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Designed by PEI-CHE CHENG
書封面和書裡的55張明信片，封面白底、目錄頁紅底，右下是全部的明信片，
這些不是那種標準的美美明信片，是為了自己寄而做的明信片。看明信片的內容可以看見我去了哪些地方，接觸了哪些東西。
印刷：永豐餘印刷，象牙卡，數量兩件，一件德國/一件台北。
a couple of days ago, a friend showed me a beautiful picture he had found, with the same quote over an empty bed. i decided to do my own 'version' of this simple but beautiful quote after googling it and finding even more images containing it.
(...not only for that, but OK.)
p.s. the tree isn't a picture-one was used as a reference, but it's all drawn leaf by leaf.
See Full Post: Inspiring Photo Manipulation Artists That are Most Impressive
For More Information visit : Dezart Inspire | Graphic Design
Poster designed by Phillippe Apeloig, Paris for Linotype 1999.
From Graphic Design for the 21st Century by Charlotte and Peter Fiell.
See Full Post: Stunning Beauty Photo Retouching works and Photography Rebecca Saray
For More Information visit : Dezart Inspire | Graphic Design
A few nice pics of an ideas booklet designed for high-end interiors showroom Area. The booklet is titled 'A little inspiration and took on a fairytale woodland theme.
I was always as interested in the whole typographic internal layout as doing a smart cover design. Its not really graphic design until you can control the design of the whole publication.
From a series of posters for the Polish Circus. Artist, Wiktor Górka. From Graphis Annual 69/70. Blogged at Aqua-Velvet.
From a series of posters for the Polish Circus. Artist Jan Mlodozeniec. From Gebrauchsgraphik No. 12, 1966. Blogged at Aqua-Velvet.
Created for the Digitalmania challenge where this week we're taking inspiration from GRAPHIC DESIGN.
Credits : From the public domain.
Thank you for looking.
Artist: Donald R. Kubly. Quote Marcus Tullius Cicero. Date 1954. Ad is from a series "Great Ideas of Western Man" by Container Corporation of America (1950 -1975). Image from the book "Great Ideas" published by Container Corp. in 1976. Blogged at Aqua-Velvet.
The reality of life in Germany at that time was visualized by graphic arts of a different nature. DaDa had developed out of WWI as an anti-war movement, reflecting the insanity of the times, and other German graphic artists such as George Grosz, created works that were especially bitter. Even Kathe Kollwitz lithographs were turned into poster pleas for food for German children.
I cannot find the artist's name for this publication cover. It's signed but I can't decipher it.