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"Ma la notte ventosa, la limpida notte
che il ricordo sfiorava soltanto, è remota,
è un ricordo. Perdura una calma stupita
fatta anch'essa di foglie e di nulla. Non resta,
di quel tempo di là dai ricordi, che un vago
ricordare"
-Cesare Pavese
09/01/2015
Yasha - Subject. One of Two painting on brown paper.
Graphite, acrylic paint - paintbrush and knife.
250 WORD STATEMENT:
Flash of colour is my most recent completed project. After a recent trip to Tate Britain and Tate Modern, I drew ideas and influences from Karel Appel’s Hip Hip Hoorah! And Allen Jones’ to be or not to be. I’ve always been an admirer of neo-expressionism so I had no doubt of where this short weeklong project was going to take me. Jean-Michel Basquiat and Georg Baselitz also came into play with my research, their subliminal messages of social battles and illness seep through their use of clashing colours and painfully distorted figures.
Andrew Salgado was my main influence in terms of my technique. After countless YouTube videos and extensive research into his work, his unique, fresh way of paint application was nothing short of magical. Impasto through knives works beautifully to emphasise the curving surfaces of the anatomy. His use of flesh tones remind me of the overbearing corpulent figures of Jenny Saville, yet the blemishes of colour scream through Salgado’s paintings like they were part of the subjects skin tone. Photorealistic body parts give way to faded limbs, inviting explosive splashes of colour and shapes; stars, diamonds and numbers.
If I were to go back to this project, I would definitely distort the silhouette of the painted figure, adding many more layers of paint and perhaps tone down my use of colour. I think I focused on the skin tones too much and forgot to be free with my painting technique. The bigger the brush strokes the better!
Another shot of this wolf spider with her babies on her back. After I took several photographs of it in the jar, we walked down the street and released it. I took a few more shots of it on the ground, but there was a lot of debris and grass that made it hard to see this fantastic spider. The other day I worked on eliminating the distracting background and here's the result. This was taken at night with an on-camera flash.
Now I need to learn how to add a nice shadow to make it more realistic.
Model: Zynthexia
Strobist setup: SB-900 with a rather large shoot through umbrella high camera left. Reflector camera low. Sunlight from the back. Triggered with Skyport.
Quote: Mark Twain
Selfportrait of me ..
Settings:
ISO100; 1/160s; f6.5; 70mm; flash from the right (softbox)
Some more skate photos using the flash. I still have things to learn about flash photography. Please comment and give some advice. I use a Nikon SB-600.
The Golden Age, Original and cooler than Barry Allen Flash. Not someone who should be in focus. Saturday, Baltimore Comic-Con 2011
2007-0154 ?
Terra
South of Market, San Francisco. California
Nikon D70, Tokina 16-50mm AT-X PRO f/2.8 DX, SB-800, ultimate light box
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Kubrick and Cupcakes by Songbird and Satisfaction.
Thanks to Cindy and Halle for the invite. Thanks to the folks at Get Satistfaction and Songbird for hosting. And, of course, the peeps at Terra.
This was my spare camera as my D200 is broken and I didn't realize I could have shot the Leica. Since my D70 L bracket is on loan, the flash was handheld which made AF, flash, nearly everything inconsistent.
Batch processed in DxO to give it a little Clockwork Red^H^H^HOrange. Some of the images posted are unprocessed.
Thinking about SPNC Instruction #10, the 85mm Street Contest Self-Portraits and Edward Hopper paintings....
B-side for SPNC Year 2 Instruction #10: "Illuminate people. Use flash or other light sources" - Eric Kim
tattoo flash
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Er staat hier ergens nog een andere foto van Lineke die naar haar ring kijkt, maar die was meer in de schaduw. Op deze foto is de ring meer in het licht