Features, photos on Flickr

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Some more of the larger lunar features captured just before the full Moon of January 31st, this time from the south western region. The large, dark crater on the terminator (on the left) is Crater Darwin. Below that is Crater Byrgius. Above Crater Byrgius is a row of three crater, these are (from left to right) Crater Fréres, Crater Henry, and Crater Cavendish. On the right of the image is Crater Mersenius and at the bottom is Crater Vieta.

Created from 2 x 1000 frame videos with the best 1000 frames selected.

Captured with FireCapture

Processed in AutoStakkert, Registax and Photoshop

Equipment:

Sky-Watcher Explorer-150PDS

Skywatcher EQ5 Mount

ZWO ASI1600 MC Pro camera

x2 Barlow with extension tubes

SIZL-ELISE DRESS by Kaycee LaMoon

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features. by Kevin van der Leek

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Hart House courtyard, University of Toronto, Toronto ON Canada. Better on black.

Water Features by Jocelyn Kinghorn

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Pacific Fair Shopping Centre in Broadbeach,Gold Coast, Queensland Australia. August 2018.

The shopping centre has been done up since we were last here and it is amazing.

Sighting forbidden light by European Space Agency

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This whirling image features a bright spiral galaxy known as MCG-01-24-014, which is located about 275 million light-years from Earth. In addition to being a well-defined spiral galaxy, MCG-01-24-014 has an extremely energetic core, known as an active galactic nucleus (AGN), so it is referred to as an active galaxy. Even more specifically, it is categorised as a Type-2 Seyfert galaxy. Seyfert galaxies host one of the most common subclasses of AGN, alongside quasars. Whilst the precise categorisation of AGNs is nuanced, Seyfert galaxies tend to be relatively nearby ones where the host galaxy remains plainly detectable alongside its central AGN, while quasars are invariably very distant AGNs whose incredible luminosities outshine their host galaxies.

There are further subclasses of both Seyfert galaxies and quasars. In the case of Seyfert galaxies, the predominant subcategories are Type-1 and Type-2. These are differentiated from one another by their spectra — the pattern that results when light is split into its constituent wavelengths — where the spectral lines that Type-2 Seyfert galaxies emit are particularly associated with specific so-called ‘forbidden’ emission. To understand why emitted light from a galaxy could be considered forbidden, it helps to understand why spectra exist in the first place. Spectra look the way they do because certain atoms and molecules will absorb and emit light very reliably at very specific wavelengths. The reason for this is quantum physics: electrons (the tiny particles that orbit the nuclei of atoms and molecules) can only exist at very specific energies, and therefore electrons can only lose or gain very specific amounts of energy. These very specific amounts of energy correspond to certain light wavelengths being absorbed or emitted.

Forbidden emission lines, therefore, are spectral emission lines that should not exist according to certain rules of quantum physics. But quantum physics is complex, and some of the rules used to predict it use assumptions that suit laboratory conditions here on Earth. Under those rules, this emission is ‘forbidden’ — so improbable that it’s disregarded. But in space, in the midst of an incredibly energetic galactic core, those assumptions don’t hold anymore, and the ‘forbidden’ light gets a chance to shine out towards us.

[Image Description: A spiral galaxy. It appears to be almost circular and seen face-on, with two prominent spiral arms winding out from a glowing core. It is centred in the frame as if a portrait. Most of the background is black, with only tiny, distant galaxies, but there are two large bright stars in the foreground, one blue and one red, directly above the galaxy.]

Credits: ESA/Hubble & NASA, C. Kilpatrick; CC BY 4.0

Features On Arizona 98, Second Take by Brian Callahan

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Please Press "L" Or Click To View On Black

On our way from Page to Canyon De Chelly, Arizona.

Mound Terrace and rime frost by Yellowstone National Park

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NPS/Diane Renkin

Railroad Heritage 47, Winter 2017 by Center for Railroad Photography & Art

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Features on J.B. Jackson and Howard Fogg, cover photograph by Jeff Brouws. More at: www.railphoto-art.org/railroad-heritage-47/

The Mediæval castle of Vaison-la-Romaine by Arsène Lupin

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The city of Vaison-la-Romaine was, unsurprisingly, built by the Romans, but only in part. In fact, it features two very different built-up areas: one leisurely laid out on flat land, and the other holding on tight to a tall and dominating rocky outcrop, on the other bank of River Ouvèze, which is spanned by a Roman bridge. And the history of Vaison is largely that of a going back and forth between those two areas.

The very first inhabitants of Vaison, pre-Roman conquest, prudently settled on the mountain. Traces of Neolithic occupation were found on its steep slopes. Confident in the Pax Romana they were bringing with them, the Romans settled comfortably in the plain, by the banks of the Ouvèze, and began building a lovely and remarkable city, of which many famous ruins remain. Then the invasions of Barbarians from the East, and Saracens from the South, drove the people back onto the mountain, where they took many of the Roman cut stones of the lower city to fortify, defend and build ramparts, homes and churches. It is not really until the 19th century that they deemed safe to go back down again and re-settle the Antique part of the city, building frenetically over Roman ruins. This being before the time of “pre-emptive archæological digs”, many such ruins are undoubtedly forever buried under the elegant homes of the 1800s Vaison.

The Château comtal (i.e., “Castle of the Counts”) we are visiting is a symbol of the centuries-long feud between the sacred and the secular —the former, we must admit, being largely the main culprit: while it is true that secular powers oftentimes tried to encroach upon the religious (for example by trying to usurp and appropriate the right to appoint bishops, abbots or abbesses), the clerical powers-that-be were equally, if not more often liable to try and meddle in, and establish their rule over, profane affairs and management of what we would call today “civilian” life.

In Vaison, bishop Bertrand de Mornas was guilty of such an appropriation and was consequently driven away by force in 1160 by Raymond V of Toulouse, the Toulouse family being the local overlords at the time. The next bishop, Bertrand de Lambesc, re-took the town in 1178 but let Raymond’s troops station on the mountaintop. There, true to form, they built a wooden fort in 1183 to symbolize their domination; it is the ancestor of the castle we still see today. In 1185, the then-bishop, Bérenger de Reillanne, burned that fort. Count Raymond sent his troops back right away, once again driving the bishop away. Between 1190 and 1193, they built a stone castle impervious to fire. :o)

The castle is not open to the public, as there are some spaces that are dangerous. The municipality, which owns the monument, has been working for quite a while in the perspective of opening it one day. Securing the ways to access is also a big challenge, as the whole mountaintop, including the bedrock, is listed as a Historic Landmark. Therefore, nothing can be touched unless declassified —an administrative nightmare— and I verified for myself that getting there can be very tricky, slippery and risky. The way cannot be publicly endorsed as is, oit would bring a slew of law suits against the town. I was permitted access inside in my capacity as pro bono photographer for the Fondation du Patrimoine.

The courtyard seen from the southeast corner.

Garden Features by Louise and Colin

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Montacute is an Elizabethan manor house, very grand with lots of windows (at a time when windows were expensive) and decorative features.

At Montacute, Somerset, England. A National Trust property.

Sunrise Over The Craters Of The Moon National Monument & Preserve, Idaho, USA. by PHOTOGRAPHY by DM & DBM.

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Craters of the Moon National Monument and Preserve is a U.S. national monument and national preserve in the Snake River Plain in central Idaho. It is along US 20 (concurrent with US 93 and US 26), between the small towns of Arco and Carey, at an average elevation of 5,900 feet (1,800 m) above sea level.

The Monument was established on May 2, 1924. In November 2000, a presidential proclamation by President Clinton greatly expanded the Monument area. The 410,000-acre National Park Service portions of the expanded Monument were designated as Craters of the Moon National Preserve in August 2002. It spreads across Blaine, Butte, Lincoln, Minidoka, and Power counties. The area is managed cooperatively by the National Park Service and the Bureau of Land Management (BLM).

The Monument and Preserve encompass three major lava fields and about 400 square miles (1,000 km2) of sagebrush steppe grasslands to cover a total area of 1,117 square miles (2,893 km2). The Monument alone covers 343,000 acres (139,000 ha). All three lava fields lie along the Great Rift of Idaho, with some of the best examples of open rift cracks in the world, including the deepest known on Earth at 800 feet (240 m). There are excellent examples of almost every variety of basaltic lava, as well as tree molds (cavities left by lava-incinerated trees), lava tubes (a type of cave), and many other volcanic features.

Craters of the Moon is in south-central Idaho, midway between Boise and Yellowstone National Park. The lava field reaches southeastward from the Pioneer Mountains. Combined U.S. Highway 20–26–93 cuts through the northwestern part of the monument and provides access to it. However, the rugged landscape of the monument itself remains remote and undeveloped, with only one paved road across the northern end.

The Craters of the Moon Lava Field spreads across 618 square miles (1,601 km2) and is the largest mostly Holocene-aged basaltic lava field in the contiguous United States. The Monument and Preserve contain more than 25 volcanic cones, including outstanding examples of spatter cones. The 60 distinct solidified lava flows that form the Craters of the Moon Lava Field range in age from 15,000 to just 2,000 years. The Kings Bowl and Wapi lava fields, both about 2,200 years old, are part of the National Preserve.

This lava field is the largest of several large beds of lava that erupted from the 53-mile (85 km) south-east to north-west trending Great Rift volcanic zone, a line of weakness in the Earth's crust. Together with fields from other fissures they make up the Lava Beds of Idaho, which in turn are in the much larger Snake River Plain volcanic province. The Great Rift extends across almost the entire Snake River Plain.

Elevation at the visitor center is 5,900 feet (1,800 m) above sea level.

Total average precipitation in the Craters of the Moon area is between 15–20 inches (380–510 mm) per year. Most of this is lost in cracks in the basalt, only to emerge later in springs and seeps in the walls of the Snake River Canyon. Older lava fields on the plain have been invaded by drought-resistant plants such as sagebrush, while younger fields, such as Craters of the Moon, only have a seasonal and very sparse cover of vegetation. From a distance this cover disappears almost entirely, giving an impression of utter black desolation. Repeated lava flows over the last 15,000 years have raised the land surface enough to expose it to the prevailing southwesterly winds, which help to keep the area dry. Together these conditions make life on the lava field difficult.

Paleo-Indians visited the area about 12,000 years ago but did not leave much archaeological evidence. Northern Shoshone created trails through the Craters of the Moon Lava Field during their summer migrations from the Snake River to the camas prairie, west of the lava field. Stone windbreaks at Indian Tunnel were used to protect campsites from the dry summer wind. No evidence exists for permanent habitation by any Native American group. A hunting and gathering culture, the Northern Shoshone pursued elk, bears, American bison, cougars, and bighorn sheep — all large game who no longer range the area. The most recent volcanic eruptions ended about 2,100 years ago and were likely witnessed by the Shoshone people. Ella E. Clark has recorded a Shoshone legend which speaks of a serpent on a mountain who, angered by lightning, coiled around and squeezed the mountain until liquid rock flowed, fire shot from cracks, and the mountain exploded.

In 1879, two Arco cattlemen named Arthur Ferris and J.W. Powell became the first known European-Americans to explore the lava fields. They were investigating its possible use for grazing and watering cattle but found the area to be unsuitable and left.

U.S. Army Captain and western explorer B.L.E. Bonneville visited the lava fields and other places in the West in the 19th century and wrote about his experiences in his diaries. Washington Irving later used Bonneville's diaries to write the Adventures of Captain Bonneville, saying this unnamed lava field is a place "where nothing meets the eye but a desolate and awful waste, where no grass grows nor water runs, and where nothing is to be seen but lava."

In 1901 and 1903, Israel Russell became the first geologist to study this area while surveying it for the United States Geological Survey (USGS). In 1910, Samuel Paisley continued Russell's work and later became the monument's first custodian. Others followed and in time much of the mystery surrounding this and the other Lava Beds of Idaho was lifted.

The few European settlers who visited the area in the 19th century created local legends that it looked like the surface of the Moon. Geologist Harold T. Stearns coined the name "Craters of the Moon" in 1923 while trying to convince the National Park Service to recommend protection of the area in a national monument.

The Snake River Plain is a volcanic province that was created by a series of cataclysmic caldera-forming eruptions which started about 15 million years ago. A migrating hotspot thought to now exist under Yellowstone Caldera in Yellowstone National Park has been implicated. This hot spot was under the Craters of the Moon area some 10 to 11 million years ago but 'moved' as the North American Plate migrated northwestward. Pressure from the hot spot heaves the land surface up, creating fault-block mountains. After the hot spot passes the pressure is released and the land subsides.

Leftover heat from this hot spot was later liberated by Basin and Range-associated rifting and created the many overlapping lava flows that make up the Lava Beds of Idaho. The largest rift zone is the Great Rift; it is from this 'Great Rift fissure system' that Craters of the Moon, Kings Bowl, and Wapi lava fields were created. The Great Rift is a National Natural Landmark.

In spite of their fresh appearance, the oldest flows in the Craters of the Moon Lava Field are 15,000 years old and the youngest erupted about 2000 years ago, according to Mel Kuntz and other USGS geologists. Nevertheless, the volcanic fissures at Craters of the Moon are considered to be dormant, not extinct, and are expected to erupt again in less than a thousand years. There are eight major eruptive periods recognized in the Craters of the Moon Lava Field. Each period lasted about 1000 years or less and were separated by relatively quiet periods that lasted between 500 and as long as 3000 years. Individual lava flows were up to 30 miles (50 km) long with the Blue Dragon Flow being the longest.

Kings Bowl Lava Field erupted during a single fissure eruption on the southern part of the Great Rift about 2,250 years ago. This eruption probably lasted only a few hours to a few days. The field preserves explosion pits, lava lakes, squeeze-ups, basalt mounds, and an ash blanket. The Wapi Lava Field probably formed from a fissure eruption at the same time as the Kings Bowl eruption. More prolonged activity over a period of months to a few years led to the formation of low shield volcanoes in the Wapi field. The Bear Trap lava tube, between the Craters of the Moon and the Wapi lava fields, is a cave system more than 15 miles (24 km) long. The lava tube is remarkable for its length and for the number of well-preserved lava cave features, such as lava stalactites and curbs, the latter marking high stands of the flowing lava frozen on the lava tube walls. The lava tubes and pit craters of the monument are known for their unusual preservation of winter ice and snow into the hot summer months, due to shielding from the sun and the insulating properties of basalt.

A typical eruption along the Great Rift and similar basaltic rift systems starts with a curtain of very fluid lava shooting up to 1,000 feet (300 m) high along a segment of the rift up to 1 mile (1.6 km) long. As the eruption continues, pressure and heat decrease and the chemistry of the lava becomes slightly more silica rich. The curtain of lava responds by breaking apart into separate vents. Various types of volcanoes may form at these vents: gas-rich pulverized lava creates cinder cones (such as Inferno Cone – stop 4), and pasty lava blobs form spatter cones (such as Spatter Cones – stop 5). Later stages of an eruption push lava streams out through the side or base of cinder cones, which usually ends the life of the cinder cone (North Crater, Watchmen, and Sheep Trail Butte are notable exceptions). This will sometimes breach part of the cone and carry it away as large and craggy blocks of cinder (as seen at North Crater Flow – stop 2 – and Devils Orchard – stop 3). Solid crust forms over lava streams, and lava tubes (a type of cave) are created when lava vacates its course (examples can be seen at the Cave Area – stop 7).

Geologists feared that a large earthquake that shook Borah Peak, Idaho's tallest mountain, in 1983 would restart volcanic activity at Craters of the Moon, though this proved not to be the case. Geologists predict that the area will experience its next eruption some time in the next 900 years with the most likely period in the next 100 years.

All plants and animals that live in and around Craters of the Moon are under great environmental stress due to constant dry winds and heat-absorbing black lavas that tend to quickly sap water from living things. Summer soil temperatures often exceed 150 °F (66 °C) and plant cover is generally less than 5% on cinder cones and about 15% over the entire monument. Adaptation is therefore necessary for survival in this semi-arid harsh climate.

Water is usually only found deep inside holes at the bottom of blow-out craters. Animals therefore get the moisture they need directly from their food. The black soil on and around cinder cones does not hold moisture for long, making it difficult for plants to establish themselves. Soil particles first develop from direct rock decomposition by lichens and typically collect in crevices in lava flows. Successively more complex plants then colonize the microhabitat created by the increasingly productive soil.

The shaded north slopes of cinder cones provide more protection from direct sunlight and prevailing southwesterly winds and have a more persistent snow cover (an important water source in early spring). These parts of cinder cones are therefore colonized by plants first.

Gaps between lava flows were sometimes cut off from surrounding vegetation. These literal islands of habitat are called kīpukas, a Hawaiian name used for older land surrounded by younger lava. Carey Kīpuka is one such area in the southernmost part of the monument and is used as a benchmark to measure how plant cover has changed in less pristine parts of southern Idaho.

Idaho is a landlocked state in the Mountain West subregion of the United States. It shares a small portion of the Canada–United States border to the north, with the province of British Columbia. It borders Montana and Wyoming to the east, Nevada and Utah to the south, and Washington and Oregon to the west. The state's capital and largest city is Boise. With an area of 83,570 square miles (216,400 km2), Idaho is the 14th largest state by land area. With a population of approximately 1.8 million, it ranks as the 13th least populous and the 6th least densely populated of the 50 U.S. states.

For thousands of years, and prior to European colonization, Idaho has been inhabited by native peoples. In the early 19th century, Idaho was considered part of the Oregon Country, an area of dispute between the U.S. and the British Empire. It officially became a U.S. territory with the signing of the Oregon Treaty of 1846, but a separate Idaho Territory was not organized until 1863, instead being included for periods in Oregon Territory and Washington Territory. Idaho was eventually admitted to the Union on July 3, 1890, becoming the 43rd state.

Forming part of the Pacific Northwest (and the associated Cascadia bioregion), Idaho is divided into several distinct geographic and climatic regions. The state's north, the relatively isolated Idaho Panhandle, is closely linked with Eastern Washington, with which it shares the Pacific Time Zone—the rest of the state uses the Mountain Time Zone. The state's south includes the Snake River Plain (which has most of the population and agricultural land), and the southeast incorporates part of the Great Basin. Idaho is quite mountainous and contains several stretches of the Rocky Mountains. The United States Forest Service holds about 38% of Idaho's land, the highest proportion of any state.

Industries significant for the state economy include manufacturing, agriculture, mining, forestry, and tourism. Several science and technology firms are either headquartered in Idaho or have factories there, and the state also contains the Idaho National Laboratory, which is the country's largest Department of Energy facility. Idaho's agricultural sector supplies many products, but the state is best known for its potato crop, which comprises around one-third of the nationwide yield. The official state nickname is the "Gem State."

The history of Idaho is an examination of the human history and social activity within the state of Idaho, one of the United States of America located in the Pacific Northwest area near the west coast of the United States and Canada. Other associated areas include southern Alaska, all of British Columbia, Washington, Oregon, western Montana and northern California and Nevada.

