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For most who live in towns larger than mine (that would be anyone living anyplace with a population over 9000), downtown may seem like a non-event. I prefer to think of it as quaint. Here, Aradan graciously hangs from some bridge railings across the river from the famous Coke sign. It is famous. Really.

Nothing lasts forever. Everything fades away, but nothing is eternal. Do I believe that? Does it matter? I do know that, for all the times that I've got nothing to say, nothing can put an end to my silence. I understand that nothingness is comforting in a way, that for all the busy-ness going on around me, there will always be a time that I can step back and be absent from myself. Just like when I'm asleep. I know that, for some small part of the night, when I'm lost away into some dream or nightmare, unaware and unremembered hours pass by unnoticed until dawn. Where does the time go? Does it matter?

 

I don't want to sound like I'm unconcerned about the passage of time, but I don't want to give the impression that I'm constantly aware of it, either. Would that image be accurate or not? There's no denying that I find it hard to settle down, to tune out and separate myself from the ever-passing moment. There's something strange about writing your thoughts from a place of disconnected observation, the naked awareness of self watching self, as if waiting for change will somehow make it come to pass. But we all need a nature, and that is mine. Always has been. Sometimes, when I'm looking for a better conclusion to my personal story, I find myself creating situations that I "do something". I start a conversation, visit a place, make a friendship. That what's it like when you feel more like a character than an author, when perhaps you shouldn't be feeling like either.

 

There's no easy end to any thought, as I discover the more that I write. I used to believe that every story you tell is some sort of lead-in to fantasy, an escape from a reality that's apparently too hard to handle. Writing has become more like a chain than a train of thought, a series of iron links that wrap around me and the person I'm trying to reach. Readers are so unidentifiable, they rarely speak for themselves. Maybe we've been inventing a world where everyone is fishing but no one is taking the bait. What does that say about us as air breathers? Maybe, in the end, we're all just gasping for water.

For information on Margarita Island or Isla Margarita please visit our web site at www.casatrudel.com/

Check this wallpaper on our site: bit.ly/1B5NodH

#2015, #For, #Hair, #In, #Men, #Straight, #Straight-Hair

Mario Balcazar, a PhD student in nuclear engineering and radiological sciences, working with an infrared viewer on the ZEUS laser alignment procedure in preparation for an experiment at the Center for Ultrafast Optical Science on the North Campus of the University of Michigan on Tuesday, May 31, 2022. When the laser operates in low-power mode work can safely be completed wearing goggles, however when the laser runs at high-power the radiation emitted during the pulse-matter interaction is too high for a human to be in the same room.

 

The Center for Ultrafast Optical Science is advancing high-energy density physics using laser driven particle accelerators.

 

Photo: Brenda Ahearn/University of Michigan, College of Engineering, Communications and Marketing

Check out my albums for many more car shots!

Thanks for viewing the official Streamy Awards photos!

 

The exclusive photos of the winners and presenters are here. You don't want to miss those!

 

We could not have done this without our awesome team of associate photographers:

Bonny Pierzina

Gabriel Ryan

Laura Kearse

Joe Philipson

Kevin Calumpit

Luis Miguel Munoz-Najar

 

Actually, without our production team we could not have done this either:

Josh Allard

Megan Chrisofferson

Mark Bealo

Scott Kearse

 

Thanks so much everyone for your hard work, and thanks so much Streamy Awards for using us again for the official photography!

 

Please feel free to use these photos under a Creative Commons Attribution license (which means you may use the photos as long as you attribute the photos to TheBuiBrothers.com and provide a link back to TheBuiBrothers.com)

 

You can learn more about the Sreamy Awards by visiting www.streamys.org

 

Also, you can learn more about these photos by visiting our website with our favorite Streamy Awards photos.

For everyone who says I never have any people in my photos..

For the first week, the girls had to show us their potential by ending a photo that captured their essence of being a model.

 

Placement: 9th

Organizing for America, the national network of Obama supporters, is revving up support for healthcare reform with a bus tour that started in Phoenix. The "Health Insurance Reform Now" bus will make 11 stops between August 26, 2009 and when members of Congress return to Washington, hitting up Albuquerque, N.M., Denver, Raleigh, N.C., and Pittsburgh.

