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It broke 3 months ago. Last week I finally took the picture. For some reason I still can't throw it out.
Maybe it deserves a better shot.
Designed by PEI-CHE CHENG
書封面和書裡的55張明信片，封面白底、目錄頁紅底，右下是全部的明信片，
這些不是那種標準的美美明信片，是為了自己寄而做的明信片。看明信片的內容可以看見我去了哪些地方，接觸了哪些東西。
印刷：永豐餘印刷，象牙卡，數量兩件，一件德國/一件台北。
See Full Post: Inspiring Photo Manipulation Artists That are Most Impressive
For More Information visit : Dezart Inspire | Graphic Design
Linotype, one of the reigning kings of type before the digital revolution that was raging like a fire storm through the printing world in the 1980's. They merged with their arch enemy Monotype and now sell the typefaces and logos that they had the rights to, and I think that they were bought out by Heidelberg Presses. Now most mass printing comes from Korea and China. The world is no longer round, it's flat.
This poster is available in my store:
The first work from the Five Girls series became a cover for the movie Ruchiki.
Poster for an Alban Berg opera. First Prize in the cultural section of the Warsaw Poster Biennale, 1966. From Graphis Annual 67/68. My favorite Lenica illustration.
Poster / flyer design for clubbing event, design by Alex Tass.
Check out more alextass.com/graphic-design/poster-design
I was always as interested in the whole typographic internal layout as doing a smart cover design. Its not really graphic design until you can control the design of the whole publication.
A 1975 brochure for the Portland Art Museum.
Portland graphic designers have produced very advanced graphics for many years, and major agencies have developed in the city over time.
From a series of posters for the Polish Circus. Artist, Wiktor Górka. From Graphis Annual 69/70. Blogged at Aqua-Velvet.
From a series of posters for the Polish Circus. Artist Jan Mlodozeniec. From Gebrauchsgraphik No. 12, 1966. Blogged at Aqua-Velvet.
Cover of a Roche brochure from a series of “classic cases”. From Graphis 148, 1970/71. Blogged at Aqua-Velvet.