May 6th - November 15th

 

Organization: ArsCulture

 

www.arsculture.org/

 

www.eyeofthunderstorm.com

   

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

 

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

 

May 9th – June 30th; September 11st – October 31st

 

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

 

www.i-amfoundation.org

 

www.venicebiennale-italiadocet.org

   

Jaume Plensa: Together

 

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

 

May 6th – November 22nd

 

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

 

www.praglia.it

   

Jenny Holzer "War Paintings"

 

Museo Correr, San Marco, 52 (Piazza San Marco)

 

May 6th – November 22nd

 

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

 

www.writtenartfoundation.com

 

correr.visitmuve.it

   

Jump into the Unknown

 

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

 

May 9th – June 18th

 

Organization: Nine Dragon Heads

 

9dh-venice.com

   

Learn from Masters

 

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

 

May 9th – November 22nd

 

Organization: Pan Tianshou Foundation

 

pantianshou.caa.edu.cn/foundation_en

   

My East is Your West

 

Palazzo Benzon, San Marco, 3927

 

May 6th – October 31st

 

Organization: The Gujral Foundation

 

www.gujralfoundation.org

       

Ornamentalism. The Purvitis Prize

 

Arsenale Nord, Tesa 99

 

May 9th – November 22nd

 

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

 

www.purvisabalva.lv/en/ornamentalism

   

Path and Adventure

 

Arsenale, Castello, 2126/A (Campo della Tana)

 

May 9th – November 22nd

 

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

 

www.iacm.gov.mo

 

www.mam.gov.mo

 

www.icm.gov.mo

   

Patricia Cronin: Shrine for Girls, Venice

 

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

 

May 9th – November 22nd

 

Organization: Brooklyn Rail Curatorial Projects

 

curatorialprojects.brooklynrail.org

   

Roberto Sebastian Matta. Sculture

 

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

 

May 9th – November 22nd

 

Organization: Fondazione Echaurren Salaris

 

www.fondazioneechaurrensalaris.it

 

www.maggioregam.com/56Biennale_Matta

   

Salon Suisse: S.O.S. Dada - The World Is A Mess

 

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

 

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

 

Organization: Swiss Arts Council Pro Helvetia

 

www.prohelvetia.ch

 

www.biennials.ch

   

Sean Scully: Land Sea

 

Palazzo Falier, San Marco, 2906

 

May 9th – November 22nd

 

Organization: Fondazione Volume!

 

www.fondazionevolume.com

   

Sepphoris. Alessandro Valeri

 

Molino Stucky, interior atrium, Giudecca, 812

 

May 9th – November 22nd

 

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

 

www.sepphorisproject.org

   

Tesla Revisited

 

Palazzo Nani Mocenigo, Dorsoduro, 960

 

May 9th – October 18th

 

Organization: VITRARIA Glass + A Museum

 

www.vitraria.com/

   

The Bridges of Graffiti

 

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

 

May 9th - November 22nd

 

Organization: Associazione Culturale Inossidabile

 

www.inossidabileac.com

   

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

 

Palazzo Tiepolo Passi, San Polo, 2774

 

May 6th - November 22nd

 

Organization: Fundaciò Artigas; ArsCulture

 

www.fundacio-artigas.com/

 

www.arsculture.org/

 

www.dialogueoffire.org

   

The Question of Beings

 

Istituto Santa Maria della Pietà, Castello, 3701

 

May 9th - November 22nd

 

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

 

www.mocataipei.org.tw

   

The Revenge of the Common Place

 

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

 

May 9th – September 30th

 

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

 

www.vub.ac.be/

   

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

 

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

 

October 24th – November 1st

 

Organization: Kunstmuseum Liechtenstein

 

www.kunstmuseum.li

 

www.silverlining.li

   

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

 

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

 

May 7th - November 22nd

 

Organization: ArsCulture

 

www.arsculture.org/

   

The Union of Fire and Water

 

Palazzo Barbaro, San Marco, 2840

 

May 9th - November 22nd

 

Organization: YARAT Contemporary Art Organisation

 

www.yarat.az

 

www.bakuvenice2015.com

   

Thirty Light Years - Theatre of Chinese Art

 

Palazzo Rossini, San Marco, 4013 (Campo Manin)

 

May 9th - November 22nd

 

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

 

www.globalartcenter.org

 

www.gdmoa.org

   

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

 

Arsenale, Castello, 2126 (Campo della Tana)

 

May 9th - November 22nd

 

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

 

www.westkowloon.hk/en/mplus

 

www.hkadc.org.hk

 

www.venicebiennale.hk

   

Under the Surface, Newfoundland and Labrador at Venice

 

Galleria Ca' Rezzonico, Dorsoduro, 2793

 

May 9th - November 22nd

 

Organization: Terra Nova Art Foundation

 

tnaf.ca

   

Ursula von Rydingsvard

 

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

 

May 6th - November 22nd

 

Organization:Yorkshire Sculpture Park

 

www.ysp.co.uk

   

We Must Risk Delight: Twenty Artists from Los Angeles

 

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

 

May 7th - November 22nd

 

Organization: bardoLA

 

www.bardoLA.org

   

Wu Tien-Chang: Never Say Goodbye

 

Palazzo delle Prigioni, Castello, 4209 (San Marco)

 

May 9th - November 22nd

 

Organization: Taipei Fine Arts Museum of Taiwan

 

www.tfam.museum

  

Full story online:

www.corkshipwrecks.net/ussmanleydd74.html

 

USS MANLEY DD74

(Caldwell Class, 1917)

 

The United States destroyer, USS Manley arrived in Queenstown (now Cobh) in the south of Ireland in December, 1917. Queenstown was the centre for anti-submarine forces, on the Western Approaches, under the command of Admiral Lewis Bayley, Commander in Chief , Coast of Ireland. The Manley soon commenced operations

 

Initially there was uncertainty as to the most effective use of destroyers. At first they were given patrol areas which they would scout, singly or in pairs. Any stray incoming merchantmen seen, were to be escorted to near their destinations. This was a most ineffective use of the force, as the chances of coming across, and destroying a lone submarine in the vastness of the Western Approaches was virtually nil.

 

By Summer 1917, under the urging of commanders such as Admiral Sims, Commander of US Naval Forces in Europe, the convoy system was initiated. Groups of merchantmen were escorted through the war zone by flanking destroyer screens. This had the dual effect of reducing the amount of targets for German u-boats, and allowing destroyers and sloops to attack the harassing submarines. The priorities of the destroyers were to:

 

Destroy Submarines.

 

Protect and escort Merchantmen.

 

Save the crews and passengers of torpedoed ships.

 

Anti-submarine patrols did continue also for the duration of the war, especially in the Irish Sea and close to the coast of France, where u-boats would try to sink merchantmen as the convoys dispersed. In 1918, any destroyer in the Irish Sea, which was not actively convoying, came under the orders of The Irish Sea Hunting Flotilla, under the command of Captain Gordon Campbell VC based in Holyhead, Wales. US destroyers were also used to patrol the west coast of Ireland to hunt suspected gun-running ships, for Irish Republicans.

 

The destroyers , initially, were ill-equipped to fight submerged submarines. When they arrived in Europe they were armed with guns and torpedoes. The only undersea weapons supplied were single hand-launched 50lb depth charges which were particularly ineffective. It was the later fitting of dual depth charge racks on the sterns of the ships, Thornycroft depth charge throwers, and Y shaped charge throwers that turned them into a dangerous force. These were capable of dropping and firing a continuous patterned barrage of 200lb, charges around a submarine's suspected position. Most of the retro-fitting of these armaments was done at Cammel Laird in Birkenhead, England.

 

On March 4th, 1918, Convoy HD 26, sailed from Dakar, West Africa, for the British Isles. The convoy consisted of 16 merchant ships, escorted by HMS Motagua (Captain L.L.Dundas RN), an Armed Merchant Cruiser. By the time the coast of England was near, the convoy had reduced to 10 ships plus the Motagua.

On the morning of the 19th of March, a mixed convoy escort of United States destroyers and British sloops approached the convoy. This escort consisted of USS Beale, USS Patterson,USS Terry, USS Manley, HMS Tamarisk, and HMS Bluebell.

The order was given to change course towards the Scillies, but before this could be complied with, the Manley (Commander Robert L.Berry USN) approached the Motagua.

 

She approached this vessel on the starboard side with the intention of throwing a heaving line to pass despatches. The Captain of the Motagua felt that the Manley was too close and signalled the Manley to gain distance. The Manley turned to starboard, but her stern connected with the stern of the Motagua.

 

One of the depth charges, held in a Thornycroft thrower on Manley was dislodged and exploded. This caused devastating damage to both ships, with the addition of a petrol fire on the Manley, caused by the piercing of gasoline drums on board. Further depth charges also exploded on the Manley, causing the after end of the ship to be totally destroyed.

The ships stopped and the convoy passed them. The aft guns on both ships were blown overboard. The Manley was completely unmanageable, but the Motagua was able to make way with difficulty, having lost her steering gear.

 

The sloop HMS Tamarisk made repeated efforts to tow Manley, but it was the tugs Cartmel and Blazer, that borught her to Queenstown on the 20th. The Motagua, flanked by HMS Bluebell. HMS Polyanthus joined escort until relieved by HMS Oriole. HMS Bluebell proceeded to Plymouth with wounded of USS Manley. Motagua made Plymouth the same day.

 

As was the custom, separate courts of enquiry were held , a Royal Navy one at Devonport and a US Navy one in Queenstown. In both the blame was laid at the Commander of USS Manley.

  

Casualties from USS Manley are brought ashore at Queenstown (Cobh) in Cork. Railway station in background

 

On the 18th of April 1918, a Court Martial was held on board USS Melville, in Queenstown. The finding of the court was that Commander Berry was found guilty of ‘Culpable Inefficiency in the Performance of Duty’.

 

Five members of the court, however recommended clemency on the grounds that small collisions of the nature of the one between the Motagua and Manley, were commonplace at this time. It was the cataclysm of the exploding depth charges, that turned an incident into a tragedy.

 

The court concurred, and Commander Berry was released from arrest and restored to duty.

 

Thirty three men were killed on USS Manley and 30 killed on the Motagua.

  

Lost on USS Manley

 

Brewer, Edward, Elias. GM2c USN

Burke, Richard, WT USN

Cohen, Louis, BM1c USN

Corcoran, Timothy, Francis Sea USN

Dreja, Nicholas, M. MM2c USN

Edds, William, W. F2c USN

Fleming, Allen, Jr. Sea USN

Hall, Cecil Sea USN

Hartman, George, Clyde E1c USN

Hartman, Lester, Orin. F1c USN

Herdman, Albert, Van Nulton. Cox USN

Holmes, John Charles. CM1c USN

Ishum, Elmer, Clarke F2c USN

Johnson, Albert, L. Oil USNRF

Jones, Julius,Robert. F2c USN

Klahre, Charles, Herbert MM1c USN

Kurdt, Martin, Charles CMM USN

Lobmeyer, Henry Frederick. MM2c USN

Lowder, John, David,Jr. F1c USN

Magoni, Charles WT USN

Malewitz, Joseph, W. F2c USN

Mann, Claude. Oil USN

McGowan, Michael, Francis, Bsmith1c USN

Miller, William,Harrison. Bmkr USN

Mitchell, Eugene,Davis. F1c USN

O’Donnell, John, Joseph. Sea2c USN

Ross, Albert, A. --- USNRF

Rozanski, Martin. Sea USN

Shaw, Lamorn. F1c USN

Sullivan, Edward, Vincent. Csmith1c USN

Ward, Charlie. F1c USN

Watson, Ralph, Carelton. Eng USN

Wood, William, Henry. GM3c USN

 

Injured

 

Cagle, Charley, W. F2c USN

Cardin, John, Leo. F1c USNRF

Cecil, Albert, Wallace F1c USNRF

Christie, Ralph, Horton Y1c USN

Dechenne, Clarence, Fred F2c USN

Dwight, Charles, Dudley, Sea FNR

Gallman, Richard, E. Sea2c USN

Gumm, John, Frank. F1c USN

Hanson, Frederick. Cox USN

Holzhauer, George, J. WT USN

Johnston, William, Adren. SC4c USN

Landwher,Edward, Chester. Lds.E.(R) USN

Lawson, Fred, R. Eng1c USN

Mercer, John,D. F2c USN

Morse, Kirk, W. CGM USN

Nelson, Earl, P. E3c(R) USNRF

Peters, Edward, Henry Sea FNR

Pierce, Charles Eng2c USN

Russell, Carl, C. Sea USN

Russell, Edward,F. Sea2c USN

Sinock, William, SC3c USN

Diggs, Isaac, Matt1c USN

  

Lost on HMS Motagua

 

Lee Wm, J. Gunner RN

Wood Charles, S. Acting Lieut RNR

E.Beaney, Ernest Private RMLI

Brown Francis S. Private RMLI

Carver Ed J. Private RMLI

Powell Albert Private RMLI

Wykes G. V. Private RMLI

Oram Bertie Private RMLI

Levett Percy E. Private RMLI

Wyatt Albert W. Private RMLI

Rowland Harold C. Sub Lieut RNVR

Harris Albert Armed Crew RN

Hands George Ord Seaman RNVR

McMillan John Private RMLI

Pearson Richard, R. PO, RN.

  

Mercantile Marine Ratings

Logan Robert Fireman

McMenamin John Greaser

Kerr Thomas Greaser

Raidy James Greaser

Turley Thomas Fireman

Gorman George Fireman

Nolan Edward Trimmer

Mc Cracken John J. Trimmer

Rowland Harold C. Sub-Lieutenant RNR

Hands George Ord Sea RNVR

Wilkin Clive Ord Sea RNVR

Wells Ernest Ord Sea RNVR

Jennings Frederick Ord Sea RNVR

Pollock Robert S. Greaser MMR

 

Injured

 

Richard Rogers W/Tel RNR

Arthur Swinglehurst W/Tel RNR

SHIPS COMPANY

Charles Hills PO CG

Alfred Purkis Carpenters mate Pens

Stephen A.Davis PO CG

John H. Slater PO Pens

Donald MacKenzie Ldg sea RFR

Henry Podesta AB RFR

John Stallard AB RFR

Thomas Budd AB RFR

Frederick Newland AB RNFR

Smith Dean Ord Sea RNVR

Frank Carter Private RFR, RMLI

Albert J.Field Bugler, RMLI

Alfred Monney Corporal RMLI

Frederick J. Honour Colr Sergt, RMLI

 

MM RATINGS

Ernest Bliss Chief Carpenter

Samuel Watkins Fireman

William Mansfield Dyman’s Mate

Robert J. Pollock Fireman

Thomas Gallagher Fireman

George Ross Fireman

Samuel Chalmers Fireman

William Mills Fireman

Willaim R. McNae Fireman

Patrick Coughlin Trimmer

J.H.Longworth Fireman

George V.Hunter Trimmer

E. Edwards Assistant Steward

Alfred W.Edwards Assistant Steward

 

Notes:

Commanding Officer, Commander R.L Berry

 

The US Naval History and Heritage Website has a comprehensive history of this ship, which can be found at

www.history.navy.mil/research/histories/ship-histories/da...

 

© Copyright 2002 -2014

corkshipwrecks.net

 

Info@corkshipwrecks.net

   

flickriver.com/photos/javier1949/popular-interesting/

  

FUNDACIÓN FRANCISCO GINER DE LOS RÍOS Rehabilitación y Ampliación

Paseo del General Martínez Campos, 14. Madrid

 

Pabellón Macpherson: arquitecto, Joaquín Kramer Arnaiz: 1908-1909.

 

Rehabilitación y Ampliación: AMID[cero9]-Cristina Díaz Moreno & Efrén García Grinda arquitectos-. Concurso: 2004-05. Proyecto 2006-2007. Construcción.- 2011-2014. Paisajista Teresa Galí-Izard. Colaboradores. Concurso: Ana Belén Franco, Iñigo González-Haba Plana, David Marsinyach, Jorge Martín Sainz de los Terreros. Proyecto básico: Jaime Bartolomé Yllera, Íñigo González-Haba Plana, Julia Gómez Candela, Jesús Isla, José Quintanar Iniesta, Jorge Saz Semolino y Rebeca Vallecillo.

  

La Fundación Francisco Giner de los Ríos, uno de los pedagogos más significativos de la Europa contemporánea, encarna desde 1916 a la Institución Libre de Enseñanza. Se creó a la muerte de Giner, para asegurar la continuación de su labor, encargándose de la tutela de su patrimonio material e intelectual. Su Patronato ha mantenido sin interrupciones la continuidad desde aquella fecha, lo que permitió que, tras la incautación sufrida tras la Guerra Civil, en los años de la transición democrática la Fundación viera de nuevo reconocida plenamente su personalidad jurídica y recobrara sus bienes. Desde entonces, ha venido trabajando en la recuperación del legado de la Institución Libre de Enseñanza para la sociedad española de nuestro tiempo.

En el año 2003, debido a las condiciones de deterioro de los edificios de la Fundación se inicia un proceso para la rehabilitación y ampliación de su sede. Los ganadores del concurso público son Cristina Díaz Moreno y Efrén García Grinda. Su propuesta mantiene íntegramente los edificios históricos del conjunto, la casa de Giner y Cossío, de finales del XIX, que existía ya antes de la llegada de la institución, y el Pabellón Macpherson, y sustituye el resto de edificaciones por una serie de volúmenes que se relacionan entre sí a través del jardín, espacio generador de todo el proyecto.

 

La rehabilitación y ampliación refleja la visión vanguardista del espacio arquitectónico, de la naturaleza y del paisaje de Francisco Giner de los Ríos, a la vez que recrea la organización espacial de su sede histórica a partir de 1884 alrededor del jardín que perseguía el ideal pedagógico de la Institución de aproximarse hasta el último grado posible a la vida al aire libre.

El proyecto ha conservado y rehabilitado íntegramente los edificios históricos: la casa de Giner y Cossío, edificio preexistente a la instalación de la Institución, y el Pabellón Macpherson, como un objeto que atesora la memoria de la arquitectura escolar inspirada por la ILE antes de su implantación como modelo con validez general. En ambos casos se han mantenido las fachadas, el volumen y la espacialidad originales. El resto de edificaciones, añadidas tras la guerra civil o desfiguradas y deterioradas por las sucesivas remodelaciones, incluyendo el llamado pabellón de párvulos, han sido sustituidas por un conjunto de nuevos espacios vinculados directamente al jardín, que cobra su original protagonismo, y adaptados a las funciones que la renovada Institución tiene que cumplir en nuestros días.

