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Firstly if you ever thought that a laptop was insufficient for this job, then think again, and take a look at this laptop offered by Lenovo.... The W541... shop.lenovo.com/gb/en/laptops/thinkpad/w-series/w541/?cid... This W541 laptop from Lenovo is very highly specified i'm sure you'll agree, a real stunner from China. To make it even better an optional sockets attachable port is available catering for usb2 and usb3 together with PCI express 2/4k video compatibility, aswell as thunderbolt connectivity on the unit itself. More recently Lenovo have added the P50 and P70 to the workstation range. Digital betacam raises 720/576 resolution in 10 bit component form,from associated bnc connections on the recorders,with their xlr sound connectivity .The medium was first introduced in 1993 as a mainstream television format.I purchased this cassette on ebay for £2 and the format is still used today by corporations such as the bbc for very high standard commissioning of standard definition content.The sony dvw500s are used for this format and are still popular. You can pick up good used examples on ebay,mine was 125 pounds,a massive saving as opposed to the new purchase price of 50k.I do all of my timeline editing on sony vegas pro 12 version 12 build 770,i can do a single render to dvd-r in main concept mpeg2,then via component rca out on the blue ray player to component bnc inputs on the digi beta deck,a dvw500 supports an sdi output though not an hd one,but optional boards can be inserted enabling a hd upscale re-sample.Although if you pass this onto a film out service it may well be them who possess these boards in their own player/recorders,digi beta will encode 25 interlaced frames per second to tape,and this is its fixed rate in the pal versions,in short 25i. As a format Digital Betacam was introduced into the media world in 1993, and is capable of loss free digital Mpeg2 Editing and duplicating. The definition is Standard Definition 720/576i , but in 1993 this was one hell of a DVD quality format to have on Tape. A very good discipline in tape care is to do what i do,and i do this for all the masters in my vaults,firstly place each tape in the player and spool to the end and let auto rewind bring it back,all the tape should now lay even on the flange,and any sticking messes attempting to form will be ruled out,as will a reduction in any bacteria. As for temperature in general,room temperature,but 70 degrees Fahrenheit ± 4 degrees is recommended,a tape will last many years in these conditions.lastly store end to end so the tape is not lying flat,this will stop possible little nasties from happening.Another format to consider might be hdcam as it is much cheaper to attain than hdcam sr which is at about the height of v;t in the media world.hdcam does a pretty good full hd job,ie-1080/1440 and play re-sample to full hd ,i saw a decent cine alta 2003 deck from ebay bulgaria the other day,and with the same body as my dvw-500p,in fact it was a Sony HDW-F500 for just 3,900 pounds,this supports all major pal/ntsc frame rates including,23.98/24p/25p/30/29.97 ,all supported www.ebay.co.uk/itm/Sony-HDW-F500-HDCAM-High-Definition-Di... DVCAM in SD is a Firewire Contender also, with a firewire 400 port for I/O connectivity on its rear panel, my favourite deck in this range would be the Sony DSR-45P, and sports a Video Monitor on the front panel. And don't rule out hdv,a deck like a sony "HVR 1500" ,as this would do the job very nicely.This sports an sdi hd output,a HVR-M35 U could also be used,as could the sony hvr 25 au as this supports 25p and other progressive suitables,though will not output in hd/sdi.the format records in its known native mpeg2 1080/1440i 1.333 pixel aspect ratio for 16:9 displays,which is sonys version not jvcs, although they are both excellent,ready for direct printing to the positive film on something like a cinevator 5 film recorder,a firewire ieee 1394 lead can be used to connect your computer to a sony hdv recorder,these are in a few variations,including an express card 34 expansion slot,and an express card 54 expansion slot,or a computer with a 4 pin 400 connection,and so on, so be careful,the connection is not hot swappable so make connections while switched off,this in-particularly applies to the i link terminal on the rear panel of the hdv deck ,...with a well structured ultra hd timeline the pack into this format will be very impressive..making a very solid print to tape,more so than if it had been an hd line , the most impressive recorder with a firewire input and HDSDI out has to be the Sony HDW-1800 Hdcam recorder,it really steals the show, here is a link to the 1800 at CVP cvp.com/index.php?t=product/sony_hdw-d1800&gclid=CjwK... . Cinevator Direct-to-Print: A User Experience from Cinevation on Vimeo The HDSDI Cable is advertised in sales outlets as follows (SMPTE 424M 3G-SDI 2006[2] 2.970 Gbit/s, and 2.970/1.001 Gbit/s 1080p60). With one of these Cinevator 5s a spreading resolution of between 1828 x 1556 and 2048 x 1768 is obtainable,and includes full hd-1920/1080,ideal for hdcam and hdv,flat as well as anamorphic resolution prints can be recorded.so a very powerful 2k is within its limit,dependant on what you select,and of course what you come in from. For the cinevator 5 in terms of coming in from true 2k,the best option is to use the DUAL - LINK DVI INTERFACE, some blackmagic boxes facilitate this and it's a sure way to get your timeline to the print in the best way with the cinevator. It , among many others, has a resolution setting of 2048/1080,which is one of the 2k spreads, so if your computer settings tally up, your good to go . Or one of these for higher resolutions,http://www.ccg-digital.com/definity/product-line/definity-ds,the ds will go from 2k and right up to 7680x2048 anamorphic for the 2x squash in 2.35;1 full frame - 21;9 'scope screen situations,and that is 6k.both the cinevator 5 and the definity ds will record image and sound to the same film stock simultaneously which is alot more straightforward than older methods where sound is done separately ,the cinevator ,when printing direct to positive stock is fine for smaller batches or less multiple lengths of super 35 flex,or you would be there forever.Allow a few seconds per frame,the quality obtainable is quite remarkable because it is so direct.It is also worth remembering at this point that s35 can be blown up to 70mm, so this opens up another door too, a DTS disc will usually accompany your length of film.And if you are filming for this purpose it would pay to use 4k camcorders to a 4k timeline so you are coming in from a strong initial height,almost any 4k camcorder and its format will do ,at least for the cinevator and the ds to four k from other suitable deliverables ,like a 4k blackmagic box,or certain files,the 4k blackmagic box is a good link from your computer to the blackmagic box input and the recording vcrs input,...from the box output,and this would also work well for the cinevator,when it is feeding from the vcrs tape encoded material,while being remote controlled by an rs- 422 - sony bvw-75 protocol subset / db9 connector lead of male variety,this sort of positive film stock is ideal for this type of practice.Kodak seem to store relevant stock..
www.kodak.com/GB/en/motion/products/distribution_and_exhi... A more modern equivalent may be a 50mbps xdcam deck like a sony pdw-f70 ,also supporting the sdi hd output,though you would probably need to rely on a fam connection between computer and xdcam recorder.But if your commercials or whatever content your using needs to reach the nation then a direct master negative can be done instead.It is recommended to set the recorder to pal hdv 25p or 24p for a uk transfer, p in this case meaning progressive,ensuring pal is selected in the first stage(at least in the recorder area) for the process of tape recording,encoding with audio channels 1 and 2 for the full spectrum two channel recording with a sampling frequency of 48khz/16 bit.If i were making a short,once edited and polished being 1 minute,(100ft approx or 1440 frames) storyboarded film promoting a local indian restaurant,or taxi business,possibly starring a tv personality,then this could be a method,the final print in 1.85:1 flat with dolby sr sound would then be spliced into the entry reel,which is the final product from the cinevator,and presentable in any 35mm theater worldwide.all of this practice would be excellent for in house use,by a very indulgent theater owner,he may even do a second avi render for an upload to you tube,while a mainconcept mpeg2 at 1080/1440 would be a suitable render for hdv,while hdcam and hdcam sr, have render settings especially designated for them,these renders will take from the camcorder format and properties settings on your timeline ,try to ensure that the material is sharp by making a small adjustment,but don't over do it.Also pay some attention to the colour,and correct if necessary,this can be a vital adjustment on ones timeline before committing a print to tape .Some hdcam recorders also facilitate a firewire input, which is a very nice touch, not just to print from , but also to tape archive.For those of you wanting that 21:9 cinematic look on your videos or video to film this is how to do it. First,while in the situation of shooting mask off the top and bottom of your viewfinder assuming you have a 1:85.1 display,you will need the 21:9 aspect in your viewfinder.When the shoot is done and your back to your suite,set the properties on your timeline to 1920/800 if full hd is around what you need,or 2048/858,if 2k cinema is your goal,certainly good for dcp.Adjust pan/crop to 1,920/804 this will allow your camcorder format with it,s unmasked ratio to fill the new 21:9 ratio,please note this will work for full hd,or 2k,on sony vegas pro 12 anyway.When the job is done a decent avi render can be done,i click match property settings,that way it is full hd or 2k all the way home.Other renders can be made from this very strong render,or renders.A certain amount of resolution real estate is lost in the crop,but if your shooting in 4k this will not notice.Talking of the avi render,i find these settings work rather well.Properties colour space in 422,avi 25fps progressive,1.0000 aspect ratio,sony 10 bit yuv codec,interleave every 0.250 seconds,render quality best,ADX 16 bit colour space.NOW AUDIO; PCM uncompressed,96hz,24 bit stereo.These settings work quite well. It is worth mentioning here that alot of facilities houses or moreover filmout services and certain tv broadcast stations like''the community channel''[though i believe they now accept dvds], will want a cue in and test sequence printed to the first part of the tape,usually consisting of a 1 khz test tone and some sort of colour bar chart,these can be generated by a camcorder ,an edit suite,or the recording edit vcr itself,in my case i prefer installing this code onto my timeline in correct sequence using my cameras tone and my suites bars,so it all gets recorded to tape along with the rest of the programming. The format digital betacam was introduced in 1993,and has multiple applications.This tape is marked L meaning large,as the docking pro camcorders took the small cassette. This was and still is used for transferring onto 35mm,70mm,and 16mm cinematic film gauges,through to the wet/dry printing process with the usual choice of soundtracks.Many transfer facilities (film out) will accomodate almost all major videotape formats.I have read about 2k crt scanning for this purpose,with enhancements,but there are a few options,it's all the complete opposite to telecine which is the purpose of extracting from 35mms,as is scanning which is more recent and now uses the advanced pinning system with scanning machines,to give a more stable result,and therefore does away with recording a swaying side to side movement,this is the link to a modern high quality scanner
www.lasergraphics.com/ .I did find two film recorders on the internet called producer 3 and 4,both using the best method,taking sd to 4k and everything inbetween. Sr sound is probably being most peoples choice,as it is the cheapest,and so would still pump through the jbls of the average dolby pro logic 5.1 cinema complex. www.imagetrendsinc.com/products/index.asp_dMOBU" rel="nofollow">www.youtube.com/watch?v=i8bZI_dMOBU Most of what i have covered here involves getting things onto film which is just as important a subject as getting things off film,involving telecine and more recently scanning.Which can be done for the purpose of professional industry standard restoration of the prints,leading to production and distribution followed by secondary sales of both dvd roms and bd roms,among other things,like broadcast television and you tube uploads etc Here is a look at the Steven Speilberg movie "Jaws" and the restoration that took place, giving a considerable uplift to both image and sound, a quality unthinkable several years prior...... www.youtube.com/watch?v=Lcn06rKJn4s .And remember everything is always on something.
From left to right
Timbuk2 Commute bag with Strap Pad and iPod case
bills
Sniff tissues
checkbook
spare business cards and Playground discount coupons
Stereo headphones for Treo 600
no-W button from Dan
keys with garage door opener
Game Boy Advance SP (Fire Emblem inside)
extra GBA games: Advance Wars 2, Super Puzzle Fighter II, Donkey Kong Country, Warioland 4, The Legend of Zelda: The Minish Cap
Sony DSC-U30 digital camera
ibuprofen & ibuprofen/pseudophedrine
iPod (20 GB) with Sennheiser MX400 headphones
Macally Podwave mini-speakers for iPod
Griffin iTalk microphone for iPod
PocketDock 6-pin Firewire and line-level adapter for iPod
lens cleaner cloth for glasses
spare batteries for digital camera
spare MemoryStick for digital camera
spare SD memory card for Treo 600
Handsfree headset for Treo 600
Glide dental floss
Garmin Geko 201 GPS (which has an exposed power button, so it always gets turned on in my bag, so it's always dead)
SmartDisk 30 GB Firewire harddrive
Moleskine pocket noteook
RCA to S-Video adapter for Powerbook
ziplock bag of change (got my bag a second look the last time I went through airport security)
Halls Defense Vitamin C lozenges
Sony 256 MB USB Drive
Kensington 256 MB USB Drive
Headphone adapter for Game Boy Advance SP
Stereo headphone adapter for Treo 600
Pens, mostly Uniball varieties and Sharpies
Treo 600 PDA/phone (I did a whole post about the software I have installed on it)
I used to carry a Gerber Recoil Auto-Plier and/or a Leatherman Juice S2 multi-tool everywhere, but I keep taking them out of the bag to fly and then forgetting to put them back in.
My white 13" Apple Macbook laptop computer.
pictured: Mini-DVI to DVI adapter package (back detail)
- - -
specs:
13.3" TFT glossy widescreen display (1280 x 800 resolution)
2.4 GHz Intel Core 2 Duo CPU
2 GB of RAM (DDR2)
160 GB hard drive (5,400 rpm)
Intel GMA X3100 graphics processor (144 MB shared RAM)
built-in iSight video camera
slot-loading 8x SuperDrive (DVD+/-R, DVD+/-RW, CD-R, CD-RW)
FireWire 400 (1 port)
USB 2.0 (2 ports)
Mini-DVI port
10/100/1000BASE-T ethernet port
built-in AirPort Extreme wi-fi wireless networking (802.11g/n)
Bluetooth 2.0 + EDR
optical digital audio input/analog audio line in
optical digital audio output/analog headphone out
built-in stereo speakers
meets Energy Star requirements
size: 12.78" x 8.92" x 1.08"
weight: 5.0 pounds
My free interpretation of firewire :)
When I was walking back to my car after taking the former upload I just had to make a second stop.....
Another SOOC, with such beautiful skies you just can't stop shooting......
I saw a tutorial on how to do this in a photography magazine and thought I would give it a go and this was our third attempt. Going to try again tomorrow night but with a few more little changes.
This is what I carried with me to work and around town everyday when I worked as a Graphic Designer and Web Developer at MJBI. My everyday carry is completely different now and will be showcased in a newer photo at some point.
Clockwise, starting with bag:
Bag - Israeli Paratrooper bag from Omaha's Army/Navy store in Ft. Worth.
Books - Typography Workshop by Tim Samara & Pro CSS Techniques by Croft, Lloyd, & Rubin.
Sketching Supplies: 9 x 12 sketchpad, ruler, triangle, circle template, kneaded rubber eraser, Sharpie marker & Sharpie pen, two pencil holders with 2B & 3H drawing lead, lead sharpener
Leatherman Blast multitool
Gerber Paraframe pocketknife
SkullCandy earbuds
Cocoon Grid-It: Mechanical Pencil with lead and erasers, tubes of 2H and 3H lead for lead holders, nail clippers, USB adapter, Iomega Go 500 GB hard drive with firewire ports for Macs.
Cheap-o LED flashlight
Bundle of cables: Firewire 800 for Iomega drive, USB for charging headset and Palm Pre Plus, headphone splitter
My home setup, taken with my new (well, used, but new to me) 17-55mm f/2.8 Nikon lens. Couldn't take this picture before, because the widest photo I could take was 35mm (on a DX, so more like 52mm). Off-topic but the new lens is great!
- iMac 27" i3, upgraded to 8GB DDR3 RAM
- Samsung 27" P2770FH Monitor
- Lenovo Thinkpad T410
- Iomega eGo 2TB External HD, connected via Firewire 800
- Bose Companion 3 Series II Computer Speakers/Subwoofer
- HP Deskjet 3054A
- Cisco-Linksys WRT310N Wireless-N Gigabit Router
- iPhone (1st Generation) 8GB
- iPhone 4, 32GB Black
- iPod 3rd Generation, 20GB
"iPod original" as I call it, was released on October 23rd, 2001. This unit was ordered the day it was introduced and still is working.
5GB was a lot of storage back in 2001.
About the picture:
The lightting is basically provided from the MacBook Pro screen.
Saturn 0n 03-29-2013.Saturn DMK 21F04 Firewire Camera, & 10" SCT.Astronomik RGB 25mm filters,.2x Barlow, Captured at.30 frames per sec .900 Frames per Channel stacked in Registax 6.
Margo runs her home based travel agency - Cruisegirl - on her laptop. She's been using the same G4 iBook for about five years and it finally died. A failed hard-drive was the diagnosis. So, lucky Margo, she got a new (Okay, refurbished) MacBook Pro.
Even though the iBook was dead and wouldn't boot I was able to T boot it and transfer a lot of her data as seen here.
My (just plain, non-pro) MacBook can be sen in the distance above the upper left of the iBook screen.
Window on the right, corridor on the left.
My 'home office' is at one end of our living room and I have an Airport Express connected to the AV amp at the other end for listening to iTunes.
The shelves are some ancient ones from Ikea which I have on loan from my sister (although I've had them for about six years now so hopefully she's forgotten about them!).
The two grey boxes on the middle right hand shelf are LaCie firewire drives. One day I'll replace them with USB drives so I can get rid of one more cable ;)
I have a large corner desk from workspaces.com in a spare bedroom in my apartment. It's the multimedia hub of my apartment, featuring a custom-built "Hackintosh" that feeds two displays in the office as well as mirrors the primary display to my living room home theatre.
Back to this arrangement - still look the best
2016 Simplified 4-ways Active System
1. Mac Mini mid 2011 running ChannelD Pure Music 3 as player and crossover control software
2. TC Electronic Studio Konnekt 48 which all output opamp have been replaced running as preamp, 4-way active crossover via Firewire 1394 protocol.
3. 845SE mono block amplifier driving JBL2235H for 20Hz-80Hz
4. 2A3SE amplifier driving Altec 414B for 80Hz-768Hz
5. 345SE amplifier driving Altec 288D + Altec 511E horn for 768Hz-8kHz
6. CV4055 PP amplifier driving Fostex T925 horn tweeter for 8kHz-20kHz
Finally had some time to edit a few shots from this shoot. Huge fan of the GF8's!
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Don't forget to like my Facebook page :)
Saturn 0n 03-29-2013.Saturn DMK 21F04 Firewire Camera, & 10" SCT.Astronomik RGB 25mm filters,.2x Barlow, Captured at.30 frames per sec .900 Frames per Channel stacked in Registax 6.
My white 13" Apple Macbook laptop computer.
- - -
specs:
13.3" TFT glossy widescreen display (1280 x 800 resolution)
2.4 GHz Intel Core 2 Duo CPU
2 GB of RAM (DDR2)
160 GB hard drive (5,400 rpm)
Intel GMA X3100 graphics processor (144 MB shared RAM)
built-in iSight video camera
slot-loading 8x SuperDrive (DVD+/-R, DVD+/-RW, CD-R, CD-RW)
FireWire 400 (1 port)
USB 2.0 (2 ports)
Mini-DVI port
10/100/1000BASE-T ethernet port
built-in AirPort Extreme wi-fi wireless networking (802.11g/n)
Bluetooth 2.0 + EDR
optical digital audio input/analog audio line in
optical digital audio output/analog headphone out
built-in stereo speakers
meets Energy Star requirements
size: 12.78" x 8.92" x 1.08"
weight: 5.0 pounds
Intel iMac 20 Setup - See Notes.
Also recently got a white MacBook - Intel C2D 2Ghz, 2GB RAM for portable computing.
De la balle...
je l'ai testé à nouveau, il est fantastique, tu flotte bien dessus, il part au take-off facilement, comme un longboard
(C'est un longboard, il est le plus petit dans cette gamme firewire flexiflight),
et après, tu te régales, tu l'amènes où tu veux, il est si léger et réactif, comme un shortboard.
Sa légéreté pour le transport
Sa belle finition bois
Ses performances "faciles" à l'eau
A mes yeux, c'est un des meilleurs surfs actuels,
surtout pour des surfeurs de niveaux moyens,
comme moi, qui veulent avant tout prendre un max de vagues.
DJ Sava feat. Olga Verbitchi - Coco Bongo
Je savais bien qu'il y avait connexion entre sa musique et l'esprit surf, ça transpire au travers de ses magnifiques morceaux...Big UP, DJ SAVA...
I installed a "new" elementary lab last week. These two teacher computer are the best of the iMac lab and, believe it or not, are the best iMacs in the lab. The rest of the lab has DV400's and old try loaders. Even one Rev A, that had a four gig hard drive (naturally it had to be replaced in order to fit the entire image). The lab will be used to deliver primary software to students. It's amazing that these machines (some 7 years old) can run panther and all the software that we needed them to. There's something to be said about old technology and making it work on a limited budget. The principal was glowing.
Internal of the Leaf Aptus, old version with Firewire 400. Dismanted for repair. In many case, malfunction of Aptus caused by capacitor and/or diode. Note that this unit is not mine. ;)
A year ago I posted this photo of my Apple hardware. I felt the need to post an updated version. So here it is.
The only things missing are my old 20GB 3G iPod, the box for OS X Tiger, the wired Keyboard and the wired mouse that came with the iMac.
This is a really really nice system and well worth the investment in my opinion.
Non-apple hardware I use regularly are:
200GB Maxtor OneTouch II Firewire External Hard Drive
That's it actually...not counting my camera and phone.
AKAI MPC 5000, KORG MicroKorg, GRETSCH Electromatic, IBANEZ ValBee, SHURE SM 58, AKG K 141 studio, M AUDIO FireWire Solo, Moleskine.
Batch capture successful. GL/2 via FCP on MacBook Pro over Firewire Express Card to WD FW 800 drive. Oh happy day.
If you've been following my blog posts you'll know I've had lots of problems with the GL/2 talking to the MacBook Pro. It used to work fine. Then upgrades over time broke something.
Now I've got a new MacBook Pro, and decided to try the Belkin Firewire Express Card one more time. It just worked.
iphone 5, Macbook Pro, and a Beacon 600 by IMG Lighting Lamp
Beacon 600LE By IMG Light LED DESK LAMP
Beacon 600LE by IMG Lighting is 600 lumen, limited edition series LED desk lamp. Beacon 600LE upgrades over the standard Beacon 600 includes special backlighting LEDs for the the lamp’s controls and a semi-opaque shell that improved ambient glow lighting. Beacon 600LE is available only in special semi-opaque Arctic White.
Beacon by IMG Lighting employs clean, stress free LED lighting technology that eliminates the harsh whites of fluorescent and the yellow glare of incandescent bulbs. Beacon Desk Lamps improves worker productivity with clear, crisp, ultra bright illumination that is ideal for reading, computer lighting and office tasks. Employing power saving technology, Beacon is an environmental friendly lamp that uses premium OSRAM 50,000 hour LEDs. These ultra long lasting LEDs require a fraction of energy that traditional lamps use. Beacon is a lamp that pays for itself many times over with the money saved from reduced energy costs and no more bulbs to replace.
Beacon contains dual cool white and warm white LEDs for a superior temperature color range, and a proprietary iris that focuses light to the work surface. Moreover, we exclusively use premium OSRAM LEDs in our products to ensure the highest quality color rendering and lighting sharpness. Our high-efficiency and ultra-bright LED lamps are affordably priced to bring environmentally friendly LED lighting products to the mainstream market. We are absolutely certain there are no other LED Table Lamp on the market today that can match our performance specifications at our price.
IMG Lighting’s exceptional attention to appealing design, superior performance, technical innovation, reliability and durability ensure that our products always meet the highest standards. IMG Lighting lamps are Underwriters Laboratories Listed LED Desk Lamp and conforms to rigorous industry standards as verified by Underwriters Laboratories third-party testing.
Beacon 600LE Specifications
Underwriters Laboratories Listed
LED back lit controls
Semi-opaque shell for ambient glow
Dual warm and cool white LED
Lumens: 600 Lumens
Source Life: Rated for over 50,000 hours
Weight: 2000 grams / 4.4 pounds
Dimension: 240mm × 240mm × 544mm
9.5in x 9.5in x 21.5in
Color Temperature: 3500k - 6000k
Fixture Efficacy: 70-80 Lm/W +/- 5Lm/W
Macbook Pro
2.7GHz dual-core Intel Core i7 processor
500GB 5400-rpm hard drive
Intel HD Graphics 3000 with 384MB DDR3 SDRAM shared with main memory
LaCie FireWire Speakers
LaCie FireWire Speakers take advantage of FireWire 400's inherent superiority as an audio connection. Conventional speakers attached to a headphone jack must contend with noise distortion from the circuitry within the computer. USB speakers vie for limited bandwidth and power, having to share the bus with the keyboard, mouse and other peripherals. And while other portable speaker manufacturers increase treble or bass to simulate better sound, LaCie FireWire Speakers rely on 8-watt minimum audio output for true sound fidelity. Sound can be tuned to individual preference within iTunes®, Winamp or whatever the user’s chosen audio/video application.
Puertos traseros de Imac. Se puede ver
Conector salida de audio
Conector entrada de audio
Tres usb 2.0
2 Firewire 400
Gigabit ethernet
Conector DVI para conectar pantalla externa
Beacon 600LE By IMG Light LED DESK LAMP
Beacon 600LE by IMG Lighting is 600 lumen, limited edition series LED desk lamp. Beacon 600LE upgrades over the standard Beacon 600 includes special backlighting LEDs for the the lamp’s controls and a semi-opaque shell that improved ambient glow lighting. Beacon 600LE is available only in special semi-opaque Arctic White.
Beacon by IMG Lighting employs clean, stress free LED lighting technology that eliminates the harsh whites of fluorescent and the yellow glare of incandescent bulbs. Beacon Desk Lamps improves worker productivity with clear, crisp, ultra bright illumination that is ideal for reading, computer lighting and office tasks. Employing power saving technology, Beacon is an environmental friendly lamp that uses premium OSRAM 50,000 hour LEDs. These ultra long lasting LEDs require a fraction of energy that traditional lamps use. Beacon is a lamp that pays for itself many times over with the money saved from reduced energy costs and no more bulbs to replace.
Beacon contains dual cool white and warm white LEDs for a superior temperature color range, and a proprietary iris that focuses light to the work surface. Moreover, we exclusively use premium OSRAM LEDs in our products to ensure the highest quality color rendering and lighting sharpness. Our high-efficiency and ultra-bright LED lamps are affordably priced to bring environmentally friendly LED lighting products to the mainstream market. We are absolutely certain there are no other LED Table Lamp on the market today that can match our performance specifications at our price.
IMG Lighting’s exceptional attention to appealing design, superior performance, technical innovation, reliability and durability ensure that our products always meet the highest standards. IMG Lighting lamps are Underwriters Laboratories Listed LED Desk Lamp and conforms to rigorous industry standards as verified by Underwriters Laboratories third-party testing.
Beacon 600LE Specifications
Underwriters Laboratories Listed
LED back lit controls
Semi-opaque shell for ambient glow
Dual warm and cool white LED
Lumens: 600 Lumens
Source Life: Rated for over 50,000 hours
Weight: 2000 grams / 4.4 pounds
Dimension: 240mm × 240mm × 544mm
9.5in x 9.5in x 21.5in
Color Temperature: 3500k - 6000k
Fixture Efficacy: 70-80 Lm/W +/- 5Lm/W
Macbook Pro
2.7GHz dual-core Intel Core i7 processor
500GB 5400-rpm hard drive
Intel HD Graphics 3000 with 384MB DDR3 SDRAM shared with main memory
LaCie FireWire Speakers
LaCie FireWire Speakers take advantage of FireWire 400's inherent superiority as an audio connection. Conventional speakers attached to a headphone jack must contend with noise distortion from the circuitry within the computer. USB speakers vie for limited bandwidth and power, having to share the bus with the keyboard, mouse and other peripherals. And while other portable speaker manufacturers increase treble or bass to simulate better sound, LaCie FireWire Speakers rely on 8-watt minimum audio output for true sound fidelity. Sound can be tuned to individual preference within iTunes®, Winamp or whatever the user’s chosen audio/video application.