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Mangrove area in Sumbawa, West Nusa Tenggara. The existence of mangrove ecosystem increasingly considered important by Indonesian government. Together with Peat, both ecosystem claimed as ecosytem that can adsorb carbon emission more than another tropical forest area. From the data in 2019, the total of mangrove cover area in Indonesia 3,56 million hectares, consist of 2,37 million hectares in well condition and 1,19 million hectares in a damaged condition.
Mangrove di wilyah Sumbawa, Nusa Tenggara Barat. Keberadaan ekosistem mangrove semakin dianggap penting bagi Pemerintah Indonesia. Bersama dengan ekosistem gambut, keduanya diklaim sebagai ekosistem yang mampu menyerap emisi karbon terbesar dibandingkan dengan hutan tropis lainnya. Dari data 2019, luas tutupan mangrove Indonesia 3,56 juta hektar, yang terdiri dari 2,37 juta hektar dalam kondisi baik dan 1,19 juta hektar yang rusak.
Photo by Donny Iqbal/CIFOR-ICRAF
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Existence is no more than the precarious attainment of relevance in an intensely mobile flux of past, present, and future.
Susan Sontag
It can happen!
The calving season was about over [when this beach is closed to humans], and all kinds of people were walking up to the seals, who were either mildly curious or flat-out indifferent. Folks were respectful to the seals; we all knew we were having a special kind of experience.
I didn't know any of these people, and I hope they don't spot themselves in my photos!
The 2018 London Design Biennale at Somerset House was on the theme 'Emotional States'. The Saudi Arabia entry was called 'Being and Existence'. Lulwah Al Homoud used lights and mirrors to create kaleidoscopic geometric patterns based on the Arabic alphabet.
Limestone
Ptolemaic Period, 305-30 B.C.
Contemporary writers sometimes deny the existence of sexual images in ancient Egyptian art, insisting that erotica offended Egyptian religious sensibilities. The objects here demonstrate the fallacy of those dams Nonetheless, what may appear to us as pure obscenity was not necessarily seen as such by the Egyptians. Humour was surely intended by some sexually laden images. and other meanings were sometimes present as well.
The large group composition here has significant religious connotations such as fertility and re-generation, and a famous graffito near the funerary temple of Hatshepsut in Thebes that shows the woman pharaoh copulating with one of her officials is both satirical and political as well as scatological. Beginning in 18th Dynasty, sex and music were intimately connected in Egyptian art, no doubt because they were both associated with the goddess Hathor. Female musicians and dancers were often shown naked or wearing transparent garments. Occasionally they were depicted as being ravished by sexually frenzied men.
In the Late and Ptolemaic Periods, small compositions with musical themes and sexual imagery became popular. All these works feature a man wit an enormous phallus, sometimes with a harp on top.
*
The Brooklyn Museum, sitting at the border of Prospect Heights and Crown Heights near Prospect Park, is the second largest art museum in New York City. Opened in 1897 under the leadership of Brooklyn Institute of Arts and Sciences president John B. Woodward, the 560,000-square foot, Beaux-Arts building houses a permanent collection including more than one-and-a-half million objects, from ancient Egyptian masterpieces to contemporary art.
The Brooklyn Museum was designated a landmark by the New York Landmarks Preservation Commission in 1966.
National Historic Register #770009
to look at the other side 💫
to look at the other side of loss and feel the dew anew;
the joy of earth song and never feel the loss of music.
to look at other side of face and a door in me/always opens,
leading me to think in proper direction - the heartbroken core.
to look at the other side of a cramped calendar, of undevoted space
and stop seeing space for art, for craft, as a separate kingdom.
to look at the other side of a vexing line and heal the Illness;
and be carried with a feathered movement into a new page,
into a renewed mind and a clear heart; slowed time round the hill.
to look at other side of wishes and feel the heart in search for light.
to look at the other side of dust, of the self respect lost
and find the clay for self-creation, chipping away ignorance.
to look at the other side of self and see the forgotten inner child
and be a magical-realist; being nourished by a down to earth truth.
to achieve the blessed state of affection, that natural spirit of a child - to be secured in company of realists and be a connected self.
to look at the other side of window and see the light in front of me.
quietly, simply, to step outside of time, in the same window of time.
All Rights reserved by Kazi Sudipto .
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A lush garden, with shrubs and flowerbeds pruned in very many artistic shapes, surrounds the palace. Quite obviously; the art of topiary has been in existence in Orchha for centuries. The Mahal was built in honor of the ‘Nightingale of Orchha’, Rai Praveen, and the second floor is resplendent with scenes of Nritya Mudra, the poses and postures of Indian dance.
Rai Praveen was as well identified for her charming beauty as for her poetry and music. The paramour of Indrajit Singh, in whose court she performed, her fame inevitably spread far and wide and finally reached the Imperial Court of Akbar. The Mughal emperor was smitten by her, and he arrogantly summoned her to his durbar. Indrajit Singh, Rai Parveen’s paramour, was too weak-kneed a ruler to defy the Imperial summons. Touched by her loyalty, Akbar decided to restore her to Orchha with both her dignity and that of her kingdom intact. The palace is now a fitting memorial to this lady.
The Orchha Fort complex, which houses a large number of ancient monuments consisting of the fort, palaces, temple and other edifices, is located in the Orchha town in the Indian state of Madhya Pradesh. The fort and other structures within it were built by the Bundela Rajputs starting from early 16th century by King Rudra Pratap Singh of the Orchha State and others who followed him.
The fort complex, which is accessed from an arched causeway, leads to a large gateway. This is followed by a large quadrangular open yard surrounded by palaces. These are Raja Mahal or Raja Mandir, Sheesh Mahal, Jahangir Mahal, a temple, gardens and pavilions. The battlements of the fort have ornamentation. Notable architectural features in the fort complex are projected balconies, open flat areas and decorated latticed windows.
LOCATION
The fort complex is located in the Tikamgarh district of Madhya Pradesh in the erstwhile state of Orchha. The fort complex is within an island formed by the confluence of the Betwa River and Jamni River in Orchha town. Approach to the complex from the eastern part of the market in the town is through a multiple arched bridge with 14 arches built in granite stones.
Orchha town is approximately 80 kilometres away from Tikamgarh town, which is the district headquarters of the district of the same name. Jhansi town is 15 kilometres away. Orchha is a railway station of the Central Railway on the Jhansi-Manikpur section.
HISTORY
The fort was built following the founding of the Orchha State in 1501 AD by Rudra Pratap Singh (r. 1501–1531), a Bundela rajput. The palaces and temples within the fort complex were built over a period of time by successive Maharajas of the Orchha State. Of these, the Raja Mandir or Raja Mahal was built by Madhukar Shah who ruled from 1554 to 1591. Jahangir Mahal and Sawan Bhadon Mahal were built during the reign of Vir Singh Deo (r. 1605–1627). The features of "pepper pots and domes" seen in the fort complex are believed to have inspired Lutyens in the architecture of the structures which he built in New Delhi.
MONUMENTS
The fort complex, accessed from an arched causeway, leads to a large gateway followed by a large quadrangular open space which is surrounded by palaces such as Raja Mahal or Raja Mandir, Sheesh Mahal, Jahangir Mahal, a temple, gardens and pavilions. The fort walls have battlements, which have ornamentation. Notable architectural features seen in the fort complex consist of projected balconies, open flat areas and decorated latticed windows.
RAJA MAHAL
The Raja Mahal (King’s Palace), where the kings and the queens had resided till it was abandoned in 1783, was built in the early part of 16th century. Its exterior is simple without any embellishments but the interior chambers of the palace are elaborately royal in its architectural design, decorated with murals of social and religious themes of gods, mythical animals and people. In the upper floor of the palace there are traces of mirrors in the ceilings and walls. Its windows, arcaded passages and layout plan are designed in such a way that the "sunlight and shadow create areas of different moods and temperatures throughout the day". The interior walls of the Mahal have murals of Lord Vishnu. The Mahal has several secret passages.
