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WTAMU Graphic Design lab and proj. crit.

Proposed Layouts for Dossier Magazine

 

Photography : Mia Ziervogel

 

All work © Willem Kitshoff

 

Designed by PEI-CHE CHENG

書封面和書裡的55張明信片,封面白底、目錄頁紅底,右下是全部的明信片,

這些不是那種標準的美美明信片,是為了自己寄而做的明信片。看明信片的內容可以看見我去了哪些地方,接觸了哪些東西。

印刷:永豐餘印刷,象牙卡,數量兩件,一件德國/一件台北。

 

it is all around you, you are it too.

Linotype, one of the reigning kings of type before the digital revolution that was raging like a fire storm through the printing world in the 1980's. They merged with their arch enemy Monotype and now sell the typefaces and logos that they had the rights to, and I think that they were bought out by Heidelberg Presses. Now most mass printing comes from Korea and China. The world is no longer round, it's flat.

Campaign designed in collaboration with Brandon Wilson

have been working on making a new graphic design blog for the GD area at Portland State University. Thinking I am going to say goodbye to www.crapdetector.com and hello to commandsave www.commandsave.com

 

still working on padding issues (which are currently driving me insane).

 

name most certainly inspired by the msu graphic design show that we had last year (File Save As Soiree) (can't totally take the mississippi out of the blog :)

   

I was always as interested in the whole typographic internal layout as doing a smart cover design. Its not really graphic design until you can control the design of the whole publication.

Cover by art director Jerry Lieberman.

From a series of posters for the Polish Circus. Artist, Wiktor Górka. From Graphis Annual 69/70. Blogged at Aqua-Velvet.

Artwork for Subkultura, Prague

Branding campaign for Ghosty Apparel

 

michael-tiong_a-4334_p2

One of the famous Zurich concert posters designed by Josef Müller-Brockman on "New Graphic Design" principles.

From a series of posters for the Polish Circus. Artist Jan Mlodozeniec. From Gebrauchsgraphik No. 12, 1966. Blogged at Aqua-Velvet.

 

Id for design studio

I think designed by Marcel Wyss 1962.

The reality of life in Germany at that time was visualized by graphic arts of a different nature. DaDa had developed out of WWI as an anti-war movement, reflecting the insanity of the times, and other German graphic artists such as George Grosz, created works that were especially bitter. Even Kathe Kollwitz lithographs were turned into poster pleas for food for German children.

 

I cannot find the artist's name for this publication cover. It's signed but I can't decipher it.

Created for the Digitalmania challenge where this week we're taking inspiration from GRAPHIC DESIGN.

 

Credits : From the public domain.

 

Thank you for looking.

words by all get out.

這個project真的弄好久

 

他沒有在賣 是課堂的作業

 

那個口風琴夾結構

 

我小心翼翼的切跟折很久

 

正在雲林科技大學設計三館展出

 

路過可以去看一下

…and they're pretty scrumptious. Letterpressed, to fill me with joy.

 

Aside from some tracking issues (I realize now I should have considerably broadened my letterspacing to accommodate the indentations—I'm a letterpress first-timer, mostly), I'm quite delighted.

220# lettra cotton paper = crazy-heavy-weight and yummy!

Swiss poster designed by Rudolf Mühlemann 1983. It looks as if he used Univers.

Poster issued by the Vietnam Moratorium Committee. Artist Ivan Chermayeff, Agency, Chermayeff & Geismer. From Graphis Annual 71/72. Blogged at Aqua-Velvet.

I'm limiting myself to about an hour to work on a theme. These are the results.

Kirt Wirth design and I do not have the date.

First peek at the new BS stationery. Well these are my existing business cards with an embossing shaped twist added to them.

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