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FORTUNE GLOBAL FORUM
Tuesday, November 3rd, 2015
2015 FORTUNE GLOBAL FORUM
San Francisco, CA, USA
7:30-8:30 am
BREAKFAST CONCURRENTS
CEO LEADERSHIP SKILLS FOR THE DISRUPTIVE CENTURY
Start by accepting that you’re leading a workforce with completely different expectations, and you’re operating in a world of ultra-transparency, at a time when decisions need to be made with unprecedented speed. What skill sets do today’s CEOs need to master?
Panelists:
David Gilboa, Co-founder and Co-CEO, Warby Parker
Denise Ramos, CEO and President, ITT
Mike Ullman, Executive Chairman, JCPenney
Keith Yamashita, Founder and Chairman, SY Partners
Moderator:
Ram Charan, Author and Consultant, Charan Associates
21st-century Company Track, hosted by Insigniam
Introduction:
Shideh Bina, Founding Partner, Insigniam21st-century Company Track, hosted by Insigniam
Photograph by Stuart Isett/Fortune Global Forum
USC School of Dramatic Arts production of Great Expectations, Mar. 1-4, 2018, at the McClintock Theatre. © 2017 Photo by Craig Schwartz for the USC School of Dramatic Arts
What can I say, the nano iONE, it was love on the first sight...
Connected to iONE to my Harman Kardon GLA 55 and my MacBook 12 and it was a marriage made in heaven.
Computer integrated audio is poor and has been neglected for many years, so a DAC “digital audio converter” is a no brainer for any serious music lover, pair it with a good set of speakers and you will know what you have been loosing all those years.
The nano iOne is not on a parr with my iDSD but overall the sonic presentation is close enough. It is a tiny little impressive good looking piece of hardware, and has Bluetooth audio that transforms any set of speakers in great sounding wireless speakers, works very well with mobile devices, android or iOS. With a simple pairing process you are streaming audio to your wi-fi system and for this feature alone it is a win.
But when you connect this little thing by USB, as I did to my Mac Pro and Focal Solo 6 BE , this was when the iONE really impressed me, using Audirvana playing some high definition tracks made me say uau!!!. This is a very small box, the sound of the iONE made my speakers float at the first notes it produced, when I was listening to music I couldn’t stop thinking that my expectations were exceeded, this little thing does DSD256 and PCM 384, that’s very high resolution formats.
I could easily live with this iFi nano iONE as my main DAC, and the most and more loving option is that it gives a new life to my GLA 55 again, with wireless streaming music from my phones and iPad, also it is so small that I can take it with me and my MacBook everywhere I go if needed.
I can not recommend it more, and if you have or buy one, please let me know your thoughts.
CONTINGENCY OPERATING BASE SPEICHER, Iraq – Sergeant Major John Turkal, senior enlisted leader for information operations, 4th Infantry Division and U.S. Division – North, welcomes new sergeants into the Noncommissioned Officer Corps during an NCO Induction Ceremony at Contingency Operating Base Speicher, Iraq, July 27, 2011. “Today, almost a decade after our nation was attacked, marks the occasion of your transition from simply being a great American Soldier serving your nation, to being a inducted into the Corps of Noncommissioned Officers and becoming a leader of great American Soldiers,” Turkal told the inductees.
(U.S. Army photo by Spc. Andrew Ingram, USD – N PAO)
USC School of Dramatic Arts production of Great Expectations, Mar. 1-4, 2018, at the McClintock Theatre. © 2017 Photo by Craig Schwartz for the USC School of Dramatic Arts
إحساس أكثر من رائع أن تمد يدك فتجد من يصافحك بحب ..
وتفتح قلبك فتجد من ينصت إليك بصدق ..
وتغيب لحظة فتجد من يهفو إليك ويشتاق ..
والأروع من ذلك أن تكون أكثر حبا وصدقا وشوقا إلى من يتذكرك ..
