View allAll Photos Tagged Films

film journey

find out the third wheel.

camera: sx-70

film: Impossible Project PX70 Cool film

 

Right: w/ ND FILTER

Film - Nikon F

 

nickcord.com

teaching self DOF

Canon Elan 7e

Fujifilm Pro 400H (expired)

near Omaha, NE

Camera - EOS 1v

Film - Kodak Portra 160VC (expired)

lens - EF 35 f/1.4L

back from early march, the first time i went to coney island.

 

color 35mm film.

 

more: seabug.blogspot.com/2013/03/coney-island-in-film.html

1966 Rolleiflex 3.5f Planar, Type3 (k.4F)

 

Fujipro 400H

 

Living alone in old age in Cumbria

 

CLOSER TO HOME

Camera: Canon Sure Shot Z70w

Film: Fujifilm Provia 100F

Lab: The Darkroom, Cheltenham

Scanner: Epson Perfection V550

Software: Adobe Photoshop & Lightroom

Goldberg Brothers, steel, custom color.

film 120

Kiev 60+volna 80 2.8

Zeiss Ikonta 521, Efke R100, Rodinal

Petri Penta V6

I'm into an analog journey. This was from my first roll of film.

Camera Minolta SRT 101 b; Lens MC Rokkor-x, 50mm 1:1.7; film Kodak ColorPlus 200 36 exp.

 

facebook

Working on faking the film look even more. This is Lyndsay.

hunt library in raleigh, north carolina

kodak portra 400

contax t2

Some of the finished shots from a Film Noir styled shoot I did on Super Bowl Sunday.

The model was Sherly Monroe www.modelmayhem.com/3061431

MUA was Tawna Coose www.modelmayhem.com/2727750

And the hair stylist was Mallory Lynn www.facebook.com/lovehaircolorado

We had a great time with this one. We shot this in the License 1 Bar license1boulderado.com

We got in a few hours before they opened and got everything set up and shot a couple different locations. It was such a great place, I'm hoping we can get in again and shoot some more.

I shot these with my Mamiya RZ67 Pro II with my 140mm 4.5 lens. I was shooting at about f8 with a shutter speed of around 1/15 sec to balance the ambient with the flash and get that nice rich warm feeling from the interior of the bar. In addition to the ambient I used two lights - one Alien Bees B800 In front of Sherly with a seven inch reflector and about a 20 degree spot grid which I gelled with 1/2 CTO to approximate the warm tone of the ambient light. I also used another Alien Bees B800 with the seven inch reflector and 20 degree grid behind Sherly but without the gel so that it had a colder feel to it and to help give some background separation.

I shot these on Kodak Portra 400 and self developed at home. I love the look and range of this film.

Rescan of Belair X 6-12 image of that one bridge.

Film. Sooc. I don't know why it's so grainy.

Snow day with Maddie!

1 2 ••• 56 57 59 61 62 ••• 79 80