Humans may have been present in Idaho for 16,600 years. Recent findings in Cooper's Ferry along the Salmon River in western Idaho near the town of Cottonwood have unearthed stone tools and animal bone fragments in what may be the oldest evidence of humans in North America. Earlier excavations in 1959 at Wilson Butte Cave near Twin Falls revealed evidence of human activity, including arrowheads, that rank among the oldest dated artifacts in North America. Native American tribes predominant in the area in historic times included the Nez Perce and the Coeur d'Alene in the north; and the Northern and Western Shoshone and Bannock peoples in the south.

Idaho was one of the last areas in the lower 48 states of the US to be explored by people of European descent. The Lewis and Clark expedition entered present-day Idaho on August 12, 1805, at Lemhi Pass. It is believed that the first "European descent" expedition to enter southern Idaho was by a group led in 1811 and 1812 by Wilson Price Hunt, which navigated the Snake River while attempting to blaze an all-water trail westward from St. Louis, Missouri, to Astoria, Oregon. At that time, approximately 8,000 Native Americans lived in the region.

Fur trading led to the first significant incursion of Europeans in the region. Andrew Henry of the Missouri Fur Company first entered the Snake River plateau in 1810. He built Fort Henry on Henry's Fork on the upper Snake River, near modern St. Anthony, Idaho. However, this first American fur post west of the Rocky Mountains was abandoned the following spring.

The British-owned Hudson's Bay Company next entered Idaho and controlled the trade in the Snake River area by the 1820s. The North West Company's interior department of the Columbia was created in June 1816, and Donald Mackenzie was assigned as its head. Mackenzie had previously been employed by Hudson's Bay and had been a partner in the Pacific Fur Company, financed principally by John Jacob Astor. During these early years, he traveled west with a Pacific Fur Company's party and was involved in the initial exploration of the Salmon River and Clearwater River. The company proceeded down the lower Snake River and Columbia River by canoe, and were the first of the Overland Astorians to reach Fort Astoria, on January 18, 1812.

Under Mackenzie, the North West Company was a dominant force in the fur trade in the Snake River country. Out of Fort George in Astoria, Mackenzie led fur brigades up the Snake River in 1816-1817 and up the lower Snake in 1817-1818. Fort Nez Perce, established in July, 1818, became the staging point for Mackenzies' Snake brigades. The expedition of 1818-1819 explored the Blue Mountains, and traveled down the Snake River to the Bear River and approached the headwaters of the Snake. Mackenzie sought to establish a navigable route up the Snake River from Fort Nez Perce to the Boise area in 1819. While he did succeed in traveling by boat from the Columbia River through the Grand Canyon of the Snake past Hells Canyon, he concluded that water transport was generally impractical. Mackenzie held the first rendezvous in the region on the Boise River in 1819.

Despite their best efforts, early American fur companies in this region had difficulty maintaining the long-distance supply lines from the Missouri River system into the Intermountain West. However, Americans William H. Ashley and Jedediah Smith expanded the Saint Louis fur trade into Idaho in 1824. The 1832 trapper's rendezvous at Pierre's Hole, held at the foot of the Three Tetons in modern Teton County, was followed by an intense battle between the Gros Ventre and a large party of American trappers aided by their Nez Perce and Flathead allies.

The prospect of missionary work among the Native Americans also attracted early settlers to the region. In 1809, Kullyspell House, the first white-owned establishment and first trading post in Idaho, was constructed. In 1836, the Reverend Henry H. Spalding established a Protestant mission near Lapwai, where he printed the Northwest's first book, established Idaho's first school, developed its first irrigation system, and grew the state's first potatoes. Narcissa Whitman and Eliza Hart Spalding were the first non-native women to enter present-day Idaho.

Cataldo Mission, the oldest standing building in Idaho, was constructed at Cataldo by the Coeur d'Alene and Catholic missionaries. In 1842, Father Pierre-Jean De Smet, with Fr. Nicholas Point and Br. Charles Duet, selected a mission location along the St. Joe River. The mission was moved a short distance away in 1846, as the original location was subject to flooding. In 1850, Antonio Ravalli designed a new mission building and Indians affiliated with the church effort built the mission, without nails, using the wattle and daub method. In time, the Cataldo mission became an important stop for traders, settlers, and miners. It served as a place for rest from the trail, offered needed supplies, and was a working port for boats heading up the Coeur d'Alene River.

During this time, the region which became Idaho was part of an unorganized territory known as Oregon Country, claimed by both the United States and Great Britain. The United States gained undisputed jurisdiction over the region in the Oregon Treaty of 1846, although the area was under the de facto jurisdiction of the Provisional Government of Oregon from 1843 to 1849. The original boundaries of Oregon Territory in 1848 included all three of the present-day Pacific Northwest states and extended eastward to the Continental Divide. In 1853, areas north of the 46th Parallel became Washington Territory, splitting what is now Idaho in two. The future state was reunited in 1859 after Oregon became a state and the boundaries of Washington Territory were redrawn.

While thousands passed through Idaho on the Oregon Trail or during the California gold rush of 1849, few people settled there. In 1860, the first of several gold rushes in Idaho began at Pierce in present-day Clearwater County. By 1862, settlements in both the north and south had formed around the mining boom.

The Church of Jesus Christ of Latter-Day Saints missionaries founded Fort Lemhi in 1855, but the settlement did not last. The first organized town in Idaho was Franklin, settled in April 1860 by Mormon pioneers who believed they were in Utah Territory; although a later survey determined they had crossed the border. Mormon pioneers reached areas near the current-day Grand Teton National Park in Wyoming and established most of the historic and modern communities in Southeastern Idaho. These settlements include Ammon, Blackfoot, Chubbuck, Firth, Idaho Falls, Iona, Pocatello, Rexburg, Rigby, Shelley, and Ucon.

Large numbers of English immigrants settled in what is now the state of Idaho in the late 19th and early 20th century, many before statehood. The English found they had more property rights and paid less taxes than they did back in England. They were considered some of the most desirable immigrants at the time. Many came from humble beginnings and would rise to prominence in Idaho. Frank R. Gooding was raised in a rural working-class background in England, but was eventually elected as the seventh governor of the state. Today people of English descent make up one fifth of the entire state of Idaho and form a plurality in the southern portion of the state.

Many German farmers also settled in what is now Idaho. German settlers were primarily Lutheran across all of the midwest and west, including Idaho, however there were small numbers of Catholics amongst them as well. In parts of Northern Idaho, German remained the dominant language until World War I, when German-Americans were pressured to convert entirely to English. Today, Idahoans of German ancestry make up nearly one fifth of all Idahoans and make up the second largest ethnic group after Idahoans of English descent with people of German ancestry being 18.1% of the state and people of English ancestry being 20.1% of the state.

Irish Catholics worked in railroad centers such as Boise. Today, 10% of Idahoans self-identify as having Irish ancestry.

York, a slave owned by William Clark but considered a full member of Corps of Discovery during expedition to the Pacific, was the first recorded African American in Idaho. There is a significant African American population made up of those who came west after the abolition of slavery. Many settled near Pocatello and were ranchers, entertainers, and farmers. Although free, many blacks suffered discrimination in the early-to-mid-late 20th century. The black population of the state continues to grow as many come to the state because of educational opportunities, to serve in the military, and for other employment opportunities. There is a Black History Museum in Boise, Idaho, with an exhibit known as the "Invisible Idahoan", which chronicles the first African-Americans in the state. Blacks are the fourth largest ethnic group in Idaho according to the 2000 census. Mountain Home, Boise, and Garden City have significant African-American populations.

The Basque people from the Iberian peninsula in Spain and southern France were traditionally shepherds in Europe. They came to Idaho, offering hard work and perseverance in exchange for opportunity. One of the largest Basque communities in the US is in Boise, with a Basque museum and festival held annually in the city.

Chinese in the mid-19th century came to America through San Francisco to work on the railroad and open businesses. By 1870, there were over 4000 Chinese and they comprised almost 30% of the population. They suffered discrimination due to the Anti-Chinese League in the 19th century which sought to limit the rights and opportunities of Chinese emigrants. Today Asians are third in population demographically after Whites and Hispanics at less than 2%.

Main articles: Oregon boundary dispute, Provisional Government of Oregon, Oregon Treaty, Oregon Territory, Washington Territory, Dakota Territory, Organic act § List of organic acts, and Idaho Territory

On March 4, 1863, President Abraham Lincoln signed an act creating Idaho Territory from portions of Washington Territory and Dakota Territory with its capital at Lewiston. The original Idaho Territory included most of the areas that later became the states of Idaho, Montana and Wyoming, and had a population of under 17,000. Idaho Territory assumed the boundaries of the modern state in 1868 and was admitted as a state in 1890.

After Idaho became a territory, legislation was held in Lewiston, the capital of Idaho Territory at the time. There were many territories acts put into place, and then taken away during these early sessions, one act being the move of the capital city from Lewiston to Boise City. Boise was becoming a growing area after gold was found, so on December 24, 1864, Boise City was made the final destination of the capital for the Territory of Idaho.

However, moving the capital to Boise City created a lot of issues between the territory. This was especially true between the north and south areas in the territory, due to how far south Boise City was. Problems with communicating between the north and south contributed to some land in Idaho Territory being transferred to other territories and areas at the time. Idaho’s early boundary changes helped create the current boundaries of Washington, Wyoming, and Montana States as currently exist.

In a bid for statehood, Governor Edward A. Stevenson called for a constitutional convention in 1889. The convention approved a constitution on August 6, 1889, and voters approved the constitution on November 5, 1889.

When President Benjamin Harrison signed the law admitting Idaho as a U.S. state on July 3, 1890, the population was 88,548. George L. Shoup became the state's first governor, but resigned after only a few weeks in office to take a seat in the United States Senate. Willis Sweet, a Republican, was the first congressman, 1890 to 1895, representing the state at-large. He vigorously demanded "Free Silver" or the unrestricted coinage of silver into legal tender, in order to pour money into the large silver mining industry in the Mountain West, but he was defeated by supporters of the gold standard. In 1896 he, like many Republicans from silver mining districts, supported the Silver Republican Party instead of the regular Republican nominee William McKinley.

During its first years of statehood, Idaho was plagued by labor unrest in the mining district of Coeur d'Alene. In 1892, miners called a strike which developed into a shooting war between union miners and company guards. Each side accused the other of starting the fight. The first shots were exchanged at the Frisco mine in Frisco, in the Burke-Canyon north and east of Wallace. The Frisco mine was blown up, and company guards were taken prisoner. The violence soon spilled over into the nearby community of Gem, where union miners attempted to locate a Pinkerton spy who had infiltrated their union and was passing information to the mine operators. But agent Charlie Siringo escaped by cutting a hole in the floor of his room. Strikers forced the Gem mine to close, then traveled west to the Bunker Hill mining complex near Wardner, and closed down that facility as well. Several had been killed in the Burke-Canyon fighting. The Idaho National Guard and federal troops were dispatched to the area, and union miners and sympathizers were thrown into bullpens.

Hostilities would again erupt at the Bunker Hill facility in 1899, when seventeen union miners were fired for having joined the union. Other union miners were likewise ordered to draw their pay and leave. Angry members of the union converged on the area and blew up the Bunker Hill Mill, killing two company men.

In both disputes, the union's complaints included pay, hours of work, the right of miners to belong to the union, and the mine owners' use of informants and undercover agents. The violence committed by union miners was answered with a brutal response in 1892 and in 1899.

Through the Western Federation of Miners (WFM) union, the battles in the mining district became closely tied to a major miners' strike in Colorado. The struggle culminated in the December 1905 assassination of former Governor Frank Steunenberg by Harry Orchard (also known as Albert Horsley), a member of the WFM. Orchard was allegedly incensed by Steunenberg's efforts as governor to put down the 1899 miner uprising after being elected on a pro-labor platform.

Pinkerton detective James McParland conducted the investigation into the assassination. In 1907, WFM Secretary Treasurer "Big Bill" Haywood and two other WFM leaders were tried on a charge of conspiracy to murder Steunenberg, with Orchard testifying against them as part of a deal made with McParland. The nationally publicized trial featured Senator William E. Borah as prosecuting attorney and Clarence Darrow representing the defendants. The defense team presented evidence that Orchard had been a Pinkerton agent and had acted as a paid informant for the Cripple Creek Mine Owners' Association. Darrow argued that Orchard's real motive in the assassination had been revenge for a declaration of martial law by Steunenberg, which prompted Orchard to gamble away a share in the Hercules silver mine that would otherwise have made him wealthy.

Two of the WFM leaders were acquitted in two separate trials, and the third was released. Orchard was convicted and sentenced to death. His sentence was commuted, and he spent the rest of his life in an Idaho prison.

Mining in Idaho was a major commercial venture, bringing a great deal of attention to the state. From 1860-1866 Idaho produced 19% of all gold in the United States, or 2.5 million ounces.

Most of Idaho's mining production, 1860–1969, has come from metals equating to $2.88 billion out of $3.42 billion, according to the best estimates. Of the metallic mining areas of Idaho, the Coeur d'Alene region has produced the most by far, and accounts for about 80% of the total Idaho yield.

Several others—Boise Basin, Wood River Valley, Stibnite, Blackbirg, and Owyhee—range considerably above the other big producers. Atlanta, Bear Valley, Bay Horse, Florence, Gilmore, Mackay, Patterson, and Yankee Fork all ran on the order of ten to twenty million dollars, and Elk City, Leesburg, Pierce, Rocky Bar, and Warren's make up the rest of the major Idaho mining areas that stand out in the sixty or so regions of production worthy of mention.

A number of small operations do not appear in this list of Idaho metallic mining areas: a small amount of gold was recovered from Goose Creek on Salmon Meadows; a mine near Cleveland was prospected in 1922 and produced a little manganese in 1926; a few tons of copper came from Fort Hall, and a few more tons of copper came from a mine near Montpelier. Similarly, a few tons of lead came from a property near Bear Lake, and lead-silver is known on Cassia Creek near Elba. Some gold quartz and lead-silver workings are on Ruby Creek west of Elk River, and there is a slightly developed copper operation on Deer Creek near Winchester. Molybdenum is known on Roaring River and on the east fork of the Salmon. Some scattered mining enterprises have been undertaken around Soldier Mountain and on Chief Eagle Eye Creek north of Montour.

Idaho proved to be one of the more receptive states to the progressive agenda of the late 19th century and early 20th century. The state embraced progressive policies such as women's suffrage (1896) and prohibition (1916) before they became federal law. Idahoans were also strongly supportive of Free Silver. The pro-bimetallism Populist and Silver Republican parties of the late 1890s were particularly successful in the state.

Eugenics was also a major part of the Progressive movement. In 1919, the Idaho legislature passed an Act legalizing the forced sterilization of some persons institutionalized in the state. The act was vetoed by governor D.W. Davis, who doubted its scientific merits and believed it likely violated the Equal Protection clause of the US Constitution. In 1925, the Idaho legislature passed a revised eugenics act, now tailored to avoid Davis's earlier objections. The new law created a state board of eugenics, charged with: the sterilization of all feebleminded, insane, epileptics, habitual criminals, moral degenerates and sexual perverts who are a menace to society, and providing the means for ascertaining who are such persons.

The Eugenics board was eventually folded into the state's health commission; between 1932 and 1964, a total of 30 women and eight men in Idaho were sterilized under this law. The sterilization law was formally repealed in 1972.

After statehood, Idaho's economy began a gradual shift away from mining toward agriculture, particularly in the south. Older mining communities such as Silver City and Rocky Bar gave way to agricultural communities incorporated after statehood, such as Nampa and Twin Falls. Milner Dam on the Snake River, completed in 1905, allowed for the formation of many agricultural communities in the Magic Valley region which had previously been nearly unpopulated.

Meanwhile, some of the mining towns were able to reinvent themselves as resort communities, most notably in Blaine County, where the Sun Valley ski resort opened in 1936. Others, such as Silver City and Rocky Bar, became ghost towns.

In the north, mining continued to be an important industry for several more decades. The closure of the Bunker Hill Mine complex in Shoshone County in the early 1980s sent the region's economy into a tailspin. Since that time, a substantial increase in tourism in north Idaho has helped the region to recover. Coeur d'Alene, a lake-side resort town, is a destination for visitors in the area.

Beginning in the 1980s, there was a rise in North Idaho of a few right-wing extremist and "survivalist" political groups, most notably one holding Neo-Nazi views, the Aryan Nations. These groups were most heavily concentrated in the Panhandle region of the state, particularly in the vicinity of Coeur d'Alene.

In 1992 a stand-off occurred between U.S. Marshals, the F.B.I., and white separatist Randy Weaver and his family at their compound at Ruby Ridge, located near the small, northern Idaho town of Naples. The ensuing fire-fight and deaths of a U.S. Marshal, and Weaver's son and wife gained national attention, and raised a considerable amount of controversy regarding the nature of acceptable force by the federal government in such situations.

In 2001, the Aryan Nations compound, which had been located in Hayden Lake, Idaho, was confiscated as a result of a court case, and the organization moved out of state. About the same time Boise installed an impressive stone Human Rights Memorial featuring a bronze statue of Anne Frank and quotations from her and many other writers extolling human freedom and equality.

The demographics of the state have changed. Due to this growth in different groups, especially in Boise, the economic expansion surged wrong-economic growth followed the high standard of living and resulted in the "growth of different groups". The population of Idaho in the 21st Century has been described as sharply divided along geographic and cultural lines due to the center of the state being dominated by sparsely-populated national forests, mountain ranges and recreation sites: "unless you're willing to navigate a treacherous mountain pass, you can't even drive from the north to the south without leaving the state." The northern population gravitates towards Spokane, Washington, the heavily Mormon south-east population towards Utah, with an isolated Boise "[being] the closest thing to a city-state that you'll find in America."

On March 13, 2020, officials from the Idaho Department of Health and Welfare announced the first confirmed case of the novel coronavirus COVID-19 within the state of Idaho. A woman over the age of 50 from the southwestern part of the state was confirmed to have the coronavirus infection. She contracted the infection while attending a conference in New York City. Conference coordinators notified attendees that three individuals previously tested positive for the coronavirus. The Idahoan did not require hospitalization and was recovering from mild symptoms from her home. At the time of the announcement, there were 1,629 total cases and 41 deaths in the United States. Five days beforehand, on March 8, a man of age 54 had died of an unknown respiratory illness which his doctor had believed to be pneumonia. The disease was later suspected to be – but never confirmed as – COVID-19.

On March 14, state officials announced the second confirmed case within the state. The South Central Public Health District, announced that a woman over the age of 50 that resides in Blaine County had contracted the infection.[44] Like the first case, she did not require hospitalization and she was recovering from mild symptoms from home. Later on in the day, three additional confirmed cases of COVID-19 were reported in the state by three of the seven health districts in the state, which brought the confirmed total cases of coronavirus to five in Idaho. Officials from Central District Health announced their second confirmed case, which was a male from Ada County in his 50s. He was not hospitalized and was recovering at home. South Central Public Health reported their second confirmed case in a female that is over the age of 70 who was hospitalized. Eastern Idaho Public Health reported a confirmed positive case in a woman under the age of 60 in Teton County. She had contracted the coronavirus from contact with a confirmed case in a neighboring state; she was not hospitalized. The South Central Public Health District announced that a woman over the age of 50 that resides in Blaine County had contracted the infection. Like the first case, she did not require hospitalization and she was recovering from mild symptoms from home.