USC School of Dramatic Arts production of Great Expectations, Mar. 1-4, 2018, at the McClintock Theatre. © 2017 Photo by Craig Schwartz for the USC School of Dramatic Arts
USC School of Dramatic Arts production of Great Expectations, Mar. 1-4, 2018, at the McClintock Theatre. © 2017 Photo by Craig Schwartz for the USC School of Dramatic Arts
USC School of Dramatic Arts production of Great Expectations, Mar. 1-4, 2018, at the McClintock Theatre. © 2017 Photo by Craig Schwartz for the USC School of Dramatic Arts
USC School of Dramatic Arts production of Great Expectations, Mar. 1-4, 2018, at the McClintock Theatre. © 2017 Photo by Craig Schwartz for the USC School of Dramatic Arts
Ag.Ioannis, Pelion, Greece
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
Netherton Arts Centre is hosting Great Expectations next month where every character is played by Dickens’ great great grandson.
Gerald Dickens presents a fascinating insight into the world of Charles Dickens in this one man performance of the world-famous book. There are two presentations on Friday 26 April 2013.
www.dudley.gov.uk/media/media-releases/march-2013/great-e...
'Great Expectations' - A series of BBC WS documentaries which tracks the lives of residents living on an inner city housing estate in Hackney, east London to see how they are viewing the Olympics coming in 2012. Broadcast October 2010
USC School of Dramatic Arts production of Great Expectations, Mar. 1-4, 2018, at the McClintock Theatre. © 2017 Photo by Craig Schwartz for the USC School of Dramatic Arts
USC School of Dramatic Arts production of Great Expectations, Mar. 1-4, 2018, at the McClintock Theatre. © 2017 Photo by Craig Schwartz for the USC School of Dramatic Arts
USC School of Dramatic Arts production of Great Expectations, Mar. 1-4, 2018, at the McClintock Theatre. © 2017 Photo by Craig Schwartz for the USC School of Dramatic Arts
USC School of Dramatic Arts production of Great Expectations, Mar. 1-4, 2018, at the McClintock Theatre. © 2017 Photo by Craig Schwartz for the USC School of Dramatic Arts
USC School of Dramatic Arts production of Great Expectations, Mar. 1-4, 2018, at the McClintock Theatre. © 2017 Photo by Craig Schwartz for the USC School of Dramatic Arts
Enchanting and almost other-worldly this nature at night time. While flowers may slumber, certain critters are at their most active, and moonlight can cast an eerie glow over plant life that makes the ordinary seem somehow extraordinary.
Add whiz-bang lighting, cutting-edge special effects and music – all courtesy of Canadian multi-media company Moment Factory – and the result is like nature on steroids.
Moment Factory is the company that brought the popular Light Cycles experience to the Botanic Garden during Illuminate Adelaide in 2021 and 2022, so expectations are understandably high for its new 1.7km night-time trail, Resonate, which creative director Gabriel Pontbriand says is “inspired by our human capacity for emotional and physical resonance with the environment”.
Unlike Light Cycles, which began at the Garden’s Ginkgo Gate, Resonate starts at the North Terrace entrance, where a noticeboard urges audiences to “awaken your senses, attune to nature”. A map highlights the six immersive experiences we will encounter across the self-guided walk: Beginnings, Transformations, Belonging, Winterings, Memories and Aliveness.
The first of these centres on a lake, where shards of light move above the water in a pattern choreographed to a pulsing soundtrack. They appear to emerge from the depths amid the hovering mist and reach into the sky before dissolving back into the water, eventually shooting back up like fireworks as the music intensifies.
Transformations, one of the standout installations, takes place under the canopies of the Moreton Bay figs along Murdoch Avenue. As visitors walk beneath the towering trees bathed in a kaleidoscope of changing colours, a cacophony of percussive music builds like a gathering storm, the surround sound enveloping us in its beats like a nightclub DJ. Created in collaboration with Montreal folk quartet The Barr Brothers, and fusing musical composition with a range of sound effects, the soundscape throughout Resonate is an integral part of the experience, enhancing its immersive quality.
Further along, the single path diverges into several different tracks, all of which weave through a garden of pink and blue and green glowing “flowers” dotted across the grass. Belonging is an ethereal kind of space with colourful projections drawing us to different locations to watch imagery that appears like effervescent bubbles rising up from undulating sands.