Se preserva la idea original del jardín como "punto de encuentro" y se convierte en un espacio cambiante y en continuo proceso, mostrando su evolución en las distintas estaciones. Un espacio vivo y activo recuperado gracias a la documentación gráfica y escrita y al trabajo de la paisajista Teresa Galí-Izard. El edificio queda tan sólo como el elemento que configura el jardín, cediéndole todo el protagonismo. Las salas del conjunto, tanto cerradas como al aire libre, se vuelcan hacia el jardín generando entrantes y salientes, que lo dividen en sectores múltiples, jardines diferentes. Son los conos visuales a lo largo del recorrido por el jardín los que determinan la disposición de los volúmenes, con el objetivo de crear espacios con distinto grado de privacidad y exposición.

 

"Las aulas son espacios multifocales sin dirección predominante, rodeados por un cerramiento de vidrio y sistemas flexibles de cuelgue que permiten modificar intencionadamente sus condiciones acústicas y lumínicas de manera sencilla. Su geometría replica el sistema de plantaciones del jardín y permite diferentes configuraciones para ensayar también con el espacio como herramienta educativa. Los distintos tamaños y agrupaciones de las salas, así como las posibilidades de apertura del cerramiento exterior, permiten entender las salas en perfecta continuidad con el exterior".

De los 5.000 metros cuadrados construidos, la mitad lo está bajo tierra. Unas escaleras conectan el patio ajardinado con un deambulatorio subterráneo. Al final del pasillo, como una sorpresa inesperada, aparece un vanguardista auditorio con 263 butacas que se utilizará para congresos, conferencias o proyecciones. Para la directora de la Fundación, Elisa Navas, el resultado final de este proyecto "hace honor a la tradición innovadora de la Institución Libre de Enseñanza y es perfectamente adecuado a las necesidades de la Fundación".

Las ideas de la Institución están también presentes en la elección de los materiales, sostenibles, durables, austeros y fáciles de mantener. La envolvente exterior hacia el jardín está formada por una celosía metálica que varía la escala de sus barras y su disposición actuando de protección solar y de filtro visual entre las aulas y el espacio al aire libre.

Amid.cero9 define la ampliación como una "medianera especializada". El edificio se construye como un muro que se deforma ensanchándose y comprimiéndose a lo largo de todo el perímetro para albergar salas de diversos tamaños que, sin necesidad separar físicamente el espacio y condicionar futuros cambios de uso, pueden destinarse a funciones distintas. Se ha mantenido la altura de la construcción anterior, dejando bajo rasante la zona destinada a los actos públicos. Los espacios vierten sobre el salón de actos principal, con la posibilidad de abrirse o cerrarse, variando el tamaño de la sala según la audiencia.

 

"El proyecto trata al mismo tiempo de instalarse dentro de la geografía sentimental de la Fundación y el ideario institucionista, tejiendo con cuidado los hilos de las relaciones entre las personas y su legado material e intelectual, para construir una evocación del espíritu de la Institución sin conservación acrítica del pasado; admitiendo el valor espacial y escala del jardín y pabellones existentes, pero redefiniéndolo de forma confiada y optimista a través de una sensibilidad completamente contemporánea para ayudar a proyectar la Fundación hacia el futuro".

La Rehabilitación y ampliación ha sido Premio COAM 2015 por "su excelente implantación en el lugar a nivel urbano, manejando una escala acertada y adecuada”. El interés del proyecto motivó su elección para formar parte del Pabellón de España en la 14ª edición de la Bienal de Arquitectura de Venecia de 2014

 

www.fundacionginer.org/index.htm

www.openhousemadrid.org/#!fundacion-francisco-giner-de-lo...

www.metalocus.es/content/es/blog/fundaci%C3%B3n-giner-de-...

bacecg.com/newsandmedia/premio-coam-2015-para-el-proyecto...

www.coam.org/es/actualidad/noticias/sede-fundacion-franci...

www.cero9.com

www.fueradeserie.expansion.com/2015/04/21/arquitectura/14...

 

traveladventureeverywhere.blogspot.com/2018/12/moscow-rus...

  

..

 

.

 

.

 

.

 

.

 

.

  

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

  

ALBANIA

 

Albanian Trilogy: A Series of Devious Stratagems

 

Armando Lulaj

 

Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale

 

ANDORRA

 

Inner Landscapes

 

Roqué, Joan Xandri

 

Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez

 

Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865

 

ANGOLA

 

On Ways of Travelling

 

António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira

 

Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810

 

ARGENTINA

 

The Uprising of Form

 

Juan Carlos Diste´fano

 

Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi

 

ARMENIA, Republic of

 

Armenity / Haiyutioun

 

Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK

 

Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni

 

AUSTRALIA

 

Fiona Hall: Wrong Way Time

 

Fiona Hall

 

Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini

 

AUSTRIA

 

Heimo Zobernig

 

Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini

 

AZERBAIJAN, Republic of

 

Beyond the Line

 

Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada

 

Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949

 

Vita Vitale

 

Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie

 

Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416

 

BELARUS, Republic of

 

War Witness Archive

 

Konstantin Selikhanov

 

Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145

 

BELGIUM

 

Personnes et les autres

 

Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton

 

Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini

 

COSTA RICA

 

"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".

 

Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli

 

Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani

 

CROATIA

 

Studies on Shivering: The Third Degree

 

Damir Ocko

 

Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina

 

CUBA

 

El artista entre la individualidad y el contexto

 

Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo

 

Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island

 

CYPRUS, Republic of

 

Two Days After Forever

 

Christodoulos Panayiotou

 

Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079

 

CZECH Republic and SLOVAK Republic

 

Apotheosis

 

Jirí David

 

Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini

 

ECUADOR

 

Gold Water: Apocalyptic Black Mirrors

 

Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet

 

Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701

 

ESTONIA

 

NSFW. From the Abyss of History

 

Jaanus Samma

 

Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199

 

EGYPT

 

CAN YOU SEE

 

Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud

 

Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini

 

FINLAND (Pavilion Alvar Aalto)

 

Hours, Years, Aeons

 

IC-98

 

Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini

 

FRANCE

 

revolutions

 

Céleste Boursier-Mougenot

 

Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini

 

GEORGIA

 

Crawling Border

 

Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia

 

Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi

 

GERMANY

 

Fabrik

 

Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony

 

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini

 

GREAT BRITAIN

 

Sarah Lucas

 

Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini

 

GRENADA *

 

Present Nearness

 

Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi

 

Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919

 

GREECE

 

Why Look at Animals? AGRIMIKÁ.

 

Maria Papadimitriou

 

Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini

 

BRAZIL

 

So much that it doesn't fit here

 

Antonio Manuel, André Komatsu, Berna Reale

 

Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini

 

CANADA

 

Canadassimo

 

BGL

 

Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini

 

CHILE

 

Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld

 

Paz Errázuriz, Lotty Rosenfeld

 

Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie

 

CHINA, People’s Republic of

 

Other Future

 

LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station

 

Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini

 

GUATEMALA

 

Sweet Death

 

Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe

 

Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani

 

HOLY SEE

 

Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi

 

HUNGARY

 

Sustainable Identities

 

Szilárd Cseke

 

Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini

 

ICELAND

 

Christoph Büchel

 

Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed

 

INDONESIA, Republic of

 

Komodo Voyage

 

Heri Dono

 

Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale

 

IRAN

 

Iranian Highlights

 

Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai

 

The Great Game

 

Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim

 

Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio

 

IRAQ

 

Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879

 

IRELAND

 

Adventure: Capital

 

Sean Lynch

 

Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie

 

ISRAEL

 

Tsibi Geva | Archeology of the Present

 

Tsibi Geva

 

Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini

   

ITALY

 

Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale

   

JAPAN

 

The Key in the Hand

 

Chiharu Shiota

 

Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini

   

KENYA

 

Creating Identities

 

Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center

 

Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island

   

KOREA, Republic of

 

The Ways of Folding Space & Flying

 

MOON Kyungwon & JEON Joonho

 

Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini

   

KOSOVO, Republic of

 

Speculating on the blue

 

Flaka Haliti

 

Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie

   

LATVIA

 

Armpit

 

Katrina Neiburga, Andris Eglitis

 

Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale

   

LITHUANIA

 

Museum

 

Dainius Liškevicius

 

Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro

   

LUXEMBOURG, Grand Duchy of

 

Paradiso Lussemburgo

 

Filip Markiewicz

 

Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052

   

MACEDONIA, Former Yugoslavian Republic of

 

We are all in this alone

 

Hristina Ivanoska and Yane Calovski

 

Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi

   

MAURITIUS *

 

From One Citizen You Gather an Idea

 

Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer

 

Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252

   

MEXICO

 

Possesing Nature

 

Tania Candiani, Luis Felipe Ortega

 

Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi

   

MONGOLIA *

 

Other Home

 

Enkhbold Togmidshiirev, Unen Enkh

 

Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora

   

MONTENEGRO

 

,,Ti ricordi Sjecaš li se You Remember "

 

Aleksandar Duravcevic

 

Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero

   

MOZAMBIQUE, Republic of *

 

Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique

 

Mozambique Artists

 

Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale

   

NETHERLANDS, The

 

herman de vries - to be all ways to be

 

herman de vries

 

Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini

   

NEW ZEALAND

 

Secret Power

 

Simon Denny

 

Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport

   

NORDIC PAVILION (NORWAY)

 

Camille Norment

 

Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini

   

PERU

 

Misplaced Ruins

 

Gilda Mantilla and Raimond Chaves

 

Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi

   

PHILIPPINES

 

Tie a String Around the World

 

Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz

 

Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora

   

POLAND

 

Halka/Haiti. 18°48’05”N 72°23’01”W

 

C.T. Jasper, Joanna Malinowska

 

Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini

   

PORTUGAL

 

I Will Be Your Mirror / poems and problems

 

João Louro

 

Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano

   

ROMANIA

 

Adrian Ghenie: Darwin’s Room

 

Adrian Ghenie

 

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini

   

Inventing the Truth. On Fiction and Reality

 

Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar

 

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice

   

RUSSIA

 

The Green Pavilion

 

Irina Nakhova

 

Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini

   

SERBIA

 

United Dead Nations

 

Ivan Grubanov

 

Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini

   

SAN MARINO

 

Repubblica di San Marino “ Friendship Project “ China

 

Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini

 

Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC

   

SEYCHELLES, Republic of *

 

A Clockwork Sunset

 

George Camille, Léon Wilma Loïs Radegonde

 

Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora

   

SINGAPORE

 

Sea State

 

Charles Lim Yi Yong

 

Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi

   

SLOVENIA, Republic of

 

UTTER / The violent necessity for the embodied presence of hope

 

JAŠA

 

Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie

   

SPAIN

 

Los Sujetos (The Subjects)

 

Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí

 

Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini

   

SYRIAN ARAB REPUBLIC

 

Origini della civiltà

 

Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha

 

Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island

   

SWEDEN

 

Excavation of the Image: Imprint, Shadow, Spectre, Thought

 

Lina Selander

 

Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale

   

SWITZERLAND

 

Our Product

 

Pamela Rosenkranz

 

Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini

   

THAILAND

 

Earth, Air, Fire & Water

 

Kamol Tassananchalee

 

Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260

   

TURKEY

 

Respiro

 

Sarkis

 

Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi

   

TUVALU

 

Crossing the Tide

 

Vincent J.F. Huang

 

Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale

   

UKRAINE

 

Hope!

 

Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin

 

Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri

   

UNITED ARAB EMIRATES

 

1980 – Today: Exhibitions in the United Arab Emirates

 

Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar

 

Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi

   

UNITED STATES OF AMERICA

 

Joan Jonas: They Come to Us Without a Word

 

Joan Jonas

 

Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini

   

URUGUAY

 

Global Myopia II (Pencil & Paper)

 

Marco Maggi

 

Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini

   

VENEZUELA, Bolivarian Republic of

 

Te doy mi palabra (I give you my word)

 

Argelia Bravo, Félix Molina (Flix)

 

Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini

   

ZIMBABWE, Republic of

 

Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.

 

Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro

 

Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta

   

ITALO-LATIN AMERICAN INSTITUTE

 

Voces Indígenas

 

Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale

 

ARGENTINA

 

Sofia Medici and Laura Kalauz

 

PLURINATIONAL STATE OF BOLIVIA

 

Sonia Falcone and José Laura Yapita

 

BRAZIL

 

Adriana Barreto

 

Paulo Nazareth

 

CHILE

 

Rainer Krause

 

COLOMBIA

 

León David Cobo,

 

María Cristina Rincón and Claudia Rodríguez

 

COSTA RICA

 

Priscilla Monge

 

ECUADOR

 

Fabiano Kueva

 

EL SALVADOR

 

Mauricio Kabistan

 

GUATEMALA

 

Sandra Monterroso

 

HAITI

 

Barbara Prézeau Stephenson

 

HONDURAS

 

Leonardo González

 

PANAMA

 

Humberto Vélez

 

NICARAGUA

 

Raúl Quintanilla

 

PARAGUAY

 

Erika Meza

 

Javier López

 

PERU

 

José Huamán Turpo

 

URUGUAY

 

Gustavo Tabares

   

Ellen Slegers

     

001 Inverso Mundus. AES+F

 

Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960

 

May 9th – October 31st

 

Organization: VITRARIA Glass + A Museum

 

www.vitraria.com

 

www.inversomundus.com

   

Catalonia in Venice: Singularity

 

Cantieri Navali, Castello, 40 (Calle Quintavalle)

 

May 9th - November 22nd

 

Organization: Institut Ramon Llull

 

www.llull.cat

 

venezia2015.llull.cat

   

Conversion. Recycle Group

 

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

 

May 6th - October 31st

 

Organization: Moscow Museum of Modern Art

 

www.mmoma.ru/

   

Dansaekhwa

 

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

 

May 7th – August 15th

 

Organization: The Boghossian Foundation

 

www.villaempain.com

   

Dispossession

 

Palazzo Donà Brusa, Campo San Polo, 2177

 

May 9th - November 22nd

 

Organization: European Capital of Culture Wroclaw 2016

 

wroclaw2016.pl/biennale/

   

EM15 presents Doug Fishbone’s Leisure Land Golf

 

Arsenale Docks, Castello, 40A, 40B, 41C

 

May 6th - July 26th

 

Organization: EM15

 

www.em15venice.co.uk

   

Eredità e Sperimentazione

 

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

 

May 9th - November 22nd

 

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

 

www.bioarchitettura.it

   

Frontiers Reimagined

 

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

 

May 9th - November 22nd

 

Organization: Tagore Foundation International; Polo museale del Veneto

 

www.frontiersreimagined.org

   

Glasstress 2015 Gotika

 

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

 

May 9th — November 22nd

 

Organization: The State Hermitage Museum

 

www.hermitagemuseum.org

   

Graham Fagen: Scotland + Venice 2015

 

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

 

May 9th - November 22nd

 

Organization: Scotland + Venice

 

www.scotlandandvenice.com

   

Grisha Bruskin. An Archaeologist’s Collection

 

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

 

May 6th – November 22nd

 

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

 

www.unive.it/csar

   

Helen Sear, ... The Rest Is Smoke

 

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

 

May 9th - November 22nd

 

Organization: Cymru yn Fenis/Wales in Venice

 

www.walesinvenice.org.uk

   

Highway to Hell

 

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

 

May 9th - November 22nd

 

Organization: Hubei Museum of Art

 

www.hbmoa.com

   

Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

 

Palazzo Faccanon, San Marco, 5016 (Mercerie)

 

May 7th – August 4th

 

Organization: Shanghai Himalayas Museum

 

www.himalayasmuseum.org

   

In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

 

Dorsoduro, 417 (Zattere)

 

May 6th - November 15th

 

Organization: ArsCulture

 

www.arsculture.org/

 

www.eyeofthunderstorm.com

   

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

 

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

 

May 9th – June 30th; September 11st – October 31st

 

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

 

www.i-amfoundation.org

 

www.venicebiennale-italiadocet.org

   

Jaume Plensa: Together

 

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

 

May 6th – November 22nd

 

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

 

www.praglia.it

   

Jenny Holzer "War Paintings"

 

Museo Correr, San Marco, 52 (Piazza San Marco)

 

May 6th – November 22nd

 

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

 

www.writtenartfoundation.com

 

correr.visitmuve.it

   

Jump into the Unknown

 

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

 

May 9th – June 18th

 

Organization: Nine Dragon Heads

 

9dh-venice.com

   

Learn from Masters

 

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

 

May 9th – November 22nd

 

Organization: Pan Tianshou Foundation

 

pantianshou.caa.edu.cn/foundation_en

   

My East is Your West

 

Palazzo Benzon, San Marco, 3927

 

May 6th – October 31st

 

Organization: The Gujral Foundation

 

www.gujralfoundation.org

       

Ornamentalism. The Purvitis Prize

 

Arsenale Nord, Tesa 99

 

May 9th – November 22nd

 

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

 

www.purvisabalva.lv/en/ornamentalism

   

Path and Adventure

 

Arsenale, Castello, 2126/A (Campo della Tana)

 

May 9th – November 22nd

 

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

 

www.iacm.gov.mo

 

www.mam.gov.mo

 

www.icm.gov.mo

   

Patricia Cronin: Shrine for Girls, Venice

 

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

 

May 9th – November 22nd

 

Organization: Brooklyn Rail Curatorial Projects

 

curatorialprojects.brooklynrail.org

   

Roberto Sebastian Matta. Sculture

 

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

 

May 9th – November 22nd

 

Organization: Fondazione Echaurren Salaris

 

www.fondazioneechaurrensalaris.it

 

www.maggioregam.com/56Biennale_Matta

   

Salon Suisse: S.O.S. Dada - The World Is A Mess

 

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

 

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

 

Organization: Swiss Arts Council Pro Helvetia

 

www.prohelvetia.ch

 

www.biennials.ch

   

Sean Scully: Land Sea

 

Palazzo Falier, San Marco, 2906

 

May 9th – November 22nd

 

Organization: Fondazione Volume!

