View allAll Photos Tagged For
1862. In fact, Gordon Evans says, HMAS SYDNEY [III} brought back 13 motorcycles owned by crew from Britain in 1949, along with a number of officers cars, and the Chief Air Officer's private Tiger Moth aircraft.
A lot of it was stored down in C. hangar, the repair shop, but a lot also came as deck cargo as the carriers were not flying on the delivery voyages.
And all this time - having seen those photos of SYDNEY, VENGEANCE and MELBOURNE arriving with cars and crates lined up on their flight decks - we thought they had been saving taxpayers money by shifting government cargo. "It would never have happened in the Royal Navy," Gordon told us, still amazed at this Down Under largesse, even decades later.
Photo: Courtesy ex-CPO Gordon Curtis Evans, Air Artificer RN, ex-HMAS SYDNEY. With kind permission for the Unofficial RAN Centenary 1911-2011 Photostream.
Design scetches for ceiling strip lighting of the Antwerp Jesuit church Peter and Paul
1 the Saint Caecilie
2 the Ascension
3 the Saint Jerome
4 the Annunciation
5 Esther in front of Ahasver
6 Adoration of the shepherds
On the history of women's studies at the Academy of Fine Arts Vienna
1897
Conservative journalist A.F. Seligmann founded the art school for women and girls and taught there as a single teacher 16 students in the "Curs for head and act". 1898 expands the school: Tina Blau, a former teacher of the Munich artists association conducts 1.1.1898 a "Curs for landscape and still-life", which she held until 1915. Richard Kauffungen was nominated for sculpture, Ludwig Michalek led the "Curs for head and act" as well as an Radierkurs (etching course), Adolf Böhm the course for decorative and applied arts, Fabiani teaches ornamentation and style of teaching as well as "Modern home furnishings", Georg Klimt taught metalwork, Friedrich King wood cutting art and Hans Tichy from 1900 the drawing and painting from the living model. In all these teachers are moderate modern artists from the area of the Secession. The theoretical lectures are held in the company founded by Emil Zuckerkandl and Julius Tandler 1900 "Association of Austrian university lecturers Athenaeum", which had the task to be "an educational institution for members of the female sex". The first school year was completed with 64 students, the school is rapidly expanding, so that it forms 200-300 students annually within a few years. The steady growth is due to the restrictive attitude of the public schools of art (especially the academy) towards women, but also from the indiscriminate admission of which have been blamed all the private schools also on the part of women harshly, and just by women.
1904
The Academy of Fine Arts Vienna is one of the many requests for opening the Academy for students once again putting the old arguments against that women are rarely equipped with creative spirit in the field of great art and the other a "proliferation of dilettantism and a pushing back of male members" is to be feared. Just the idea of a joint education had "abhorred" the College. The Academy therefore advocates for the financial support of the art school for women and girls, and rejects the application for opening the academy for women unanimously. The main argument for the impossibility of the joint Aktzeichnens (nude drawing) and the need for a second Aktsaales (nude hall) is increasingly mentioned, which cannot be realized because lack of space and lack of money. Henni Lehmann (Artistic studies of women, Darmstadt 1913) countered the same argument in Germany: "The common nude studies of women and men can not be described as impossible as it is done in many places, without having shown any grievances". The objection of the Quorum of the Berlin University professors that no teacher could be forced to teach women at all in such delicate subjects is countered that the problem was easily solved by entrusting a lady the Aktunterricht (nude drawing) in ladies. Suitable artists were plentiful present. That the life drawing for a long time (until 1937) remained problematic, shows the application of the renowned sculptor Teresa F. Ries of 1931, in which she was offering the Academy her services for the purpose of the management of a yet to be affiliated department, where young girls separated from the young men could work under the direction of a woman. The application was not even put to a vote.
1912
The rector of the Munich Academy also does not believe in the inclusion of students (female ones): "... it is impossible, even with regard to the space conditions, apart from that that the aspirations of the artists who devote themselves to the arts especially are usually others than that of women..."
1913
No significant change in attitude can be found between the opinions of the Academies from 1904 and those of 1913.
1919
In the report from the College's meeting of the Academy of Fine Arts Vienna to the State Office of Internal Affairs and Teaching is communicated that against the requested admission there were no fundamental objections, but that the Academy is so limited in spatial relationship, that after the experiences of the last entrance exams not even the majority of gifted young artists, capable of studying, could be included, and therefore, in case of the admission of women to the study initially had to be made a considerable expansion. The State Office counters that a further delay in the admission of women to the academic study could not be justified and that approval is to allow at least temporarily in a narrow frame.