There is a decent walk between each installation, which could build anticipation or impatience, depending on your mindset. But no one could be disappointed when they come to Winterings, which transforms the Bicentennial Conservatory into a kind of infinite magic forest, with the edges of the glass building invisible as visitors make their way across the elevated walkway amid palms and other rainforest plants bathed in green and blue light.
Perceptions of space and depth dissolve as we are transfixed by beams reaching down from above like friendly aliens, with the ethereal music enhancing the transcendental experience in the conservatory. This is one space in Resonate you’ll be reluctant to leave
Further on, we encounter Memories, in which a large circle of chairs is arranged around a beacon of light that sways across the night sky. Here, visitors are encouraged to stop and “remember who still lights your way”, but it’s noticeable on this night that few people take the time to take a seat before moving on to the final experience, Aliveness. Here, an Afro-Celtic soundtrack plays as lights snake up a large tree like parasitic vines, bringing it to life with colours that dance across the trunk and branches in sync with the music. It’s a beautiful visual interpretation of sound, although it lacks the wow factor of the Palm House installation that marked the finale of Light Cycles.
It’s easy to become blasé about experiences such as this; audiences are conditioned to constantly expect more and more dramatic effects from multi-media events, and Resonate relies on a similar ethos and technology as Light Cycles, despite following a different trail. But for this reviewer, at least, the magic is just as strong.
The key to getting the most out of Resontate is to move slowly and spend sufficient time within the installations to fully absorb them and also appreciate the natural environment they seek to enhance. Enjoy the special effects, but also look beyond them: take in the reflections on the water, the earthy scent of the gardens, the glow of the moonlight, the underlying beauty of the night-time flora and fauna.
On leaving Resonate and walking past Illuminate Adelaide’s Base Camp food and beverage area in Rundle Park, we noticed a couple of people looking up into a tree. There, blithely washing itself on a branch and ignoring the humans below, was a tiny possum – a reminder, if any was needed, that nature at night is pretty cool all by itself.
Resonate is in the Adelaide Botanic Garden until July 30 as part of Illuminate Adelaide.from In daily.
I saw this kid taking a fun ride at one of the delhi malls .. I couldnt realy place it but there was something in her eyes which told me she musta been thinking about becoming an astronaut when she was older .. But then we all did at that age din't we .. I miss being 10 I guess :-)
USC School of Dramatic Arts production of Great Expectations, Mar. 1-4, 2018, at the McClintock Theatre. © 2017 Photo by Craig Schwartz for the USC School of Dramatic Arts
The press image for a short film adapted from Hull crime writer Nick Quantrill’s debut novel ‘Broken Dreams’.
Private Investigator Joe Geraghty meets a client at the Hull Pierhead, hoping to gather information on a missing person case he is investigating. Instead, he gets a lesson on the history of the waterfront and an ex-trawlerman’s views about the future of the city.
The film is by Dave Lee (director of much-praised Philip Larkin shorts ‘Here’ and ‘Bridge For The Living’) and narrated by Hull-born actor Paul Popplewell (‘Tyrannosaur’, ‘Black Mirror’).
The film was made for the Humber Mouth literary festival 2012 and is copyright Dave Lee (the film) and Nick Quantrill (the words). Please credit Dave Lee if you use this image. If you are using the image online you should include a trackback to this site: davelee1968.wordpress.com/
Words: Nick Quantrill
Read: Paul Popplewell
Film: Dave Lee
The film can be viewed here: www.youtube.com/watch?v=EvZgx5_QQqY
'Broken Dreams' by Nick Quantrill is available from Caffeine Nights: www.caffeine-nights.com/
This 'Meet My Family' page was an additional page that students could take if they had finished all other classwork. This student exceeded my expectations because this was additional work and they included details like their animals and family members. The reason that Kenneth was on the ground was because they had died on the trail.
An oddly mysterious & romantic dress...
Express cardigan, Vintage dress & belt, Kenneth Cole aviators, Steve Madden heels
Netherton Arts Centre is hosting Great Expectations next month where every character is played by Dickens’ great great grandson.
Gerald Dickens presents a fascinating insight into the world of Charles Dickens in this one man performance of the world-famous book. There are two presentations on Friday 26 April 2013.
www.dudley.gov.uk/media/media-releases/march-2013/great-e...
