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Contax S2b + Zeiss 1,4/50
Lomography Color Negative 100
Expired 7/2013
I am loving the colors of this film. I plan on ordering newer stock.
Daphne would be the perfect short-haired brunette for a film noir.
Film noir films (mostly shot in gloomy grays, blacks and whites) showed the dark and inhumane side of human nature with cynicism and doomed love, and they emphasized the brutal, unhealthy, seamy, shadowy, dark and sadistic sides of the human experience. An oppressive atmosphere of menace, pessimism, anxiety, suspicion that anything can go wrong, dingy realism, futility, fatalism, defeat and entrapment were stylized characteristics of film noir. The protagonists in film noir were normally driven by their past or by human weakness to repeat former mistakes.
Film noir was marked by expressionistic lighting, deep-focus camera work, disorienting visual schemes, jarring editing or juxtaposition of elements, skewed camera angles (usually vertical or diagonal rather than horizontal), circling cigarette smoke, existential sensibilities, and unbalanced compositions. Settings were often interiors with low-key lighting, venetian-blinded windows and rooms, and dark, claustrophobic, gloomy appearances. Exteriors were often urban night scenes with deep shadows, wet asphalt, dark alleyways, rain-slicked or mean streets, flashing neon lights, and low key lighting. Story locations were often in murky and dark streets, dimly-lit apartments and hotel rooms of big cities, or abandoned warehouses. [Often-times, war-time scarcities were the reason for the reduced budgets and shadowy, stark sets of B-pictures and film noirs.]
Narratives were frequently complex, maze-like and convoluted, and typically told with foreboding background music, flashbacks (or a series of flashbacks), witty, razor-sharp and acerbic dialogue, and/or reflective and confessional, first-person voice-over narration. Amnesia suffered by the protagonist was a common plot device, as was the downfall of an innocent Everyman who fell victim to temptation or was framed. Revelations regarding the hero were made to explain/justify the hero's own cynical perspective on life. Some of the most prominent directors of film noir included Orson Welles, John Huston, Billy Wilder, Edgar Ulmer, Robert Siodmak, Fritz Lang, Otto Preminger, and Howard Hawks. "
www.filmsite.org/filmnoir.html
I absolutely love dox.media2.org/barista/archives/film noir.jpg' target= pool.
I usually carry multiple backs of film so I can quickly replace a used roll of film with a fresh roll.
I also like to carry multiple backs so I can change films in the middle of a roll.
I could change from black & white to color but I primarily shoot only black & white with my Mamiya RB67. I like being able to change from one film speed to another.
I use the following eight film backs with my RB67:
back #1 Ilford HP5 Plus (ISO 400)
back #2 Ilford HP5 Plus (ISO 400)
back #3 defective (use only for parts)
back #4 FomaPan (ISO 100)
back #5 FomaPan (ISO 100)
back #6 Ilford Delta Pro (ISO 3200)
back #7 Ilford Delta Pro (ISO 3200)
back #8 Ilford HP5 Plus (ISO 400)
Film Swap - duas Canon EOS 5 um Superia 200
Filipe Confúcio:
www.flickr.com/photos/73044216@N04/
pelo Sítio do Cano Amarelo
Location: Meguro, Tokyo, Japan
Camera: Leica CL
Lens: 40mm
Film: Tmax 400 35mm
Development: Tmax developer 20 degrees 400@200
Paper: Ilford FB glossy 20 degrees
When I developed film from camera and saw this frame I asked myself, why the heck I took this picture. Nothing interesting, just a random girl sitting near the fountain. It had to attract my attention somehow. It feels vintage in some way. Its hard to explain. I just like everything about it. The fact she is reading near the fontain, her clothes, the cube she was sitting on etc.
Pentax Asahi SP 500
Fujicolor 200
Day 275 ~ 365.2015
ODC Empty for 10.02.15
From the film days, always saved these to put quarters in, a Kodak container held $7.00 Fuji was a bit smaller, guess I can finally recycle them.
Canon A1 15mm f/2.8 Fuji 400H on camera 199A speedlite Walgreen's processed/ scanned.
Opened the camera back without rewinding film by accident.
Joshua Boothby Civic Center Library Gap San Francisco California 2010