A part of this Mahal was converted into a temple and named Rama Raja Temple in honour of the god Rama. There is legend associated with naming it as a temple. According to a local legend, the temple was built following Rani Ganeshkuwari, the queen getting a "dream visitation" by Lord Rama directing her to build a temple for Him; while Madhukar Shah was a devotee of Krishna, his wife's dedication was to Rama. Following this a new temple known as the Chaturbuj Temple was approved to be built, and the queen went to Ayodhya to obtain an image of Lord Rama that was to be enshrined in her new temple. When she came back from Ayodhya with the image of Rama, initially she kept the idol in her palace as the Chaturbuj Temple was still under construction. She was, however, unaware of an injunction that the image to be deified in a temple could not be kept in a palace. Once the temple construction was completed and the idol of the lord had to be moved for installation at the Chatrubhuj Temple, it refused to be shifted from the palace. Hence, instead of the Chaturbhuj Temple, the Rama's idol remained in the palace where as the Chaturbhuj Temple remained without an idol in its sanctum. As Rama was worshipped in the palace, part of the palace was converted into the Rama Raja Temple; it is the only shrine in the country where Rama is worshipped as a King. The temple is guarded by a police force and the deity, Lord Rama, is considered as the king and is given a gun salute of honour every day.
SHEESH MAHAL
Sheesh Mahal is flanked on either side by the Raja Mahal and the Jahangir Mahal. This has royal accommodation, which was built for king Udait Singh. It has now been converted into a hotel. The interior of this edifice consists of a huge impressive hall with high ceiling, which is the dining hall. Its recent colour scheme renovations are an eyesore. But staying in two of its royal suites on the upper floor, which provide scenic views of the town, gives the guest a feeling of royalty.
JAHANGIR MAHAL
Jahangir Mahal is a palace that was exclusively built by Bir Singh Deo in 1605 to humor the Mughal emperor Jahangir who was a guest of the Maharaja for one night only. The palace is built in four levels with elegant architectural features of both Muslim and Rajput architecture. Its layout is a symmetrical square built in the inner courtyard of the fort and has eight large domes. It has a plethora of rooms with arcaded openings, projecting platforms and windows with lattice design work. The roof above top floor of this Mahal is accessed through a steep stairway. It provides picture perfect views of the temples and the Betwa River outside the fort complex. The palace also houses a small archaeological museum.
The entrance gate from this palace, which was earlier the main gate and which has carved ornamentation, leads to the royal baths and then to an elegant small dwelling unit built within a garden in typical Mughal architectural style; this had been built exclusively for Rai Parveen, the female escort of the Raja Indramani (1672 – 76); her large-size portrait in a revealing and seductive attire adorns hall in this Mahal. She was a poet and musician. The building is a double storied structure built with bricks, rising to the height of the trees in the well tended garden called Anand Mahal. The garden is laid out with octagonal flower beds and has good network of water supply. There are niches in the Mahal which permit natural light to the main hall and smaller rooms.
It is said that Emperor Akbar (r. 1556 – 1605) who was enamored by Parveen's beauty had taken her to his palace in Agra to be his courtesan. But Parveen, who wanted to get out of the situation, composed a gazal or a couplet which stated her status as an already used woman not fit for an emperor, which enabled her to get release from Akbar's court and return to Orchha.
PHOOL BAGH
Phool Bagh is an elegantly laid out garden in the fort complex which has a line of water fountains that terminates in a "palace-pavilion" which has eight pillars. Below this garden is an underground structure which was used by the royalty as a cool summer retreat. This cooling system consists of water ventilation system that is linked to an underground palace with "Chandan Katora", which is in the shape of a bowl from where fountains of droplets trickle through the roof creating rainfall.
WIKIPEDIA
*They started their primordial existence as microscopic lifeforms placed on separate parts of the Earth's Oceans by a dying race of ancients with the hopes of reviving a once great species. Over ions of existence the unpredictable conditions of this planet slowly morphed them into strange and unrecognizable versions of themselves."
"Like her sister, was born in water. But unlike her sister she felt cradled by the dark. The depths of the ocean provided solitude. She feared the sun and it's violent rays. Unable to stand even the faint light that peaked through the surface she delved into the darkest depths she could find. A large section of this ocean is an endless expanse of pitch black water or an "abyss" which interconnects with countless maze-like rocky passageways that expand for thousands of miles. This entire area, completely void of sunlight and home to very few lifeforms, provided a shelter for the her. However, while these underwater caverns are mostly void of life, the few that do manage to exist are extremely aggressive and monstrous in appearance. In the abyss she evolved into a silent ambush predator to feed and hide from horrifying creatures that roam the deep dark. Millenniums pass and she can heard the voices of humans in the water. They tell legends of her and call her Sobek. After ions of lonely existence something in the void calls to her and she discovers an ancient life form of unknown origin even older than herself. A sentient orb covered in metallic scales that is able to telepathically communicate with her. The creature reveals ancient cosmic knowledge, telling her she has a sister, and proposes a trade. It will guide her to her brethren and protect her from the sunlight she fears, but only if she allows the scaled orb to bond with her flesh."
Sobek is a OOAK Nnaji in Milk skintone and Busty chest option. Her body blushing is lilac and burned turquoise. Her head is covered in hand sculpted scales to enhance her monstrous looks. Her lips and nails are a palest pearl pink and her fanged teeth share the same steel grey as her alien gharial eyes. Sobek wears a hand stitched haute couture armour with a poseable tail, each sequin sewn to a form sculpture that bristles in the back as gharial scales, adorns the shoulders leaving sensuous naked spots and exaggerates the hips for a feminine silhouette. She wears spiky heels painted to match her skintone.
This is a commission order for a private collector, not for sale.
clothing, accessories, casual, cute, fashion, womens, mesh, unisex, doll, kawaii, ulzzang, gacha, jewelry, gift, shoes, slocca, cosmetics, lingerie, appliers, slink
Taken at *BOOM* Clothing Co. cute clothes for sexy girls since 2007, Existence (98, 74, 22)
The Town of Scunthorpe, In North Lincolnshire, owes its existence almost entirely to the steel industry - without it, the Town would moist definitely not be as populous as it is (around 76,000), but would be a group of five villages:- Scunthorpe, Frodingham, Crosby, Brumby and Ashby.
Local "Black Band" iron ore was first extracted in the area in 1860 by Rowland Winn. Just two years later the Dawes Brothers started work on an Ironworks, with the first production in 1864.
At its peak, the steel industry employed 27,000 people, though nowadays the plant, owned by Indian company Tata, employs only around 4,500. As seen in this picture, the skyline is dominated by the cooling towers and blast furnaces of the works - there are four blast furnaces, known locally as The Four Queens. Each is named - Queen Mary, Queen Bess, Queen Anne & Queen Victoria.
Camera: Nikon F5
Lens: Nikkor 70-300mm zoom
Film: Kodak Ektar 100
Astral projection (or astral travel), is a term used in esotericism to describe an intentional out-of-body experience (OBE) that assumes the existence of a subtle body called an "astral body" through which consciousness can function separately from the physical body and travel throughout the astral plane. The idea of astral travel is ancient and occurs in multiple cultures. The modern terminology of "astral projection" was coined and promoted by 19th-century Theosophists. It is sometimes reported in association with dreams and forms of meditation.Some individuals have reported perceptions similar to descriptions of astral projection that were induced through various hallucinogenic and hypnotic means (including self-hypnosis). There is no scientific evidence that there is a consciousness whose embodied functions are separate from normal neural activity or that one can consciously leave the body and make observations of the physical universe, and astral projection has been characterized as a pseudoscience.