1920
The State Office for the Interior and Education officially approved the admission of women to study at the Academy of Fine Arts Vienna (since 1919 women were admitted to all faculties of the University of Vienna, with the exception of the Catholic and Protestant Theological Faculty).
A committee consisting of the professors Bacher, Delug, Schmutzer, and Jettmar Muellner claims that the Academy has never pronounced in principle against women's studies but have always only expressed reservations because of the cramped space and financial situation. As a complete novelty proves that no more concerns are raised with regard to coeducation. Men and women should compete in the entrance examination. In the winter semester 1920/21 will be included 14 women, of course, representing only a small minority in relation to the 250 male students.
1926/1927
In the new study regulations are for the first time mentioned Schüler (M) and Schülerinnen (F).
March 1927
Report of the Academy of Fine and Applied Arts about the experiences regarding the access of women to universities: ..."in past years it was thought for the education of women and girls by the Academy of Women for Liberal and Applied Art, which is also equipped with academic classes and by the State subsidized, sufficiently having taken precautions: during a period of almost seven years of study, it was probably possible to get a clear picture about the access applications of women, and about the degree course ... Of course, the number of female candidates in the painting is strongest, weaker in sculpture, and very low in the architecture. As much already now can be said, that in no way in terms of education in the new admissions the women are left behind the male candidates. During the study period, the female students are not in diligence and seriousness of studying behind their male colleagues. Particularly gratifying can be emphasized that because of the co-education of both sexes in common rooms in the individual schools a win-win situation for everybody was. In the master schools the College was repeatedly able also honouring women with academic prices. Subsuming, it should be emphasized that our experiences with the study of women in the Academy of Fine Arts were quite favorable."
The number of students (Studentinnen) increased from 5 % in the winter semester 1920/1921 till 1939/1940 to about 25 %. After the annexation of Austria to Nazi Germany, the number of students (Studentinnen) decreased. The proportion of female students rose after 1940 naturally, reached during the war years up to 70 % and amounted 1945/1946 to 65%. From 1946/1947 the number of students (Studentinnen) fell sharply again, so 1952/1953 only 20% of the students at the Academy were women. 1963/1964 there were, however, already 41% (278).
2002
Students (Studentinnen): 570 of 936 students
University professors (Universitätsprofessorinnen): 9 out of 29
Ao Univ. (extraordinary female professors) 2 of 12
Univ.Ass. (female university assistant) 18 of 41
Contract teachers (Vertragslehrerinnen): 3 of 7
Lecturer (Lehrbeautragte): 32 of 46
Almut Krapf
www.akbild.ac.at/Portal/akademie/uber-uns/Organisation/ar...
For some reason I couldn't resist taking a photo of this bus with fleet number 747.
This 747 (YN04UJK) is with Nottingham City Transport. The occassion was an enthusiasts visit to the NCT depot on 25 October 08. The all-over white livery is for use on any "GO2" route. The changes made at NCT have been a successful move for the operator. Scanias have found favour here, with OmniDekkas; OmniCities and OmniLinks in the fleet.
The theme for the Show & Tell session of the November 15 Meeting of the BCD (Jigsaw society) was Christmas.
Here we have two small jigsaws showing the same image 'The Wonderful Jewels' a scene from the story of Aladdin. Unfortunately I do not know the name of the illustrator. The three larger images are of a Zig Zag 200pc jigsaw, measuring c8x12in. It looks to be strip cut in interlocking style and contains a few simple whimsies but no line-cutting. The small images show a budget version I own, cut in a standard sort of grid cut. It fits flat in its box which has a large image on the front.
I have found two further versions of jigsaws cut to this image.
The early push-fit version wrapped in film was brought to the meeting by its owner. The other is a Victory Gold Box Super Cut of 200pc, measuring 13x9in. It has a wavy edge, some line-cutting and a few simple whimsies.
Aladdin is now more familiar as a Christmas pantomime and Disney movie than as a story. Aladdin, a Middle Eastern folk tale, is one of the best known tales in The Book of One Thousand and One Nights ("The Arabian Nights"), although it was actually added to the collection in the 18th century by Frenchman Antoine Galland.
