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Film/Photo envelope from the 1960's.

And that's exactly how I Think it. How I Feel it.

minolta cle - rokkor f2/40 - kodak super gold 400 film

Shen Hao 4x10 with 5x7 reducing Back. Cropped from 5x7 shot. Efke PL100 film.

October 31.2010

@Panyu

 

SQ-Ai | 80mm | RVP100

Canon AE1

Canon Lens FD 50mm 1: 18

Leica M4-P,

Zeiss 25mm/f2.8 ZM,

Kodak TX400,

Scan:Hasselblad Imacon 848

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Simple Plot:

 

a change in the time of day

 

you see yourself in the mirror

 

a-/effects who

 

you think you are

 

(capable of being).

Pentax K1000, Superia 200

35mm film from my upstate adventure.

 

victoria in utica.

Trying to fade him to black but with some detail on the left side of his face.

 

Sony RX100 V

Canon A1,

 

Cine 200

tungsten negative film

 

35mm

Nikon FE 2 Foma Retropan soft Retro Special Entwickler 5 Min 20 Grad Analog

---model and interview with : Aï Nakayama---

 

When it comes to my daily routine, it's makeup. Unless they have sensitive skin, many Japanese women wear it to go to work. I (M) talked about it with Ai Nakayama (A) through old prime lens.

 

You can read more on

facebook : www.facebook.com/MiiYatogi

 

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Twitter / Instagram : @miiyatogi

   

The beach club below the hostal La Gavina. Nikon FM2n, Voigtlander Nokton 58mm, Film Ferrania P33, developed in Adox Adonal, 8.5 minutes

Making a film about the FIFA 2006 WM or 2006 World Cup

Fuji SUPERIA PREMIUM 400

Ebony 45Su, Photo by Ann Wang

Canon AE-1 Program

JC Penney 135mm f/2.8

Kodak Ultramax 400

Diana + (Redscale 200ISO)

Mods and Rockers on the streets of Oxford. This is going to be a great episode!

 

Larger size on my blog: www.simplyoxford.com/?p=1640

 

Nikon FM2

50/1.4D lens

Fuji 400 Press film

Dev & scan by ASDA in Swindon

Lomographyfilm400/Lomography Diana+/201310

This film was initially purchased from a Chinese Military Surplus sale.

Lucky Aerial 200 B&W Film

Originally an ISO 200 (now more like 100 or less)

"develop before 2010"

I have a very limited amount available in rolls of 20 exposures each at Labeauratoire.

After extensive testing, I have determined that there is some sort of emulsion damage resulting in cloudy areas most noticeable in the deep shadow areas. They resemble some kind of water spots so perhaps the film was stored deep in a Mongolian bunker somewhere and was exposed to moisture for prolonged periods before it was finally decommissioned and sold off ???

(Major speculative artistic license taken here ;-)

there are many layers of Calgary in here. A flooded Elbow river, the Saddledome, the Stampede bin locked to a tree (a tree with wire mesh around to keep the beavers away).

There's a magic city in the sky, but you can't see it.

These were taken with a Canon Film camera, mostly with my 85mm f1.8 lens and then, because I'm impatient, I took photos of the film with my phone and did some quick editing. I'll replace some of these with the final printed images from the darkroom soon.

Polaroid 600SE

Mamiya Sekor 127mm f4.7

ProS 6x7 120 Roll film back

Kodak 400TX @ 200

Stand developed in Caffenol-C-L

Epson V500

Photoshop CS

Kodak retina 1a - 200 iso

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