 

www.fondazionevolume.com

   

Sepphoris. Alessandro Valeri

 

Molino Stucky, interior atrium, Giudecca, 812

 

May 9th – November 22nd

 

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

 

www.sepphorisproject.org

   

Tesla Revisited

 

Palazzo Nani Mocenigo, Dorsoduro, 960

 

May 9th – October 18th

 

Organization: VITRARIA Glass + A Museum

 

www.vitraria.com/

   

The Bridges of Graffiti

 

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

 

May 9th - November 22nd

 

Organization: Associazione Culturale Inossidabile

 

www.inossidabileac.com

   

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

 

Palazzo Tiepolo Passi, San Polo, 2774

 

May 6th - November 22nd

 

Organization: Fundaciò Artigas; ArsCulture

 

www.fundacio-artigas.com/

 

www.arsculture.org/

 

www.dialogueoffire.org

   

The Question of Beings

 

Istituto Santa Maria della Pietà, Castello, 3701

 

May 9th - November 22nd

 

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

 

www.mocataipei.org.tw

   

The Revenge of the Common Place

 

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

 

May 9th – September 30th

 

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

 

www.vub.ac.be/

   

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

 

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

 

October 24th – November 1st

 

Organization: Kunstmuseum Liechtenstein

 

www.kunstmuseum.li

 

www.silverlining.li

   

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

 

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

 

May 7th - November 22nd

 

Organization: ArsCulture

 

www.arsculture.org/

   

The Union of Fire and Water

 

Palazzo Barbaro, San Marco, 2840

 

May 9th - November 22nd

 

Organization: YARAT Contemporary Art Organisation

 

www.yarat.az

 

www.bakuvenice2015.com

   

Thirty Light Years - Theatre of Chinese Art

 

Palazzo Rossini, San Marco, 4013 (Campo Manin)

 

May 9th - November 22nd

 

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

 

www.globalartcenter.org

 

www.gdmoa.org

   

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

 

Arsenale, Castello, 2126 (Campo della Tana)

 

May 9th - November 22nd

 

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

 

www.westkowloon.hk/en/mplus

 

www.hkadc.org.hk

 

www.venicebiennale.hk

   

Under the Surface, Newfoundland and Labrador at Venice

 

Galleria Ca' Rezzonico, Dorsoduro, 2793

 

May 9th - November 22nd

 

Organization: Terra Nova Art Foundation

 

tnaf.ca

   

Ursula von Rydingsvard

 

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

 

May 6th - November 22nd

 

Organization:Yorkshire Sculpture Park

 

www.ysp.co.uk

   

We Must Risk Delight: Twenty Artists from Los Angeles

 

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

 

May 7th - November 22nd

 

Organization: bardoLA

 

www.bardoLA.org

   

Wu Tien-Chang: Never Say Goodbye

 

Palazzo delle Prigioni, Castello, 4209 (San Marco)

 

May 9th - November 22nd

 

Organization: Taipei Fine Arts Museum of Taiwan

 

www.tfam.museum

 

La Palabra de Dios dice: “No solo de pan vivirá el hombre, sino de toda palabra que sale de la boca de Dios” (Mateo 4:4).

 

“Yo soy el pan de la vida; el que viene a mí no tendrá hambre, y el que cree en mí nunca tendrá sed” (Juan 6:35).

 

“Tienes que comer y beber las palabras de Dios en todo momento, ya sea que estés ocupado o no, ya sea que las circunstancias sean adversas o no, y ya sea que estés siendo probado o no. En resumidas cuentas, las palabras de Dios son el fundamento de la existencia del hombre. Nadie puede alejarse de Sus palabras, pero sí debe comer de Sus palabras como si fueran las tres comidas del día”.

 

La Palabra de Dios es la verdad y puede ser nuestra vida. Dios nos otorga Sus palabras para que podamos tener el camino hacia adelante en medio de todo tipo de dificultades y sufrimientos. Como cristianos, debemos leer la Palabra de Dios todos los días, de esta manera no tenemos sed ni hambre en nuestro espíritu y podemos mantener una relación normal con Él y vencer fácilmente las tentaciones de Satanás. ¿Quieres establecer una relación normal con Dios para crecer constantemente en tu vida espiritual? No duden en contactarnos a través de Messenger y participar en nuestro grupo de estudio.

 

Aprender más: Cómo tener fe en Dios

 

Las escrituras tomadas de LA BIBLIA DE LAS AMERICAS® (LBLA) Copyright © 1986, 1995, 1997 por The Lockman Foundation usado con permiso. www.LBLA.com.

NISSAN GT-R interior

 

Specifications

 

Engine

• VR-series twin-turbocharged 3.8-liter V6.

• 480 hp @ 6,800 rpm. 430 lb-ft torque @ 3,200–5,200 rpm.

• Dual overhead camshafts with variable intake-valve timing.

• Cast aluminum cylinder block with high-endurance/low-friction plasma-sprayed bores.

• IHI twin turbochargers, one per cylinder bank.

• Pressurized lubrication system with thermostatically controlled cooling.

 

Drivetrain

• ATTESA ET-S All-Wheel Drive (AWD) with independent rear-mounted transaxle integrating transmission, differential and AWD transfer case.

• Rigid, lightweight carbon-composite driveshaft between engine and transaxle.

• Electronic traction control plus 1.5-way mechanically locking rear differential.

• Vehicle Dynamics Control (VDC-R) with three driver-selectable settings: Normal (for daily driving, controls brakes and engine output), R-Mode (for ultimate performance, utilizes AWD torque distribution for additional vehicle stability) and Off (driver does not want the help of the system).

• Hill Start Assist prevents rollback when starting on an incline.

DisclaimerVDC-R cannot prevent accidents due to abrupt steering, carelessness, or dangerous driving techniques. Always drive safely.

 

Transmission

• 6-speed Dual Clutch Transmission with three driver-selectable modes: Normal (for maximum smoothness and efficiency), Snow (for gentler starting and shifting on slippery surfaces), and R mode (for maximum performance with fastest shifts).

• Fully automatic shifting or full sequential manual control via gearshift or steering wheel-mounted paddle shifters.

• Dual clutch design changes gears in less than 0.5 second (0.2 second in R mode).

• Downshift Rev Matching (DRM).

• Predictive pre-shift control (in R mode) based on throttle position, vehicle speed, braking and other information.

 

Wheels and Tires

• 20 x 9.5" (front) and 20 x 10.5" (rear) super-lightweight forged-aluminum wheels with Gunmetal Gray finish.

• Exclusively developed nitrogen-filled Bridgestone® RE070A high-capacity run-flat summer tires, 255/40R20 front and 285/35R20 rear.

• Tire Pressure Monitoring System (TPMS).

• Optional exclusively developed nitrogen-filled Dunlop® run-flat all-season tires, 255/40R20 front and 285/35R20 rear (includes Bright Silver wheels).

 

Brakes

• Brembo® 4-wheel disc brakes with 4-wheel Antilock Braking System (ABS), Brake Assist, Electronic Brakeforce Distribution and Preview Braking.

• Two-piece floating-rotor 15-inch front and rear discs with diamond-pattern internal ventilation.

• 6-piston front/4-piston rear monoblock calipers.

 

Steering

• Rack-and-pinion steering with vehicle-speed-sensitive power assist.

• 2.6 steering-wheel turns lock-to-lock.

 

Suspension

• 4-wheel independent suspension with Bilstein® DampTronic system with three driver-selectable modes: Normal/Sport (for automatic electronic control of damping), Comfort (for maximum ride comfort), and R mode (engages maximum damping rate for high-performance cornering).

• Electronically controlled variable-rate shock absorbers. High-accuracy progressive-rate coil springs.

• Front double-wishbone/rear multi-link configuration with aluminum members and rigid aluminum subframes.

• Hollow front and rear stabilizer bars.

 

Body/Chassis

• Exclusive Premium Midship platform with jig-welded hybrid unibody.

• Aluminum hood, trunk and door skins. Die-cast aluminum door structures.

• Carbon-reinforced front crossmember/radiator support.

Back to Top

 

Standard Features

 

Exterior

• Wide-beam headlights with High Intensity Discharge (HID) low beams.

• LED taillights and brake lights.

• Dual heated power mirrors.

• Flush-mounted aluminum door handles.

• Body-color rear spoiler with integrated center high-mounted stop light.

• UV-reducing tinted glass.

 

Audio/Navigation/Performance Monitor

• Digital Bose® audio system with AM/FM/in-dash 6-CD changer and 11 speakers including dual subwoofers.

• HDD Music Box system, including hard drive with 9.4 GB for audio storage.

• MP3, WMA and DVD audio capable. In-dash Compact Flash card reader.

• HDD-based GPS navigation with touch screen.

• Driver-configurable performance monitor, developed with Sony® Polyphony, with graphical readouts of vehicle data and driving data displayed on a total of 11 screens.

• 7-inch WVGA high-resolution color-LCD display for audio, navigation and performance monitor.

 

Interior

• Automatic Temperature Control (ATC).

• Electronic analog instrument cluster with multi-function trip computer and digital gear indicator.

• Power front windows with one-touch auto-up/down feature.

• Intelligent Key system with pushbutton start. Power door locks.

• Cruise control.

• Tilt/telescoping steering column.

• Bluetooth® Hands-free phone system with voice recognition.

 

Seating/Appointments

• Leather upholstered front seats with perforated Alcantara inserts.

• 8-way power front seats with entry/exit switch for rear-seat passengers.

• Driver-shaped bucket seat.

• Dual individual rear seats.

• Heated front seats.

• Leather-wrapped steering wheel and shift knob.

• Drilled aluminum pedals.

 

Safety/Security

• Nissan Advanced Air Bag System (AABS) with dual-stage supplemental front air bags, seat belt sensors and occupant-classification sensor.

• Driver and front-passenger side-impact supplemental air bags and roof-mounted curtain supplemental air bags.

• Front seat belts with pretensioners and load limiters.

• Nissan Vehicle Immobilizer System.

• Vehicle Security System.

Lori Deiter and I made it to RGSP just after 8am...

We hiked from the Lake Rose parking lot down the Highland Trail, onto Glen Leigh, stopped at Waters Meet, continued on Ganoga Glen and back to the Lake Rose parking lot. Made it back to her vehicle around 1pm

Glen Leigh water flow is quite low, but Ganoga Glen seems to have a little bit more.

 

Check out my blog post about this adventure, here:

rickettsglen.wordpress.com/2014/09/09/august-22nd-2014/

 

Ricketts Glen State Park

Fairmount Township, Pennsylvania

Friday, August 22nd, 2014

 

Like / Follow / Subscribe:

Facebook | Google+ | Etsy | Pixoto | FineArtAmerica | RedBubble

Disney Movies Collection

001.Snow White amd the Seven Dwarfs

002. Pinocchio

003. Fantasia

004. Fantasia/2000

005. Dumbo

006. Bambi

007. BambiⅡ

008. Saludos Amigos

009. Fun and fancy free

010. Cinderella

011. CinderellaⅡDreams come true

012. CioderellaⅢA twist in time

013. The wild

014. Alice in Wonderland

015. Peter Pan

016. Lady and the Tramp

017. Lady and the TrampⅡ: Scamp's Adventure

018. Sleeping Beauty

019. One Hundred and One Dalmatians

020. 101 DalmatiansⅡ:Patch's london Adventure

021. The Sword in the Stone

022. The Aristocats

023. Bedknobs and Broomsticks

024. Robin Hood

025. The fox and the Hound

026. The little Mermaid

027. The little MermaidⅡ: Return to the Sea

028. Beauty and the Beast

029. Beauty and the Beast: The Enchanted Christmas

030. Aladdin

031. The Return of jafar

032. Aladdin and the King of thieves

033. The Nightmare Before Christmas

034. The lion King

035. The lion KingⅡ: Simba's Pride

036. The lion king 11/2

037. Pocahontas

038. Pocahonlas Ⅱ:Journey to a mew world

039. Toy Story

040. Toy story 2

041. James and the Giant Peach

042. The Hunchback of Notre Dame

043. the HUnCHback of notre dame Ⅱ

044. Hercules)

045. Mulan

046. Mulan Ⅱ

047. Tarzan

048. Tarzan Ⅱ

049. Valiant

050. Dinosaur

051. The emperor's New Groove

052. Kronk's new groove

053. recess:school's out

054. Atlantis:The Lost Empir

055. Atlantis:Milo's Return

056. lilo & stitch

057. Stitch 2: Stitch Has a Glitch

058. Treasure Planet

059. Brother Bear

060. Brother Bear 2

061. The Jungle Boek

062. The Jungle Book 2

063. Home on the Range

064. The Three Musketeers

065. Mickey's twice upon a Christmas

066. Chicken little

067. The wild swans

068. Felix the Cat Saves Christmas

069. Mickey's magical christmas:snowed in at the house of mouse

070. Mickey & minne

071. Donald duck and the gorilla etc

072. Casper

073. Three little pigs

074. daffy duck

075. The black cauldron

076. Return to never land

077. the tortoise and the hare

078. Everybody loves Donald

079. Everybody loves Goofy

080. Everybody loves Mickey

081. Sweetheart Stories

082. Gulliver's travels

083. Life with Mickey Town

084. Walt Disney treasures volume 1

085. Walt Disney treasures volume 2

086. Walt Disney treasures volume 3

087. Walt Disney treasures volume 4

088. Walt Disneys 100 years of Magic: Goofy sport

089. The three Caballeros

090. Who framed Roger Rabbit

091. Mary Poppins

092. The Rescuers

093. The Rescuers dowu Uuder

094. Monsters Inc.

095. Finding Nemo

096. The incredibles

097. Cars

098. Winnie the Pooh:Story Book

099. Winnie the Pooh:A very Merry Pooh Year

100. Winnie the Pooh:Heffalump Movie

101. Winnie the Pooh:Heffalump Halloween Movie

102. Winnie the Pooh:Springtime with Roo

103. Winnie the pooh:123

104. Winnie the Pooh:All for one,one for all

105. Winnie the pooh:the many adventures

106. Winnie the Pooh:the Search for Christopher Robin

107. Winnie the Pooh:franken Pooh

108. A Bug's life

109. Disney Heroes Volume One

110. An officer and a duck

111. Meet the Robinsons

112. Underdog

113. Ratatouille

114. The adventures of ichabod and Mr. Toad

115. Disney My friends Tigger and Pooh Super Sleuth Christmas Movie

116. The chronological donald:volume one

117. The chronological donald:volume two

118. Mickey mouse clubhouse mickey saves santa

119. Mickey's House of Villains

120. Mickey mouse clubhouse:great clubhouse hunt

121. Mickey princess enchanted tales:follow your dreams

traveladventureeverywhere.blogspot.com/2020/08/holy-mosco...

..

 

..

 

.

 

.

 

.

 

.

 

.

  

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

  

ALBANIA

 

Albanian Trilogy: A Series of Devious Stratagems

 

Armando Lulaj

 

Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale

 

ANDORRA

 

Inner Landscapes

 

Roqué, Joan Xandri

 

Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez

 

Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865

 

ANGOLA

 

On Ways of Travelling

 

António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira

 

Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810

 

ARGENTINA

 

The Uprising of Form

 

Juan Carlos Diste´fano

 

Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi

 

ARMENIA, Republic of

 

Armenity / Haiyutioun

 

Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK

 

Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni

 

AUSTRALIA

 

Fiona Hall: Wrong Way Time

 

Fiona Hall

 

Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini

 

AUSTRIA

 

Heimo Zobernig

 

Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini

 

AZERBAIJAN, Republic of

 

Beyond the Line

 

Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada

 

Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949

 

Vita Vitale

 

Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie

 

Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416

 

BELARUS, Republic of

 

War Witness Archive

 

Konstantin Selikhanov

 

Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145

 

BELGIUM

 

Personnes et les autres

 

Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton

 

Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini

 

COSTA RICA

 

"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".

 

Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli

 

Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani

 

CROATIA

 

Studies on Shivering: The Third Degree

 

Damir Ocko

 

Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina

 

CUBA

 

El artista entre la individualidad y el contexto

 

Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo

 

Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island

 

CYPRUS, Republic of

 

Two Days After Forever

 

Christodoulos Panayiotou

 

Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079

 

CZECH Republic and SLOVAK Republic

 

Apotheosis

 

Jirí David

 

Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini

 

ECUADOR

 

Gold Water: Apocalyptic Black Mirrors

 

Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet

 

Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701

 

ESTONIA

 

NSFW. From the Abyss of History

 

Jaanus Samma

 

Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199

 

EGYPT

 

CAN YOU SEE

 

Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud

 

Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini

 

FINLAND (Pavilion Alvar Aalto)

 

Hours, Years, Aeons

 

IC-98

 

Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini

 

FRANCE

 

revolutions

 

Céleste Boursier-Mougenot

 

Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini

 

GEORGIA

 

Crawling Border

 

Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia

 

Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi

 

GERMANY

 

Fabrik

 

Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony

 

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini

 

GREAT BRITAIN

 

Sarah Lucas

 

Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini

 

GRENADA *

 

Present Nearness

 

Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi

 

Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919

 

GREECE

 

Why Look at Animals? AGRIMIKÁ.

 

Maria Papadimitriou

 

Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini

 

BRAZIL

 

So much that it doesn't fit here

 

Antonio Manuel, André Komatsu, Berna Reale

 

Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini

 

CANADA

 

Canadassimo

 

BGL

 

Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini

 

CHILE

 

Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld

 

Paz Errázuriz, Lotty Rosenfeld

 

Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie

 

CHINA, People’s Republic of

 

Other Future

 

LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station

 

Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini

 

GUATEMALA

 

Sweet Death

 

Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe

 

Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani

 

HOLY SEE

 

Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi

 

HUNGARY

 

Sustainable Identities

 

Szilárd Cseke

 

Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini

 

ICELAND

 

Christoph Büchel

 

Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed

 

INDONESIA, Republic of

 

Komodo Voyage

 

Heri Dono

 

Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale

 

IRAN

 

Iranian Highlights

 

Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai

 

The Great Game

 

Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim

 

Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio

 

IRAQ

 

Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879

 

IRELAND

 

Adventure: Capital

 

Sean Lynch

 

Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie

 

ISRAEL

 

Tsibi Geva | Archeology of the Present

 

Tsibi Geva

 

Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini

   

ITALY

 

Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale

   

JAPAN

 

The Key in the Hand

 

Chiharu Shiota

 

Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini

   

KENYA

 

Creating Identities

 

Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center

 

Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island

   

KOREA, Republic of

 

The Ways of Folding Space & Flying

 

MOON Kyungwon & JEON Joonho

 

Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini

   

KOSOVO, Republic of

 

Speculating on the blue

 

Flaka Haliti

 

Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie

   

LATVIA

 

Armpit

 

Katrina Neiburga, Andris Eglitis

 

Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale

   

LITHUANIA

 

Museum

 

Dainius Liškevicius

 

Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro

   

LUXEMBOURG, Grand Duchy of

 

Paradiso Lussemburgo

 

Filip Markiewicz

 

Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052

   

MACEDONIA, Former Yugoslavian Republic of

 

We are all in this alone

 

Hristina Ivanoska and Yane Calovski

 

Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi

   

MAURITIUS *

 

From One Citizen You Gather an Idea

 

Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer

 

Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252

   

MEXICO

 

Possesing Nature

 

Tania Candiani, Luis Felipe Ortega

 

Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi

   

MONGOLIA *

 

Other Home

 

Enkhbold Togmidshiirev, Unen Enkh

 

Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora

   

MONTENEGRO

 

,,Ti ricordi Sjecaš li se You Remember "

 

Aleksandar Duravcevic

 

Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero

   

MOZAMBIQUE, Republic of *

 

Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique

 

Mozambique Artists

 

Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale

   

NETHERLANDS, The

 

herman de vries - to be all ways to be

 

herman de vries

 

Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini

   

NEW ZEALAND

 

Secret Power

 

Simon Denny

 

Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport

   

NORDIC PAVILION (NORWAY)

 

Camille Norment

 

Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini

   

PERU

 

Misplaced Ruins

 

Gilda Mantilla and Raimond Chaves

 

Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi

   

PHILIPPINES

 

Tie a String Around the World

 

Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz

 

Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora

   

POLAND

 

Halka/Haiti. 18°48’05”N 72°23’01”W

 

C.T. Jasper, Joanna Malinowska

 

Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini

   

PORTUGAL

 

I Will Be Your Mirror / poems and problems

 

João Louro

 

Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano

   

ROMANIA

 

Adrian Ghenie: Darwin’s Room

 

Adrian Ghenie

 

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini

   

Inventing the Truth. On Fiction and Reality

 

Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar

 

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice

   

RUSSIA

 

The Green Pavilion

 

Irina Nakhova

 

Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini

   

SERBIA

 

United Dead Nations

 

Ivan Grubanov

 

Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini

   

SAN MARINO

 

Repubblica di San Marino “ Friendship Project “ China

 

Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini

 

Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC

   

SEYCHELLES, Republic of *

 

A Clockwork Sunset

 

George Camille, Léon Wilma Loïs Radegonde

 

Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora

   

SINGAPORE

 

Sea State

 

Charles Lim Yi Yong

 

Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi

   

SLOVENIA, Republic of

 

UTTER / The violent necessity for the embodied presence of hope

 

JAŠA

 

Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie

   

SPAIN

 

Los Sujetos (The Subjects)

 

Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí

 

Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini

   

SYRIAN ARAB REPUBLIC

 

Origini della civiltà

 

Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha

 

Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island

   

SWEDEN

 

Excavation of the Image: Imprint, Shadow, Spectre, Thought

 

Lina Selander

 

Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale

   

SWITZERLAND

 

Our Product

 

Pamela Rosenkranz

 

Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini

   

THAILAND

 

Earth, Air, Fire & Water

 

Kamol Tassananchalee

 

Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260

   

TURKEY

 

Respiro

 

Sarkis

 

Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi

   

TUVALU

 

Crossing the Tide

 

Vincent J.F. Huang

 

Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale

   

UKRAINE

 

Hope!

 

Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin

 

Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri

   

UNITED ARAB EMIRATES

 

1980 – Today: Exhibitions in the United Arab Emirates

 

Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar

 

Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi

   

UNITED STATES OF AMERICA

 

Joan Jonas: They Come to Us Without a Word

 

Joan Jonas

 

Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini

   

URUGUAY

 

Global Myopia II (Pencil & Paper)

 

Marco Maggi

 

Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini

   

VENEZUELA, Bolivarian Republic of

 

Te doy mi palabra (I give you my word)

 

Argelia Bravo, Félix Molina (Flix)

 

Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini

   

ZIMBABWE, Republic of

 

Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.

 

Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro

 

Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta

   

ITALO-LATIN AMERICAN INSTITUTE

 

Voces Indígenas

 

Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale

 

ARGENTINA

 

Sofia Medici and Laura Kalauz

 

PLURINATIONAL STATE OF BOLIVIA

 

Sonia Falcone and José Laura Yapita

 

BRAZIL

 

Adriana Barreto

 

Paulo Nazareth

 

CHILE

 

Rainer Krause

 

COLOMBIA

 

León David Cobo,

 

María Cristina Rincón and Claudia Rodríguez

 

COSTA RICA

 

Priscilla Monge

 

ECUADOR

 

Fabiano Kueva

 

EL SALVADOR

 

Mauricio Kabistan

 

GUATEMALA

 

Sandra Monterroso

 

HAITI

 

Barbara Prézeau Stephenson

 

HONDURAS

 

Leonardo González

 

PANAMA

 

Humberto Vélez

 

NICARAGUA

 

Raúl Quintanilla

 

PARAGUAY

 

Erika Meza

 

Javier López

 

PERU

 

José Huamán Turpo

 

URUGUAY

 

Gustavo Tabares

   

Ellen Slegers

     

001 Inverso Mundus. AES+F

 

Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960

 

May 9th – October 31st

 

Organization: VITRARIA Glass + A Museum

 

www.vitraria.com

 

www.inversomundus.com

   

Catalonia in Venice: Singularity

 

Cantieri Navali, Castello, 40 (Calle Quintavalle)

 

May 9th - November 22nd

 

Organization: Institut Ramon Llull

 

www.llull.cat

 

venezia2015.llull.cat

   

Conversion. Recycle Group

 

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

 

May 6th - October 31st

 

Organization: Moscow Museum of Modern Art

 

www.mmoma.ru/

   

Dansaekhwa

 

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

 

May 7th – August 15th

 

Organization: The Boghossian Foundation

 

www.villaempain.com

   

Dispossession

 

Palazzo Donà Brusa, Campo San Polo, 2177

 

May 9th - November 22nd

 

Organization: European Capital of Culture Wroclaw 2016

 

wroclaw2016.pl/biennale/

   

EM15 presents Doug Fishbone’s Leisure Land Golf

 

Arsenale Docks, Castello, 40A, 40B, 41C

 

May 6th - July 26th

 

Organization: EM15

 

www.em15venice.co.uk

   

Eredità e Sperimentazione

 

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

 

May 9th - November 22nd

 

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

 

www.bioarchitettura.it

   

Frontiers Reimagined

 

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

 

May 9th - November 22nd

 

Organization: Tagore Foundation International; Polo museale del Veneto

 

www.frontiersreimagined.org

   

Glasstress 2015 Gotika

 

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

 

May 9th — November 22nd

 

Organization: The State Hermitage Museum

 

www.hermitagemuseum.org

   

Graham Fagen: Scotland + Venice 2015

 

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

 

May 9th - November 22nd

 

Organization: Scotland + Venice

 

www.scotlandandvenice.com

   

Grisha Bruskin. An Archaeologist’s Collection

 

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

 

May 6th – November 22nd

 

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

 

www.unive.it/csar

   

Helen Sear, ... The Rest Is Smoke

 

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

 

May 9th - November 22nd

 

Organization: Cymru yn Fenis/Wales in Venice

 

www.walesinvenice.org.uk

   

Highway to Hell

 

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

 

May 9th - November 22nd

 

Organization: Hubei Museum of Art

 

www.hbmoa.com

   

Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

 

Palazzo Faccanon, San Marco, 5016 (Mercerie)

 

May 7th – August 4th

 

Organization: Shanghai Himalayas Museum

 

www.himalayasmuseum.org

   

In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

 

Dorsoduro, 417 (Zattere)

 

May 6th - November 15th

 

Organization: ArsCulture

 

www.arsculture.org/

 

www.eyeofthunderstorm.com

   

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

 

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

 

May 9th – June 30th; September 11st – October 31st

 

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

 

www.i-amfoundation.org

 

www.venicebiennale-italiadocet.org

   

Jaume Plensa: Together

 

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

 

May 6th – November 22nd

 

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

 

www.praglia.it

   

Jenny Holzer "War Paintings"

 

Museo Correr, San Marco, 52 (Piazza San Marco)

 

May 6th – November 22nd

 

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

 

www.writtenartfoundation.com

 

correr.visitmuve.it

   

Jump into the Unknown

 

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

 

May 9th – June 18th

 

Organization: Nine Dragon Heads

 

9dh-venice.com

   

Learn from Masters

 

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

 

May 9th – November 22nd

 

Organization: Pan Tianshou Foundation

 

pantianshou.caa.edu.cn/foundation_en

   

My East is Your West

 

Palazzo Benzon, San Marco, 3927

 

May 6th – October 31st

 

Organization: The Gujral Foundation

 

www.gujralfoundation.org

       

Ornamentalism. The Purvitis Prize

 

Arsenale Nord, Tesa 99

 

May 9th – November 22nd

 

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

 

www.purvisabalva.lv/en/ornamentalism

   

Path and Adventure

 

Arsenale, Castello, 2126/A (Campo della Tana)

 

May 9th – November 22nd

 

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

 

www.iacm.gov.mo

 

www.mam.gov.mo

 

www.icm.gov.mo

   

Patricia Cronin: Shrine for Girls, Venice

 

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

 

May 9th – November 22nd

 

Organization: Brooklyn Rail Curatorial Projects

 

curatorialprojects.brooklynrail.org

   

Roberto Sebastian Matta. Sculture

 

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

 

May 9th – November 22nd

 

Organization: Fondazione Echaurren Salaris

 

www.fondazioneechaurrensalaris.it

 

www.maggioregam.com/56Biennale_Matta

   

Salon Suisse: S.O.S. Dada - The World Is A Mess

 

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

 

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

 

Organization: Swiss Arts Council Pro Helvetia

 

www.prohelvetia.ch

 

www.biennials.ch

   

Sean Scully: Land Sea

 

Palazzo Falier, San Marco, 2906

 

May 9th – November 22nd

 

Organization: Fondazione Volume!

 

www.fondazionevolume.com

   

Sepphoris. Alessandro Valeri

 

Molino Stucky, interior atrium, Giudecca, 812

 

May 9th – November 22nd

 

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

 

www.sepphorisproject.org

   

Tesla Revisited

 

Palazzo Nani Mocenigo, Dorsoduro, 960

 

May 9th – October 18th

 

Organization: VITRARIA Glass + A Museum

 

www.vitraria.com/

   

The Bridges of Graffiti

 

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

 

May 9th - November 22nd

 

Organization: Associazione Culturale Inossidabile

 

www.inossidabileac.com

   

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

 

Palazzo Tiepolo Passi, San Polo, 2774

 

May 6th - November 22nd

 

Organization: Fundaciò Artigas; ArsCulture

 

www.fundacio-artigas.com/

 

www.arsculture.org/

 

www.dialogueoffire.org

   

The Question of Beings

 

Istituto Santa Maria della Pietà, Castello, 3701

 

May 9th - November 22nd

 

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

 

www.mocataipei.org.tw

   

The Revenge of the Common Place

 

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

 

May 9th – September 30th

 

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

 

www.vub.ac.be/

   

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

 

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

 

October 24th – November 1st

 

Organization: Kunstmuseum Liechtenstein

 

www.kunstmuseum.li

 

www.silverlining.li

   

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

 

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

 

May 7th - November 22nd

 

Organization: ArsCulture

 

www.arsculture.org/

   

The Union of Fire and Water

 

Palazzo Barbaro, San Marco, 2840

 

May 9th - November 22nd

 

Organization: YARAT Contemporary Art Organisation

 

www.yarat.az

 

www.bakuvenice2015.com

   

Thirty Light Years - Theatre of Chinese Art

 

Palazzo Rossini, San Marco, 4013 (Campo Manin)

 

May 9th - November 22nd

 

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

 

www.globalartcenter.org

 

www.gdmoa.org

   

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

 

Arsenale, Castello, 2126 (Campo della Tana)

 

May 9th - November 22nd

 

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

 

www.westkowloon.hk/en/mplus

 

www.hkadc.org.hk

 

www.venicebiennale.hk

   

Under the Surface, Newfoundland and Labrador at Venice

 

Galleria Ca' Rezzonico, Dorsoduro, 2793

 

May 9th - November 22nd

 

Organization: Terra Nova Art Foundation

 

tnaf.ca

   

Ursula von Rydingsvard

 

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

 

May 6th - November 22nd

 

Organization:Yorkshire Sculpture Park

 

www.ysp.co.uk

   

We Must Risk Delight: Twenty Artists from Los Angeles

 

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

 

May 7th - November 22nd

 

Organization: bardoLA

 

www.bardoLA.org

   

Wu Tien-Chang: Never Say Goodbye

 

Palazzo delle Prigioni, Castello, 4209 (San Marco)

 

May 9th - November 22nd

 

Organization: Taipei Fine Arts Museum of Taiwan

 

www.tfam.museum

   

Awesome news. Some of the photos from this set were recently featured on Explore Chicago 's facebook and twitter pages and Gapers Block Rearview. Check out the complete set here:

 

Here is a Breviary of footnotes regarding the photograph. They include, but are not limited to, the following:

 

1. The figures as holograms

 

Like Duchamp's "Nude Descending a Staircase No.2.", I wanted to create a ‘moving picture.’ To photograph a moment is to freeze it in time. In this photograph, I used a simple in-camera setting, multiple-exposure, to create an illusion of movement, thereby providing an opportunity for the figures to transcend a multi-dimensional space. Not a single figure is in the same spot at a given moment in time. Each is a hologram, an evocation of shades upon an illusory space. To be or not to be is no longer the question. It is the solution.

 

2. The figures ascending a sacred space

 

In his review article for the New York Times, Nicolai Ouroussoff likened the entry hall of the Modern Wing as a contemporary version of a cathedral because of its long and towering space, illuminated with white light. Of the main staircase to the galleries, he said that some may feel as if they're ascending to a 'sacred space.' The whole series was shot in a span of half an hour. And while shooting, I saw the window curtains raised and lowered a few times. The light, as it filtered through the white cantilevered blades, competed for my attention. My camera was focused on the movement, but the flickering light demanded to be on the center stage. Initially, I had wanted to title the series "The Light Cathedral."

 

3. The figures as avenging angels

 

Lee Alexander McQueen died on February 11th. When I shot this series on February 27th, I was still in a state of shock. His tweets leading up to his suicide haunted me. The Autumn/Winter 2010 shows had just started in NYC. Next up was London, then Milan and finally, Paris where his show was going to be held. Tweet by tweet, he had begun dropping hints as to what his new collection was going to look like. Previously, his S/S “Lady Gaga Armadillo" collection caused a tsunami of accolades. So, expectations were high. The inspirations for his new designs, he described, were "hell's angels and prolific demons”, “avenging (warrior) angels", "Dante" (see Dante's Inferno, Purgatorio, Paradiso), "Bosch", (Marquis) de Sade, “Memling”, etc. In my view, the figures in my photographs are the avenging angels who have travelled through nine circles of hell in order to escort him to his next life.

 

4. The figures made buoyant by two opposing forces: Gravitas and Entropy

 

The rendering of the photographs echoes the style of Abstract Expressionism movement, but its spirit resides in the Roman/Greek Classical tradition, fiercely and ferociously (See Ara Pacis Augustae; trans. Altar of Augustan Peace). Two opposing forces are at work in this tableau: Entropy uplifts but Gravitas, seems to hold and weigh down each figure, keeping them on track for their appointed destination.

 

5. The figures conceived by Mr. Eggleston

 

When I took these photographs, I was one of the lucky few queuing up William Eggleston's (b. 1939) autograph in the main hall of the Modern Wing/Art Institute. An exhibition of his work called "Democratic Camera" was underway. He had actually arrived on time, but before he could sit down, he asked one of his assistants to bum off a cigarette from one the fans. The idea to take these photos came about as I was waiting for him to come back to the main hall. I was on the first floor, with the main staircase hovering over me. The first shots, done as single exposures, weren’t interesting. And then I began to experiment and play with light and movement. This is how “Waiting for Mr. Eggleston/Figures Ascending and Descending a Staircase” was born.

 

traveladventureeverywhere.blogspot.com/2020/08/holy-mosco...

  

..

 

..

 

.

 

.

 

.

 

.

 

.

  

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

  

ALBANIA

 

Albanian Trilogy: A Series of Devious Stratagems

 

Armando Lulaj

 

Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale

 

ANDORRA

 

Inner Landscapes

 

Roqué, Joan Xandri

 

Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez

 

Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865

 

ANGOLA

 

On Ways of Travelling

 

António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira

 

Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810

 

ARGENTINA

 

The Uprising of Form

 

Juan Carlos Diste´fano

 

Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi

 

ARMENIA, Republic of

 

Armenity / Haiyutioun

 

Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK

 

Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni

 

AUSTRALIA

 

Fiona Hall: Wrong Way Time

 

Fiona Hall

 

Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini

 

AUSTRIA

 

Heimo Zobernig

 

Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini

 

AZERBAIJAN, Republic of

 

Beyond the Line

 

Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada

 

Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949

 

Vita Vitale

 

Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie

 

Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416

 

BELARUS, Republic of

 

War Witness Archive

 

Konstantin Selikhanov

 

Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145

 

BELGIUM

 

Personnes et les autres

 

Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton

 

Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini

 

COSTA RICA

 

"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".

 

Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli

 

Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani

 

CROATIA

 

Studies on Shivering: The Third Degree

 

Damir Ocko

 

Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina

 

CUBA

 

El artista entre la individualidad y el contexto

 

Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo

 

Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island

 

CYPRUS, Republic of

 

Two Days After Forever

 

Christodoulos Panayiotou

 

Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079

 

CZECH Republic and SLOVAK Republic

 

Apotheosis

 

Jirí David

 

Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini

 

ECUADOR

 

Gold Water: Apocalyptic Black Mirrors

 

Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet

 

Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701

 

ESTONIA

 

NSFW. From the Abyss of History

 

Jaanus Samma

 

Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199

 

EGYPT

 

CAN YOU SEE

 

Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud

 

Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini

 

FINLAND (Pavilion Alvar Aalto)

 

Hours, Years, Aeons

 

IC-98

 

Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini

 

FRANCE

 

revolutions

 

Céleste Boursier-Mougenot

 

Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini

 

GEORGIA

 

Crawling Border

 

Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia

 

Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi

 

GERMANY

 

Fabrik

 

Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony

 

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini

 

GREAT BRITAIN

 

Sarah Lucas

 

Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini

 

GRENADA *

 

Present Nearness

 

Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi

 

Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919

 

GREECE

 

Why Look at Animals? AGRIMIKÁ.