According to the classical, medieval, renaissance Hermeticism, Neoplatonism, and later Theosophist and Rosicrucian thought, the astral body is an intermediate body of light linking the rational soul to the physical body while the astral plane is an intermediate world of light between Heaven and Earth, composed of the spheres of the planets and stars. These astral spheres were held to be populated by angels, demons, and spirits. The subtle bodies, and their associated planes of existence, form an essential part of the esoteric systems that deal with astral phenomena. In the neo-platonism of Plotinus, for example, the individual is a microcosm ("small world") of the universe (the macrocosm or "great world"). "The rational soul...is akin to the great Soul of the World" while "the material universe, like the body, is made as a faded image of the Intelligible". Each succeeding plane of manifestation is causal to the next, a world-view known as emanationism; "from the One proceeds Intellect, from Intellect Soul, and from Soul - in its lower phase, or that of Nature - the material universe". Often these bodies and their planes of existence are depicted as a series of concentric circles or nested spheres, with a separate body traversing each realm. The idea of the astral figured prominently in the work of the nineteenth-century French occultist Eliphas Levi, whence it was adopted and developed further by Theosophy, and used afterwards by other esoteric movements.
Biblical/Mythical
Carrington, Muldoon, Peterson, and Williams claim that the subtle body is attached to the physical body by means of a psychic silver cord. The final chapter of the Book of Ecclesiastes is often cited in this respect: "Before the silver cord be loosed, or the golden bowl be broken, or the pitcher be shattered at the fountain, or the wheel be broken at the cistern." Scherman, however, contends that the context points to this being merely a metaphor, comparing the body to a machine, with the silver cord referring to the spine. Paul's Second Epistle to the Corinthians is more generally agreed to refer to the astral planes: "I know a man in Christ who fourteen years ago was caught up to the third heaven. Whether it was in the body or out of the body I do not know—God knows." This statement gave rise to the Visio Pauli, a tract that offers a vision of heaven and hell, a forerunner of visions attributed to Adomnan and Tnugdalus as well as of Dante's Divine Comedy.
Ancient Egypt
The ba hovering above the body. This image is based on an original found in The Book of the Dead.
Similar concepts of soul travel appear in various other religious traditions. For example, ancient Egyptian teachings present the soul (ba) as having the ability to hover outside the physical body via the ka, or subtle body.
Taoist
Taoist alchemical practice involves creation of an energy body by breathing meditations, drawing energy into a 'pearl' that is then "circulated". "Xiangzi ... with a drum as his pillow fell fast asleep, snoring and motionless. His primordial spirit, however, went straight into the banquet room and said, "My lords, here I am again." When Tuizhi walked with the officials to take a look, there really was a Taoist sleeping on the ground and snoring like thunder. Yet inside, in the side room, there was another Taoist beating a fisher drum and singing Taoist songs. The officials all said, "Although there are two different people, their faces and clothes are exactly alike. Clearly he is a divine immortal who can divide his body and appear in several places at once. ..." At that moment, the Taoist in the side room came walking out, and the Taoist sleeping on the ground woke up. The two merged into one."
Hinduism
Similar ideas such as the Liṅga Śarīra are found in ancient Hindu scriptures such as, the YogaVashishta-Maharamayana of Valmiki. Modern Indians who have vouched for astral projection include Paramahansa Yogananda who witnessed Swami Pranabananda doing a miracle through a possible astral projection. The Indian spiritual teacher Meher Baba described one's use of astral projection: In the advancing stages leading to the beginning of the path, the aspirant becomes spiritually prepared for being entrusted with free use of the forces of the inner world of the astral bodies. He may then undertake astral journeys in his astral body, leaving the physical body in sleep or wakefulness. The astral journeys that are taken unconsciously are much less important than those undertaken with full consciousness and as a result of deliberate volition. This implies conscious use of the astral body. Conscious separation of the astral body from the outer vehicle of the gross body has its own value in making the soul feel its distinction from the gross body and in arriving at fuller control of the gross body. One can, at will, put on and take off the external gross body as if it were a cloak, and use the astral body for experiencing the inner world of the astral and for undertaking journeys through it, if and when necessary....The ability to undertake astral journeys therefore involves considerable expansion of one's scope for experience. It brings opportunities for promoting one's own spiritual advancement, which begins with the involution of consciousness. Astral projection is one of the Siddhis considered achievable by yoga practitioners through self-disciplined practice. In the epic The Mahabharata, Drona leaves his physical body to see if his son is alive.
Japan
The ikiryō as illustrated by Toriyama Sekien.
In Japanese mythology, an ikiryō (生霊, also read as shōryō, seirei, or ikisudama) is a manifestation of the soul of a living person separately from their body.[30] Traditionally, if someone holds a sufficient grudge against another person, it is believed that a part or the whole of their soul can temporarily leave their body and appear before the target of their hate in order to curse or otherwise harm them, similar to an evil eye. Souls are also believed to leave a living body when the body is extremely sick or comatose; such ikiryō are not malevolent.
Inuit
In some Inuit groups, people with special capabilities, known as angakkuq, are said to travel to (mythological) remote places, and report their experiences and things important to their fellows or the entire community; how to stop bad luck in hunting, cure a sick person etc. things unavailable to people with normal capabilities.
Amazon
The yaskomo of the Waiwai is believed to be able to perform a "soul flight" that can serve several functions such as healing, flying to the sky to consult cosmological beings (the moon or the brother of the moon) to get a name for a new-born baby, flying to the cave of peccaries' mountains to ask the father of peccaries for abundance of game or flying deep down in a river to get the help of other beings.
"Astral" and "etheric"
The expression "astral projection" came to be used in two different ways. For the Golden Dawn and some Theosophists it retained the classical and medieval philosophers' meaning of journeying to other worlds, heavens, hells, the astrological spheres and other imaginal landscapes, but outside these circles the term was increasingly applied to non-physical travel around the physical world. Though this usage continues to be widespread, the term, "etheric travel", used by some later Theosophists, offers a useful distinction. Some experients say they visit different times and/or places: "etheric", then, is used to represent the sense of being "out of the body" in the physical world, whereas "astral" may connote some alteration in time-perception. Robert Monroe describes the former type of projection as "Locale I" or the "Here-Now", involving people and places that actually exist: Robert Bruce calls it the "Real Time Zone" (RTZ) and describes it as the non-physical dimension-level closest to the physical. This etheric body is usually, though not always, invisible but is often perceived by the experient as connected to the physical body during separation by a "silver cord". Some link "falling" dreams with projection. According to Max Heindel, the etheric "double" serves as a medium between the astral and physical realms. In his system the ether, also called prana, is the "vital force" that empowers the physical forms to change. From his descriptions it can be inferred that, to him, when one views the physical during an out-of-body experience, one is not technically "in" the astral realm at all. Other experiments may describe a domain that has no parallel to any known physical setting. Environments may be populated or unpopulated, artificial, natural or abstract, and the experience may be beatific, horrific or neutral. A common Theosophical belief is that one may access a compendium of mystical knowledge called the Akashic records. In many accounts the experiencer correlates the astral world with the world of dreams. Some even report seeing other dreamers enacting dream scenarios unaware of their wider environment. The astral environment may also be divided into levels or sub-planes by theorists, but there are many different views in various traditions concerning the overall structure of the astral planes: they may include heavens and hells and other after-death spheres, transcendent environments, or other less-easily characterized states.
Notable practitioners
Astral projection according to Carrington and Muldoon, 1929
Emanuel Swedenborg was one of the first practitioners to write extensively about the out-of-body experience, in his Spiritual Diary (1747–65). French philosopher and novelist Honoré de Balzac's fictional work "Louis Lambert" suggests he may have had some astral or out-of-body experiences. There are many twentieth-century publications on astral projection, although only a few authors remain widely cited. These include Robert Monroe, Oliver Fox, Sylvan Muldoon, and Hereward Carrington, and Yram.
Robert Monroe's accounts of journeys to other realms (1971–1994) popularized the term "OBE" and were translated into a large number of languages. Though his books themselves only placed secondary importance on descriptions of method, Monroe also founded an institute dedicated to research, exploration and non-profit dissemination of auditory technology for assisting others in achieving projection and related altered states of consciousness.
