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A bag for film missions.
FILM: Ilford HP5+ 400 (in bad conditions)
CAMERA: Canon AE-1 Program
Todas las fotos de este carrete han salido con manchas debido a los hongos que tenia el carrete.
Emulating faded film effects in Lightroom using analog film presets from www.reallyniceimages.com
P.S. Don't hesitate to check the original size to enjoy the grain and the image itself without Flickr's sharpening.
It started as a thought, a small niggle that just wouldn't go away. What would shooting with film be like? We've been totally digital in this house since 2003 and when I started this doing-it-seriously thing I was dismissive of it. But in learning more about photography I started to realise a few things.
The picture one takes is inextricably bound to the thought processes of what you are doing in that moment. If you change that equation with kit you will change the thought processes and the pictures. I am used to going out the door and getting 200 pictures. If I am forced to think more with only 36 chances to make something good, at 50p per chance, with a fixed lens, with manual focus, with a manual rangefinder, with no chimping and a fortnight until I can see the result - will it change my brain?
I was also thinking about how contrast, grain and colour in photographs make up our syntax of how we interpret photography. Like when we hear someone's accent, the words they say are made to mean more than they are by the interpretation of what that accent means. The syntax of photography is completely wound up in how film has rendered images, and not knowing what that means leaves me floundering. We spend hours fiddling with sliders and curves, applying filters but I'm not sure most of us know what it means. Sometimes I think we are squawking like a parrot that has managed to pick up a few phrases of tourist human.
I was interested in medium format with a Mamiya 6, but I feel it is too expensive as a proof of concept. I thought about Leicas and Voigtlanders but again it was too much of a leap of faith. I thought about a Nikon FE but I thought an SLR would just lead me to think it was my usual Nikon and I'd behave in the same way.
So for virtually no money I give you an immaculate Olympus 35 RC. It feels solid and it is dirt simple. The battery will last for ages and it won't get dust on the sensor. Hopefully when I pick it up I will see the world in a different way again and, most importantly, maybe take a good picture.
I have no idea what I'm doing again and it feels great.
Oban Harbour Colours - 35mm Film SLR - Photographer Russell McNeil PhD (Physics) lives in Nanaimo, British Columbia where he works also as a writer and a personal trainer.
It's The Film Photography Podcast!
Episode 113 – November 15, 2014
The internet radio show for people who love to shoot film! Fujifilm Interview! Epson V800 Interview! Keep your Negs Clean! Houay 35mm Camera! Polaroid Minute! Book of the Month and More!
Tune in - filmphotographyproject.com/podcast/2014/11/film-photograp...
My Contax II, like many a 80 year old camera, suffers from occasional hiccups on film transport. They happen really seldom, though.
Mi Contax II, como muchas cámaras de casi 80 años, se atraganta a veces con el avance de la película. Aunque en verdad sucede bien raramente.
Zeiss Ikon Contax II
Jupiter-12 35mm 1:2.8
Solution Super VX 200 (expired), ISO 200/24º
Film Photography Podcast - Episode 136 - December 1st, 2015
It's the internet radio show for people who love film! Joining Michael Raso in studio today is Leslie Lazenby, Mat Marash, and Mark O'Brien. Topics on the table today include a mystery Praktika, FP-100c Bleaching, Large Format Update, and Problems with Film: Who's to Blame.
filmphotographyproject.com/podcast/2015/11/film-photograp...
The epic battle continues!
Film vs Digital.
40$ vs 2000$
Strobist info: Left: Achiever Flash set at 1/1 f 5.6 28mm + DIY softbox(80cm in diameter only 20$)
Behind: Metz 34BCT2 facing the white wall
Cactus triggers(best 30$ I ever spend!)
Right: Silver reflector
Cameras:
Left side: KOWA SETR+Kowa-R 135mm/4+ Ilford HP5 ISO 400 processed with ID11+scanned with Epson V600 at 1200 dpi
Right side: Nikon D7000+ Nikon 50mm 1:8 AFD BW conversion with CS5
Bottom line: I just love film!