 

In this photo the Health Care Reform Now Bus moves onto the city streets of Phoenix to continue its long journey across the U.S., next stop, Albuquerque, New Mexico.

OK, it is time for me to work through some of my bird and other wildlife pictures from Costa Rica. For those that have visited this country, you will know that the sheer numbers and the extraordinary diversity of species is quite amazing. Every day we would continue to be amazed by all the birds and other animals that we got to see.

 

In the rain forest of Costa Rica, our first stop near the Sarapiqui River, we got to see a lot of fruit loving birds, including this Blue-gray Tanager. This particular tanager is found from Brazil through to Mexico and was quite prolific here, sneaking in to get some bananas whenever the toucans were not in the way.

"Connecting Our Communities" is a campaign fundraising event and celebration!

 

BIOGRAPHY:

 

Dr. Jennifer Ong for Assembly 2012

 

Uniquely qualified to run for Assembly District 20’s seat. Here is why…

 

Over the last twenty years, Dr. Jennifer Ong has made a commitment in her professional work and volunteer efforts to improve the quality of life for all Californians. Having experienced first-hand what decent union jobs can do for families with fair wages, health benefits and a pension- Jennifer’s mother worked at the concession stands in the Oakland Coliseum and her father was a produce man at Lucky’s grocery store- Jennifer and her three siblings who were successful products of local public school education earned their college degrees through their parents’ union benefits and accessible student loans.

 

Jennifer has been a successful advocate for health care in Sacramento as a leader in the state and county optometric associations and the founder of the Alameda County Hepatitis B Free Campaign. In Washington D.C., Jennifer served as a member of the State Government Relations Executive Board of the American Optometric Association. Jennifer has advocated, monitored and crafted legislative policies such as:

 

1) SB 120 – The legislation which requires nutritional information to be posted in restaurant chains

2) AB 1224 – The legislation which increases access to vision services for the needy especially those living in remote areas

3) The prevention of the elimination of eye care benefits to Medi-Cal recipients

 

Jennifer’s legislative experiences around social justice have been extensive while serving as a cohort for Urban Habitat’s Social Equity Caucus and as a leader for various Asian Pacific American organizations. After assisting internationally on behalf of environmental issues, Jennifer returned to her local community, to provide conservation education to Hayward schools, to reduce blight as a member of the Keep Hayward Clean and Green Task Force and to decrease crime while serving on Alameda County’s Family Violence Council.

 

Jennifer served as the Chair of the Gender and Racial Equity Committee and completed her term as the first appointed Chair of the Budget Committee of the Alameda County Commission on the Status of Women. Acknowledging her experiences as a Filipino immigrant at 11 years old, Jennifer possesses a deep appreciation for the many ways we can all advance the cause of a more just and respectful diverse society.

 

After acquiring accessible capital for a small business loan, Jennifer purchased and continues to successfully manage her own optometric practice for over 12 years. She prides herself on being a responsible and conscientious small business owner. Jennifer employs 7 members of her office staff and contributes directly to the local economy and the community.

 

Dr. Jennifer Ong has the skills and experiences to be a leader in Sacramento who will turn challenges into opportunities for restoring success to California.

 

More information visit: drjenniferong.org

A National Historic Landmark

Monterey County, CA

Listed: 02/27/1987

 

Asilomar (Spanish for "retreat" or "refuge by the sea") was designed as the Young Women's Christian Association's national camp and conference grounds in the West. It is significant for its role in the work of the Association and in the development of the Monterey peninsula as a resort area. It is also notable architecturally, as an example of its style and as an outstanding work by Julia Morgan, a noted California architect, who was one of the first women to achieve eminence in the architectural profession in the United States.

The Young Women's Christian Association (YWCA), which pioneered in recreation and leadership training for young women, established Asilomar in 1913. Previously, the YWCA's western conferences had been held at Mills College, near Oakland, California, in 1897; at the Hotel Capitola ("Guardamar"), in Santa Cruz, which burned in 1912, in 1900-11; and in tents at the "hacienda" of Mrs. Phoebe Apperson Hearst, of the publishing family, in 1912. In 1913, Mrs. Hearst, a vigorous supporter of the YWCA movement, motivated the Pacific Improvement Company (a predecessor of the present-day Del Monte interests), to donate to the "YW" 30 undeveloped seaside acres in Pacific Grove that became the nucleus of Asilomar.