 

Maria Papadimitriou

 

Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini

 

BRAZIL

 

So much that it doesn't fit here

 

Antonio Manuel, André Komatsu, Berna Reale

 

Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini

 

CANADA

 

Canadassimo

 

BGL

 

Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini

 

CHILE

 

Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld

 

Paz Errázuriz, Lotty Rosenfeld

 

Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie

 

CHINA, People’s Republic of

 

Other Future

 

LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station

 

Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini

 

GUATEMALA

 

Sweet Death

 

Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe

 

Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani

 

HOLY SEE

 

Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi

 

HUNGARY

 

Sustainable Identities

 

Szilárd Cseke

 

Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini

 

ICELAND

 

Christoph Büchel

 

Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed

 

INDONESIA, Republic of

 

Komodo Voyage

 

Heri Dono

 

Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale

 

IRAN

 

Iranian Highlights

 

Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai

 

The Great Game

 

Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim

 

Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio

 

IRAQ

 

Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879

 

IRELAND

 

Adventure: Capital

 

Sean Lynch

 

Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie

 

ISRAEL

 

Tsibi Geva | Archeology of the Present

 

Tsibi Geva

 

Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini

   

ITALY

 

Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale

   

JAPAN

 

The Key in the Hand

 

Chiharu Shiota

 

Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini

   

KENYA

 

Creating Identities

 

Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center

 

Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island

   

KOREA, Republic of

 

The Ways of Folding Space & Flying

 

MOON Kyungwon & JEON Joonho

 

Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini

   

KOSOVO, Republic of

 

Speculating on the blue

 

Flaka Haliti

 

Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie

   

LATVIA

 

Armpit

 

Katrina Neiburga, Andris Eglitis

 

Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale

   

LITHUANIA

 

Museum

 

Dainius Liškevicius

 

Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro

   

LUXEMBOURG, Grand Duchy of

 

Paradiso Lussemburgo

 

Filip Markiewicz

 

Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052

   

MACEDONIA, Former Yugoslavian Republic of

 

We are all in this alone

 

Hristina Ivanoska and Yane Calovski

 

Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi

   

MAURITIUS *

 

From One Citizen You Gather an Idea

 

Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer

 

Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252

   

MEXICO

 

Possesing Nature

 

Tania Candiani, Luis Felipe Ortega

 

Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi

   

MONGOLIA *

 

Other Home

 

Enkhbold Togmidshiirev, Unen Enkh

 

Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora

   

MONTENEGRO

 

,,Ti ricordi Sjecaš li se You Remember "

 

Aleksandar Duravcevic

 

Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero

   

MOZAMBIQUE, Republic of *

 

Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique

 

Mozambique Artists

 

Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale

   

NETHERLANDS, The

 

herman de vries - to be all ways to be

 

herman de vries

 

Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini

   

NEW ZEALAND

 

Secret Power

 

Simon Denny

 

Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport

   

NORDIC PAVILION (NORWAY)

 

Camille Norment

 

Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini

   

PERU

 

Misplaced Ruins

 

Gilda Mantilla and Raimond Chaves

 

Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi

   

PHILIPPINES

 

Tie a String Around the World

 

Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz

 

Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora

   

POLAND

 

Halka/Haiti. 18°48’05”N 72°23’01”W

 

C.T. Jasper, Joanna Malinowska

 

Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini

   

PORTUGAL

 

I Will Be Your Mirror / poems and problems

 

João Louro

 

Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano

   

ROMANIA

 

Adrian Ghenie: Darwin’s Room

 

Adrian Ghenie

 

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini

   

Inventing the Truth. On Fiction and Reality

 

Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar

 

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice

   

RUSSIA

 

The Green Pavilion

 

Irina Nakhova

 

Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini

   

SERBIA

 

United Dead Nations

 

Ivan Grubanov

 

Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini

   

SAN MARINO

 

Repubblica di San Marino “ Friendship Project “ China

 

Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini

 

Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC

   

SEYCHELLES, Republic of *

 

A Clockwork Sunset

 

George Camille, Léon Wilma Loïs Radegonde

 

Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora

   

SINGAPORE

 

Sea State

 

Charles Lim Yi Yong

 

Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi

   

SLOVENIA, Republic of

 

UTTER / The violent necessity for the embodied presence of hope

 

JAŠA

 

Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie

   

SPAIN

 

Los Sujetos (The Subjects)

 

Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí

 

Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini

   

SYRIAN ARAB REPUBLIC

 

Origini della civiltà

 

Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha

 

Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island

   

SWEDEN

 

Excavation of the Image: Imprint, Shadow, Spectre, Thought

 

Lina Selander

 

Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale

   

SWITZERLAND

 

Our Product

 

Pamela Rosenkranz

 

Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini

   

THAILAND

 

Earth, Air, Fire & Water

 

Kamol Tassananchalee

 

Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260

   

TURKEY

 

Respiro

 

Sarkis

 

Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi

   

TUVALU

 

Crossing the Tide

 

Vincent J.F. Huang

 

Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale

   

UKRAINE

 

Hope!

 

Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin

 

Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri

   

UNITED ARAB EMIRATES

 

1980 – Today: Exhibitions in the United Arab Emirates

 

Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar

 

Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi

   

UNITED STATES OF AMERICA

 

Joan Jonas: They Come to Us Without a Word

 

Joan Jonas

 

Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini

   

URUGUAY

 

Global Myopia II (Pencil & Paper)

 

Marco Maggi

 

Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini

   

VENEZUELA, Bolivarian Republic of

 

Te doy mi palabra (I give you my word)

 

Argelia Bravo, Félix Molina (Flix)

 

Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini

   

ZIMBABWE, Republic of

 

Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.

 

Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro

 

Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta

   

ITALO-LATIN AMERICAN INSTITUTE

 

Voces Indígenas

 

Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale

 

ARGENTINA

 

Sofia Medici and Laura Kalauz

 

PLURINATIONAL STATE OF BOLIVIA

 

Sonia Falcone and José Laura Yapita

 

BRAZIL

 

Adriana Barreto

 

Paulo Nazareth

 

CHILE

 

Rainer Krause

 

COLOMBIA

 

León David Cobo,

 

María Cristina Rincón and Claudia Rodríguez

 

COSTA RICA

 

Priscilla Monge

 

ECUADOR

 

Fabiano Kueva

 

EL SALVADOR

 

Mauricio Kabistan

 

GUATEMALA

 

Sandra Monterroso

 

HAITI

 

Barbara Prézeau Stephenson

 

HONDURAS

 

Leonardo González

 

PANAMA

 

Humberto Vélez

 

NICARAGUA

 

Raúl Quintanilla

 

PARAGUAY

 

Erika Meza

 

Javier López

 

PERU

 

José Huamán Turpo

 

URUGUAY

 

Gustavo Tabares

   

Ellen Slegers

     

001 Inverso Mundus. AES+F

 

Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960

 

May 9th – October 31st

 

Organization: VITRARIA Glass + A Museum

 

www.vitraria.com

 

www.inversomundus.com

   

Catalonia in Venice: Singularity

 

Cantieri Navali, Castello, 40 (Calle Quintavalle)

 

May 9th - November 22nd

 

Organization: Institut Ramon Llull

 

www.llull.cat

 

venezia2015.llull.cat

   

Conversion. Recycle Group

 

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

 

May 6th - October 31st

 

Organization: Moscow Museum of Modern Art

 

www.mmoma.ru/

   

Dansaekhwa

 

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

 

May 7th – August 15th

 

Organization: The Boghossian Foundation

 

www.villaempain.com

   

Dispossession

 

Palazzo Donà Brusa, Campo San Polo, 2177

 

May 9th - November 22nd

 

Organization: European Capital of Culture Wroclaw 2016

 

wroclaw2016.pl/biennale/

   

EM15 presents Doug Fishbone’s Leisure Land Golf

 

Arsenale Docks, Castello, 40A, 40B, 41C

 

May 6th - July 26th

 

Organization: EM15

 

www.em15venice.co.uk

   

Eredità e Sperimentazione

 

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

 

May 9th - November 22nd

 

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

 

www.bioarchitettura.it

   

Frontiers Reimagined

 

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

 

May 9th - November 22nd

 

Organization: Tagore Foundation International; Polo museale del Veneto

 

www.frontiersreimagined.org

   

Glasstress 2015 Gotika

 

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

 

May 9th — November 22nd

 

Organization: The State Hermitage Museum

 

www.hermitagemuseum.org

   

Graham Fagen: Scotland + Venice 2015

 

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

 

May 9th - November 22nd

 

Organization: Scotland + Venice

 

www.scotlandandvenice.com

   

Grisha Bruskin. An Archaeologist’s Collection

 

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

 

May 6th – November 22nd

 

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

 

www.unive.it/csar

   

Helen Sear, ... The Rest Is Smoke

 

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

 

May 9th - November 22nd

 

Organization: Cymru yn Fenis/Wales in Venice

 

www.walesinvenice.org.uk

   

Highway to Hell

 

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

 

May 9th - November 22nd

 

Organization: Hubei Museum of Art

 

www.hbmoa.com

   

Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

 

Palazzo Faccanon, San Marco, 5016 (Mercerie)

 

May 7th – August 4th

 

Organization: Shanghai Himalayas Museum

 

www.himalayasmuseum.org

   

In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

 

Dorsoduro, 417 (Zattere)

 

May 6th - November 15th

 

Organization: ArsCulture

 

www.arsculture.org/

 

www.eyeofthunderstorm.com

   

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

 

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

 

May 9th – June 30th; September 11st – October 31st

 

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

 

www.i-amfoundation.org

 

www.venicebiennale-italiadocet.org

   

Jaume Plensa: Together

 

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

 

May 6th – November 22nd

 

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

 

www.praglia.it

   

Jenny Holzer "War Paintings"

 

Museo Correr, San Marco, 52 (Piazza San Marco)

 

May 6th – November 22nd

 

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

 

www.writtenartfoundation.com

 

correr.visitmuve.it

   

Jump into the Unknown

 

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

 

May 9th – June 18th

 

Organization: Nine Dragon Heads

 

9dh-venice.com

   

Learn from Masters

 

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

 

May 9th – November 22nd

 

Organization: Pan Tianshou Foundation

 

pantianshou.caa.edu.cn/foundation_en

   

My East is Your West

 

Palazzo Benzon, San Marco, 3927

 

May 6th – October 31st

 

Organization: The Gujral Foundation

 

www.gujralfoundation.org

       

Ornamentalism. The Purvitis Prize

 

Arsenale Nord, Tesa 99

 

May 9th – November 22nd

 

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

 

www.purvisabalva.lv/en/ornamentalism

   

Path and Adventure

 

Arsenale, Castello, 2126/A (Campo della Tana)

 

May 9th – November 22nd

 

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

 

www.iacm.gov.mo

 

www.mam.gov.mo

 

www.icm.gov.mo

   

Patricia Cronin: Shrine for Girls, Venice

 

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

 

May 9th – November 22nd

 

Organization: Brooklyn Rail Curatorial Projects

 

curatorialprojects.brooklynrail.org

   

Roberto Sebastian Matta. Sculture

 

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

 

May 9th – November 22nd

 

Organization: Fondazione Echaurren Salaris

 

www.fondazioneechaurrensalaris.it

 

www.maggioregam.com/56Biennale_Matta

   

Salon Suisse: S.O.S. Dada - The World Is A Mess

 

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

 

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

 

Organization: Swiss Arts Council Pro Helvetia

 

www.prohelvetia.ch

 

www.biennials.ch

   

Sean Scully: Land Sea

 

Palazzo Falier, San Marco, 2906

 

May 9th – November 22nd

 

Organization: Fondazione Volume!

 

www.fondazionevolume.com

   

Sepphoris. Alessandro Valeri

 

Molino Stucky, interior atrium, Giudecca, 812

 

May 9th – November 22nd

 

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

 

www.sepphorisproject.org

   

Tesla Revisited

 

Palazzo Nani Mocenigo, Dorsoduro, 960

 

May 9th – October 18th

 

Organization: VITRARIA Glass + A Museum

 

www.vitraria.com/

   

The Bridges of Graffiti

 

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

 

May 9th - November 22nd

 

Organization: Associazione Culturale Inossidabile

 

www.inossidabileac.com

   

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

 

Palazzo Tiepolo Passi, San Polo, 2774

 

May 6th - November 22nd

 

Organization: Fundaciò Artigas; ArsCulture

 

www.fundacio-artigas.com/

 

www.arsculture.org/

 

www.dialogueoffire.org

   

The Question of Beings

 

Istituto Santa Maria della Pietà, Castello, 3701

 

May 9th - November 22nd

 

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

 

www.mocataipei.org.tw

   

The Revenge of the Common Place

 

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

 

May 9th – September 30th

 

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

 

www.vub.ac.be/

   

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

 

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

 

October 24th – November 1st

 

Organization: Kunstmuseum Liechtenstein

 

www.kunstmuseum.li

 

www.silverlining.li

   

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

 

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

 

May 7th - November 22nd

 

Organization: ArsCulture

 

www.arsculture.org/

   

The Union of Fire and Water

 

Palazzo Barbaro, San Marco, 2840

 

May 9th - November 22nd

 

Organization: YARAT Contemporary Art Organisation

 

www.yarat.az

 

www.bakuvenice2015.com

   

Thirty Light Years - Theatre of Chinese Art

 

Palazzo Rossini, San Marco, 4013 (Campo Manin)

 

May 9th - November 22nd

 

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

 

www.globalartcenter.org

 

www.gdmoa.org

   

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

 

Arsenale, Castello, 2126 (Campo della Tana)

 

May 9th - November 22nd

 

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

 

www.westkowloon.hk/en/mplus

 

www.hkadc.org.hk

 

www.venicebiennale.hk

   

Under the Surface, Newfoundland and Labrador at Venice

 

Galleria Ca' Rezzonico, Dorsoduro, 2793

 

May 9th - November 22nd

 

Organization: Terra Nova Art Foundation

 

tnaf.ca

   

Ursula von Rydingsvard

 

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

 

May 6th - November 22nd

 

Organization:Yorkshire Sculpture Park

 

www.ysp.co.uk

   

We Must Risk Delight: Twenty Artists from Los Angeles

 

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

 

May 7th - November 22nd

 

Organization: bardoLA

 

www.bardoLA.org

   

Wu Tien-Chang: Never Say Goodbye

 

Palazzo delle Prigioni, Castello, 4209 (San Marco)

 

May 9th - November 22nd

 

Organization: Taipei Fine Arts Museum of Taiwan

 

www.tfam.museum

   

Information From: www.city.cleveland.oh.us/around_town/city_highlights/land...

One of the most controversial works of art displayed in the City of Cleveland is Oldenburg and van Bruggen’s Free Stamp. Located in Willard Park to the East of City Hall, this massive aluminum and planted steel sculpture is difficult to miss with its large red handle sprawling across the lawn and metal base sinking into the ground displaying the word “FREE” in backwards letters to passersby on Lakeside Avenue. Some people see the Free Stamp as an inspiring work of Pop Art that represents our liberty as American citizens and reflects our City’s industrial progress. Others view it as an eyesore that is inappropriate for a location at the heart of the City’s Civic Center. This debate has been going on since the piece was first commissioned in 1982 and still echoes throughout the City today.

 

Artists Claes Oldenburg and Coosje van Bruggen designed the Free Stamp at the request of Standard Oil and admit that it was one of the most difficult works of art they have ever created. The controversy began soon after Standard Oil was awarded permission to tear down the old Standard Oil of Ohio (SOHIO) building located on Public Square. As construction of the new building began, SOHIO decided that it wanted a fresh work of art to display outside its doors, directly across from one of the City’s historical landmarks, the Soldiers and Sailors Monument. After seeing the “pad” of land with which they had to work, Oldenburg and van Bruggen, who are famous for making large replicas of common objects such as spoons, ice cream cones, and bowling pins, proposed the idea of creating an enormous stamp.

 

The original design for the sculpture was an upright, self-inking stamp, with a red handle which looked like a giant exclamation point. The first design allowed access so that people could actually walk around inside the stamp, but management at SOHIO soon agreed that such a structure would require a lot of maintenance. The design was then restructured to look like a hand stamp on an ink pad. The question was then raised as to what word would be placed on the stamp. The artists wanted a word that would serve as a statement, like a one-word poem, but could also be found on a real office stamp. The physical dimension of the work was also a consideration as the diameters of the Free Stamp left room for only 4 letters. Van Bruggen suggested the word “Free” to represent liberty and independence and to make a positive statement in the heart of the City.

 

Just as construction on a revised design began, SOHIO underwent a change in management. The new managers did not like the idea of placing a massive piece of pop art on Public Square, especially a 50-foot stamp. Several opponents of the Free Stamp feared that the message conveyed by the work would invite jokes about the condition of Downtown Cleveland, which during the 1980s was in need of revitalization. SOHIO gave Oldenburg and van Bruggen the opportunity to relocate the stamp, but the artists did not want to move it. The location at Public Square added to the artistic expression of the work in a way other locations could not.

 

Production of the Stamp was halted for several years and pieces of it were placed in storage in Indiana. As BP America assumed management of SOHIO, executives wondered why the company was paying so much to house a huge stamp. Interest was renewed in the work of art and Mayor George Voinovich invited Oldenburg and van Bruggen to Cleveland in hopes of selecting another site to display their work. Although the Cleveland Museum of Art was considered, the artists wanted their work to be seen in the heart of Downtown and set their sights on Willard Park for its proximity to Public Square and because of its location to Cleveland’s government offices.

 

Placing the Free Stamp in Willard Park immediately drew opposition from Council President, George Forbes, who did not support the idea of the City of Cleveland accepting a rejected work of art and displaying it right outside of City Hall. Once again, the artists had chosen their location as part of their artistic statement and were unwilling to compromise their artistic integrity. This time, they threatened to destroy the work entirely if the City did not want to display it.

 

Before the artists could act on their threat, Election Day 1989 had passed and newly elected Mayor, Michael R. White, and Council President, Jay Westbrook, expressed their interest in this unique work. BP America finally decided that it would donate the Free Stamp as a gift to the City and offered to maintain it in its new location. City Council accepted this generous gift and the Free Stamp was brought out of storage and redesigned to accommodate its new space.

 

The lawn at Willard Park inspired Oldenburg and van Bruggen to alter the position of the Free Stamp so that it would lie on its side, as if it had toppled over on someone’s desk. Van Bruggen felt that the new design reflected the Free Stamp’s history as it was “flung” from Public Square only to “land” in Willard Park. Production on the Free Stamp resumed and it was brought to Cleveland in pieces to be assembled in its current spot.

