digital art

Best seen in B l a c k M a g i c

As you can guess making these images is great fun!!

photo by Julia Tarraf

All pictures in my photostream are copyright © 2007-2011 Atif Saeed.

All rights reserved.

They may not be used or reproduced in any way without my permission. If you'd like to use one of my images for any reason or interested in getting a print of one of my photos, please contact me.

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A portion of the carved doors to La Sagrada Familia. Every aspect of the building has incredible detail, all prescribed and described by Gaudi, the doors are no exception. The Basilica's construction started in 1882, and is projected to finish in 2026 (optimistically).

So now you know where you'll be in 2026.

The gold square, is in fact, a magic number square with each row, column and diagonal adding up to 33. The same square appears repeatedly in the Basilica on carvings and engravings. Nobody knows why 33. Age of Christ when he died? Highest level of Freemasonry, of which Gaudi was one?

Best seen in B l a c k M a g i c

Slowpan made at 1/20

Best seen in B l a c k M a g i c

My Grandson's hands.

Deep within his own mind, deep in thought.

Planning for whats to come and obtainable goals.

pastels on sabertooth paper

36x23 1/2 "

No hubo necesidad de sugerirle ningún gesto.

Thanks to all of you for a million visits!

Greetings.

Freedom left a message here.

✽

Aboutme

facebook │ deviantART

self-portrait

Is this a lie?

You standing there

Acting so alive

I didn't go

I didn't go with you

You were not the truth

I knew ...

"FRACTURED" by Autumn's Grey Solace

www.youtube.com/watch?v=OOwP3YYx6WI&list=PLBB0594EA9A...

My artwork may not be reproduced, copied, edited, published, transmitted or uploaded in any way without my written permission.

My photographs do not belong to the public domain.

© All rights reserved

Bartolomeo and Jacopino da Reggio (mid-14th century) - Triptych-reliquary with Crucifixion, Annunciation and thirty saints (1365) - dimensions 67 x 92 cm - Milan, Pinacoteca of Brera

L’opera, ritrovata casualmente in un casolare delle colline parmensi, giunse in Pinacoteca nel 1889 come legato del collezionista Luciano D’Aragona. Si tratta di un trittico reliquiario in cui, nelle cavità circolari che sormontano gli scomparti, dovevano certamente essere conservate reliquie, oggi perdute, dei santi raffigurati inferiormente. L’opera reca sotto il Crocifisso in caratteri gotici la firma dei due autori, Bartolomeo e Jacopino da Reggio, e mostra chiaramente come la cultura figurativa tra Reggio Emilia e Piacenza intorno alla metà del Trecento fosse molto diversa da quella della coeva pittura fiorentina. La scena della Crocifissione, in particolare, per la vivacità espressiva e il gusto narrativo suggerisce l’esistenza di legami tra gli autori del reliquario e i maestri miniatori della scuola bolognese del secondo Trecento.

The work, found by chance in a farmhouse in the Parma hills, arrived in the Pinacoteca in 1889 as a legacy of the collector Luciano D’Aragona. It is a reliquary triptych in which, in the circular cavities that surmount the compartments, relics, now lost, of the saints depicted below were certainly to be preserved. The work bears under the Crucifix in Gothic characters the signature of the two authors, Bartolomeo and Jacopino da Reggio, and clearly shows how the figurative culture between Reggio Emilia and Piacenza around the middle of the fourteenth century was very different from that of the contemporary Florentine painting. The scene of the Crucifixion, in particular, due to its expressive vivacity and narrative taste suggests the existence of links between the authors of the reliquary and the masters of the Bolognese school of the second fourteenth century.

Angkor Wat

au bord de l'eau

mini tree is real. No photoshop (=

Sortie photo à Malakoff

A warped reflection on a downtown tower.

Enjoy the Festival of India this past weekend

Don't use this image on websites, blogs or other media without explicit permission.

© All rights reserved

#AbFav_The_COLOUR_PINK_🎆

#AbFav_PHOTOSTORY

After all the years I have photographed flowers, and especially Tulips.

Started to read them.

Saw their emotions.

With my imagination easy peasy.

I even seem to humanize some!

They can be sad, happy, surprised... you name it, just like people.

Please, forgive the artist in me and just enjoy with a smile? LOLOLOL.

Have a wonderful day, filled with love and thank you for your visit, M, (*_*)

For more: www.indigo2photography.com

IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE ANY OF MY image or TEXT on websites, blogs or any other media without my explicit permission. © All rights reserved

Tulip, portrait, pink, stamens, petals, lips, leaves, flower, studio, black-background, "conceptual art", colour, design, square, "magda indigo"

A few more from the archives.

Best seen in B l a c k M a g i c

... the Makonde, working with ebony, have the ability to create great definition. This carving is very skilful ... from a block of ebony ...

eonyango.blogspot.com/2009/05/makonde-woodcarvings-symbol...

Taken : 19:23 06-Sep-2020

Bronica SQ-Ai + 50mm f3.5 S

Ilford HP5+ ISO 400

Mid Tone : 6

Highlight : 13 sky, 9 water

Shadows : 5

Filters : Yellow - 2/3

Final LV : 5 1/3

Exposure

8 sec @ 22

Developed : 8 min @20C in DD-X

Best seen in B l a c k M a g i c

These three images show the effect of changing light colours at sunrise. You are only aware that there will be a coloured highlight but it cannot be seen by the eye as it is an instantaneous flash of light as the wave breaks.

expressive

It is too bad that the drummer, Jeremy Burton, for Mudmen was way in the back because he was so expressive. Often the colour from the lights makes night concert photography interesting, but it was distracting in this case so I converted the photo.

© AnvilcloudPhotography

smink: Györgyi Zsuzsanna

Feminine,..Sure amies, I don't know her,..Never saw her before,.Dans mon pays, amies,

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