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This was shot in the later stages of morning, but with lots of clouds around. I re-engineered the "blue hour" look here. It is very interesting to see the difference in details that is revealed by changing the WB (or by shooting under varying lighting conditions such as very early morning light). Alas I could not be back at this location so early in the morning, so this is the best I could do.
The streaming clouds and mood there with the geothermal features was amazing ... certainly a must place to visit if you have not been to Yellowstone.
Qing features the new third generation athletic Inamorata doll body, Chie head sculpt and Caramel resin tone. I've done three photoshoots with this versatile girl: A 30's Retro Shanghai, modern girl in Taipei and a exotic look in Tokyo. This little globetrotter is on her way to her new home, but I did enjoy her company.
Beautiful facial features 美麗的五官
model：唐筠喬(喬喬)
LBY photography
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Cusworth Hall is an 18th-century Grade I listed country house in Cusworth, near Doncaster, South Yorkshire in the north of England. Set in the landscaped parklands of Cusworth Park, Cusworth Hall is a good example of a Georgian country house. It is now a country house museum.
The house is constructed of ashlar with slate roofs. The rectangular 6 x 5 bay plan main block is linked to 5 x 2 bay service wings.
The Wrightson family had held the lordship of Cusworth since 1669.
The present house was built in 1740–1745 by George Platt for William Wrightson to replace a previous house and was further altered in 1749–1753 by James Paine. On William's death in 1760 the property passed to his daughter Isabella, who had married John Battie, who took the additional name of Wrightson in 1766. He employed the landscape designer Richard Woods to remodel the park. Woods was one of a group of respected landscape designers working across the country during the 18th century and Cusworth was one of his most important commissions in South Yorkshire, another being at Cannon Hall. Woods created a park of 250 acres with a hanging and a serpentine river consisting of three lakes embellished with decorative features such as the Rock Arch and the Cascade.
The estate afterwards passed to John and Isabella's son, William Wrightson (1752–1827), who was the MP for Aylesbury from 1784 to 1790 and High Sheriff of Yorkshire for 1819–1820. He was succeeded by his son William Battie-Wrightson (1789–1879), who at various times was MP for East Retford, Kingston upon Hull and Northallerton. He died childless and Cusworth Hall passed to his brother Richard Heber Wrightson, who died in 1891.
The property was then inherited by his nephew William Henry Thomas, who took the surname Battie-Wrightson by Royal Licence and died in 1903. He had married Lady Isabella Cecil, eldest daughter of the 3rd Marquess of Exeter. Between 1903 and 1909 Lady Isabella made further alterations to the house. She died in 1917, leaving an only son Robert Cecil Battie-Wrightson (1888–1952). On his death in 1952, the estate descended to his sister, a nurse who had married a Major Oswald Parker but later was variously known as Miss Maureen Pearse-Brown and as Mrs Pearce. She was obliged to sell the contents of Cusworth Hall in October 1952 to meet the death duties levied at Robert Cecil's death. She subsequently sold the hall to Doncaster Council.
Cusworth Estate Cusworth was first mentioned as ‘Cuzeuuorde’ in the domesday survey of 1086 but there has been a settlement here for centuries dating back to the Anglo-Saxon period. Many different families had held the lands and manor but they did not always live at Cusworth.
‘Old Hall’ A large house is first mentioned in 1327. Robert Wrightson bought the lands and manor of Cusworth in 1669 from Sir Christopher Wray. The first surviving map of Cusworth is that of Joseph Dickinson's 1719 plan which shows the hall and gardens covered only 1 acre with the orchards a further 2 acres. What is most significant at this time was the ‘Parke’ of some 25 acres. The ‘Old Hall’ was next to the walled gardens in the centre of Cusworth village. In 1726 the ‘Old Hall’ was expanded including altering the gardens between 1726 and 1735. This expanded the kitchen garden into the size and form we know today with the Bowling Green and Pavilion.
In the period 1740–1745 William Wrightson employed George Platt, a mason architect from Rotherham, to build a new hall – the current Cusworth Hall – high on a scarp slope on the Magnesian Limestone removing the Hall, and the family, from the village of Cusworth. The ‘Old Hall’ was largely demolished in the process, many components from the old building re-used in the new.
Cusworth Hall Cusworth Hall itself and its outbuildings are at the centre of the park enjoying ‘prospect’ over the town of Doncaster. The Grade I-listed eighteenth century hall was designed by George Platt in the Palladian style. Cusworth Hall is handsome, well proportioned, with wings consisting of a stable block and great kitchen. Later additions by James Paine include a chapel and library. It has decorative outbuildings including a Brew House, Stable Block and Lodge. In addition it has a decorative garden called Lady Isabella's Garden on the west side adjacent to the chapel. On its eastern flank the stable block and gardeners' bothy. Attached to the bothy is a decorative iron enclosure known as the Peacock Pen.
Cusworth Park Cusworth Park is an historic designed landscape with a Grade II listing in the English Heritage Register of Parks and Gardens. It was designed and created by the nationally known landscape architect Richard Woods to ‘improve’ the park in the style made famous by Lancelot ‘Capability’ Brown now termed ‘The English Landscape Park’. Work started in 1761 laying out the ‘grounds and the serpentine river’.
The land forming the existing park is 60 acres (25 hectares) – 250,000m, and was part of the much larger parkland (250 acres) and estates (20,000 acres) of the Battie-Wrightson family who owned Cusworth Hall.
The walled garden The earliest description of the layout of the park and walled gardens is that shown on Joseph Dickinson's 1719 plan. In 1761 Richard Woods altered areas within the walled gardens. Together ‘woods’ Kitchen Garden and Green House Garden occupy the site of the orchard shown on Dickinson's plan.
The purchase of bricks from Epworth for the construction of the walled gardens is recorded in the New House Accounts.
The garden was a compartmentalised space, however with focus on domestic production in some sections, exotics in another, an orchard, and formal flower gardens in the rest.
The kitchen gardens included pine pits (pineapple house), later to become stove houses and mushroom houses.
The Entrance Terrace (Upper Terrace) Old plans show a narrow walled enclosure or ‘entrance terrace' running east–west. The walls of this enclosure may well have been of stone or stoned faced and still, in part survives. To the south are the main components of the walled garden. Access from the terrace down to the bowling green is via a flight of stone steps.
Bowling Green Described on Richard Woods plans of 1760. This is a roughly square, walled enclosure where the bowling green is surrounded by an earthed banked terraced walk. The enclosure is defined by a brick wall, which was lowered along its western side to give a view over to the Green House Garden.
Summerhouse / Bowling Pavilion Built 1726. The summerhouse is the main architectural feature of the walled garden. It is of two stories with the upper storey accessed from the Bowling Green. There is an impression of more carefully shaped quoins at the corners but it is probable that the walls were originally rendered and lime washed externally. There are windows giving views across the Bowling Green from the upper chamber and across the Flower Garden from the lower chamber.
During restoration in the 1990s the upper chamber was decorated with Trompe-l'œil. showing views of imagined walled gardens at Cusworth.
Flower Garden The garden was designed to be viewed principally from the higher position of the bowling green. It was subdivided by cross-paths and furnished with four formal beds. Although one of the smallest compartments, the flower garden was the most highly ornamental and tightly designed. It would have created a formal, colourful architectural space contrasting with the simplicity of the bowling green
Hall Garden The function of the Hall Garden is not clear but appears to have been an extension of the decorative scheme of the flower garden. The Hall Garden has a perimeter walk and is then divided into two plots by a further, central path.
Peach House This whitewash wall indicates the position of the peach house.
Melon Pits Melon pits ran east–west along this area.
Orchard Through the 18th century the orchard was not enclosed and remained open until the late 19th century. It was double its current size extending back up to Cusworth Lane until the northern half was sold off for housing in the 1960s.
Kitchen Garden (No longer existing) The west, south and this east boundary wall(s) of the garden still exist but the plot of land was sold off for housing in the 1960s. There was an access gate between the Hall Garden and the kitchen garden (this can be seen bricked up in the northwest corner). This garden had a perimeter walk and was planted with trees arranged in parallel lines orchestrated around a small building at the northern end of the compartment.
Green House Garden (No longer existing) The kitchen garden represents the greater part of the area occupied by the original orchard shown on Dickinson's 1719 plan. The remaining area was described on Woods’ plan as the Green House Garden and was shown divided into two unequal parts. Both parts of the garden appear to have been planted with trees, probably fruit trees. A building abuts the bowling green in roughly the position as the one shown on the Dickinson plan but there is an additional building, roughly square in plan, to the northwest corner of the enclosure. This was probably the Dovecote for which Wrightson paid £9 15s 0d in 1736.
The west boundary wall still exists and this low (east) wall that runs along the length of the bowling green but the plot of land was sold off for housing in the 1960s.
In 1961 Doncaster Rural District Council purchased Cusworth Hall and the adjoining parkland from the Battie-Wrightson family. The Council undertook an initial restoration of the grounds and also recreated what is now the tearooms within the former stable block. The former reception rooms and spacious galleries now house the Museum of South Yorkshire life, officially opened on 30 September 1967.
Cusworth Hall and Park underwent an extensive £7.5 million renovation between 2002 and 2005, involving essential conservation repairs to the Hall and extensive restoration of the landscape gardens. Within the hall external repairs to the stonework and roof were undertaken to ensure that the exterior was watertight, whilst internal works upgraded internal services and enabled new displays to be installed.
The restoration of the designed landscape have been greatly influenced by a comprehensive analysis of available archive material, among which are the original written memoranda and sketches produced by Richard Woods for his site forman Thomas Coalie. An integrated archaeological programme also formed a key aspect of the restorations, recording in detail landscape features such as the Rock Arch, Cascade, and Bridge. This restoration has not 'recreated' the 18th century scheme, although elements are still incorporated within a 'living' amenity garden that is now thriving as a result of the recent work undertaken in partnership with the Friends of Cusworth Park.
The Hall reopened to the public on 23 May 2007 and the new displays document the history of South Yorkshire and it is a valued resource for local residents, students and school groups alike.
Cusworth Hall Museum and Park is the venue for a varied program of seasonal exhibitions, events and activities linked to the history of the area. including Country Fairs, vintage vehicle rallies, historic re-enactments, wildlife sessions and a range of seasonally themed events. A free, weekly, 5 km parkrun takes place every Saturday at 9 am in the grounds of Cusworth Hall. The first event was held on Saturday 5 October 2019 and was hosted by the staff at Cusworth in collaboration with the local community.
Additionally, Doncaster Museums' Education Service offers a range of learning sessions to schools and educational establishments. Specialist and experienced Education Officers deliver learning workshops to schools across a broad range of topics as well as out-of-school-hours activities for families and local communities.
A captivating portrait of a young girl bathed in warm natural light, gazing thoughtfully into the distance.
Her flowing dark hair frames her delicate features, while her white dress adorned with pastel floral embellishments adds a touch of elegance and innocence.
Just as my SHIPs in previous years, the Vahtary VI features a lot of stuff to play with. I tried packing even more play features into it, than into the Erinye and in the end 12 features came together. Below you can find a complete list and of course you can see all of them in the video.
I hope you like it and thanks again for your support!
The music track used in the video is „Star Fleet“ by A Pocket of Scores. I think the title is very fitting.
To have a better look at the whole ship, please go over to the main photo.
EDIT: Apparently Flickr has limited my video to 3:00 minutes, though it is a bit longer. One play feature is missing now. I will try to upload it to YouTube as soon as possible., so you can see everything.
EDIT: The full video is now also on YouTube.
Il bacio is an 1859 painting by the Italian artist Francesco Hayez. It is possibly his best known work. This painting conveys the main features of Italian Romanticism and has come to represent the spirit of the Risorgimento. It was commissioned by Alfonso Maria Visconti di Saliceto, who donated it to the Pinacoteca di Brera after his death.
After the defeat of Napoleonic France in the 19th century, the Congress of Vienna was held in 1815 to redraw the map of Europe. Italy had a very marginal role compared to other European countries and was slated to be divided into several states. Every state was either ruled directly, or strongly influenced, by the Habsburgs of the Austrian Empire. That fragmentation went against the growing nationalist sentiment for Italy's unification, and caused the creation of secret societies with democratic-radical orientations, such as the Carboneria and Young Italy. Although those associations were unsuccessful, their role was fundamental in shaping public opinion.
The first war of Italian independence (1848) was a failure but, by 1859, the secret agreement between Napoleon III and Camillo Benso, Count of Cavour stipulated the formation of an anti-Austrian alliance. The contribution of France was considered crucial, because the Austrian armies were defeated by the alliance in the Kingdom of Lombardy–Venetia. That victory initiated the unification process, and the Kingdom of Italy was proclaimed a few years later, in 1861.
It was during that period that Francesco Hayez painted The Kiss. Mindful of the bloody repression of the nationalist movement, the artist decided to disguise the ideals of conspiracy and the struggle against the invaders under a representation of past events. The use of ambiguous, opaque metaphors allowed the artist to avoid censorship by the authorities.
The first version of The Kiss was commissioned by Count Alfonso Maria Visconti of Saliceto. Hayez, who was very well known amongst Milanese patriots, was asked by the Count to depict the hopes associated with the alliance between France and the Kingdom of Sardinia.
The artwork was created in 1859 and presented at the Pinacoteca di Brera on 9 September. It was hung as a decoration in the luxurious residence of the Visconti family for more than twenty-five years. It was only in 1886, a year before his death, that the Count presented the canvas to the Pinacoteca di Brera, where it is still exhibited today, in Room XXXVII.
Although the oil version is the most famous, Hayez produced two other versions of the painting, one in oil and one watercolor. The second version was painted in 1861 for the Mylius family, and was sent to Paris to be exhibited in the Exposition Universelle in 1867. In 2008, that version was sold at Sotheby's for 780,450 pounds. The difference between the second painting and the previous one is that the woman’s dress is colored white. The third version is the only one to have been rendered in watercolor on paper. Painted in 1859, it has an oval shape, and was donated by Hayez to Carolina Zucchi. It is now exhibited at the Pinacoteca Ambrosiana in Milan.
The last painting differs from the original because of the addition of a white cloth lying on the steps beside the couple, and the bright green paint used for the man's mantle.
The painting represents a couple from the Middle Ages, embracing while they kiss each other. It is among the most passionate and intense representations of a kiss in the history of Western art. The girl leans backwards, while the man bends his left leg so as to support her, simultaneously placing a foot on the step next to him as though poised to go at any moment. The couple, though at the center of the painting, are not recognizable, as Hayez wanted the action of the kissing to be at the center of the composition. In the left part of the canvas shadowy forms lurk in the corner to give an impression of conspiracy and danger.
The geometric and perspective scheme of the Kiss is set on a series of diagonals which follow the course of the steps and converge to the vanishing point, placed to the left of the two lovers. These lines represent the framework of the painting and brings the observer’s attention to the couple.
The chromatism of the painting is inherited from the Renaissance schools of the Venetian masters where Hayez conducted his first studies. The brown of the cloak and the red of the boy's tights blend harmoniously with the light blue in the dress of the girl, while the neutral shades of the background help the couple stand out. A light, coming from an external source placed to the left of the picture, hits the whole scene homogeneously: its reflections enhances the silky dress of the girl, emphasizing also the pavement and the bricks on the wall.
This painting has been regarded as a symbol of Italian Romanticism, of which it encompasses many features. On a more superficial level, the painting is the representation of a passionate kiss, which puts itself in accordance with the principles of Romanticism. Therefore, it emphasizes deep feelings rather than rational thought, and presents a reinterpretation and reevaluation of the Middle Ages in a patriotic and nostalgic tone. Some art historians also suggest that one of the political meanings that Il Bacio can carry is that a young Italian soldier, going off to fight for Italy against the Austro-Hungarian Empire, says goodbye to his love kissing her for one last time.
On a deeper level, the painting symbolizes the romantic, nationalist and patriotic ideals of the Risorgimento; this interpretation is endorsed by several iconographic elements.
The imminent farewell between the lovers is suggested by the man’s foot temporarily resting on the step and the tight grasp with which his beloved is holding him. This represents both the necessity that he must leave whilst showing the danger of being a patriot. Other elements are the dagger hidden in the mantle, a sign of the imminent rebellion against the Habsburg invader, and the date of the painting (1859), the year of the second war of independence. However the most obvious allegory in the painting is its chromatic range, which summarizes the political changes that involved Italy in the 19th century. In the Brera version, the blue of the woman's dress and the bright red of the young man's tights allude to the colors in the French flag.
Hayez intended to pay tribute to the French nation, now allied with Italy. In the three subsequent versions the allegorical-patriotic connotations became even more obvious: in the 1861 version, the dress of the girl assumed a neutral white tone, as a tribute to the proclamation of the Kingdom of Italy. In the fourth version, Italy manifests itself instead in the clothes of the man, who now wears a green cloak, symbolizing the Italian national banner.
The Kiss has enjoyed extensive popularity from its exhibition onward, especially in Italy, and has been the subject of much commentary. In the 1920s the art director of Perugina, one of Italy's leading chocolate manufacturers, revised the image of the painting and created the typical blue box of the popular "Baci" chocolates with the picture of two lovers. In 1954 the great Italian director Luchino Visconti took inspiration from the painting for one of the leading scenes of his masterpiece movie, Senso.
Reaching this thermal area requires some bushwhacking through the forest you see here. (We didn't go there.) Unusually for Yellowstone, it has no water features - just a lot of unusual gasses.
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Chad Sprage in English class. I dont think he knew I took this. I added more light to it so you could make out the facial features.
I have an incurable appetite for a freshly laundered and astutely pressed satin blouse. The one which I'm wearing here has a rear fastening, which creates uncluttered clean lines at the front. Sadly this particular example has neither a high neckline nor tailored cuffs. Two features which when added to the rear fastening, makes for my most favourite of blouse designs. Unfortunately such blouses are rather rare and almost impossible to find these days
©️ July 2019
Other than the spring-loaded trigger, this shot shows off all the major features of the model: The bolt (retracted) and the removable magazine, which has a more accurate shape in this updated version. This also highlights the reinforced stock - whenever I'd take the mag out of the old model, I had to take any weight off the stock of the gun lest it snap off. Now, I've managed to incorporate some Technic beams that mean the forces on the bottom end of the stock are transferred to the upper 'spine' of the model, and the whole thing is very sturdy.
This photo features an architectural icon, the Miami Tower, flashing off the colors of the city’s basketball team, the Miami Heat of the NBA (National Basketball Association). On this particular night, the Heat had defeated the Milwaukee Bucks for the second night in a row at the American Airlines Arena, and the city was going crazy with excitement.
I am not a big sports buff by any means, but I always love to witness a city’s population get excited about an event. It’s that invigorating energy of the people that really makes the city sizzle with anticipation and vibrancy -- and that’s something I love to see, witness, and capture on camera if at all possible. It’s the city’s endemic energy that contributes to the personality of the city, which is always significant for me to showcase.
I almost did not take this photograph on account of having explored the city, mostly on foot, and carrying my gear all day long. I was exhausted, without a doubt. Didn’t really care about the game by the time I got back to my hotel room. I knew the Heat had won, but I didn’t think much of it. I undressed, drank some cold water, opened the curtains of the window and looked towards the city. People were out and about, still rooting for the Heat’s victory. I smiled and looked up. That’s when I saw it -- The Miami Tower lit up in red and white, acknowledging the victory of the Miami Heat for all to see, including the overexerted photographer from Seattle looking forward to a few hours of sleep before sunrise. All the previous nights, Miami Tower’s lights typically changed to different colors in a random pattern, but this night, it was red and white on purpose, and remained so.
I thought long and hard -- How often would this happen while I was still in town? If Miami loses the next game against Milwaukee, the loss would not likely be acknowledged with the team colors on the Tower. It was almost midnight. If I waited any longer, the Tower itself might switch off its lights for the night and it would still be a lost opportunity. I shook my head, got dressed again, hauled my gear, and headed to the vantage point (one of the Metromover stations) to get this shot just for documentation. Very happy I did in retrospect. It was worth it, though my feet would have disagreed vehemently.
The Miami Heat went on to become the NBA’s Eastern Conference champions for the third consecutive year. For a few minutes, I can admit I caught the “Spirit of the Heat” as well.
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I love the green plants along the white picket fence
7 Days of Shooting - Week 15 (w/b 15th October) Barrier: What barriers divide the area where you live, work or visit? Perhaps you have a garden wall, or an ornamental gate. For this week, show us those barriers, including fences, walls, & gates.
atelier ying, nyc.
Features of the 1965 James Bond 007 Road Race Set, and Golferino, two rarities in the toy world, are linked closely to the plot of the Ian Fleming novel by this design.
Although not a replica of the fictional Royal St. Marks course in Sandwich, a.k.a. the real life Royal St. George course, this toy set is elevated to work more like an arcade shooting gallery, for golfers. James Bond and Auric Goldfinger play a round over a wager of a gold bullion bar. Various targets are set up on the board for a very precise, challenging game of golf. In fact, it's one of the toughest par-3 executive courses ever imagined, a collection of some of the toughest holes (and hazards) from world famous golf courses. The Royal St. George is recalled by a pot bunker on the lower left, and the famed Swilcan Bridge as the game's water feature provides the humification element for a drawer humidor underneath the game.
With a difficult 18 holes, at par 61, and variable speed greens (but no wind factor) this golfing set is completely outfitted with the most imaginative features, per the design drawing instructions.
Please also see my design no. 101 which is related to this type of golf game.
Design, concepts, text and drawing are copyright 2016 by David Lo.
A shot of the northern hemisphere of the waxing gibbous Moon taken in Ortigia, Sicily. This image features Crater Aristoteles in Mare Frigoris and Crater Eudoxus in Montes Caucasus. Also featured are Vallis Alpes, Crater Archimedes, Crater Aristillus, and Crater Autolycus in Mare Imbrium. Mare Serenetatis is at the bottom of the image.
Best 80% of 1,000 frames captured with FireCapture and processed in PIPP, Registax, and Photoshop.
Equipment:
Celestron NexStar 127 SLT
Alt-Az Mount
ZWO ASI120 MC imaging camera
Beaghmore is a complex of early Bronze Age megalithic features, stone circles and cairns, 8.5 miles north west of Cookstown, County Tyrone in Northern Ireland, on the south-east edge of the Sperrin Mountains.
Mackay's Dictionary of Ulster Place-names says that it is from Irish an Bheitheach Mhór, meaning "big place of birch trees", a name that reflects the fact that the area was a woodland before being cleared by Neolithic farmers.
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Nestled amongst the green grass and heather clad moorland sit 7 mystical circles, 10 rows of stones and 12 cairns, carefully arranged.
Beaghmore (Bheitheach Mhór), meaning ‘big place of birch trees’ was once a dense woodland before being cleared by Neolithic farmers. The circles and alignments were discovered in the late 1930s during peat cutting when 1,269 stones were uncovered. The site and the surrounding bog indicate that the area was occupied from Neolithic times through the Bronze Age. Hearths and deposits of flint tools have been carbon dated to 2900-2600BC. Several of the stone rows run over the tumbled walls of field structures which also date from Neolithic times.
Look closely at some of the stones and what may seem as ancient chisel marks bear a resemblance to our oldest known Celtic writing. Ogham, a secret and sacred writing, was a system of symbols used for magic and divination. The circles and alignments, however, remain a mystery. No-one really knows why this intriguing cluster of stones was created.
Some archaeologists believe that the circles have been constructed in relation to the midsummer sunrise, or to record the movements of the sun and moon acting as markers in a calendar to identify certain lunar, solar or stellar events. Three of the stone rows point to sunrise at the solstice and another appears to be aligned towards a lunar maximum.
The stones speak of ancient rituals and to a people who understood astronomy. When you visit this ancient site look up in wonder at the sky and reflect, that the people that built these monuments observed the same sky, sun, moon and stars.
discovernorthernireland.com/things-to-do/beaghmore-stone-...
Today’s NASA/ESA Hubble Space Telescope Picture of the Week features the glorious spiral galaxy NGC 5643, which is located roughly 40 million light-years away in the constellation Lupus. NGC 5643 is what’s known as a grand design spiral, referring to how the galaxy’s two large, winding spiral arms are clear to see. The spiral arms are defined by bright blue stars, lacy reddish-brown dust clouds and pink star-forming regions.
As fascinating as the galaxy appears at visible wavelengths, some of NGC 5643’s most interesting features are invisible to the human eye. Ultraviolet and X-ray images and spectra of NGC 5643 show that the galaxy hosts an active galactic nucleus: an especially bright galactic core powered by a feasting supermassive black hole. When a supermassive black hole ensnares gas from its surroundings, the gas collects in a disc that heats up to hundreds of thousands of degrees. The superheated gas shines brightly across the electromagnetic spectrum, but especially at X-ray wavelengths.
NGC 5643’s active galactic nucleus isn’t the brightest source of X-rays in the galaxy, though. Researchers using ESA’s XMM-Newton discovered an even brighter X-ray-emitting object, called NGC 5643 X-1, on the galaxy’s outskirts. What could be a more powerful source of X-rays than a supermassive black hole? Surprisingly, the answer appears to be a much smaller black hole! While the exact identity of NGC 5643 X-1 is not yet known, evidence points to a black hole that is about 30 times more massive than the Sun. Locked in an orbital dance with a companion star, the black hole ensnares gas from its stellar companion, creating a superheated disc that outshines the galactic centre.
NGC 5643 was also the subject of a previous Picture of the Week. The new image incorporates additional wavelengths of light, including the red color that is characteristic of gas heated by massive young stars.
[Image Description: A close-up of a spiral galaxy, seen face-on. Its center is a bright white point, surrounded by a large yellowish oval with thin lines of dust swirling in it. From the sides of the oval emerge two bright spiral arms which wind through the round disc of the galaxy, filled with shining pink spots where stars are forming and more dark reddish dust. Many stars can be seen in the foreground, over and around the galaxy.]
Credits: ESA/Hubble & NASA, A. Riess, D. Thilker, D. De Martin (ESA/Hubble), M. Zamani (ESA/Hubble); CC BY 4.0
WestCanna features products ranging all the way from flower, concentrates, and cartridges, to topicals, and even cannabis-infused bottled water! These are people that look to every avenue to find products that their medical customers need. Not solely to get stoned, but also relax and relieve bodily pain via bath bombs or salves
Brockholes is a new kind of nature reserve, an unreserved reserve owned and managed by The Wildlife Trust for Lancashire, Manchester and North Merseyside.
There's lots to see and do at Brockholes, you can hunt out our floating Visitor Village with a restaurant, shops and Welcome Centre or explore our family-friendly hides, walking trails and play area.
At Brockholes you can explore our beautiful reserve, see the wildlife that call it ‘home’ or hunt out our Visitor Village with restaurant and shops, all of which float (yes really!) on one of our lakes.
Our floating Visitor Village features a gift shop and a restaurant providing stunning views across the lake. You can also discover our interactive Welcome Centre and learn all about the wildlife that you could see on-site. Be sure to call in to pick up a welcome leaflet that will help you plan your day. You can view the reserve map in our Welcome Leaflet here to help you plan your first visit.
2013/14 Opening Times:
4th November 2013 to 31 March 2014 10am-4pm
1st April 2014 to 31st October 2014 10am-5pm
Closed Christmas Eve and Christmas Day only
Car Park Charges
We don't charge for entry and any profits made here go back into looking after the reserve. So every time you pay for parking, treat yourself in the shop or enjoy some lunch, you are helping look after the reserve and the wildlife that visits us!
Sorry no dogs allowed!
There is a good reason! Dogs can disturb wildlife, especially nesting birds. If your dog was to get too close to a nesting bird it would cause the mother to leave the nest. So to avoid any accidents we ask that you don’t bring your dog. (Assistance dogs are welcome.)
Explore the reserve
Brockholes is one of the best sites in the UK for many species of bird and has one of the largest strips of ancient woodland in the county. You can take a stroll by the River Ribble, explore our woods or enjoy the lakes on site, which have all been specially designed to attract all kinds of wildlife for you to see!
Walks around Brockholes
What can I see at Brockholes?
Read about the happy habitats we've been working hard to create at Brockholes.
Watch out!
The Visitor Village floats on water and there are lots of areas of open water on the reserve. Take care in these areas and keep an eye on any children with you. The following activities are not allowed on the reserve:
Barbecues and fires
Fishing
Swimming
Please do not feed the birds
Big gulls know it’s much easier to find food when we leave it lying around rather than finding their own lunch. Here at Brockholes we have lots of species breeding with us, little ringed and ringed plover, lapwing, oystercatcher and redshank. Unfortunately the big gulls will eat the chicks of these special birds so if we feed the gulls and encourage them to stay there is a big chance that they will eat our important chicks, so please do not feed the birds and take your leftover picnic away with you.
www.brockholes.org/our-journey
The Lancashire Wildlife Trust has been working on developing Brockholes for nearly 20 years, here is an overview of our journey.
1992 Lancashire Wildlife Trust first contests the quarrying of Brockholes.
27 November 2006 The Lancashire Wildlife Trust has four weeks to raise £50,000 to buy the Brockholes site, near Preston, and protect it from development. Brockholes sits next to J31 of the M6 and is the size of 120 football pitches.
15 January 2007 The Lancashire Wildlife Trust makes the biggest land purchase in its history - thanks to donations from Wildlife Trust members, and an investment of £800,000 from the Northwest Regional Development Agency (NWDA) under the Newlands scheme. The project to buy and develop Brockholes is also supported by The Tubney Charitable Trust.
3 May 2007 Ian Selby is appointed as Brockholes project manager. Ian has 20 years' experience of managing the North West's canal network for British Waterways, followed by environmental regeneration work. Sophie Leadsom, Brockholes' new reserve manager, has worked in conservation for 14 years.
July 2007 The Royal Institute of British Architects (RIBA) announced the launch of a new open competition to design new visitor facilities.
5 October 2007 The Lancashire Wildlife Trust announced the shortlist for the new multi-million pound visitor centre. 61 architects from all over Europe submitted designs. The five were Adam Khan Architects, Arca, Architecture 2B, AY Architects, McDowell + Benedetti.
25 February 2008 The Lancashire Wildlife Trust (LWT) and partners announce the winner of its competition to design a visitor facility. Adam Khan Architects was selected for its inspirational design concept: "A Floating World". Designed as a cluster of buildings constructed largely of wood and other sustainable materials, it resembles an ancient marshland village.
April 2008 The Lancashire Wildlife Trust announced the completion of its first phase of preparatory work, including the restoration of the wetlands, creation of ponds, seeding of meadows, planting new hedgerows and trees, making access paths and building proper bird watching hides.
March 2009 The Lancashire Wildlife Trust secured £8million of funding from the North West Regional Development Agency (NWDA). The investment was made under ‘Newlands’, a NWDA and Forestry Commission programme that is regenerating brownfield land across the Northwest into economically viable community woodland.
Summer 2009 Volunteers gave us 134 hours of their time to help propagate our own reed seedlings on-site. We ended up with 20,000 new redd seedlings ready to plant out around our new visitor centre, creating two hecatres of brand new reedbed.
August 2009 The Lancashire Wildlife Trust were granted detailed planning permission for the site.
December 2009 Contractors first day of work as they begin to construct the iconic floating visitors centre. Press conference being held with a ‘cutting of the first sod’
November 2010 A herd of longhorn cattle move into Brockholes to graze the reserve.
December 2010 BBC Countryfile fronted by Julia Bradbury visit Brockholes to film a feature that airs in January 2011.
March 2011 Brockholes makes history as the Visitor Village is floated for the first time.
Easter Sunday 2011 Brockholes opens its doors to the public for the first time!
www.brockholes.org/happy-habitats-brockholes
Happy habitats at Brockholes
The Lancashire Wildlife Trust are using their expertise to create habitats that will encourage lots of different species to visit the site, read more about the work we are doing on the reserve...
Number 1 Pit
Uniform and steep, the edges around the original gravel pit used to look very different. The island looked different too – an egg-shaped piece of land sticking out of the water by three metres. These land profiles weren’t great for the bird species and aquatic invertebrates we wanted to attract. So, with bulldozer and digger we pushed earth into the lake to create shallow, underwater ledges and peninsulas where birds can roost and feed, safe from predators. Diving ducks, such as Great Crested Grebe, now hunt for fish in the deep water.
Nook Pool
The edge of this pool has been planted with reed to create places for small fish and aquatic invertebrates like dragonfly larvae to hide and grow, away from predator fish. The shelter provided by the vegetation provides an ideal hunting ground for lots of species of dragonfly including the impressive Brown Hawker and Emperor Dragonfly.
Meadow Lake
This shallow lake is great for bird watching: when the water level is down, wading birds feed on small invertebrates in the exposed mud. This lake has some of the richest water plant life in and around it, including White Water Lily and Cuckooflower. The reed fringes are becoming well established and hold some of the largest populations of birds on site. The islands provide safe roosting and breeding areas, we keep the vegetation short so the birds can watch out for predators.
Boilton Marsh
This area is part of our newly created wet grassland habitat. We remodelled 17,000 cubic metres of quarry spoil to create 10 hectares of wet grassland with nearly 2km of channels and five pools. This is the ideal habitat for breeding wading birds such as Lapwing, Redshank and Snipe. We now graze traditional breeds of cattle and sheep that thrive on the coarse grasses and rushes and provide the low grassland sward that encourages wading birds to nest.
The channels and pools are kept topped up by using a high-level reservoir, filled from Number One Pit by way of a solar pump.
Woodland
Brockholes is fringed by the ancient woodland of Boilton, Red Scar and Tunbrook Woods. Woodland has grown here for thousands of years and developed a very rich variety of wildlife. Looking after our trees and paths will help the woodland to thrive and enable you to see the wildlife safely.
Reedbeds
Reedbeds are home to Sedge Warblers, Reed Warblers, Reed Buntings and Water Rail. We protect the new reed from grazing birds like Coot, Mute Swan and Canada Goose, by erecting chicken wire fences and baling string barriers. It will take several years before our lak fringes start to look like reedbeds. You might notice that the Visitor Village has been nestled in reedbed. This helps it to blend into the reserve and allows you to hear the song and chatter of the birds that nest there.
www.brockholes.org/brockholes-partners-and-funders
Brockholes partners and funders
For the past ten years, The Wildlife Trust for Lancashire, Manchester and North Merseyside have been working to secure this site of national environmental importance, and restore habitats to their full potential.
The £8.6 million of regeneration funding was provided for the Brockholes Wetland and Woodland Reserve project has been granted under 'Newlands' - a £59 million, Northwest Regional Development Agency and Forestry Commission programme to transform brownfield land into durable community woodland, which act as catalysts for economic, social and environmental gain.
The Lancashire Environmental Fund awarded £446,000 for the development of the education facilities, hides and infrastructure on the site. Tubney Charitable Trust granted £350,000 for Biodiversity and Natural England DEFRA's Aggregates Levy Sustainability Fund awarded circa. £300,000. The Environment Agency granted £50,000 for the continued development of Brockholes.
The support of these funders helped make Brockholes a reality, as did the amazing support from our public appeal, which raised an amazing £63,000 - the most successful public appeal the Lancashire Wildlife Trust has ever run!
Volunteering at Brockholes
Around 200 volunteers have now been recruited, inducted and trained to begin volunteering at Brockholes, so we offer an enormous thank you to all who are helping it make such a big impact on our visitors... Volunteers truly are the face of Brockholes.
There are currently some exciting opportunities to be had volunteering here at Brockholes. Please have a look below at roles (you can click on the titles to download a full role description) which might suit you and click here to register, mentioning Brockholes and the role on the form.
Seasonal Activities Volunteer
Our seasonal activities program is the ideal opportunity for young people aged 16-23 to get involved here at Brockholes.
Running throughout all school holiday periods, you are expected to volunteer for 7 hours per week (normally one full day).
The Seasonal Activities Volunteer role is ideal for friendly, outgoing people who want to utilise their creative skills and help visitors – in particular children – enjoy the reserve. You will work alongside other volunteers to plan and deliver a variety of activities including pond dipping, guided walks, bird watching. The role will also include assisting with larger events such as our Extreme Adventure Weekend and Craft Fayres. Support will be given to you by the Events & Communications Manager.
This placement is perfect for those undertaking various award schemes, such as the Duke of Edinburgh award, as over the course of the summer you have the opportunity to gain upto 50 volunteering hours.
For full details on the role and what it entails, click here.
Seasonal Retail & Visitor Services
Our seasonal activities program is the ideal opportunity for young people aged 16-23 to get involved here at Brockholes.
As a volunteer for Retail & Visitor Services you will provide a warm welcome for visitors, helping to ensure that their Brockholes experience is a positive one. You will help visitors by providing them with information about products on sale in our gift stores and help them plan their visit by telling them about the various events and activities we have on offer.
The role suits a friendly, outgoing person who has an interest in wildlife and conservation.
Running throughout the school holiday periods, you are expected to volunteer for 7 hours per week (normally one full day).
This placement is perfect for those undertaking various award schemes, such as the Duke of Edinburgh award, as over the course of the summer you have the opportunity to gain upto 50 volunteering hours.
Each volunteer will be required to undergo a minimum of 1 and a half days training before they start. If you’d like to find out more or ask questions about any of these roles do not hesitate to get in touch with Catherine Haddon, Volunteering Support Officer on 01772 324 129 or email volunteer@lancswt.org.uk
Awards
Brockholes has scooped many high profile awards since opening in April 2011:
2013 Lancashire Tourism Award for Best Conference/Meeting venue
VisitEngland's Visitor Attraction Quality Assurance Scheme (VAQAS) 'Excellent'
Green Tourism Gold Award
Customer at the Heart Award
Lancashire and Blackpool Tourism Awards 'Marketing Campaign of the Year'
National Wood Award
BREEAM ‘Outstanding’ for the interim design stage
Chartered Institute of Building Services – Building of the Year 2011
Civic Trust Award
Civic Trust Special Award for Sustainability
Highly Commended in portfolio of Newlands sites in Landscape Awards
CIWEM Living Wetlands award
Greenbuilds award
Green Apple Awards for the Visitor Centre
Sustainable Project of the year – 2012 Building Awards
RICS North West – Overall award
RICS North West – Tourism and Leisure
RICS NW – Design & Innovation
RIBA North West Building of the Year
RIBA North West Sustainability Award
RIBA Award for top 50 new buildings in the UK
Brockholes is an award winning-venue, which floats on one of our lakes - the only one of its kind in the UK.
Combine this unique design with access straight off the M6, a beautiful nature reserve, ample parking and on site catering, and you have found yourself the perfect venue for your next event. View our Conference Brochure here.
We think Brockholes is the natural place to do business, our dedicated centre can cater for 50 to 130 delegates.
We have a choice of two conference rooms and a reception/break-out area.
www.brockholes.org/conference-packages
At Brockholes we want you to be in control of your event as much as possible. This is why we have created these basic packages, enabling you to tweak each element to build an individual event.
Alternatively, we can cater to your specific requests if you require half day, early morning or evening hire.
Here is an overview of our conference packages, please contact us for a quote.
Our Conference brochure can be viewed in digi-book format here.
Day Delegate Package
Private room hire from 9am - 5pm
Tea and coffee served on arrival with bacon rolls
Mineral water for each guest
Tea and coffee served mid-morning
Buffet lunch served with tea, coffee and fresh fruit platter
Tea, coffee and biscuits served mid-afternoon
Use of a flip chart, screen and projector
Recycled pen and notepad for each delegate
Dedicated co-ordinator to assist you throughout the planning to delivery of your meeting
24 Hour Delegate Package
All of the above plus;
Three course dinner
Full breakfast
Accommodation in a standard bedroom at our recommended accommodation supplier
Accommodation
Preferential rates are available on request from a local hotel when booking through the Brockholes Sales Team.
We can tailor our packages to suit your needs. Make the UK's first floating venue your next choice
Please contact us for more information or to arrange a meeting or showround with our Conference Sales Co-ordinator
Call us on 01772 872005 or enter your details below and we will contact you to discuss your requirements.
www.brockholes.org/sponsorship-opportunities
Sponsorship Opportunities
Brockholes is an award winning nature reserve owned and manages by the Lancashire Wildlife Trust, which was opened in 2011. The 250 acre reserve is already attracting record numbers of breeding birds and around 170,000 visitors each year. Brockholes runs a wide range of events throughout the year and has a particularly strong offer for families. Events include wild families, school holiday clubs, school and community group visits, self led trails and larger festivals during the summer holidays.
The key marketing campaigns run targeting families include Christmas, Summer and Easter. Each campaign targets a series of family focused publications across the North West, with a monthly average reach online of over 40,000 people through the website and social media. Advertising and direct marketing campaigns have an average reach of 70% of the total North West population.
Sponsorship and Partnership Opportunities
Summer at Brockholes sees a host of family events each year, from school holiday clubs to open air theatre, guided walks to family fun. Over the Summer period, Brockholes expects to welcome over 60,000 visitors. The marketing campaign is multi channel and will reach a wide audience of families across the North West. Brockholes has also been featured in the National Press for some of the unique events run. We have some new opportunities for sponsorship and partnership, which will allow your business to raise brand awareness and fulfill part of your Corporate Social Responsibility by supporting Brockholes and The Lancashire Wildlife Trust.
Summer at Brockholes Headline Sponsorship £4500
Expose your brand to thousands of families across the North West.
- Logo on all Summer promotional material
- Inclusion in all four of the Summer e-news and Lancashire Wildlife Trust e-news
- Sponsor Feature on Brockholes.org
- On site promotion
- Promotion through social media channels
- Inclusion in all PR activity
- Temporary use of Brockholes logo on promotional material directly related to the partnership
Wild Families Sponsorship £4000 per year
Our Wild Families events are always fully booked. With themes ranging from scarecrow hunts to nature detectives, each event provides quality family time for family members of all ages. Events are run throughout school holidays.
-Logo on marketing materials for Wild Families
-Inclusion in PR for trail launch
-Inclusion in social media activity
-Inclusion in Brockholes e-news
Seasonal Trail Sponsorship £500 per trail
Each visitor to Brockholes can collect their free seasonal trail on arrival. The trail helps visitors to explore the reserve, learn more about what to see and how the reserve changes with the season and challenges them to spot things.
-Logo on sponsorship trail
-Inclusion in PR for trail launch
-Inclusion in social media activity around the trail
Half term at Brockholes £1500
-Logo on all marketing materials
-Inclusion in launch PR
-Social media promotion
Annual Headline Sponsorship £10,000
- Logo inclusion on all Promotional Material
- Dedicated web page on Brockholes.org
- On site promotion
- Dedicated stand area on key event days
- Promotion through Brockholes and LWT e-news, member magazine
- Promotion through social media channels
- Inclusion in all PR activity
-Discounted delegate rate on our conference facilities
Children's Corner £500
Would you like to help brighten up the children's corner in our restuarant for our younger visitors?
-Inclusion in PR activity
-Recognition in the children's area
-Inclusion in activity to our database promoting the new area
To talk to us more about sponsorship opportunities, contact Ruth Gaskell rgaskell@lancswt.org.uk or call 01772 324129.
www.brockholes.org/commercial-opportunities
Commercial Opportunities
Make Brockholes your business
Businesses are being offered an opportunity to become partners in a North West tourism and wildlife success story.
Brockholes nature reserve is entering the second phase of development which will provide commercial opportunities for other businesses and boost local employment.
The Lancashire Wildlife Trust attraction attracted 185,000 people to its nature reserve and the first ever floating visitor village in the UK, last year. It is looking to top that visitor figure this year.
Just off the M6 at Preston and easily accessible from anywhere in the UK, Brockholes has received more than 30 regional and national awards despite only opening in 2011. Visitors continue to pour in despite the reserve being surrounded by the attractions of Manchester, Blackpool and Liverpool.
The business has shown year-on-year growth and, as a result, is seeking commercial partners for the next phase of development.
Anne Selby, Chief Executive of the Wildlife Trust said “Brockholes has performed incredibly well despite being launched in a recession. We have steered the business through the stormy weather and achieved fantastic results.
“We are now looking to move into the next phase of development. As a conservation charity, we want to ensure our focus remains on the nature conservation of the reserve, whilst ensuring the commercial income supports this work. We are looking for expressions of interest at this stage and asking businesses to be creative with their proposals.”
The Visitor Village has a restaurant, shops, conference centre, welcome centre and education centre. Major companies have made use of the conference centre including RBS and Aldi. The surrounding nature reserve is continuing to grow, with an increasing population of resident creatures and rare visitors like red kite, bittern and otter.
Anne continued: “Brockholes received funding for the initial start up and development phases but it was always designed to be a self-sustaining model. By making the most of the commercial opportunities and keeping these balanced carefully with the needs of nature, we believe we can continue to success of Brockholes into the future and achieve even more fantastic results for wildlife, our wide range of visitors and the tourism economy”.
Opportunities include retail, water sports (non-motorised), indoor play provision, events partners and mobile food concessions. However, the Trust is open to hear if any investors would wish to develop sympathetic commercial facilities on the site.
An opportunity information pack is available by request from:
Karen Williams Karen.Williams@brockholes.org
Expressions of interest should initially be made to
Lindsey Poole, Commercial Development Manager lpoole@lancswt.org.uk
Group Visits
Whether it’s a full day out or just a quick stop off on the way to your destination, Brockholes is the ideal place for groups to visit.
There's so much for all ages to see and learn about at Brockholes. Everyone from toddlers to seniors will find something to fascinate them, whether through our exciting range of organised events, or by just wandering around the site.
We are passionately committed to lifelong learning for all – our belief is that everyone should leave knowing something they didn't when they arrived! The Lancashire Wildlife Trust has over a decade of experience in delivering environmental education, so you can relax, enjoy the surroundings and be sure to come away both enchanted and enlightened...
We have several options for various groups, each with a variety of benefits. For more information click on the relevant link below…
Coach Groups
School Groups
Community Groups
To enquire about group visits please call 01772 872000 or email info@brockholes.org. Or leave your details on the form below and a member of our team will get back to you as soon as possible.
Coach Groups
Situated next to Junction 31 on the M6, we are the ideal stop for coach trips, whether it is for a short stop, as a green motorway services, or as part of a full day visit.
Free entry for coaches and convenient coach drop-off point
We have a variety of walking trails for your group to explore, ranging from half an hour to 2 hours in length.
We have our floating visitor village that features a stunning waterside restaurant, 2 unique gift shops and a welcome centre with exhibits, which are ideal should your guests decide for something less active (or if the weather lets you down)!
All our buildings are fully accessible, while the vast majority of our paths are well surfaced, level and suitable for wheelchairs.
We now have a more convenient drop-off point exclusively for coaches and in addition have a number of benefits for coach groups:
• Free entry to the reserve and visitor centre
• Free coach parking
• Refreshment voucher for the coach driver
• Free familiarisation visit for group organisers
• Free meet and greet at the coach (on request)
• Free Brockholes welcome leaflet and trail guide
• Free events and activities throughout the year (visit our events calendar for details)
• Free play area
• Pre-booked guided tours (available at an extra charge)
• Adapted toilets available at the visitor centre
Please note that there is a 4 metre high bridge on the entrance to Brockholes. We also advise all coaches to let us know of their visit in advance by calling us on 01772 872000.
For any further information please just call 01772 872000, email info@brockholes.org
School Groups
Our 250 acre nature reserve and Visitor Village is a great place for school groups to visit. Children can learn about the geological history and how the quarrying has shaped the land today. And because we are a new nature reserve, you can watch it grow! It is also home to the UK's first floating Visitor Village.
Most importantly of all, the children will be able to see that Brockholes is home to a host of wildlife, with many different species of bird popping by throughout the year, along with brown hare, dragonfly and deer to name a few!
Facilities
Your school will have use of the education centre on our floating visitor village and you will have at least one Education Officer dedicated to your group throughout the day.
Plus... NEW FOR 2014!
Next year your school will be able to get even closer to nature at Brockholes by booking an education session in our new purpose-built bird hide classroom, right on the edge of the lake!
The hide will overlook No 1 Pit Lake which is home to many different species of birds and you'll also be able to look across to the new sand martin wall, which will provide valuable breeding habitat when they arrive in spring.
Why not your details below if you'd like us to keep to informed of these exciting new developments!
Programmes
We offer a wide range of programmes including:
Big Adventure in a Miniature World
Life Cycles
Migration and Hibernation
Environmental Art
Geography and Geology
Forest School
You can read more about the education programmes available at Brockholes here.
Education Team
Our Education Team are based at Brockholes and have a huge amount of experience in inspiring young people about the natural world. They are a lively bunch and pride themselves on creating an exciting and memorable experience for your school. You can read about how great our team is here: Meet the Education Team.
Outreach
Can't get to us? Then we can come to you! Our outreach education programme is very popular and offers a wide range of programmes for those who are unable to reach Brockholes.You can view our Outreach Programmes here.
For any information just call us on 01772 872000 for more information, email eduadmin@lancswt.org.uk
Community Groups
Brockholes is a great place to bring your community group, whether it's the Scouts, Guides, Cubs, Brownies or Beavers or a rambling or photography group, there is something for everyone!
As well as exploring our stunning nature reserve you can enjoy an activity such as a guided walk, a mini-beast hunt or an environmental art session.
You can visit Brockholes during the day or we have special community group evenings when the reserve is open beyond our usual opening hours. Group activities usually take place between 5.30pm and 7.30pm.
Forest Schools
Forest Schools is a unique outdoor learning experience that improves children's self-esteem, confidence and abilities.
Brockholes provides an inspirational setting for Forest Schools sessions and training, and is conveniently located just off junction 31 of the M6 at Preston.
Our Forest School sessions are designed and delivered by our experienced and fully qualified Education Team including our Level 3 Trained Forest Schools Practioner.
Our next Forest Schools adult training session will be running in October. To find out more about Forest School sessions at Brockholes please call 01772 872017 or email kphillips@lancswt.org.uk
Shop til you flock
Why not drop into our two on-site shops, The Nest and Village Store, which are packed with all sorts of goodies. We've a variety of products from local beverages and food, to cards and books and crafts and jewellery. They are the perfect place to pick up a unique gift... and there's plenty of treats for the little ones too!
The Nest
The Nest is home to an inspiring collection of gifts, jewellery, books, toys, arts & crafts. Discover what's inside The Nest here.
The Village Store
The Village Store stocks a wide range of products, from locally sourced food and drink treats to bird food, garden accessories and wildlife books. Come and look inside here.
Membership of the Wildlife Trust
Brockholes is a Lancashire Wildlife Trust Nature Reserve. You can become a member today or talk to our friendly staff members and volunteers on your next visit to Brockholes. Gift membership is available in The Nest or you can buy it online here.
Our restaurant is the perfect place to stop and watch the world go by with panoramic views of our lake. Scrumptious homemade dishes and a taste bud tingling selection of Lancashire's finest local produce are all here to tempt you, along with fair trade tea and coffee.
Our restaurant is open from 10am to 5pm.
www.brockholes.org/very-special-occasions
Brockholes is a fantastic place for your very special occasions.
Our floating venue is one of the newest and most unique in Lancashire and promises you and your guests an unforgetable event whatever the occasion.
We have a dedicated function centre that can accomodate weddings, christenings and all sort of functions.
The clean, contemporary finish of our venue means that you have the perfect opportunity to put your own stamp on your event, with a flexible range of catering available from our on-site restaurant.
We have a dedicated Conference and Events Co-ordinator that will be available to help you plan your special occasion.
Very Special Weddings
We had our first wedding celebration September 2011 and since then it's been all go with Wedding Fayres and lots more bookings for this year and next. Find out more about weddings at Brockholes here.
Very Special Christenings
Brockholes is a real family friendly venue for a Christening celebration that you will remember for years to come. Find out more here.
For general enquiries about holding a function at Brockholes please call 01772 872005 or email philip.dunn@brockholes.org.
The Lincoln Borglum Museum is located in the Mount Rushmore National Memorial near Keystone, South Dakota. It features two 125-seat theaters that show a 13-minute movie about Mount Rushmore. One of the best viewpoints is located at Grandview Terrace, above the Museum. The Presidential Trail, a walking trail and boardwalk, starts at Grandview Terrace and winds through the Ponderosa pineforests to the Sculptor's Studio, providing close-up views of the memorial.
I really liked everything about Nick's fighter and didn't want to change it much. I think I kept most of his features, layout, and even coloring, but did it all in my style of building which is quite a bit different than Nick's. Follow the evolution of the fighter in the forum.
www.spurnpoint.com/Spurn_Point.htm
Spurn is a very unique place in the British Islands. Three and a half miles long and only fifty metres wide in places.
Extending out in to the Humber Estuary from the Yorkshire coast it has always had a big affect to the navigation of all vessels over the years. Help to some and a danger or hindrance to others. This alone makes Spurn a unique place.
Spurn is made up of a series of sand and shingle banks held together with mainly Marram grass and Seabuckthorn. There are a series of sea defence works built by the Victorians and maintained by the Ministry of Defence, till they sold Spurn to the Yorkshire Wildlife Trust in the 1950s. The defences are in a poor state, breaking down and crumbling. This is making Spurn a very fragile place wide open to the ravages of the North Sea.
One of the most striking features of Spurn is the black and white lighthouse near to the end of Spurn. Now just an empty shell not used since it was closed down at dawn on the thirty first of October 1986.
There have been many Lighthouses on Spurn over the years the first recorded at around 1427. The present light was built from 1893 TO 1895. The small tower on the beach on the Estuary side was originally the low light. It was built and put in to operation at around 1852. This light was no longer needed when the present lighthouse was opened in 1895.At a later date the light was removed and it was used as a store for explosives and later as a water tower. The tank can still be seen on the top. When it was operational there was a raised walkway from the shore to the lighthouse so it could be reached at all stages of the tide.
The present lighthouse was built to replace an old lighthouse that was positioned just to the south of the present one. You can still see the round perimeter wall surrounding the old keepers cottages and the base of the old lighthouse which had to be demolished due to it settling on it's foundations making it unsafe.
The only light on Spurn today is a flashing green starboard light on the very end of the point and the fixed green lights marking the end of the Pilots jetty.
Because of Spurns ever moving position there have been many Lighthouses over the years. There is a very good book by George.de.BOAR, called History of the Spurn Lighthouses, produced by the East Yorkshire Local History Society. This is one of a series of books on local history.
www.spurnpoint.com/Around_and_about_at_Spurn.htm
Around and about there are plenty of places to eat and drink. Starting from the north of Spurn at Kilnsea there is the Riverside hotel offering good quality food drink and accommodation. Coming south towards Spurn and still in Kilnsea there is the Crown and Anchor pub. A welcoming place serving bar meals fine beers and offering bed and breakfast at very reasonable rates. At the crossroads before you turn towards Spurn there is the Spurn heritage coast visitors centre. Where there is a small cafe and exhibition. At the entrance Spurn point nature reserve is an information centre and bird observatory selling books pamphlets, etc., and the last toilet on Spurn.
Past the lighthouse is the last car park. Two hundred metres further on you find the Humber Lifeboat and Pilot stations. Near the houses is a Small caravan selling tea, coffee, cold cans, hot and cold food, crisps and sweets.
All are open all year round apart from the heritage centre which is open thought the season.
BIRD WATCHING.
Is a very popular pastime as Spurn is internationally famous for birds. There are up to two hundred species recorded at spurn every year. Some of which are extremely rare. The Marmora's Warbler seen at Spurn In June 1992 was only the third recorded in Britain.
SEA FISHING.
The beaches of Spurn provide some of the best sea fishing in the area, with Cod and Whiting and Flats being caught through the winter and Skate, Flats and Bass through the summer. There is sport to be had all the year.
At the very end of Spurn is deep water ideal for Cod but this only fishes best two hours either side of low water, the tide is to strong at other times. All along the seaward side of Spurn is good for all species of fish at all times though over high water being the better. The riverside of Spurn is very shallow and only produces Flats and the bass over high water.
THE BEACH.
The beaches at Spurn are of soft sand and shingle. Whichever way the wind is blowing you can just pop over the dunes to the outer side. There are fossils and all manners of things to find beach combing. Swimming is not safe any were near the point end as there are very strong tides at up to six knots at times. But in side Spurn around the point car park is perfect at high water. The beach does not shelf to fast and very little tide. You can have the place to your self at times, as Spurn is never really busy weekdays.#
A very popular pastime at Spurn is Fossil hunting. There is a good abundance of fossils to be found in amongst the pebbles and shingle.
The Shark Trust has a very interesting PDF file tell you all about Shark Skate and rays the mermaids purses you find on the beach are egg shells from sharks and Rays. Click the link to down load the Shark Trust Brochure.
WALKING.
Walking or strolling at spurn is very easy, as there are no hills. There are various sign posted paths up and down the point. For the fit a complete walk round the whole point is about 8 miles, taking in all the point round the point end and back to the "warren" information place at the start of Spurn. You will need good footwear, as much of the paths are sand. There is limited access for disabled, but not to the point end, as you have to go via the beach.
You can park your car at the point car park and walk round the point end and back to the car park about a mile, or just stroll around the point were you choose. The only place you are not allowed to go are down the pilot's jetty and the centre square of the Lifeboat houses.
In spring and early summer Spurn is covered with a large amount of wild flowers of all species.
There are common to the not so common; from Orchids to bluebells. I must remind you Spurn is a nature reserve and the picking of all flowers is prohibited. When visiting please enjoy Spurn, as it is a very beautiful place and leave only your footprints.
Horse Riding.
There is riding available nearby at the North Humberside Riding Centre. The stables are ideally located with rides along quiet country lanes, by-ways, plus miles of sandy beach and riverbanks. The cross-country course offers a variety of fences for both the novice and the more experienced rider.
www.spurnbirdobservatory.co.uk/
A Brief History of Spurn Bird Observatory
Following visits to Spurn by several members of the Yorkshire Naturalists' Union in the late 1930's, a communal log for ornithological observations was instituted in 1938. This included a roll-call of species, the beginnings of a recording system, which later became standard in bird observatories. Realising the potential of the Spurn peninsula for the regular observation of bird migration a group of enthusiasts, notably Ralph Chislett, George Ainsworth, John Lord and R.M. Garnett, had the idea of setting up a bird observatory, with the Warren Cottage at the northern end of the peninsula as an ideal headquarters. Unfortunately the outbreak of war forced them to put their plans on hold but shortly after hostilities ceased a lease for Warren Cottage was obtained from the War Department and the observatory was established shortly afterwards under the auspices of the Y.N.U. with the four members mentioned above forming the first committee. A preliminary meeting was held in September 1945 to decide on the site for a Heligoland trap, work on which was begun almost immediately and the first bird (a Blackbird) was ringed on November 17th. The first minuted committee meeting was held on March 9th 1946 and the observatory was opened to visitors at Whitsuntide that year.
Initially coverage was limited to the main migration seasons, being extended to winter weekends in the early 1950's to trap and ring some of the large numbers of Snow Buntings which used to occur at that time of year and gradually coverage was increased (whenever possible) to cover the late spring and summer. In 1959 there was an important development when the Yorkshire Naturalists' Trust (now the Yorkshire Wildlife Trust) became the owners of the peninsula and thus the observatory's landlord. In 1960 a full time warden was appointed by the Trust, and although having no official connection with the observatory the fact of having an observer on the peninsula year-round inevitably helped to improve the ornithological coverage. This was especially the case from 1964 when the current warden, Barry Spence, was appointed, in conjunction with the fact that an interest in birds and their migrations was steadily growing and more bird-watchers were staying at the observatory, often for longer periods.
When the observatory opened there was accommodation for seven visitors in Warren Cottage and facilities included two chemical toilets, the Warren Heligoland trap and an ex-army hut as a ringing hut. Over the next ten years a further five Heligoland traps were constructed along the peninsula, although today only three remain in existence. In 1959 the observatory gained the use of the Annexe, one of two ex W.D. bungalows built at the Warren during the early 1950's, thus increasing the accommodation capacity to seventeen and providing much improved toilet facilities. Over the years the accommodation and facilities have been gradually improved to try to make the visitor's stay at Spurn as comfortable as possible. Other improvements have also taken place, in 1968 part of one of the derelict buildings at the Point was converted into a ringing laboratory ready for the first B.T.O. Ringing Course, held in autumn of that year and in 1971 part of one of the derelict buildings at the Warren was also converted into a ringing laboratory. The other part of this building became a laboratory for the use of students of Leeds University but this also became available to the observatory in the mid 1980's when the University no longer had a use for it. Subsequently it was converted into a self-contained accommodation unit for two, complete with kitchen facilities, and although officially known by the somewhat unimaginative name of Room F (the rooms in the Annexe being known as Rooms A, C, D & E, - whatever happened to Room B?), it was somewhat irreverently christened "Dunbirdin" by regular visitors to Spurn.
In 1965 a sea-watching hut was erected east of the Warren beyond the line of the former railway track. Due to coastal erosion it became necessary to move this in late 1974, when it was hoped that it would last at least as long as it had in its first position. Alas this was not to be, as the rate of erosion increased dramatically in the mid 1970's, necessitating a further move in early December 1977. In that year a clay bank had been built across the field behind Warren Cottage (Clubley's field) to prevent the flooding of arable land by wind-blown sea water, but on January 11th 1978 Spurn suffered its worst flooding ever when a strong to gale-force north-westerly wind combined with a spring tide. In late 1981 due to extensive construction works at Easington a large quantity of boulder clay became available and this was used to build up and extend the bank across Clubley's field, south towards Black Hut and north beyond Big Hedge to join up with an existing bank (which had been built in 1974) behind the scrape. In 1982 the sea-watching hut was repositioned on top of this bank, where it remained until the bank itself was washed away in the early 1990's.
A number of other changes to the observatory recording area began to take place from the early 1970's, including extensive building operations at the Point, commencing in 1974, with the construction of a new jetty for the Humber Pilot boats, new housing for the Spurn Lifeboat crew and the conversion and renovation of various existing buildings for use by the Coastguard and the Pilots. In 1978 following damage to the existing road south of the Warren area a new tarmac road was laid to the west of the original one, this lasted until 1988 when a second "new road" loop had to be laid, followed in 1991 by the construction of the existing loop road running along the Humber shore from just south of the Warren to just beyond Black Hut. The construction of this road resulted in the destruction of the actual Black Hut, although the area still bears the name. In 1981 the lines of wartime concrete anti-tank blocks running from the seashore to the Canal Zone were removed to fill in a breach at the Narrow Neck. This resulted in the southward extension of the Scrape field by the farmer up to Big Hedge and the start of a gradual decline in the condition of this hedge and its attractiveness to birds. In 1982 a local resident excavated a pond for shooting purposes in the wet area adjoining the Canal Zone. This never really proved successful and the land was later purchased by the Y.W.T. and the pond enlarged to become what is now known as Canal Scrape. In 1984 a famous Spurn landmark, the Narrows "Hut", a wooden migration watch shelter which had stood at the Narrow Neck for twenty-three years, was set fire to by person or persons unknown and completely destroyed, it was replaced the following year by a more solid construction made from breeze-blocks.
A period of considerable change began in 1988 when the Spurn peninsula was designated as part of the Spurn Heritage Coast. Projects undertaken include the enlargement of the Canal Scrape mentioned above and the erection of a hide overlooking it, a hide overlooking the Humber wader roost at Chalk Bank, a public sea-watching hide alongside the observatory one, provision of additional car-parking space, the restoration of the short-turf habitat in the Chalk Bank area, provision of footpaths, etc. A major project was the renovation of the Blue Bell in Kilnsea for use as offices, an information centre and a small cafe, which became fully operational in 1995. Another fairly recent project has been the creation of another scrape/pond on Clubley's field.
In 1996 the observatory celebrated its fiftieth anniversary, and for the first time in its history SBO employed a full time seasonal warden. This position has since been expanded and the observatory now enjoys the services of a year- round warden. In 1998, with a view to the future, a small bungalow in Kilnsea was purchased with money bequeathed by the late John Weston, a long time committee member, who regrettably died in 1996. This was followed in 1999 by the purchase of a strip of land adjacent to the property and is now known as the ‘Church Field’, this is planted with a sacrificial crop every year, and has also had several groups of trees planted and a feeding station placed in the north-east corner. Access to this field is available by becoming a member of ‘Friends of Spurn Bird Observatory’, a venture set up in 2003 to eventually help with the building of a new observatory when the old one falls way to the sea.
Features:
-J-Tac Custom Receiver
-ARFX stock
-Magpul MIAD pistol grip
-Magpul XTM rail covers
-Geissele SMR-style RIS
-VLTOR Low Profile gas block
-AAC Blackout flash hider
-Mepro 21M RDS
Fun with photoshop.
These are some of the main action features on my big blue ship, from 12 o clock, clockwise;
Removable roof section for access (includes fold away rotating defence turret)
Top of mechanism which turns to close the doors between the bridge and hanger.
Easy remove section for access to bridge.
Landing thrusters can be angled.
Minifig side access.
All four grey panels can be opened for access.
Rear door opens.
I'm not an octopus, if I was there would be eight features.
This is a close crop of a photo I took of Chihuly's glass art exhibit at the Desert Botanical Garden in Phoenix, Arizona. I used the Photoshop filter "Fractalius" to enhance the photo and focus on the beautiful colors and shapes. These colorful glass globes are presented stacked in a rowboat in the desert landscape!
Dale Chihuly's glass art exhibition at the Garden is named "Chihuly: The Nature of Glass" and Chihuly's work is displayed from November 22, 2008 to May 31, 2009. The Nature of Glass exhibit features new and unique works of glass artfully located throughout the Garden. Dale Chihuly is known for his innovative glass sculptures, and his work is immediately recognizable for its grand scale and vibrant colors. This is Chihuly's first exhibition in an outdoor desert environment.
“The artist permits and encourages photography of the artwork in this exhibition for educational and non-commercial use only.”
INFORMATION ON ARTIST DALE CHIHULY:
Dale Patrick Chihuly (b. September 20, 1941 in Tacoma, Washington, United States) is an American glass sculptor. Chihuly graduated from high school in Tacoma. Supported by his mother, after his brother George's death in a flight-training accident in Florida and his father's death of a heart attack, he enrolled at the College of the Puget Sound (now University of Puget Sound) in 1959.
In 1967, he received a Master of Science in sculpture from the University of Wisconsin-Madison, Chihuly lives and works in his 25,000 square foot (2300 m²) studio, nicknamed "The Boathouse" for its former use, on Lake Union. Since losing the vision in one of his eyes in a car accident in 1976, Chihuly (who wears an eyepatch) no longer has the depth perception necessary to handle the molten glass himself. Instead, he conceptualizes each project with paint and canvas and then employs a team of artists to do the work.
About his work: His fascination with abstract nature forms comes from his mother's garden in Tacoma, Washington. One of his sculptures would be prominently displayed on the sitcom Frasier, which is set in nearby Seattle. His love for the ocean and its creatures is also reflected in his art.
Over the past forty years, Chihuly's glass sculptures have explored color, design, and assemblage. Although his work varies in size and color, he is best known for his multipart blown masterpieces. Also interested in Irish culture, he has produced a sizeable volume of "Irish cylinders," which are more modest in conception than his blown glass works.
Some of Chihuly's works cover whole ceilings of casinos and hotels, while others are hand-sized abstract flowers. Chihuly uses intense colors to bring his work to life. He is also known for using neon and argon.
Chihuly uses nature as a setting for his pieces, and tries to create his pieces as though they are part of nature. He sometimes entwines his pieces around tree branches and trunks. He also suspends them in space and floats them in water. Although it is not widely known, some components of Chihuly's installations (for example, the stacked aqua-colored chunks that decorate the Tacoma "Bridge of Glass") are made of an acrylic-type material rather than glass.
Source: Wikipedia
The photo features several lifeguard towers silhouetted against a gradient sky , taken at the Golden Hour, that transitions from warm orange and pink hues near the horizon to a soft blue above. The contrast between the dark towers and the vibrant sky draws attention to the structures, creating a sense of vigilance and quiet readiness.
The fading light of the sunset casts long shadows and emphasises the silhouettes of the towers, giving the scene a dramatic and slightly ominous feel. The gradient of colours in the sky adds depth and enhances the overall mood, suggesting the calmness of the end of the day while hinting at the potential dangers that lie beneath the ocean's surface.
The image can be seen as a visual metaphor for the unseen dangers that lurk in the waters off Cape Cod. The lifeguard towers stand as silent sentinels, symbolising human efforts to monitor and protect against the threats posed by seal hunting sharks. The peaceful beauty of the sunset contrasts with the underlying tension of the potential menace, creating a powerful narrative about the balance between nature's beauty and its dangers.
Just playing around with the mask features of the LRC update. The transitions look a bit harsh between sky and skyline but otherwise very effective.
Copyright - All Rights Reserved - Black Diamond Images
Gadmen is a small village in the canton of Bern, located in the upper Gadmertal (Gadmen Valley), which is part of the municipality of Innertkirchen. It lies along the Susten Pass road, a famous alpine route connecting the Bernese Oberland with central Switzerland. The village sits at about 1,200 metres (3,937 feet) above sea level and is surrounded by dramatic mountain scenery, glaciers, and alpine meadows.
Key Features of Gadmen:
Outdoor Activities: Popular for hiking, mountaineering, and skiing in winter.
Trift Glacier & Trift Bridge: A stunning suspension bridge over the Triftsee, offering views of the retreating Trift Glacier.
Susten Pass: A high mountain pass (2,224m) with breathtaking views.
Alpine Farming: Traditional Swiss alpine culture with cattle farming and cheese production.
Wendenstöcke Range
The Wendenstöcke is a rugged limestone mountain range in the Urner Alps, located on the border of the cantons of Bern and Uri. It rises to the south of Gadmen, near the Susten Pass.
Key Features of Wendenstöcke:
Elevation: The highest peak, Grassen, reaches 2,946 metres.
Climbing Destination: Known as a world-class climbing area, especially for multi-pitch sport climbing on steep limestone walls.
Glaciers & Terrain: Features glaciers like Steingletscher and has a mix of sharp ridges and sheer rock faces.
Access: Best reached from Gadmen, Engstlenalp, or Susten Pass hiking trails - Chat GPT
@ The Darkness
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Amazing Body Shine Materials
Included in each Pack:
Appliers for Omega Evolved
Appliers for Catwa
Appliers for Legacy ★NEW★NEW★NEW★NEW★
Appliers for Maitreya Lara (Limited Functionality!)
Key Features:
Free Tester Version.
You get a free design to test the appliers and make sure they work on your desired meshes!
All appliers in one pack.
You don't need to but several packs to use all the heads and bodies you want!
Free lifetime updates.
We will always add new features and mesh compatibility as and when we have the means and know-how to do so! And our updates will always be free! You just need to grab a redelivery!
Unisex.
We include all male and female options in one pack!
Some action shots right here:
gyazo.com/54eeaeeb213f45f3859e13aeac4e669a
gyazo.com/f37f1488ccaf6a75e7efd5ab6bc44204
gyazo.com/adc34aa0b59105c996a841749346c167
Catwa Uma, Catwa Gaz, Belleza Freya and Signature Gianni in the videos!
Seemingly glued to 'Pomorzanin' services 04.53 Gdynia Gł-Wrocław Gł over the visited period to Poznań is 'pseudo' BR electric blue liveried EP07-1051 seen passing Luboń k/Poznania heading for Leszno.
With AC Loco Group support and co-ordinated by Wolsztyn Experience the re-livery complete with BR Lion and Wheel insignia was applied at ZNTK Oleśnica workshops earlier that year.
Recent and extensive route remodelling has swept away most of the old character and features of this and other local stations.
20th October 2008
One of the prominent features in the Norman conquest of England after 1066 was the replacement of Anglo-Saxon churches by new buildings of unseen splendour. In Ely (Cambridgeshire) a huge cathedral was erected in the 11th and 12th century above an older monastic building which preserved the shrine of St. Etheldreda, the pious daughter of a 7th century Anglo-Saxon king. In 1322, however, the crossing tower collapsed and was replaced by this unique 200-tons octagon lantern, one of the gems of gothic architecture (23 m wide and 52 m high, internally 43 m high).
© Copyright 2011 Marc Haegeman. All Rights Reserved.
*please do not use without permission
Website: Marc Haegeman Photography
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Originally dating to around 1320, the building is important because it has most of its original features; successive owners effected relatively few changes to the main structure, after the completion of the quadrangle with a new chapel in the 16th century. Pevsner described it as "the most complete small medieval manor house in the county", and it remains an example that shows how such houses would have looked in the Middle Ages. Unlike most courtyard houses of its type, which have had a range demolished, so that the house looks outward, Nicholas Cooper observes that Ightham Mote wholly surrounds its courtyard and looks inward, into it, offering little information externally.[9] The construction is of "Kentish ragstone and dull red brick,"[10] the buildings of the courtyard having originally been built of timber and subsequently rebuilt in stone.[11]
The moat of Ightham Mote
The house has more than 70 rooms, all arranged around a central courtyard, "the confines circumscribed by the moat."[10] The house is surrounded on all sides by a square moat, crossed by three bridges. The earliest surviving evidence is for a house of the early 14th century, with the great hall, to which were attached, at the high, or dais end, the chapel, crypt and two solars. The courtyard was completely enclosed by increments on its restricted moated site, and the battlemented tower was constructed in the 15th century. Very little of the 14th century survives on the exterior behind rebuilding and refacing of the 15th and 16th centuries.
The structures include unusual and distinctive elements, such as the porter's squint, a narrow slit in the wall designed to enable a gatekeeper to examine a visitor's credentials before opening the gate. An open loggia with a fifteenth-century gallery above, connects the main accommodations with the gatehouse range. The courtyard contains a large, 19th century dog kennel.[12] The house contains two chapels; the New Chapel, of c.1520, having a barrel roof decorated with Tudor roses. [13] Parts of the interior were remodelled by Richard Norman Shaw.[14] wikipedia
16th century-late 19th century
The house remained in the Selby family for nearly 300 years.[3] Sir William was succeeded by his nephew, also Sir William, who is notable for handing over the keys of Berwick-upon-Tweed to James I on his way south to succeed to the throne.[4] He married Dorothy Bonham of West Malling but had no children. The Selbys continued until the mid-19th century when the line faltered with Elizabeth Selby, the widow of a Thomas who disinherited his only son.[5] During her reclusive tenure, Joseph Nash drew the house for his multi-volume illustrated history Mansions of England in the Olden Time, published in the 1840s.[6] The house passed to a cousin, Prideaux John Selby, a distinguished naturalist, sportsman and scientist. On his death in 1867, he left Ightham Mote to a daughter, Mrs Lewis Marianne Bigge. Her second husband, Robert Luard, changed his name to Luard-Selby. Ightham Mote was rented-out in 1887 to American Railroad magnate William Jackson Palmer and his family. For three years Ightham Mote became a centre for the artists and writers of the Aesthetic Movement with visitors including John Singer Sargent, Henry James, and Ellen Terry. When Mrs Bigge died in 1889, the executors of her son Charles Selby-Bigge, a Shropshire land agent, put the house up for sale in July 1889.[6]
Late 19th century-21st century
The Mote was purchased by Thomas Colyer-Fergusson.[6] He and his wife brought up their six children at the Mote. In 1890-1891, he carried out much repair and restoration, which allowed the survival of the house after centuries of neglect.[7] Ightham Mote was opened to the public one afternoon a week in the early 20th century.[7]
Sir Thomas Colyer-Fergusson's third son, Riversdale, died aged 21 in 1917 in the Third Battle of Ypres, and won a posthumous Victoria Cross. A wooden cross in the New Chapel is in his memory. The oldest brother, Max, was killed at the age of 49 in a bombing raid on an army driving school near Tidworth in 1940 during World War II. One of the three daughters, Mary (called Polly) married Walter Monckton.
On Sir Thomas's death in 1951, the property and the baronetcy passed to Max's son, James. The high costs of upkeep and repair of the house led him to sell the house and auction most of the contents. The sale took place in October 1951 and lasted three days. It was suggested that the house be demolished to harvest the lead on the roofs, or that it be divided into flats. Three local men purchased the house: William Durling, John Goodwin and John Baldock. They paid £5,500 for the freehold, in the hope of being able to secure the future of the house.[8]
In 1953, Ightham Mote was purchased by Charles Henry Robinson, an American of Portland, Maine, United States. He had known the property when stationed nearby during the Second World War. He lived there for only fourteen weeks a year for tax reasons. He made many urgent repairs, and partly refurnished the house with 17th-century English pieces. In 1965, he announced that he would give Ightham Mote and its contents to the National Trust. He died in 1985 and his ashes were immured just outside the crypt. The National Trust took possession in that year.[8]
In 1989, the National Trust began an ambitious conservation project that involved dismantling much of the building and recording its construction methods before rebuilding it. During this process, the effects of centuries of ageing, weathering, and the destructive effect of the deathwatch beetle were highlighted. The project ended in 2004 after revealing numerous examples of structural and ornamental features which had been covered up by later additions.[1]
Note the accumulation of iron (redox feature) and areas of reduction (gray color) from the lower subsoil of an Augusta soil.
For a detailed description of the soil, visit:
soilseries.sc.egov.usda.gov/OSD_Docs/A/AUGUSTA.html
Redoximorphic features (RMFs) consist of color patterns in a soil that are caused by loss (depletion) or gain (concentration) of pigment compared to the matrix color, formed by oxidation/reduction of iron and/or manganese coupled with their removal, translocation, or accrual.
For more information about describing and sampling soils, visit:
www.nrcs.usda.gov/resources/guides-and-instructions/field...
or Chapter 3 of the Soil Survey manual:
www.nrcs.usda.gov/sites/default/files/2022-09/The-Soil-Su...
For additional information on "How to Use the Field Book for Describing and Sampling Soils" (video reference), visit:
www.youtube.com/watch?v=e_hQaXV7MpM
For additional information about soil classification using USDA-NRCS Soil Taxonomy, visit:
www.nrcs.usda.gov/resources/guides-and-instructions/keys-...
or;
www.nrcs.usda.gov/resources/guides-and-instructions/soil-...
For more information about Hydric Soils and their Field Indicators, visit:
www.nrcs.usda.gov/resources/guides-and-instructions/field...
This week in 1999, the STS-96 crew aboard space shuttle Discovery became the first to dock with the International Space Station. Using the Integrated Cargo Carrier, Discovery delivered the Russian cargo crane, STRELA; the SPACEHAB Oceaneering Space System Box; and the American crane, ORU Transfer Device, to the space station. STS-96 was the Space Shuttle Program’s second ISS mission. The first, STS-88, delivered the first American module, Unity, in December 1998. In total, 34 shuttle missions were flown during construction of the space station.
The International Space Station serves as the world’s leading laboratory where researchers conduct cutting-edge research and technology development that will enable human and robotic exploration of destinations beyond low-Earth orbit, including asteroids and Mars. NASA Marshall Space Flight Center’s Payload Operations and Integrations Center serves as the agency’s command center for all science operations on the space station.
The NASA History Program documents and preserves NASA’s remarkable history through a variety of products -- photos, press kits, press releases, mission transcripts and administrators' speeches. For more pictures like this one and to connect to NASA’s history, visit the History Program’s web page.
For more fun throwbacks, check out Marshall's History Album by clicking here.
_____________________________________________
These official NASA photographs are being made available for publication by news organizations and/or for personal use printing by the subject(s) of the photographs. The photographs may not be used in materials, advertisements, products, or promotions that in any way suggest approval or endorsement by NASA. All Images used must be credited. For information on usage rights please visit: www.nasa.gov/audience/formedia/features/MP_Photo_Guidelin...
Everyone's favorite bounty hunter Boba Fett joins the Meisho Movie realization series in spectacular feudal Japan aesthetic.
Appropriately portrayed as a lord-less “Ronin” Samurai features an extensive array of accessories that includes a characteristic backpack missile, helmet mounted scope, ninja-style katanas, nunchucks and numerous ninja-style blade accessories.
"No decapitations!"
Hexham Abbey features a remarkable 7th-century Saxon crypt, constructed from repurposed Roman stones, offering a glimpse into its ancient origins. Its stunning 15th-century painted rood screen and the intricate frith stool, an Anglo-Saxon bishop’s throne, highlight its medieval craftsmanship. Visitors can also admire the abbey’s beautiful stained glass windows, a historic night stair used by monks, and the ornate misericords in the choir stalls.
Features: Custom designed and applied decals, Two DC-15 blaster,Custom cloth Kama and Pauldron, and a Decaled vambrace
Available here
www.dutchmicro.com/store/products/alpha-arc-trooper/
Cloth Items are by MMCB
Blocks issue 69 features step by step instructions to build my classic van.
The little van has previously appeared in some of my creations decked out in different liveries, such as the Hamburger Stand, Life’s a beach and few others.
It's not the first time I provide building instructions for one of my build but it's always a pleasure spotting them on a magazine.
Many thanks to Blocks for featuring the little van!
Blocks is one of the most popular magazine about LEGO bricks. Each month it’s full of reviews, hints, how-to features, from LEGO experts. Blocks is available here.
Don’t miss it!
Norton74 | Facebook | Instagram | LEGO Ideas
This Ken Clarke sculpture hangs on a north facing wall on the deck of our Vancouver condo. For a couple of months in the summer the setting sun makes a moving shadow as the sun sets.
Ken Clarke is a Vancouver sculptor who studied at the Ontario College of Art and received an MFA from the Emily Carr College of Art and Design.
Hungry Thumbs Studio is a Vancouver based fine art sculpting studio specializing in highly detailed figurative imagery, bas relief, water features and 3d designs scaled to a range of dimensions. We have a variety of original casts for sale in limited editions. We are available for commissions, consultations and design work.
This image from NASA's Hubble Space Telescope features the spiral galaxy NGC 941, which lies about 55 million light-years from Earth. Hubble’s Advanced Camera for Surveys (ACS) collected the data that created this image. Beautiful NGC 941 is undoubtedly the main attraction in this view; however, the hazy-looking galaxy was not the motivation for collecting the data. That distinction belongs to an astronomical event that took place in the galaxy years before: the supernova SN 2005ad. The location of this faded supernova was observed as part of a study of multiple hydrogen-rich supernovae, also known as type II supernovae, to better understand the environments in which certain types of supernovae take place. While the study was conducted by professional astronomers, SN 2005ad itself owes its discovery to a distinguished amateur astronomer named Koichi Itagaki, who has discovered over 170 supernovae.
Image credit: ESA/Hubble & NASA, C. Kilpatrick
#NASA #STScI #NASAGoddard #NASAMarshall #galaxy #HubbleSpaceTelescope #HST
hair stylist & make up: Angelo Di Caro by Dive e Divine
dresses: Pelledoca
location: Varchi Mobili - Gela
____________________________________
© Pietro Fiandaca | 2011 | All Rights Reserved
Check out the gallery here!
www.flickr.com/photos/48487023@N02/galleries/721576327017...
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