The Free Stamp was officially inaugurated on November 15, 1991. The Dedication reads:

 

Free Stamp

Claes Oldenburg and Coosje Van Bruggen

1991- Planted Steel and Aluminum

Gift of BP America

To the City of Cleveland

Michael R. White- Mayor

Jay Westbrook- City Council President

Dedicated 11-15-1991

. el.kingdomsalvation.org/gospel/on-the-fourth-day.html

 

Η χιλιετής βασιλεία

Ο Θεός λέει:«... Παρότι η ανθρωπότητα μόνο μετά την έλευση της καλλιέργειας άρχισε να καταλαβαίνει και να αντιμετωπίζει τον διαχωρισμό των σεληνιακών περιόδων, των ημερών και των χρόνων που ήταν το αποτέλεσμα των φωστήρων που δημιούργησε ο Θεός, στην πραγματικότητα, οι σεληνιακές περίοδοι, οι μέρες και τα χρόνια που σήμερα αντιλαμβάνεται ο άνθρωπος άρχισαν να δημιουργούνται πολύ πιο πριν, από την τέταρτη ημέρα που ο Θεός δημιούργησε όλα τα πράγματα, το ίδιο και οι εναλλασσόμενοι κύκλοι άνοιξη, καλοκαίρι, φθινόπωρο και χειμώνας που γνωρίζουν οι άνθρωποι και αυτοί ξεκίνησαν πολύ πιο πριν, την τέταρτη ημέρα της δημιουργίας όλων των πραγμάτων από τον Θεό. Οι φωστήρες που δημιούργησε ο Θεός έδωσαν στον άνθρωπο τη δυνατότητα να μπορεί τακτικά, επακριβώς και ξεκάθαρα να ξεχωρίζει τη μέρα από τη νύχτα, να μπορεί να μετρά τις μέρες και να μπορεί ξεκάθαρα να παρακολουθεί τις σεληνιακές περιόδους και τα χρόνια. (Η μέρα της πανσελήνου σηματοδοτούσε την ολοκλήρωση ενός μήνα κι από αυτό ο άνθρωπος ήξερε ότι η φώτιση των φωστήρων ξεκινούσε έναν νέο κύκλο. Η μέρα της ημισελήνου σηματοδοτούσε την ολοκλήρωση μισού μήνα, που σήμαινε για τον άνθρωπο ότι άρχιζε μια νέα σεληνιακή περίοδος, πράγμα από το οποίο μπορούσε να συμπεράνει κανείς πόσες μέρες και νύχτες υπήρχαν σε μια σεληνιακή περίοδο, πόσες σεληνιακές περίοδοι υπήρχαν στην κάθε εποχή, πόσες εποχές υπήρχαν μέσα σε έναν χρόνο και όλα αυτά επαναλαμβάνονταν τακτικά). ... »

από το βιβλίο «Ο Λόγος Ενσαρκώνεται»

σύσταση:

Ενσάρκωση

 

Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού

Όροι Χρήσης: el.kingdomsalvation.org/disclaimer.html

Biennalist @ Venice Biennale

 

during the Venice Biennale 2019 Biennalist format will express the Biennale concept with art work

Biennalist / Venice Biennale

 

www.emergencyrooms.org/biennalist.html

 

#ThierryGeoffroy

#venicebiennale #biennalist #artformat #biennale #artbiennale #biennial

#BiennaleArte2019

  

more here about the Biennale :

 

Ralph Rugoff has declared: «May You Live in Interesting Times will no doubt include artworks that reflect upon precarious aspects of existence today, including different threats to key traditions, institutions and relationships of the “post-war order.” But let us acknowledge at the outset that art does not exercise its forces in the domain of politics. Art cannot stem the rise of nationalist movements and authoritarian governments in different parts of the world, for instance, nor can it alleviate the tragic fate of displaced peoples across the globe (whose numbers now represent almost one percent of the world’s entire population).»

 

ALBANIA

Maybe the cosmos is not so extraordinary

Commissioner: Ministry of Culture Republic of Albania. Curator: Alicia Knock.

Exhibitor: Driant Zeneli.

 

ALGERIA***

Time to shine bright

Commissioner/Curator: Hellal Mahmoud Zoubir, National Council of Arts and Letters Ministry of Culture. Exhibitors: Rachida Azdaou, Hamza Bounoua, Amina Zoubir, Mourad Krinah, Oussama Tabti.

Venue: Fondamenta S. Giuseppe, 925

 

ANDORRA

The Future is Now / El futur és ara

Commissioner: Eva Martínez, “Zoe”. Curators: Ivan Sansa, Paolo De Grandis.

Exhibitor: Philippe Shangti.

Venue: Istituto Santa Maria della Pietà, Castello 3701

 

ANTIGUA & BARBUDA

Find Yourself: Carnival and Resistance

Commissioner: Daryll Matthew, Minister of Sports, Culture, National Festivals and the Arts. Curator: Barbara Paca with Nina Khrushcheva. Exhibitors: Timothy Payne, Sir Gerald Price, Joseph Seton, and Frank Walter; Intangible Cultural, Heritage Artisans and Mas Troup.

Venue: Centro Culturale Don Orione Artigianelli, Dorsoduro 919

 

ARGENTINA

El nombre de un país / The name of a country

Commissioner: Sergio Alberto Baur Ambasciatore. Curator: Florencia Battiti. Exhibitor: Mariana Telleria.

Venue: Arsenale

 

ARMENIA (Republic of)

Revolutionary Sensorium

Commissioner: Nazenie Garibian, Deputy Minister. Curator: Susanna Gyulamiryan.

Exhibitors: "ArtlabYerevan" Artistic Group (Gagik Charchyan, Hovhannes Margaryan, Arthur Petrosyan, Vardan Jaloyan) and Narine Arakelian.

Venue: Palazzo Zenobio – Collegio Armeno Moorat-Raphael, Dorsoduro 2596

 

AUSTRALIA

ASSEMBLY

Commissioner: Australia Council for the Arts. Curator: Juliana Engberg. Exhibitor: Angelica Mesiti.

Venue: Giardini

 

AUSTRIA

Discordo Ergo Sum

Commissioner: Arts and Culture Division of the Federal Chancellery of Austria.

Curator: Felicitas Thun-Hohenstein. Exhibitor: Renate Bertlmann.

Venue: Giardini

 

AZERBAIJAN (Republic of )

Virtual Reality

Commissioner: Mammad Ahmadzada, Ambassador of the Republic of Azerbaijan.

Curators: Gianni Mercurio, Emin Mammadov. Exhibitors: Zeigam Azizov, Orkhan Mammadov, Zarnishan Yusifova, Kanan Aliyev, Ulviyya Aliyeva.

Venue: Palazzo Lezze, Campo S. Stefano, San Marco 2949

 

BANGLADESH (People’s Republic of)

Thirst

Commissioner: Liaquat Ali Lucky. Curators: Mokhlesur Rahman, Viviana Vannucci.

Exhibitors: Bishwajit Goswami, Dilara Begum Jolly, Heidi Fosli, Nafis Ahmed Gazi, Franco Marrocco, Domenico Pellegrino, Preema Nazia Andaleeb, Ra Kajol, Uttam Kumar karmaker.

Venue: Palazzo Zenobio – Collegio Armeno Moorat-Raphael, Dorsoduro 2596

 

BELARUS (Republic of)

Exit / Uscita

Commissioner: Siarhey Kryshtapovich. Curator: Olga Rybchinskaya. Exhibitor: Konstantin Selikhanov.

Venue: Spazio Liquido, Sestiere Castello 103, Salizada Streta

 

BELGIUM

Mondo Cane

Commissioner: Fédération Wallonie-Bruxelles. Curator: Anne-Claire Schmitz.

Exhibitor: Jos de Gruyter & Harald Thys.

Venue: Giardini

 

BOSNIA and HERZEGOVINA

ZENICA-TRILOGY

Commissioner: Senka Ibrišimbegović, Ars Aevi Museum for Contemporary Art Sarajevo.

Curators: Anja Bogojević, Amila Puzić, Claudia Zini. Exhibitor: Danica Dakić.

Venue: Palazzo Francesco Molon Ca’ Bernardo, San Polo 2184/A

 

BRAZIL

Swinguerra

Commissioner: José Olympio da Veiga Pereira, Fundação Bienal de São Paulo.

Curator: Gabriel Pérez-Barreiro. Exhibitor: Bárbara Wagner & Benjamin de Burca.

Venue: Giardini

 

BULGARIA

How We Live

Commissioner: Iaroslava Boubnova, National Gallery in Sofia. Curator: Vera Mlechevska.

Exhibitors: Rada Boukova , Lazar Lyutakov.

Venue: Palazzo Giustinian Lolin, San Marco 2893

 

CANADA

ISUMA

Commissioner: National Gallery of Canada. Curators: Asinnajaq, Catherine Crowston, Josée Drouin-Brisebois, Barbara Fischer, Candice Hopkins. Exhibitors: Isuma (Zacharias Kunuk, Norman Cohn, Paul Apak, Pauloosie Qulitalik).

Venue: Giardini

 

CHILE

Altered Views

Commissioner: Varinia Brodsky, Ministry of Cultures, Arts and Heritage.

Curator: Agustín Pérez. Rubio. Exhibitor: Voluspa Jarpa.

Venue: Arsenale

 

CHINA (People’s Republic of)

Re-睿

Commissioner: China Arts and Entertainment Group Ltd. (CAEG).

Curator: Wu Hongliang. Exhibitors: Chen Qi, Fei Jun, He Xiangyu, Geng Xue.

Venue: Arsenale

 

CROATIA

Traces of Disappearing (In Three Acts)

Commissioner: Ministry of Culture of the Republic of Croatia. Curator: Katerina Gregos.

Exhibitor: Igor Grubić.

Venue: Calle Corner, Santa Croce 2258

 

CUBA

Entorno aleccionador (A Cautionary Environment)

Commissioner: Norma Rodríguez Derivet, Consejo Nacional de Artes Plásticas.

Curator: Margarita Sanchez Prieto. Exhibitors: Alejandro Campins, Alex Hérnandez, Ariamna Contino and Eugenio Tibaldi. Venue: Isola di San Servolo

 

CYPRUS (Republic of)

Christoforos Savva: Untimely, Again

Commissioner: Louli Michaelidou. Curator: Jacopo Crivelli Visconti. Exhibitor: Christoforos Savva.

Venue: Associazione Culturale Spiazzi, Castello 3865

 

CZECH (Republic) and SLOVAK (Republic)

Stanislav Kolíbal. Former Uncertain Indicated

Commissioner: Adam Budak, National Gallery Prague. Curator: Dieter Bogner.

Exhibitor: Stanislav Kolibal.

Venue: Giardini

 

DOMINICAN (Republic) *

Naturaleza y biodiversidad en la República Dominicana

Commissioner: Eduardo Selman, Minister of Culture. Curators: Marianne de Tolentino, Simone Pieralice, Giovanni Verza. Exhibitors: Dario Oleaga, Ezequiel Taveras, Hulda Guzmán, Julio Valdez, Miguel Ramirez, Rita Bertrecchi, Nicola Pica, Marraffa & Casciotti.

Venue: Palazzo Albrizzi Capello, Cannaregio 4118 – Sala della Pace

 

EGYPT

khnum across times witness

Commissioner: Ministry of Culture. Curator: Ahmed Chiha.

Exhibitors: Islam Abdullah, Ahmed Chiha, Ahmed Abdel Karim.

Venue: Giardini

 

ESTONIA

Birth V

Commissioner: Maria Arusoo, Centre of Contemporary Arts of Estonia. Curators: Andrew Berardini, Irene Campolmi, Sarah Lucas, Tamara Luuk. Exhibitor: Kris Lemsalu.

Venue: c/o Legno & Legno, Giudecca 211

 

FINLAND (Alvar Aalto Pavilion)

A Greater Miracle of Perception

Commissioner: Raija Koli, Director Frame Contemporary Art Finland.

Curators: Giovanna Esposito Yussif, Bonaventure Soh Bejeng Ndikung, Christopher Wessels. Exhibitors: Miracle Workers Collective (Maryan Abdulkarim, Khadar Ahmed, Hassan Blasim, Giovanna Esposito Yussif, Sonya Lindfors, Bonaventure Soh Bejeng Ndikung, Outi Pieski, Leena Pukki, Lorenzo Sandoval, Martta Tuomaala, Christopher L. Thomas, Christopher Wessels, Suvi West).

Venue: Giardini

 

FRANCE

Deep see blue surrounding you / Vois ce bleu profond te fondre

Commissioner: Institut français with the Ministry for Europe and Foreign Affairs and the Ministry of Culture. Curator: Martha Kirszenbaum. Exhibitor: Laure Prouvost.

Venue: Giardini

 

GEORGIA

REARMIRRORVIEW, Simulation is Simulation, is Simulation, is Simulation

Commissioner: Ana Riaboshenko. Curator: Margot Norton. Exhibitor: Anna K.E.

Venue: Arsenale

 

GERMANY

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office, Germany. Curator: Franciska Zólyom. Exhibitor: Natascha Süder Happelmann.

Venue: Giardini

 

GHANA ***

Ghana Freedom

Commissioner: Ministry of Tourism, Arts and Culture. Curator: Nana Oforiatta Ayim.

Exhibitors: Felicia Abban, John Akomfrah, El Anatsui, Lynette Yiadom Boakye, Ibrahim Mahama, Selasi Awusi Sosu.

Venue: Arsenale

 

GREAT BRITAIN

Cathy Wilkes

Commissioner: Emma Dexter. Curator: Zoe Whitley. Exhibitor: Cathy Wilkes.

Venue: Giardini

 

GREECE

Mr Stigl

Commissioner: Syrago Tsiara (Deputy Director of the Contemporary Art Museum - Metropolitan Organization of Museums of Visual Arts of Thessaloniki - MOMus).

Curator: Katerina Tselou. Exhibitors: Panos Charalambous, Eva Stefani, Zafos Xagoraris.

Venue: Giardini

 

GRENADA

Epic Memory

Commissioner: Susan Mains. Curator: Daniele Radini Tedeschi.

Exhibitors: Amy Cannestra, Billy Gerard Frank, Dave Lewis, Shervone Neckles, Franco Rota Candiani, Roberto Miniati, CRS avant-garde.

Venue: Palazzo Albrizzi-Capello (first floor), Cannaregio 4118

 

GUATEMALA

Interesting State

Commissioner: Elder de Jesús Súchite Vargas, Minister of Culture and Sports of Guatemala. Curator: Stefania Pieralice. Exhibitors: Elsie Wunderlich, Marco Manzo.

Venue: Palazzo Albrizzi-Capello (first floor), Cannaregio 4118

 

HAITI

THE SPECTACLE OF TRAGEDY

Commissioner: Ministry of Culture and Communication.

Curator: Giscard Bouchotte. Exhibitor: Jean Ulrick Désert.

Venue: Circolo Ufficiali Marina, Calle Seconda de la Fava, Castello 2168

 

HUNGARY

Imaginary Cameras

Commissioner: Julia Fabényi, Museo Ludwig – Museo d’arte contemporanea, Budapest.

Curator: Zsuzsanna Szegedy-Maszák. Exhibitor: Tamás Waliczky.

Venue: Giardini

 

ICELAND

Chromo Sapiens – Hrafnhildur Arnardóttir / Shoplifter

Commissioner: Eiríkur Þorláksson, Icelandic Ministry of Education, Science and Culture.

Curator: Birta Gudjónsdóttir. Exhibitor: Hrafnhildur Arnardóttir / Shoplifter.

Venue: Spazio Punch, Giudecca 800

 

INDIA

Our time for a future caring

Commissioner: Adwaita Gadanayak National Gallery of Modern Art.

Curator: Roobina Karode, Director & Chief Curator, Kiran Nadar Museum of Art. Exhibitors: Atul Dodiya, Ashim Purkayastha, GR Iranna, Jitish Kallat, Nandalal Bose, Rummana Hussain, Shakuntala Kulkarni.

Venue: Arsenale

 

INDONESIA

Lost Verses

Commissioner: Ricky Pesik & Diana Nazir, Indonesian Agency for Creative Economy.

Curator: Asmudjo Jono Irianto. Exhibitors: Handiwirman Saputra and Syagini Ratna Wulan.

Venue: Arsenale

 

IRAN (Islamic Republic of)

of being and singing

Commissioner: Hadi Mozafari, General Manager of Visual Arts Administration of Islamic Republic of Iran. Curator: Ali Bakhtiari.

Exhibitors: Reza Lavassani, Samira Alikhanzadeh, Ali Meer Azimi.

Venue: Fondaco Marcello, San Marco 3415

 

IRAQ

Fatherland

Commissioner: Fondazione Ruya. Curators: Tamara Chalabi, Paolo Colombo.

Exhibitor: Serwan Baran.

Venue: Ca’ del Duca, Corte del Duca Sforza, San Marco 3052

 

IRELAND

The Shrinking Universe

Commissioner: Culture Ireland. Curator: Mary Cremin. Exhibitor: Eva Rothschild.

Venue: Arsenale

 

ISRAEL

Field Hospital X

Commissioner: Michael Gov, Arad Turgeman. Curator: Avi Lubin. Exhibitor: Aya Ben Ron.

Venue: Giardini

 

ITALY

Commissioner: Federica Galloni, Direttore Generale Arte e Architettura Contemporanee e Periferie Urbane, Ministero dei Beni e delle Attività Culturali. Curator: Milovan Farronato.

Exhibitors: Enrico David, Liliana Moro, Chiara Fumai.

Venue: Padiglione Italia, Tese delle Vergini, Arsenale

 

IVORY COAST

The Open Shadows of Memory

Commissioner: Henri Nkoumo. Curator: Massimo Scaringella. Exhibitors: Ernest Dükü, Ananias Leki Dago, Valérie Oka, Tong Yanrunan.

Venue: Castello Gallery, Castello 1636/A

 

JAPAN

Cosmo-Eggs

Commissioner: The Japan Foundation. Curator: Hiroyuki Hattori. Exhibitors: Motoyuki Shitamichi, Taro Yasuno, Toshiaki Ishikura, Fuminori Nousaku.

Venue: Giardini

 

KIRIBATI

Pacific Time - Time Flies

Commissioner: Pelea Tehumu, Ministry of Internal Affairs. Curators: Kautu Tabaka, Nina Tepes. Exhibitors: Kaeka Michael Betero, Daniela Danica Tepes, Kairaken Betio Group; Teroloang Borouea, Neneia Takoikoi, Tineta Timirau, Teeti Aaloa, Kenneth Ioane, Kaumai Kaoma, Runita Rabwaa, Obeta Taia, Tiribo Kobaua, Tamuera Tebebe, Rairauea Rue, Teuea Kabunare, Tokintekai Ekentetake, Katanuti Francis, Mikaere Tebwebwe, Terita Itinikarawa, Kaeua Kobaua, Raatu Tiuteke, Kaeriti Baanga, Ioanna Francis, Temarewe Banaan, Aanamaria Toom, Einako Temewi, Nimei Itinikarawa, Teniteiti Mikaere, Aanibo Bwatanita, Arin Tikiraua.