Robert Bruce, William Buhlman, Marilynn Hughes, and Albert Taylor have discussed their theories and findings on the syndicated show Coast to Coast AM several times. Michael Crichton gives lengthy and detailed explanations and experience of astral projection in his non-fiction book Travels.
In her book, My Religion, Helen Keller tells of her beliefs in Swedenborgianism and how she once "traveled" to Athens:
"I have been far away all this time, and I haven't left the room...It was clear to me that it was because I was a spirit that I had so vividly 'seen' and felt a place a thousand miles away. Space was nothing to spirit!"
The soul's ability to leave the body at will or while sleeping and visit the various planes of heaven is also known as "soul travel". The practice is taught in Surat Shabd Yoga, where the experience is achieved mostly by meditation techniques and mantra repetition. All Sant Mat Gurus widely spoke about this kind of out of body experience, such as Kirpal Singh.
Eckankar describes Soul Travel broadly as movement of the true, spiritual self (Soul) closer to the heart of God. While the contemplative may perceive the experience as travel, Soul itself is said not to move but to "come into an agreement with fixed states and conditions that already exist in some world of time and space". American Harold Klemp, the current Spiritual Leader of Eckankar practices and teaches Soul Travel, as did his predecessors, through contemplative techniques known as the Spiritual Exercises of ECK (Divine Spirit). Edgar Cayce from the US, was popularly known as the “Sleeping Prophet”. He had been practicing astral travel at Washington DC for many years.
In occult traditions, practices range from inducing trance states to the mental construction of a second body, called the Body of Light in Aleister Crowley's writings, through visualization and controlled breathing, followed by the transfer of consciousness to the secondary body by a mental act of will.
Scientific reception
There is no known scientific evidence that astral projection as an objective phenomenon exists.
There are cases of patients having experiences suggestive of astral projection from brain stimulation treatments and hallucinogenic drugs, such as ketamine, phencyclidine, and DMT.
Robert Todd Carroll writes that the main evidence to support claims of astral travel is anecdotal and comes "in the form of testimonials of those who claim to have experienced being out of their bodies when they may have been out of their minds." Subjects in parapsychological experiments have attempted to project their astral bodies to distant rooms and see what was happening. However, such experiments haven't produced clear results.
According to Bob Bruce of the Queensland Skeptics Association, astral projection is "just imagining", or "a dream state". Bruce writes that the existence of an astral plane is contrary to the limits of science. "We know how many possibilities there are for dimensions and we know what the dimensions do. None of it correlates with things like astral projection." Bruce attributes astral experiences such as "meetings" alleged by practitioners to confirmation bias and coincidences.
Psychologist Donovan Rawcliffe has written that astral projection can be explained by delusion, hallucination and vivid dreams. Arthur W. Wiggins, writing in Quantum Leaps in the Wrong Direction: Where Real Science Ends...and Pseudoscience Begins, said that purported evidence of the ability to astral travel great distances and give descriptions of places visited is predominantly anecdotal. In 1978, Ingo Swann provided a test of his alleged ability to astral travel to Jupiter and observe details of the planet. Actual findings and information were later compared to Swann's claimed observations; according to an evaluation by James Randi, Swann's accuracy was "unconvincing and unimpressive" with an overall score of 37 percent. Wiggins considers astral travel an illusion, and looks to neuroanatomy, human belief, imagination and prior knowledge to provide prosaic explanations for those claiming to experience it.
en.wikipedia.org/wiki/Astral_projection
An out-of-body experience (OBE or sometimes OOBE) is a phenomenon in which a person perceives the world from a location outside their physical body. An OBE is a form of autoscopy (literally "seeing self"), although this term is more commonly used to refer to the pathological condition of seeing a second self, or doppelgänger. The term out-of-body experience was introduced in 1943 by G. N. M. Tyrrell in his book Apparitions,[1] and was adopted by researchers such as Celia Green, and Robert Monroe, as an alternative to belief-centric labels such as "astral projection" or "spirit walking". OBEs can be induced by traumatic brain injuries, sensory deprivation, near-death experiences, dissociative and psychedelic drugs, dehydration, sleep disorders, dreaming, and electrical stimulation of the brain, among other causes. It can also be deliberately induced by some.One in ten people has an OBE once, or more commonly, several times in their life. Psychologists and neuroscientists regard OBEs as dissociative experiences occurring along different psychological and neurological factors.Those experiencing OBEs sometimes report (among other types of immediate and spontaneous experience) a preceding and initiating lucid-dream state. In many cases, people who claim to have had an OBE report being on the verge of sleep, or being already asleep shortly before the experience. A large percentage of these cases refer to situations where the sleep was not particularly deep (due to illness, noises in other rooms, emotional stress, exhaustion from overworking, frequent re-awakening, etc.). In most of these cases subjects perceive themselves as being awake; about half of them note a feeling of sleep paralysis. Another form of spontaneous OBE is the near-death experience (NDE). Some subjects report having had an OBE at times of severe physical trauma such as near-drownings or major surgery. Near-death experiences may include subjective impressions of being outside the physical body, sometimes visions of deceased relatives and religious figures, and transcendence of ego and spatiotemporal boundaries. Typically the experience includes such factors as: a sense of being dead; a feeling of peace and painlessness; hearing of various non-physical sounds, an out-of-body experience; a tunnel experience (the sense of moving up or through a narrow passageway); encountering "beings of light" and a God-like figure or similar entities; being given a "life review", and a reluctance to return to life. Writers in the fields of parapsychology and occultism have written that OBEs are not psychological, and that a soul, spirit or subtle body can detach itself out of the body and visit distant locations. Out-of-the-body experiences were known during the Victorian period in spiritualist literature as "travelling clairvoyance". In old Indian scriptures, such a state of consciousness is also referred to as Turiya, which can be achieved by deep yogic and meditative activities, during which a yogi may be liberated from the duality of mind and body, allowing them to intentionally leave the body and then return to it. The body carrying out this journey is called "Vigyan dehi" ("Scientific body"). The psychical researcher Frederic Myers referred to the OBE as a "psychical excursion". An early study that described alleged cases of OBE was the two-volume Phantasms of the Living, published in 1886 by the psychical researchers Edmund Gurney, Myers, and Frank Podmore. The book was largely criticized by the scientific community because the anecdotal reports in almost every case lacked evidential substantiation.
A 19th-century illustration of Robert Blair's poem The Grave, depicting the soul leaving the body
The theosophist Arthur Powell (1927) was an early author to advocate the subtle body theory of OBEs. Sylvan Muldoon (1936) embraced the concept of an etheric body to explain the OBE experience. The psychical researcher Ernesto Bozzano (1938) had also supported a similar view describing the phenomena of the OBE experience in terms of bilocation in which an "etheric body" can release itself from the physical body in rare circumstances. The subtle body theory was also supported by occult writers such as Ralph Shirley (1938), Benjamin Walker (1977), and Douglas Baker (1979). James Baker (1954) wrote that a mental body enters an "intercosmic region" during the OBE.Robert Crookall supported the subtle body theory of OBEs in several publications. The paranormal interpretation of OBEs has not been supported by all researchers within the study of parapsychology. Gardner Murphy (1961) wrote that OBEs are "not very far from the known terrain of general psychology, which we are beginning to understand more and more without recourse to the paranormal". In the 1970s, Karlis Osis conducted many OBE experiments with the psychic Alex Tanous. In one series of these experiments, he was asked whilst in an OBE state whether he could identify coloured targets that were placed in remote locations. Osis reported that there were 114 hits in 197 trials. However, the controls for the experiments have been criticized and, according to Susan Blackmore, the final result was not particularly significant since 108 hits would have been expected by chance alone. Blackmore noted that the results provide "no evidence for accurate perception in the OBE". In April 1977, a patient from Harborview Medical Center known as Maria claimed to have experienced an out-of-body experience. During her OBE she claimed to have floated outside her body and outside the hospital. Maria later told her social worker Kimberly Clark that during the OBE she had observed a tennis shoe on the third floor window ledge to the north side of the building. Clark then went to the north wing of the building and by looking out of the window could see a tennis shoe on one of the ledges. Clark published the account in 1984. The story has since been used in many paranormal books as evidence that a spirit can leave the body. In 1996, Hayden Ebbern, Sean Mulligan and Barry Beyerstein visited the Medical Center to investigate Clark's story. They placed a tennis shoe on the same ledge and found that it was visible from within the building and could easily have been observed by a patient lying in bed. They also discovered that the tennis shoe was easy to observe from outside the building and suggested that Maria may have overheard a comment about it during her three days in the hospital and then incorporated it into her OBE. They concluded "Maria's story merely reveals the naiveté and the power of wishful thinking" from OBE researchers seeking a paranormal explanation. Clark did not publish the description of the case until seven years after it happened, casting doubt on the story. Richard Wiseman has said that although the story is not evidence for anything paranormal it has been "endlessly repeated by writers who either couldn't be bothered to check the facts, or were unwilling to present their readers with the more skeptical side of the story." Clark responded to the accusations made in a separate paper. In 1999, at the 1st International Forum of Consciousness Research in Barcelona, research-practitioners Wagner Alegretti and Nanci Trivellato presented preliminary findings of an online survey on the out-of-body experience answered by internet users interested in the subject; therefore, not a sample representative of the general population.
1,007 (85%) of the first 1,185 respondents reported having had an OBE. 37% claimed to have had between two and ten OBEs. 5.5% claimed more than 100 such experiences. 45% of those who reported an OBE said they successfully induced at least one OBE by using a specific technique. 62% of participants claiming to have had an OBE also reported having enjoyed nonphysical flight; 40% reported experiencing the phenomenon of self-bilocation (i.e. seeing one's own physical body whilst outside the body); and 38% claimed having experienced self-permeability (passing through physical objects such as walls). The most commonly reported sensations experienced in connection with the OBE were falling, floating, repercussions e.g. myoclonia (the jerking of limbs, jerking awake), sinking, torpidity (numbness), intracranial sounds, tingling, clairvoyance, oscillation and serenity.
Another reported common sensation related to OBE was temporary or projective catalepsy, a more common feature of sleep paralysis. The sleep paralysis and OBE correlation was later corroborated by the Out-of-Body Experience and Arousal study published in Neurology by Kevin Nelson and his colleagues from the University of Kentucky in 2007.[98] The study discovered that people who have out-of-body experiences are more likely to suffer from sleep paralysis.
Also noteworthy, is the Waterloo Unusual Sleep Experiences Questionnaire that further illustrates the correlation.
EXIF Details: Camera:: Canon EOS 600D || Lens:: Canon EF-S 18-55mm f/3.5-5.6 IS II || Shutter Speed:: 1/30 || Aperture:: f 8 || ISO:: 200 || Focal Length:: 49mm
Sometimes we don’t realize just how much a doll has impacted our collection until several years into the future. That was certainly the case with my Moxie Girlz, which is one of the main reasons I felt it only fitting to rewrite this “My Story” passage on them. I never would have anticipated the way these Bratz look alikes would mold my dolly world when I first learned of their existence in 2011. But as I reflect on these past eight years as an adult doll collector, I can see how they were slowly leaving a mark on me, even in those early days. They started as the “Bratz imposters” who I dismissed….dolls I never intended to admire, buy, or pay any attention to. In the years I had stepped away from my dolly hobby, there had been a time when Bratz were almost erased. MGA designed Moxie Girlz as a substitute, but kept the line around even when Bratz had secured their place on the market again. Initially, I had a bad taste in my mouth for these “cheap” looking dolls, who lacked the sass and fierceness I so admired in Bratz. But in many ways, they mean almost as much to me, and without them, the course of my journey would have been altered. In short, I wouldn’t be the same collector if Moxie Girlz had not somehow weedled their way into my heart.
The first encounter I had with Moxie Girlz was most likely at the store. Back in 2011, I didn’t frequent doll aisles too often. In part, this was because of embarrassment. I felt deeply self conscious lurking around the toys, wondering if any passerby would notice that I was patently “too old” to be admiring the dolls. I mostly recall seeing Moxies at stores like Target and Toys ‘R’ Us. Colleen and I used to make jokes about their clone like vibe, and their babyish styling. But there were so many dolls to take in, ones that had not even been a thought when I was a kid. So compared to say Monster High, who notoriously enveloped toy aisles, it was rather effortless to overlook Moxie Girlz. My first true experience with Moxie Girlz outside the stores occurred at the flea market that fall. After several months of pursuing a box of Bratz dolls I had foolishly not purchased in the spring, I was finally reunited with the “Bratz Guy Bin.” In this lot of bedraggled, mutilated, and drawn on dollies, I found a pair of strange looking Bratz shoes. The peg holes were far too small for a full sized Bratz to wear. I assumed they must belong to Kidz, who had smaller legs, and therefore would likely have matching, tinier pegs. So I set aside these pink sneakers, expecting that one day I’d have at least a few Kidz dolls. A few weeks later, I ended up with my first Bratz Kidz in the “Craigslist #1” lot. Their arrival left me feeling even more perplexed about the sneakers, which apparently did not fit. It wasn’t until Colleen suggested it, that it occurred to me that these shoes were perhaps made for Moxie Girlz. This was confirmed rather quickly via eBay--I had “1st Edition” Lexa sneakers. These shoes sat around inside a random container of odd ball doll shoes for quite some time, as I was unsure what to do with them.
In June 2012, the very first Moxie Girlz doll joined my collection...or should I say Moxie Boyz! It was only a few short weeks after Dad passed away that May. On Father’s Day, his best friend, Jimmy, offered to take Colleen and me out to a massive outdoor flea market (which was a drive in movie theater by night). We spent hours upon hours walking through this enormous flea market, and as time wore on, we slowly acquired more and more treasures. There was a box of Bratz dolls that caught our attention. The seller offered to give us a bundle deal for the goods, so of course we pounced on it. However, there were two Moxie Girlz dolls who tagged along--Magic Snow Jaxson and Best Friends Avery. Jaxson admittedly stole the show. Even though I had never seriously considered Moxie Girlz dolls in the past, he won my heart before we were even home. That soft, fuzzy, flocked head, and his overall sweet demeanor were hard to ignore. Plus, little Jax still had his entire original ensemble on. It was so impeccably constructed, that it reminded me of the Bratz dolls I grew up with. He was very reminiscent of the Wintertime Wonderland line that I was so obsessed with as an eleven/twelve year old. Avery was not as enchanting--after identifying her, I concluded her hair had been substantially cut. It was also that coarse, gross fiber that I didn’t know how to take care of (which I later learned was nylon). Her outfit was also missing many components, which made poor Avery seem extra pitiful. Avery was tossed aside, and later given to a friend, along with those “1st Edition” Lexa shoes I mentioned previously. Jaxson however, well he was put on display WITH my Bratz! Not long after, Colleen encouraged me to purchase True Hope Jaxson, when were were at Toys ‘R’ Us getting his Cameron counterpart. He too had a spot reserved on my display, right alongside Cam.
For about two years, this is where the story remained stagnant. I was very much in love with my two Jaxson dolls, but that first experience with Avery had not been the best. Plus, I think in part I held off on giving the girls a chance, because I knew if I changed my mind later, I’d regret having given Avery away. I found myself for whatever reason looking up Moxie Girlz online around the start of the New Year in 2014. Specifically, I recall the day I found a collection video on Youtube. You may think that this video inspired me to collect Moxie Girlz because the dolls were so beautiful and highly spoken of. That would be a false assumption, in fact it was the opposite. The video, which I believe was deleted years ago, featured a girl going through her massive collection of Moxie Girlz. The dolls were in horrific shape...if SPOD (the “Society for the Protection of Dolls) was a real thing, the Moxie Girlz would have been removed from this home. I recall that they were in various states of undress, with wild hair. We aren’t just talking about unkempt tresses, no, we are talking about destroyed hair! Some dolls had oil put in their hair. Others had been colored all over on their beautiful face paint. As the girl went through each doll, she threw him/her brutally across the room, like they were garbage. My heart was broken...even though I was not too keen for Moxie Girlz, they surely deserved to be treated with more respect. I envisioned my beloved Jaxson dolls living in that home, and the horror was too much to bear. I showed Colleen the video, and she too felt it was our calling to finally buy Moxie Girlz. And so, we found ourselves at Toys ‘R’ Us that very afternoon, picking up the two True Hope dolls I “needed,” as well as Sportz Lexa and Fashion Surprise Sophina (who stole my heart).
What began as a collection as the result of pity and wanting to love these dolls, became so much more. I found myself lusting for more dolls after getting the initial four that day at TRU. There were faces from the video that had caught my attention, and I was dead set on acquiring my own. We went to countless stores in the area and rather far away, on the quest for Moxie Girlz. Online shopping was a large part of the creation of my collection too--I spent so much time scrolling every day for new deals on eBay for Moxie Girlz and extra clothes. My humble family grew at a fairly rapid rate. Not only was the number of dolls multiplying, but I also found myself having to do a considerable number of flat iron treatments regularly. That beastly nylon hair the dolls were most oftenly rooted with needed to be tamed. While I had been flat ironing for about two years at this point, I still had not honed my skill. Having to do so many dolls in consecutive sessions started to help me build this skill and perfect my technique. Dolls such as my “1st Edition” gals, Fashion Snaps Lexa, and my Best Friends pack were especially naughty clients who may have taken me an exceedingly long amount of time, but in the end were responsible for me learning the best way to flat iron hair. Speaking of my Best Friends pack, it should be noted that I did in fact later regret giving away my Avery. After losing a bid on eBay, I was fortunate enough to find a decently priced set on Amazon, along with the Fantasea Hair dolls. The more and more I delved into the world of Moxie GIrlz, the more passionate I became. I did not just fancy the “staple” dolls from earlier years, like the ones I had seen in that Youtube video. No, I was craving the dolls that were not even out yet, like the Camping Adventurez and the foreign exclusive Fantasea Hair dollies! There was not a Moxie Girlz doll I came across that didn’t worm her way into my heart. I still recall the day my heart leapt when I first saw the Baker dolls and Art Kellan at Toys ‘R’ Us. I made a point to stalk the trio until they went on sale. There were the oddball old dolls who turned up in clearance sections, like Pets Avery. I had a list of sets that I wanted to keep my eye out for, when they finally went on sale. When I would see that their prices had been slashed, I was quick to hop into the Jeep with Colleen and procure the dolls. This is what happened with the Cotton Candy Style girls and the Fashion Snaps/Fashion Surprise lines. Not only that, but the soft spot in my heart for Moxies often lead me to overpay for those that seemed doomed to an unlovable fate. For instance, the time we stumbled upon an $8 secondhand Magic Snow Kellan at an antique store. I knew her modern look would not appeal to other shoppers, and I just could not bear the thought of her rotting behind the glass case. For a girl who was so resistant to even so much as give Moxie Girlz a second glance a few years before, I had been transformed into a full blown addict!
I think with most of my collections, I go through a transitional time during the early days, when I make a point of tracking down dolls. Whether I shop on eBay, scope out local stores, or am just more willing to spend money on them at the flea market, it’s not all that uncommon for me to go on a binge of sorts. So what exactly makes my Moxie Girlz collection remarkable? I’ve learned something deeper through all the various doll types I collect. But I can honestly say that Moxie Girlz were one of the most transformative decisions I made, and I’m glad I procrastinated when it came to officially collecting them. 2014 was the year I started all over as a collector. 2011 was when I first reconnected with dolls, but everything felt so new and foreign, that I still was figuring out who I was as a collector. As I delved in the world of dolly social media in 2012 and 2013, I almost lost my identity entirely. I was influenced heavily by the words of others--I was sucked into a world of needless drama and constant complaining. I found myself second guessing every doll, finding flaws, and contemplating pruning my collection. The joy that my plastic friends once brought me in a time of need, was almost entirely erased. I could feel myself sinking further and further into this quicksand of negativity, and in an effort to save my hobby, I deleted my old Flickr in the fall of 2013. I decided to stay away from the internet, so the only voice I would hear would be my own. I wanted to form my own opinions, and discover dolls on my own terms. I was tired of feeling like nothing was good enough, tired of drowning in a sea of negativity. The whole reason I restarted my doll journey in 2011 was to find happiness and light in a world that was drenched in darkness. I wanted a distraction from my dad’s declining health, and from the weight of the uncertainty the future possessed. Taking a step back to focus on just myself was hands down the best decision I made throughout my doll collecting story. One of my first orders of business was to dabble with Moxie Girlz, a thought that deep down had resonated for quite some time, but I had kept hidden.
Moxie Girlz also inspired me to rekindle my creative side. I had experimented with handmade earrings, stands, and the occasional hair accessory in the past. But these “cheap” gals brought out so much potential, and made designing things for my dolls the most fun it had ever been. It all kicked off when I got three of my Bubble Bath Surprise dolls on sale one night at Toys ‘R’ Us and Wal-Mart. This set was not the kind I’d usually gravitate towards, what with the dolls low quality, molded glitter swimsuits. They also were packaged with pierced ears, but no jewelry. But believe it or not, the cheesy styling of the dolls inspired me more than any others had before. I found fabric flowers that matched their glitter swimsuits and made them the most bedazzled earrings I had to date. I realized that in a way, transforming these low quality friends was much like cleaning up a secondhand doll. A few homemade accessories truly revamped the three girls, and gave them a much more expensive image. This realization that all dolls had potential, even the “cheapest” seeming ones, revolutionized the way I approached purchasing dollies. Much like how my knowledge of treatments such as the flat iron, boil wash, and proper bathing gave me the ability to rescue dolls that I previously would have needed to leave behind, tapping into this inner creativity made every doll have possibilities. My handmade earring were no longer dainty and conservative. Instead, I unleashed myself and began to make whatever my heart desired, even if it was ever so gaudy and over sized. Not to mention that my Moxie Girlz motivated me to try new things. When I purchased my Baker and Art dolls in the spring/summer of 2014, I was struck with the idea to make them charms. I ended up purchasing some new polymer clay and tools, and even did a little research on techniques that would make the charms look more detailed. This opened the door for the invention of some of my favorite creations, like Hello My Name Is Raya’s cheeseburger earrings or Sleepover Party Sasha’s pizza charms! It felt like so many doors had just opened up for me, and I was reconnected to that twelve year old girl who used to spend hours making her American Girl dolls various accessories and decorating boxes for them.
The intention behind the existence of Moxie Girlz may have been to supplement Bratz when they were supposed to be removed from stores. While they do bear some resemblance and similarities to my bratty friends, the way Moxies have transformed my collection is entirely unique. Looking back, they’ve been around since almost the beginning of my adult doll journey, when I first found those shoes in “Bratz Guy Bin,” and when my two Jaxsons squirmed their way into my bedroom displays. But what I think of the most when it comes to these dolls, is how they redefined me as a collector. They were the first dolls that I decided to experiment with, having an open heart and no preconceived notions. I chose to not let other people’s complaints and shame towards this line change my decision to jump into the Moxie world. I embraced each and every Moxie Girlz doll I came across with wide open arms. By doing this, I allowed the creative energy to flow freely from my mind. My handmade earrings and hair accessories simply would not be the same today if it weren’t for my Moxies. I don’t know that my interest in accessorizing and sprucing up cheap, store bought dolls would be the same. Moxie Girlz made me wholeheartedly realize that it’s not about what doll you get, but about how you choose to treat him/her, and the love/effort you put forth. When I look at my displays, I see happy faces and feel the positivity and care I put into each and every one of my plastic friends. I also see a slight resemblance to Kid Kore Katie, one of the most notorious dolls from our childhood. I can even envision a world where Moxies were out when Colleen and I were growing up, and we would be fighting over who would get to play with them. In essence, Moxie Girlz are the reason I recaptured that magic within dolls--they restored the innocence that I had lost as an adult collector, who was far too critical and cynical towards these little creatures, and for that I am forever grateful.
happiness is like this bubble..you can't hold it ,just can enjoy unless it totally disappears, you want it to stay, but you know, it won't...
The fact that we realize our existence means we recognize an entity, which we think is the same "I", that spans the existence from the past, at present, and to the future. This separation alone assumes that you can put "point" along the "line of time".
But we can never experience a "moment". What we can think of and experience is an interval, a duration. If the duration is short enough, we will call it a "moment". If the photo showing a trace of someone passing, we tend to distinguish this from the case where we can see the face and outline of a person clearly, that is, the case we "freeze" it.
But fundamentally, they are no different in the nature as duration. Duration itself is the object, represented as spatial extension in a photo. This is just one form of expression. There can be other form, at least within photography, to represent duration. But identifying the object can be useful for us to see the world around us.
Biennalist @ Venice Biennale
during the Venice Biennale 2019 Biennalist format will express the Biennale concept with art work
Biennalist / Venice Biennale
www.emergencyrooms.org/biennalist.html
#ThierryGeoffroy
#venicebiennale #biennalist #artformat #biennale #artbiennale #biennial
#BiennaleArte2019
more here about the Biennale :
Ralph Rugoff has declared: «May You Live in Interesting Times will no doubt include artworks that reflect upon precarious aspects of existence today, including different threats to key traditions, institutions and relationships of the “post-war order.” But let us acknowledge at the outset that art does not exercise its forces in the domain of politics. Art cannot stem the rise of nationalist movements and authoritarian governments in different parts of the world, for instance, nor can it alleviate the tragic fate of displaced peoples across the globe (whose numbers now represent almost one percent of the world’s entire population).»
ALBANIA
Maybe the cosmos is not so extraordinary
Commissioner: Ministry of Culture Republic of Albania. Curator: Alicia Knock.
Exhibitor: Driant Zeneli.
ALGERIA***
Time to shine bright
Commissioner/Curator: Hellal Mahmoud Zoubir, National Council of Arts and Letters Ministry of Culture. Exhibitors: Rachida Azdaou, Hamza Bounoua, Amina Zoubir, Mourad Krinah, Oussama Tabti.
Venue: Fondamenta S. Giuseppe, 925
ANDORRA
The Future is Now / El futur és ara
Commissioner: Eva Martínez, “Zoe”. Curators: Ivan Sansa, Paolo De Grandis.
Exhibitor: Philippe Shangti.
Venue: Istituto Santa Maria della Pietà, Castello 3701
ANTIGUA & BARBUDA
Find Yourself: Carnival and Resistance
Commissioner: Daryll Matthew, Minister of Sports, Culture, National Festivals and the Arts. Curator: Barbara Paca with Nina Khrushcheva. Exhibitors: Timothy Payne, Sir Gerald Price, Joseph Seton, and Frank Walter; Intangible Cultural, Heritage Artisans and Mas Troup.
Venue: Centro Culturale Don Orione Artigianelli, Dorsoduro 919
ARGENTINA
El nombre de un país / The name of a country
Commissioner: Sergio Alberto Baur Ambasciatore. Curator: Florencia Battiti. Exhibitor: Mariana Telleria.
Venue: Arsenale
ARMENIA (Republic of)
Revolutionary Sensorium
Commissioner: Nazenie Garibian, Deputy Minister. Curator: Susanna Gyulamiryan.
Exhibitors: "ArtlabYerevan" Artistic Group (Gagik Charchyan, Hovhannes Margaryan, Arthur Petrosyan, Vardan Jaloyan) and Narine Arakelian.
Venue: Palazzo Zenobio – Collegio Armeno Moorat-Raphael, Dorsoduro 2596
AUSTRALIA
ASSEMBLY
Commissioner: Australia Council for the Arts. Curator: Juliana Engberg. Exhibitor: Angelica Mesiti.
Venue: Giardini
AUSTRIA
Discordo Ergo Sum
Commissioner: Arts and Culture Division of the Federal Chancellery of Austria.
Curator: Felicitas Thun-Hohenstein. Exhibitor: Renate Bertlmann.
Venue: Giardini
AZERBAIJAN (Republic of )
Virtual Reality
Commissioner: Mammad Ahmadzada, Ambassador of the Republic of Azerbaijan.
Curators: Gianni Mercurio, Emin Mammadov. Exhibitors: Zeigam Azizov, Orkhan Mammadov, Zarnishan Yusifova, Kanan Aliyev, Ulviyya Aliyeva.
Venue: Palazzo Lezze, Campo S. Stefano, San Marco 2949
BANGLADESH (People’s Republic of)
Thirst
Commissioner: Liaquat Ali Lucky. Curators: Mokhlesur Rahman, Viviana Vannucci.
Exhibitors: Bishwajit Goswami, Dilara Begum Jolly, Heidi Fosli, Nafis Ahmed Gazi, Franco Marrocco, Domenico Pellegrino, Preema Nazia Andaleeb, Ra Kajol, Uttam Kumar karmaker.
Venue: Palazzo Zenobio – Collegio Armeno Moorat-Raphael, Dorsoduro 2596
BELARUS (Republic of)
Exit / Uscita
Commissioner: Siarhey Kryshtapovich. Curator: Olga Rybchinskaya. Exhibitor: Konstantin Selikhanov.
Venue: Spazio Liquido, Sestiere Castello 103, Salizada Streta
BELGIUM
Mondo Cane
Commissioner: Fédération Wallonie-Bruxelles. Curator: Anne-Claire Schmitz.
Exhibitor: Jos de Gruyter & Harald Thys.
Venue: Giardini
BOSNIA and HERZEGOVINA
ZENICA-TRILOGY
Commissioner: Senka Ibrišimbegović, Ars Aevi Museum for Contemporary Art Sarajevo.
Curators: Anja Bogojević, Amila Puzić, Claudia Zini. Exhibitor: Danica Dakić.
Venue: Palazzo Francesco Molon Ca’ Bernardo, San Polo 2184/A
BRAZIL
Swinguerra
Commissioner: José Olympio da Veiga Pereira, Fundação Bienal de São Paulo.
Curator: Gabriel Pérez-Barreiro. Exhibitor: Bárbara Wagner & Benjamin de Burca.
Venue: Giardini
BULGARIA
How We Live
Commissioner: Iaroslava Boubnova, National Gallery in Sofia. Curator: Vera Mlechevska.
Exhibitors: Rada Boukova , Lazar Lyutakov.
Venue: Palazzo Giustinian Lolin, San Marco 2893
CANADA
ISUMA
Commissioner: National Gallery of Canada. Curators: Asinnajaq, Catherine Crowston, Josée Drouin-Brisebois, Barbara Fischer, Candice Hopkins. Exhibitors: Isuma (Zacharias Kunuk, Norman Cohn, Paul Apak, Pauloosie Qulitalik).
Venue: Giardini
CHILE
Altered Views
Commissioner: Varinia Brodsky, Ministry of Cultures, Arts and Heritage.
Curator: Agustín Pérez. Rubio. Exhibitor: Voluspa Jarpa.
Venue: Arsenale
CHINA (People’s Republic of)
Re-睿
Commissioner: China Arts and Entertainment Group Ltd. (CAEG).
Curator: Wu Hongliang. Exhibitors: Chen Qi, Fei Jun, He Xiangyu, Geng Xue.
Venue: Arsenale
CROATIA
Traces of Disappearing (In Three Acts)
Commissioner: Ministry of Culture of the Republic of Croatia. Curator: Katerina Gregos.
Exhibitor: Igor Grubić.
Venue: Calle Corner, Santa Croce 2258
CUBA
Entorno aleccionador (A Cautionary Environment)
Commissioner: Norma Rodríguez Derivet, Consejo Nacional de Artes Plásticas.
Curator: Margarita Sanchez Prieto. Exhibitors: Alejandro Campins, Alex Hérnandez, Ariamna Contino and Eugenio Tibaldi. Venue: Isola di San Servolo
CYPRUS (Republic of)
Christoforos Savva: Untimely, Again
Commissioner: Louli Michaelidou. Curator: Jacopo Crivelli Visconti. Exhibitor: Christoforos Savva.
Venue: Associazione Culturale Spiazzi, Castello 3865
CZECH (Republic) and SLOVAK (Republic)
Stanislav Kolíbal. Former Uncertain Indicated
Commissioner: Adam Budak, National Gallery Prague. Curator: Dieter Bogner.
Exhibitor: Stanislav Kolibal.
Venue: Giardini
DOMINICAN (Republic) *
Naturaleza y biodiversidad en la República Dominicana
Commissioner: Eduardo Selman, Minister of Culture. Curators: Marianne de Tolentino, Simone Pieralice, Giovanni Verza. Exhibitors: Dario Oleaga, Ezequiel Taveras, Hulda Guzmán, Julio Valdez, Miguel Ramirez, Rita Bertrecchi, Nicola Pica, Marraffa & Casciotti.
Venue: Palazzo Albrizzi Capello, Cannaregio 4118 – Sala della Pace
EGYPT
khnum across times witness
Commissioner: Ministry of Culture. Curator: Ahmed Chiha.
Exhibitors: Islam Abdullah, Ahmed Chiha, Ahmed Abdel Karim.
Venue: Giardini
ESTONIA
Birth V
Commissioner: Maria Arusoo, Centre of Contemporary Arts of Estonia. Curators: Andrew Berardini, Irene Campolmi, Sarah Lucas, Tamara Luuk. Exhibitor: Kris Lemsalu.
Venue: c/o Legno & Legno, Giudecca 211
FINLAND (Alvar Aalto Pavilion)
A Greater Miracle of Perception
Commissioner: Raija Koli, Director Frame Contemporary Art Finland.
Curators: Giovanna Esposito Yussif, Bonaventure Soh Bejeng Ndikung, Christopher Wessels. Exhibitors: Miracle Workers Collective (Maryan Abdulkarim, Khadar Ahmed, Hassan Blasim, Giovanna Esposito Yussif, Sonya Lindfors, Bonaventure Soh Bejeng Ndikung, Outi Pieski, Leena Pukki, Lorenzo Sandoval, Martta Tuomaala, Christopher L. Thomas, Christopher Wessels, Suvi West).
Venue: Giardini
FRANCE
Deep see blue surrounding you / Vois ce bleu profond te fondre
Commissioner: Institut français with the Ministry for Europe and Foreign Affairs and the Ministry of Culture. Curator: Martha Kirszenbaum. Exhibitor: Laure Prouvost.
Venue: Giardini
GEORGIA
REARMIRRORVIEW, Simulation is Simulation, is Simulation, is Simulation
Commissioner: Ana Riaboshenko. Curator: Margot Norton. Exhibitor: Anna K.E.
Venue: Arsenale
GERMANY
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office, Germany. Curator: Franciska Zólyom. Exhibitor: Natascha Süder Happelmann.
Venue: Giardini
GHANA ***
Ghana Freedom
Commissioner: Ministry of Tourism, Arts and Culture. Curator: Nana Oforiatta Ayim.
Exhibitors: Felicia Abban, John Akomfrah, El Anatsui, Lynette Yiadom Boakye, Ibrahim Mahama, Selasi Awusi Sosu.
Venue: Arsenale
GREAT BRITAIN
Cathy Wilkes
Commissioner: Emma Dexter. Curator: Zoe Whitley. Exhibitor: Cathy Wilkes.
Venue: Giardini
GREECE
Mr Stigl
Commissioner: Syrago Tsiara (Deputy Director of the Contemporary Art Museum - Metropolitan Organization of Museums of Visual Arts of Thessaloniki - MOMus).
Curator: Katerina Tselou. Exhibitors: Panos Charalambous, Eva Stefani, Zafos Xagoraris.
Venue: Giardini
GRENADA
Epic Memory
Commissioner: Susan Mains. Curator: Daniele Radini Tedeschi.
Exhibitors: Amy Cannestra, Billy Gerard Frank, Dave Lewis, Shervone Neckles, Franco Rota Candiani, Roberto Miniati, CRS avant-garde.
Venue: Palazzo Albrizzi-Capello (first floor), Cannaregio 4118
GUATEMALA
Interesting State
Commissioner: Elder de Jesús Súchite Vargas, Minister of Culture and Sports of Guatemala. Curator: Stefania Pieralice. Exhibitors: Elsie Wunderlich, Marco Manzo.
Venue: Palazzo Albrizzi-Capello (first floor), Cannaregio 4118
HAITI
THE SPECTACLE OF TRAGEDY
Commissioner: Ministry of Culture and Communication.
Curator: Giscard Bouchotte. Exhibitor: Jean Ulrick Désert.
Venue: Circolo Ufficiali Marina, Calle Seconda de la Fava, Castello 2168
HUNGARY
Imaginary Cameras
Commissioner: Julia Fabényi, Museo Ludwig – Museo d’arte contemporanea, Budapest.
Curator: Zsuzsanna Szegedy-Maszák. Exhibitor: Tamás Waliczky.
Venue: Giardini
ICELAND
Chromo Sapiens – Hrafnhildur Arnardóttir / Shoplifter
Commissioner: Eiríkur Þorláksson, Icelandic Ministry of Education, Science and Culture.
Curator: Birta Gudjónsdóttir. Exhibitor: Hrafnhildur Arnardóttir / Shoplifter.
Venue: Spazio Punch, Giudecca 800
INDIA
Our time for a future caring
Commissioner: Adwaita Gadanayak National Gallery of Modern Art.
Curator: Roobina Karode, Director & Chief Curator, Kiran Nadar Museum of Art. Exhibitors: Atul Dodiya, Ashim Purkayastha, GR Iranna, Jitish Kallat, Nandalal Bose, Rummana Hussain, Shakuntala Kulkarni.
Venue: Arsenale
INDONESIA
Lost Verses
Commissioner: Ricky Pesik & Diana Nazir, Indonesian Agency for Creative Economy.
Curator: Asmudjo Jono Irianto. Exhibitors: Handiwirman Saputra and Syagini Ratna Wulan.
Venue: Arsenale
IRAN (Islamic Republic of)
of being and singing
Commissioner: Hadi Mozafari, General Manager of Visual Arts Administration of Islamic Republic of Iran. Curator: Ali Bakhtiari.
Exhibitors: Reza Lavassani, Samira Alikhanzadeh, Ali Meer Azimi.
Venue: Fondaco Marcello, San Marco 3415
IRAQ
Fatherland
Commissioner: Fondazione Ruya. Curators: Tamara Chalabi, Paolo Colombo.
Exhibitor: Serwan Baran.
Venue: Ca’ del Duca, Corte del Duca Sforza, San Marco 3052
IRELAND
The Shrinking Universe
Commissioner: Culture Ireland. Curator: Mary Cremin. Exhibitor: Eva Rothschild.
Venue: Arsenale
ISRAEL
Field Hospital X
Commissioner: Michael Gov, Arad Turgeman. Curator: Avi Lubin. Exhibitor: Aya Ben Ron.
Venue: Giardini
ITALY
Commissioner: Federica Galloni, Direttore Generale Arte e Architettura Contemporanee e Periferie Urbane, Ministero dei Beni e delle Attività Culturali. Curator: Milovan Farronato.
Exhibitors: Enrico David, Liliana Moro, