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Visit of the Frecce Tricolori Squadron at NATO E-3A Component Geilenkirchen/Germany, ETNG -----------------------------------------------
The Frecce Tricolori (Italian pronunciation: [ˈfrettʃe trikoˈloːri]; literally "Tricolour Arrows"), officially known as the 313° Gruppo Addestramento Acrobatico, Pattuglia Acrobatica Nazionale (PAN) Frecce Tricolori ("313th Acrobatic Training Group, National Aerobatic Team (PAN) Frecce Tricolori"), is the aerobatic demonstration team of the Italian Air Force. Based at Rivolto Air Base, province of Udine, it was created on 1 March 1961 as a permanent group for the training of Air Force pilots in air acrobatics.[1]
The Tricolour Arrows replaced unofficial teams that had been sponsored by various commands starting in the early 1930s.[2] The team flies the Aermacchi MB-339-A/PAN, a two-seat fighter-trainer craft capable of 898 km/h at sea level.[2][3] With ten aircraft, nine in close formation and a soloist, they are the world's largest acrobatics patrol, and their flight schedule, comprising about twenty acrobatics and about half an hour, made them the most famous in the world.[4] It is one of national symbols of Italy.
Formation
During the performances the formation of the acrobatic patrol is usually composed of 9 aircraft, called "Pony", each labeled with a number ranging from 1 to 10.[18][19] The name "Pony" was coined by the then Captain Zeno Tascio to remember the horse of Francesco Baracca[20] which is the sign of the 4th Wing, at the time 4th Airbase who was already preparing to take over the task PAN for the 1961. Depending on the needs of the Department, aircraft can also be 11 in total, thus including the figure of the acrobatic training manager:
Pony 0 - Commander
Pony 1 - Head of Formation
Pony 2 - 1° Left Domestique
Pony 3 - 1° Right Domestique
Pony 4 - 2° Left Domestique
Pony 5 - 2° Right Domestique
Pony 6 - 1° Tail light
Pony 7 - 3° Left Domestique
Pony 8 - 3° Right Domestique
Pony 9 - 2° Tail light
Pony 10 - Soloist
Pony 11 - Acrobatic Training Supervisor
Pony 12 - Pilot in Training
Pony 13 - Pilot in Training
Pony 14 - Pilot in Training
Pony 15 - Pilot in Training
Pony 16 - Pilot in Training
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Frecce Tricolori (italienisch für Dreifarbige Pfeile) sind eine Kunstflugstaffel der italienischen Luftwaffe, die 1961 als 313º Gruppo Addestramento Acrobatico aufgestellt wurde. Die Staffel ist auf dem Militärflugplatz Rivolto bei Udine stationiert und erhielt am 1. Juli 1961 den heutigen Namen: 313º Gruppo Addestramento Acrobatico - Pattuglia Acrobatica Nazionale (PAN) “Frecce Tricolori”.
Der Ursprung des Kunstflugteams reicht bis in die 1920er Jahre zurück. Bei einem Besuch in Großbritannien hatten einige hohe Fliegeroffiziere die Anfänge des Formationskunstflugs kennengelernt. Der Befehl zur Gründung einer Kunstflugstaffel ging an Oberst Rino Corso Fougier in Udine. Er gilt als Vater des italienischen Formationskunstflugs und prägte maßgeblich den Ausbildungsstandard der Militärpiloten.
Die erste Fünfer-Kunstflugstaffel seines 1. Geschwaders (1º Stormo) war in Campoformido stationiert. Die erste Staffel erschien am 8. Juni 1930 bei der 1ª Giornata Aerea dell’Ala in Rom als offizieller Repräsentant der italienischen Luftwaffe.[1] In dieser Geburtsstunde zeigten sie mit sieben Jagddoppeldeckern vom Typ Fiat CR.20 ihr erstes Programm. Die 2ª Giornata Aerea dell’Ala 1932 zeigte mit Doppeldeckern vom Typ Breda Ba.19 ihr Programm. 1936 erhielten die „Frecce“ die Fiat CR.32.
Nach der Unterbrechung durch den Zweiten Weltkrieg begannen sie erneut mit Düsenflugzeugen das Formationskunstflugtraining. Die Teams Cavallino Rampante („Aufbäumendes Pferdchen“), Getti Tonanti („Donnernde Jets“), Tigri Bianche („Weiße Tiger“), Lancieri Neri („Schwarze Lanzenreiter“) und die Diavoli Rossi („Rote Teufel“) wurden bekannt.
Die erste wirkliche italienische Kunstflugstaffel wurde vom 4º Stormo aufgestellt. Als erste Einheit mit den Doppelrumpfjägern de Havilland D.H.100F.B.52 bildeten die Piloten des Geschwaders 1954 das erste italienische Kunstflug-Jet-Team mit dem Namen „Cavallino Rampante“. Mit der Republic F-84G starteten die „Getti Tonanti“ als Nachfolger der Staffel „Cavallino Rampante“. Der Fliegerfilm I quattro del getto tonante („Die vier donnernden Jets“) wurde mit dem Team gedreht. Die 51ª Aerobrigata übernahm 1955 mit dem Team „Tigri Bianche“ die Funktion der offiziellen Kunstflugstaffel der italienischen Luftwaffe, geflogen mit F84G Thunderjets. 1956 flog wieder das 4° Stormo mit neuen Canadair F-86 Sabre Mk4[2]. Das 6° Stormo flog als „rote Teufel“ („Diavoli Rossi“) die Republic F84F Thunderstreaks erstmals am 19. Mai 1957 auf dem Flughafen Turin-Caselle. 1958 wurde die 2ª Aerobrigata mit dem Namen „Lancieri Neri“ aufgestellt. Die sechs Piloten flogen eine F-86 Sabre.
Das Generalstab der italienischen Luftwaffe entschloss sich Ende 1960, ein eigenes Kunstflugteam aufzubauen, das nur noch in der Nebenrolle als leichte Jagdbomberstaffel zur Verfügung stehen sollte. Mit dieser Aufgabe wurde die 313º Gruppo betraut.
More info and other languages available at:
To the black Camel, (1, Bogner alley 5, part, conscription number 312), house sign.
Here were originally two buildings: a house was already in the second quarter of the 15th century owned by bowyers and belonged in 1455 the bowyer Erhart Fütterer of Retz and 1458 the bowyer Stefan Leyser. The other house was also owned by bowyers. Its first documentary mention dates from the year 1456. In 1527 painter Hanns Gruntmann acquired both houses. His successor in ownership the two before 1539 had developed into one, which came in 1619 in the possession of the merchant Johann Baptist Cameel, who (coming from his native city of Brno to Vienna) established a spice factory here. He named his shop "The Black Camel" and later gave the house an identical sign. Since Cameel left large debts, the building together with his two other houses city 307 and 311 (both went up in the house Bogner alley 5) in 1640 was publicly auctioned and acquired by the tradesman Andre Getto, who also the house city 320 (Hallweilsches house; 3, part) possessed. After that, however, the three buildings had different owners again.
At the beginning of the 19th century, the store, which was expanded to a wine bar (wine and delicatessen), was frequented by the better society of Vienna and was known as a breakfast parlor. Beethoven was a frequent guest who bought wine, sugar and coffee from the then owner, Mrs. Stiebitz. The upper floor of the house was home to the poet and composer Friedrich August Kanne at the beginning of the 1820s. At that time, the building belonged to the k.k. Captain Franz Galle, who according to a commemorative publication (F.J. Stiebitz: commemorative on the occasion of the demolition of the old Kameelhaus in Bogner alley, 1901), is said to have become the first victim of the cholera raging in Vienna in 1830 and to have died within three hours.
Between 1828 and 1882 there are different details about this house: According to Czeike (Felix Czeike: Historical Dictionary of Vienna) house and wine bar 1828 were owned by Joseph Stiebitz († 1852), who the adjacent house "Zu den drei Tirolern (to the three Tyroleans)" (city 313 also Bogner alley 5) had to buy in order to use its first floor premise to expand his flourishing business. In 1882, his grandson (Franz) Josef Stiebitz was the owner.
Harrer (Paul Harrer: Vienna, its houses), however, indicates that the house was divided after Gaul's death on three heirs. The wine and delicatessen, however, belonged since May 1818 to Joseph Stiebitz and two co-owners and from 1823 Joseph Stiebitz alone. The interest payable for restaurants, wineries and dwellings amounted to 6,500 guilders in 1824, which was a very high amount for the time. In 1835 Stiebitz bought the neighboring house city 313 ("To the three Tyroleans" or "Zu den drei Schweizern/To the three Swiss men") in order to expand his business. Joseph Stiebitz also made a name for himself as the "father of the poor of the city". In addition to other foundations, he supported above all the still very young Handlungskrankeninstitut (hospital) "Confraternity", for whose chapel he donated a large part of the decoration. In 1830 he was appointed general director of the bourgeois merchant profession. He was also one of the first members of the Gesellschaft der Musikfreunde (Society of Friends of the Music in Vienna). All parts of the house city 312 (but without the ownership rights to the shop) came under a inheritance contract from 2 May 1842 together with the house city 307 in one hand. On October 31, 1848, the house was hit by two shotgun balls, which penetrated through an iron-studded balcony in the back of the wine bar and were found only years later in an adaptation. When the troops moved into the city, nobody was allowed to show themselves on the streets or behind the windows. However, a maid ignored this ban and looked out of the window of this house, whereupon she was killed by a shotgun in front of the eyes of nineteen-year-old Rosa Stiebitz, the wife of Alois Stiebitz (son of Joseph Stiebitz). Rosa and Alois Stiebitz introduced regular music evenings in the house, in which the most important artists of the time were often and welcome guests. Between 1842 and 1882 the two houses 307 and 312 were built into one, which was acquired in 1882 by Franz Josef Stiebitz, who already owned the house city 313.
In 1901, the house together with the neighboring buildings city 313 and 314 was replaced by a new building designed by Julius Mayreder, in which the wine and delicatessen "Zum schwarzen Kameel (to the black Camel)" was again housed. It was still owned by the Stiebitz family until 1951 and was sold to the Erste Österreichische Sparkasse (First Austrian Savings Bank) this year.
From the family of Johann Baptist Cameel sprang the learned missionary and botanist P. Georg Josef Cameel (Camelius), after whom Carl Linnaeus one of him in the Philippines discovered flower "camellia" named.
See also: Bogner alley 5.
Dependence of the employee on the employer
The employees in the wine and delicatessen "To the black camel" had 1818 as employees accounts with their boss, on that their salary was booked on a monthly basis. As was customary a that time, no cash was issued. Only if one could motivate that one needed cash for a special occasion, money was paid out. The boss participated from time to time in the purchases. The thriftiness of the employees was promoted in such a way that some could become self-employed after 10 or 20 years with the saved money. Even the marriage license had to give the boss. The relationship of subservience of employees was emphasized by the fact that they were called "individuals" in their contracts, even if they were in a "high position".
Businesses and companies within the house over the years
Gewürzkrämerei (spice store) "To the black camel"
Wine and delicatessen "To the black camel"
Zum schwarzen Kameel, (1, Bognergasse 5, Teil; Konskriptionsnummer 312), Hausschild.
Hier standen ursprünglich zwei Gebäude: Ein Haus war schon ab dem zweiten Viertel des 15. Jahrhunderts im Besitz von Bognern und gehörte 1455 dem Bogner Erhart Fütterer von Retz und 1458 dem Bogner Stefan Leyser. Auch das andere Haus gehörte Bognern. Seine erste urkundliche Erwähnung stammt aus dem Jahr 1456. Im Jahr 1527 erwarb Maler Hanns Gruntmann beide Häuser. Sein Besitznachfolger ließ die beiden vor 1539 zu einem verbauen, das 1619 in den Besitz des Handelsmannes Johann Baptist Cameel kam, der (aus seiner Vaterstadt Brünn nach Wien gekommen) hier eine Gewürzkrämerei einrichtete. Sein Geschäft benannte er "Zum schwarzen Kameel" und gab später auch dem Haus ein gleichlautendes Schild. Da Cameel große Schulden hinterließ, wurde das Gebäude gemeinsam mit seinen beiden anderen Häusern Stadt 307 und 311 (beide gingen im Haus Bognergasse 5 auf) 1640 öffentlich versteigert und vom Handelsmann Andre Getto erworben, der auch das Haus Stadt 320 (Hallweilsches Haus; Am Hof 3, Teil) besaß. Danach hatten die drei Gebäude jedoch wieder unterschiedliche Besitzer.
Anfang 19. Jahrhundert wurde der zu einer Weinstube erweiterte Laden (Wein- und Delikatessenhandlung) von der besseren Gesellschaft Wiens gern aufgesucht und war vor allem als Frühstücksstube stadtbekannt. Beethoven war ein häufiger Gast, der bei der damaligen Besitzerin, Frau Stiebitz, Wein, Zucker und Kaffee kaufte. Im oberen Stockwerk des Hauses wohnte Anfang der 20er Jahre des 19. Jahrhunderts der Dichter und Komponist Friedrich August Kanne. Zu dieser Zeit gehörte das Gebäude dem k.k. Hauptmann Franz Galle, der laut einer Gedenkschrift (F. J. Stiebitz: Gedenkschrift anläßlich der Demolierung des alten Kameelhauses in der Bognergasse. 1901) das erste Opfer der 1830 in Wien grassierenden Cholera geworden und binnen drei Stunden gestorben sein soll.
Zwischen 1828 und 1882 gibt es unterschiedliche Angaben zu diesem Haus: Laut Czeike (Felix Czeike: Historisches Lexikon Wien) waren Haus und Weinstube 1828 im Besitz von Joseph Stiebitz († 1852), der das angrenzende Haus "Zu den drei Tirolern" (Stadt 313; heute ebenfalls Bognergasse 5) dazukaufen musste, um dessen Parterrelokal zur Erweiterung seines florierenden Geschäfts zu benützen. 1882 war sein Enkel (Franz) Josef Stiebitz Besitzer.