Venue: European Cultural Centre, Palazzo Mora, Strada Nuova 3659

 

KOREA (Republic of)

History Has Failed Us, but No Matter

Commissioner: Arts Council Korea. Curator: Hyunjin Kim. Exhibitors: Hwayeon Nam, siren eun young jung, Jane Jin Kaisen.

Venue: Giardini

 

KOSOVO (Republic of)

Family Album

Commissioner: Arta Agani. Curator: Vincent Honore. Exhibitor: Alban Muja.

Venue: Arsenale

 

LATVIA

Saules Suns

Commissioner: Dace Vilsone. Curators: Valentinas Klimašauskas, Inga Lāce.

Exhibitor: Daiga Grantiņa.

Venue: Arsenale

 

LITHUANIA

Sun & Sea (Marina)

Commissioner: Rasa Antanavičıūte. Curator: Lucia Pietroiusti.

Exhibitors: Lina Lapelyte, Vaiva Grainyte and Rugile Barzdziukaite.

Venue: Magazzino No. 42, Marina Militare, Arsenale di Venezia, Fondamenta Case Nuove 2738c

 

LUXEMBOURG (Grand Duchy of)

Written by Water

Commissioner: Ministry of Culture of Luxembourg.

Curator: Kevin Muhlen. Exhibitor: Marco Godinho.

Venue: Arsenale

 

NORTH MACEDONIA (Republic of )

Subversion to Red

Commissioner: Mira Gakina. Curator: Jovanka Popova. Exhibitor: Nada Prlja.

Venue: Palazzo Rota Ivancich, Castello 4421

 

MADAGASCAR ***

I have forgotten the night

Commissioner: Ministry of Communication and Culture of the Republic of Madagascar. Curators: Rina Ralay Ranaivo, Emmanuel Daydé.

Exhibitor: Joël Andrianomearisoa.

Venue: Arsenale

 

MALAYSIA ***

Holding Up a Mirror

Commissioner: Professor Dato’ Dr. Mohamed Najib Dawa, Director General of Balai Seni Negara (National Art Gallery of Malaysia), Ministry of Tourism, Arts and Culture of Malaysia. Curator: Lim Wei-Ling. Exhibitors: Anurendra Jegadeva, H.H.Lim, Ivan Lam, Zulkifli Yusoff.

Venue: Palazzo Malipiero, San Marco 3198

 

MALTA

Maleth / Haven / Port - Heterotopias of Evocation

Commissioner: Arts Council Malta. Curator: Hesperia Iliadou Suppiej. Exhibitors: Vince Briffa, Klitsa Antoniou, Trevor Borg.

Venue: Arsenale

 

MEXICO

Actos de Dios / Acts of God

Commissioner: Gabriela Gil Verenzuela. Curator: Magalí Arriola. Exhibitor: Pablo Vargas Lugo.

Venue: Arsenale

 

MONGOLIA

A Temporality

Commissioner: The Ministry of Education, Culture, Science and Sports of Mongolia.

Curator: Gantuya Badamgarav. Exhibitor: Jantsankhorol Erdenebayar with the participation of traditional Mongolian throat singers and Carsten Nicolai (Alva Noto).

Venue: Bruchium Fermentum, Calle del Forno, Castello 2093-2090

 

MONTENEGRO

Odiseja / An Odyssey

Commissioner: Nenad Šoškić. Curator: Petrica Duletić. Exhibitor: Vesko Gagović.

Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero

 

MOZAMBIQUE (Republic of)

The Past, the Present and The in Between

Commissioner: Domingos do Rosário Artur. Curator: Lidija K. Khachatourian.

Exhibitors: Gonçalo Mabunda, Mauro Pinto, Filipe Branquinho.

Venue: Palazzo Mora, Strada Nova, 3659

 

NETHERLANDS (The)

The Measurement of Presence

Commissioner: Mondriaan Fund. Curator: Benno Tempel. Exhibitors: Iris Kensmil, Remy Jungerman. Venue: Giardini

 

NEW ZEALAND

Post hoc

Commissioner: Dame Jenny Gibbs. Curators: Zara Stanhope and Chris Sharp.

Exhibitor: Dane Mitchell.

Venue: Palazzina Canonica, Riva Sette Martiri

 

NORDIC COUNTRIES (FINLAND - NORWAY - SWEDEN)

Weather Report: Forecasting Future

Commissioner: Leevi Haapala / Museum of Contemporary Art Kiasma / Finnish National Gallery, Katya García-Antón / Office for Contemporary Art Norway (OCA), Ann-Sofi Noring / Moderna Museet. Curators: Leevi Haapala, Piia Oksanen. Exhibitors: Ane Graff, Ingela Ihrman, nabbteeri.

Venue: Giardini

 

PAKISTAN ***

Manora Field Notes

Commissioner: Syed Jamal Shah, Pakistan National Council of the Arts, PNCA.

Curator: Zahra Khan. Exhibitor: Naiza Khan.

Venue: Tanarte, Castello 2109/A and Spazio Tana, Castello 2110-2111

 

PERU

“Indios Antropófagos”. A butterfly Garden in the (Urban) Jungle

Commissioner: Armando Andrade de Lucio. Curator: Gustavo Buntinx. Exhibitors: Christian Bendayán, Otto Michael (1859-1934), Manuel Rodríguez Lira (1874-1933), Segundo Candiño Rodríguez, Anonymous popular artificer.

Venue: Arsenale

 

PHILIPPINES

Island Weather

Commissioner: National Commission for Culture and the Arts (NCCA) / Virgilio S. Almario.

Curator: Tessa Maria T. Guazon. Exhibitor: Mark O. Justiniani.

Venue: Arsenale

 

POLAND

Flight

Commissioner: Hanna Wroblewska. Curators: Łukasz Mojsak, Łukasz Ronduda.

Exhibitor: Roman Stańczak.

Venue: Giardini

 

PORTUGAL

a seam, a surface, a hinge or a knot

Commissioner: Directorate-General for the Arts. Curator: João Ribas. Exhibitor: Leonor Antunes.

Venue: Fondazione Ugo e Olga Levi Onlus, Palazzo Giustinian Lolin, San Marco 2893

 

ROMANIA

Unfinished Conversations on the Weight of Absence

Commissioner: Attila Kim. Curator: Cristian Nae. Exhibitor: Belu-Simion Făinaru, Dan Mihălțianu, Miklós Onucsán.

Venues: Giardini and New Gallery of the Romanian Institute for Culture and Humanistic Research (Campo Santa Fosca, Palazzo Correr, Cannaregio 2214)

 

RUSSIA

Lc 15:11-32

Commissioner: Semyon Mikhailovsky. Curator: Mikhail Piotrovsky. Exhibitors: Alexander Sokurov, Alexander Shishkin-Hokusai.

Venue: Giardini

 

SAN MARINO (Republic of)

Friendship Project International

Commissioner: Vito Giuseppe Testaj. Curator: Vincenzo Sanfo. Exhibitors: Gisella Battistini, Martina Conti, Gabriele Gambuti, Giovanna Fra, Thea Tini, Chen Chengwei, Li Geng, Dario Ortiz, Tang Shuangning, Jens W. Beyrich, Xing Junqin, Xu de Qi, Sebastián.

Venue: Palazzo Bollani, Castello 3647; Complesso dell’Ospedaletto, Castello 6691

 

SAUDI ARABIA

After Illusion بعد توهم

Commissioner: Misk Art Insitute. Curator: Eiman Elgibreen. Exhibitor: Zahrah Al Ghamdi.

Venue: Arsenale

 

SERBIA

Regaining Memory Loss

Commissioner: Vladislav Scepanovic. Curator: Nicoletta Lambertucci. Exhibitor: Djordje Ozbolt.

Venue: Giardini

 

SEYCHELLES (Republic of)

Drift

Commissioner: Galen Bresson. Curator: Martin Kennedy.

Exhibitors: George Camille and Daniel Dodin.

Venue: Palazzo Mora, Strada Nova, 3659

 

SINGAPORE

Music For Everyone: Variations on a Theme

Commissioner: Rosa Daniel, Chief Executive Officer, National Arts Council (NAC).

Curator: Michelle Ho. Exhibitor: Song-Ming Ang.

Venue: Arsenale

 

SLOVENIA (Republic of)

Here we go again... SYSTEM 317

A situation of the resolution series

Commissioner: Zdenka Badovinac, Director Moderna galerija / Museum of Modern Art, Ljubljana. Curator: Igor Španjol. Exhibitor: Marko Peljhan.

Venue: Arsenale

 

SOUTH AFRICA (Republic of)

The stronger we become

Commissioner: Titi Nxumalo, Console Generale. Curators: Nkule Mabaso, Nomusa Makhubu. Exhibitors: Dineo Seshee Bopape, Tracey Rose, Mawande Ka Zenzile.

Venue: Arsenale

 

SPAIN

Perforated by Itziar Okariz and Sergio Prego

Commissioner: AECID Agencia Espanola de Cooperacion Internacional Para El Desarrollo. Ministerio de Asuntos Exteriores, Union Europea y Cooperacion. Curator: Peio Aguirre.

Exhibitors: Itziar Okariz, Sergio Prego.

Venue: Giardini

 

SWITZERLAND

Moving Backwards

Commissioner: Swiss Arts Council Pro-Helvetia: Marianne Burki, Sandi Paucic, Rachele Giudici Legittimo. Curator: Charlotte Laubard. Exhibitors: Pauline Boudry/Renate Lorenz.

Venue: Giardini

 

SYRIAN ARAB (Republic)

Syrian Civilization is still alive

Commissioner/Curator: Emad Kashout. Exhibitors: Abdalah Abouassali, Giacomo Braglia, Ibrahim Al Hamid, Chen Huasha, Saed Salloum, Xie Tian, Saad Yagan, Primo Vanadia, Giuseppe Biasio.

Venue: Isola di San Servolo; Chiesetta della Misericordia, Campo dell'Abbazia, Cannaregio

 

THAILAND

The Revolving World

Commissioner: Vimolluck Chuchat, Office of Contemporary Art and Culture, Ministry of Culture, Thailand. Curator: Tawatchai Somkong. Exhibitors: Somsak Chowtadapong, Panya Vijinthanasarn, Krit Ngamsom.

Venue: In Paradiso 1260, Castello

 

TURKEY

We, Elsewhere

Commissioner: IKSV. Curator: Zeynep Öz. Exhibitor: İnci Eviner.

Venue: Arsenale

 

UKRAINE

The Shadow of Dream cast upon Giardini della Biennale

Commissioner: Svitlana Fomenko, First Deputy Minister of Culture. Curators: Open group (Yurii Biley, Pavlo Kovach, Stanislav Turina, Anton Varga). Exhibitors: all artists of Ukraine.

Venue: Arsenale

 

UNITED ARAB EMIRATES

Nujoom Alghanem: Passage

Commissioner: Salama bint Hamdan Al Nahyan Foundation.

Curators: Sam Bardaouil and Till Fellrath. Exhibitor: Nujoom Alghanem.

Venue: Arsenale

 

UNITED STATES OF AMERICA

Martin Puryear: Liberty

Commissioner/Curator: Brooke Kamin Rapaport. Exhibitor: Martin Puryear.

Venue: Giardini

 

URUGUAY

“La casa empática”

Commissioner: Alejandro Denes. Curators: David Armengol, Patricia Bentancur.

Exhibitor: Yamandú Canosa.

Venue: Giardini

 

VENEZUELA (Bolivarian Republic of)

Metaphore of three windows

Venezuela: identity in time and space

Commissioner/Curator: Oscar Sottillo Meneses. Exhibitors: Natalie Rocha Capiello, Ricardo García, Gabriel López, Nelson Rangelosky.

Venue: Giardini

 

ZIMBABWE (Republic of)

Soko Risina Musoro (The Tale without a Head)

Commissioner: Doreen Sibanda, National Gallery of Zimbabwe. Curator: Raphael Chikukwa. Exhibitors: Georgina Maxim, Neville Starling , Cosmas Shiridzinomwa, Kudzanai Violet Hwami.

Venue: Istituto Provinciale per L’infanzia “Santa Maria Della Pietà”. Calle della Pietà Castello n. 3701 (ground floor)

 

---

invited artist :

Lawrence Abu Hamdan (Jordan / Beirut)

Njideka Akunyili Crosby (Nigeria / USA),Halil Altındere (Turkey),Michael Armitage (Kenya / UK),Korakrit Arunanondchai (Thailand / USA),Alex Gvojic (USA),Ed Atkins (UK / Germany / Denmark),Tarek Atoui (Lebanon / France),

Darren Bader (USA),Nairy Baghramian (Iran / Germany,

Neïl Beloufa (France),Alexandra Bircken (Germany),Carol Bove (Switzerland / USA,

Christoph Büchel (Switzerland / Iceland,

Ludovica Carbotta (Italy / Barcelona),Antoine Catala (France / USA),Ian Cheng (USA),George Condo (USA

Alex Da Corte (USA),Jesse Darling (UK / Germany),Stan Douglas (Canada),Jimmie Durham (USA / Germany),Nicole Eisenman (France / USA,

Haris Epaminonda (Cyprus / Germany),Lara Favaretto (Italy),Cyprien Gaillard (France / Germany), Gill (India),Dominique Gonzalez-Foerster (France),Shilpa Gupta (India),Soham Gupta (India),Martine Gutierrez (USA),Rula Halawani (Palestine),Anthea Hamilton (UK),Jeppe Hein (Denmark / Germany),Anthony Hernandez (USA),Ryoji Ikeda (Japan / France),Arthur Jafa (USA),Cameron Jamie (USA / France / Germany),Kahlil Joseph (USA),Zhanna Kadyrova (Ukraine),Suki Seokyeong Kang (South Korea),Mari Katayama (Japan),Lee Bul (South Korea),Liu Wei (China),Maria Loboda (Poland / Germany),Andreas Lolis (Albania / Greece),Christian Marclay (USA / London),Teresa Margolles (Mexico / Spain),Julie Mehretu (Ethiopia / USA),Ad Minoliti (Argentina),Jean-Luc Moulène (France),Zanele Muholi (South Africa),Jill Mulleady (Uruguay / USA),Ulrike Müller (Austria / USA),Nabuqi (China),Otobong Nkanga (Nigeria / Belgium),Khyentse Norbu (Bhutan / India),Frida Orupabo (Norway),Jon Rafman (Canada).Gabriel Rico (Mexico),Handiwirman Saputra (Indonesia),Tomás Saraceno (Argentina / Germany),Augustas Serapinas (Lithuania),Avery Singer (USA),Slavs and Tatars (Germany),Michael E. Smith (USA),Hito Steyerl (Germany),Tavares Strachan (Bahamas / USA),Sun Yuan and Peng Yu (China),Henry Taylor (USA),Rosemarie Trockel (Germany),Kaari Upson (USA),Andra Ursuţa (Romania),Danh Vō (Vietnam / Mexico),Kemang Wa Lehulere (South Africa),Apichatpong Weerasethakul (Thailand) and Tsuyoshi Hisakado (Japan),Margaret Wertheim and Christine Wertheim (Australia / USA) ,Anicka Yi (South Korea/ USA),Yin Xiuzhen (China),Yu Ji (China / Austria)

  

-----

other Biennale :(Biennials ) :Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale

Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art

  

وینس Venetsiya

art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist

venice biennale Venezia Venedig biennalen Bienal_de_Venecia Venise Venecia Bienalo Bienal Biënnale Venetië Veneza Μπιενάλε της Βενετίας ヴェネツィ ア・ビエンナーレ 威尼斯双年展 Venedik Bienali Venetsian biennaali Wenecji biennial #venicebiennale #venicebiennial biennalism

Veneziako Venecija Venècia Venetië Veneetsia Venetsia VenedigΒ ενετία Velence Feneyjar Venice Venēcija Venezja Venezia Wenecja VenezaVeneția Venetsiya Benátky Benetke Fenisוועניס Վենետիկ ভেনি স威尼斯 威尼斯 ვენეციისવે નિસवेनिसヴ ェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya Italy italia

 

Ralph Rugoff Ralph_Rugoff #RalphRugoff RalphRugoff 2019

 

pavilion giardini artcontemporain contemporary kunst modern #artcontemporain art artsenal gallery gallerie museum

 

artist curator commissaire country contemporary ultracontemporary art kunst perfomance sport jogging emergency room urgency panic saving artist role responsability

 

#art #artist #artistic #artists #arte #artwork

Thierry Geoffroy / Colonel

 

WARM UP for COPENHAGEN ULTRACONTEMPORARY BIENNALE

copenhagenbiennale.org/

-------

The COPENHAGEN ULTRACONTEMPORARY BIENNALE will be done in 3 platforms

the parliament is platform 2

Artist have to express closer to decision makers . in time , in the NOW

--------------

a presentation of COPENHAGEN ULTRACONTEMPORARY BIENNALE will be done at the Venice Biennale 2015 ---

check date and place here www.facebook.com/CopenhagenBiennale

COPENHAGEN ULTRACONTEMPORARY BIENNALE

main : copenhagenbiennale.org/

www.facebook.com/CopenhagenBiennale

www.emergencyrooms.org/formats.html

www.emergencyrooms.org/

 

meanwhile during Venice Biennale contemporary art will be shown by

 

ABBOUD, Jumana Emil .ABDESSEMED, Adel .ABONNENC, Mathieu Kleyebe

ABOUNADDARA.ACHOUR, Boris ADKINS, Terry AFIF, Saâdane

AKERMAN, Chantal AKOMFRAH, John AKPOKIERE, Karo

AL SOLH, Mounira ALGÜN RINGBORG, Meriç ALLORA, Jennifer & CALZADILLA, Guillermo

ATAMAN, Kutlug BAJEVIC, Maja BALLESTEROS, Ernesto

BALOJI, Sammy BARBA, Rosa

BASELITZ, Georg BASUALDO, Eduardo BAUER, Petra

BESHTY, Walead BHABHA, Huma BOLTANSKI, Christian

BONVICINI, Monica BOYCE, Sonia

BOYD, Daniel BREY, Ricardo BROODTHAERS, Marcel BRUGUERA, Tania

BURGA, Teresa CALHOUN, Keith & McCORMICK, Chandra CAO, Fei

CHAMEKH, Nidhal CHERNYSHEVA, Olga CHUNG, Tiffany

COOPERATIVA CRÁTER INVERTIDO CREATIVE TIME SUMMIT

DAMIANI, Elena DELLER, Jeremy DJORDAJDZE, Thea DUMAS, Marlene

E-FLUX JOURNAL EDWARDS, Melvin EFFLATOUN, Inji EHMANN, Antje & FAROCKI, Harun

EICHHORN, Maria EVANS, Walker FAROCKI, Harun FLOYD, Emily

FRIEDL, Peter FUSCO, Coco FUSINATO, Marco

GAINES, Charles GALLAGHER, Ellen GALLARDO, Ana GARCIA, Dora

GATES, Theaster GENZKEN, Isa GLUKLYA GOMES, Sônia GROSSE, Katharina

GULF LABOR GURSKY, Andreas HAACKE, Hans

HADJITHOMAS, Joana & JOREIGE, Khalil HARRY, Newell HASSAN, Kay

HIRSCHHORN, Thomas HÖLLER, Carsten HOLT, Nancy & SMITHSON, Robert

IM, Heung Soon INVISIBLE BORDERS: Trans-African Photographers ISHIDA, Tetsuya

JI, Dachun JULIEN, Isaac K., Hiwa KAMBALU, Samson KIM, Ayoung

KLUGE, Alexander KNGWARREYE, Emily Kame LAGOMARSINO, Runo LEBER, Sonia & CHESWORTH, David

