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Window Reflection + Flower Box
Chicago Cultural Center
78 East Washington Street
(at North Michigan Avenue across from Millennium Park)
The Loop
cityofchicago.org/city/en/depts/dca/supp_info/chicago...
The stunning 5-floor landmark building (Classical Revival style) originally opened in 1897 and housed the first Chicago Public Library and a Civil War Memorial.
When the central public library moved to a new home in the Loop in 1991, the Chicago Cultural Center moved in.
One of the most comprehensive free art showcases in the USA - it's known as the "People's Palace" - providing Chicago both a local and global arts cultural scene from radio, literature, art, music, dance to theater, film and lectures.
The building is home to 2 magnificent stained-glass domes. One by George Healy and Louis Millet in the Grand Army of the Republic rotunda. The other a Louis Tiffany of the Tiffany Glass and Decorating Company in the Preston Bradley Hall - reported to be the largest Tiffany dome in the world at 38 feet in diameter with some 30,000 pieces of glass in 243 sections held within an ornate case iron frame. In 2008 it was fully restored to Tiffany's original vision as it was in 1897.
The exterior of a children's store in Fallbrook .... the sign actually says, "Sorry We Missed You" ..... loved all the colors together.
View on black: bighugelabs.com/flickr/onblack.php?id=2786354492&post...
Mercedes Benz Fashion Week - Lincoln Center Style Fashion Week Sponsor Charity Water
Justin T. Shockley
@jtsfashion
Create Beauty. Do Justice. Love Mercy.
646.801.8641
New York, NY
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Scène d'arrière-cour fleurie dans une lanterne de jardin en verre et bois à laquelle j'ai ajouté un toit vitré à charnière (contre la poussière) et que l'on retrouve en miniature dans la scène. Réalisée en carton-plume de 10 mm, murs recouverts de véritable crépi. Porte et fenêtre fonctionnelles en balsa, avec huisserie en métal. Plantes et fleurs (sauf dans la balconnière/jardinière) faites à partir de kits de Pascale Garnier. Pots de fleurs, briques pleines et briques plates en pâte séchant à l'air. Fraisiers en pâte polymère (tutoriel d'Angie Scarr www.CraftArtEdu.com). Jardinière, appui de fenêtre et seuil de porte en pâte polymère. Boîtes de conserves du garde-manger (cave) de Miniaturas magazine n° 163.
A look around the streets of Dartmouth Town Centre while the Dartmouth Royal Regatta was on. Lot's of historic buildings to see around here.
Continuing to walk around the town, checking out the old buildings.
Dartmouth Trading Co and Kendricks - Fairfax Place, Dartmouth
Grade II* listed building at 4 The Quay.
Description
DARTMOUTH
SX874510 THE QUAY
673-1/8/254 (South side)
14/09/49 No.4
GV II*
Former merchant's house built in 1664 for Robert Plumleigh,
various minor C18 and C19 alterations and major repairs
1979-1983. Exposed north and west sides are timber-framed;
eastern party wall is stone rubble at ground floor and
timber-framed above; western party wall is stone rubble, it
includes 2 stacks with original Dutch brick star
chimneyshafts. Gable-ended slate roof.
PLAN: Original plan was 2 rooms deep with central stair, but
has been altered. Former rear gallery and back block replaced
by No.3 The Quay (not included).
EXTERIOR: 3 storeys with attics in the roofspace. Jettied west
front to Fairfax Place. End of party wall to right corbels out
with the jetties and includes datestone at first-floor level,
somewhat battered but the date and the initials of Robert
Plumleigh legible. Ground floor has late C19 shop front with
disused bottom-panelled glazed door to right. First floor is
original decorative carpentry; moulded small-panel framing
with ornate oriel (for measured drawings, see sources),
flanking Ionic pilasters carved with fruiting vines and, to
left, the dragon beam of the second-floor jetty supported on a
bracket carved as Samson and the Lion. Second floor also of
original small-panel framing but the 2 oriels restored in
1983. Gable with plain bargeboards contains C20 casement and
is slate-hung. Long south front (onto The Quay) was originally
much plainer than it now appears. It has an irregular 4-window
front with 3 gabled dormers, mostly 1983 casements but based
loosely on what was there before. The couple of pieces of
carved fascia or bargeboard fixed to this front were
discovered in the attic in 1983.
INTERIOR: Although most original partitions apparently
non-structural and mostly removed, there are some good
original features, notably original joist arrangements, hooded
fireplaces some on unusually-ornate timber corbels and
decorated with graffito plaster. Original roof construction
remains (see sources).
An interesting house in a very important situation. The 1983
repairs were accompanied by an archaeological record.
(Proceedings of the Devon Archaeological Society: Thorp, John
RL: 4 The Quay, Dartmouth: a Devon Town-House of 1664: 1983-:
P.107-122).
Listing NGR: SX8782451323
Grade II Listed Building at 29 Fairfax Street.
Listing Text
DARTMOUTH
SX874510 FAIRFAX PLACE
673-1/8/122 (East side)
23/10/72 No.29
Cranfords Restaurant
(Formerly Listed as:
FAIRFAX PLACE
(East side)
No.29
Bay Tree Restaurant)
GV II
Merchant's house, refurbished as a Stamp Office, now a
cafeteria with house above. Late C16/early C17, refurbished
1901 for RC Cranford, ground floor altered more than once
since for cafeteria. Mixed construction; stone rubble side
walls, timber-framed front and back walls; party-wall stone
stacks with C17 Dutch brick chimneyshafts (star-shaped
chimneyshaft of 1664 shared with No.4 The Quay (qv)); slate
roof.
PLAN: Original house built end onto the street with a 2-room
plan and side passage alongside left (northern) party wall.
EXTERIOR: 3 storeys and attic; one-window front built in the
attractive eclectic Elizabethan style favoured by CR Cranford
(cf. Nos 1-3 Fairfax Place (qv) opposite). Ground floor has
side passage entrance to left, a 6-panel door with plain
overlight. Shop front flanked by posts from 1901 enriched with
guilloche but otherwise altered in the early C20 for cafeteria
with deeply-recessed central doorway. Good 1901 work above.
First floor has central oriel with canted sides and moulded
mullion-and-transom windows containing original stained glass.
Corner posts carved with twists, embattled cornice carved with
flowers and hipped roof of scallop slates up to a second-floor
flowerbox ledge enclosed by an ornamental crest of
cast-ironwork. Moulded small-field framing either side of the
oriel under timber frieze of carved vines, pargetted panels
containing arms of famous Dartmouth sons. Similar decoration
below oriel with centre panel dated 1901 with initials RCC and
CTC. Timber frieze below carved with strapwork and in the
centre "Stamp Office". Second-floor level is slate-hung
including bands of shaped slates. Centre pair of
mullion-and-transom windows containing sashes, guilloche
carving to king mullion. Timber eaves cornice carved with a
blind arcade. Roof parallel to the street with front 4-light
mullion-and-transom gabled half dormer; apex infilled with
ornamental slate-hanging and carved bargeboards on C17-style
carved brackets.
INTERIOR: Ground-floor features of c1901 include circular
open-string stair with decorated brass balusters, the moulded
box cornice could be earlier. Older work survives on the upper
floors: first-floor front has a splendid oak-panelled
chimneypiece dated 1585 with the initials AIC (each in a
separate panel), richly carved with fluted pilasters - it now
contains a good Adam-style chimneypiece. Access to the rest of
the house was not possible, although it is said to have a
newel stair and at least one C17 panelled door.
HISTORY: This plot was leased by the Plumleigh family from
1585 until after 1700. In 1655 this property was leased to one
Anthony Plumleigh whilst the adjoining property, No.4 The Quay
(qv), was leased to Robert Plumleigh, both were mariners.
The property here was built on land reclaimed from the estuary
in the 1580s and thereafter Fairfax Place/Lower Street became
one of the main trading streets in Dartmouth. It connects the
old quay at Bayards Cove with the New Quay around the present
Boat Float.
(Proceedings of the Devon Archaeological Society: Thorp, John
RL: 4 The Quay, Dartmouth: A Devon town-house of 1664: 1983-:
P.107-122).
Listing NGR: SX8782851317
This text is from the original listing, and may not necessarily reflect the current setting of the building.
Friedrich Rückert
Hast du gestern abend dich,
Liebster, nicht nach mir gesehnt,
wie ich gestern abend mich,
Liebster, mich nach dir gesehnt?
Liebste! nein, ich habe mich
nicht gesehnt beim Abendschein,
Liebste! denn man sehnet sich
nach Abwesenden allein.
Und abwesend warst du nicht,
sondern nah in Liebesmacht;
weißt du's nicht! mein süßes Licht,
bei mir warst du all die Nacht.
Scène d'arrière-cour fleurie dans une lanterne de jardin en verre et bois à laquelle j'ai ajouté un toit vitré à charnière (contre la poussière) et que l'on retrouve en miniature dans la scène. Réalisée en carton-plume de 10 mm, murs recouverts de véritable crépi. Porte et fenêtre fonctionnelles en balsa, avec huisserie en métal. Plantes et fleurs (sauf dans la balconnière/jardinière) faites à partir de kits de Pascale Garnier. Pots de fleurs, briques pleines et briques plates en pâte séchant à l'air. Fraisiers en pâte polymère (tutoriel d'Angie Scarr www.CraftArtEdu.com). Jardinière, appui de fenêtre et seuil de porte en pâte polymère. Boîtes de conserves du garde-manger (cave) de Miniaturas magazine n° 163.
Soulard Gyro and Deli is great. Both because the gyros are delicious and because it's in Soulard which is very photogenic. I'd ordered from them through Grubhub many times, but I've started really liking going there in person to eat and hang out and read my book and take a few pictures.
Also went to Layla with Bridget. I didn't do anything this day other than eat, apparently.
The last time (and the first time) I used my Spectra System camera, it shot out a picture anemically, and then smelled like it was on fire.
Since I have no other camera to use the PZ600 film in, I decided to give it another shot tonight after dinner. The evening light was hitting our flower boxes very perfectly, and it was nice and cool. Took the shot, and with the new TIP Frog Tongue in place, let the picture hang there until I went inside to the darkroom and let it set.
I am totally stoked by the PZ film. It seems more advanced than the PX stuff in the two shots I've taken, and I really am digging the Spectra I have with all it's bells and whistles. I mean, it's still an automatic camera, but the lens is sharp and there is great feedback and more control on the one I have than some do.
Now I wanna "go out in the world" and shoot, frog tongue in place and dark bag to shoot, transfer and move on.
Spectra System
PZ600 Silver Shade UV+ Black Frame
This is our North Twin Builders office in Phelps WI. The exterior of this office has pine rough sawn siding, which is made to look like log timbers. This allows us to keep the conventional 2" X 6" framed walls and insulation while making it look like a timber frame structure. If you want the old timber frame cabin look, this is a very nice option.
To learn more about North Twin Builders please visit www.northtwinbuilders.com
boston, massachusetts
1970
corner of west cedar street and acorn street
beacon hill
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
A quiet window framed by aged bricks and dark shutters, where white blossoms breathe life into the faded wall. Just a glimpse of serenity in the heart of timeworn beauty.
This one didn't have a name plate on it! It seems a tad strange to me and the artist apparently didn't like the flower boxes as they are missing.
The 2019 public art project entries were unveiled last Saturday. They are benches with attached flower boxes built by the Veterans Outreach group and decorated by local artists. The theme is "Racine's Past, Present and Future".
Scène d'arrière-cour fleurie dans une lanterne de jardin en verre et bois à laquelle j'ai ajouté un toit vitré à charnière (contre la poussière) et que l'on retrouve en miniature dans la scène. Réalisée en carton-plume de 10 mm, murs recouverts de véritable crépi. Porte et fenêtre fonctionnelles en balsa, avec huisserie en métal. Plantes et fleurs (sauf dans la balconnière/jardinière) faites à partir de kits de Pascale Garnier. Pots de fleurs, briques pleines et briques plates en pâte séchant à l'air. Fraisiers en pâte polymère (tutoriel d'Angie Scarr www.CraftArtEdu.com). Jardinière, appui de fenêtre et seuil de porte en pâte polymère. Boîtes de conserves du garde-manger (cave) de Miniaturas magazine n° 163.
this content cat was having a siesta in a flowerpot on the terrace of the hotel we were staying in. He made himself a cozy little nest.
Scène d'arrière-cour fleurie dans une lanterne de jardin en verre et bois à laquelle j'ai ajouté un toit vitré à charnière (contre la poussière) et que l'on retrouve en miniature dans la scène. Réalisée en carton-plume de 10 mm, murs recouverts de véritable crépi. Porte et fenêtre fonctionnelles en balsa, avec huisserie en métal. Plantes et fleurs (sauf dans la balconnière/jardinière) faites à partir de kits de Pascale Garnier. Pots de fleurs, briques pleines et briques plates en pâte séchant à l'air. Fraisiers en pâte polymère (tutoriel d'Angie Scarr www.CraftArtEdu.com). Jardinière, appui de fenêtre et seuil de porte en pâte polymère. Boîtes de conserves du garde-manger (cave) de Miniaturas magazine n° 163.