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Page 3 of a brochure for broadcasting station Scheveningen, 1928. It looks as if the designer Piet Zwart used the photogram technic for this beautiful layout.
The international design style has become global. No longer are there flying horses, dinosaurs or other odd symbols representing oil companies.
Concepts for JAQK Cellars wine packaging designed by Hatch. See the rest of packaging & interview at grainedit.com
images c2009 grainedit & Hatch
This is a small, interesting ad by Walter Brudi for wool, from a 1933 German advertising art publication. The use of photography, layout and san-serif letterforms is a very early example of the international style.
The city of Kiel's brochure around 1980. It was a very interesting use of silver and black only. It was also very New Graphic Design in its design and grid system. I think that the designer was Holger Franke.
emoi
Erscheinungsbild für ein Kulterfestival in Lausanne (Schweiz) Image for a cultural festival (Switzerland) designed by Julia Hasting 1996.
Image from Rambow Studenten - 5 Jahre Grafik-Design an der Staatlichen Hochschule für Gestaltung Karlsruhe.
Rambow Students
5 Years of Graphic Design at the Staatliche Hochschule für Gestaltung Karlsruhe.
Published by Hatje Cantz Verlag.
This 1960s iconic lapel badge showing a Vespa scooter perched on the Vespa logotype is a great piece of promotional Vespa memorabilia. The Vespa (Italian for 'wasp'), is synonymous with Italian chic and fashion and has attained the rare status of a design classic. When Vespa celebrated its 50th anniversary in 1996, a staggering 15 million Vespas had been sold worldwide.
Piaggio was founded in 1894 in Genoa by Rinaldo Piaggio as a luxury ship building company that later expanded into the rail carriage, car and marine craft market. In 1946, Enrico Piaggio's vision of developing a vehicle for the masses became a reality and got post-war Italy moving again. An aeronautical engineer named Corradino D'ascanio was given the brief to design a simple, robust yet affordable vehicle. His creation was the Vespa scooter which soon became a metaphor for elegance and all things Italian.
Many films have been made featuring the Vespa such as Roman Holiday, featuring Gregory Peck
and Audrey Hepburn riding a Vespa around Rome's Colosseum, and Anita Ekberg escaping the
paparazzi in the famous scene from Fellini's La Dolce Vita.
The Vespa scooter and brand have huge worldwide followings with Italy being the largest market. The UK, due to the growth of the mod subculture in the 1960s, has the second largest market for Vespas.
Photography, layout and design: Argy58
(This image also exists as a high resolution jpeg and tiff - ideal for a variety of print sizes
e.g. A4, A3, A2 and A1. The current uploaded format is for screen based viewing only: 72pi)
Symbol for Asfaltor Oy, road constructors. Designer Martti A. Mykkänen. From Graphis Annual 60/61. (Finland). Blogged at Aqua-Velvet.
ideas are meant to inspire and be inspired by ideas are meant to inspire and be inspired by ideas are meant to inspire and be inspired by ideas . . .
inspired by RiP: A Remix Manifesto.
nfb.ca/rip
This is for College of Liberal Arts. The design concept came from 17 departments (17 color blocks), foundation of education, diversity, and multi-discipline. The logo needed to attract young graduated high school students to the College.
With each and every post, we strive here at Creative Tempest to bring you only the best artists from around the world. This post comes to you all the way from Los Angeles, CA, with our artist being none other than Tomasz Opasinski. Born in Poland, in 1975, Tomasz has his bachelor’s degree in computer graphics in print and advertising, certified as an Adobe expert, and is currently working as a digital artist and creative consultant for various prestigious advertising agencies in LA. Tomasz has an incredibly impressive work resume that includes work in literally hundreds of movies, video games, TV shows, and television networks. What we love about the work of Tomasz Opasinski is how original and unique all his designs are. Looking at his work makes us ponder the depth and complexity of his mind, clearly there must be countless algorithms and innumerable image configurations taking place that all sum up to one thing: design genius! This is why his work is put on display for the entire world to see. And for this we’re happy to post such creative talent and vision here on Creative Tempest and hope you will share the same appreciation for great artwork that we do. Find out more at www.creativetempest.com
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Make Something Cool Every Day is a personal, (ideally-) daily design exercise wherein I churn out type-centric black and white drabbles using song titles, the Univers type family (Kozuka Gothic for Japanese type) and some wonderful images from Wikimedia Commons.
Logo for a textile group, Tissages Normands Réunis. Designer Adrian Frutiger. From Graphis Annual 70/71. (France). Blogged at Aqua-Velvet.
Berlin Bauhaus Archive Museum. One of my all time favorite shots. I love the little Bauhaus lamp glowing in the darkened window.
Piet Zwart, Netherland graphic designer during the 1930's, was a pioneer in Constructivist typographic layout.
Trademark for Mead Fluid Dynamics, Designer Raymond Rotheroe. From Graphis Annual 72/73. (USA). Blogged at Aqua-Velvet.