LIGON, Glenn MABUNDA, Gonçalo MADHUSUDHANAN MAHAMA, Ibrahim

MALJKOVIC, David MAN, Victor MANSARAY, Abu Bakarr MARKER, Chris

MARSHALL, Kerry James MARTEN, Helen MAURI, Fabio McQUEEN, Steve

MOHAIEMEN, Naeem MORAN, Jason MÜLLER, Ivana MUNROE, Lavar MURILLO, Oscar

MUTU, Wangechi NAM, Hwayeon NAUMAN, Bruce NDIAYE, Cheikh NICOLAI, Olaf

OFILI, Chris OGBOH, Emeka PARRENO, Philippe PASCALI, Pino PIPER, Adrian

PONIFASIO, Lemi QIU, Zhijie RAISSNIA, Raha RAQS MEDIA COLLECTIVE

(NARULA, Monica; BAGCHI, Jeebesh; SENGUPTA, Shuddhabrata) REYNAUD-DEWAR, Lili

RIDNYI, Mykola ROBERTS, Liisa ROTTENBERG, Mika SCHÖNFELDT, Joachim SELMANI, Massinissa

SENGHOR, Fatou Kand SHETTY, Prasad & GUPTE, Rupal SIBONY, Gedi

SIMMONS, Gary SIMON, Taryn SIMPSON, Lorna SMITHSON, Robert SUBOTZKY, Mikhael

SUHAIL, Mariam SZE, Sarah THE PROPELLER GROUPthe TOMORROW

TIRAVANIJA, Rirkrit TOGUO, Barthélémy XU, Bing YOUNIS, Ala

  

ALBANIA

Albanian Trilogy: A Series of Devious Stratagems

Armando Lulaj

Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale

ANDORRA

Inner Landscapes

Roqué, Joan Xandri

Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez

Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865

ANGOLA

On Ways of Travelling

António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira

Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810

ARGENTINA

The Uprising of Form

Juan Carlos Diste´fano

Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi

ARMENIA, Republic of

Armenity / Haiyutioun

Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK

Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni

AUSTRALIA

Fiona Hall: Wrong Way Time

Fiona Hall

Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini

AUSTRIA

Heimo Zobernig

Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini

AZERBAIJAN, Republic of

Beyond the Line

Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada

Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949

Vita Vitale

Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie

Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416

BELARUS, Republic of

War Witness Archive

Konstantin Selikhanov

Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145

BELGIUM

Personnes et les autres

Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton

Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini

COSTA RICA

"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".

Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli

Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani

CROATIA

Studies on Shivering: The Third Degree

Damir Ocko

Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina

CUBA

El artista entre la individualidad y el contexto

Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo

Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island

CYPRUS, Republic of

Two Days After Forever

Christodoulos Panayiotou

Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079

CZECH Republic and SLOVAK Republic

Apotheosis

Jirí David

Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini

ECUADOR

Gold Water: Apocalyptic Black Mirrors

Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet

Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701

ESTONIA

NSFW. From the Abyss of History

Jaanus Samma

Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199

EGYPT

CAN YOU SEE

Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud

Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini

FINLAND (Pavilion Alvar Aalto)

Hours, Years, Aeons

IC-98

Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini

FRANCE

revolutions

Céleste Boursier-Mougenot

Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini

GEORGIA

Crawling Border

Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia

Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi

GERMANY

Fabrik

Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini

GREAT BRITAIN

Sarah Lucas

Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini

GRENADA *

Present Nearness

Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi

Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919

GREECE

Why Look at Animals? AGRIMIKÁ.

Maria Papadimitriou

Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini

BRAZIL

So much that it doesn't fit here

Antonio Manuel, André Komatsu, Berna Reale

Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini

CANADA

Canadassimo

BGL

Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini

CHILE

Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld

Paz Errázuriz, Lotty Rosenfeld

Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie

CHINA, People’s Republic of

Other Future

LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station

Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini

GUATEMALA

Sweet Death

Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe

Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani

HOLY SEE

Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi

HUNGARY

Sustainable Identities

Szilárd Cseke

Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini

ICELAND

Christoph Büchel

Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed

INDONESIA, Republic of

Komodo Voyage

Heri Dono

Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale

IRAN

Iranian Highlights

Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai

The Great Game

Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim

Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio

IRAQ

Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879

IRELAND

Adventure: Capital

Sean Lynch

Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie

ISRAEL

Tsibi Geva | Archeology of the Present

Tsibi Geva

Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini

 

ITALY

Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale

 

JAPAN

The Key in the Hand

Chiharu Shiota

Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini

 

KENYA

Creating Identities

Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center

Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island

 

KOREA, Republic of

The Ways of Folding Space & Flying

MOON Kyungwon & JEON Joonho

Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini

 

KOSOVO, Republic of

Speculating on the blue

Flaka Haliti

Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie

 

LATVIA

Armpit

Katrina Neiburga, Andris Eglitis

Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale

 

LITHUANIA

Museum

Dainius Liškevicius

Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro

 

LUXEMBOURG, Grand Duchy of

Paradiso Lussemburgo

Filip Markiewicz

Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052

 

MACEDONIA, Former Yugoslavian Republic of

We are all in this alone

Hristina Ivanoska and Yane Calovski

Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi

 

MAURITIUS *

From One Citizen You Gather an Idea

Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer

Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252

 

MEXICO

Possesing Nature

Tania Candiani, Luis Felipe Ortega

Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi

 

MONGOLIA *

Other Home

Enkhbold Togmidshiirev, Unen Enkh

Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora

 

MONTENEGRO

,,Ti ricordi Sjecaš li se You Remember "

Aleksandar Duravcevic

Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero

 

MOZAMBIQUE, Republic of *

Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique

Mozambique Artists

Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale

 

NETHERLANDS, The

herman de vries - to be all ways to be

herman de vries

Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini

 

NEW ZEALAND

Secret Power

Simon Denny

Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport

 

NORDIC PAVILION (NORWAY)

Camille Norment

Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini

 

PERU

Misplaced Ruins

Gilda Mantilla and Raimond Chaves

Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi

 

PHILIPPINES

Tie a String Around the World

Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz

Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora

 

POLAND

Halka/Haiti. 18°48’05”N 72°23’01”W

C.T. Jasper, Joanna Malinowska

Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini

 

PORTUGAL

I Will Be Your Mirror / poems and problems

João Louro

Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano

 

ROMANIA

Adrian Ghenie: Darwin’s Room

Adrian Ghenie

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini

 

Inventing the Truth. On Fiction and Reality

Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice

 

RUSSIA

The Green Pavilion

Irina Nakhova

Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini

 

SERBIA

United Dead Nations

Ivan Grubanov

Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini

 

SAN MARINO

Repubblica di San Marino “ Friendship Project “ China

Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini

Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC

 

SEYCHELLES, Republic of *

A Clockwork Sunset

George Camille, Léon Wilma Loïs Radegonde

Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora

 

SINGAPORE

Sea State

Charles Lim Yi Yong

Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi

 

SLOVENIA, Republic of

UTTER / The violent necessity for the embodied presence of hope

JAŠA

Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie

 

SPAIN

Los Sujetos (The Subjects)

Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí

Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini

 

SYRIAN ARAB REPUBLIC

Origini della civiltà

Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha

Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island

 

SWEDEN

Excavation of the Image: Imprint, Shadow, Spectre, Thought

Lina Selander

Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale

 

SWITZERLAND

Our Product

Pamela Rosenkranz

Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini

 

THAILAND

Earth, Air, Fire & Water

Kamol Tassananchalee

Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260

 

TURKEY

Respiro

Sarkis

Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi

 

TUVALU

Crossing the Tide

Vincent J.F. Huang

Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale

 

UKRAINE

Hope!

Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin

Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri

 

UNITED ARAB EMIRATES

1980 – Today: Exhibitions in the United Arab Emirates

Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar

Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi

 

UNITED STATES OF AMERICA

Joan Jonas: They Come to Us Without a Word

Joan Jonas

Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini

 

URUGUAY

Global Myopia II (Pencil & Paper)

Marco Maggi

Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini

 

VENEZUELA, Bolivarian Republic of

Te doy mi palabra (I give you my word)

Argelia Bravo, Félix Molina (Flix)

Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini

 

ZIMBABWE, Republic of

Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.

Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro

Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta

 

ITALO-LATIN AMERICAN INSTITUTE

Voces Indígenas

Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale

ARGENTINA

Sofia Medici and Laura Kalauz

PLURINATIONAL STATE OF BOLIVIA

Sonia Falcone and José Laura Yapita

BRAZIL

Adriana Barreto

Paulo Nazareth

CHILE

Rainer Krause

COLOMBIA

León David Cobo,

María Cristina Rincón and Claudia Rodríguez

COSTA RICA

Priscilla Monge

ECUADOR

Fabiano Kueva

EL SALVADOR

Mauricio Kabistan

GUATEMALA

Sandra Monterroso

HAITI

Barbara Prézeau Stephenson

HONDURAS

Leonardo González

PANAMA

Humberto Vélez

NICARAGUA

Raúl Quintanilla

PARAGUAY

Erika Meza

Javier López

PERU

José Huamán Turpo

URUGUAY

Gustavo Tabares

 

Ellen Slegers

  

001 Inverso Mundus. AES+F

Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 31st

Organization: VITRARIA Glass + A Museum

www.vitraria.com

www.inversomundus.com

 

Catalonia in Venice: Singularity

Cantieri Navali, Castello, 40 (Calle Quintavalle)

May 9th - November 22nd

Organization: Institut Ramon Llull

www.llull.cat

venezia2015.llull.cat

 

Conversion. Recycle Group

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

May 6th - October 31st

Organization: Moscow Museum of Modern Art

www.mmoma.ru/

 

Dansaekhwa

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

May 7th – August 15th

Organization: The Boghossian Foundation

www.villaempain.com

 

Dispossession

Palazzo Donà Brusa, Campo San Polo, 2177

May 9th - November 22nd

Organization: European Capital of Culture Wroclaw 2016

wroclaw2016.pl/biennale/

 

EM15 presents Doug Fishbone’s Leisure Land Golf

Arsenale Docks, Castello, 40A, 40B, 41C

May 6th - July 26th

Organization: EM15

www.em15venice.co.uk

 

Eredità e Sperimentazione

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

May 9th - November 22nd

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

www.bioarchitettura.it

 

Frontiers Reimagined

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

May 9th - November 22nd

Organization: Tagore Foundation International; Polo museale del Veneto

www.frontiersreimagined.org

 

Glasstress 2015 Gotika

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

May 9th — November 22nd

Organization: The State Hermitage Museum

www.hermitagemuseum.org

 

Graham Fagen: Scotland + Venice 2015

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

May 9th - November 22nd

Organization: Scotland + Venice

www.scotlandandvenice.com

 

Grisha Bruskin. An Archaeologist’s Collection

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

May 6th – November 22nd

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

www.unive.it/csar

 

Helen Sear, ... The Rest Is Smoke

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

May 9th - November 22nd

Organization: Cymru yn Fenis/Wales in Venice

www.walesinvenice.org.uk

 

Highway to Hell

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

May 9th - November 22nd

Organization: Hubei Museum of Art

www.hbmoa.com

 

Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

Palazzo Faccanon, San Marco, 5016 (Mercerie)

May 7th – August 4th

Organization: Shanghai Himalayas Museum

www.himalayasmuseum.org

 

In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

Dorsoduro, 417 (Zattere)

May 6th - November 15th

Organization: ArsCulture

www.arsculture.org/

www.eyeofthunderstorm.com

 

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

May 9th – June 30th; September 11st – October 31st

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

www.i-amfoundation.org

www.venicebiennale-italiadocet.org

 

Jaume Plensa: Together

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

May 6th – November 22nd

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

www.praglia.it

 

Jenny Holzer "War Paintings"

Museo Correr, San Marco, 52 (Piazza San Marco)

May 6th – November 22nd

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

www.writtenartfoundation.com

correr.visitmuve.it

 

Jump into the Unknown

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

May 9th – June 18th

Organization: Nine Dragon Heads

9dh-venice.com

 

Learn from Masters

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

May 9th – November 22nd

Organization: Pan Tianshou Foundation

pantianshou.caa.edu.cn/foundation_en

 

My East is Your West

Palazzo Benzon, San Marco, 3927

May 6th – October 31st

Organization: The Gujral Foundation

www.gujralfoundation.org

   

Ornamentalism. The Purvitis Prize

Arsenale Nord, Tesa 99

May 9th – November 22nd

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

www.purvisabalva.lv/en/ornamentalism

 

Path and Adventure

Arsenale, Castello, 2126/A (Campo della Tana)

May 9th – November 22nd

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

www.iacm.gov.mo

www.mam.gov.mo

www.icm.gov.mo

 

Patricia Cronin: Shrine for Girls, Venice

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

May 9th – November 22nd

Organization: Brooklyn Rail Curatorial Projects

curatorialprojects.brooklynrail.org

 

Roberto Sebastian Matta. Sculture

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

May 9th – November 22nd

Organization: Fondazione Echaurren Salaris

www.fondazioneechaurrensalaris.it

www.maggioregam.com/56Biennale_Matta

 

Salon Suisse: S.O.S. Dada - The World Is A Mess

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

Organization: Swiss Arts Council Pro Helvetia

www.prohelvetia.ch

www.biennials.ch

 

Sean Scully: Land Sea

Palazzo Falier, San Marco, 2906

May 9th – November 22nd

Organization: Fondazione Volume!

www.fondazionevolume.com

 

Sepphoris. Alessandro Valeri

Molino Stucky, interior atrium, Giudecca, 812

May 9th – November 22nd

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

www.sepphorisproject.org

 

Tesla Revisited

Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 18th

Organization: VITRARIA Glass + A Museum

www.vitraria.com/

 

The Bridges of Graffiti

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

May 9th - November 22nd

Organization: Associazione Culturale Inossidabile

www.inossidabileac.com

 

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

Palazzo Tiepolo Passi, San Polo, 2774

May 6th - November 22nd

Organization: Fundaciò Artigas; ArsCulture

www.fundacio-artigas.com/

www.arsculture.org/

www.dialogueoffire.org

 

The Question of Beings

Istituto Santa Maria della Pietà, Castello, 3701

May 9th - November 22nd

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

www.mocataipei.org.tw

 

The Revenge of the Common Place

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

May 9th – September 30th

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

www.vub.ac.be/

 

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

October 24th – November 1st

Organization: Kunstmuseum Liechtenstein

www.kunstmuseum.li

www.silverlining.li

 

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

May 7th - November 22nd

Organization: ArsCulture

www.arsculture.org/

 

The Union of Fire and Water

Palazzo Barbaro, San Marco, 2840

May 9th - November 22nd

Organization: YARAT Contemporary Art Organisation

www.yarat.az

www.bakuvenice2015.com

 

Thirty Light Years - Theatre of Chinese Art

Palazzo Rossini, San Marco, 4013 (Campo Manin)

May 9th - November 22nd

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

www.globalartcenter.org

www.gdmoa.org

 

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

Arsenale, Castello, 2126 (Campo della Tana)

May 9th - November 22nd

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

www.westkowloon.hk/en/mplus

www.hkadc.org.hk

www.venicebiennale.hk

 

Under the Surface, Newfoundland and Labrador at Venice

Galleria Ca' Rezzonico, Dorsoduro, 2793

May 9th - November 22nd

Organization: Terra Nova Art Foundation

tnaf.ca

 

Ursula von Rydingsvard

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

May 6th - November 22nd

Organization:Yorkshire Sculpture Park

www.ysp.co.uk

 

We Must Risk Delight: Twenty Artists from Los Angeles

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

May 7th - November 22nd

Organization: bardoLA

www.bardoLA.org

 

Wu Tien-Chang: Never Say Goodbye

Palazzo delle Prigioni, Castello, 4209 (San Marco)

May 9th - November 22nd

Organization: Taipei Fine Arts Museum of Taiwan

www.tfam.museum

 

Xanadu

Istituto Santa Maria della Pietà, Castello, 3701

May 9th - November 22nd

Organization: Dream Amsterdam Foundation

www.dreamamsterdam.nl

www.nikunja.org/xanadu

 

Universities and Associations that have joined the project

Sotheby’s Institute of Art, London / St Lucas University College of Art & Design, Antwerp / University of Washington - College of Arts & Sciences, Seattle / Iowa State University - College of Design, Ames / Universität für angewandte Kunst, Vienna

Venice International University / Università Ca’ Foscari, Venezia / Università Ca’ Foscari, Venezia - Dipartimento di Filosofia e Beni Culturali / Università IUAV di Venezia / Università Commerciale Luigi Bocconi, Milano - Dipartimento di Marketing / Accademia di Belle Arti di Brera, Milano - Ufficio Relazioni Internazionali. Erasmus Office / Politecnico di Milano - Scuola del Design. Laurea in Design degli Interni / Università di Roma Sapienza - Facoltà di Architettura / Associazione Cinemavvenire, Roma / Università per Stranieri di Perugia / Università per Stranieri di Siena

 

Central Pavilion at the Giardini (3,000 sq.m.) to the Arsenale

Bice Curiger Massimiliano Gioni

A Parliament for a Biennale

Paolo Baratta, President of la Biennale di Venezia

Okwui Enwezor the ARENA Karl Marx’s Das Kapital

Theaster Gates Chris Rehberger Joseph Haydn Cesare Paveset David Adjaye Olaf Nicolai Joana Hadjithomas and Khalil Joreige Marsilio Editori. emergency cinema.” Abounaddara

Mathieu KleyebeCharles Gaines’Jeremy Deller Jason Moran , venedig biennale biennial

 

other Biennale :(Biennials ) :

  

Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale

Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art

  

1 2 ••• 52 53 55 57 58 ••• 79 80