Harrer (Paul Harrer: Wien, seine Häuser) hingegen gibt an, dass das Haus nach Galles Tod auf drei Erben aufgeteilt wurde. Die Wein- und Delikatessenhandlung gehörte jedoch seit Mai 1818 Joseph Stiebitz und zwei Mitbesitzern und ab 1823 Joseph Stiebitz allein. Der zu zahlende Zins für Lokal, Kellereien und Wohnung betrug im Jahr 1824 6.500 Gulden, was für die damalige Zeit ein sehr hoher Betrag war. 1835 (nach der bereits erwähnten Gedenkschrift 1828) kaufte Stiebitz das Nachbarhaus Stadt 313 ("Zu den drei Tirolern" oder "Zu den drei Schweizern"), um sein Geschäft zu erweitern. Joseph Stiebitz machte sich auch einen Namen als "Armenvater der Stadt". Neben anderen Stiftungen unterstützte er vor allem das noch sehr junge Handlungskrankeninstitut "Confraternität", für dessen Kapelle er einen Großteil der Ausschmückung spendete. 1830 wurde er zum Generalvorstand des bürgerlichen Handelsstandes ernannt. Er gehörte außerdem zu den ersten Mitgliedern der Gesellschaft der Musikfreunde. Alle Teile des Hauses Stadt 312 (jedoch ohne die Besitzrechte am Geschäft) kamen laut einem Erbschaftsvertrag vom 2. Mai 1842 zusammen mit dem Haus Stadt 307 in eine Hand. Am 31. Oktober 1848 wurde das Haus von zwei Kartätschenkugeln getroffen, die durch einen mit Eisen beschlagenen Balkon in den hinteren Teil der Weinstube eindrangen und erst Jahre danach bei einer Adaptierung gefunden wurden. Als die Truppen in die Stadt einzogen, durfte sich niemand auf den Straßen oder hinter den Fenstern zeigen. Ein Dienstmädchen missachtete jedoch dieses Verbot und sah aus dem Fenster dieses Hauses, worauf es durch einen Flintenschuss vor den Augen der neunzehnjährigen Rosa Stiebitz, der Gattin von Alois Stiebitz (Sohn von Joseph Stiebitz), getötet wurde. Rosa und Alois Stiebitz führten im Haus regelmäßige Musikabende ein, bei denen die bedeutensten Künstler der damaligen Zeit oft und gern gesehene Gäste waren. Zwischen 1842 und 1882 wurden die beiden Häuser 307 und 312 zu einem verbaut, das 1882 von Franz Josef Stiebitz erworben wurde, der bereits das Haus Stadt 313 besaß.
1901 wurde das Haus samt den Nachbarhäusern Stadt 313 und 314 durch einen Neubau nach Plänen von Julius Mayreder ersetzt, in dem wieder die Wein- und Delikatessenhandlung "Zum schwarzen Kameel" untergebracht wurde. Es stand noch bis 1951 im Besitz der Familie Stiebitz und wurde in diesem Jahr an die Erste österreichische Sparkasse verkauft.
Aus der Familie des Johann Baptist Cameel entsproß der gelehrte Missionar und Botaniker P. Georg Josef Cameel (Camelius), nach dem Linné eine von ihm auf den Philippinen entdeckte Blume "Kamelie" benannte.
Siehe auch: Bognergasse 5.
Abhängigkeit der Arbeitnehmer vom Arbeitgeber
Die Arbeitnehmer in der Wein- und Delikatessenhandlung "Zum schwarzen Kameel" hatten 1818 als Angestellte Konten bei ihrem Chef, auf die ihr Gehalt monatlich gut gebucht wurde. Nach damaligem Brauch wurde kein Bargeld ausgestellt. Nur wenn man motivieren konnte, dass man aus einem besonderen Anlass Bargeld brauchte, wurde ausbezahlt. Der Chef beteiligte sich ab und zu bei den Ankäufen. Der Sparsinn der Angestellten wurde derart gefördert, dass sich manche nach 10 oder 20 Jahren mit dem gesparten Geld selbständig machen konnten. Selbst die Eheerlaubnis hatte den Chef zu erteilen. Das Untertänigheitsverhältnis der Angestellten wurde dadurch betont, dass sie in ihren Kontrakten "Individuen" genannt wurden, auch wenn sie sich in "gehobener Stellung" befunden.
Gewerbe und Firmen innerhalb des Hauses im Laufe der Jahre
Gewürzkrämerei "Zum schwarzen Kameel"
Wein- und Delikatessenhandlung "Zum schwarzen Kameel"
Photo Colab between myself and Sarah Walker
Photos taken by Sarah Walker
Concept/camera lens/model/edits by me ( Erin Conley )
The concept started as taking macro shots of the veins in my wrists, and evolved into how much we could abstract my hands and arms. Turned into a project of movement, lighting and color. I love the expressive quality of hands, how much can be said with them.
These were shot all getto-fabulous, using a bed sheet as the backdrop, and a plastic blue poncho as our 'color gel' over our light source. :P
My Websites: lostreach.blogspot.com/
www.facebook.com/pages/Reach/120421084710480
Sarah Walker:
After liquidating the Warsaw ghetto in 1943 the Germans retained a few thousand Jewish slave labourers, most of whom were imprisoned in the "Gęsiowka" concentration camp. On 27th July 1944 the Germans decided to evacuate the Gęsiówka camp to Dachau. More than 400 inmates, incapable of marching, were shot and only 350 were left behind.
The camp was liberated by Polish resistance fighters belonging to the Zośka battalion of the Armia Krajowa on 5th August 1944, during the Warsaw Uprising, freeing the remaining 350 Jewish prisoners (mainly foreigners from Czechoslovakia, France, Greece, Hungary, Belgium and Germany).
1- Plan B Ft. Tony Dize- Solos
2- Voltio Ft. Daddy Yankee- Dimelo Mami (Remix)
3- Cosculluela Ft. Jowell & Randy- Nananau (Remix)
4- Arcangel Ft. John Jay- Movimiento Violento
5- Tempo Ft. Daddy Yankee, Cosculluela & Ñengo Flow- Talento De Un Barrio Fino (Remix)
6- Daddy Yankee- El Ritmo No Perdona
7- Lui-G, Dalmata, Ñejo,Ñengo Flow, J Alvarez, Chino Nyno & Franco El Gorilla- Mujeres Talentosas
8- Nova & Jory- Bien Loko
9- Cheka Ft. Ñengo Flow- Moriran
10- J King & Maximan- Rastrillea 2 (Official & Completa)
11- De La Getto Ft. Willy Cultura- Yo Fumo (I Love Marihuana)
12- Plan B- Se Safo
13- Yomo Ft. Wibal & Alex- Matando La Liga (Remix)
14- Farruko Ft. Jadiel "El Incomparable"- Chuleria En Pote
15- Guelo Star- Pendiente A Mí
16- Cristian Castro Ft. Rakim & Ken Y- El Culpable Soy Yo (Remix)
17- Joan & Oneill- No Me Digas
18- Zion & Lennox- No se (Remix)
19- La Sista- Se Le Ve
20- Gadiel- Pueso Pa Ti
Day 61.
An empty parking lot is something very appealing; at least to me. I guess it's the intersection of all the parallel and perpendicular lines. Also, the openness and emptiness of a cleared space.
I saw a lot of great photographs on empty lot online, but I couldn't capture one myself. I tried and tried, but failed.
One day, I will master it.
In 1940, the German Nazis began to concentrate Poland's population of over three million Jews into a number of extremely crowded ghettos located in large Polish cities. The largest of these, the Warsaw Ghetto, concentrated approximately 300,000–400,000 people into a densely packed central area of Warsaw. Thousands of Jews died due to rampant disease and starvation under the SS and Police Leader Odilo Globocnik and SS-Standartenführer Ludwig Hahn, even before the mass deportations from the ghetto to the Treblinka extermination camp began.
The Warsaw Ghetto Uprising of 1943 took place over a year before the Warsaw Uprising of 1944. The Ghetto had been totally destroyed by the time of the Warsaw uprising, which was part of the larger Operation Tempest. Hundreds of the survivors from the first uprising took part in the 1944 Warsaw Uprising, fighting in the ranks of Armia Krajowa and Armia Ludowa.
en.wikipedia.org/wiki/Warsaw_Ghetto_Uprising
Never Forget - Fight Fascism!
Dit 11 meter hoge monument is ter ere van de Joodse strijders die tijdens de Warschau getto opstand om het leven zijn gekomen. Het reliëf aan de voorzijde van het monument laat een groep Joodse vrijheidsstrijders zien met in het midden Mordechaj Anielewicz, commandant van de Joodse Strijdorganisatie. Het reliëf aan de achterzijde laat een groep marcherende joden zien die af worden gevoerd naar de vernietigingskampen.
Bron: www.tracesofwar.nl/sights/5291/Monument-Getto-Opstand-War...
Rondreis Polen met Djoser van 11 t/m 24 mei 2019 ...
Rumbach Street Synagogue (Little Synagogue), built from1869 to 1872.
Style: Moorish Revival
Architect: Otto Wagner & Kallina Mór (Moritz Kallina)
en.wikipedia.org/wiki/Otto_Wagner
mek.oszk.hu/04000/04093/html/szocikk/12423.htm
en.wikipedia.org/wiki/Rumbach_Street_synagogue
en.wikipedia.org/wiki/Otto_Wagner
hu.wikipedia.org/wiki/Rumbach_utcai_zsinag%C3%B3ga
hu.wikipedia.org/wiki/Otto_Wagner
A „zsinagóga háromszög” (a volt gettó területe):
www.mazsike.hu/a+%E2%80%9Elezart+dossziet%E2%80%9D+ujra+m...
www.mazsike.hu/a+%E2%80%9Elezart+dossziet%E2%80%9D+ujra+m...
Storico Carnevale di Ivrea
edizione 2013
Battaglia delle Arance
Tuchini del Borghetto
Lunedì 11 febbraio 2013
i tuchini ...sotto la neve!
Soldati alla guerra...
Borghetto
Ivrea
Italia
have a look to the whole set on facebook:
www.facebook.com/media/set/?set=a.426405797441658.99167.1...
This small street situated between Zielna Street and Gzybowski Square was at the eastern extremity of the so-called "small ghetto" (the part of the Warsaw ghetto south of Chłodna Street) from November 1940 until the autumn of 1942, when this area of the ghetto was liquidated during Grossaktion Warschau. Much of the street has recently been renovated but a few original buildings that were occupied by inhabitants of the ghetto are still standing....
Symcha Rotem (Kazik Ratajzer) speaking at the ceremony of unveiling the memorial honouring the Warsaw Ghetto Resistance Fighters’ Evacuation as foreign minister Sikorski holds an umbrella over his head.
Symcha Rotem (Kazik Ratajzer) przemawia podczas ceremonii odsłonięcia pomnika upamiętniającego ewakuację bojowników z warszawskiego getta. Minister spraw zagranicznych Sikorski osłania go parasolem przed ulewnym deszczem.
Vicino a Borgo a Mozzano in garfagnaga
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C'era una volta, in un borgo sulle rive del Serchio, un bravo e stimato campomastro al quale gli abitanti del paese si erano rivolti per fare costruire un ponte che collegasse i due borghi divisi dal fiume. L'abile campomastro si mise subito all'opera, ma ben presto vide che il lavoro non procedeva con quella sveltezza che lui aveva promesso ai compaesani e, siccome era un uomo ligio al dovere e puntuale agli impegni, cadde nel più profondo sconforto e nella disperazione. Continuò a lavorare con lena giorno e notte, pur di finire il ponte per il giorno stabilito nel contratto, ma il lavoro lentamente e, al contrario i giorni passavano veloci. Una sera, mentre il capomastro sedeva da solo sulla sponda del Serchio a guardare il lavoro e a pensare alle vergogna e al disonore che avrebbe subito per non aver terminato il ponte in tempo utile, gli apparve il Diavolo sotto l'aspetto di un rispettabile uomo d'affari. Andò subito incontro al brav'uomo dicendoli che lui sarebbe stato capace di finire il ponte in una sola notte. L'uomo rimase incredulo alle parole del Diavolo, ma continuò ad ascoltarlo e alla fine accetto la proposta. Naturalmente l'avversario avrebbe avuto la sua parte: il campomastro si sarebbe dovuto impegnare a consegnargli l'anima della prima persona che avrebbe attraversato il ponte una volta finito. Il campomastro accettò e il giorno dopo il borgo ebbe il suo ponte snello ed elegante, come si può vedere ancora oggi a Bogo a Mozzano. La gente stupefatta e incredula andò a complimentarsi con il bravo artigiano il quale raccomandò di non oltrepassare il ponte prima che il sole fosse tramontato. Intanto il capomaestro montò sul suo cavallo e si diresse a Lucca, un po' preoccupato a dire il vero, per consultarsi con il Vescovo che a quel tempo era San Frediano. Il santo gli disse di non preoccuparsi e di lasciare che il Diavolo prendesse l'anima del primo che avrebbe attraversato il ponte, ma sarebbe sto dovere suo far sì che per primo passasse un maiale. Così fu fatto, e il Diavolo, inferocito per essere stato sconfitto, si gettò nelle acque del Serchio e da quel giorno non fu più visto da quelle parti.
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The Legend of the Devil's Bridge
Once upon a time a clever and respected master builder lived in a village on the banks of the Serchio River. The inhabitants of the village approached him, asking him to build a bridge to connect their village with the one across the river. He immediately set to work, but he soon saw that the work was not progressing as quickly as he'd promised his fellow citizens it would, and being a man of his word and one who always fulfilled his obligations, he became very unhappy and desperate. He continued to put great effort into the work day and night so as to finish the task within the time allowed for in the contract, but the work continued to proceed very slowly while the days flew by. One evening while the builder was sitting alone on the banks of the Serchio looking at the work and thinking of the shame and discredit he would suffer for not having completed it in time, the devil appeared to him in the form of a respectable businessman.
He went straight up to the builder telling him that he'd be able to finish the bridge in a single night. The man didn't believe what the devil was saying, but listened anyway, and in the end accepted his proposal. Naturally the devil wanted something in return: the builder was to undertake to give him the soul of the first person that crossed the bridge when it was completed. The builder accepted and the following day the village had its beautiful bridge that can still be seen today in Borgo a Mozzano.
The people were stunned and unable to believe what had been accomplished, and went to congratulate this craftsman who ordered them not to cross the bridge before sunset. In the meantime, the builder got on his horse, a little worried if the truth be told, and set off for Lucca to ask the Bishop for advice. At that time the Bishop was Saint Frediano. This saintly man told him not to worry and to allow the devil to take the soul of the first person to cross the bridge, and told him to let a pig cross first. This was done and the devil, furious at having been tricked, threw himself into the waters of the Serchio, and has not been seen in the area since.
©Max Slaughter 2010 all rights reserved
Model: Kristen
Strobist info: AB 800 @1/2 into large white styrofoam v card AB on camera left. AB800 @ 1/8 in AB beauty dish above subject. AB400 @ 1/4 in AB strip box on camera right behind subject. Fired by Pocket Wizard IIs.
Trying different ideas. bare AB into a getto reflector and a hair light. C&C welcome.
Me to my wife: "Well, what do you think?"
Wife: "Are you nuts?"
Me: "Have you ever been more impressed?"
Wife: "Yes, definitely."
Me: "Cool, huh?"
Wife: "Why is there 4 inches of good paper towels on the floor?"
Me: "It's my 'poor man's boombox!"'
Wife: "Have you lost your mind? What about all these paper towels?"
Me: "We're gonna be rich! Do you have the number of the US Patent Office?"
Wife: "Are you high?"
Me: "You don't LOVE it?"
Wife: *Sigh*
DC5G5759-1r
location : kuwait
part 3
in the getto .. either you kill .. or you get killed .. our dear friend abdulrahman .. mad one of the bigest mistackes in his life .. by crossing in thier territory ... opssy dazy =Pp
DJ Davey C is well know dj'er around the Northern Ky/Cincinnati area. Look this man up and find him at a bar in the area now. You will not be dissapointed by this man's skills. Top notch guy for sure.
Warschau | Warsaw | Варшава, 07-09-2016.
Monument at the Warsaw Ghetto's Umschlagplatz.
Umschlagplatz on Wikipedia (English)
Warsaw Ghetto on Wikipedia (English)
My Warsaw, September 2016 set in my European Union and my Eastern Europe collection.
Symcha Rotem (Kazik Ratajzer) speaking at the ceremony of unveiling the memorial honouring the Warsaw Ghetto Resistance Fighters’ Evacuation as foreign minister Sikorski holds an umbrella over his head.
Symcha Rotem (Kazik Ratajzer) przemawia podczas ceremonii odsłonięcia pomnika upamiętniającego ewakuację bojowników z warszawskiego getta. Minister spraw zagranicznych Sikorski osłania go parasolem przed ulewnym deszczem.
The ceremony of unveiling the memorial honouring the Warsaw Ghetto Resistance Fighters’ Evacuation.
Uroczystość odsłonięcia pomnika upamiętniającego ewakuację bojowników z warszawskiego getta.
Deputy mayor of Warsaw, Jacek Wojciechowicz, speaking at the ceremony of unveiling the memorial honouring the Warsaw Ghetto Fighters Evacuation.
Zastępca prezydenta Warszawy, Jacek Wojciechowicz, przemawia na uroczystości odsłonięcia pomnika upamiętniającego ewakuację bojownikó w warszawskiego getta.
ABSTAND
Berlin, Germany
_________________________________________
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Visit of the Frecce Tricolori Squadron at NATO E-3A Component Geilenkirchen/Germany, ETNG -----------------------------------------------
The Frecce Tricolori (Italian pronunciation: [ˈfrettʃe trikoˈloːri]; literally "Tricolour Arrows"), officially known as the 313° Gruppo Addestramento Acrobatico, Pattuglia Acrobatica Nazionale (PAN) Frecce Tricolori ("313th Acrobatic Training Group, National Aerobatic Team (PAN) Frecce Tricolori"), is the aerobatic demonstration team of the Italian Air Force. Based at Rivolto Air Base, province of Udine, it was created on 1 March 1961 as a permanent group for the training of Air Force pilots in air acrobatics.[1]
The Tricolour Arrows replaced unofficial teams that had been sponsored by various commands starting in the early 1930s.[2] The team flies the Aermacchi MB-339-A/PAN, a two-seat fighter-trainer craft capable of 898 km/h at sea level.[2][3] With ten aircraft, nine in close formation and a soloist, they are the world's largest acrobatics patrol, and their flight schedule, comprising about twenty acrobatics and about half an hour, made them the most famous in the world.[4] It is one of national symbols of Italy.
Formation
During the performances the formation of the acrobatic patrol is usually composed of 9 aircraft, called "Pony", each labeled with a number ranging from 1 to 10.[18][19] The name "Pony" was coined by the then Captain Zeno Tascio to remember the horse of Francesco Baracca[20] which is the sign of the 4th Wing, at the time 4th Airbase who was already preparing to take over the task PAN for the 1961. Depending on the needs of the Department, aircraft can also be 11 in total, thus including the figure of the acrobatic training manager:
Pony 0 - Commander
Pony 1 - Head of Formation
Pony 2 - 1° Left Domestique
Pony 3 - 1° Right Domestique
Pony 4 - 2° Left Domestique
Pony 5 - 2° Right Domestique
Pony 6 - 1° Tail light
Pony 7 - 3° Left Domestique
Pony 8 - 3° Right Domestique
Pony 9 - 2° Tail light
Pony 10 - Soloist
Pony 11 - Acrobatic Training Supervisor
Pony 12 - Pilot in Training
Pony 13 - Pilot in Training
Pony 14 - Pilot in Training
Pony 15 - Pilot in Training
Pony 16 - Pilot in Training
---------------------------------------------------------------------------------------
Frecce Tricolori (italienisch für Dreifarbige Pfeile) sind eine Kunstflugstaffel der italienischen Luftwaffe, die 1961 als 313º Gruppo Addestramento Acrobatico aufgestellt wurde. Die Staffel ist auf dem Militärflugplatz Rivolto bei Udine stationiert und erhielt am 1. Juli 1961 den heutigen Namen: 313º Gruppo Addestramento Acrobatico - Pattuglia Acrobatica Nazionale (PAN) “Frecce Tricolori”.
Der Ursprung des Kunstflugteams reicht bis in die 1920er Jahre zurück. Bei einem Besuch in Großbritannien hatten einige hohe Fliegeroffiziere die Anfänge des Formationskunstflugs kennengelernt. Der Befehl zur Gründung einer Kunstflugstaffel ging an Oberst Rino Corso Fougier in Udine. Er gilt als Vater des italienischen Formationskunstflugs und prägte maßgeblich den Ausbildungsstandard der Militärpiloten.
Die erste Fünfer-Kunstflugstaffel seines 1. Geschwaders (1º Stormo) war in Campoformido stationiert. Die erste Staffel erschien am 8. Juni 1930 bei der 1ª Giornata Aerea dell’Ala in Rom als offizieller Repräsentant der italienischen Luftwaffe.[1] In dieser Geburtsstunde zeigten sie mit sieben Jagddoppeldeckern vom Typ Fiat CR.20 ihr erstes Programm. Die 2ª Giornata Aerea dell’Ala 1932 zeigte mit Doppeldeckern vom Typ Breda Ba.19 ihr Programm. 1936 erhielten die „Frecce“ die Fiat CR.32.
Nach der Unterbrechung durch den Zweiten Weltkrieg begannen sie erneut mit Düsenflugzeugen das Formationskunstflugtraining. Die Teams Cavallino Rampante („Aufbäumendes Pferdchen“), Getti Tonanti („Donnernde Jets“), Tigri Bianche („Weiße Tiger“), Lancieri Neri („Schwarze Lanzenreiter“) und die Diavoli Rossi („Rote Teufel“) wurden bekannt.
Die erste wirkliche italienische Kunstflugstaffel wurde vom 4º Stormo aufgestellt. Als erste Einheit mit den Doppelrumpfjägern de Havilland D.H.100F.B.52 bildeten die Piloten des Geschwaders 1954 das erste italienische Kunstflug-Jet-Team mit dem Namen „Cavallino Rampante“. Mit der Republic F-84G starteten die „Getti Tonanti“ als Nachfolger der Staffel „Cavallino Rampante“. Der Fliegerfilm I quattro del getto tonante („Die vier donnernden Jets“) wurde mit dem Team gedreht. Die 51ª Aerobrigata übernahm 1955 mit dem Team „Tigri Bianche“ die Funktion der offiziellen Kunstflugstaffel der italienischen Luftwaffe, geflogen mit F84G Thunderjets. 1956 flog wieder das 4° Stormo mit neuen Canadair F-86 Sabre Mk4[2]. Das 6° Stormo flog als „rote Teufel“ („Diavoli Rossi“) die Republic F84F Thunderstreaks erstmals am 19. Mai 1957 auf dem Flughafen Turin-Caselle. 1958 wurde die 2ª Aerobrigata mit dem Namen „Lancieri Neri“ aufgestellt. Die sechs Piloten flogen eine F-86 Sabre.
Das Generalstab der italienischen Luftwaffe entschloss sich Ende 1960, ein eigenes Kunstflugteam aufzubauen, das nur noch in der Nebenrolle als leichte Jagdbomberstaffel zur Verfügung stehen sollte. Mit dieser Aufgabe wurde die 313º Gruppo betraut.
More info and other languages available at:
I love spending time by my window, sipping my masala tea, morning, evening, afternoon, practically anytime! :D and if i don't getto have this time, you would rather choose not to talk to me :P
I finally rested this weekend, skipped few work... which is getting on my mind now :P
Hope you had a good weekend!
Exhibition Kraków under Nazi Occupation 1939–1945 is located in the former administrative building of Oskar Schindler’s Enamel Factory at 4 Lipowa Street.
The exhibition is primarily a story about Kraków and its inhabitants, both Polish and Jewish, during World War Two. It is also a story about Nazi Germans – the occupiers who arrived here on 6 September 1939, brutally disrupting Kraków’s centuries-long history of Polish-Jewish relations. The great history of World War Two intersects here with everyday life, and the personal dramas of individual people overlap with the tragedy which affected the whole world.
The wartime history of Deutsche Emailwarenfabrik – DEF – and its owner Oskar Schindler was brought into the limelight in 1993 by Steven Spielberg’s film Schindler’s List. Ever since that time, tourists from all over the world have been coming to Lipowa Street to visit the place where Schindler saved the lives of over a thousand people. The character of Oskar Schindler and the life stories of the Kraków Jews he saved are presented in the exhibition as part of the city’s complex wartime history. Oskar Schindler’s heroic attitude is presented in close-up in his former office – luckily, the historic room located in the factory’s administrative building has been preserved intact throughout the years. The dominant feature here is the symbolic “Survivors’ Ark” made of thousands of enamelled pots, similar to those manufactured by Schindler’s employees during the war.
Der Beste Kombination wurde Ich sage. Sonnenaufgang mit 425er. Am 10.March diesen Jahres konnte ich diese Doppeltraktion 425 als S6 von der Rheinland-Pfälzische Landeshauptstadt Mainz ins Baden-Württembergische Getto Stadt Mannheim in Mainz-Laubenheim aufnehmen.
Dit 11 meter hoge monument is ter ere van de Joodse strijders die tijdens de Warschau getto opstand om het leven zijn gekomen. Het reliëf aan de voorzijde van het monument laat een groep Joodse vrijheidsstrijders zien met in het midden Mordechaj Anielewicz, commandant van de Joodse Strijdorganisatie. Het reliëf aan de achterzijde laat een groep marcherende joden zien die af worden gevoerd naar de vernietigingskampen.
Bron: www.tracesofwar.nl/sights/5291/Monument-Getto-Opstand-War...
Rondreis Polen met Djoser van 11 t/m 24 mei 2019 ...
Drawing of the Albert W. Oliver residence at 305 North Emporia in Wichita, KS. This home was designed and built by William Henry Sternberg of Wichita, Kansas (1832 - 1906). This drawing appeared in the Wichita Journal of Commerce in Novemeber 1887, published by the Wichita Board of Trade. The large number of beautiful and elegant homes going up in Wichita, principally being designed and erected by W.H. Sternberg was not without notice. The Board of Trade pointed to this fact and proclaimed in the Journal,
"the large number of fine residences that have been erected [in Wichita], make it
THE CITY OF BEAUTIFUL HOMES".
The Wichita Journal of Commerce went to to state, "Many of her [Wichita's] wealthy citizens [in the year 1887] built ELEGANT PRIVATE RESIDENCES of brick and stone, beautiful in architectural design, some costing as high as $75,000, and many from $20,000 - $30,000, making a total of about $8,000,000 put into this class of buildings". Many, if not most of these homes were designed and built by William Henry Sternberg (1832 - 1906). Especially with regard to upscale homes, W.H. Sternberg was well-known throughout the area and was the preferred designer and builder.
This high-quality veneered brick residence was selected (in 1887) as one of the ten most beautiful homes in Wichita - which all ten were collectively put together in a promotional piece by the Board of Trade (see photostream for the "Fabulous Ten"). Of the ten homes in the Fabulous Ten promotional flyer, most of them are confirmed to have been designed and built by W.H. Sternberg.
Undoubtedly mortar lines on this residence were extremely thin - requiring highly skilled brick layers. Other high-end Sternberg-built brick homes (such as the Aley Mansion) have extremely thin mortar lines. Sternberg was well-known for employing workers "of the highest skill level" - which allowed him to excel over the competition with features such as very thin, upscale mortar lines, highly corbelled chimneys and other decorative brickwork.
Among some of the more common Sternberg design elements on this elegant home are: a nouveau Mansard roof, a variety of differently styled dormers which include at least one decorative (vs. functional) porch on the 3rd level, ornately corbelled chimney flues with chimney crickets, corbelled brick work at the roof line of the second story (also seen on other high-end homes as well as commercial structures and churches), two-story bay windows, fancy millwork on the porches and a variety of pitches and angles ot the roof line. Unlike some of Sternberg's other roof designs which had steeply pitched roofs (and hence small angular spaces near the walls), this one had a large and open third floor - allowing more usable space on the third floor, but it's doubtful that this area was finished at the time and used as livable space, or even as a ballroom. Interestingly the Mansard roof was not topped with a flat roof, but instead was topped with a lower pitched hip roof - a diversion from traditional Mansard style.
Mr. Oliver was a partner in the Oliver & Imboden mills (a large flour mill). W.H. Sternberg also built a fine residence for Hiram Imboden as well as a commercial mill for them. It was not unusual for business persons to turn to Sternberg for substantially all of their building needs (both commercial and personal) and in several other cases (for example the Bitting Brothers Peter Getto, Kos Harris and others) it's known that Sternberg designed and built virtually all (if not all) of their commercial properties and personal homes, too.
The Oliver & Imboden factory milled a large amount of wheat (able to produce up to 250 barrels of flour per day) coming in from all over the southwest United States including southern Colorado and what is now New Mexico and Arizona (but at the time - in 1884 - New Mexico and Arizona were not yet states).
This lovely home was torn down to make way for commercial development (including a parking lot)! They just don't build 'em like this any more.
Your thoughts, comments, ideas and/or additional information about this photo and/or this place are always welcome and appreciated!!
This was the original southwest corner of the ghetto. One of its 22 gates stood here and operated from 16th November 1940 to 20th January 1941....
Warsaw Ghetto boundary markers: en.wikipedia.org/wiki/Warsaw_Ghetto_boundary_markers
Fragment muru krakowskiego getta, ul. Lwowska, Kraków, 8 marca 2017 r.
Getto w krakowskiej dzielnicy Podgórze zostało założone przez władze hitlerowskie w marcu 1941 r. Znalazło się w nim ok. 17 tys. Żydów. W maju 1942 r. rozpoczęły się deportacje do obozów zagłady, a w marcu 1943 r. przeprowadzono likwidację getta.
Obszar o powierzchni ok. 20 ha otoczony został murem w kształcie przypominającym żydowskie nagrobki.
**
A part of the Kraków Ghetto wall, Lwowska str., Kraków, March 8, 2017
The ghetto in a district of Kraków - Podgórze was established by the Nazi authorities in March 1941. Ca. 17 thousand Jews were ordered to live inside the ghetto. In May 1942 deportations to death camps began, while in March the final liquidation of the ghetto was carried out.
The area of ca. 20 hectares was surrounded by a newly built wall of panels in the shape of Jewish tombstones.
To the black Camel, (1, Bogner alley 5, part, conscription number 312), house sign.
Here were originally two buildings: a house was already in the second quarter of the 15th century owned by bowyers and belonged in 1455 the bowyer Erhart Fütterer of Retz and 1458 the bowyer Stefan Leyser. The other house was also owned by bowyers. Its first documentary mention dates from the year 1456. In 1527 painter Hanns Gruntmann acquired both houses. His successor in ownership the two before 1539 had developed into one, which came in 1619 in the possession of the merchant Johann Baptist Cameel, who (coming from his native city of Brno to Vienna) established a spice factory here. He named his shop "The Black Camel" and later gave the house an identical sign. Since Cameel left large debts, the building together with his two other houses city 307 and 311 (both went up in the house Bogner alley 5) in 1640 was publicly auctioned and acquired by the tradesman Andre Getto, who also the house city 320 (Hallweilsches house; 3, part) possessed. After that, however, the three buildings had different owners again.
At the beginning of the 19th century, the store, which was expanded to a wine bar (wine and delicatessen), was frequented by the better society of Vienna and was known as a breakfast parlor. Beethoven was a frequent guest who bought wine, sugar and coffee from the then owner, Mrs. Stiebitz. The upper floor of the house was home to the poet and composer Friedrich August Kanne at the beginning of the 1820s. At that time, the building belonged to the k.k. Captain Franz Galle, who according to a commemorative publication (F.J. Stiebitz: commemorative on the occasion of the demolition of the old Kameelhaus in Bogner alley, 1901), is said to have become the first victim of the cholera raging in Vienna in 1830 and to have died within three hours.
Between 1828 and 1882 there are different details about this house: According to Czeike (Felix Czeike: Historical Dictionary of Vienna) house and wine bar 1828 were owned by Joseph Stiebitz († 1852), who the adjacent house "Zu den drei Tirolern (to the three Tyroleans)" (city 313 also Bogner alley 5) had to buy in order to use its first floor premise to expand his flourishing business. In 1882, his grandson (Franz) Josef Stiebitz was the owner.
Harrer (Paul Harrer: Vienna, its houses), however, indicates that the house was divided after Gaul's death on three heirs. The wine and delicatessen, however, belonged since May 1818 to Joseph Stiebitz and two co-owners and from 1823 Joseph Stiebitz alone. The interest payable for restaurants, wineries and dwellings amounted to 6,500 guilders in 1824, which was a very high amount for the time. In 1835 Stiebitz bought the neighboring house city 313 ("To the three Tyroleans" or "Zu den drei Schweizern/To the three Swiss men") in order to expand his business. Joseph Stiebitz also made a name for himself as the "father of the poor of the city". In addition to other foundations, he supported above all the still very young Handlungskrankeninstitut (hospital) "Confraternity", for whose chapel he donated a large part of the decoration. In 1830 he was appointed general director of the bourgeois merchant profession. He was also one of the first members of the Gesellschaft der Musikfreunde (Society of Friends of the Music in Vienna). All parts of the house city 312 (but without the ownership rights to the shop) came under a inheritance contract from 2 May 1842 together with the house city 307 in one hand. On October 31, 1848, the house was hit by two shotgun balls, which penetrated through an iron-studded balcony in the back of the wine bar and were found only years later in an adaptation. When the troops moved into the city, nobody was allowed to show themselves on the streets or behind the windows. However, a maid ignored this ban and looked out of the window of this house, whereupon she was killed by a shotgun in front of the eyes of nineteen-year-old Rosa Stiebitz, the wife of Alois Stiebitz (son of Joseph Stiebitz). Rosa and Alois Stiebitz introduced regular music evenings in the house, in which the most important artists of the time were often and welcome guests. Between 1842 and 1882 the two houses 307 and 312 were built into one, which was acquired in 1882 by Franz Josef Stiebitz, who already owned the house city 313.
In 1901, the house together with the neighboring buildings city 313 and 314 was replaced by a new building designed by Julius Mayreder, in which the wine and delicatessen "Zum schwarzen Kameel (to the black Camel)" was again housed. It was still owned by the Stiebitz family until 1951 and was sold to the Erste Österreichische Sparkasse (First Austrian Savings Bank) this year.
From the family of Johann Baptist Cameel sprang the learned missionary and botanist P. Georg Josef Cameel (Camelius), after whom Carl Linnaeus one of him in the Philippines discovered flower "camellia" named.
See also: Bogner alley 5.
Dependence of the employee on the employer
The employees in the wine and delicatessen "To the black camel" had 1818 as employees accounts with their boss, on that their salary was booked on a monthly basis. As was customary a that time, no cash was issued. Only if one could motivate that one needed cash for a special occasion, money was paid out. The boss participated from time to time in the purchases. The thriftiness of the employees was promoted in such a way that some could become self-employed after 10 or 20 years with the saved money. Even the marriage license had to give the boss. The relationship of subservience of employees was emphasized by the fact that they were called "individuals" in their contracts, even if they were in a "high position".
Businesses and companies within the house over the years
Gewürzkrämerei (spice store) "To the black camel"
Wine and delicatessen "To the black camel"
Zum schwarzen Kameel, (1, Bognergasse 5, Teil; Konskriptionsnummer 312), Hausschild.
Hier standen ursprünglich zwei Gebäude: Ein Haus war schon ab dem zweiten Viertel des 15. Jahrhunderts im Besitz von Bognern und gehörte 1455 dem Bogner Erhart Fütterer von Retz und 1458 dem Bogner Stefan Leyser. Auch das andere Haus gehörte Bognern. Seine erste urkundliche Erwähnung stammt aus dem Jahr 1456. Im Jahr 1527 erwarb Maler Hanns Gruntmann beide Häuser. Sein Besitznachfolger ließ die beiden vor 1539 zu einem verbauen, das 1619 in den Besitz des Handelsmannes Johann Baptist Cameel kam, der (aus seiner Vaterstadt Brünn nach Wien gekommen) hier eine Gewürzkrämerei einrichtete. Sein Geschäft benannte er "Zum schwarzen Kameel" und gab später auch dem Haus ein gleichlautendes Schild. Da Cameel große Schulden hinterließ, wurde das Gebäude gemeinsam mit seinen beiden anderen Häusern Stadt 307 und 311 (beide gingen im Haus Bognergasse 5 auf) 1640 öffentlich versteigert und vom Handelsmann Andre Getto erworben, der auch das Haus Stadt 320 (Hallweilsches Haus; Am Hof 3, Teil) besaß. Danach hatten die drei Gebäude jedoch wieder unterschiedliche Besitzer.
Anfang 19. Jahrhundert wurde der zu einer Weinstube erweiterte Laden (Wein- und Delikatessenhandlung) von der besseren Gesellschaft Wiens gern aufgesucht und war vor allem als Frühstücksstube stadtbekannt. Beethoven war ein häufiger Gast, der bei der damaligen Besitzerin, Frau Stiebitz, Wein, Zucker und Kaffee kaufte. Im oberen Stockwerk des Hauses wohnte Anfang der 20er Jahre des 19. Jahrhunderts der Dichter und Komponist Friedrich August Kanne. Zu dieser Zeit gehörte das Gebäude dem k.k. Hauptmann Franz Galle, der laut einer Gedenkschrift (F. J. Stiebitz: Gedenkschrift anläßlich der Demolierung des alten Kameelhauses in der Bognergasse. 1901) das erste Opfer der 1830 in Wien grassierenden Cholera geworden und binnen drei Stunden gestorben sein soll.
Zwischen 1828 und 1882 gibt es unterschiedliche Angaben zu diesem Haus: Laut Czeike (Felix Czeike: Historisches Lexikon Wien) waren Haus und Weinstube 1828 im Besitz von Joseph Stiebitz († 1852), der das angrenzende Haus "Zu den drei Tirolern" (Stadt 313; heute ebenfalls Bognergasse 5) dazukaufen musste, um dessen Parterrelokal zur Erweiterung seines florierenden Geschäfts zu benützen. 1882 war sein Enkel (Franz) Josef Stiebitz Besitzer.
Harrer (Paul Harrer: Wien, seine Häuser) hingegen gibt an, dass das Haus nach Galles Tod auf drei Erben aufgeteilt wurde. Die Wein- und Delikatessenhandlung gehörte jedoch seit Mai 1818 Joseph Stiebitz und zwei Mitbesitzern und ab 1823 Joseph Stiebitz allein. Der zu zahlende Zins für Lokal, Kellereien und Wohnung betrug im Jahr 1824 6.500 Gulden, was für die damalige Zeit ein sehr hoher Betrag war. 1835 (nach der bereits erwähnten Gedenkschrift 1828) kaufte Stiebitz das Nachbarhaus Stadt 313 ("Zu den drei Tirolern" oder "Zu den drei Schweizern"), um sein Geschäft zu erweitern. Joseph Stiebitz machte sich auch einen Namen als "Armenvater der Stadt". Neben anderen Stiftungen unterstützte er vor allem das noch sehr junge Handlungskrankeninstitut "Confraternität", für dessen Kapelle er einen Großteil der Ausschmückung spendete. 1830 wurde er zum Generalvorstand des bürgerlichen Handelsstandes ernannt. Er gehörte außerdem zu den ersten Mitgliedern der Gesellschaft der Musikfreunde. Alle Teile des Hauses Stadt 312 (jedoch ohne die Besitzrechte am Geschäft) kamen laut einem Erbschaftsvertrag vom 2. Mai 1842 zusammen mit dem Haus Stadt 307 in eine Hand. Am 31. Oktober 1848 wurde das Haus von zwei Kartätschenkugeln getroffen, die durch einen mit Eisen beschlagenen Balkon in den hinteren Teil der Weinstube eindrangen und erst Jahre danach bei einer Adaptierung gefunden wurden. Als die Truppen in die Stadt einzogen, durfte sich niemand auf den Straßen oder hinter den Fenstern zeigen. Ein Dienstmädchen missachtete jedoch dieses Verbot und sah aus dem Fenster dieses Hauses, worauf es durch einen Flintenschuss vor den Augen der neunzehnjährigen Rosa Stiebitz, der Gattin von Alois Stiebitz (Sohn von Joseph Stiebitz), getötet wurde. Rosa und Alois Stiebitz führten im Haus regelmäßige Musikabende ein, bei denen die bedeutensten Künstler der damaligen Zeit oft und gern gesehene Gäste waren. Zwischen 1842 und 1882 wurden die beiden Häuser 307 und 312 zu einem verbaut, das 1882 von Franz Josef Stiebitz erworben wurde, der bereits das Haus Stadt 313 besaß.
1901 wurde das Haus samt den Nachbarhäusern Stadt 313 und 314 durch einen Neubau nach Plänen von Julius Mayreder ersetzt, in dem wieder die Wein- und Delikatessenhandlung "Zum schwarzen Kameel" untergebracht wurde. Es stand noch bis 1951 im Besitz der Familie Stiebitz und wurde in diesem Jahr an die Erste österreichische Sparkasse verkauft.
Aus der Familie des Johann Baptist Cameel entsproß der gelehrte Missionar und Botaniker P. Georg Josef Cameel (Camelius), nach dem Linné eine von ihm auf den Philippinen entdeckte Blume "Kamelie" benannte.
Siehe auch: Bognergasse 5.
Abhängigkeit der Arbeitnehmer vom Arbeitgeber
Die Arbeitnehmer in der Wein- und Delikatessenhandlung "Zum schwarzen Kameel" hatten 1818 als Angestellte Konten bei ihrem Chef, auf die ihr Gehalt monatlich gut gebucht wurde. Nach damaligem Brauch wurde kein Bargeld ausgestellt. Nur wenn man motivieren konnte, dass man aus einem besonderen Anlass Bargeld brauchte, wurde ausbezahlt. Der Chef beteiligte sich ab und zu bei den Ankäufen. Der Sparsinn der Angestellten wurde derart gefördert, dass sich manche nach 10 oder 20 Jahren mit dem gesparten Geld selbständig machen konnten. Selbst die Eheerlaubnis hatte den Chef zu erteilen. Das Untertänigheitsverhältnis der Angestellten wurde dadurch betont, dass sie in ihren Kontrakten "Individuen" genannt wurden, auch wenn sie sich in "gehobener Stellung" befunden.
Gewerbe und Firmen innerhalb des Hauses im Laufe der Jahre
Gewürzkrämerei "Zum schwarzen Kameel"
Wein- und Delikatessenhandlung "Zum schwarzen Kameel"
5d mark II
50 1.4
Natural light
Got my girlfriend a new outfit for valentines day and went out and shot some pictures!
Minister Radosław Sikorski speaking at the ceremony of unveiling the memorial honouring the Warsaw Ghetto Resistance Fighters’ Evacuation.
Minister Radosław Sikorski przemawia podczas ceremonii odsłonięcia pomnika upamiętniającego ewakuację bojowników z warszawskiego getta.
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Laodamia was the wife of Protesilaus and daughter of Acastus and Astydameia. After Protesilaus was killed in the Trojan War he was allowed to return to his wife for only three hours before returning to the underworld because they had only just married. Thereafter Laodamia committed suicide by stabbing herself, rather than be without him.[30][31] According to Hyginus' Fabulae, the story runs like this: "When Laodamia, daughter of Acastus, after her husband's loss had spent the three hours which she had asked from the gods, she could not endure her weeping and grief. And so she made a bronze likeness of her husband Protesilaus, put it in her room under pretense of sacred rites, and devoted herself to it. When a servant early in the morning had brought fruit for the offerings, he looked through a crack in the door and saw her holding the image of Protesilaus in her embrace and kissing it. Thinking she had a lover he told her father Acastus. When he came and burst into the room, he saw the statue of Protesilaus. To put an end to her torture he had the statue and the sacred offerings burned on a pyre he had made, but Laodamia, not enduring her grief, threw herself on it and was burned to death."[32]
Una volta sceso negli inferi Protesilao implorò Ade e Persefone di poter rivedere ancora una volta la sposa: i due dèi, infastiditi e un po' commossi, concessero allo sventurato un ultimo giorno di vita, e lo condussero fuori dall'Ade. Laodamia vedendo il suo amato marito far ritorno quasi impazzì dalla gioia; ma Protesilao le spiegò che generosamente i sovrani dell'Ade gli avevano concesso un ultimo giorno e che avendo poco tempo egli aveva intenzione di passarlo a fare l'amore con lei. Venne poi il momento del distacco: Laodamia decise allora di realizzare una statua con le fattezze del marito in modo da poterla abbracciare e dormire con essa.[8][9]. Acasto, nei giorni successivi, notando l'assenza della figlia, mandò un suo servo a spiarla. Il servo riferì al re che sua figlia stava tutto il giorno chiusa nella sua camera ad amoreggiare con una statua e Acasto, per il bene della figlia, decise di far sciogliere la statua nell'olio bollente, ma Laodamia mentre la statua si scioglieva si gettò nel calderone ricongiungendosi così all'amato.[10]