6/52
I didn't intend to do this as my 52 week, but i was already made up and had a dress on.
So many girls wake up and feel the need to look like someone else... its kinda sad.
I just roll outta bed and shower before I go to work, I couldn't be bothered caking on the makeup and then my eyes get itchy and I can't scratch them. So it's fail all around. Or at least in my eyes
p.s. sorry for the dirty mirror....i didnt realize it when i was taking these =-0
USC School of Dramatic Arts production of Great Expectations, Mar. 1-4, 2018, at the McClintock Theatre. © 2017 Photo by Craig Schwartz for the USC School of Dramatic Arts
Arms hairy,
Legs too.
Alas! God forbid!
A lady like yourself?
Ashamed, aren’t you?
How dare you demand
To not want to be plucked,
Pulled,
Pinched?
Don’t you enjoy
The redness that lingers long after?
The tears that well up in your eyes?
Don’t you enjoy
Walking out,
Like a figure of
Porcelain perfection,
Like you weren’t just
Biting your lip in pain,
Holding back a scream?
Listen, love,
Of course you’re beautiful
But only when
Changed,
Twisted,
Forced,
Into their ideas of perfection.
My darling, please, body hair
Is a man’s thing.
A lady like yourself?
It is your job to be
Thin,
Sweet,
Delicate,
Polite,
Lovely,
Motherly,
Hairless;
Perfect.
It is not that hard.
Is it?
USC School of Dramatic Arts production of Great Expectations, Mar. 1-4, 2018, at the McClintock Theatre. © 2017 Photo by Craig Schwartz for the USC School of Dramatic Arts
USC School of Dramatic Arts production of Great Expectations, Mar. 1-4, 2018, at the McClintock Theatre. © 2017 Photo by Craig Schwartz for the USC School of Dramatic Arts
USC School of Dramatic Arts production of Great Expectations, Mar. 1-4, 2018, at the McClintock Theatre. © 2017 Photo by Craig Schwartz for the USC School of Dramatic Arts
This is a photograph from the start of the 36th Michael Manning Memorial "Dunshaughlin 10KM" Road Race and Fun Run which took place in Dunshaughlin, Co. Meath, Ireland on Saturday 20th June 2015 at 19:30. This race is widely acknowledged within the Irish running community as one of the best races in Ireland. While being very well attended and competitive it is also one of the oldest 10KM races in Ireland. The numbers for this race have exceeded expectations year on year for the past number of years. In 2008 a record field of 306 took to the start line but by 2012 this number had more than doubled with 647 runners taking part. The starting numbers in 2013 topped this again at 668. Last year, 2014, the numbers rocketed to a new record of 883. This year 862 finished the race showing that the race continues to attract very substantial crowds. This year, as in previous years, the race attracted runners from not just all of Leinster but from the four corners of Ireland. Who knows but this race could reach 1,000 entrants next year. The work of the organising committee must be commended on making this event possible. The Dunshaughlin 10KM has earned it's place at the top of the pedestal of Irish running through the sheer hard work of Dunshaughlin AC over the years. Road race events do not survive on their own. There must be dedication, hard work and a development vision amongst the committee and the host club. Well done to all.
We have an extensive set of photographs from the race tonight taken at the 1 mile mark. The full set is available at: www.flickr.com/photos/peterm7/sets/72157654432568258
Timing and event management was provided by Precision Timing. Results are available on their website at www.precisiontiming.net/result.aspx?v=2748 with additional material available on their Facebook page (www.facebook.com/davidprecisiontiming?fref=ts) See their promotional video on YouTube: www.youtube.com/watch?v=c-7_TUVwJ6Q
Some useful links
Our Photographs from 2014: www.flickr.com/photos/peterm7/sets/72157645329098733/
2015 Results: www.precisiontiming.net/result.aspx?v=2748
2014 Results: www.precisiontiming.net/result.aspx?v=2037
2013 Results: www.precisiontiming.net/result.aspx?v=1320
2012 Results: www.precisiontiming.net/result.aspx?v=891
History of the Dunshaughlin 10KM www.dunshaughlinac.com/
Dunshaughlin AC on Facebook: www.facebook.com/dunshaughlin.athleticclub?fref=ts
USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets