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W czwartek, 5 września odbyły się uroczystości pogrzebowe 46 ofiar zamordowanych w Forcie III w Pomiechówku - miejscu kaźni Polaków i Żydów z Mazowsza. W czasie II wojny światowej funkcjonował tu m.in. niemiecki obóz przesiedleńczy, getto i więzienie karno-śledcze. Z północnego Mazowsza masowo zwożono tutaj ludzi, często byli to przedstawiciele elit miasteczek i wsi. Według ankiet sporządzonych w 1945 roku liczba więźniów określana była na ok. 50 tys., a zamordowanych na ok. 15 tys. Podobna liczba pojawia się w dokumentach Polskiego Czerwonego Krzyża.
By May 1940, the Nazi occupation authority announced that Kraków should become the "cleanest" city in the General Government, an occupied, but unannexed part of Poland. Massive deportation of Jews from the city were ordered. Of the more than 68,000 Jews in Kraków when the Germans invaded, only 15,000 workers and their families were permitted to remain. All other Jews were ordered out of the city, to be resettled into surrounding rural areas.
Arched entrance to Kraków Ghetto, about 1941.
The Kraków Ghetto was formally established on March 3, 1941 in the Podgórze district, not in the Jewish district of Kazimierz. Displaced Polish families from Podgórze took up residences in the former Jewish dwellings outside the newly established Ghetto. Meanwhile, 15,000 Jews were crammed into an area previously inhabited by 3,000 people who used to live in a district consisting of 30 streets, 320 residential buildings, and 3,167 rooms. As a result, one apartment was allocated to every four Jewish families, and many less fortunate lived on the street.
The Ghetto was surrounded by walls that kept it separated from the rest of the city. All windows and doors that gave onto the "Aryan" side were ordered bricked up. Only four guarded entrances allowed traffic to pass through. In a grim foreshadowing of the near future, these walls contained panels in the shape of tombstones. Small sections of the wall still remain today.
Young people of the Akiva youth movement, who had undertaken the publication of an underground newsletter, HeHaluc HaLohem ("The Fighting Pioneer"), joined forces with other Zionists to form a local branch of the Jewish Fighting Organization (ŻOB, Polish: Żydowska Organizacja Bojowa), and organize resistance in the ghetto, supported by the Polish underground Armia Krajowa. The group carried out a variety of resistance activities including the bombing of the Cyganeria cafe, a gathering place of Nazi officers. Unlike in Warsaw, their efforts did not lead to a general uprising before the ghetto was liquidated.
Bundles abandoned by Jewish deportees from the Kraków Ghetto, March 1943
From May 30, 1942 onward, the Nazis implemented systematic deportations from the Ghetto to surrounding concentration camps. Thousands of Jews were transported in the succeeding months as part of the Aktion Krakau headed by SS-Oberführer Julian Scherner. Jews were assembled on Zgody Square first and then escorted to the railway station in Prokocim. The first transport consisted of 7,000 people, the second, of additional 4,000 Jews deported to Belzec extermination camp on 5 June 1942. On March 13-March 14, 1943 the final 'liquidation' of the ghetto was carried out under the command of SS-Untersturmführer Amon Göth. Eight thousand Jews deemed able to work were transported to the Plaszow labor camp. Those deemed unfit for work – some 2,000 Jews – were killed in the streets of the ghetto on those days. Any remaining were sent to Auschwitz.
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Laodamia was the wife of Protesilaus and daughter of Acastus and Astydameia. After Protesilaus was killed in the Trojan War he was allowed to return to his wife for only three hours before returning to the underworld because they had only just married. Thereafter Laodamia committed suicide by stabbing herself, rather than be without him.[30][31] According to Hyginus' Fabulae, the story runs like this: "When Laodamia, daughter of Acastus, after her husband's loss had spent the three hours which she had asked from the gods, she could not endure her weeping and grief. And so she made a bronze likeness of her husband Protesilaus, put it in her room under pretense of sacred rites, and devoted herself to it. When a servant early in the morning had brought fruit for the offerings, he looked through a crack in the door and saw her holding the image of Protesilaus in her embrace and kissing it. Thinking she had a lover he told her father Acastus. When he came and burst into the room, he saw the statue of Protesilaus. To put an end to her torture he had the statue and the sacred offerings burned on a pyre he had made, but Laodamia, not enduring her grief, threw herself on it and was burned to death."[32]
Una volta sceso negli inferi Protesilao implorò Ade e Persefone di poter rivedere ancora una volta la sposa: i due dèi, infastiditi e un po' commossi, concessero allo sventurato un ultimo giorno di vita, e lo condussero fuori dall'Ade. Laodamia vedendo il suo amato marito far ritorno quasi impazzì dalla gioia; ma Protesilao le spiegò che generosamente i sovrani dell'Ade gli avevano concesso un ultimo giorno e che avendo poco tempo egli aveva intenzione di passarlo a fare l'amore con lei. Venne poi il momento del distacco: Laodamia decise allora di realizzare una statua con le fattezze del marito in modo da poterla abbracciare e dormire con essa.[8][9]. Acasto, nei giorni successivi, notando l'assenza della figlia, mandò un suo servo a spiarla. Il servo riferì al re che sua figlia stava tutto il giorno chiusa nella sua camera ad amoreggiare con una statua e Acasto, per il bene della figlia, decise di far sciogliere la statua nell'olio bollente, ma Laodamia mentre la statua si scioglieva si gettò nel calderone ricongiungendosi così all'amato.[10]
Visit of the Frecce Tricolori Squadron at NATO E-3A Component Geilenkirchen/Germany, ETNG -----------------------------------------------
The Frecce Tricolori (Italian pronunciation: [ˈfrettʃe trikoˈloːri]; literally "Tricolour Arrows"), officially known as the 313° Gruppo Addestramento Acrobatico, Pattuglia Acrobatica Nazionale (PAN) Frecce Tricolori ("313th Acrobatic Training Group, National Aerobatic Team (PAN) Frecce Tricolori"), is the aerobatic demonstration team of the Italian Air Force. Based at Rivolto Air Base, province of Udine, it was created on 1 March 1961 as a permanent group for the training of Air Force pilots in air acrobatics.[1]
The Tricolour Arrows replaced unofficial teams that had been sponsored by various commands starting in the early 1930s.[2] The team flies the Aermacchi MB-339-A/PAN, a two-seat fighter-trainer craft capable of 898 km/h at sea level.[2][3] With ten aircraft, nine in close formation and a soloist, they are the world's largest acrobatics patrol, and their flight schedule, comprising about twenty acrobatics and about half an hour, made them the most famous in the world.[4] It is one of national symbols of Italy.
Formation
During the performances the formation of the acrobatic patrol is usually composed of 9 aircraft, called "Pony", each labeled with a number ranging from 1 to 10.[18][19] The name "Pony" was coined by the then Captain Zeno Tascio to remember the horse of Francesco Baracca[20] which is the sign of the 4th Wing, at the time 4th Airbase who was already preparing to take over the task PAN for the 1961. Depending on the needs of the Department, aircraft can also be 11 in total, thus including the figure of the acrobatic training manager:
Pony 0 - Commander
Pony 1 - Head of Formation
Pony 2 - 1° Left Domestique
Pony 3 - 1° Right Domestique
Pony 4 - 2° Left Domestique
Pony 5 - 2° Right Domestique
Pony 6 - 1° Tail light
Pony 7 - 3° Left Domestique
Pony 8 - 3° Right Domestique
Pony 9 - 2° Tail light
Pony 10 - Soloist
Pony 11 - Acrobatic Training Supervisor
Pony 12 - Pilot in Training
Pony 13 - Pilot in Training
Pony 14 - Pilot in Training
Pony 15 - Pilot in Training
Pony 16 - Pilot in Training
---------------------------------------------------------------------------------------
Frecce Tricolori (italienisch für Dreifarbige Pfeile) sind eine Kunstflugstaffel der italienischen Luftwaffe, die 1961 als 313º Gruppo Addestramento Acrobatico aufgestellt wurde. Die Staffel ist auf dem Militärflugplatz Rivolto bei Udine stationiert und erhielt am 1. Juli 1961 den heutigen Namen: 313º Gruppo Addestramento Acrobatico - Pattuglia Acrobatica Nazionale (PAN) “Frecce Tricolori”.
Der Ursprung des Kunstflugteams reicht bis in die 1920er Jahre zurück. Bei einem Besuch in Großbritannien hatten einige hohe Fliegeroffiziere die Anfänge des Formationskunstflugs kennengelernt. Der Befehl zur Gründung einer Kunstflugstaffel ging an Oberst Rino Corso Fougier in Udine. Er gilt als Vater des italienischen Formationskunstflugs und prägte maßgeblich den Ausbildungsstandard der Militärpiloten.
Die erste Fünfer-Kunstflugstaffel seines 1. Geschwaders (1º Stormo) war in Campoformido stationiert. Die erste Staffel erschien am 8. Juni 1930 bei der 1ª Giornata Aerea dell’Ala in Rom als offizieller Repräsentant der italienischen Luftwaffe.[1] In dieser Geburtsstunde zeigten sie mit sieben Jagddoppeldeckern vom Typ Fiat CR.20 ihr erstes Programm. Die 2ª Giornata Aerea dell’Ala 1932 zeigte mit Doppeldeckern vom Typ Breda Ba.19 ihr Programm. 1936 erhielten die „Frecce“ die Fiat CR.32.
Nach der Unterbrechung durch den Zweiten Weltkrieg begannen sie erneut mit Düsenflugzeugen das Formationskunstflugtraining. Die Teams Cavallino Rampante („Aufbäumendes Pferdchen“), Getti Tonanti („Donnernde Jets“), Tigri Bianche („Weiße Tiger“), Lancieri Neri („Schwarze Lanzenreiter“) und die Diavoli Rossi („Rote Teufel“) wurden bekannt.
Die erste wirkliche italienische Kunstflugstaffel wurde vom 4º Stormo aufgestellt. Als erste Einheit mit den Doppelrumpfjägern de Havilland D.H.100F.B.52 bildeten die Piloten des Geschwaders 1954 das erste italienische Kunstflug-Jet-Team mit dem Namen „Cavallino Rampante“. Mit der Republic F-84G starteten die „Getti Tonanti“ als Nachfolger der Staffel „Cavallino Rampante“. Der Fliegerfilm I quattro del getto tonante („Die vier donnernden Jets“) wurde mit dem Team gedreht. Die 51ª Aerobrigata übernahm 1955 mit dem Team „Tigri Bianche“ die Funktion der offiziellen Kunstflugstaffel der italienischen Luftwaffe, geflogen mit F84G Thunderjets. 1956 flog wieder das 4° Stormo mit neuen Canadair F-86 Sabre Mk4[2]. Das 6° Stormo flog als „rote Teufel“ („Diavoli Rossi“) die Republic F84F Thunderstreaks erstmals am 19. Mai 1957 auf dem Flughafen Turin-Caselle. 1958 wurde die 2ª Aerobrigata mit dem Namen „Lancieri Neri“ aufgestellt. Die sechs Piloten flogen eine F-86 Sabre.
Das Generalstab der italienischen Luftwaffe entschloss sich Ende 1960, ein eigenes Kunstflugteam aufzubauen, das nur noch in der Nebenrolle als leichte Jagdbomberstaffel zur Verfügung stehen sollte. Mit dieser Aufgabe wurde die 313º Gruppo betraut.
More info and other languages available at:
Alpinia zerumbet (Light galangal, Pink porcelain lily, Shell flower, Shell ginger, Variegated ginger, Butterfly ginger, Japanese: gettō; Chinese: 艳山姜; pinyin: yàn shānjiāng) is a Chinese perennial plant of the ginger family (Zingiberaceae). Native to eastern Asia, this plant is a rhizomatous, ever green tropical perennial that grows in upright clumps 8–10 feet tall in tropical climates. It bears funnel-formed flowers. Flowers have large yellow petals with red spots and stripes. There are three stamens, but only one has pollen. There is one pistil.
This marker commemorates Warsaw’s largest Jewish necropolis and the former Skra sports field, which was nearby.
The latter was the only large undeveloped plot in the ghetto and was initially used to grow vegetables, but in 1941 it was converted into a burial site for the corpses of Jews collected on the streets of the ghetto. The cemetery and surrounding area was excluded from the ghetto in December 1941 and the Germans subsequently used the sports field as an execution site (notably during the Warsaw Uprising of 1944)....
Warsaw Ghetto boundary markers: en.wikipedia.org/wiki/Warsaw_Ghetto_boundary_markers
Irena Sendler (code name "Jolanta") was a social worker and an active member of the Polish resistance in German-occupied Warsaw, and eventually became head of the children's section of Żegota, the Polish Council To Aid Jews, which was an organisation within the resistance movement. She obtained a special permit to enter the Warsaw ghetto to check for signs of typhus, and it was while conducting inspections of the sanitary conditions in the ghetto that she was able to smuggle out babies and small children. She also led a team of people within Żegota who risked their lives on a daily basis helping to smuggle the children out, creating false documents and finding homes for the rescued children outside the ghetto - with Catholic convents, orphanages and Polish families, who also risked their lives by providing the children with shelter (Poland was the only country in German-occupied Europe in which offering any help to a Jew was punishable by death). Information about the children's original and new identities was buried in jars, in the hope that they could eventually be reunited with their families.
In 1943, Sendler was arrested by the Gestapo, severely tortured and sentenced to death, but Żegota managed to save her while she was on her way to be executed by bribing the German guards. She was listed on public bulletin boards as among those who had been killed that day and went into hiding, but continued her work for the Jewish children.
In 1944, during the Warsaw Uprising, she worked as a nurse in insurgent field hospitals, mainly in the southern Mokotów district.
After the war, Sendler and her co-workers gathered together all of their records with the names and locations of the rescued children and handed them over to their former Żegota colleague Adolf Berman at the Central Committee of Polish Jews. However, they soon discovered that almost all of the children’s family members had been killed in the extermination camp that the Germans built at Treblinka, or had otherwise gone missing. Many of the children themselves could no longer be found in the aftermath of the Warsaw Uprising, as a result of which at least 150000 civilians were killed, the whole city was destroyed and the surviving population was expelled en masse by the Germans.
Nevertheless, Sendler's small team managed to save twice as many Jews from the holocaust as Oskar Schindler and one third of the total number of Jews rescued by the country of Denmark - in circumstances that were infinitely more difficult. In 1965, she was recognised by Yad Vashem as one of the "Righteous Among The Nations"....
Aside from making the Ink darker and poorly doing the background, its all me.
I have such terrible posture in this :D
My tummy isn’t flat, my butt IS flat. My legs wobble and, my, I have odd knees. But what’s it to you, my body is far from living up to this perfect criteria, but what is this perfection you talk about. Is it the identical noses and bright white teeth? Is it the flat stomach that barely contains 3 full meals a day? Is it worrying about not fitting into that size 6 dress because you ate one to many cakes that time?
I was sitting in school today talking to a young girl about her older sister. Her sister suffers from anorexia and bulimia all in aim of perfection. It got me thinking. I’m not an avid dieter and I don’t go out of my way to eat healthily and to be honest, up until yesterday, there were some parts of me I chose to hide. It was only last year, at the age of 15, I brought my first bikini and wore it over my week holiday, and then, it never saw the light of day again!
My parents were surprised at the extent of the stretch marks which riddle my body because of the joys of adolescence, and, due to my clumsiness, I have a decent collection of scars from various accidents and operations. Having had horrified reactions to my small (as far as I’m concerned) scar on my arm, I decided that it would be easier not to let people see if it caused them that much bother.
So back to the reason I did this. What is perfection, really?
I did a search on good old wikipedia: ‘Perfection is, broadly, a state of completeness and flawlessness.’
That then made me ask what flawlessness was: ‘To be flawless is to be without shortcomings, to achieve perfection.’
And a flaw: ‘A flaw is a defect, fault, or imperfection.’
But couldn’t a flaw be someone who cared with their perfection to a point where it took over their life to achieve it. Could a flaw be letting it concern you so much?
What if we all managed to achieve this level of perfection, how could someone have a ‘type’ when everyone looked the same. We need these imperfections to seperate us.
Nobody has the same scars as me, nobody has the same tum as me, nobody has the same bum as me. Yes, they may not fall into this ‘perfect’ category but they are the things that make me different from the girl next to me, they are the things which belong to me and are not going anywhere soon. They are the things which form part of my identity and therefore, I’m happy to say, as I'm the only person able to be me, I am the perfect me
Out of every damn girl that i met in my life.
9 out of 10 got a problem with themself.
But its ok,its ok their just making a mistake.
Your imperfection girl is what makes you look great.
A little fat on your tummy for the belly button bunny.
When i use my little lickey its so very,very jummy.
Generating stiff ideas to my closest little buddy.
And im so very sorry
"Gaan jou niks verder vertel nie."
Dont forget about the ass.
If you got a bigger ass than a cover girl do.
Believe you me girl the hood loves you.
I dont look at size of jeans or compare to magazine's.
Coz its your body girl and i like it how it is.
O no your complaining bout your body but your
working on my nervs.
Coz everybody knows real women have curvs.
And if you dont believe me im a tell it like it is.
When you say getto booty guys go
"O yes please."
So you better believe the words that i say.
When i say you look good i mean it that way.
So please dont doupt when i tell you everyday.
Your body is perfect in every way.
Do i look o.k?
Dont i look a little fat?
I dont like it coz it makes me look fat.
With all due respect.
Girl i cant forget.
How horny you make me when you look like that.
A nice round ass and the fully formed hips.
A strong upper body size c cup tits.
Nice long legs like an olimpic athlete.
To top it all off complete with cute feet.
O no.
Your complaining bout your body
but your working on my nervs.
Coz everybody knows real women have curvs.
And if you dont believe me im a tell it like it is.
When you say getto booty guys go
"O yes please."
-Heavinley Hano
This came out nothing like I'd pictured in my head, and it's not even in focus. I could not for the life of me get my camera to focus with my remote last night (it kept doing that annoying zoom-zoom noise) so I bent over to clean the remote and fried my hamstring on a bare lightbulb (aka getto lighting) behind me. MF! So I gave it the bird and went to bed with a ginormous blister on the back of my leg. Joy of my life!
lago di vico - lazio, italy
2011
Il Lago di Vico è un lago di origine vulcanica dell'Italia centrale situato nella provincia di Viterbo. Esso vanta il primato di altitudine tra i grandi laghi italiani con i suoi 507 m s.l.m. Per le sue peculiari caratteristiche naturali il comprensorio Vicano è incluso tra le aree di particolare valore naturalistico del Lazio e tra i biotopi di rilevante interesse naturalistico in Italia. È circondato dal complesso montuoso dei monti Cimini, in particolare è cinto dal Monte Fogliano (965 m) e dal Monte Venere (851 m), è parte della Riserva naturale Lago di Vico.
Secondo la leggenda ebbe origine dalla clava che Ercole infisse nel terreno per sfidare gli abitanti del luogo; nessuno riuscì a rimuoverla. Quando lo fece Ercole, sgorgò un enorme getto d'acqua che andò a riempire la valle formando così il lago.
Il lago di Vico è in realtà il risultato della attività vulcanica ed è quello che meglio ha conservato la caratteristica forma che ne testimonia l'origine. Il lago ha avuto origine circa 100.000 anni fa in seguito al riempimento della caldera vulcanica.
Lake Vico (Italian Lago di Vico) is a volcanic lake in the northern Lazio region, central Italy. It is one of the highest major Italian lakes, with an altitude of 510 m. Administratively, it is part of the municipalities of Caprarola and Ronciglione.
The lake is surrounded by the Cimini Hills, in particular by the Fogliano (965 m) and Venere (851 m) mountains. It is part of the Lake Vico Natural Reserve.
According to legend, the lake was created by Hercules, who defied the local inhabitants to wield his club. When he did this, a stream sprung up and formed the lake. The lake is in fact a result of the past volcanic activity of Lazio, originating some 100,000 years ago when an extinguished crater was flooded. Before the construction of a tunnel by the Etruscans, the lake was probably deeper than today, the Monte Venere constituting an island within it.
The lake is drained by the River Vicano.
The area is famous for its extensive beech forest, which is one of the most southerly in Europe. The elevation, plus the surrounding sides of the crater, create cool enough conditions for the continued survival of the trees. A large part of the northern side of the crater is a nature reserve to protect this forest.
source: Wikipedia
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Original Blog Post:
auroratown.wordpress.com/2014/04/07/krave-inc-s-freestyle...
In 1940, the German Nazis began to concentrate Poland's population of over three million Jews into a number of extremely crowded ghettos located in large Polish cities. The largest of these, the Warsaw Ghetto, concentrated approximately 300,000–400,000 people into a densely packed central area of Warsaw. Thousands of Jews died due to rampant disease and starvation under the SS and Police Leader Odilo Globocnik and SS-Standartenführer Ludwig Hahn, even before the mass deportations from the ghetto to the Treblinka extermination camp began.
The Warsaw Ghetto Uprising of 1943 took place over a year before the Warsaw Uprising of 1944. The Ghetto had been totally destroyed by the time of the Warsaw uprising, which was part of the larger Operation Tempest. Hundreds of the survivors from the first uprising took part in the 1944 Warsaw Uprising, fighting in the ranks of Armia Krajowa and Armia Ludowa.
en.wikipedia.org/wiki/Warsaw_Ghetto_Uprising
Never Forget - Fight Fascism!
Bałuty | Aleja Pamięci Ofiar Litzmannstadt Getto
During World War II, the Radogoszcz station built originally between 1926 and 1937, was the main railway link of the Łódź Ghetto to the outside world, used predominantly for the Holocaust transports organized by German Nazis.
In 2004, the commemoration ceremonies on the 60th anniversary of the destruction of the Łódź Ghetto in 1944 and the departure of the last transport from Radegast spurred efforts to transform the former station into a Holocaust memorial. On August 28, 2005, a monument commemorating the Jewish victims who passed through the station was unveiled, based on design by Czesław Bielecki, and featuring the 140 metres Tunnel of the Deported. The renovated station building serves as one of the divisions of the Łódź Museum of Independence.
Warszawa, 1945. Ruiny getta i kosciol sw. Augustyna przy ulicy Nowolipki. Reprodukcja: Zbyszko Siemaszko / FORUM,Image: 427838936, License: Rights-managed, Restrictions: , Model Release: no, Credit line: Zbyszko Siemaszko / RSW / Forum
To the black Camel, (1, Bogner alley 5, part, conscription number 312), house sign.
Here were originally two buildings: a house was already in the second quarter of the 15th century owned by bowyers and belonged in 1455 the bowyer Erhart Fütterer of Retz and 1458 the bowyer Stefan Leyser. The other house was also owned by bowyers. Its first documentary mention dates from the year 1456. In 1527 painter Hanns Gruntmann acquired both houses. His successor in ownership the two before 1539 had developed into one, which came in 1619 in the possession of the merchant Johann Baptist Cameel, who (coming from his native city of Brno to Vienna) established a spice factory here. He named his shop "The Black Camel" and later gave the house an identical sign. Since Cameel left large debts, the building together with his two other houses city 307 and 311 (both went up in the house Bogner alley 5) in 1640 was publicly auctioned and acquired by the tradesman Andre Getto, who also the house city 320 (Hallweilsches house; 3, part) possessed. After that, however, the three buildings had different owners again.
At the beginning of the 19th century, the store, which was expanded to a wine bar (wine and delicatessen), was frequented by the better society of Vienna and was known as a breakfast parlor. Beethoven was a frequent guest who bought wine, sugar and coffee from the then owner, Mrs. Stiebitz. The upper floor of the house was home to the poet and composer Friedrich August Kanne at the beginning of the 1820s. At that time, the building belonged to the k.k. Captain Franz Galle, who according to a commemorative publication (F.J. Stiebitz: commemorative on the occasion of the demolition of the old Kameelhaus in Bogner alley, 1901), is said to have become the first victim of the cholera raging in Vienna in 1830 and to have died within three hours.
Between 1828 and 1882 there are different details about this house: According to Czeike (Felix Czeike: Historical Dictionary of Vienna) house and wine bar 1828 were owned by Joseph Stiebitz († 1852), who the adjacent house "Zu den drei Tirolern (to the three Tyroleans)" (city 313 also Bogner alley 5) had to buy in order to use its first floor premise to expand his flourishing business. In 1882, his grandson (Franz) Josef Stiebitz was the owner.
Harrer (Paul Harrer: Vienna, its houses), however, indicates that the house was divided after Gaul's death on three heirs. The wine and delicatessen, however, belonged since May 1818 to Joseph Stiebitz and two co-owners and from 1823 Joseph Stiebitz alone. The interest payable for restaurants, wineries and dwellings amounted to 6,500 guilders in 1824, which was a very high amount for the time. In 1835 Stiebitz bought the neighboring house city 313 ("To the three Tyroleans" or "Zu den drei Schweizern/To the three Swiss men") in order to expand his business. Joseph Stiebitz also made a name for himself as the "father of the poor of the city". In addition to other foundations, he supported above all the still very young Handlungskrankeninstitut (hospital) "Confraternity", for whose chapel he donated a large part of the decoration. In 1830 he was appointed general director of the bourgeois merchant profession. He was also one of the first members of the Gesellschaft der Musikfreunde (Society of Friends of the Music in Vienna). All parts of the house city 312 (but without the ownership rights to the shop) came under a inheritance contract from 2 May 1842 together with the house city 307 in one hand. On October 31, 1848, the house was hit by two shotgun balls, which penetrated through an iron-studded balcony in the back of the wine bar and were found only years later in an adaptation. When the troops moved into the city, nobody was allowed to show themselves on the streets or behind the windows. However, a maid ignored this ban and looked out of the window of this house, whereupon she was killed by a shotgun in front of the eyes of nineteen-year-old Rosa Stiebitz, the wife of Alois Stiebitz (son of Joseph Stiebitz). Rosa and Alois Stiebitz introduced regular music evenings in the house, in which the most important artists of the time were often and welcome guests. Between 1842 and 1882 the two houses 307 and 312 were built into one, which was acquired in 1882 by Franz Josef Stiebitz, who already owned the house city 313.
In 1901, the house together with the neighboring buildings city 313 and 314 was replaced by a new building designed by Julius Mayreder, in which the wine and delicatessen "Zum schwarzen Kameel (to the black Camel)" was again housed. It was still owned by the Stiebitz family until 1951 and was sold to the Erste Österreichische Sparkasse (First Austrian Savings Bank) this year.
From the family of Johann Baptist Cameel sprang the learned missionary and botanist P. Georg Josef Cameel (Camelius), after whom Carl Linnaeus one of him in the Philippines discovered flower "camellia" named.
See also: Bogner alley 5.
Dependence of the employee on the employer
The employees in the wine and delicatessen "To the black camel" had 1818 as employees accounts with their boss, on that their salary was booked on a monthly basis. As was customary a that time, no cash was issued. Only if one could motivate that one needed cash for a special occasion, money was paid out. The boss participated from time to time in the purchases. The thriftiness of the employees was promoted in such a way that some could become self-employed after 10 or 20 years with the saved money. Even the marriage license had to give the boss. The relationship of subservience of employees was emphasized by the fact that they were called "individuals" in their contracts, even if they were in a "high position".
Businesses and companies within the house over the years
Gewürzkrämerei (spice store) "To the black camel"
Wine and delicatessen "To the black camel"
Zum schwarzen Kameel, (1, Bognergasse 5, Teil; Konskriptionsnummer 312), Hausschild.
Hier standen ursprünglich zwei Gebäude: Ein Haus war schon ab dem zweiten Viertel des 15. Jahrhunderts im Besitz von Bognern und gehörte 1455 dem Bogner Erhart Fütterer von Retz und 1458 dem Bogner Stefan Leyser. Auch das andere Haus gehörte Bognern. Seine erste urkundliche Erwähnung stammt aus dem Jahr 1456. Im Jahr 1527 erwarb Maler Hanns Gruntmann beide Häuser. Sein Besitznachfolger ließ die beiden vor 1539 zu einem verbauen, das 1619 in den Besitz des Handelsmannes Johann Baptist Cameel kam, der (aus seiner Vaterstadt Brünn nach Wien gekommen) hier eine Gewürzkrämerei einrichtete. Sein Geschäft benannte er "Zum schwarzen Kameel" und gab später auch dem Haus ein gleichlautendes Schild. Da Cameel große Schulden hinterließ, wurde das Gebäude gemeinsam mit seinen beiden anderen Häusern Stadt 307 und 311 (beide gingen im Haus Bognergasse 5 auf) 1640 öffentlich versteigert und vom Handelsmann Andre Getto erworben, der auch das Haus Stadt 320 (Hallweilsches Haus; Am Hof 3, Teil) besaß. Danach hatten die drei Gebäude jedoch wieder unterschiedliche Besitzer.
Anfang 19. Jahrhundert wurde der zu einer Weinstube erweiterte Laden (Wein- und Delikatessenhandlung) von der besseren Gesellschaft Wiens gern aufgesucht und war vor allem als Frühstücksstube stadtbekannt. Beethoven war ein häufiger Gast, der bei der damaligen Besitzerin, Frau Stiebitz, Wein, Zucker und Kaffee kaufte. Im oberen Stockwerk des Hauses wohnte Anfang der 20er Jahre des 19. Jahrhunderts der Dichter und Komponist Friedrich August Kanne. Zu dieser Zeit gehörte das Gebäude dem k.k. Hauptmann Franz Galle, der laut einer Gedenkschrift (F. J. Stiebitz: Gedenkschrift anläßlich der Demolierung des alten Kameelhauses in der Bognergasse. 1901) das erste Opfer der 1830 in Wien grassierenden Cholera geworden und binnen drei Stunden gestorben sein soll.
Zwischen 1828 und 1882 gibt es unterschiedliche Angaben zu diesem Haus: Laut Czeike (Felix Czeike: Historisches Lexikon Wien) waren Haus und Weinstube 1828 im Besitz von Joseph Stiebitz († 1852), der das angrenzende Haus "Zu den drei Tirolern" (Stadt 313; heute ebenfalls Bognergasse 5) dazukaufen musste, um dessen Parterrelokal zur Erweiterung seines florierenden Geschäfts zu benützen. 1882 war sein Enkel (Franz) Josef Stiebitz Besitzer.
Harrer (Paul Harrer: Wien, seine Häuser) hingegen gibt an, dass das Haus nach Galles Tod auf drei Erben aufgeteilt wurde. Die Wein- und Delikatessenhandlung gehörte jedoch seit Mai 1818 Joseph Stiebitz und zwei Mitbesitzern und ab 1823 Joseph Stiebitz allein. Der zu zahlende Zins für Lokal, Kellereien und Wohnung betrug im Jahr 1824 6.500 Gulden, was für die damalige Zeit ein sehr hoher Betrag war. 1835 (nach der bereits erwähnten Gedenkschrift 1828) kaufte Stiebitz das Nachbarhaus Stadt 313 ("Zu den drei Tirolern" oder "Zu den drei Schweizern"), um sein Geschäft zu erweitern. Joseph Stiebitz machte sich auch einen Namen als "Armenvater der Stadt". Neben anderen Stiftungen unterstützte er vor allem das noch sehr junge Handlungskrankeninstitut "Confraternität", für dessen Kapelle er einen Großteil der Ausschmückung spendete. 1830 wurde er zum Generalvorstand des bürgerlichen Handelsstandes ernannt. Er gehörte außerdem zu den ersten Mitgliedern der Gesellschaft der Musikfreunde. Alle Teile des Hauses Stadt 312 (jedoch ohne die Besitzrechte am Geschäft) kamen laut einem Erbschaftsvertrag vom 2. Mai 1842 zusammen mit dem Haus Stadt 307 in eine Hand. Am 31. Oktober 1848 wurde das Haus von zwei Kartätschenkugeln getroffen, die durch einen mit Eisen beschlagenen Balkon in den hinteren Teil der Weinstube eindrangen und erst Jahre danach bei einer Adaptierung gefunden wurden. Als die Truppen in die Stadt einzogen, durfte sich niemand auf den Straßen oder hinter den Fenstern zeigen. Ein Dienstmädchen missachtete jedoch dieses Verbot und sah aus dem Fenster dieses Hauses, worauf es durch einen Flintenschuss vor den Augen der neunzehnjährigen Rosa Stiebitz, der Gattin von Alois Stiebitz (Sohn von Joseph Stiebitz), getötet wurde. Rosa und Alois Stiebitz führten im Haus regelmäßige Musikabende ein, bei denen die bedeutensten Künstler der damaligen Zeit oft und gern gesehene Gäste waren. Zwischen 1842 und 1882 wurden die beiden Häuser 307 und 312 zu einem verbaut, das 1882 von Franz Josef Stiebitz erworben wurde, der bereits das Haus Stadt 313 besaß.
1901 wurde das Haus samt den Nachbarhäusern Stadt 313 und 314 durch einen Neubau nach Plänen von Julius Mayreder ersetzt, in dem wieder die Wein- und Delikatessenhandlung "Zum schwarzen Kameel" untergebracht wurde. Es stand noch bis 1951 im Besitz der Familie Stiebitz und wurde in diesem Jahr an die Erste österreichische Sparkasse verkauft.
Aus der Familie des Johann Baptist Cameel entsproß der gelehrte Missionar und Botaniker P. Georg Josef Cameel (Camelius), nach dem Linné eine von ihm auf den Philippinen entdeckte Blume "Kamelie" benannte.
Siehe auch: Bognergasse 5.
Abhängigkeit der Arbeitnehmer vom Arbeitgeber
Die Arbeitnehmer in der Wein- und Delikatessenhandlung "Zum schwarzen Kameel" hatten 1818 als Angestellte Konten bei ihrem Chef, auf die ihr Gehalt monatlich gut gebucht wurde. Nach damaligem Brauch wurde kein Bargeld ausgestellt. Nur wenn man motivieren konnte, dass man aus einem besonderen Anlass Bargeld brauchte, wurde ausbezahlt. Der Chef beteiligte sich ab und zu bei den Ankäufen. Der Sparsinn der Angestellten wurde derart gefördert, dass sich manche nach 10 oder 20 Jahren mit dem gesparten Geld selbständig machen konnten. Selbst die Eheerlaubnis hatte den Chef zu erteilen. Das Untertänigheitsverhältnis der Angestellten wurde dadurch betont, dass sie in ihren Kontrakten "Individuen" genannt wurden, auch wenn sie sich in "gehobener Stellung" befunden.
Gewerbe und Firmen innerhalb des Hauses im Laufe der Jahre
Gewürzkrämerei "Zum schwarzen Kameel"
Wein- und Delikatessenhandlung "Zum schwarzen Kameel"
Photo Colab between myself and Sarah Walker
Photos taken by Sarah Walker
Concept/camera lens/model/edits by me ( Erin Conley )
The concept started as taking macro shots of the veins in my wrists, and evolved into how much we could abstract my hands and arms. Turned into a project of movement, lighting and color. I love the expressive quality of hands, how much can be said with them.
These were shot all getto-fabulous, using a bed sheet as the backdrop, and a plastic blue poncho as our 'color gel' over our light source. :P
My Websites: lostreach.blogspot.com/
www.facebook.com/pages/Reach/120421084710480
Sarah Walker:
After liquidating the Warsaw ghetto in 1943 the Germans retained a few thousand Jewish slave labourers, most of whom were imprisoned in the "Gęsiowka" concentration camp. On 27th July 1944 the Germans decided to evacuate the Gęsiówka camp to Dachau. More than 400 inmates, incapable of marching, were shot and only 350 were left behind.
The camp was liberated by Polish resistance fighters belonging to the Zośka battalion of the Armia Krajowa on 5th August 1944, during the Warsaw Uprising, freeing the remaining 350 Jewish prisoners (mainly foreigners from Czechoslovakia, France, Greece, Hungary, Belgium and Germany).
1- Plan B Ft. Tony Dize- Solos
2- Voltio Ft. Daddy Yankee- Dimelo Mami (Remix)
3- Cosculluela Ft. Jowell & Randy- Nananau (Remix)
4- Arcangel Ft. John Jay- Movimiento Violento
5- Tempo Ft. Daddy Yankee, Cosculluela & Ñengo Flow- Talento De Un Barrio Fino (Remix)
6- Daddy Yankee- El Ritmo No Perdona
7- Lui-G, Dalmata, Ñejo,Ñengo Flow, J Alvarez, Chino Nyno & Franco El Gorilla- Mujeres Talentosas
8- Nova & Jory- Bien Loko
9- Cheka Ft. Ñengo Flow- Moriran
10- J King & Maximan- Rastrillea 2 (Official & Completa)
11- De La Getto Ft. Willy Cultura- Yo Fumo (I Love Marihuana)
12- Plan B- Se Safo
13- Yomo Ft. Wibal & Alex- Matando La Liga (Remix)
14- Farruko Ft. Jadiel "El Incomparable"- Chuleria En Pote
15- Guelo Star- Pendiente A Mí
16- Cristian Castro Ft. Rakim & Ken Y- El Culpable Soy Yo (Remix)
17- Joan & Oneill- No Me Digas
18- Zion & Lennox- No se (Remix)
19- La Sista- Se Le Ve
20- Gadiel- Pueso Pa Ti
Day 61.
An empty parking lot is something very appealing; at least to me. I guess it's the intersection of all the parallel and perpendicular lines. Also, the openness and emptiness of a cleared space.
I saw a lot of great photographs on empty lot online, but I couldn't capture one myself. I tried and tried, but failed.
One day, I will master it.
Dit 11 meter hoge monument is ter ere van de Joodse strijders die tijdens de Warschau getto opstand om het leven zijn gekomen. Het reliëf aan de voorzijde van het monument laat een groep Joodse vrijheidsstrijders zien met in het midden Mordechaj Anielewicz, commandant van de Joodse Strijdorganisatie. Het reliëf aan de achterzijde laat een groep marcherende joden zien die af worden gevoerd naar de vernietigingskampen.
Bron: www.tracesofwar.nl/sights/5291/Monument-Getto-Opstand-War...
Rondreis Polen met Djoser van 11 t/m 24 mei 2019 ...
Rumbach Street Synagogue (Little Synagogue), built from1869 to 1872.
Style: Moorish Revival
Architect: Otto Wagner & Kallina Mór (Moritz Kallina)
en.wikipedia.org/wiki/Otto_Wagner
mek.oszk.hu/04000/04093/html/szocikk/12423.htm
en.wikipedia.org/wiki/Rumbach_Street_synagogue
en.wikipedia.org/wiki/Otto_Wagner
hu.wikipedia.org/wiki/Rumbach_utcai_zsinag%C3%B3ga
hu.wikipedia.org/wiki/Otto_Wagner
A „zsinagóga háromszög” (a volt gettó területe):
www.mazsike.hu/a+%E2%80%9Elezart+dossziet%E2%80%9D+ujra+m...
www.mazsike.hu/a+%E2%80%9Elezart+dossziet%E2%80%9D+ujra+m...
Storico Carnevale di Ivrea
edizione 2013
Battaglia delle Arance
Tuchini del Borghetto
Lunedì 11 febbraio 2013
i tuchini ...sotto la neve!
Soldati alla guerra...
Borghetto
Ivrea
Italia
have a look to the whole set on facebook:
www.facebook.com/media/set/?set=a.426405797441658.99167.1...
This small street situated between Zielna Street and Gzybowski Square was at the eastern extremity of the so-called "small ghetto" (the part of the Warsaw ghetto south of Chłodna Street) from November 1940 until the autumn of 1942, when this area of the ghetto was liquidated during Grossaktion Warschau. Much of the street has recently been renovated but a few original buildings that were occupied by inhabitants of the ghetto are still standing....
Symcha Rotem (Kazik Ratajzer) speaking at the ceremony of unveiling the memorial honouring the Warsaw Ghetto Resistance Fighters’ Evacuation as foreign minister Sikorski holds an umbrella over his head.
Symcha Rotem (Kazik Ratajzer) przemawia podczas ceremonii odsłonięcia pomnika upamiętniającego ewakuację bojowników z warszawskiego getta. Minister spraw zagranicznych Sikorski osłania go parasolem przed ulewnym deszczem.
Vicino a Borgo a Mozzano in garfagnaga
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C'era una volta, in un borgo sulle rive del Serchio, un bravo e stimato campomastro al quale gli abitanti del paese si erano rivolti per fare costruire un ponte che collegasse i due borghi divisi dal fiume. L'abile campomastro si mise subito all'opera, ma ben presto vide che il lavoro non procedeva con quella sveltezza che lui aveva promesso ai compaesani e, siccome era un uomo ligio al dovere e puntuale agli impegni, cadde nel più profondo sconforto e nella disperazione. Continuò a lavorare con lena giorno e notte, pur di finire il ponte per il giorno stabilito nel contratto, ma il lavoro lentamente e, al contrario i giorni passavano veloci. Una sera, mentre il capomastro sedeva da solo sulla sponda del Serchio a guardare il lavoro e a pensare alle vergogna e al disonore che avrebbe subito per non aver terminato il ponte in tempo utile, gli apparve il Diavolo sotto l'aspetto di un rispettabile uomo d'affari. Andò subito incontro al brav'uomo dicendoli che lui sarebbe stato capace di finire il ponte in una sola notte. L'uomo rimase incredulo alle parole del Diavolo, ma continuò ad ascoltarlo e alla fine accetto la proposta. Naturalmente l'avversario avrebbe avuto la sua parte: il campomastro si sarebbe dovuto impegnare a consegnargli l'anima della prima persona che avrebbe attraversato il ponte una volta finito. Il campomastro accettò e il giorno dopo il borgo ebbe il suo ponte snello ed elegante, come si può vedere ancora oggi a Bogo a Mozzano. La gente stupefatta e incredula andò a complimentarsi con il bravo artigiano il quale raccomandò di non oltrepassare il ponte prima che il sole fosse tramontato. Intanto il capomaestro montò sul suo cavallo e si diresse a Lucca, un po' preoccupato a dire il vero, per consultarsi con il Vescovo che a quel tempo era San Frediano. Il santo gli disse di non preoccuparsi e di lasciare che il Diavolo prendesse l'anima del primo che avrebbe attraversato il ponte, ma sarebbe sto dovere suo far sì che per primo passasse un maiale. Così fu fatto, e il Diavolo, inferocito per essere stato sconfitto, si gettò nelle acque del Serchio e da quel giorno non fu più visto da quelle parti.
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The Legend of the Devil's Bridge
Once upon a time a clever and respected master builder lived in a village on the banks of the Serchio River. The inhabitants of the village approached him, asking him to build a bridge to connect their village with the one across the river. He immediately set to work, but he soon saw that the work was not progressing as quickly as he'd promised his fellow citizens it would, and being a man of his word and one who always fulfilled his obligations, he became very unhappy and desperate. He continued to put great effort into the work day and night so as to finish the task within the time allowed for in the contract, but the work continued to proceed very slowly while the days flew by. One evening while the builder was sitting alone on the banks of the Serchio looking at the work and thinking of the shame and discredit he would suffer for not having completed it in time, the devil appeared to him in the form of a respectable businessman.
He went straight up to the builder telling him that he'd be able to finish the bridge in a single night. The man didn't believe what the devil was saying, but listened anyway, and in the end accepted his proposal. Naturally the devil wanted something in return: the builder was to undertake to give him the soul of the first person that crossed the bridge when it was completed. The builder accepted and the following day the village had its beautiful bridge that can still be seen today in Borgo a Mozzano.
The people were stunned and unable to believe what had been accomplished, and went to congratulate this craftsman who ordered them not to cross the bridge before sunset. In the meantime, the builder got on his horse, a little worried if the truth be told, and set off for Lucca to ask the Bishop for advice. At that time the Bishop was Saint Frediano. This saintly man told him not to worry and to allow the devil to take the soul of the first person to cross the bridge, and told him to let a pig cross first. This was done and the devil, furious at having been tricked, threw himself into the waters of the Serchio, and has not been seen in the area since.
Zingiberaceae (ginger family) » Alpinia zerumbet
al-PIN-ee-uh -- named for Prospero Alpino, Italian botanist
ZER-um-bet -- derived from a Persian word
commonly known as: butterfly ginger, light galangal, pink porcelain lily, shell flower, shell ginger • Chinese: 艳山姜 da cao kou • Finnish: galangajuuri • German: porzellan-ingwerlilie • Japanese: getto • Maori (Cook Islands): kaopu‘i, kopi ‘enua • Pinyin: yàn shanjiang • Swedish: galangarot • Russian: al'piniia prekrasnaia • Samoan: teuila • Thai: ข่าคม kha khom • Tongan: teuila • Vietnamese: gừng ấm, riềng ấm, riềng đẹp, sẹ nước
Native to: India, eastern Asia
References: Flowers of India • Floridata • Wikipedia • PIER species info • M.M.P.N.D.
©Max Slaughter 2010 all rights reserved
Model: Kristen
Strobist info: AB 800 @1/2 into large white styrofoam v card AB on camera left. AB800 @ 1/8 in AB beauty dish above subject. AB400 @ 1/4 in AB strip box on camera right behind subject. Fired by Pocket Wizard IIs.
Trying different ideas. bare AB into a getto reflector and a hair light. C&C welcome.
Me to my wife: "Well, what do you think?"
Wife: "Are you nuts?"
Me: "Have you ever been more impressed?"
Wife: "Yes, definitely."
Me: "Cool, huh?"
Wife: "Why is there 4 inches of good paper towels on the floor?"
Me: "It's my 'poor man's boombox!"'
Wife: "Have you lost your mind? What about all these paper towels?"
Me: "We're gonna be rich! Do you have the number of the US Patent Office?"
Wife: "Are you high?"
Me: "You don't LOVE it?"
Wife: *Sigh*
DC5G5759-1r