View allAll Photos Tagged Films

Film: Kodak Gold 200, Scanner: Noritsu Koki

Developed at the 沸点, 淘宝

 

Have no special feeling about this city

 

Brighton

 

晚安

Pentax MZ-5 + SMC Pentax FA* 85mm f1.4 + Fujifilm C200 color negative film

Ansco 1065 Point nd Shoot

35mm Film

 

Camera: Nikon FM2

Film: Fuji Acros100

Dev: Caffenol-CL 60 min stand

Bully Advance Screening Hosted by First Lady Katie O'Malley. by Jay Baker at Baltimore, Maryland

Pentax MZ-3

SMC TAKUMAR 55/1.8

LOMO 400

Nagoya

Coming up to breathe after what's been . . . almost a year (!) of adjusting to life overseas and addressing some fairly important matters both personal and professional, I'm happy to report that I finally have the time to be online regularly again!

 

One thing I've mused about: with all the comments/interest that surrounded some of the film-based comments I've made over the years, I was wondering if there might be any interest in me posting a semi-regular film recommendation and/or review on Flickr? Nothing too extensive, just my way of sharing some fun stuff that I've enjoyed and think you all might too!

 

Any interest in this sort of thing?

 

*Street cred to the first individual (who isn't named Guy!) to ID the man above and from what film those images were taken*

film swap with kiras1982 (lithuania | guam)

Captured by Canon EOS 1v Film 35mm with 85mm f1.2 lens

Nikon F, NIKKOR-H•C Auto 50mm f2, T-MAX 100

 

www.sakaihiroshi.com

In my ongoing quest to make digital art less flat, it's time to introduce the latest offering from The Shop: the analog film textures.

 

My wife's grand father gifted me some of his film cameras just over a decade ago. I shot some rolls of film, then promptly forgot to get them processed. I recently found the rolls, and a nice, independent lab to get them taken care of.

 

Since I don't know too much what I'm doing when shooting manually, the results were really funky, and captured more the artifacts of the process (gain, light leaks, dust, etc.) than actual images. That means one can overlay these on top of flat artwork, and instantly give it depth, substance, and meaning. All from real film!

 

Each negative strip has been scanned at ultra-high resolution (1,200 ppi+), then carefully edited, then output into 18" wide images at 300 ppi.

 

The resulting sixty-nine (69) textures produce interesting things either by using blending modes (Overlay, Soft light, Screen, Lighten, Color dodge), or on their own, as background elements.

 

---

- Sixty-nine (69) base assets

- 18" wide @ 300 ppi

- A group of film grain/dust speckles textures

- A group of light leaks/fogged film textures

- A group of failed shots/misc. artifacts textures

 

---

You should add your name to the Shop's mailing list at https://mailchi.mp/de8bed089b59/theshop. On the menu: new release sneak peeks, deals information, and other general updates from the factory floor. No spam, guaranteed.

I need a film scanner. Until then, this is all I can show you from the shots taken today at the students' manifestation (weapon used: a full-manual Minolta X-700). home developed.

Well that does it for Seattle! Next up will be Fort Lauderdale and then on to the Caribbean!

 

This is my kind of December!

 

Fort Lauderdale, Florida

December 2013

Rolling film on location on the Pulaski Skyway (Newark to Jersey City).

 

© Original 35mm Ektachrome Transparency

double exposure, pentax me

2011

Found this at a thrift shop in Hanford & I wanted to take it home, but was worried about it leaking on the plane....

post over here

Jardín casa Temuco.

Walkens and digidirect come through on a new film day

 

What could be in this carefully wrapped package?

 

These are cookies made for a boy who was just accepted into University of Arizona's BFA program for Film Studies.

I think we were making potato and egg tacos that day.

so, i kind of neglected to tell you all that i started taking pictures on film with my dad's nikon from the 1980s (see picture in comments). this was my first roll (b&w), it's all just me experimenting so there's really nothing exciting on it at all. i have a 50mm f/1.8 lens for it and also a 70-210mm f/2.8 lens that also functions as a macro lens. these ones were all taken with the 50mm, i just found out about/starting using the 70-210 and it's my new favorite lens. i'm going shooting today so i'll hopefully get a lot of pictures, i'll definitely be shooting in digital too but i'll post up film pictures as soon as i get them developed (and if they're good enough...:P). i'm shooting color now which i'm excited about.

This region of the continuous soap film is too thick to give the typical interference colours

1 2 ••• 54 55 57 59 60 ••• 79 80