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MUSEO VIRREINAL
1892 Ex Convento Franciscano y Parroquia de San Miguel Arcángel (Zinacantepec) Estado de México
El museo cuenta con una valiosa colección de libros y misales, con los que se ha integrado una biblioteca.
De esta forma el ex-convento franciscano de Zinacantepec, que se supone se inició su edificación, antes de 1550 y su consagración por 1560 o 1570 aproximadamente, representa un valor histórico religioso que los habitantes del municipio mucho valoran como parte de su patrimonio y que el gobierno federal con fecha 6 de septiembre de 1933 lo declaró monumento nacional.
Museo de Arte Virreinal. Ubicado en pleno zócalo del municipio de Zinacantepec, al que se puede llegar por vía terrestre, partiendo de la ciudad. de Toluca, o de las vías terrestres de los pueblos circunvecinos, ideal para conocer la actividad evangelizadora de los franciscanos a los grupos indígenas.
Museo Virreinal de Zinacantepec
Zinancatepec, palabra de origen náhuatl que significa en este lugar se encuentra el ex-convento de la orden franciscana, establecido en la Nueva España en el siglo XVl, cuya construcción fue solicitada al virrey y por el encomendero Juan Sámano, quien estaba a cargo del gobierno de esta población.
El Museo virreinal fue inaugurado el 5 de Julio de 1980, por el entonces Presidente de la República mexicana, Lic. José López Portillo, con el objeto de difundir entre la población el ambiente y la vida conventual de los franciscanos durante la época virreinal, asimismo mostrar las características del arte religioso de los siglos XVI al XIX. El Museo cuenta con 18 salas, entre ellas el Bautisterio, en este espacio se encuentra la pila bautismal, la cual es monolítica, del siglo XVI y pone de manifiesto la mano de obra índigena, arte tequitqui, la pila presenta en su borde superior un cordón franciscano, más abajo una leyenda en lengua náhuatl qué explica: esta pila fue hecha en el año de 1581. Tiene cuatro medallones con temas bíblicos "La lucha del arcángel San Miguel con Luzbel", el "Bautismo de Jesús". La capilla abierta surge para contrarrestar la renuencia de los índigenas a celebrar sus cultos y ceremonias en interiores, los sacerdotes oficiaban las actividades religiosas en este sitio. El altar, consta de pinturas al fresco realizadas en el siglo XVI con imágenes de San Francisco de Asís. Las pinturas son de estilo renacentista. Anteportería, en la parte superior, encontramos el fresco del árbol geneológico de "San Francisco de Asís". La portería, da acceso al claustro bajo, conserva frescos de estilo mudejar (Arte Arabé). El Anterrefectorio, se aprecia un lavabo empotrado, de piedra, donde se aseaban antes de tomar sus alimentos en el refectorio. En la cocina, se encuentra una chimenea de estilo medieval y junto a ella tenemos la Alacena, donde guardaban semillas. Claustro Alto, aquí se ubican celdas dos de ellas eran para visitas importantes, pues son las más amplias, en ellas existen pinturas de los siglos XVI al XIX, casi todas ellas anónimas, excepto la pintura del artista Andrés de la Concha, en estos espacios también se conservan frescos del siglo XVI.
Sala de Virreyes, hay 60 óleos de los virreyes que gobernaron durante la época de la Nueva España, son copias de los originales que se encuentran actualmente en el Museo de Historia, en Chapultepec, su autor es Horacio. Biblioteca, se resguardan 4,800 volúmenes, todos escritos en latín y español antiguo, sus temas son religiosos, algunos conservan sellos de diversas órdenes religiosas.
El Museo Virreinal de Zinacantepec, fue construido entre 1550 y 1560, alguna vez fue el convento que albergó a los primeros hombres religiosos que iniciaron la evangelización entre el pueblo indígena a través del catecismo.En el interior del convento que desde el 5 de julio de 1980 funciona como Museo se puede apreciar la existencia de lugares especiales para la elaboración de pan, esto porque los franciscanos no sólo impartían la religión mediante los misales, sino que se apoyaban en la comida que compartían con el pueblo para que éstos se sintieran atraídos", dijo Vilchis.La construcción franciscana, de dos plantas terminadas con piedra negra, cal y tezontle, comentó, es uno de los tres centros más importantes de esta orden católica que arribó al Estado de México, los otros dos son Los Portales en Toluca y el que se encuentra en Metepec."Este ex convento y hoy museo, no sólo es importante por su arquitectura, por su capilla abierta, su anteportería, su portería, claustro bajo y sala de 'profundis' donde los franciscanos velaban a sus muertos o su anterefectorio y refectorio, que servían para mantener los alimentos perecederos en buen estado, sino también por la actividad cultural y religiosa que tenían."El acervo en cuanto libros que tiene este Museo, de un periodo de 1500 a 1800 lo hacen uno de las colecciones más importantes de libros franciscanos porque se tienen alrededor de 4 mil 800 títulos, que hablan sobre misales, vidas de santos y colecciones de otras órdenes como la de los carmelitas, dominicos y agustinos", afirmó.Actualmente el Museo Virreinal forma parte de los puntos más interesantes de esta región, junto con la Parroquia de San Miguel Arcángel, donde la gente realiza sus ceremonias religiosas como bodas, bautizos, quince años y presentaciones que forman parte de su vida diaria siempre apegada a la herencia de parte de los franciscanos
© copyrighted image; all rights reserved.
The Seven chair (3107), designed by Arne Jacobsen.
This set of photos is a try to capture the mood and feeling of some things we’ve got at home. I didn’t want to photograph the whole, but rather some details that would give out the mood of the object. For this I used the 5D with the 100mm macro lens. All shot handheld with available light.
NARMADA PARIKRAMA
The Narmada also called the Rewa, is a river in central India and the fifth longest river in the Indian subcontinent. It is the third longest river that flows entirely within India, after the Godavari and the Krishna. It is also known as "Life Line of Madhya Pradesh" for its huge contribution to the state of Madhya Pradesh in many ways. It forms the traditional boundary between North India and South India and flows westwards over a length of 1,312 km (815.2 mi) before draining through theGulf of Khambhat into the Arabian Sea, 30 km (18.6 mi) west of Bharuch city of Gujarat. It is one of only three major rivers in peninsular India that run from east to west (longest west flowing river), along with the Tapti River and the Mahi River. It is the one of the rivers in India that flows in a rift valley, flowing west between the Satpura and Vindhya ranges. The other rivers which flows through rift valley include Damodar River in Chota Nagpur Plateau and Tapti. The Tapti River and Mahi River also flow through rift valleys, but between different ranges. It flows through the states of Madhya Pradesh(1,077 km (669.2 mi)), and Maharashtra, (74 km (46.0 mi))– (35 km (21.7 mi)) then along the border between Madhya Pradesh and Maharashtra (39 km (24.2 mi) and the border between Madhya Pradesh and Gujarat and in Gujarat (161 km (100.0 mi)).
The Periplus Maris Erythraei (c. 80 AD) calls it the Nammadus, and theBritish Raj called it the Nerbudda or Narbada. Narmadā is a Sanskrit word meaning "the Giver of Pleasure".
To Hindus the Narmada is one of the five holy rivers of India; the other four beingGanges, Yamuna, Godavari and Kaveri. It is believed that a dip in any of these five rivers washes one's sins away. According to a legend, the river Ganges, polluted by millions of people bathing in it, assumes the form of a black cow and comes to the Narmada to bathe and cleanse itself in its holy waters. Legends also claim that the Narmada River is older than the river Ganges.
The river was mentioned by Ptolemy in the second century AD as Namade and by the author of the Periplus. The Ramayana, the Mahabharat, and thePuranas refer to it frequently. The Rewa Khand of Vayu Purana and the Rewa Khand of Skanda Purana are entirely devoted to the story of the birth and the importance of the river, and hence Narmada is also called the Rewa.
There are many fables about the origin of the Narmada. According to one of them, once Lord Shiva, the Destroyer of the Universe, meditated so hard that he started perspiring. Shiva's sweat accumulated in a tank and started flowing in the form of a river – the Narmada. Another legend has it that two teardrops that fell from the eyes of Lord Brahma, the creator of the universe, yielded two rivers – the Narmada and the Son.
Legends also say that for Lord Shiva, the Hindu God, the river is especially sacred on account of its origin, and it is often called Shankari, i.e., daughter of Shankar (Lord Shiva). All the pebbles rolling on its bed are said to take the shape of his emblem with the saying, "Narmada Ke Kanker utte Sankar" (a popular saying in the Hindi belt of India), which means that 'pebble stones of Narmada get a personified form of Shiva'. These lingam shaped stones (cryptocrytalline quartz), calledBanalinga also called (Banashivalingas) are much sought after for daily worship by the Hindus. The Brihadeeswara Temple in Thanjavur, Tamil Nadu, constructed by Rajaraja Chola, has one of the biggest Banalingas. Adi Shankara met his guru Govinda Bhagavatpada on the banks of the river Narmada.
Narmada is also said to have been in love with the Sonbhadra, another river flowing on the Chota Nagpur Plateau. According to the Puranas, the Narmada is also called the Rewa, from its leaping motion (from the root 'rev') through its rocky bed.
Important religious places and Ghats along the course of the river, starting from its origin at Narmadakhund at Amarkantakhill, are a) the Amarkantak (in Sanskrit: Neck of Shiva) or Teertharaj (the King of Pilgrimages), b) Omkareshwar, Maheshwar, and Mahadeo temples, Nemawar Siddeshwar Mandir in the middle reach of the river – all named after Shiva, c) Chausath Yogini (sixty four yoginis) temple, d) Chaubis Avatar temple, e) Bhojpur Shiva temple and Bhrigu Rishi temple in Bharuch. The Narmada River is also worshipped as mother goddess by Narmadeeya Brahmins.
The importance of the Narmada River as sacred is testified by the fact that the pilgrims perform a holy pilgrimage of aparikrama or circumambulation of the river.[17] The Narmada Parikrama, as it is called, is considered to be a meritorious act that a pilgrim can undertake. Many sadhus and pilgrims walk on foot from the Arabian Sea at Bharuch in Gujarat, along the river, to the source in Maikal Mountains (Amarkantak hills) in Madhya Pradesh and back along the opposite bank of the river. It is a 2,600-kilometre (1,600 mi) walk.[18] Important towns of interest in the valley are Jabalpur, Barwani, Hoshangabad, Harda, Narmada Nagar, Omkareshwar, Dewas (Nemavar, Kity, Pipri), Mandla and Maheshwar in Madhya Pradesh, andRajpipla and Bharuch in Gujarat. Some places of historical interest are Joga Ka Quilla, Chhatri of Baji Rao Peshwa andBhimbetka, and among the falls are the Dugdhdhara, Dhardi falls, Bheraghat, Dhuandhara, Kapiladhara and Sahastradhara. By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com
NARMADA PARIKRAMA
The Narmada also called the Rewa, is a river in central India and the fifth longest river in the Indian subcontinent. It is the third longest river that flows entirely within India, after the Godavari and the Krishna. It is also known as "Life Line of Madhya Pradesh" for its huge contribution to the state of Madhya Pradesh in many ways. It forms the traditional boundary between North India and South India and flows westwards over a length of 1,312 km (815.2 mi) before draining through theGulf of Khambhat into the Arabian Sea, 30 km (18.6 mi) west of Bharuch city of Gujarat. It is one of only three major rivers in peninsular India that run from east to west (longest west flowing river), along with the Tapti River and the Mahi River. It is the one of the rivers in India that flows in a rift valley, flowing west between the Satpura and Vindhya ranges. The other rivers which flows through rift valley include Damodar River in Chota Nagpur Plateau and Tapti. The Tapti River and Mahi River also flow through rift valleys, but between different ranges. It flows through the states of Madhya Pradesh(1,077 km (669.2 mi)), and Maharashtra, (74 km (46.0 mi))– (35 km (21.7 mi)) then along the border between Madhya Pradesh and Maharashtra (39 km (24.2 mi) and the border between Madhya Pradesh and Gujarat and in Gujarat (161 km (100.0 mi)).
The Periplus Maris Erythraei (c. 80 AD) calls it the Nammadus, and theBritish Raj called it the Nerbudda or Narbada. Narmadā is a Sanskrit word meaning "the Giver of Pleasure".
To Hindus the Narmada is one of the five holy rivers of India; the other four beingGanges, Yamuna, Godavari and Kaveri. It is believed that a dip in any of these five rivers washes one's sins away. According to a legend, the river Ganges, polluted by millions of people bathing in it, assumes the form of a black cow and comes to the Narmada to bathe and cleanse itself in its holy waters. Legends also claim that the Narmada River is older than the river Ganges.
The river was mentioned by Ptolemy in the second century AD as Namade and by the author of the Periplus. The Ramayana, the Mahabharat, and thePuranas refer to it frequently. The Rewa Khand of Vayu Purana and the Rewa Khand of Skanda Purana are entirely devoted to the story of the birth and the importance of the river, and hence Narmada is also called the Rewa.
There are many fables about the origin of the Narmada. According to one of them, once Lord Shiva, the Destroyer of the Universe, meditated so hard that he started perspiring. Shiva's sweat accumulated in a tank and started flowing in the form of a river – the Narmada. Another legend has it that two teardrops that fell from the eyes of Lord Brahma, the creator of the universe, yielded two rivers – the Narmada and the Son.
Legends also say that for Lord Shiva, the Hindu God, the river is especially sacred on account of its origin, and it is often called Shankari, i.e., daughter of Shankar (Lord Shiva). All the pebbles rolling on its bed are said to take the shape of his emblem with the saying, "Narmada Ke Kanker utte Sankar" (a popular saying in the Hindi belt of India), which means that 'pebble stones of Narmada get a personified form of Shiva'. These lingam shaped stones (cryptocrytalline quartz), calledBanalinga also called (Banashivalingas) are much sought after for daily worship by the Hindus. The Brihadeeswara Temple in Thanjavur, Tamil Nadu, constructed by Rajaraja Chola, has one of the biggest Banalingas. Adi Shankara met his guru Govinda Bhagavatpada on the banks of the river Narmada.
Narmada is also said to have been in love with the Sonbhadra, another river flowing on the Chota Nagpur Plateau. According to the Puranas, the Narmada is also called the Rewa, from its leaping motion (from the root 'rev') through its rocky bed.
Important religious places and Ghats along the course of the river, starting from its origin at Narmadakhund at Amarkantakhill, are a) the Amarkantak (in Sanskrit: Neck of Shiva) or Teertharaj (the King of Pilgrimages), b) Omkareshwar, Maheshwar, and Mahadeo temples, Nemawar Siddeshwar Mandir in the middle reach of the river – all named after Shiva, c) Chausath Yogini (sixty four yoginis) temple, d) Chaubis Avatar temple, e) Bhojpur Shiva temple and Bhrigu Rishi temple in Bharuch. The Narmada River is also worshipped as mother goddess by Narmadeeya Brahmins.
The importance of the Narmada River as sacred is testified by the fact that the pilgrims perform a holy pilgrimage of aparikrama or circumambulation of the river.[17] The Narmada Parikrama, as it is called, is considered to be a meritorious act that a pilgrim can undertake. Many sadhus and pilgrims walk on foot from the Arabian Sea at Bharuch in Gujarat, along the river, to the source in Maikal Mountains (Amarkantak hills) in Madhya Pradesh and back along the opposite bank of the river. It is a 2,600-kilometre (1,600 mi) walk.[18] Important towns of interest in the valley are Jabalpur, Barwani, Hoshangabad, Harda, Narmada Nagar, Omkareshwar, Dewas (Nemavar, Kity, Pipri), Mandla and Maheshwar in Madhya Pradesh, andRajpipla and Bharuch in Gujarat. Some places of historical interest are Joga Ka Quilla, Chhatri of Baji Rao Peshwa andBhimbetka, and among the falls are the Dugdhdhara, Dhardi falls, Bheraghat, Dhuandhara, Kapiladhara and Sahastradhara. By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com
NARMADA PARIKRAMA
The Narmada also called the Rewa, is a river in central India and the fifth longest river in the Indian subcontinent. It is the third longest river that flows entirely within India, after the Godavari and the Krishna. It is also known as "Life Line of Madhya Pradesh" for its huge contribution to the state of Madhya Pradesh in many ways. It forms the traditional boundary between North India and South India and flows westwards over a length of 1,312 km (815.2 mi) before draining through theGulf of Khambhat into the Arabian Sea, 30 km (18.6 mi) west of Bharuch city of Gujarat. It is one of only three major rivers in peninsular India that run from east to west (longest west flowing river), along with the Tapti River and the Mahi River. It is the one of the rivers in India that flows in a rift valley, flowing west between the Satpura and Vindhya ranges. The other rivers which flows through rift valley include Damodar River in Chota Nagpur Plateau and Tapti. The Tapti River and Mahi River also flow through rift valleys, but between different ranges. It flows through the states of Madhya Pradesh(1,077 km (669.2 mi)), and Maharashtra, (74 km (46.0 mi))– (35 km (21.7 mi)) then along the border between Madhya Pradesh and Maharashtra (39 km (24.2 mi) and the border between Madhya Pradesh and Gujarat and in Gujarat (161 km (100.0 mi)).
The Periplus Maris Erythraei (c. 80 AD) calls it the Nammadus, and theBritish Raj called it the Nerbudda or Narbada. Narmadā is a Sanskrit word meaning "the Giver of Pleasure".
To Hindus the Narmada is one of the five holy rivers of India; the other four beingGanges, Yamuna, Godavari and Kaveri. It is believed that a dip in any of these five rivers washes one's sins away. According to a legend, the river Ganges, polluted by millions of people bathing in it, assumes the form of a black cow and comes to the Narmada to bathe and cleanse itself in its holy waters. Legends also claim that the Narmada River is older than the river Ganges.
The river was mentioned by Ptolemy in the second century AD as Namade and by the author of the Periplus. The Ramayana, the Mahabharat, and thePuranas refer to it frequently. The Rewa Khand of Vayu Purana and the Rewa Khand of Skanda Purana are entirely devoted to the story of the birth and the importance of the river, and hence Narmada is also called the Rewa.
There are many fables about the origin of the Narmada. According to one of them, once Lord Shiva, the Destroyer of the Universe, meditated so hard that he started perspiring. Shiva's sweat accumulated in a tank and started flowing in the form of a river – the Narmada. Another legend has it that two teardrops that fell from the eyes of Lord Brahma, the creator of the universe, yielded two rivers – the Narmada and the Son.
Legends also say that for Lord Shiva, the Hindu God, the river is especially sacred on account of its origin, and it is often called Shankari, i.e., daughter of Shankar (Lord Shiva). All the pebbles rolling on its bed are said to take the shape of his emblem with the saying, "Narmada Ke Kanker utte Sankar" (a popular saying in the Hindi belt of India), which means that 'pebble stones of Narmada get a personified form of Shiva'. These lingam shaped stones (cryptocrytalline quartz), calledBanalinga also called (Banashivalingas) are much sought after for daily worship by the Hindus. The Brihadeeswara Temple in Thanjavur, Tamil Nadu, constructed by Rajaraja Chola, has one of the biggest Banalingas. Adi Shankara met his guru Govinda Bhagavatpada on the banks of the river Narmada.
Narmada is also said to have been in love with the Sonbhadra, another river flowing on the Chota Nagpur Plateau. According to the Puranas, the Narmada is also called the Rewa, from its leaping motion (from the root 'rev') through its rocky bed.
Important religious places and Ghats along the course of the river, starting from its origin at Narmadakhund at Amarkantakhill, are a) the Amarkantak (in Sanskrit: Neck of Shiva) or Teertharaj (the King of Pilgrimages), b) Omkareshwar, Maheshwar, and Mahadeo temples, Nemawar Siddeshwar Mandir in the middle reach of the river – all named after Shiva, c) Chausath Yogini (sixty four yoginis) temple, d) Chaubis Avatar temple, e) Bhojpur Shiva temple and Bhrigu Rishi temple in Bharuch. The Narmada River is also worshipped as mother goddess by Narmadeeya Brahmins.
The importance of the Narmada River as sacred is testified by the fact that the pilgrims perform a holy pilgrimage of aparikrama or circumambulation of the river.[17] The Narmada Parikrama, as it is called, is considered to be a meritorious act that a pilgrim can undertake. Many sadhus and pilgrims walk on foot from the Arabian Sea at Bharuch in Gujarat, along the river, to the source in Maikal Mountains (Amarkantak hills) in Madhya Pradesh and back along the opposite bank of the river. It is a 2,600-kilometre (1,600 mi) walk.[18] Important towns of interest in the valley are Jabalpur, Barwani, Hoshangabad, Harda, Narmada Nagar, Omkareshwar, Dewas (Nemavar, Kity, Pipri), Mandla and Maheshwar in Madhya Pradesh, andRajpipla and Bharuch in Gujarat. Some places of historical interest are Joga Ka Quilla, Chhatri of Baji Rao Peshwa andBhimbetka, and among the falls are the Dugdhdhara, Dhardi falls, Bheraghat, Dhuandhara, Kapiladhara and Sahastradhara. By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com
NARMADA PARIKRAMA
The Narmada also called the Rewa, is a river in central India and the fifth longest river in the Indian subcontinent. It is the third longest river that flows entirely within India, after the Godavari and the Krishna. It is also known as "Life Line of Madhya Pradesh" for its huge contribution to the state of Madhya Pradesh in many ways. It forms the traditional boundary between North India and South India and flows westwards over a length of 1,312 km (815.2 mi) before draining through theGulf of Khambhat into the Arabian Sea, 30 km (18.6 mi) west of Bharuch city of Gujarat. It is one of only three major rivers in peninsular India that run from east to west (longest west flowing river), along with the Tapti River and the Mahi River. It is the one of the rivers in India that flows in a rift valley, flowing west between the Satpura and Vindhya ranges. The other rivers which flows through rift valley include Damodar River in Chota Nagpur Plateau and Tapti. The Tapti River and Mahi River also flow through rift valleys, but between different ranges. It flows through the states of Madhya Pradesh(1,077 km (669.2 mi)), and Maharashtra, (74 km (46.0 mi))– (35 km (21.7 mi)) then along the border between Madhya Pradesh and Maharashtra (39 km (24.2 mi) and the border between Madhya Pradesh and Gujarat and in Gujarat (161 km (100.0 mi)).
The Periplus Maris Erythraei (c. 80 AD) calls it the Nammadus, and theBritish Raj called it the Nerbudda or Narbada. Narmadā is a Sanskrit word meaning "the Giver of Pleasure".
To Hindus the Narmada is one of the five holy rivers of India; the other four beingGanges, Yamuna, Godavari and Kaveri. It is believed that a dip in any of these five rivers washes one's sins away. According to a legend, the river Ganges, polluted by millions of people bathing in it, assumes the form of a black cow and comes to the Narmada to bathe and cleanse itself in its holy waters. Legends also claim that the Narmada River is older than the river Ganges.
The river was mentioned by Ptolemy in the second century AD as Namade and by the author of the Periplus. The Ramayana, the Mahabharat, and thePuranas refer to it frequently. The Rewa Khand of Vayu Purana and the Rewa Khand of Skanda Purana are entirely devoted to the story of the birth and the importance of the river, and hence Narmada is also called the Rewa.
There are many fables about the origin of the Narmada. According to one of them, once Lord Shiva, the Destroyer of the Universe, meditated so hard that he started perspiring. Shiva's sweat accumulated in a tank and started flowing in the form of a river – the Narmada. Another legend has it that two teardrops that fell from the eyes of Lord Brahma, the creator of the universe, yielded two rivers – the Narmada and the Son.
Legends also say that for Lord Shiva, the Hindu God, the river is especially sacred on account of its origin, and it is often called Shankari, i.e., daughter of Shankar (Lord Shiva). All the pebbles rolling on its bed are said to take the shape of his emblem with the saying, "Narmada Ke Kanker utte Sankar" (a popular saying in the Hindi belt of India), which means that 'pebble stones of Narmada get a personified form of Shiva'. These lingam shaped stones (cryptocrytalline quartz), calledBanalinga also called (Banashivalingas) are much sought after for daily worship by the Hindus. The Brihadeeswara Temple in Thanjavur, Tamil Nadu, constructed by Rajaraja Chola, has one of the biggest Banalingas. Adi Shankara met his guru Govinda Bhagavatpada on the banks of the river Narmada.
Narmada is also said to have been in love with the Sonbhadra, another river flowing on the Chota Nagpur Plateau. According to the Puranas, the Narmada is also called the Rewa, from its leaping motion (from the root 'rev') through its rocky bed.
Important religious places and Ghats along the course of the river, starting from its origin at Narmadakhund at Amarkantakhill, are a) the Amarkantak (in Sanskrit: Neck of Shiva) or Teertharaj (the King of Pilgrimages), b) Omkareshwar, Maheshwar, and Mahadeo temples, Nemawar Siddeshwar Mandir in the middle reach of the river – all named after Shiva, c) Chausath Yogini (sixty four yoginis) temple, d) Chaubis Avatar temple, e) Bhojpur Shiva temple and Bhrigu Rishi temple in Bharuch. The Narmada River is also worshipped as mother goddess by Narmadeeya Brahmins.
The importance of the Narmada River as sacred is testified by the fact that the pilgrims perform a holy pilgrimage of aparikrama or circumambulation of the river.[17] The Narmada Parikrama, as it is called, is considered to be a meritorious act that a pilgrim can undertake. Many sadhus and pilgrims walk on foot from the Arabian Sea at Bharuch in Gujarat, along the river, to the source in Maikal Mountains (Amarkantak hills) in Madhya Pradesh and back along the opposite bank of the river. It is a 2,600-kilometre (1,600 mi) walk.[18] Important towns of interest in the valley are Jabalpur, Barwani, Hoshangabad, Harda, Narmada Nagar, Omkareshwar, Dewas (Nemavar, Kity, Pipri), Mandla and Maheshwar in Madhya Pradesh, andRajpipla and Bharuch in Gujarat. Some places of historical interest are Joga Ka Quilla, Chhatri of Baji Rao Peshwa andBhimbetka, and among the falls are the Dugdhdhara, Dhardi falls, Bheraghat, Dhuandhara, Kapiladhara and Sahastradhara. By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com
This is another costume from Götterdämmerung. Although my team did not make this particular dress (for Gutrune), we have made several almost identical ones for Fricka and her double in the previous operas.
I spotted the dress drying in the sun on the back loading dock, sparkling nicely in the light. It is on a plastic-wrapped display mannequin, having just been painted (the dark vertical lines between each pleat). Pretty much all the costumes in this production get some kind of paint treatment after we construct them, so I wanted to capture part of that process.
Lighting: The sun was coming from high behind the form, and I overexposed to burn out the sky. To fill in the front right I used an SB-800 through an umbrella.
75/365
Forms of Nature #7: Hummingbird
digital collage
by Kenneth Rougeau
The seventh image in the new "Forms of Nature" series of digital collages I'm currently creating using the fantastic illustrations of Ernst Haeckel, this one created from a single hummingbird. Prints are available in my Etsy store (artfamilia). At present, I'm planning several individual pieces and one large scale triptych for the series. More to come soon!
Quórum formado pelos conselheiros Nestor Baptista, Artagão de Mattos Leão, Fernando Augusto Mello Guimarães, Ivan Lelis Bonilha, Ivens Linhares e auditores Tiago Pedroso e Claudio Augusto Canha.
Ministério Público: Procurador Gabriel Guy Léger
Secretária: Maria Estephania Domenici
Local: Plenário do TCE-PR
Autor: Wagner Araújo
Piece of wall decoration in the form of the heavily stylized mask of the Mayan rain god Chac, with his huge hooked nose. This sculpture comes from the site of Kabah in Yucatan, we were later to see many more not far away at Uxmal.
The Museo Nacional de Antropología (National Museum of Anthropology) in Mexico City is one of the great museums of the World. It is the most visited in Mexico and the foremost repository of the country's ancient art and cultures, with extensive collections representing the Aztec, Mayan, Olmec and many more of Mexico's ancient civilisations.
The collections are housed in an impressive modern building arranged around a huge courtyard (part of which is covered by a canopy supported solely by a bronzed column ('el paraguas') adorned with relief). The complex is the work of architect Pedro Ramirez Vazquez and opened in 1964.
No visitor to Mexico City should miss this museum and it's amazing contents, which include some of the best known, most iconic surviving relics of the pre-Columbian World.
Copyright - All Rights Reserved - Black Diamond Images
Family : Fabaceae/Caesalpinioideae
Cassia roxburghii is a graceful tree with drooping branches that appear to be weighed down by its prolific canopy of clusters of pink, rose or orange flowers in axillary and terminal, often branched, racemes. The flower petals are approximately 1.3cm long.
Here in Cardwell in Tropical North Queensland,Australia where I saw this variety of this tree the upper surfaces of the branches were laden with pinkish orange flowers. The flowers were smaller than Cassia javanica, with conspicuous yellow stamens.
I later photographed a similar tree but with red flowers a few streets away after the owner of this tree directed me to the location.
The 2 slightly differently coloured flowering trees I saw were obviously young and no doubt would eventually get much larger. Red cassia or Ceylon Senna, as it is sometimes called, is native to Sri Lanka and southern India.
More Cassia roxburghii images.
FIELD GUIDE : FLOWERING TREES of the WORLD ----> Scientific Names DATABASE
(~4.9 centimeters across at its widest)
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Igneous rocks form by the cooling & crystallization of hot, molten rock (magma & lava). If this happens at or near the land surface, or on the seafloor, they are extrusive igneous rocks. If this happens deep underground, they are intrusive igneous rocks. Most igneous rocks have a crystalline texture, but some are clastic, vesicular, frothy, or glassy.
Obsidian is readily identifiable. It is a glassy-textured, extrusive igneous rock. Obsidian is natural glass - it lacks crystals, and therefore lacks minerals. Obsidian is typically black in color, but most obsidians have a felsic to intermediate chemistry. Felsic igneous rocks are generally light-colored, so a felsic obsidian seems a paradox. Mafic obsidians are scarce, but they are also black and glassy.
Obsidian is an uncommon rock, but can be examined at several famous localities in America, such as Obsidian Cliff at the Yellowstone Hotspot (northwestern Wyoming, USA) and Big Obsidian Flow at the Newberry Volcano (central Oregon, USA).
Obsidian is moderately hard and has a conchoidal fracture (smooth and curved fracture surface), with sharp broken edges. Freshly-broken obsidian has the sharpest edges of any material known, natural or man-made (as seen under a scanning electron microscope).
Obsidian forms two ways: 1) very rapid cooling of lava, which prevents the formation of crystals; 2) cooling of high-viscosity lava, which prevents easy movement of atoms to form crystals. An example of obsidian that formed the first way is along the margins of basaltic lava flows at Kilaeua Volcano (Hawaii Hotspot, central Pacific Ocean). The obsidian sample seen here formed the second way.
This is a photograph from the 41st Rennicks Cup and 38th Father Delany Cup 5 Mile Road Race and 5KM Fun Run organised by Bohermeen AC and held at Bohermeen AC, Ardbracan, Navan, Co. Meath, Ireland on Sunday 8th of September 2013 at 12:00. This is great local club support as the race forms part of the Meath Road Race League.
Electronic timing and event management was provided by Precision Timing [www.precisiontiming.net].
The wonderful atmosphere, the great racing and participation, the work by the club, Meath Athletics, and the local community are a great tribute to the resilience and long tradition of this race. Congratulations to everyone involved. Everything that is good about grassroots athletics and running in Ireland is always on show in Bohermeen.
Bohermeen AC can rightly claim to be one of the most active accredited race organisers in Ireland. In the Spring they host their Spring Half Marathon (see www.flickr.com/photos/peterm7/sets/72157632906920970/), in the summer they host their Patrick Bell 5KM Road Race (see here www.flickr.com/photos/peterm7/sets/72157634010225199/), with proceedings finishing in the early Autumn with the Rennicks Cup. Astonishingly over their 3 race series this year Bohermeen AC have had a total of almost 1,500 participants. These numbers speak for themselves with the proceeds of these races going directly back into the athletics club and grass-roots athletics in the county.
This is photograph is part of a largest set of photographs from the start and the end of the race which are organised into the following Flickr set [http://www.flickr.com/photos/peterm7/sets/72157635427779978/].
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Overall Race Summary
Participants: Approximately 150 people took part in the 5 mile event. The 5KM had many families involved.
Weather: The weather was slightly mixed. There was a cool breeze seemingly on the face of runners for many parts of the left handed course. There was a very light sure during the early part of the race whilst later in the race there were some heavier showers.
Course: The race starts just west of the Bohermeen Athletics Track and Club House (about 500 meters from the finish line) and proceeds down the straight road (Newline) passing the club house. The race takes runners over the M3 motorway and the a very sharp left turn uphill at Arbraccan brings the runners heading northwards to another left turn and back up a rise over the M3 motorway again. For the remainder of the race the route is flat with no hills or drags. The section between miles 3 and 4 are sheltered by high hedgerows and passes Durhamstown Castle one of the oldest lived in houses in Ireland. The final mile brings runners into Bohermeen village with the school and church to their left. The race then takes its final left turn back onto the straight newline road where runners pass the start of the race and the final 400 meters which brings runners onto the gravel track and across the finish line.
Location Map: Start/finish area and registration etc on Google StreetView [goo.gl/maps/KW9Lt]
Refreshments: The folks at Bohermeen AC and the local community a wonderful spread of sandwiches, cakes, buns, teas and coffees in the sports hall afterwards.
Some Useful Links
Google Streetview of the Location of the Race: goo.gl/maps/KW9Lt
Bohermeen AC Facebook Page: www.facebook.com/bohermeen.ac
Durhamstown castle www.theposhnoshclub.com/ and en.wikipedia.org/wiki/Durhamstown_Castle
Previous Photographs of this event on our Flickr Account
The 2012 Bohermeen 5 Mile Race on our Flickr account: www.flickr.com/photos/peterm7/sets/72157631480629738/
The 2011 Bohermeen 5 Mile Race on our Flickr account:: www.flickr.com/photos/peterm7/sets/72157627521363685
The 2010 Bohermeen 5 Mile Race on our Flickr account: www.flickr.com/photos/peterm7/sets/72157624815250347
How can I get a full resolution copy of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available offline, free, at no cost, at full image resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. Taking the photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
Hydrangea macrophylla subsp. macrophylla (Hydrangea)
Deep purple flower form at Waipoli Rd Kula, Maui, Hawaii.
June 16, 2010
This lichen prouces soredia, small roughly spherical units made up of fungal hyphae and algal cells that are capable of reproducing the lichen assexually. In this case, the soredia are produced in localized regions of the thallus, rather confusingly called soralia (sing. soralium). The soralia are the more or less circular raised patches with a mealy texture seen in this image
A functional chain with print supports still attached to the build platform after being 3D printed with a Formlabs Form 2 SLA 3D Printer using Tough Resin.
Free for use under Creative Commons license. If you use this image, please link to "formlabs.com/3d-printers/" in your attribution.
Many of the tropical butterflies have distinctive seasonal forms. This phenomenon is termed seasonal polyphenism and the seasonal forms of the butterflies are called the dry-season and wet-season forms. How the season affects the genetic expression of patterns is still a subject of research. The dry-season forms are usually more cryptic and it has been suggested that the protection offered may be an adaptation. Some also show greater dark colours in the wet-season form which may have thermoregulatory advantages by increasing ability to absorb solar radiation.
The wet-season form has large, very apparent multiple eyespots whereas the dry-season forms have very reduced, oftentimes nonexistent, eyespots. Larvae that develop in hot, wet conditions develop into wet-season adults whereas those growing in the transition from the wet to the dry season, when the temperature is declining, develop into dry-season adults. This polyphenism probably has an adaptive role. In the dry-season it is disadvantageous to have conspicuous eyespots because they blend in with the brown vegetation better without eyespots. By not developing eyespots in the dry-season they can more easily camouflage themselves in the brown brush. This minimizes the risk of visually mediated predation. In the wet-season, these brown butterflies cannot as easily rely on cryptic coloration for protection because the background vegetation is green. Thus, eyespots, which may function to decrease predation, are beneficial for Satyrine butterflies like the Bushbrown to express.
Pu'er, Yunnan, China
see comments for wet season form......
La entrega forma parte del programa de la Transformación Educativa y consistió en el envío de 92 mil piezas de equipamiento.
Ver boletín del evento:
es.scribd.com/doc/257455107/02-03-2015-Entrega-Gobernador...
www.slideshare.net/GuillermoPadres/b031505
Entrega Gobernador Padrés el más grande equipamiento educativo
Forma parte de la Transformación Educativa y va para diferentes municipios donde se abatirá el rezago en mobiliario principalmente de mesabancos.
HERMOSILLO, SONORA, MARZO 02 DE 2015.- Con una inversión de 120 millones de pesos, el Gobernador Guillermo Padrés entregó y dio el banderazo de salida al equipamiento educativo más grande de su administración, con lo que se logra abatir un rezago muy importante en mobiliario y cerrar muy fuerte el ciclo escolar.
La entrega forma parte del programa de la Transformación Educativa y consistió en el envío de 92 mil piezas de equipamiento que se componen de 55 mil 500 mesabancos para niños de tercer grado en adelante, 17 mil espacios didácticos para niños de preescolar y 11 mil mesas trapezoidales para pequeños de segundo grado de preescolar.
Así como mil 500 pintarrones, sillas apilables, equipos secretariales y 2 mil 600 aires acondicionados tipo minisplit que harán frente a las inclemencias del clima en el próximo verano.
“Es una inversión de arriba de 120 millones de pesos, nunca se había visto una entrega tan grande de tantos artículos precisamente en fortalecimiento a la educación, con más de 92 mil piezas que se están mandando a las escuelas estamos logrando abatir gran parte de los rezagos”, expresó.
Previo al banderazo de los trailers cargados con el material, el Gobernador Padrés específicó que los materiales van para los niños y jóvenes de los municipios de Hermosillo, Puerto Peñasco, Guaymas, Agua Prieta, Navojoa, Santa Ana, San Luis Río Colorado y Caborca,
Acompañado del Secretario de Educación y Cultura, Jorge Luis Ibarra Mendivil y ante estudiantes de la primaria Margarita Romandía, el mandatario estatal reconoció el esfuerzo de los docentes y padres de familia para trabajar en conjunto en la Transformación Educativa.
“Tomamos una decisión de la cual me siento muy orgulloso de en mi carrera política, una de las decisiones más importantes, que es invertirle a la educación pública en el estado de Sonora, porque es la base de desarrollo en cualquier sociedad en México y en el mundo”, recalcó el Gobernador
El Secretario de Educación y Cultura, Jorge Luis Ibarra Mendívil, dijo que al inicio de la presente administración se tenía un déficit de 40 mil mesabancos en las escuelas con precarias instalaciones físicas en mayor parte de la entidad.
Estos años, con el esfuerzo del Gobierno del Estado y con este lanzamiento habremos entregado 120 mil mesabancos, que significan resolver problemáticas muy fuerte al interior de las escuelas que se nos agudizó en el ciclo 2013-2014, cuando tuvimos un crecimiento exponencial en escuelas secundarias de 16 mil niños adicionales a los estábamos recibiendo, dijo.
Estuvieron presentes el Director General del Instituto Sonorense de Infraestructura (ISIE), Luis Felipe Romero López; el Presidente de la Asociación Nacional de Padrés de Familia, Noé Delgado Molina; así como los dirigentes de las secciones 28 del SNTE, Francisco Javier Duarte Flores y de la sección 54, Jesús Jaime Rochin Carrillo.
With oven set to 375 deg. F., slide in the plastic. Now with the oven light on, watch the plastic VERY carefully. In about 30 seconds, it'll start to droop.
Now work quickly! Throw open the oven, carefully yank out the frame with your gloved, unburnt hand, and kick on the vacuum cleaner with your foot!
Chocolate sponge sandwiched with chocolate buttercream ganache and covered in a mix of fondant and chocolate flavoured fondant. All decorated to look like Alakay from the film Madagascar.
An important Limoges champlevé enamel gilt copper tabernacle, late 12th / early 13th century.
The rectangular form with pyramidal top and palmette finial, the body with turquoise and dark blue enamel ground interspersed with rosettes, circles and cross-forms and with horizontal bands.
The front panel with a figure of Christ in relief flanked by the Virgin and St. John with relief heads.
The side panel with door depicting full length images of St. Peter and Paul within an arched niche, their heads in relief.
The back panel with the enthroned Virgin in relief and within an aureole.
The final side panel depicting the Myhr-Bearing Women and Angel, their heads in relief.
Each triangular panel of the pyramidal top depicting a symbol of one of the Four Evangelists, with the faces in relief.
No podíamos faltar a la gran cita tenística que tuvo lugar la pasada semana en Barcelona, así que un equipo de La Web del Tenis La Amistad formado por Rafa González y José Sepúlveda partieron rumbo a Cataluña para disfrutar de lo que ha sido la mejor edición del Torneo Conde Godó según la propia organización.
Los mejores jugadores en tierra batida del circuito ATP acudieron al torneo que deparó enfrentamientos interesantísimos como el
Mario Ancic-Andy Murray ó el Nalbandian-Calleri, además disfrutamos de los apasionantes partidos del invencible Nadal y seria un error el no estacar a una de las nuevas promesas del circuito, Ernest Gulbis, un jugador que dará mucho que hablar en el futuro, propietario de un gran tenis que seguro le llevará a lo mas alto del circuito ATP en breve.
En resumen, un torneo de lujo, con una organización inmaculada y en un club en el que se respira tenis por todos los rincones, sin nada que envidiar al Masters Series de Madrid, el Godó es un punto de referencia para todo la comunidad tenística española y un claro símbolo de la identidad y calidad de nuestro tenis en polvo de arcilla.
No podíamos faltar a la gran cita tenística que tuvo lugar la pasada semana en Barcelona, así que un equipo de La Web del Tenis La Amistad formado por Rafa González y José Sepúlveda partieron rumbo a Cataluña para disfrutar de lo que ha sido la mejor edición del Torneo Conde Godó según la propia organización.
Los mejores jugadores en tierra batida del circuito ATP acudieron al torneo que deparó enfrentamientos interesantísimos como el
Mario Ancic-Andy Murray ó el Nalbandian-Calleri, además disfrutamos de los apasionantes partidos del invencible Nadal y seria un error el no estacar a una de las nuevas promesas del circuito, Ernest Gulbis, un jugador que dará mucho que hablar en el futuro, propietario de un gran tenis que seguro le llevará a lo mas alto del circuito ATP en breve.
En resumen, un torneo de lujo, con una organización inmaculada y en un club en el que se respira tenis por todos los rincones, sin nada que envidiar al Masters Series de Madrid, el Godó es un punto de referencia para todo la comunidad tenística española y un claro símbolo de la identidad y calidad de nuestro tenis en polvo de arcilla.
No podíamos faltar a la gran cita tenística que tuvo lugar la pasada semana en Barcelona, así que un equipo de La Web del Tenis La Amistad formado por Rafa González y José Sepúlveda partieron rumbo a Cataluña para disfrutar de lo que ha sido la mejor edición del Torneo Conde Godó según la propia organización.
Los mejores jugadores en tierra batida del circuito ATP acudieron al torneo que deparó enfrentamientos interesantísimos como el
Mario Ancic-Andy Murray ó el Nalbandian-Calleri, además disfrutamos de los apasionantes partidos del invencible Nadal y seria un error el no estacar a una de las nuevas promesas del circuito, Ernest Gulbis, un jugador que dará mucho que hablar en el futuro, propietario de un gran tenis que seguro le llevará a lo mas alto del circuito ATP en breve.
En resumen, un torneo de lujo, con una organización inmaculada y en un club en el que se respira tenis por todos los rincones, sin nada que envidiar al Masters Series de Madrid, el Godó es un punto de referencia para todo la comunidad tenística española y un claro símbolo de la identidad y calidad de nuestro tenis en polvo de arcilla.
Gallery 208. Bodhisattva Avalokiteshvara in Water Moon Form (Shuiyue Guanyin). 11th Century, Liao Dynasty.
Routing 30,000 randomly-chosen trips through the paths suggested by 10,000 randomly-chosen geotags. These are perhaps the most interesting routes between the endpoints of the trips, even if not necessarily the most likely.
Data from the Twitter streaming API, August, 2011. Base map from OpenStreetMap, CC-BY-SA.
Former Ampsin quarry, in the commune of Amay.
Ruins of industrial installations for the treatment of lime.
Ancienne carrière d'Ampsin, commune d'Amay. Ruines d'installations industrielles pour le traitement de la chaux.
Une vieille caisse pourrie abandonnée sur le sol, rappelant un peu un cercueil.
Ilford HP5+ 800iso Adonal 1+25 8'
Concrete forms used to pour closure walls on multi-story building in Florida. For more information on aluminum concrete forms visit www.wallties.com
Sheep queue in the snow for supplementary food on Malham Moor. The amazing thing to me was there was not a sheepdog in sight!!!!
De forma accidental, en 1903, se hallaron los restos de unos baños árabes en el Campo de los Santos Mártires, que meses más tarde fueron soterrados. Entre 1961 y 1964, un grupo de historiadores cordobeses sacó a la luz dicha construcción, dejando constancia de la gran envergadura de la misma.
Estos baños o hammam, contiguos al desaparecido Alcázar omeya, al cual con toda seguridad pertenecían, posiblemente fueran los más importantes de la ciudad. Las abluciones y limpieza corporal constituían una parte esencial en la vida del musulmán. Eran preceptivos de la oración, además de constituir un rito social.
Realizados bajo el califato de Alhakem II, forman un conjunto de estancias con muros de sillería. Se cierran con bóvedas (donde aparecen los característicos lucernarios de estrella), soportadas por arcos ultra semicirculares sobre capiteles y columnas de mármol.
Durante los siglos XI al XIII, fueron reutilizados por almorávides y almohades, prueba de ello son las yeserías talladas con motivos de ataurique y franjas epigráficas de la época que se guardan en el museo arqueológico.