On March 17, two more confirmed cases of the infection were reported, bringing the total to seven. The first case on this date was by officials from Central District Health reported that a female under the age of 50 in Ada County was recovering at home and was not hospitalized. The second confirmed case was a female over the age of 50 as reported by South Central Public Health officials.

On March 18, two additional confirmed cases were announced by South Central Public Health District officials. One is a male from Blaine County in his 40s and the other a male in his 80s from Twin Falls County. These cases were the first known community spread transmission of the coronavirus in South Central Idaho.

Street | Kolkata by dynamo.photography

20 2

++++++++++ FROM WKIPEDIA +++++++++

Kolkata /koʊlˈkɑːtə/ ([kolkata] (About this soundlisten), also known as Calcutta /kælˈkʌtə/, the official name until 2001) is the capital of the Indian state of West Bengal. Located on the east bank of the Hooghly River approximately 75 kilometres (47 mi) west of the border with Bangladesh, it is the principal commercial, cultural, and educational centre of East India, while the Port of Kolkata is India's oldest operating port and its sole major riverine port. The city is widely regarded as the "cultural capital" of India, and is also nicknamed the "City of Joy".[1][2][3].According to the 2011 Indian census, it is the seventh most populous city. the city had a population of 4.5 million, while the population of the city and its suburbs was 14.1 million, making it the third-most populous metropolitan area in India. Recent estimates of Kolkata Metropolitan Area's economy have ranged from $60 to $150 billion (GDP adjusted for purchasing power parity) making it third most-productive metropolitan area in India, after Mumbai and Delhi.[11][12][13]

In the late 17th century, the three villages that predated Calcutta were ruled by the Nawab of Bengal under Mughal suzerainty. After the Nawab granted the East India Company a trading licence in 1690,[15] the area was developed by the Company into an increasingly fortified trading post. Nawab Siraj ud-Daulah occupied Calcutta in 1756, and the East India Company retook it the following year. In 1793 the East India company was strong enough to abolish Nizamat (local rule), and assumed full sovereignty of the region. Under the company rule, and later under the British Raj, Calcutta served as the capital of British-held territories in India until 1911, when its perceived geographical disadvantages, combined with growing nationalism in Bengal, led to a shift of the capital to New Delhi. Calcutta was the centre for the Indian independence movement; it remains a hotbed of contemporary state politics. Following Indian independence in 1947, Kolkata, which was once the centre of modern Indian education, science, culture, and politics, suffered several decades of economic stagnation.

As a nucleus of the 19th- and early 20th-century Bengal Renaissance and a religiously and ethnically diverse centre of culture in Bengal and India, Kolkata has local traditions in drama, art, film, theatre, and literature. Many people from Kolkata—among them several Nobel laureates—have contributed to the arts, the sciences, and other areas. Kolkata culture features idiosyncrasies that include distinctively close-knit neighbourhoods (paras) and freestyle intellectual exchanges (adda). West Bengal's share of the Bengali film industry is based in the city, which also hosts venerable cultural institutions of national importance, such as the Academy of Fine Arts, the Victoria Memorial, the Asiatic Society, the Indian Museum and the National Library of India. Among professional scientific institutions, Kolkata hosts the Agri Horticultural Society of India, the Geological Survey of India, the Botanical Survey of India, the Calcutta Mathematical Society, the Indian Science Congress Association, the Zoological Survey of India, the Institution of Engineers, the Anthropological Survey of India and the Indian Public Health Association. Though home to major cricketing venues and franchises, Kolkata differs from other Indian cities by giving importance to association football and other sports.

Etymology

The word Kolkata derives from the Bengali term Kôlikata (Bengali: কলিকাতা) [ˈkɔlikat̪a], the name of one of three villages that predated the arrival of the British, in the area where the city eventually was to be established; the other two villages were Sutanuti and Govindapur.[16]

There are several explanations about the etymology of this name:

The term Kolikata is thought to be a variation of Kalikkhetrô [ˈkalikʰːet̪rɔ] (Bengali: কালীক্ষেত্র), meaning "Field of [the goddess] Kali". Similarly, it can be a variation of 'Kalikshetra' (Sanskrit: कालीक्षेत्र, lit. "area of Goddess Kali").

Another theory is that the name derives from Kalighat.[17]

Alternatively, the name may have been derived from the Bengali term kilkila (Bengali: কিলকিলা), or "flat area".[18]

The name may have its origin in the words khal [ˈkʰal] (Bengali: খাল) meaning "canal", followed by kaṭa [ˈkata] (Bengali: কাটা), which may mean "dug".[19]

According to another theory, the area specialised in the production of quicklime or koli chun [ˈkɔlitɕun] (Bengali: কলি চুন) and coir or kata [ˈkat̪a] (Bengali: কাতা); hence, it was called Kolikata [ˈkɔlikat̪a] (Bengali: কলিকাতা).[18]

Although the city's name has always been pronounced Kolkata [ˈkolkat̪a] (Bengali: কলকাতা) or Kôlikata [ˈkɔlikat̪a] (Bengali: কলিকাতা) in Bengali, the anglicised form Calcutta was the official name until 2001, when it was changed to Kolkata in order to match Bengali pronunciation.[20] (It should be noted that "Calcutt" is an etymologically unrelated place name found at several locations in England.)

History

The discovery and archaeological study of Chandraketugarh, 35 kilometres (22 mi) north of Kolkata, provide evidence that the region in which the city stands has been inhabited for over two millennia.[21][22] Kolkata's recorded history began in 1690 with the arrival of the English East India Company, which was consolidating its trade business in Bengal. Job Charnock, an administrator who worked for the company, was formerly credited as the founder of the city;[23] In response to a public petition,[24] the Calcutta High Court ruled in 2003 that the city does not have a founder.[25] The area occupied by the present-day city encompassed three villages: Kalikata, Gobindapur, and Sutanuti. Kalikata was a fishing village; Sutanuti was a riverside weavers' village. They were part of an estate belonging to the Mughal emperor; the jagirdari (a land grant bestowed by a king on his noblemen) taxation rights to the villages were held by the Sabarna Roy Choudhury family of landowners, or zamindars. These rights were transferred to the East India Company in 1698.[26]:1

In 1712, the British completed the construction of Fort William, located on the east bank of the Hooghly River to protect their trading factory.[27] Facing frequent skirmishes with French forces, the British began to upgrade their fortifications in 1756. The Nawab of Bengal, Siraj ud-Daulah, condemned the militarisation and tax evasion by the company. His warning went unheeded, and the Nawab attacked; he captured Fort William which led to the killings of several East India company officials in the Black Hole of Calcutta.[28] A force of Company soldiers (sepoys) and British troops led by Robert Clive recaptured the city the following year.[28] Per the 1765 Treaty of Allahabad following the battle of Buxar, East India company was appointed imperial tax collector of the Mughal emperor in the province of Bengal, Bihar and Orissa, while Mughal-appointed Nawabs continued to rule the province.[29] Declared a presidency city, Calcutta became the headquarters of the East India Company by 1773.[30] In 1793, ruling power of the Nawabs were abolished and East India company took complete control of the city and the province. In the early 19th century, the marshes surrounding the city were drained; the government area was laid out along the banks of the Hooghly River. Richard Wellesley, Governor-General of the Presidency of Fort William between 1797 and 1805, was largely responsible for the development of the city and its public architecture.[31] Throughout the late 18th and 19th century, the city was a centre of the East India Company's opium trade.[32]

By the 1850s, Calcutta had two areas: White Town, which was primarily British and centred on Chowringhee and Dalhousie Square; and Black Town, mainly Indian and centred on North Calcutta.[33] The city underwent rapid industrial growth starting in the early 1850s, especially in the textile and jute industries; this encouraged British companies to massively invest in infrastructure projects, which included telegraph connections and Howrah railway station. The coalescence of British and Indian culture resulted in the emergence of a new babu class of urbane Indians, whose members were often bureaucrats, professionals, newspaper readers, and Anglophiles; they usually belonged to upper-caste Hindu communities.[34] In the 19th century, the Bengal Renaissance brought about an increased sociocultural sophistication among city denizens. In 1883, Calcutta was host to the first national conference of the Indian National Association, the first avowed nationalist organisation in India.[35]

Bengali billboards on Harrison Street. Calcutta was the largest commercial centre in British India.

The partition of Bengal in 1905 along religious lines led to mass protests, making Calcutta a less hospitable place for the British.[36][37] The capital was moved to New Delhi in 1911.[38] Calcutta continued to be a centre for revolutionary organisations associated with the Indian independence movement. The city and its port were bombed several times by the Japanese between 1942 and 1944, during World War II.[39][40] Coinciding with the war, millions starved to death during the Bengal famine of 1943 due to a combination of military, administrative, and natural factors.[41] Demands for the creation of a Muslim state led in 1946 to an episode of communal violence that killed over 4,000.[42][43][44] The partition of India led to further clashes and a demographic shift—many Muslims left for East Pakistan (present day Bangladesh), while hundreds of thousands of Hindus fled into the city.[45]

During the 1960s and 1970s, severe power shortages, strikes, and a violent Marxist–Maoist movement by groups known as the Naxalites damaged much of the city's infrastructure, resulting in economic stagnation.[46] The Bangladesh Liberation War of 1971 led to a massive influx of thousands of refugees, many of them penniless, that strained Kolkata's infrastructure.[47] During the mid-1980s, Mumbai (then called Bombay) overtook Kolkata as India's most populous city. In 1985, prime minister Rajiv Gandhi dubbed Kolkata a "dying city" in light of its socio-political woes.[48] In the period 1977–2011, West Bengal was governed from Kolkata by the Left Front, which was dominated by the Communist Party of India (CPM). It was the world's longest-serving democratically elected communist government, during which Kolkata was a key base for Indian communism.[49][50][51] In the West Bengal Legislative Assembly election, 2011, Left Front was defeated by the Trinamool Congress. The city's economic recovery gathered momentum after the 1990s, when India began to institute pro-market reforms. Since 2000, the information technology (IT) services sector has revitalised Kolkata's stagnant economy. The city is also experiencing marked growth in its manufacturing base.[52]

Geography

Spread roughly north–south along the east bank of the Hooghly River, Kolkata sits within the lower Ganges Delta of eastern India approximately 75 km (47 mi) west of the international border with Bangladesh; the city's elevation is 1.5–9 m (5–30 ft).[53] Much of the city was originally a wetland that was reclaimed over the decades to accommodate a burgeoning population.[54] The remaining undeveloped areas, known as the East Kolkata Wetlands, were designated a "wetland of international importance" by the Ramsar Convention (1975).[55] As with most of the Indo-Gangetic Plain, the soil and water are predominantly alluvial in origin. Kolkata is located over the "Bengal basin", a pericratonic tertiary basin.[56] Bengal basin comprises three structural units: shelf or platform in the west; central hinge or shelf/slope break; and deep basinal part in the east and southeast. Kolkata is located atop the western part of the hinge zone which is about 25 km (16 mi) wide at a depth of about 45,000 m (148,000 ft) below the surface.[56] The shelf and hinge zones have many faults, among them some are active. Total thickness of sediment below Kolkata is nearly 7,500 m (24,600 ft) above the crystalline basement; of these the top 350–450 m (1,150–1,480 ft) is Quaternary, followed by 4,500–5,500 m (14,760–18,040 ft) of Tertiary sediments, 500–700 m (1,640–2,300 ft) trap wash of Cretaceous trap and 600–800 m (1,970–2,620 ft) Permian-Carboniferous Gondwana rocks.[56] The quaternary sediments consist of clay, silt, and several grades of sand and gravel. These sediments are sandwiched between two clay beds: the lower one at a depth of 250–650 m (820–2,130 ft); the upper one 10–40 m (30–130 ft) in thickness.[57] According to the Bureau of Indian Standards, on a scale ranging from I to V in order of increasing susceptibility to earthquakes, the city lies inside seismic zone III.[58]

Urban structure

Howrah Bridge from the western bank of the Ganges

The Kolkata metropolitan area is spread over 1,886.67 km2 (728.45 sq mi)[59]:7 and comprises 3 municipal corporations (including Kolkata Municipal Corporation), 39 local municipalities and 24 panchayat samitis, as of 2011.[59]:7 The urban agglomeration encompassed 72 cities and 527 towns and villages, as of 2006.[60] Suburban areas in the Kolkata metropolitan area incorporate parts of the following districts: North 24 Parganas, South 24 Parganas, Howrah, Hooghly, and Nadia.[61]:15 Kolkata, which is under the jurisdiction of the Kolkata Municipal Corporation (KMC), has an area of 185 km2 (71 sq mi).[60] The east–west dimension of the city is comparatively narrow, stretching from the Hooghly River in the west to roughly the Eastern Metropolitan Bypass in the east—a span of 9–10 km (5.6–6.2 mi).[62] The north–south distance is greater, and its axis is used to section the city into North, Central, and South Kolkata. East Kolkata is also a section.

North Kolkata is the oldest part of the city. Characterised by 19th-century architecture, dilapidated buildings, overpopulated slums, crowded bazaars, and narrow alleyways, it includes areas such as Shyambazar, Hatibagan, Maniktala, Kankurgachi, Rajabazar, Shobhabazar, Shyampukur, Sonagachi, Kumortuli, Bagbazar, Jorasanko, Chitpur, Pathuriaghata, Cossipore, Kestopur, Sinthee, Belgachia, Jorabagan, and Dum Dum.[63]:65–66 The northern suburban areas like Baranagar, Durganagar, Noapara, Dunlop, Dakshineswar, Nagerbazar, Belghoria, Agarpara, Sodepur, Madhyamgram, Barasat, Birati, Khardah up to Barrackpur are also within the city of Kolkata (as a metropolitan structure).

Central Kolkata

Central Kolkata hosts the central business district. It contains B. B. D. Bagh, formerly known as Dalhousie Square, and the Esplanade on its east; Strand Road is on its west.[64] The West Bengal Secretariat, General Post Office, Reserve Bank of India, High Court, Lalbazar Police Headquarters, and several other government and private offices are located there. Another business hub is the area south of Park Street, which comprises thoroughfares such as Chowringhee, Camac Street, Wood Street, Loudon Street, Shakespeare Sarani, and A. J. C. Bose Road.[65] The Maidan is a large open field in the heart of the city that has been called the "lungs of Kolkata"[66] and accommodates sporting events and public meetings.[67] The Victoria Memorial and Kolkata Race Course are located at the southern end of the Maidan. Other important areas of Central Kolkata are Park Circus, Burrabazar, College Street, Sealdah, Taltala, Janbazar, Bowbazar, Entally, Chandni Chowk, Lalbazar, Chowringhee, Dharmatala, Tiretta Bazar, Bow Barracks, Mullick Bazar, Park Circus, Babughat etc. Among the other parks are Central Park in Bidhannagar and Millennium Park on Strand Road, along the Hooghly River.

South Kolkata

South Kolkata developed after India gained independence in 1947; it includes upscale neighbourhoods such as Ballygunge, Alipore, New Alipore, Lansdowne, Bhowanipore, Kalighat, Dhakuria, Gariahat, Tollygunge, Naktala, Jodhpur Park, Lake Gardens, Golf Green, Jadavpur, Garfa, Kalikapur, Haltu, Nandi Bagan, Santoshpur, Baghajatin, Garia, Ramgarh, Raipur, Kanungo Park, Ranikuthi, Bikramgarh, Bijoygarh, Bansdroni and Kudghat.[16] Outlying areas of South Kolkata include Garden Reach, Khidirpur, Metiabruz, Taratala, Majerhat, Budge Budge, Behala, Sarsuna, Barisha, Parnasree Pally, Thakurpukur, Maheshtala and Joka. The southern suburban neighbourhoods like Mahamayatala, Pratapgarh, Kamalgazi, Narendrapur, Sonarpur, Subhashgram and Baruipur are also within the city of Kolkata (as metropolitan, urban agglomeration area). Fort William, on the western part of the city, houses the headquarters of the Eastern Command of the Indian Army;[68] its premises are under the jurisdiction of the army.

East Kolkata

East Kolkata is largely composed of newly developed areas and neighbourhoods of Saltlake, Rajarhat, Tangra, Topsia, Kasba, Anandapur, Mukundapur, Picnic Garden, Beleghata, Ultadanga, Phoolbagan, Kaikhali, Lake Town, etc. Two planned townships in the greater Kolkata region are Bidhannagar, also known as Salt Lake City and located north-east of the city; and Rajarhat, also called New Town and sited east of Bidhannagar.[16][69] In the 2000s, Sector V in Bidhannagar developed into a business hub for information technology and telecommunication companies.[70][71] Both Bidhannagar and New Town are situated outside the Kolkata Municipal Corporation limits, in their own municipalities.[69]

Climate

Kolkata is subject to a tropical wet-and-dry climate that is designated Aw under the Köppen climate classification. According to a United Nations Development Programme report, its wind and cyclone zone is "very high damage risk".[58]

Temperature

The annual mean temperature is 26.8 °C (80.2 °F); monthly mean temperatures are 19–30 °C (66–86 °F). Summers (March–June) are hot and humid, with temperatures in the low 30s Celsius; during dry spells, maximum temperatures often exceed 40 °C (104 °F) in May and June.[72] Winter lasts for roughly two-and-a-half months, with seasonal lows dipping to 9–11 °C (48–52 °F) in December and January. May is the hottest month, with daily temperatures ranging from 27–37 °C (81–99 °F); January, the coldest month, has temperatures varying from 12–23 °C (54–73 °F). The highest recorded temperature is 43.9 °C (111.0 °F), and the lowest is 5 °C (41 °F).[72] The winter is mild and very comfortable weather pertains over the city throughout this season. Often, in April–June, the city is struck by heavy rains or dusty squalls that are followed by thunderstorms or hailstorms, bringing cooling relief from the prevailing humidity. These thunderstorms are convective in nature, and are known locally as kal bôishakhi (কালবৈশাখী), or "Nor'westers" in English.[73]

Rains brought by the Bay of Bengal branch of the south-west summer monsoon[74] lash Kolkata between June and September, supplying it with most of its annual rainfall of about 1,850 mm (73 in). The highest monthly rainfall total occurs in July and August. In these months often incessant rain for days brings live to a stall for the city dwellers. The city receives 2,528 hours of sunshine per year, with maximum sunlight exposure occurring in March.[75] Kolkata has been hit by several cyclones; these include systems occurring in 1737 and 1864 that killed thousands.[76][77]

Environmental issues

Pollution is a major concern in Kolkata. As of 2008, sulphur dioxide and nitrogen dioxide annual concentration were within the national ambient air quality standards of India, but respirable suspended particulate matter levels were high, and on an increasing trend for five consecutive years, causing smog and haze.[80][81] Severe air pollution in the city has caused a rise in pollution-related respiratory ailments, such as lung cancer.[82]

Economy

Kolkata is the main commercial and financial hub of East and North-East India[61] and home to the Calcutta Stock Exchange.[83][84] It is a major commercial and military port, and is the only city in eastern India, apart from Bhubaneswar to have an international airport. Once India's leading city, Kolkata experienced a steady economic decline in the decades following India's independence due to steep population increases and a rise in militant trade-unionism, which included frequent strikes that were backed by left-wing parties.[52] From the 1960s to the late 1990s, several factories were closed and businesses relocated.[52] The lack of capital and resources added to the depressed state of the city's economy and gave rise to an unwelcome sobriquet: the "dying city".[85] The city's fortunes improved after the Indian economy was liberalised in the 1990s and changes in economic policy were enacted by the West Bengal state government.[52]

Flexible production has been the norm in Kolkata, which has an informal sector that employs more than 40% of the labour force.[16] One unorganised group, roadside hawkers, generated business worth ₹ 8,772 crore (US$ 2 billion) in 2005.[86] As of 2001, around 0.81% of the city's workforce was employed in the primary sector (agriculture, forestry, mining, etc.); 15.49% worked in the secondary sector (industrial and manufacturing); and 83.69% worked in the tertiary sector (service industries).[61]:19 As of 2003, the majority of households in slums were engaged in occupations belonging to the informal sector; 36.5% were involved in servicing the urban middle class (as maids, drivers, etc.), and 22.2% were casual labourers.[87]:11 About 34% of the available labour force in Kolkata slums were unemployed.[87]:11 According to one estimate, almost a quarter of the population live on less than 27 rupees (equivalent to 45 US cents) per day.[88] As of 2010, Kolkata, with an estimated gross domestic product (GDP) by purchasing power parity of 150 billion dollars, ranked third among South Asian cities, after Mumbai and Delhi.[89] Kolkata's GDP in 2014 was Rs 1.84 trillion, according to a collaborative assessment by multiple universities and climate agencies.[90] As in many other Indian cities, information technology became a high-growth sector in Kolkata starting in the late 1990s; the city's IT sector grew at 70% per annum—a rate that was twice the national average.[52] The 2000s saw a surge of investments in the real estate, infrastructure, retail, and hospitality sectors; several large shopping malls and hotels were launched.[91][92][93][94][95] Companies such as ITC Limited, CESC Limited, Exide Industries, Emami, Eveready Industries India, Lux Industries, Rupa Company, Berger Paints, Birla Corporation and Britannia Industries are headquartered in the city. Philips India, PricewaterhouseCoopers India, Tata Global Beverages, Tata Steel have their registered office and zonal headquarters in Kolkata. Kolkata hosts the headquarters of three major public-sector banks: Allahabad Bank, UCO Bank, and the United Bank of India; and a private bank Bandhan Bank. Reserve Bank of India has its eastern zonal office in Kolkata, and India Government Mint, Kolkata is one of the four mints in India.

Panoramic view of the Down town Sector V one of the major IT hubs of Kolkata as seen from the lakes surrounding Bidhannagar. Major Buildings such as Technopolis, Godrej Waterside, TCS Lords, Eden and Wanderers Park, Gobsyn Crystal, South City Pinnacle, RDB Boulevard, West Bengal Electronics Industry Development Corporation (WEBEL) Bhawan can be seen.

Demographics

See also: Health care in Kolkata

A big building in cream colour with many columns and a portico

Calcutta Medical College, the second institution in Asia to teach modern medicine(after 'Ecole de Médicine de Pondichéry')

IPGMER and SSKM Hospital, Kolkata is the largest hospital in West Bengal and one of the oldest in Kolkata.

As of 2011, the health care system in Kolkata consists of 48 government hospitals, mostly under the Department of Health & Family Welfare, Government of West Bengal, and 366 private medical establishments;[177] these establishments provide the city with 27,687 hospital beds.[177] For every 10,000 people in the city, there are 61.7 hospital beds,[178] which is higher than the national average of 9 hospital beds per 10,000.[179] Ten medical and dental colleges are located in the Kolkata metropolitan area which act as tertiary referral hospitals in the state.[180][181] The Calcutta Medical College, founded in 1835, was the first institution in Asia to teach modern medicine.[182] However, These facilities are inadequate to meet the healthcare needs of the city.[183][184][185] More than 78% in Kolkata prefer the private medical sector over the public medical sector,[117]:109 due to the poor quality of care, the lack of a nearby facility, and excessive waiting times at government facilities.[117]:61

According to the Indian 2005 National Family Health Survey, only a small proportion of Kolkata households were covered under any health scheme or health insurance.[117]:41 The total fertility rate in Kolkata was 1.4, The lowest among the eight cities surveyed.[117]:45 In Kolkata, 77% of the married women used contraceptives, which was the highest among the cities surveyed, but use of modern contraceptive methods was the lowest (46%).[117]:47 The infant mortality rate in Kolkata was 41 per 1,000 live births, and the mortality rate for children under five was 49 per 1,000 live births.[117]:48

Among the surveyed cities, Kolkata stood second (5%) for children who had not had any vaccinations under the Universal Immunization Programme as of 2005.[117]:48 Kolkata ranked second with access to an anganwadi centre under the Integrated Child Development Services (ICDS) programme for 57% of the children between 0 and 71 months.[117]:51 The proportion of malnourished, anaemic and underweight children in Kolkata was less in comparison to other surveyed cities.[117]:54–55

About 18% of the men and 30% of the women in Kolkata are obese—the majority of them belonging to the non-poor strata of society.[117]:105 In 2005, Kolkata had the highest percentage (55%) among the surveyed cities of anaemic women, while 20% of the men in Kolkata were anaemic.[117]:56–57 Diseases like diabetes, asthma, goitre and other thyroid disorders were found in large numbers of people.[117]:57–59 Tropical diseases like malaria, dengue and chikungunya are prevalent in Kolkata, though their incidence is decreasing.[186][187] Kolkata is one of the districts in India with a high number of people with AIDS; it has been designated a district prone to high risk.[188][189]

As of 2014, because of higher air pollution, the life expectancy of a person born in the city is four years fewer than in the suburbs.[190]

Education

Kolkata's schools are run by the state government or private organisations, many of which are religious. Bengali and English are the primary languages of instruction; Urdu and Hindi are also used, particularly in central Kolkata.[191][192] Schools in Kolkata follow the "10+2+3" plan. After completing their secondary education, students typically enroll in schools that have a higher secondary facility and are affiliated with the West Bengal Council of Higher Secondary Education, the ICSE, or the CBSE.[191] They usually choose a focus on liberal arts, business, or science. Vocational programs are also available.[191] Some Kolkata schools, for example La Martiniere Calcutta, Calcutta Boys' School, St. James' School (Kolkata), St. Xavier's Collegiate School, and Loreto House, have been ranked amongst the best schools in the country.[193]

Indian Institute of Foreign Trade

As of 2010, the Kolkata urban agglomeration is home to 14 universities run by the state government.[194] The colleges are each affiliated with a university or institution based either in Kolkata or elsewhere in India. Aliah University which was founded in 1780 as Mohammedan College of Calcutta is the oldest post-secondary educational institution of the city.[195] The University of Calcutta, founded in 1857, is the first modern university in South Asia.[196] Presidency College, Kolkata (formerly Hindu College between 1817 and 1855), founded in 1855, was one of the oldest and most eminent colleges in India. It was affiliated with the University of Calcutta until 2010 when it was converted to Presidency University, Kolkata in 2010. Bengal Engineering and Science University (BESU) is the second oldest engineering institution of the country located in Howrah.[197] An Institute of National Importance, BESU was converted to India's first IIEST. Jadavpur University is known for its arts, science, and engineering faculties.[198] The Indian Institute of Management Calcutta, which was the first of the Indian Institutes of Management, was established in 1961 at Joka, a locality in the south-western suburbs. Kolkata also houses the prestigious Indian Institute of Foreign Trade, which was started here in the year 2006.[199] The West Bengal National University of Juridical Sciences is one of India's autonomous law schools,[200][201] and the Indian Statistical Institute is a public research institute and university. State owned Maulana Abul Kalam Azad University of Technology, West Bengal (MAKAUT, WB), formerly West Bengal University of Technology (WBUT) is the largest Technological University in terms of student enrollment and number of Institutions affiliated by it. Private institutions include the Ramakrishna Mission Vivekananda Educational and Research Institute and University of Engineering & Management (UEM).

Notable scholars who were born, worked or studied in Kolkata include physicists Satyendra Nath Bose, Meghnad Saha,[202] and Jagadish Chandra Bose;[203] chemist Prafulla Chandra Roy;[202] statisticians Prasanta Chandra Mahalanobis and Anil Kumar Gain;[202] physician Upendranath Brahmachari;[202] educator Ashutosh Mukherjee;[204] and Nobel laureates Rabindranath Tagore,[205] C. V. Raman,[203] and Amartya Sen.[206]

Kolkata houses many premier research institutes like Indian Association for the Cultivation of Science (IACS), Indian Institute of Chemical Biology (IICB), Indian Institute of Science Education and Research (IISER), Bose Institute, Saha Institute of Nuclear Physics (SINP), All India Institute of Hygiene and Public Health, Central Glass and Ceramic Research Institute (CGCRI), S.N. Bose National Centre for Basic Sciences (SNBNCBS), Indian Institute of Social Welfare and Business Management (IISWBM), National Institute of Pharmaceutical Education and Research, Kolkata, Variable Energy Cyclotron Centre (VECC) and Indian Centre for Space Physics. Nobel laureate Sir C. V. Raman did his groundbreaking work in Raman effect in IACS.

Culture

Kolkata is known for its literary, artistic, and revolutionary heritage; as the former capital of India, it was the birthplace of modern Indian literary and artistic thought.[207] Kolkata has been called the "City of Furious, Creative Energy"[208] as well as the "cultural [or literary] capital of India".[209][210] The presence of paras, which are neighbourhoods that possess a strong sense of community, is characteristic of the city.[211] Typically, each para has its own community club and, on occasion, a playing field.[211] Residents engage in addas, or leisurely chats, that often take the form of freestyle intellectual conversation.[212][213] The city has a tradition of political graffiti depicting everything from outrageous slander to witty banter and limericks, caricatures, and propaganda.[214][215]

Kolkata has many buildings adorned with Indo-Islamic and Indo-Saracenic architectural motifs. Several well-maintained major buildings from the colonial period have been declared "heritage structures";[216] others are in various stages of decay.[217][218] Established in 1814 as the nation's oldest museum, the Indian Museum houses large collections that showcase Indian natural history and Indian art.[219] Marble Palace is a classic example of a European mansion that was built in the city. The Victoria Memorial, a place of interest in Kolkata, has a museum documenting the city's history. The National Library of India is the leading public library in the country while Science City is the largest science centre in the Indian subcontinent.[220]

The popularity of commercial theatres in the city has declined since the 1980s.[221]:99[222] Group theatres of Kolkata, a cultural movement that started in the 1940s contrasting with the then-popular commercial theatres, are theatres that are not professional or commercial, and are centres of various experiments in theme, content, and production;[223] group theatres use the proscenium stage to highlight socially relevant messages.[221]:99[224] Chitpur locality of the city houses multiple production companies of jatra, a tradition of folk drama popular in rural Bengal.[225][226] Kolkata is the home of the Bengali cinema industry, dubbed "Tollywood" for Tollygunj, where most of the state's film studios are located.[227] Its long tradition of art films includes globally acclaimed film directors such as Academy Award-winning director Satyajit Ray, Ritwik Ghatak, Mrinal Sen, Tapan Sinha, and contemporary directors such as Aparna Sen, Buddhadeb Dasgupta, Goutam Ghose and Rituparno Ghosh.[228]

During the 19th and 20th centuries, Bengali literature was modernised through the works of authors such as Ishwar Chandra Vidyasagar, Bankim Chandra Chattopadhyay, Michael Madhusudan Dutt, Rabindranath Tagore, Kazi Nazrul Islam, and Sarat Chandra Chattopadhyay.[229] Coupled with social reforms led by Ram Mohan Roy, Swami Vivekananda, and others, this constituted a major part of the Bengal Renaissance.[230] The middle and latter parts of the 20th century witnessed the arrival of post-modernism, as well as literary movements such as those espoused by the Kallol movement, hungryalists and the little magazines.[231] Large majority of publishers of the city is concentrated in and around College Street, "... a half-mile of bookshops and bookstalls spilling over onto the pavement", selling new and used books.[232]

Kalighat painting originated in 19th century Kolkata as a local style that reflected a variety of themes including mythology and quotidian life.[233] The Government College of Art and Craft, founded in 1864, has been the cradle as well as workplace of eminent artists including Abanindranath Tagore, Jamini Roy, and Nandalal Bose.[234] The art college was the birthplace of the Bengal school of art that arose as an avant garde and nationalist movement reacting against the prevalent academic art styles in the early 20th century.[235][236] The Academy of Fine Arts and other art galleries hold regular art exhibitions. The city is recognised for its appreciation of Rabindra sangeet (songs written by Rabindranath Tagore) and Indian classical music, with important concerts and recitals, such as Dover Lane Music Conference, being held throughout the year; Bengali popular music, including baul folk ballads, kirtans, and Gajan festival music; and modern music, including Bengali-language adhunik songs.[237][238] Since the early 1990s, new genres have emerged, including one comprising alternative folk–rock Bengali bands.[237] Another new style, jibonmukhi gaan ("songs about life"), is based on realism.[221]:105 Key elements of Kolkata's cuisine include rice and a fish curry known as machher jhol,[239] which can be accompanied by desserts such as roshogolla, sandesh, and a sweet yoghurt known as mishti dohi. Bengal's large repertoire of seafood dishes includes various preparations of ilish, a fish that is a favourite among Calcuttans. Street foods such as beguni (fried battered eggplant slices), kati roll (flatbread roll with vegetable or chicken, mutton, or egg stuffing), phuchka (a deep-fried crêpe with tamarind sauce) and Indian Chinese cuisine from Chinatown are popular.[240][241][242][243]

Though Bengali women traditionally wear the sari, the shalwar kameez and Western attire is gaining acceptance among younger women.[244] Western-style dress has greater acceptance among men, although the traditional dhoti and kurta are seen during festivals. Durga Puja, held in September–October, is Kolkata's most important and largest festival; it is an occasion for glamorous celebrations and artistic decorations.[245][246] The Bengali New Year, known as Poila Boishak, as well as the harvest festival of Poush Parbon are among the city's other festivals; also celebrated are Kali Puja, Diwali, Holi, Jagaddhatri Puja, Saraswati Puja, Rathayatra, Janmashtami, Maha Shivratri, Vishwakarma Puja, Lakshmi Puja, Ganesh Chathurthi, Makar Sankranti, Gajan, Kalpataru Day, Bhai Phonta, Maghotsab, Eid, Muharram, Christmas, Buddha Purnima and Mahavir Jayanti. Cultural events include the Rabindra Jayanti, Independence Day(15 August), Republic Day(26 January), Kolkata Book Fair, the Dover Lane Music Festival, the Kolkata Film Festival, Nandikar's National Theatre Festival, Statesman Vintage & Classic Car Rally and Gandhi Jayanti.

Media

See also: Kolkata in the media and List of Bengali-language television channels

A five storied building in cream colour with multiple columns in front

Akashvani Bhawan, the head office of state-owned All India Radio, Kolkata

The first newspaper in India, the Bengal Gazette started publishing from the city in 1780.[247] Among Kolkata's widely circulated Bengali-language newspapers are Anandabazar Patrika, Bartaman, Sangbad Pratidin, Aajkaal, Dainik Statesman and Ganashakti.[248] The Statesman and The Telegraph are two major English-language newspapers that are produced and published from Kolkata. Other popular English-language newspapers published and sold in Kolkata include The Times of India, Hindustan Times, The Hindu, The Indian Express, and the Asian Age.[248] As the largest trading centre in East India, Kolkata has several high-circulation financial dailies, including The Economic Times, The Financial Express, Business Line, and Business Standard.[248][249] Vernacular newspapers, such as those in the Hindi, Urdu, Gujarati, Odia, Punjabi, and Chinese languages, are read by minorities.[248][103] Major periodicals based in Kolkata include Desh, Sananda, Saptahik Bartaman, Unish-Kuri, Anandalok, and Anandamela.[248] Historically, Kolkata has been the centre of the Bengali little magazine movement.[250][251]

All India Radio, the national state-owned radio broadcaster, airs several AM radio stations in the city.[252] Kolkata has 12 local radio stations broadcasting on FM, including two from AIR.[253] India's state-owned television broadcaster, Doordarshan, provides two free-to-air terrestrial channels,[254] while a mix of Bengali, Hindi, English, and other regional channels are accessible via cable subscription, direct-broadcast satellite services, or internet-based television.[255][256][257] Bengali-language 24-hour television news channels include ABP Ananda, Tara Newz, Kolkata TV, 24 Ghanta, News Time and Channel 10.[258]

Sports

See also: Football in Kolkata, Kolkata Marathon, and Kolkata derby

Salt Lake Stadium during Indian Super League opening ceremony

The most popular sports in Kolkata are football and cricket. Unlike most parts of India, the residents show significant passion for football.[259] The city is home to top national football clubs such as Mohun Bagan A.C., East Bengal F.C., Prayag United S.C., and the Mohammedan Sporting Club.[260][261] Calcutta Football League, which was started in 1898, is the oldest football league in Asia.[262] Mohun Bagan A.C., one of the oldest football clubs in Asia, is the only organisation to be dubbed a "National Club of India".[263][264] Football matches between Mohun Bagan and East Bengal, dubbed as the Kolkata derby, witness large audience attendance and rivalry between patrons.[265]

A Twenty20 cricket match between Kolkata Knight Riders and Pune Warriors during Indian Premier League at the Eden Gardens

As in the rest of India, cricket is popular in Kolkata and is played on grounds and in streets throughout the city.[266][267] Kolkata has the Indian Premier League franchise Kolkata Knight Riders; the Cricket Association of Bengal, which regulates cricket in West Bengal, is also based in the city. Kolkata also has an Indian Super League franchise known as Atlético de Kolkata. Tournaments, especially those involving cricket, football, badminton, and carrom, are regularly organised on an inter-locality or inter-club basis.[211] The Maidan, a vast field that serves as the city's largest park, hosts several minor football and cricket clubs and coaching institutes.[268]

Eden Gardens, which has a capacity of 68,000 as of 2017,[269] hosted the final match of the 1987 Cricket World Cup. It is home to the Bengal cricket team and the Kolkata Knight Riders.

The multi-use Salt Lake Stadium, also known as Yuva Bharati Krirangan, is India's largest stadium by seating capacity. Most matches of the 2017 FIFA U-17 World Cup were played in the Salt Lake Stadium including both Semi-Final matches and the Final match. Kolkata also accounted for 45% of total attendance in 2017 FIFA U-17 World Cup with an average of 55,345 spectators.[270] The Calcutta Cricket and Football Club is the second-oldest cricket club in the world.[271][272]

Kolkata's Netaji Indoor Stadium served as host of the 1981 Asian Basketball Championship, where India's national basketball team finished 5th, ahead of teams that belong to Asia's basketball elite, such as Iran. The city has three 18-hole golf courses. The oldest is at the Royal Calcutta Golf Club, the first golf club built outside the United Kingdom.[273][274] The other two are located at the Tollygunge Club and at Fort William. The Royal Calcutta Turf Club hosts horse racing and polo matches.[275] The Calcutta Polo Club is considered the oldest extant polo club in the world.[276][277][278] The Calcutta Racket Club is a squash and racquet club in Kolkata. It was founded in 1793, making it one of the oldest rackets clubs in the world, and the first in the Indian subcontinent.[279][280] The Calcutta South Club is a venue for national and international tennis tournaments; it held the first grass-court national championship in 1946.[281][282] In the period 2005–2007, Sunfeast Open, a tier-III tournament on the Women's Tennis Association circuit, was held in the Netaji Indoor Stadium; it has since been discontinued.[283][284]

The Calcutta Rowing Club hosts rowing heats and training events. Kolkata, considered the leading centre of rugby union in India, gives its name to the oldest international tournament in rugby union, the Calcutta Cup.[285][286][287] The Automobile Association of Eastern India, established in 1904,[288][289] and the Bengal Motor Sports Club are involved in promoting motor sports and car rallies in Kolkata and West Bengal.[290][291] The Beighton Cup, an event organised by the Bengal Hockey Association and first played in 1895, is India's oldest field hockey tournament; it is usually held on the Mohun Bagan Ground of the Maidan.[292][293] Athletes from Kolkata include Sourav Ganguly and Pankaj Roy, who are former captains of the Indian national cricket team; Olympic tennis bronze medallist Leander Paes, golfer Arjun Atwal, and former footballers Sailen Manna, Chuni Goswami, P. K. Banerjee, and Subrata Bhattacharya.

Mars - Aeolian Features, Large and Small by mariagat mariagat

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One of the most important processes on present-day Mars is wind. Aeolian (wind-related) features are found in most regions of the planet. This image shows a diverse array of such features: large dunes, small ripples, and dust-devil tracks (the dark, arcing structures on the dunes).

Dust devils form in many parts of Mars, but they are often particularly distinct on sand dunes. One possibility is that the dust devils dislodge a small amount of fine dust, making the color of dark sand more prominent.

Ripples of wind-blown sand form regular patterns. In the simplest case, wind blowing in a constant direction creates evenly spaced straight ripples at right angles to the wind. More complex wind patterns create more complex ripples, and in this scene variations from linear to polygonal to checkerboard patterns are visible.

This image is particularly interesting because of the occurrence of seasonal frost on the south-facing slopes. (The image is in the southern hemisphere, so south faces the pole and gets little winter light). This is particularly apparent in the color swath, as the frost forms pale, purplish patterns. On the dunes, this highlights some of the regular patterns, as the frost forms only on parts of the ripples. The result is an intricately textured pattern of color.

Hidden features by sccart

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Some rooftop old world architectural features seen in afternoon light .

Queen St.

Brisbane

KLCC Park || .C.O.L.O.R.S. by Syibli

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“Colors, like features, follow the changes of the emotions.”

~Pablo Picasso

***

Hello guys, last weekend I've went to KLCC park to shot some sunrise shot alone. It was raining that night and after fajr Prayer I saw that the sky is clear and the air is very fresh. Thus I decided to go for some sunrise shot. Once arrived, the colors slowly come out and I quickly find a spot.

Once the colors come out, I quickly take some shot and here are the results. This is a vertorama DRI from 3 exposure.

Enjoy the view guys :)

***

View it Large by pressing L in your keyboard

3Exp | f10 | 2", 4" | Vertorama+DRI | GND8+GND2 | CS5

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Contact me via : BiysBugs@Gmail.Com or Enquiry@syibli.com

All images are exclusive property and should not be copied, downloaded or any other use without expressed, written permission of the photographer.

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Morning Cans: Class 86s at Atherstone by Joe Bevan

17

Freightliner powerhaul liveried class 86/6 no. 86622 crawls through Atherstone on the slow line in multi with racing green liveried classmate no. 86613 working 4L97 Trafford Park-Felixstowe on 16th July 2020.

The Class 86 locomotives built upon the Class 81-5 however they included some improved features such as quieter fans.

The locos were initially notorious for causing track damage due to a large amount of unsprung mass however, after modifications which led to the fitting of large flexicoil springs, the problems diminished. The initial class 86/0 subclass was limited to 85 mph due to the track-wear issue, those which were fitted with flexicoil springs were renumbered into the 86/2 series and were 100mph capable. 3 test bed class 87s were numbered 86101-103 and were 110mph locos.

Many locomotives have been exported to operator Floyd in Hungary and are used on freight trains over there.

The 86/7 subclass of two locomotives was 110mph capable however they were withdrawn in early 2013 due to lack of GSMR fitment. After several unsuccessful attempts to find work for 86701 and 86702, both locomotives were exported.

The 86/6 subclass is limited to 75mph and are used on Freightliner trains on a daily basis as working pairs.

From 2015 to 2019, 86101, 86401 and 87002 were hired in by GBRf in order to work ECS moves between London Euston and Wembley ICD for the Caledonian Sleeper. After the arrival of mk5 stock to the Caledonian Sleeper, 87002, 86101 and 86401 came off lease. 86101 and 87002 were sold to Locomotive Services Limited in Crewe and 86401 was sold to the West Coast Railway Company and is currently based at Carnforth.

After 50 years of service, 16 locos remain in service with Freightliner, one with Locomotive Services Limited, one with WRC and one with a private owner.

Chesapeake & Ohio FP7 8007 at Walbridge, Ohio by R. Craig / Diesel Shop

9

Several tell-tale features indicate this loco is not a run-of-the-mill C&O F-unit, such as: the four-foot extra length in the carbody, steam generator exhaust and winterization hatch on the roof, and a compartmentalized tank for fuel and water. The 8000 series FPs (8000-8015) were purchased primarily for freight service. However, they were equipped with steam generators and painted in the railroad's blue/gray/yellow passenger colors for those rare occasions when needed to substitute for E-units.

Shepparton. The octagonal museum building of the Bangerang Aboriginal group. Built in 1982 for the Shepparton International Village project which was formed in 1974. Architect Frederick Romberg.. by denisbin

10 1

One of the unique features of Shepparton was the establishment of the International Village project conceived in 1974 but not opened until 1982. Apart from spaces for immigrant groups space was also assigned to the Yorta Yorta, Bangerang and some other Aboriginal people. The number of Bangerang from Echuca to Shepparton were estimated at 1,200 people in 1841. With financial assistance from the state government, Shepparton City, the Australian Council etc money was obtained to have an architect designed an octagonal cultural centre. It was sited at the entrance to the International Village which closed in 1996. Now it has become the Bangerang Cultural Centre, the first Aboriginal managed museum in Victoria. The Aboriginal residents of Shepparton were for decades confined to a shanty Aboriginal Mission village on the banks of the Goulburn River between Shepparton and Mooroopna called Cummerangunja. After years of flooding and poor conditions the Yorta Yorta people walked off the village site in 1939 in protest about the conditions and their treatment. 200 people walked to the River Murray and crossed into NSW. Most ended up settling at Echuca or returning to Shepparton. A new village called Rumbalara with improved living conditions was built by the Victorian government in 1958. It is now owned and operated by the local Aboriginal community and it includes a medical centre and welfare services for the 6,000 residents who identify as Aboriginal. In Queens Park there is a bronze statue of Yorta Yorta man William Cooper who founded NAIDOC week and the Australian Aborigines league. There is also an Aboriginal Street Art project in Fryers Street between Maude and Corio Streets. The murals were painted by well-known artist Adnate and they depict the late William Cooper( mentioned above), the late Pastor Sir Douglas Nicholls who was the first and so far only Aboriginal governor of an Australian state- South Australia and local elders Aunty Margaret Tucker, and Nora Charles. Elsewhere in Shepparton at 67 Welsford Street is a mural painted by Adnate of Aunty Briggs and Aunty Morgan.

features by Ángel Castillo Perona

5 26

first attempt with borrowed strob lighting

(thanks to Javier Cortina from www.elmacophotography.com)

A moment of tranquility by DESPITE STRAIGHT LINES (Paul Williams)

8

Photograph taken at an altitude of One metres at 20:42pm on Thursday 25th May 2023 around sunset at Patricia Bay , a body of salt water that extends East from the Saanich Inlet and forms part of the North Saanich shoreline in the District of North Saanich in British Columbia. It features a beautiful park which is at the south end of the Scoter Trail. Formerly known as Union Bay, the bay was named after Princess Patricia of Connaught, daughter of the Duke of Connaught who was Governor General in 1912.

The park has ties to transportation and the waterfront, and their pivotal role in the development of North Saanich. It is also tied to the development of the Victoria International Airport and military aviation efforts during the Second World War. In 1937, the airport was developed as one of six Royal Canadian Air Force Station training facilities on Vancouver Island.

The land was originally settled by the Tseycum First Nation (Union Bay Indian Reserve No.4) , one of four Saanich villages of Southern Vancouver Island in the area and part of the Northern Straits Coast Salish language group.

In the Sencoten langauge Tseycum is spelled Wsikem and means Land of Clay. The languages spoken include Lkwungen, Malchosen, Semiahmoo, SENĆOŦEN andT’Sou-ke and in 2023 the Chief is Tanya Jimmy, who was elected in July 2019. The Tseycum people have five reserves located at:

Bare Island 9, Goldstream 13, Pender Island 8, Saturna Island 7 and Union Bay 4.

Nikon D850 Single-lens reflex digital camera F Mount with FX CMOS 35.9mm x 23.9mm Image sensor 46.89 Million total pixels Focal length 150mm Shutter speed: 1/60s (Mechanical shutter) Aperture f/11.0 ISO320 Image area Full Frame FX (36 x 24) NEF RAW L 45.4 Million pixels (8256 x 5504) 14 Bit uncompressed AF-C Priority Selection: Release Tamron Vibration Control set to position 1 Nikon Back button focusing enabled 3D Tracking watch area: Normal 55 Tracking points Exposure mode: Manual mode Metering mode: Matrix metering White balance on: Auto1, A1.00, M0.25 (5070k) Colour space: Adobe RGB Picture control: (A) Auto (Sharpening A+1.00/Clarity A+1.00)

Tamron SP 150-600mm F/5-6.3 Di VC USD G2. Lee SW150 MKII filter holder. Lee SW150 77mm screw in adapter ring. Lee SW150 0.6 (2 stops) Graduated Neutral density resin filter.Lee SW150 Filters field pouch. Manfrotto MT057C3-G Carbon fiber Geared tripod 3 sections. Neewer 9750 Gimbal tripod head with Arca Swiss standard quick release plate. Jessops Tripod bag.

Hoodman HEYENRG round eyepiece oversized eyecup. Black Rapid Curve Breathe strap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag. Nikon EN-EL15a battery.

LATITUDE: N 48d 39m 43.8s

LONGITUDE: W 123d 27m 3.1s

ALTITUDE: 1.0m

RAW (TIFF) FILE: 130.00MB NEF: 93.4MB

PROCESSED (JPeg) FILE: 37.20MB

PROCESSING POWER:

Nikon D850 Firmware versions C 1.21 (8/12/2022) LD Distortion Data 2.018 (16/01/20) LF 1.00 Nikon Codec Full version 1.31.2 (09/11/2021)

HP 110-352na Desktop PC with Windows 10 Home edition AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. My Passport USB 3.0 2TB portable desktop hard drive. Nikon NX STUDIO 64bit Version 1.2.2 (08/12/2022). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.16.0 (08/12/2022). Adobe photoshop Elements 8 Version 8.0 64bit.

Features For Beachboynino DM Me ! 💯↗️🌊📶🙏💸💪#Beachboynino #rochesterny #585 #trapgangamerica #trapgangamerica #shorelinemuzik #ThegreatwaveOutNow #BigBeachOutNow #corvettegrandsport #ho by Lejend Watson

* Lass & Pepe * by Parée

25 16

I used the Liquify tool to slightly change the facial features & expression

Created for Marcus Ranum Challenge #146

With thanks to….

Model - Marcus Ranum

Background - ArwenArts

Parrot was a gift from a very dear friend

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01 Patella ulyssiponensis. Length 50.5mm. Kincardine, Scotland. August 1970. by Morddyn

Specimen at usual maximum shell-length for P. ulyssiponensis.

On this form, well-developed, thick, porcellaneous interior layers conceal outer shell so “marginal rays are never conspicuous” internally (Fretter and Graham, 1994), and features defined by differences of reflectivity resulting from differences in crystal-form of shell-material made by different parts of mantle are clearly visible.

1: aperture rim, minute (or absent) part of pigmented exterior shell-layer; secreted by mantle-edge.

2: wide peripheral “skirt layer” that reflects light, often iridescing blue, from many short crystalline lines parallel to rim; secreted by mantle-skirt.

3: narrower, matt, opaque, “pallial groove-band”; secreted by mantle roofing groove that contains the gills.

4: translucent, horseshoe-shape “pedal-retractor muscle scar”; mark left by muscle attachment.

5: very thin “anterior mantle-attachment scar” connecting ends of pedal-retractor scar; mark left by mantle attachment.

6: central “amphora area” enclosed by scars 4 & 5; secreted by mantle over visceral hump.

7: short mark across pallial groove-band where efferent pallial vessel enters nuchal cavity through gap in pallial gills.

8: excavated vertex patch; occurs more frequently in P. depressa than in P. ulyssiponensis, but, in this case, in the form of two adjoining elliptical pits. Cause unknown; but, as shape regular and consistent, damage by parasite/inquiline suspected. Similar pits on image Pu14 flic.kr/p/BpCkES .

SPECIES DESCRIPTION part A 2Pu flic.kr/p/BG8mKq

SPECIES DESCRIPTION part B 3Pu flic.kr/p/BRHsiR

Key id. features 4Pu flic.kr/p/BG8hhs

OTHER SPECIES ALBUMS

www.flickr.com/photos/56388191@N08/collections/

The Happy Prince .... by Qi Bo (Ezio Famà)

16 3

"Casa Cuseni is a house-garden-museum, with countless delightful works of art of all shapes and types: here a table lamp with the features of a beautiful girl, in Art Nouveau style."

“Casa Cuseni è una casa-giardino-museo, con innumerevoli deliziose opere d'arte di ogni foggia e tipo: qui una lampada da tavolo con le fattezze di una bella fanciulla, in stile liberty.”

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click to activate the icon of slideshow: the small triangle inscribed in the small rectangle, at the top right, in the photostream;

or…. Press the “L” button to zoom in the image;

clicca sulla piccola icona per attivare lo slideshow: sulla facciata principale del photostream, in alto a destra c'è un piccolo rettangolo (rappresenta il monitor) con dentro un piccolo triangolo nero;

oppure…. premi il tasto “L” per ingrandire l'immagine;

Qi Bo's photos on Fluidr

Qi Bo's photos on Flickriver

www.worldphoto.org/sony-world-photography-awards/winners-...

www.fotografidigitali.it/gallery/2726/opere-italiane-segn...

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A history of Taormina: chronicles of a forbidden love and its great secret (not only Paolo and Francesca) with an unexpected "scoop".

This story is an integral part of the story previously told, the historical period is the same, the place is the same, the various characters often meet each other because they know each other; Taormina, between the end of the 1800s and the beginning of the 1900s, in an ever increasing growth, became the place of residence of elite tourism, thanks to the international interest aroused by writers and artists, such as Johann Wolfgang von Goethe , or great personalities like Lady Florence Trevelyan: Taormina becomes so famous, thanks to the paintings of the painter Otto Geleng and the photographs of the young Sicilian models by Wilhelm von Gloeden; in the air of Taormina there is a sense of libertine, its famous and histrionic visitors never fail to create scandal, even surpassing the famous Capri, in which, to cite just one example, the German gunsmith Krupp, trying to recreate the he environment of Arcadia that one breathed in Taormina (thanks to the photos of von Gloeden) was overwhelmed by the scandal for homosexuality, and took his own life. Taormina thus becomes a heavenly-like place, far from industrial civilizations, where you can freely live your life and sexuality; this is the socio-cultural environment in which the two protagonists of this story move, the British painter Robert Hawthorn Kitson (1873 - 1947) and the painter Carlo Siligato (born in Taormina in 1875, and died there in 1959). Robert H. Kitson, born in Leeds in England, belonged to a more than wealthy family, as a young engineer he had begun to replace his father in the family locomotive construction company (Kitson & Co.), on the death of his father in 1899 sells everything and decides to move very rich in Sicily to Taormina (he had been there the previous year with a trip made with his parents, here he had met, in addition to Baron von Gloeden, also the writer and poet Oscar Wilde who came to Italy, immediately after having served two years in prison in forced labor, on charges of sodomy); Kitson settled there because he was suffering from a severe form of rheumatic fever (like von Gloeden was advised to treat himself in the Mediterranean climate milder), and because as a homosexual, he leaves England because the Labouchere amendment considered homosexuality a crime. The other protagonist of this story is Carlo Siligato, he was from Taormina, he had attended the Academy of Fine Arts in Venice, a very gifted painter, he was very good at oil painting (he exhibited his paintings in an art workshop, even now existing, in via Teatro Greco in Taormina), the meeting with the painter Robert Kitson, led him to adopt the watercolor technique: almost to relive Dante's verses on Paolo and Francesca "Galeotto was the book and who wrote it" the common passion for painting led the two artists to live an intense love story. Kitson built his home in the "Cuseni" district of Taormina, called for this "Casa Cuseni", the house was built between 1900 and 1905, its decorations were entrusted to the artists Alfred East (realist landscape painter, president of the Royal Society ), and Frank Brangwyn (painter, decorator, designer), he was a pupil of William Morris, leader of the English movement "Arts and Crafts" which spread to England in the second half of the nineteenth century (the Arts and Crafts was a response to the industrialization of Europe, of mass production operated by factories, all this at the expense of traditional craftsmanship, from this movement originated the Art Nouveau, in Italy also known as Liberty Style or Floral Style, which distinguished itself for having been a artistic and philosophical movement, which developed between the end of the 19th century and the first decade of the 20th century, whose style spread in such a way as to be present everywhere). Casa Cuseni has kept a secret for 100 years that goes far beyond the forbidden love lived by Robert and Carlo, a secret hidden inside the "secret room", that dinning room that was reopened in 2012; entering the dining room, you can witness a series of murals painted on the four walls by Frank Brangwyn, in Art Nouveau style, which portray the life and love story between the painter Robert Kitson, and his life partner, the Carlo Siligato from Taormina, but the thing that makes these murals even more special, full of tenderness and sweetness, is that "their secret" (!) is represented in them, it is described visually, as in an "episodic" story that really happened in their lives: Messina (and Reggio Calabria) are destroyed by the terrible earthquake with a tsunami on December 28, 1908, Carlo Siligato, Robert Kitson, Wilhelm von Gloeden and Anatole France leave for Messina, to see and document in person the tragedy, the city was a pile of rubble, many dead, Robert and Carlo see a baby, Francesco, he is alone in the world, without parents who died in the earthquake, abandoned to a certain and sad destiny, a deep desire for protection is born in the two of them, a maternal and paternal desire is born, they decide to takes that little child with them even knowing that they are risking a lot ... (!), what they want to do is something absolutely unthinkable in that historical period, they are a homosexual couple, what they are about to do is absolutely forbidden ..(!) but now there is Francesco in their life, thus becoming, in fact, the first homogenitorial family (with a more generic term, rainbow family) in world history: hence the need to keep the whole story absolutely hidden, both from an artistic point of view , represented by the murals (for more than 100 years, the "dinning room" will be kept hidden), both of what happens in real life, with little Francesco cared for lovingly, but with great risk or. I have allegorically inserted, in the photographic story, some photographs of the artists of the company "Casa del Musical", who came to Taormina to perform during the Christmas period: today as yesterday, Taormina has always been (starting from the last 20 years of the 19th century) center of a crossroads of artists and great personalities, Casa Cuseni also in this has an enormous palmares of illustrious guests, too long to state. The young boys painted on the murals of Casa Cuseni, wear white, this is a sign of purity, they wanted to represent their ideal homosexual world, fighting against the figure dressed in black, short in stature, disturbing, which acquires a negative value, an allegorical figure of the English society of the time, indicating the Victorian morality that did not hesitate to condemn Oscar Wilde, depriving him of all his assets and rights, even preventing him from giving the surname to his children. The boys are inspired by the young Sicilian models photographed by Wilhelm von Gloeden, dressed in white tunics, with their heads surrounded by local flowers. The only female figure present has given rise to various interpretations, one could be Kitson's detachment from his motherland, or his detachment from his mother. On the third wall we witness the birth of the homogenitorial family, both (allegorically Carlo and Kitson with the child in their arms) are in profile, they are walking, the younger man has a long, Greek-style robe, placed on the front, next to him behind him, the sturdier companion holds and gently protects the little child in his arms, as if to spare the companion the effort of a long and uncertain journey, there is in the representation of the family the idea of a long journey, in fact the man holding the child wears heavy shoes, their faces are full of apprehension and concern: in front of them an empty wall, so deliberately left by Frank Brangwin, since their future is unknown, in front of them they have a destiny full of unknowns (at the same time, their path points east, they go towards the rising sun: opening the large window the sun floods everything in the room). In the "secret room" there is the picture painted in 1912 by Alfred E. East, an oil on canvas, representing Lake Bourget. Carlo Siligato later married Costanza, she was my father's grandmother's sister, they had a son, Nino, who for many years lived and worked as a merchant in his father's art workshop. I sincerely thank my colleague Dr. Francesco Spadaro, doctor and esteemed surgeon, owner and director of the "Casa Cuseni" House-Garden-Museum, who, affectionately acting as a guide, gave me the precious opportunity to create "this photographic tour" inside the house- museum and in the "metaphysical garden" of Casa Cuseni. … And the scoop that I announced in the title ..? After photographing the tomb of Carlo Siligato, in the Catholic cemetery of Taormina, I started looking for that of Robert Kitson, in the non-Catholic cemetery of Taormina: when I finally found it (with him lies his niece Daphne Phelps, buried later in 2005) ... I felt a very strong emotion, first of all I was expecting a mausoleum, instead I found a small, very modest tomb on this is not a photo of him, not an epitaph, not a Cross, not a praying Angel to point it out, but ... unexpectedly for a funerary tombstone ... a small bas-relief carved on marble (or stone) depicting ... the Birth ... (!), obviously , having chosen her could have a very specific meaning: a desire to transmit a message, something very profound about him, his tomb thus testified that in his soul, what was really important in life was having a family, with Carlo and baby Francesco, certainly beloved, saved from a certain and sad fate, in the terrible Messina earthquake-tsunami of 28 December 1908 ... almost recalling in an absolute synthesis, at the end of his life, what had already been told in the "secret murals" of Casa Cuseni.

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Una storia di Taormina: cronache di un amore proibito e del suo grande segreto (non solo Paolo e Francesca) con inaspettato “scoop”.

Questa storia fa parte integrante della storia precedentemente raccontata, il periodo storico è lo stesso, il luogo è lo stesso, i vari personaggi spesso si frequentano tra loro poiché si conoscono; Taormina, tra la fine dell’800 e l’inizio del’900, in un sempre maggiore crescendo, diventa luogo di residenza del turismo d’élite, grazie all’interesse internazionale suscitato ad opera di scrittori ed artisti, come Johann Wolfgang von Goethe, o grandi personalità come Lady Florence Trevelyan: Taormina diventa così famosa, complici i quadri del pittore Otto Geleng e le fotografie dei giovani modelli siciliani di Wilhelm von Gloeden; nell’aria di Taormina si respira un che di libertino, i suoi famosi ed istrionici frequentatori non mancano mai di creare scandalo, superando persino la famosa Capri, nella quale, per citare solo un esempio, l’armiere tedesco Krupp, cercando di ricreare l’ambiente dell’Arcadia che si respirava a Taormina (grazie alle foto di von Gloeden) viene travolto dallo scandalo per omosessualità, e si toglie la vita. Taormina diviene quindi un luogo simil-paradisiaco, lontana dalle civiltà industriali, nella quale poter vivere liberamente la propria vita e la propria sessualità; questo è l’ambiente socio-culturale nel quale si muovono i due protagonisti di questa vicenda, il pittore britannico Robert Hawthorn Kitson (1873 – 1947) ed il pittore Carlo Siligato (nato a Taormina nel 1875, ed ivi morto nel 1959). Robert H. Kitson, nacque a Leeds in Inghilterra, apparteneva ad una famiglia più che benestante, da giovane ingegnere aveva cominciato a sostituire il padre nell’impresa familiare di costruzioni di locomotive (la Kitson & Co.), alla morte del padre nel 1899 vende tutto e decide di trasferirsi ricchissimo in Sicilia a Taormina (vi era stato l’anno precedente con un viaggio fatto coi suoi genitori, qui aveva conosciuto, oltre al barone von Gloeden, anche lo scrittore e poeta Oscar Wilde venuto in Italia, subito dopo aver scontato due anni di prigione ai lavori forzati, con l’accusa di sodomia); Kitson vi si stabilisce perché affetto da una grave forma di febbre reumatica (come von Gloeden gli fu consigliato di curarsi nel clima mediterraneo più mite), sia perché in quanto omosessuale, lascia l’Inghilterra perché l’emendamento Labouchere considerava l’omosessualità un crimine. L’altro protagonista di questa storia è Carlo Siligato, egli era taorminese, aveva frequentato l’Accademia di Belle Arti di Venezia, pittore molto dotato, era bravissimo nel dipingere ad olio (esponeva i suoi quadri in una bottega d’arte, ancora adesso esistente, in via Teatro Greco a Taormina), l’incontro col pittore Robert Kitson, lo portò ad adottare la tecnica dell’acquarello: quasi a rivivere i versi di Dante su Paolo e Francesca “Galeotto fu ‘l libro e chi lo scrisse” la comune passione per la pittura condusse i due artisti a vivere una intensa storia d’amore. Kitson costruì nel quartiere “Cuseni” di Taormina la sua abitazione, detta per questo “Casa Cuseni”, la casa fu costruita tra il 1900 ed il 1905, le sue decorazioni furono affidate agli artisti Alfred East (pittore verista paesaggista, presidente della Royal Society), e Frank Brangwyn (pittore, decoratore, designer, progettista), egli era allievo di William Morris, leader del movimento inglese “Arts and Crafts” (Arti e Mestieri) che si diffuse in Inghilterra nella seconda metà del XIX secolo (l’Arts and Crafts era una risposta alla industrializzazione dell’Europa, della produzione in massa operata dalle fabbriche, tutto ciò a scapito dell’artigianato tradizionale, da questo movimento ebbe origine l’Art Nouveau, in Italia conosciuta anche come Stile Liberty o Stile Floreale, che si distinse per essere stata un movimento artistico e filosofico, che si sviluppò tra la fine dell’800 ed il primo decennio del ‘900, il cui stile si diffuse in tal modo da essere presente dappertutto). Casa Cuseni ha custodito per 100 anni un segreto che va ben oltre quell’amore proibito vissuto da Robert e Carlo, segreto celato all’interno della “stanza segreta”, quella dinning room che è stata riaperta nel 2012; entrando nella sala da pranzo, si assiste ad una serie di murales realizzati sulle quattro pareti da Frank Brangwyn, in stile Art Nouveau, che ritraggono la vita e la storia d’amore tra il pittore Robert Kitson, ed il suo compagno di vita, il pittore taorminese Carlo Siligato, ma la cosa che rende questi murales ancora più particolari, carichi di tenerezza e dolcezza, è che in essi viene rappresentato “il loro segreto” (!), viene descritto visivamente, come in un racconto “ad episodi” quello che è realmente avvenuto nella loro vita: Messina (e Reggio Calabria) vengono distrutte dal terribile sisma con maremoto il 28 dicembre del 1908, partono per Messina, Carlo Siligato, Robert Kitson, Wilhelm von Gloeden ed Anatole France, per vedere e documentare di persona la tragedia, la città era un cumulo di macerie, moltissimi i morti, Robert e Carlo vedono un piccolo bimbo, Francesco, egli è solo al mondo, privo dei genitori periti nel terremoto, abbandonato ad un certo e triste destino, nasce in loro due un profondo desiderio di protezione, nasce un desiderio materno e paterno, decidono di prende quel piccolo bimbo con loro pur sapendo che stanno rischiando moltissimo…(!) , quello che vogliono fare è una cosa assolutamente impensabile in quel periodo storico, loro sono una coppia omosessuale, quello che stanno per fare è assolutamente proibito..(!) ma oramai c’è Francesco nella loro vita, divenendo così, di fatto, la prima famiglia omogenitoriale (con termine più generico, famiglia arcobaleno) nella storia mondiale: da qui la necessità di tenere assolutamente nascosta tutta la vicenda, sia dal punto di vista artistico, rappresentata dai murales (per più di 100 anni, la “dinning room” verrà tenuta nascosta), sia di quanto accade nella vita reale, col piccolo Francesco accudito amorevolmente, ma con grandissimo rischio. Ho inserito allegoricamente, nel racconto fotografico, alcune fotografie degli artisti della compagnia “Casa del Musical”, giunti a Taormina per esibirsi durante il periodo natalizio: oggi come ieri, Taormina è sempre stata (a partire dagli ultimi 20 anni dell’800) al centro di un crocevia di artisti e grandi personalità, Casa Cuseni anche in questo ha un enorme palmares di ospiti illustri, troppo lungo da enunciare. I giovani ragazzi dipinti sui murales di Casa Cuseni, vestono di bianco, questo è segno di purezza, si è voluto in tal modo rappresentare il loro mondo ideale omosessuale, in lotta contro la figura vestita di nero, bassa di statura, inquietante, che acquista un valore negativo, figura allegorica della società inglese dell’epoca, indicante la morale Vittoriana che non ha esitato a condannare Oscar Wilde, privandolo di tutti i suoi beni e diritti, impedendogli persino di dare il cognome ai suoi figli. I ragazzi sono ispirati ai giovani modelli siciliani fotografati da Wilhelm von Gloeden, vestiti con tuniche bianche, col capo cinto dei fiori locali. L’unica figura femminile presente, ha dato spunto a varie interpretazioni, una potrebbe essere il distacco da parte di Kitson dalla sua madre patria, oppure il distacco da sua madre. Sulla terza parete si assiste alla nascita della famiglia omogenitoriale, entrambi (allegoricamente Carlo e Kitson col bimbo in braccio) sono di profilo, sono in cammino, l’uomo più giovane ha una veste lunga, alla greca, posto sul davanti, accanto a lui, alle sue spalle, il compagno più robusto sostiene in braccio e protegge con dolcezza il piccolo bimbo, quasi a voler risparmiare al compagno la fatica di un lungo ed incerto percorso, vi è nella rappresentazione della famiglia l’idea di un lungo percorso, infatti l’uomo che regge il bimbo indossa delle calzature pesanti, i loro volti sono carichi di apprensione e preoccupazione: davanti a loro una parete vuota, così volutamente lasciata da Frank Brangwin, poiché il loro futuro è ignoto, davanti hanno un destino pieno di incognite (al tempo stesso, il loro cammino indica l’est, vanno verso il sole nascente: aprendo la grande finestra il sole inonda ogni cosa nella stanza).

Nella “stanza segreta” c’è il quadro dipinto nel 1912 da Alfred E. East, un olio su tela, rappresentante il lago Bourget.

Carlo Siligato, successivamente si sposò con Costanza, una sorella della nonna di mio padre, da lei ebbe un figlio, Nino, il quale per tantissimi anni ha vissuto e lavorato come commerciante nella bottega d’arte del padre. Ringrazio di cuore il mio collega dott. Francesco Spadaro, medico e stimato chirurgo, proprietario e direttore della Casa-Giardino-Museo “Casa Cuseni”, il quale, facendomi affettuosamente da cicerone, mi ha dato la preziosa opportunità di realizzare “questo tour fotografico” all’interno dell’abitazione-museo e nel “giardino-metafisico” di Casa Cuseni.

…E lo scoop che ho annunciato nel titolo..? Dopo aver fotografato la tomba di Carlo Siligato, nel cimitero cattolico di Taormina, mi sono messo alla ricerca di quella di Robert Kitson, nel cimitero acattolico di Taormina: quando finalmente l’ho trovata (insieme a lui giace sua nipote Daphne Phelps, seppellita successivamente nel 2005)…ho provato una fortissima commozione, innanzitutto mi aspettavo un mausoleo, invece ho trovato una tomba piccola, molto modesta, su questa non una sua foto, non un epitaffio, non una Croce, non un Angelo pregante ad indicarla, ma … inaspettatamente per una lapide funeraria…un piccolo bassorilievo scolpito su marmo (o su pietra) raffigurante…la Natalità…(!), evidentemente, l’averla scelta potrebbe avere un significato ben preciso: un desiderio di trasmettere un messaggio, qualcosa di molto profondo di lui, la sua tomba testimoniava così che nel suo animo, ciò che in vita fu davvero importante fu l’aver avuto una famiglia, con Carlo e col piccolo Francesco, certamente amatissimo, salvato da un molto probabile triste destino, nel terribile terremoto-maremoto di Messina del 28 dicembre del 1908…quasi rievocando in una sintesi assoluta, al termine della sua vita, ciò che era già stato raccontato nei “murales segreti” di Casa Cuseni.

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Eye Candy Boho beauty 🌸 by Doll Diva

11 1

My latest creation features some Indian paisley print cotton taken from a multi-panel skirt and a paisley silk tie top. I thought about using the same material for the top but it is quite an open fabric, which gives it a lovely transparency, but it doesn't handle so well with a fitted design. My next thought was to use a plain silk fabric as I did with the Chrysalis dress but then I had a look through my stash of silk ties and found this tiny paisley. I really like the fact that both fabrics are paisley but on a very different scale so they combine especially well. Silk is much tougher at withstanding intense shaping and moulding for the top. Finally for the tiny straps I created a crochet chain and threaded it into the top securing it with invisible nylon thread and passed some tiny amber beads onto each end of each strap as a little embellishment.

Rayna Eye Candy is the third of my Raynas to feature in my 'Rayna Retrospective'. One more to go before Wild Feeling arrives!

Battle of Seattle, Jan. 26, 1856 (ca. 1890) by A.Davey

10

Emily Inez Denny, ca. 1890

Museum of History and Industry (MOHI), Seattle.

There are some features of our surroundings that time can't change. Visitors to Seattle, if they're observant and the clouds lift, will see the same brilliant mountain range to the west as the one in this work painted 132 years ago. They're the Olympic Mountains in what is now Olympic National Park on the - wait for it - Olympic Peninsula in Washington state.

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Short Version

The Battle of Seattle is the name given to the day when the Native peoples in the area attacked the newly arrived settlers who took refuge in the blockhouse or on the USS Decatur anchored in Elliott Bay.

The warship proceeded to fire shells toward the land. There were only two casualties for the settlers and the exact number of casualties the Native peoples suffered is unknown.

The artist, Emily Inez Denny (1853-1919), was a child during the Battle of Seattle and painted this scene many years later, fusing her memories with family tradition.

Denny's interpretation emphasized the settlers' vulnerability and fear, and eliminated the Decatur's sailors and Marines, on the one hand, and Native people, on the other.

digitalcollections.lib.washington.edu/digital/collection/...

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Extended Version

The Battle of Seattle was a January 26, 1856 attack by Native American tribesmen upon Seattle, Washington.

At the time, Seattle was a settlement in the Washington Territory that had recently named itself after Chief Seattle (Sealth), a leader of the Suquamish and Duwamish peoples of central Puget Sound.

European-American settlers were backed by artillery fire and supported by Marines from the United States Navy sloop-of-war Decatur, anchored in Elliott Bay (Seattle's harbor, then called Duwam-sh Bay).

They suffered two fatalities. It is not known if any of the Native American raiders died. The contemporary historian T. S. Phelps wrote that they later "would admit" to 28 dead and 80 wounded. T

he battle, part of the multi-year Puget Sound War or Yakima Wars (1855-1858), lasted a single day.

The Seattle settlement of the time was located roughly in the area of Seattle's Pioneer Square and its neighborhood. T. S. Phelps's memoir of the time described the settlement as:

…on a point, or rather a small peninsula, projecting from the eastern shore, and about two miles (3 km) from the mouth of Duwamish River, debouching at the head of the bay. The northern part of this peninsula is connected with the mainland by a low neck of marshy ground, and about one-sixteenth of a mile from its southeastern extremity a firm, hard sand-pit nearly joined it to the adjacent shore, severed only by a narrow channel through which the surplus waters of an inclosed swamp escaped into the bay. The south and west sides rose abruptly from the beach, forming an embankment from three to fifteen feet high; and proceeding thence northerly, the ground undulated for an eighth of a mile, when it gradually sloped towards the swamp and neck.

At the intersection of the latter with the main, and overlooking the water, rose a mound about thirty feet above the level of the bay; and to the eastward through a depression in the hills, and passing the head of the swamp, was a broad Indian trail leading to Lake Duwamish [now Lake Washington], distant two and a half miles.

Phelps remarks that the tailings from Henry Yesler's recently erected mill were steadily filling in the marshy land at the north of the head or peninsula where the settlement was located. He described the arrangement of the troops arrayed in defense on the nights before the battle:

The divisions… nightly occupied the shore, vigilantly guarding the people as they slept, and resting only when the morning light released them from the apprehended attack.

… [They] were distributed along the line of defense in the following order: The fourth, under Lieutenant Dallas, commencing at Southeast Point, extended along the bay shore to the sand-bar, where, meeting with the right of the first division, Lieutenant Drake, the latter continued the line facing the swamp to a point half-way from the bar to a hotel situated midway between the bar and Yesler's place, and there joined the second, under Lieutenant Hughes, whose left, resting on the hotel (see Mother Damnable), completed an unbroken line between the latter and Southeast Point, while the howitzer's crew, Lieutenant Morris, was stationed near Plummer's house, to sweep the bar and to operate wherever circumstances demanded. The third division, Lieutenant Phelps, occupied that portion of the neck lying between the swamp and mound east of Yesler's place, to secure the approaches leading from the lake, and the marines, under Sergeant Carbine, garrisoned the block-house.

The divisions, thus stationed, left a gap between the second and third, which the width and impassable nature of the swamp at this place rendered unnecessary to close, thereby enabling a portion of the town to be encompassed which otherwise would have been exposed.

The distance between the block-house and Southeast Point, following the sinuosities of the bay and swamp shores, was three-quarters of a mile, to be defended by ninety-six men, eighteen marines, and five officers, leaving Gunner Stocking, Carpenter Miller, Clerks Francis and Ferguson, and fifteen men with Lieutenant Middleton, to guard the ship.[3]

Prelude

Washington Territory Governor Isaac Ingalls Stevens' ambitious treaty-making during 1854 and 1855 has been held to be the cause of the Puget Sound War.

The battle was part of a Native American uprising in resistance to the pressure to cede land for reservations determined by territorial officials.

There had been a series of skirmishes in the region over the previous several months, beginning October 28, 1855. There had been fighting between federal troops and natives in southern King, Thurston and Pierce counties. Five days before the attack on Seattle, Governor Stevens had declared a "war of extermination" upon the Indians.

The sloop Decatur had been called to Puget Sound both because of the trouble with local natives and to deter frequent raids by an alliance of the northern Haida from the Queen Charlotte Islands and the Tongass group of the Tlingit, from what was then Russian America.

Captained by Isaac L. Sterret, the vessel struck an uncharted reef near Bainbridge Island on December 7, 1855, and was heavily damaged. (According to naval custom, the reef was named Decatur Reef.) They limped into Seattle for repairs, which lasted until January 19. Sterret was temporarily taken off active duty December 10, although later returned to active duty. However, on the day of the battle, Decatur was commanded by Guert Gansevoort.

Decatur lay at anchor in deep water, in a position from which it had total command of the settlement with 16 shipborne 32-pounders firing fuzed shells. To the defense on land, the ship contributed two nine-pounder cannon and 18 stands of arms.

About this time, the raiders were attacking the White River settlers to the southeast. Survivors fled to Seattle. There they joined the fifty or so Seattle settlers. Assisted by marines from the Decatur, they had constructed a blockhouse from lumber originally intended for shipment to San Francisco.

Days before the battle (January 21), Territorial Governor Stevens arrived in Seattle aboard U.S.S. Active, and discounted rumors of war.

Almost immediately upon his departure, reports from friendly natives warned that the governor had been completely mistaken and that an attack was imminent. These reports have been variously credited to Chief Seattle, his daughter Princess Angeline, or another chief, Sucquardle (known also as "Curley" or "Curly Jim").

David Swinson "Doc" Maynard, reputed to have had far more than the usual concern for the natives' rights and well-being, evacuated 434 friendly natives to the west side of Puget Sound (at his own expense and with the assistance of his wife).

To some extent, the settlers had organized for their defense as volunteers under a Captain Hewett. However, this company of volunteers had disbanded and re-formed several times over the months leading up to the battle.

On the evening of January 22, with Decatur having taken a commanding position, the militia leaders declared that "they would not serve longer while there was a ship in port to protect them". Phelps writes that "a more reckless, undisciplined set of men has seldom been let loose to prey upon any community than these eighty embryo soldiers upon Seattle… after much rough argument about thirty of their number became partially convinced that their individual safety depended upon unity of action under a competent leader, and they finally consented to form a company, provided Mr. Peixotto would consent to serve as captain. That gentleman accepted the honor…"

Emily Denny mentions the company as being captained by Hewitt and including William Gilliam as 1st Lieutenant, D.T. Denny as Corporal, and Robert Olliver as Sergeant. Phelps names both Hewitt and Peixotto as captains.

Phelps lists the hostile natives as including the "Kliktat" (Klickitat and Spokane), "Palouse" (Palus), Walla-Walla, "Yakami" (Yakama), Kamialk, Nisqually, Puyallup, "Lake" (Duwamish-related, living near Lake Washington), "and other tribes, estimated at six thousand warriors, marshaled under the three generals-in-chief Coquilton, Owhi, and Lushi, assisted by many subordinate chiefs."

They had failed to recruit warriors from any of the several tribes or nations from the Olympic Peninsula, nor did they succeed in winning the Snoqualmie over to their cause. Although the Snoqualmie chief Patkanim was strongly opposed to the European-American settlers, he allied with them in this war.

Two hostile chiefs—Phelps says Owhi and Lushi (presumably, Leschi), other sources say Owhi and Coquilton—disguised themselves as friendly Indians and reconnoitered the situation the night before the battle.

Phelps describes this in some detail: he was the sentry whom they tricked with a plausible story.

According to Phelps' account, at least two native chiefs were playing a double game. Curley Jim had been considered friendly enough by the settlers to be allowed to remain within their encampment; conversely, his nephew Yark-eke-e-man had been considered one of the hostile force.

According to Phelps, the nephew intended to betray the native attack. Curley Jim left the settlement in the company of his visitors, and they parleyed around midnight at the lodge of a chief named Tecumseh; Yark-eke-e-man and several "chiefs of lesser note" were also present.

They set out a plan to kill all of the settlers and U.S. military; Curley requested that his friend Henry Yesler be allowed to live, but accepted being overruled in the matter.

They resolved to attack in a few hours, around 2 a.m.; Phelps wrote that that plan would have succeeded, since no defender was planning for a pre-dawn assault. But Yark-eke-e-man convinced the raiders to try a mid-morning attack, using a small decoy force to draw the Decatur's men out of the well-defended areas to do battle on First Hill.

There are no reliable estimates of the size of the attacking force. Isaac Stevens (who was not present), wrote to Washington that settlers estimated that 200 to 500 Indians had taken the field against them. Phelps put the number of enemy at 2,000, but (write Crowley and Wilma) "frontier military officers often inflated the number of opposing forces to reinforce their accomplishments (or to minimize their failures)."

Community college historian Murray Morgan writes that early "reports seem to have multiplied by ten the actual numbers. There could not have been more than one hundred and fifty."

Many settlers resided on scattered claims divided by thick forest, because to establish a land claim, settlers had to live on it. Some settlers doubted that the Indians would attack, and had to run for the blockhouse on the morning of the battle.

The first fatality of the engagement was Jack Drew, a deserter from Decatur killed in friendly fire. When he attempted to enter a cabin through a window, he was shot dead by fifteen-year-old Milton Holgate.

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.

Because the natives' only common language was Chinook jargon, a trade language that many of the white settlers also spoke, the settlers were able to hear and understand the attackers' shouted orders "and revealed many incidents of the battle they were anxious to conceal."

An Indian known as "Jim", a relative of Curley's who died a few months later in a hunting accident, evaded Curley's vigilance and warned Dr. Williamson of the impending attack.

Williamson sent a messenger to Yesler, who informed Gansevoort, and Decatur's troops abandoned their breakfast and returned to the positions they had held by night. 52 women and children found refuge on board Decatur, and others on board the barque Brontes. The non-combatants of the friendly tribes took to their canoes to get out of the way.

Curley's sister (and Yark-eke-e-man's mother) Li-cu-mu-low ("Nancy"), whom Phelps describes as "short, stout, and incapable of running," warned as she headed for her canoe that the Kliktat were gathered around Tom Pepper's house, which was in the forest, near the crest of First Hill.

Decatur fired off a howitzer shell in that direction, the first shot of the battle. Phelps and a few others had been trying unsuccessfully to rouse the volunteers from their torpor. At the sound of the howitzer shell, they rushed as one for the blockhouse. There "Sergeant Carbine several times charged them out of one door, to return as often by the other, till, wearying of the trouble, he left them to cower behind the wooden bulwarks, protected from the bullets of the foe."

The third division, contrary to orders, charged up the trail that led towards the lake. This charge met with success, as they pushed the attackers back without taking any casualties themselves. Klakum held a position behind a tree, and shot at Peixotto standing on the block-house steps, but missed and killed a boy, Milton G. Holgate, who was standing a few steps higher. It was the second death of a European American caused by another white.

On the south end, settlers on the peninsula faced off against natives on the mainland with a slough dividing them. Phelps describes "the incessant rattle of small-arms, and an uninterrupted whistling of bullets, mingled with the furious yells of the Indians," but there were few casualties.

A settler was killed when he ducked from behind a stump to get some drinking water;Clarence Bagley, quoting William Bell two days after the event, says the casualty was Christian White; Phelps, writing 17 years later, says it was Robert Wilson.

Hans Carl, an invalided sailor on Decatur, died shortly thereafter, but for reasons unrelated to the battle.

Aftermath

News of the attack spread rapidly. By 4 p.m. it was known in Bellingham. At noon the day after the battle, Active steamed into Elliott Bay, Governor Stevens aboard. Stevens was, in Phelps's words, "at last compelled to acknowledge the presence of hostile Indians in the Territory." Active headed south in the direction of Steilacoom, which seemed the most likely next target of an attack, dropping the governor at Olympia, the capital, on the way.

Yark-eke-e-man reported that the hostile chiefs were ill-provisioned. Confident of victory, they expected to provision themselves from the settlers' supplies. They spent the next several weeks scouring the land for food.

Two days after the battle, Coquilton threatened, through a messenger, "that within one moon he would return with twenty thousand warriors, and, attacking by land and water, destroy the place in spite of all the war-ship could do to prevent."

The threat was taken seriously, and leaders decided to improve Seattle's defenses. Henry Yesler volunteered ship's cargo of house lumber, and on February 1 Decatur's divisions began a two-week project to erect a defensive palisade: two fences five feet high, placed eighteen inches apart, and filled in with well-tamped earth, 1,200 yards (1,100 m) long, and enclosing a large portion of the town.

A second block-house was also erected, and an old ship's cannon, plus a 6-pounder field-piece borrowed from Active, were to serve as its artillery.

Trees and undergrowth were removed (variously attacked with levers, axes, and shovels, or burned in place) to provide an esplanade and enable Decatur's howitzer to sweep the shores.

Much brush was also cleared from the town's inland edges, to reduce the cover for future attacks. On February 24, USS Massachusetts arrived and on March 28 USS John Hancock.

The fortified town did not have to face a second battle. Defeat in the Battle of Seattle had discouraged the hostile natives, and they did not again amass a comparable force.

Furthermore, Governor Stevens had convinced Patkanim and his men to take on the role of bounty hunters, paying them handsomely for collecting the scalps of leaders of the hostile tribes.

Morgan does not describe the battle as a victory for the Americans.

Rather, he writes that "both sides were dismayed, the whites by the realization that the enemy really would attack a town, the Indians by their first experience with exploding shells rather than cannonballs."

Also by Stevens's order, a court-martial was convened at Seattle on May 15 for the trial of Klakum and twenty other Indians. The military officers acquitted them, deeming their actions as having been legitimate warfare against recognized combatants, not criminal acts. They were released after a declaration of peace. It was certainly not the end of violence between settlers and natives in the region, but it was the end of outright war.

Nine days after the battle, Chief Leschi and Chief Kitsap, along with a group of 17 Indians, appeared at the home of John McLeod near the Nisqually River.

McLeod was a former employee of the Hudson's Bay Company, had a Nisqually wife, and was trusted by the hostile Indians.

Leschi said that neither he nor his band had taken part in the attack on Seattle, and he thought the attack had been foolish. Leschi asked for John Swan, another trusted white man, to visit Leschi's camp on the Green River for a peace conference.[9] When Swan did visit Leschi's camp a few days later, he counted about 150 warriors, or men of fighting age. Nearly all were from west of the Cascades, with only 10–20 from the east.

Casualties

Jack Drew, a deserter from the Decatur, was shot and killed by young Milton Holgate, a settler's son, when he tried to enter the latter's cabin.

Holgate was killed by friendly fire, and another settler died in the battle: Christian White or Robert Wilson (see above). One sailor, Hans Carl, died later of causes unrelated to the battle.

Phelps characterizes the low casualties as "incredible" and "miraculous", given that "one hundred and sixty men were for seven hours exposed to an almost uninterrupted storm of bullets".

The casualties on the native side are unknown. Phelps claimed personally to have seen ten men die from one shell. He said that the natives later admitted to 28 dead and 80 wounded, but said that the native women "secret[ed] the dead beyond all chance of discovery." No Indian bodies were found on the battlefield.

According to Seattle lore, decades after the battle, Seattle's future fire chief Gardner Kellogg was excavating his house and found a shell from Decatur that had buried itself without exploding.

He stuck it under a stump that he was trying to burn out and went off to lunch. Dexter Horton stopped by to warm the seat of his pants at the fire, and as it exploded, nearly became the last casualty of the battle of Seattle.

en.wikipedia.org/wiki/Battle_of_Seattle_(1856)

Modern coupe by The Igzer

11 3

Features all the modern automotive hijinks - angry front design, some fake curves here and there, a rear light panel, random obligatory shiny bits, copious amounts of plastic and matte paint of the most dull colour found in the swatch.

52013 Play Features by Aaron Newman

23 3

Short "product video" for 52013 showcasing its play features and more!

Find and follow me on brickly (@nujumetru) to see the full Body Battlers collection.

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League of Legends World Championship 2022 - Semifinals Features by LoL Esports Photos

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ATLANTA, GEORGIA - OCTOBER 26: Lee "Gumayusi" Min-hyeong (L) and Ryu "Keria" Min-seok of T1 pose at the League of Legends World Championship Semifinals Features Day on October 26, 2022 in Atlanta, GA. (Photo by Fernando Decillis/Riot Games)

FK ANTROTTA Fighters by Simon Liu

27 9

The only cool functionality besides lighting was this working hangar lift :D

WAY too many over achievers had cool features this year, I felt I had to put SOMETHING in, even this little feature takes up an incredible amount of space, so you guys (you know who yo uare), bravo for your insane skills to fit in oh so much more....

Tomahawk Engines by Alexander Safarik

24 1

Features one large, 4 medium and two small engines in the back. Had plenty of fun building these

Neon Museum, Las Vegas, Nevada (2024) by David Enzel

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The Neon Museum in Las Vegas, Nevada, United States, features signs from old casinos and other businesses displayed outdoors on 2.27 acres (0.92 ha). Efforts to establish a neon sign museum were underway in the late 1980s, but stalled due to a lack of resources. On September 18, 1996, the Las Vegas City Council voted to fund such a project, to be known as the Neon Museum. The organization started out by re-installing old signage in downtown Las Vegas, to attract more visitors to the area.

Young Electric Sign Company (YESCO) had manufactured many neon signs in the city, and the company had a storage site for old signs which would eventually become part of the Neon Museum collection. In 2000, as YESCO prepared to close its storage lot, the city provided the museum with land to start its own. Tours of the new site, known as the Neon Boneyard, began in 2001, by appointment only.

The lobby of the former La Concha Motel, located on the Las Vegas Strip, was donated to the museum and moved there in 2006, eventually becoming its visitor center. Construction to convert the lobby began in May 2011, and the museum officially opened to the general public on October 27, 2012, eliminating the appointment system.

The Neon Museum's collection includes more than 200 signs. An expansion of the museum site began in 2017, although hundreds of neon artifacts still remained in off-site storage due to space limitations. In 2024, the museum announced plans to relocate to two larger, nearby sites at 18b The Las Vegas Arts District. The project will include relocation of the La Concha lobby, and the museum is expected to open in the new locations around 2027.

(Source: Wikipedia)

'Pillars' by Tim Knifton

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An abandoned spa hotel with lots of nice features and some great ceilings in the main area. Left to find a classic car festival happening in the town so we hung around for a bit to admire the cars.

The travelling nun Tour. On Belgium derps with Dursty, John and Mike.

My blog:

timster1973.wordpress.com

Also on Facebook

www.Facebook.com/TimKniftonPhotography

online store: www.artfinder.com/tim-knifton

Ye Olde George Inn, looking to All Saints Parish Church and Park Hill in East Meon, the Hampshire Downs, Hampshire, England. by Neil Cresswell

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Commentary.

Many villages have the archetypal features

of cottages, church, pubs, historic buildings,

woodland, farmland and possibly a stream, river or spring,

as a centuries-old water supply.

Shere in Surrey comes to mind.

Hampshire has many candidates and East Meon

is certainly one.

Residences range from Tudor through Georgian,

Regency and Victorian to the Edwardian era.

There are a few houses less than a century old

but the heart of the village charmingly

belongs to former times.

All Saints Parish Church has parts dating back to Norman times.

Unusually, its tower and spire rise above the Crossing.

It is situated high on the southern flank of Park Hill,

part of the Hampshire Downs.

There are two pubs, Ye Olde George Inn

and the Sir Issac Walton.

Both date back to the 18th. Century

and are clearly popular with locals and visitors.

One building, the former Courthouse,

was built in the 15th. Century!

The splendid River Meon rises in the Hampshire Downs.

Being a stream with chalk-filtered water its

purity is remarkable.

It glistens as it rushes though the village,

west and then south.

Undoubtedly, East Meon is a very special Hampshire village.

The Happy Prince .... by Qi Bo (Ezio Famà)

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"Casa Cuseni is a house-garden-museum, with countless delightful works of art of all shapes and types: here a table lamp with the features of a beautiful girl, in Art Nouveau style."

“Casa Cuseni è una casa-giardino-museo, con innumerevoli deliziose opere d'arte di ogni foggia e tipo: qui una lampada da tavolo con le fattezze di una bella fanciulla, in stile liberty.”

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click to activate the icon of slideshow: the small triangle inscribed in the small rectangle, at the top right, in the photostream;

or…. Press the “L” button to zoom in the image;

clicca sulla piccola icona per attivare lo slideshow: sulla facciata principale del photostream, in alto a destra c'è un piccolo rettangolo (rappresenta il monitor) con dentro un piccolo triangolo nero;

oppure…. premi il tasto “L” per ingrandire l'immagine;

Qi Bo's photos on Fluidr

Qi Bo's photos on Flickriver

www.worldphoto.org/sony-world-photography-awards/winners-...

www.fotografidigitali.it/gallery/2726/opere-italiane-segn...

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A history of Taormina: chronicles of a forbidden love and its great secret (not only Paolo and Francesca) with an unexpected "scoop".