The task of developing Asilomar fell to Julia Morgan (1872-1957). Morgan was the first woman to receive an architect's license in California. She had also been the first woman accepted in the architecture section of L'Ecole de Beaux- Arts in Paris. When she took on the Asilomar project, Morgan had already designed the main buildings at Mills College and additions to Mrs. Hearst's "hacienda."

The historic core of the Asilomar Conference Grounds contains 11 buildings, all designed by the noted American architect, Julia Morgan, in a rustic "Craftsman" mode intended to fit sensitively into the scenic oceanside location. Built among the dunes and Monterey pines of Asilomar Beach, the buildings utilize compatible materials such as redwood shingles and shakes, exposed stone foundations, porch piers, and fireplaces.

The focal point of the complex is the large circle flanked on the three land sides by the Administration Building (east), the Chapel (north), and the Crocker Dining Hall (south). Dormitory facilities lie to the east and north of this core. Access roadways, following Morgan's plan, wind through the complex from the massive stone entrance gates, also designed by her; retaining walls are of exposed stone; and pathways are often lined with stone where they cut into the grade. New constructionhas occurred around the edges of the historic core. It does not obscure the view from the historic structures to the sea.

The features that remain from the historic period are: the Entrance Gates (1913), Administration Building (Phoebe A. Hearst Social Hall) (1913), Crocker Dining Hall (Mary A. Crocker Kitchen and Dining Room) (1918), Memorial Chapel (1915), The Lodge (Visitor's Lodge) (about 1918), Scripps Lodge (1927-28), Viewpoint (originally the "Health Cottage") (about 1918), Hilltop ("Stuck-Up Inn") ("House of Happiness") (about 1918), Outside Inn (about 1913), Merrill Hall (1927-28), Tide Inn ("Pirates Inn") ("Reserve Cottage") (1923), Pinecrest (David Visel's Cottage) (1927-28), Along with the road plan, the Morgan-era structures are all judged to contribute to the historic significance of the complex.

Shot from Necroday III, an event run by Op-For. 8/02/2009

Material: Cotton & Chiffon

Color Option: Baby Blue

Size: Free Size

Clothes Length: 62cm, Bust: 92cm, Shoulder Width: 35cm, Sleeve length: 55cm

 

www.buytrends.com/Products/sweet-long-sleeve-flounces-car...

 

Important Note:

1. The size refers to clothing dimensions, NOT your body measurements.

 

2. Please check the measurement chart carefully. Because of different producing batches, there may be deviation of 2~3 cm.

 

3. Due to limitations in photography and the inevitable differences in monitor settings, the colors shown in the photograph may not correspond 100% to those in the items themselves.

For directions/recipe for making playdough see Playdough.

Efter kontakt med en representant för Uspastorps hemsida som bor strax intill fick jag följande information:

Stenbyggnaden är en jordkällare och det är en vanlig missuppfattning att det var en bostad. På andra sidan vägen sett från jordkällaren finns en liten skogsdunge, där finns resterna av grunden till bostadshuset. Det lär ha varit en ladugårdsliknande byggnad där djuren höll till i ena ändan av huset och så bodde man i den andra. I boken - Ett torp i Starrkärr-Kilanda socknar framgår följande:

"Per Larsson född 1798, hustru Karin Andersdotter född 1797. Barnen hette Lotta, Anders, Johannes, Lars, Anna Maria (född 1837) och Andreas. Marken reducerades till 1/4 mantal 1860. Makarna Per och Karin flyttar in på ett undantag 1863 och barnen Johannes, Andreas och Lotta bor kvar på 1/4 mantal. Lotta dör 1879 och då flyttar pigan Maria Kristina Andreasdotter född 1852 till bröderna. Hon bor kvar där till sin död 1931 och har då troligen fått ärva ovan nämnda undantag."

Huset stod sedan öde och det ryktas att ungdomar gick dit och spelade kort. Marken kom senare i Sigurd Johansson, Uspastorps ägo.

---------------------------------------

After contact with a representative of Uspastorps website who lives next door, I got the following information:

This stone building is a root cellar and there is a common misconception that it was a home. On the other side of the road as seen from earth cellar there is a small grove of trees, which are the remains of the foundations for residential building. It is said to have been a barn-like building where the animals lived in one end of the house and so we lived in the other. The book - a cottage in Starrkärr-Kilanda parishes that:

"Per Larsson, born in 1798, wife Karin Andersdotter born 1797th kids named Lotta, Bob, John, Lars, Anna Maria (born 1837) and Andrew. The ground was reduced to 1/4 of a common size called "mantal". The couple Per and Karin move into an exception in 1863 and the children John, Andrew and Lotta lives at quarter "mantal". Lotta death in 1879 and then moving maid Maria Christina Andreas daughter born in 1852 to the brothers. She was still living there until his death in 1931 and has since likely inherited the above mentioned exception. "

The house was then deserted and it is rumored that young people went and played cards. The land was later in Sigurd Johansson Uspastorps possession.

Day One, best of the SEMA Show

Zalika Mounkaila (51) carrying a bucket of water back to the village.

  

Find out more about the West African food crisis

 

Photo: Aubrey Wade /Oxfam

Step for Stance Auto Party @ Tai Tong Organic Ecopark at Yuen Long, Hong Kong. Photo: Black Cygnus Photography

MARCH ON WASHINGTON FOR GUN CONTROL on Constitution Avenue at 9th Street, NW, Washington DC on Saturday morning, 26 January 2013 by Elvert Barnes PROTEST PHOTOGRAPHY

 

Visit Saturday, 26 January 2013 MARCH ON WASHINGTON FOR GUN CONTROL facebook events at www.facebook.com/GunCtrlMarch/events#!/events/13773795304...

 

Visit Elvert Barnes Saturday, 26 January 2013 MARCH ON WASHINGTON FOR GUN CONTROL docu-project at elvertbarnes.com/GunControlMarch-26January2013

For more information about this picture and the rest of the Kitesurfing series visit here:

 

www.storehouse.co/stories/r6yo-magical-sails

For this photo, I had the model sit down because when he was standing the background was to distracting. Also, I positioned the camera so that his back is towards the shadows, and his face towards the light. By shooting with soft side light, it allowed for catchlights in his eyes, but without a hard transition between the light and shadows. This provided a smoother transition between the side of his face into the shadows.

Aaron Tippin began performing for the troops 23 years ago on Bob Hope's 1990 USO Desert Storm Tour. And, showed no sign of slowing down as he entertained a packed house at Carey Fitness Center on Camp Casey Oct. 23.

For a good while we had hundreds of dolphin and porpoise playing all around the boat

2 Mamiya RZ Medium Format Cameras with Accessories

6E25 08:48 Crewe Gresty Green Through Sidings - Attercliffe EWS Sidings JHA ARC Wagon Hoppers for scrap move at Dronfield 26/11/2024

Buscando linces entre la niebla. Navidad 2011

For lunch I had a steak and ale pie, served with mash, taken alongside a Guinness, extra cold - 2 degrees centigrade colder, the bartender explained. It went down well, like all the other delicious meals I've had in England; and no doubt by now I have grown accustomed to inebriation at half past two. Besides, Liverpool were playing inspired football against Blackburn; and my lunch was complete.

For Vassilis Laliotis. This photograph was first exhibited in 2000 at my first solo exhibition.

 

WANT TO USE THIS IMAGE?

This image is copyright protected and is NOT free to use but you can probably find it at one of the picture agencies that represent me (which sometimes is free) or contact me directly via e-mail and buy it cheap. You find all the details here: carpe.nu/daniel-holking/

For week 2's theme: Building.

 

As my shot for the week, this is a building (literally), but it's also my first time using Lightroom. I've been processing my photos with Snapseed for a long time, but I really want to have more control over what I'm doing and have the processing be repeatable (which it totally isn't on Snapseed). So this is the start of building (figuratively) a new skill.

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