In the UK the story of Aladdin was dramatised in 1788 by John O'Keefe for the Theatre Royal, Covent Garden. It has been a popular subject for pantomime for over 200 years, and includes the well-known pantomime dame character Widow Twankey (Aladdin's mother). Pantomime versions often change the setting/story from China to the Middle East and introduce elements of other Arabian Nights tales (in particular Ali Baba). One version of the "pantomime Aladdin" is Sandy Wilson's musical Aladdin, from 1979.
The earliest surviving animated feature film is the 1926 film The Adventures of Prince Achmed, which combined the story of Aladdin with that of the prince. Aladdin and His Wonderful Lamp is a 1939 Popeye the Sailor cartoon where Popeye plays Aladdin. Aladdin (1958 film) was a television musical by Cole Porter and Aladdin and His Wonderful Lamp, a 1964 album by Cliff Richard.
Since the early 1990s Aladdin pantomimes have tended to be influenced by the 1992 Disney animation; for instance the 2007/8 production at the Birmingham Hippodrome starring John Barrowman, featured a variety of songs from the Disney movies Aladdin and Mulan.
en.wikipedia.org/wiki/Aladdin_(disambiguation)
For Ruby's Treasures , Christmas Alphabet~
www.flickr.com/groups/1296873@N23/discuss/72157622822191959/
#97~365 Photo Manpulations Project~
www.flickr.com/groups/365pmp/pool/
Texture~ Mine~
www.flickr.com/photos/rubyblossom/4159429181/in/set-72157...
Houston Texas Sesame Street Live musical ELMOS GREEN THUMB Elmo find a new home for Sunny the sunflower February 8 2009 Bert Big Bird Ernie Oscar the grouch Grover Cookie Monster Zoe Rosita Count Von Count Abby Cadabby Telly Baby Bear Prairie Dawn Grundgetta Honkers
Paul Mpagi Sepuya
"Michael, apart" (2006)
c-print diptych, 16 x 20 inches each
Courtesy the artist and envoy enterprises, New York
COMPASSION
Union Theological Seminary
Broadway at 121st Street
New York, NY
The Institute of Art, Religion, and Social Justice recently held its first exhibition, Compassion, from November 19, 2009 to January 14, 2010.
In today's shifting political, economic, and ecological landscape, the need for compassion has never been greater, compassion understood as mutual interdependence, knowledge of self and others, and concern for human flourishing. This kind of compassion requires seeking to know all aspects of human reality, being open to truths beyond our everyday experience and embedded in it. Artists often awaken compassion most profoundly. They form our imaginations such that we can envision our interconnectedness in ways that mere didacticism cannot achieve.
Compassion used the buildings of Union Theological Seminary to create a kind of pilgrimage. The works were situated in various locations to create a tour of this remarkable and often overlooked historic complex.
Alfredo Jaar's Embrace (1995), from his Rwanda series, greeted the visitor in the Hastings lobby. Scott Treleaven was featured in the James Chapel with black and white photos from Cimitero Monumentale (2009). Marina Abramovic's video 8 Lessons on Emptiness with a Happy End (2008) shared the Narthex with Yoko Ono's Whisper Piece (2001). Terence Koh's invisible installation was located in the Refectory, with its 40-foot ceiling and massive stone fireplace, nearby. If the visitor strayed to the other end of the building, she might have found Bas Jan Ader's iconic image I'm too sad to tell you in the Burke Library, echoed in the plaintive chant of Michael Bühler-Rose's liquid ritual I'll Worship You and You'll Worship Me (2009), which could be found in the upper reaches of the Rotunda. Chrysanne Stathacos' Rose Mandala Mirror (three reflections for HHDL), also in the Rotunda, was originally created in honor of the Dalai Lama. While circumnavigating the cloisters that link the various spaces of the seminary, further works by Gareth Long and Paul Mpagi Sepuya could be found.
The Institute of Art, Religion, and Social Justice was founded under the auspices of Union Theological Seminary to explore the relationship between contemporary art and religion through the lens of social justice.
Compassion was curated by AA Bronson, Artistic Director of the Institute.
The exhibition is presented in conjunction with Karen Armstrong's TED Prize 2009 of the same name.
For further information contact Kathryn Reklis, Executive Director of the Institute, at 212.280.1404
Union Theological Seminary in the City of New York
3041 Broadway at 121st Street, New York, NY 10027
Many thanks for your visits, faves and comments. Cheers.
....from a walk through Oxley Creek Common. Oxley Creek Common is home to a remarkable variety of birds. An experienced observer can find as many as 70 species in one hour of observation during the spring about 10% of all Australia's bird species and several times the diversity one could find walking the suburbs. In the past eleven years over 190 species have been recorded on the Common. (Source: University of Queensland)
Eastern Whipbird (pretty sure this is the female. Male and female were together and this one's call was as per the female below. It did not have a long tail as per the field guides. ...unless it's an immature?)
Scientific Name: Psophodes olivaceus
Description: Adult Eastern Whipbirds are mostly dark olive-green above, with a long tail, and a grey-white belly. The head and breast are black, with a broad white patch on the side of the face and a black crest. The eye is pale cream and the bill is black. Young whip birds are generally duller, with a smaller crest. The white cheek patch is absent in very young birds, and increases in size as the birds mature.
Similar species: Eastern Whipbirds are hard to confuse with any other Australian bird. The much rarer Western Whipbird, Psophodes nigrogularis, of southern and south-western Australia, has an olive-brown crest and a smaller white face patch. It is also smaller, measuring 22 to 24 cm.
Distribution: The range of the Eastern Whipbird is from northern Queensland to Victoria along the coastal band of eastern Australia.
Habitat: Eastern Whipbirds live in wet habitats, including rainforest, eucalypt forest and dense scrub near watercourses, in dense vegetation near the ground. The birds are secretive, but can be curious, and will be seen if the observer remains patient.
Seasonal movements: Sedentary; The birds remain in the same area all year round.
Feeding: The Eastern Whipbird feeds on insects and other small invertebrates, which are caught on the ground by bill. Feeding takes place alone, in pairs or in small family groups.
Breeding: A breeding pair of Eastern Whipbirds occupies a territory, which is defended year round, with the mates staying together for many years. The female makes a cup nest of sticks and bark, which is lined with finer grasses, and placed in dense vegetation near the ground. The female also incubates the eggs. The young birds are fed by both parents. Sometimes two broods are raised in a single season.
Calls: The Whipbirds' long whip call, one of the most characteristic sounds of the Australian bush, is performed as a duet. The male makes the drawn out whip crack and the female usually follows quickly with a sharp "choo-choo".
Minimum Size: 26cm
Maximum Size: 30cm
Average size: 28cm
Average weight: 56g
Breeding season: July to December
Clutch Size: 2 to 3 eggs
Incubation: 18 days
Nestling Period: 12 days
(Source: www.birdsinbackyards.net)
© Chris Burns 2015
__________________________________________
All rights reserved.
This image may not be copied, reproduced, distributed, republished, downloaded, displayed, posted or transmitted in any form or by any means, including electronic, mechanical, photocopying and recording without my written consent.
Accession Number: spa.2856.17
In the early 1990s the Campaign for a Scottish Assembly and other groups sought to use public events to keep the issue of devolution in the limelight. The first of these was ‘A Day for Scotland’ held in Stirling in the summer of 1990. This music event was organised by Stirling Council and the Scottish Trades Union Congress (STUC). It was attended by approximately 38,000 people and featured bands such as Runrig, Hue and Cry and Deacon Blue. The success of this event led to other music events and rallies.
Image courtesy of Grant Gallagher..
The Scottish Political Archive is housed at the University of Stirling. The archive is home to the oral interviews, personal papers and associated material from prominent Scottish politicians. For further information about the work of the archive please visit our website www.scottishpoliticalarchive.org.uk
I have to haul a certain amount of tools to my job at the Mill, and all of them have to be operated wearing heavy welding gloves. I also haul my food intake in for a hard 12 hour shift. I am going to have a custom bag made with a roll out tool pouch and an area for food, reading material and hidden pouches for what not's. We have a tool locker at work, but we find that it is not safe enough as a recent break in from a different shift took all of our shovels and safety gear. I need to carry vise grips, (my fancy Snap-On needle nose work perfect for picking up and holding the 3000 degree steel samples.) and I need to get one of those "do it all tool" pocket tools or just carry a small set of wire snips for cutting safety wire. Some stuff can stay in the tool bag all day except when doing maintenance, but most has to be carried where it will not get caught in machinery or be dropped into a hot ladle or get so hot that it burns inside your pocket. Still working on the best gear. Here are some things that work well.
Small crescent wrench which cannot be operated with welding gloves on, but works in place of a small wrench for replacing some smaller equipment parts that burn up regularly.
Channel locks. The tool that does it all, from wrenching to hammering. Cops and Soldiers should carry them, you will not find a more versatile tool. I will never leave home without them again. You will be surprised how well you can operate them with heavy gloves on and how much damage they can do when needed too! Love Love Love them!
My prescription safety goggles...not perfect, they fog up a lot, still working on that, they are made by Wiley-X...they do keep a lot of crap out of your eyes...lots of lime, dust and steel particles in the Mill.
Tape measure...seem none of our maintenance crew has one...always borrowing mine...good to be needed though, on down days when work is being assigned, being an assistant maintenance guy is easier than the work the upper management assigns...cleaning out a lime conveyor belt on silo one 150 in the air is not fun...working with a Maintained crew in the basement is preferred!
Razor knives...always carry a few...preferably brightly colored so when you lay one down on a pallet of material, you can easily find it when you get distracted...don't spend a lot of money on them, you Will lose them.
Snaps, Carabineers...good for carrying extra gear when you need to...we have a no lanyard rule, (the last thing you want is a lanyard catching onto the 75 ton crane hook and having it rip you into without the crane operator even noticing,)
Wal-Mart freezer bag to carry it all...soon to be replaced. I have to load all this stuff up a fire escape steep stair case and sometimes higher and steeper areas when I work in different areas of the Mill...it is not the easiest thing to carry when loaded down. Thinking something along the lines of the bag that was featured in "I am Legend." (without the high price.)
Oh yeah my 5.11 sunglasses which came with a great case...not really gear, cheap sunglasses actually that I need to get me to work. (They don't make my head hurt so I like them.)
Following my visit to the V&A Museum at Kensington, last week, I figured it was time to check out the *other* V*A museum in London, namely the Museum of Childhood in Bethnal Green.
I'd been here before, but a very long time ago. Once again I was massively impressed by the quality of the exhibits and their presentation.
The museum is on Cambridge Heath Road, within easy walking distance of Bethnal Green tube.
A tin metal car made in Japan by a company called Bandai. For Your Pleasure? It's the same type of car - a late 1960s Cadillac - that featured on the cover of the 2nd LP by Roxy Music.
For Corpus Christi 2016, record crowds accompanied Our Lord in the Blessed Sacrament.
From the Solemn Mass with the St. Cecilia choir to the glorious outdoor procession with the Blessed Sacrament in the parish gardens, the feast of Corpus Christi at St. John Cantius Church in Chicago is an important experience for parishioners and visitors.
Flowers and incense prepare the way for the Blessed Sacrament, and elaborate chalk designs adorn the pathways to the various altars set up for the procession.
Many thanks to the hundred or so volunteers: artists, workers, cleaners, servers, religious, and clergy who helped give glory to our Eucharistic King. And many thanks to the numerous faithful who attended.
For more on Southern Worthersee 2014, click here!
To order a custom 2x4' photo banner of this image, please note the title and number and Click Here!
Check out our Cars & Cameras Photography Forum!
✓ For More Pictures Like And Share!
www.facebook.com/pages/Al-Hussein-Ibn-Ali/635362896582247
" I am the Guided One, I am the Imam of the Time and I am the One who fills the Earth with Justice just as it was filled with Injustice and Tyranny."
— Imam Muhammad al-Mahdi (ع)
Moat Hill House. This guesthouse’s grounds contain the remains of a 7th to 12th Century ring fort. Unfortunately only one of the slopes of the hill is visible as the area is private property and is inaccessible to the public.
Demonstrations by Egyptian Americans in Kansas City against Egyptian President Hosni Mubarak during rioting and unrest in Egypt.
photoblogged at
blog.ericbowersphoto.com/2011/01/demonstration-for-egypt-...
FOR SALE on ebay (until 10/09/18).
Follow the link:
www.ebay.co.uk/itm/401592956323?ssPageName=STRK:MESELX:IT...
1/43 Code 3 conversion of a BMW i3 in the livery of a Met Police IRV.
The base model is from a BMW dealership. I have created and applied custom-made decals to fit the model exactly.
For Dogster's weather challenge. We've been having really warm sunny days - gotta love Spring. Here is Skye relaxing in the shade.