This story is an integral part of the story previously told, the historical period is the same, the place is the same, the various characters often meet each other because they know each other; Taormina, between the end of the 1800s and the beginning of the 1900s, in an ever increasing growth, became the place of residence of elite tourism, thanks to the international interest aroused by writers and artists, such as Johann Wolfgang von Goethe , or great personalities like Lady Florence Trevelyan: Taormina becomes so famous, thanks to the paintings of the painter Otto Geleng and the photographs of the young Sicilian models by Wilhelm von Gloeden; in the air of Taormina there is a sense of libertine, its famous and histrionic visitors never fail to create scandal, even surpassing the famous Capri, in which, to cite just one example, the German gunsmith Krupp, trying to recreate the he environment of Arcadia that one breathed in Taormina (thanks to the photos of von Gloeden) was overwhelmed by the scandal for homosexuality, and took his own life. Taormina thus becomes a heavenly-like place, far from industrial civilizations, where you can freely live your life and sexuality; this is the socio-cultural environment in which the two protagonists of this story move, the British painter Robert Hawthorn Kitson (1873 - 1947) and the painter Carlo Siligato (born in Taormina in 1875, and died there in 1959). Robert H. Kitson, born in Leeds in England, belonged to a more than wealthy family, as a young engineer he had begun to replace his father in the family locomotive construction company (Kitson & Co.), on the death of his father in 1899 sells everything and decides to move very rich in Sicily to Taormina (he had been there the previous year with a trip made with his parents, here he had met, in addition to Baron von Gloeden, also the writer and poet Oscar Wilde who came to Italy, immediately after having served two years in prison in forced labor, on charges of sodomy); Kitson settled there because he was suffering from a severe form of rheumatic fever (like von Gloeden was advised to treat himself in the Mediterranean climate milder), and because as a homosexual, he leaves England because the Labouchere amendment considered homosexuality a crime. The other protagonist of this story is Carlo Siligato, he was from Taormina, he had attended the Academy of Fine Arts in Venice, a very gifted painter, he was very good at oil painting (he exhibited his paintings in an art workshop, even now existing, in via Teatro Greco in Taormina), the meeting with the painter Robert Kitson, led him to adopt the watercolor technique: almost to relive Dante's verses on Paolo and Francesca "Galeotto was the book and who wrote it" the common passion for painting led the two artists to live an intense love story. Kitson built his home in the "Cuseni" district of Taormina, called for this "Casa Cuseni", the house was built between 1900 and 1905, its decorations were entrusted to the artists Alfred East (realist landscape painter, president of the Royal Society ), and Frank Brangwyn (painter, decorator, designer), he was a pupil of William Morris, leader of the English movement "Arts and Crafts" which spread to England in the second half of the nineteenth century (the Arts and Crafts was a response to the industrialization of Europe, of mass production operated by factories, all this at the expense of traditional craftsmanship, from this movement originated the Art Nouveau, in Italy also known as Liberty Style or Floral Style, which distinguished itself for having been a artistic and philosophical movement, which developed between the end of the 19th century and the first decade of the 20th century, whose style spread in such a way as to be present everywhere). Casa Cuseni has kept a secret for 100 years that goes far beyond the forbidden love lived by Robert and Carlo, a secret hidden inside the "secret room", that dinning room that was reopened in 2012; entering the dining room, you can witness a series of murals painted on the four walls by Frank Brangwyn, in Art Nouveau style, which portray the life and love story between the painter Robert Kitson, and his life partner, the Carlo Siligato from Taormina, but the thing that makes these murals even more special, full of tenderness and sweetness, is that "their secret" (!) is represented in them, it is described visually, as in an "episodic" story that really happened in their lives: Messina (and Reggio Calabria) are destroyed by the terrible earthquake with a tsunami on December 28, 1908, Carlo Siligato, Robert Kitson, Wilhelm von Gloeden and Anatole France leave for Messina, to see and document in person the tragedy, the city was a pile of rubble, many dead, Robert and Carlo see a baby, Francesco, he is alone in the world, without parents who died in the earthquake, abandoned to a certain and sad destiny, a deep desire for protection is born in the two of them, a maternal and paternal desire is born, they decide to takes that little child with them even knowing that they are risking a lot ... (!), what they want to do is something absolutely unthinkable in that historical period, they are a homosexual couple, what they are about to do is absolutely forbidden ..(!) but now there is Francesco in their life, thus becoming, in fact, the first homogenitorial family (with a more generic term, rainbow family) in world history: hence the need to keep the whole story absolutely hidden, both from an artistic point of view , represented by the murals (for more than 100 years, the "dinning room" will be kept hidden), both of what happens in real life, with little Francesco cared for lovingly, but with great risk or. I have allegorically inserted, in the photographic story, some photographs of the artists of the company "Casa del Musical", who came to Taormina to perform during the Christmas period: today as yesterday, Taormina has always been (starting from the last 20 years of the 19th century) center of a crossroads of artists and great personalities, Casa Cuseni also in this has an enormous palmares of illustrious guests, too long to state. The young boys painted on the murals of Casa Cuseni, wear white, this is a sign of purity, they wanted to represent their ideal homosexual world, fighting against the figure dressed in black, short in stature, disturbing, which acquires a negative value, an allegorical figure of the English society of the time, indicating the Victorian morality that did not hesitate to condemn Oscar Wilde, depriving him of all his assets and rights, even preventing him from giving the surname to his children. The boys are inspired by the young Sicilian models photographed by Wilhelm von Gloeden, dressed in white tunics, with their heads surrounded by local flowers. The only female figure present has given rise to various interpretations, one could be Kitson's detachment from his motherland, or his detachment from his mother. On the third wall we witness the birth of the homogenitorial family, both (allegorically Carlo and Kitson with the child in their arms) are in profile, they are walking, the younger man has a long, Greek-style robe, placed on the front, next to him behind him, the sturdier companion holds and gently protects the little child in his arms, as if to spare the companion the effort of a long and uncertain journey, there is in the representation of the family the idea of a long journey, in fact the man holding the child wears heavy shoes, their faces are full of apprehension and concern: in front of them an empty wall, so deliberately left by Frank Brangwin, since their future is unknown, in front of them they have a destiny full of unknowns (at the same time, their path points east, they go towards the rising sun: opening the large window the sun floods everything in the room). In the "secret room" there is the picture painted in 1912 by Alfred E. East, an oil on canvas, representing Lake Bourget. Carlo Siligato later married Costanza, she was my father's grandmother's sister, they had a son, Nino, who for many years lived and worked as a merchant in his father's art workshop. I sincerely thank my colleague Dr. Francesco Spadaro, doctor and esteemed surgeon, owner and director of the "Casa Cuseni" House-Garden-Museum, who, affectionately acting as a guide, gave me the precious opportunity to create "this photographic tour" inside the house- museum and in the "metaphysical garden" of Casa Cuseni. … And the scoop that I announced in the title ..? After photographing the tomb of Carlo Siligato, in the Catholic cemetery of Taormina, I started looking for that of Robert Kitson, in the non-Catholic cemetery of Taormina: when I finally found it (with him lies his niece Daphne Phelps, buried later in 2005) ... I felt a very strong emotion, first of all I was expecting a mausoleum, instead I found a small, very modest tomb on this is not a photo of him, not an epitaph, not a Cross, not a praying Angel to point it out, but ... unexpectedly for a funerary tombstone ... a small bas-relief carved on marble (or stone) depicting ... the Birth ... (!), obviously , having chosen her could have a very specific meaning: a desire to transmit a message, something very profound about him, his tomb thus testified that in his soul, what was really important in life was having a family, with Carlo and baby Francesco, certainly beloved, saved from a certain and sad fate, in the terrible Messina earthquake-tsunami of 28 December 1908 ... almost recalling in an absolute synthesis, at the end of his life, what had already been told in the "secret murals" of Casa Cuseni.

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Una storia di Taormina: cronache di un amore proibito e del suo grande segreto (non solo Paolo e Francesca) con inaspettato “scoop”.

Questa storia fa parte integrante della storia precedentemente raccontata, il periodo storico è lo stesso, il luogo è lo stesso, i vari personaggi spesso si frequentano tra loro poiché si conoscono; Taormina, tra la fine dell’800 e l’inizio del’900, in un sempre maggiore crescendo, diventa luogo di residenza del turismo d’élite, grazie all’interesse internazionale suscitato ad opera di scrittori ed artisti, come Johann Wolfgang von Goethe, o grandi personalità come Lady Florence Trevelyan: Taormina diventa così famosa, complici i quadri del pittore Otto Geleng e le fotografie dei giovani modelli siciliani di Wilhelm von Gloeden; nell’aria di Taormina si respira un che di libertino, i suoi famosi ed istrionici frequentatori non mancano mai di creare scandalo, superando persino la famosa Capri, nella quale, per citare solo un esempio, l’armiere tedesco Krupp, cercando di ricreare l’ambiente dell’Arcadia che si respirava a Taormina (grazie alle foto di von Gloeden) viene travolto dallo scandalo per omosessualità, e si toglie la vita. Taormina diviene quindi un luogo simil-paradisiaco, lontana dalle civiltà industriali, nella quale poter vivere liberamente la propria vita e la propria sessualità; questo è l’ambiente socio-culturale nel quale si muovono i due protagonisti di questa vicenda, il pittore britannico Robert Hawthorn Kitson (1873 – 1947) ed il pittore Carlo Siligato (nato a Taormina nel 1875, ed ivi morto nel 1959). Robert H. Kitson, nacque a Leeds in Inghilterra, apparteneva ad una famiglia più che benestante, da giovane ingegnere aveva cominciato a sostituire il padre nell’impresa familiare di costruzioni di locomotive (la Kitson & Co.), alla morte del padre nel 1899 vende tutto e decide di trasferirsi ricchissimo in Sicilia a Taormina (vi era stato l’anno precedente con un viaggio fatto coi suoi genitori, qui aveva conosciuto, oltre al barone von Gloeden, anche lo scrittore e poeta Oscar Wilde venuto in Italia, subito dopo aver scontato due anni di prigione ai lavori forzati, con l’accusa di sodomia); Kitson vi si stabilisce perché affetto da una grave forma di febbre reumatica (come von Gloeden gli fu consigliato di curarsi nel clima mediterraneo più mite), sia perché in quanto omosessuale, lascia l’Inghilterra perché l’emendamento Labouchere considerava l’omosessualità un crimine. L’altro protagonista di questa storia è Carlo Siligato, egli era taorminese, aveva frequentato l’Accademia di Belle Arti di Venezia, pittore molto dotato, era bravissimo nel dipingere ad olio (esponeva i suoi quadri in una bottega d’arte, ancora adesso esistente, in via Teatro Greco a Taormina), l’incontro col pittore Robert Kitson, lo portò ad adottare la tecnica dell’acquarello: quasi a rivivere i versi di Dante su Paolo e Francesca “Galeotto fu ‘l libro e chi lo scrisse” la comune passione per la pittura condusse i due artisti a vivere una intensa storia d’amore. Kitson costruì nel quartiere “Cuseni” di Taormina la sua abitazione, detta per questo “Casa Cuseni”, la casa fu costruita tra il 1900 ed il 1905, le sue decorazioni furono affidate agli artisti Alfred East (pittore verista paesaggista, presidente della Royal Society), e Frank Brangwyn (pittore, decoratore, designer, progettista), egli era allievo di William Morris, leader del movimento inglese “Arts and Crafts” (Arti e Mestieri) che si diffuse in Inghilterra nella seconda metà del XIX secolo (l’Arts and Crafts era una risposta alla industrializzazione dell’Europa, della produzione in massa operata dalle fabbriche, tutto ciò a scapito dell’artigianato tradizionale, da questo movimento ebbe origine l’Art Nouveau, in Italia conosciuta anche come Stile Liberty o Stile Floreale, che si distinse per essere stata un movimento artistico e filosofico, che si sviluppò tra la fine dell’800 ed il primo decennio del ‘900, il cui stile si diffuse in tal modo da essere presente dappertutto). Casa Cuseni ha custodito per 100 anni un segreto che va ben oltre quell’amore proibito vissuto da Robert e Carlo, segreto celato all’interno della “stanza segreta”, quella dinning room che è stata riaperta nel 2012; entrando nella sala da pranzo, si assiste ad una serie di murales realizzati sulle quattro pareti da Frank Brangwyn, in stile Art Nouveau, che ritraggono la vita e la storia d’amore tra il pittore Robert Kitson, ed il suo compagno di vita, il pittore taorminese Carlo Siligato, ma la cosa che rende questi murales ancora più particolari, carichi di tenerezza e dolcezza, è che in essi viene rappresentato “il loro segreto” (!), viene descritto visivamente, come in un racconto “ad episodi” quello che è realmente avvenuto nella loro vita: Messina (e Reggio Calabria) vengono distrutte dal terribile sisma con maremoto il 28 dicembre del 1908, partono per Messina, Carlo Siligato, Robert Kitson, Wilhelm von Gloeden ed Anatole France, per vedere e documentare di persona la tragedia, la città era un cumulo di macerie, moltissimi i morti, Robert e Carlo vedono un piccolo bimbo, Francesco, egli è solo al mondo, privo dei genitori periti nel terremoto, abbandonato ad un certo e triste destino, nasce in loro due un profondo desiderio di protezione, nasce un desiderio materno e paterno, decidono di prende quel piccolo bimbo con loro pur sapendo che stanno rischiando moltissimo…(!) , quello che vogliono fare è una cosa assolutamente impensabile in quel periodo storico, loro sono una coppia omosessuale, quello che stanno per fare è assolutamente proibito..(!) ma oramai c’è Francesco nella loro vita, divenendo così, di fatto, la prima famiglia omogenitoriale (con termine più generico, famiglia arcobaleno) nella storia mondiale: da qui la necessità di tenere assolutamente nascosta tutta la vicenda, sia dal punto di vista artistico, rappresentata dai murales (per più di 100 anni, la “dinning room” verrà tenuta nascosta), sia di quanto accade nella vita reale, col piccolo Francesco accudito amorevolmente, ma con grandissimo rischio. Ho inserito allegoricamente, nel racconto fotografico, alcune fotografie degli artisti della compagnia “Casa del Musical”, giunti a Taormina per esibirsi durante il periodo natalizio: oggi come ieri, Taormina è sempre stata (a partire dagli ultimi 20 anni dell’800) al centro di un crocevia di artisti e grandi personalità, Casa Cuseni anche in questo ha un enorme palmares di ospiti illustri, troppo lungo da enunciare. I giovani ragazzi dipinti sui murales di Casa Cuseni, vestono di bianco, questo è segno di purezza, si è voluto in tal modo rappresentare il loro mondo ideale omosessuale, in lotta contro la figura vestita di nero, bassa di statura, inquietante, che acquista un valore negativo, figura allegorica della società inglese dell’epoca, indicante la morale Vittoriana che non ha esitato a condannare Oscar Wilde, privandolo di tutti i suoi beni e diritti, impedendogli persino di dare il cognome ai suoi figli. I ragazzi sono ispirati ai giovani modelli siciliani fotografati da Wilhelm von Gloeden, vestiti con tuniche bianche, col capo cinto dei fiori locali. L’unica figura femminile presente, ha dato spunto a varie interpretazioni, una potrebbe essere il distacco da parte di Kitson dalla sua madre patria, oppure il distacco da sua madre. Sulla terza parete si assiste alla nascita della famiglia omogenitoriale, entrambi (allegoricamente Carlo e Kitson col bimbo in braccio) sono di profilo, sono in cammino, l’uomo più giovane ha una veste lunga, alla greca, posto sul davanti, accanto a lui, alle sue spalle, il compagno più robusto sostiene in braccio e protegge con dolcezza il piccolo bimbo, quasi a voler risparmiare al compagno la fatica di un lungo ed incerto percorso, vi è nella rappresentazione della famiglia l’idea di un lungo percorso, infatti l’uomo che regge il bimbo indossa delle calzature pesanti, i loro volti sono carichi di apprensione e preoccupazione: davanti a loro una parete vuota, così volutamente lasciata da Frank Brangwin, poiché il loro futuro è ignoto, davanti hanno un destino pieno di incognite (al tempo stesso, il loro cammino indica l’est, vanno verso il sole nascente: aprendo la grande finestra il sole inonda ogni cosa nella stanza).

Nella “stanza segreta” c’è il quadro dipinto nel 1912 da Alfred E. East, un olio su tela, rappresentante il lago Bourget.

Carlo Siligato, successivamente si sposò con Costanza, una sorella della nonna di mio padre, da lei ebbe un figlio, Nino, il quale per tantissimi anni ha vissuto e lavorato come commerciante nella bottega d’arte del padre. Ringrazio di cuore il mio collega dott. Francesco Spadaro, medico e stimato chirurgo, proprietario e direttore della Casa-Giardino-Museo “Casa Cuseni”, il quale, facendomi affettuosamente da cicerone, mi ha dato la preziosa opportunità di realizzare “questo tour fotografico” all’interno dell’abitazione-museo e nel “giardino-metafisico” di Casa Cuseni.

…E lo scoop che ho annunciato nel titolo..? Dopo aver fotografato la tomba di Carlo Siligato, nel cimitero cattolico di Taormina, mi sono messo alla ricerca di quella di Robert Kitson, nel cimitero acattolico di Taormina: quando finalmente l’ho trovata (insieme a lui giace sua nipote Daphne Phelps, seppellita successivamente nel 2005)…ho provato una fortissima commozione, innanzitutto mi aspettavo un mausoleo, invece ho trovato una tomba piccola, molto modesta, su questa non una sua foto, non un epitaffio, non una Croce, non un Angelo pregante ad indicarla, ma … inaspettatamente per una lapide funeraria…un piccolo bassorilievo scolpito su marmo (o su pietra) raffigurante…la Natalità…(!), evidentemente, l’averla scelta potrebbe avere un significato ben preciso: un desiderio di trasmettere un messaggio, qualcosa di molto profondo di lui, la sua tomba testimoniava così che nel suo animo, ciò che in vita fu davvero importante fu l’aver avuto una famiglia, con Carlo e col piccolo Francesco, certamente amatissimo, salvato da un molto probabile triste destino, nel terribile terremoto-maremoto di Messina del 28 dicembre del 1908…quasi rievocando in una sintesi assoluta, al termine della sua vita, ciò che era già stato raccontato nei “murales segreti” di Casa Cuseni.

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Comic book AD, 1949 by Rossano aka Bud Care

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"Ichabod" is based on the ghost story by Washington Irving; "Mr. Toad" is a free adaptation of Kenneth Grahame's classic, THE WIND IN THE WILLOWS.

This enjoyable 1949 release marked the end of Disney's anthology features of the 1940s and paved the way for CINDERELLA. ALICE IN WONDERLAND, PETER PAN, and other '50s features.

The Headless Horseman chase is brilliantly animated!

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Herbig-Haro Object HH111 by NASA Hubble Space Telescope

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This striking image features a relatively rare celestial phenomenon known as a Herbig–Haro object. This particular Herbig–Haro object is named HH111.

Newly formed stars are often very active, and in some cases they expel very narrow jets of rapidly moving ionised gas — gas that is so hot that its molecules and atoms have lost their electrons, making the gas highly charged. The streams of ionised gas then collide with the clouds of gas and dust surrounding newly-formed stars at speeds of hundreds of miles per second. These energetic collisions create Herbig–Haro objects such as HH111.

Credit: ESA/Hubble & NASA, B. Nisini

For more information, visit: esahubble.org/images/potw2135a/

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A Panoramic Night View of Shanghai's Lujiazui Financial District by plej_photo

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The photo features a striking nighttime panorama of Shanghai's Lujiazui area, highlighting the city's architectural prowess with towering skyscrapers adorned in colorful lights. Prominent structures such as the Oriental Pearl Tower and the Jin Mao Tower stand out against the dark sky, while the red Monument to the People's Heroes adds a splash of color to the urban landscape. The steel truss of Waibaidu bridge in the foreground provides a sense of scale and depth, leading the viewer's eye across the water towards the cityscape. The overall mood is one of awe-inspiring modernity and cultural significance, encapsulating the dynamic energy of China's financial hub.

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