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AGOTADO
dúo gold filled y perla cultivada.
clave: b1012
aretes de cadena gold filled y perla cultivada
costo collar y aretes: 1,205.00 pesos mexicanos
A haven of tranquility in Sydney's bustling Chinatown, this fascinating garden with waterfalls, bridges and fish-filled ponds was designed by experts from China and reflects designs dating back to the 5th century.
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In the Marais on the way to Place des Vosges we pass through this wonderful courtyard filled with sculpture
Water in the pool, the grill ready to operate, most of the landscaping in place. Finally nearing completion!
I wonder how many gallons they take? All my pics on Flickr may be freely used for non-commercial use, with attribution please
When I went down to see Doctor Bombay's show, opening was Fill The Silence, a group out of Seattle. They're touring right now, so maybe they're headed your way.
Using the fill card with this brought the colors out, if i were to do anything different is move the placement of the box and crayons.
Pour l'avenir de nos petits
Ouvrir les yeux, tendre l'oreille
Prendre garde aux interdits
Dans l'ombre, présents, ils veillent
Parfois c'est un étranger
Un tantôt un ami, un voisin
Triste mais on ne peut se fier
Un tantôt, un grand cousin
Face à la pédophilie
Trop de gens ont dû la boucler
Des adultes qui sont meurtris
Pour des silences obligés
Ça s'est passé dans nos campagnes
Dans nos villes, dans nos maisons
Trop ont échappés au bagne
Dénoncer pour la guérison
Extirper la honte des victimes
Les sortir de leur prison
Ils vivent depuis dans l'abîme
Pour des silences sans raison
Attention à nos amours
Il y a des vilains encore
Jouons leurs un mauvais tour
Il faut se mettre d'accord
DÉNONÇONS
(SUE 2011)
(pour Josée)
Concert de Fills Monkey à l'Epicerie Moderne, Feyzin (69)
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"Seal Rock Blues"
"January 5 through February 13, 2009
I have filled many pages of sketch books with carefully observed drawings of the central Oregon coast. At Ona Beach, Cummins Creek, Rocky Creek, Seal Rock, Yachats, Perpetua: there is never a lack of things to draw. The season, or the time of day or week makes for different impressions of water and land. Ever changing.
My drawings mark the efforts of days spent looking to the sea, across the creek, and through spruce forests. They involve weather as well as composition. They remain small. They are like a private conversation with the viewer, or a poem: intimate, complete, revealing, inclusive.
My tools for working have altered over the years, challenging me with new choices. Weather gear - to keep dry or warm or shaded from sun - has changed little for me.
Drawing remains important. But my recent efforts have moved beyond sketch book and pencil to include pieces on canvas or panel with brush and paint. Still intimate, these works are in contrast to the large scale of the landscape itself. As essential interpretations of sea, sky, and stone, these images continue to connect me with the coastal landscape experience."