I spent Friday afternoon with my friend I haven't seen since graduation. Went to her place. She's now living really near where I have my classes, which means I get to see her more often.
I'm about to leave to go meet two other friends that I also haven't seen since graduation (weird coincidence, actually). We're going to meet all the way across town. Which means I should leave about 45 minutes before 3pm (that's when we're supposed to meet). Well it's 2:47pm and my parents didn't even take a shower yet to drive me there. I'm always the one who is late for everything :(
SOOC
A brave young Iranian woman, who was brutally and senselessly murdered by a cowardly Basij sniper. Her only crime, ...daring to attend a protest of the recent controversial election in Iran.
Neda means "voice" or "calling" in Farsi, and she has been referred to as the "voice of Iran" and "a symbol of pro-democracy protesters battering the Islamic regime" in the World.
My most sincere thoughts and prayers to her family and loved ones. And I hope that her death is not in vain, and that it will help to bring about a truly representative government for the wonderful people of Iran.
"The tree of liberty must be refreshed from
time to time, with the blood of patriots"
Thomas Jefferson
***WARNING*** The video link provided here is extremely disturbing and graphic, and may not be appropriate for viewing by minors.
Neda .
Free for editorial use image, please credit: imagecomms
ParalympicsGB Swimmer, Maisie Summers-Newton aged 19, from Wellingborough, competing in the 200m Individual Medley SM6 - Women event, at the Tokyo 2020 Paralympic Games.
ParalympicsGB is the name for the Great Britain and Northern Ireland Paralympic Team that competes at the summer and winter Paralympic Games. The Team is selected and managed by the British Paralympic Association, in conjunction with the national governing bodies, and is made up of the best sportsmen and women who compete in the 22 summer and 4 winter sports on the Paralympic Programme.
For additional Images please visit: www.digitalcontentdownload.com/paralympicsgb_2020/
For more information please contact the ParalympicsGB Press Office via press@paralympics.org.uk
If you require a higher resolution image or you have any other photographic enquiries, please contact imagecomms on +44 (0)20 7160 6282 or email hello@imagecomms.com
This image is copyright imagecomms 2021©.
This image has been supplied by imagecomms and must be credited imagecomms. The author is asserting his full Moral rights in relation to the publication of this image. Rights for onward transmission of this image or file is not granted or implied. Changing or deleting Copyright information is illegal as specified in the Copyright, Design and Patents Act 1988. If you are in any way unsure of your right to publish this image please contact imagecomms on +44 (0)20 7160 6282 or email hello@imagecomms.com
Find suitable furnished apartments for rent in New York, book an appointment and get it done seamlessly with APT212.
APT212 is New York City’s leading marketplace for a wide range of furnished apartments, sublets and short-term rentals in the best neighborhoods, from Manhattan to
East Village to many others. Whether you need a temporary accommodation during your vacation in NYC or need an affordable housing option, we offer a fresh, simple
solution to your housing needs.
Booking your new furnished apartment for rent in New York is easy and secure. All you need to do is browse through our collection of the finest properties in NYC,
select a suitable one and book it in no time.
We also have on-the-ground experts to help you find a well-suited property that matches your specific needs and expectations. They are licensed, multilingual,
Manhattan-savvy agents who know all the ins and outs of New York City real estate market and have a unique understanding of the short-term rental market as well. In
case you find difficulty choosing a suitable property, they are there for you.
When it comes to payment, we have a secure booking system and rental process is carried out online for a hassle-free experience. What’s more, all out listings is
verified and include photos videos, 3D floor plans, virtual tours, and more.
With APT212, property hunting in New York has never been easier! Don’t forget to check out our website today to book your private rooms in shared apartments or
furnished luxury high-end rentals or other accommodations of your choice. apt212.com/
Contact us at: info@apt212.com
✓ For More Pictures Like And Share!
www.facebook.com/pages/Al-Hussein-Ibn-Ali/635362896582247
The Prophet (s) said:
“Fatima is the joy of my heart, and her sons are the fruit of my soul.”
Yanabi Al-Mawadda, v. 1, ch. 15, p. 243
♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡
For Better Viewing....Press"L"
_____________________________________________________________________________
Waterfront cafes is located to the left of the Suspension Bridge.
_____________________________________________________________________________
While your comments are highly appreciated, your presence is not enough reward.
Leave a comment or a thought before leaving..God Bless!!
Thanks for viewing my stream......
A tripod mount for a pinhole camera is a necessity, but it will come in handy for lensed cameras, too.
Here is my DIY solution for the Debonair camera. I used a 1/4"-20 t-nut for a tripod mount. Unfortunately, installing it in this location means that you can not open the camera back if the camera is attached to the tripod (to change film), since the lever will probably be blocked.
It's also a very tight fit. If you try to do this and muck up your camera, please don't blame me! :)
A better and less problematic location for a tripod mount will be on the "top plate" of your Debonair, next to the hot shoe. Lots more elbow room there to install your t-nut!
For my stock & editorial photo collection visit my iStockPhoto by Getty Images Profile or My Adobe Stock Collection:
www.istockphoto.com/portfolio/jorgerodriguezjarsmclucien
or
stock.adobe.com/do/contributor/212183305/JorgeRodriguez-J...
My STORE @ DeviantART:
===================================
www.deviantart.com/jarsmclucien
♀ ..:: JarsMcLucien @ DeviantArtStore::.. ♂
===================================
-----------------------------------------
My Social Accounts, if you wish to follow:
www.twitter.com/MclucienSports --> Twitter - MclucienSports ️
www.discord.gg/YnfgeTAyg8 --> ..:: Discord - Mclucien's World ::..
www.facebook.com/McLuciensART --> Facebook - McLucien's ART Shop
www.instagram.com/jarsmcluciensalazar27 --> Instagram - JarsMcLucienSalazar27
www.twitter.com/JMclucien --> Twitter - JMclucien
www.flickr.com/people/jarsmcluciensworld/ --> Flickr - JarsMcLuciensWorld
For further details please visit my blog at candronicoucardcraft.blogspot.co.uk/2013/08/brightness-to...
for these autumn days ~~~
dear friends!! as the days grow cooler, let us find warmth in the fires of candle, hearth and heart... in the steam that rises from the cups we hold in our hands... and in the words of dear poets. the teahouse is just ahead, within the shelter of the beloved trees. as we walk along the path to the door, the fallen leaves will loudly welcome our soft footsteps. inside, near the hearth, the kettle is on... and our cups are waiting.
~
In Praise of Fire
Let us praise the grace and risk of Fire.
In the beginning,
The Word was red,
And the sound was thunder,
And the wound in the unseen
Spilled forth the red weather of being.
In the name of Fire,
The Flame
And the Light:
Praise the pure presence of fire
That burns from within
Without thought of time.
The hunger of Fire has no need
For the reliquary of the future'
It adores the eros of now,
Where the memory of the earth
In flames that lick and drink the air
Is made to release
Its long-enduring forms
In a powder of ashes
Left for the wind to decipher.
As air intensifies the hunger of fire,
May the thought of death
Breathe new urgency
Into our love of life.
As fire cleanses dross,
May the flame of passion
Burn away what is false.
As short as the time
From spark to flame,
So brief may the distance be
Between heart and being.
May we discover
Beneath our fear
Embers of anger
To kindle justice.
May courage
Cause our lives to flame,
In the name of the Fire,
And the Flame
And the Light.
~john o'donohue, from to bless this space between us
may all travelers find joy!!
jeanne
For more info about us, please check out our profile! :)
Feel free to use our pictures in your blogs, etc.. Just ask before you do so, thanks!
For We're Here - Something on something
Have had some neck issues for the past few months after a couple nights of sleeping in the wrong position. Without going into detail, the neurosurgeon said they don't want to wait more than 4 months and risk permanent nerve damage which is affecting my left arm and hand. I am to have a follow up appointment early July. I was hoping to be back to normal, without any need for surgery. Right now I can only sleep flat on my back, with special pillows, taking ibuprofen, icing and doing traction every day. And even then, I still experience pain on a daily basis. It's not unbearable anymore but I think common sense tells me to let go of my ticket. :(
So, what to do, what to do....
I also have photography on my mind a LOT, especially since July 19th is coming super soon and I need lots of practice before then!!!!!
Another bib - for the academic family. The parent can read the old news while feeding, and junior can learn the letters - 'oops, now you spilt on the letter V... can you say V?" - I predict this one a great future, even though I think the colours are way too pale. I should have gone with bright pink trim or something.
Well, next one, perhaps!
Lined with an old tea towel.
Tutorial for the bib found here www.nicolemdesign.com.au/tips/index.html#bib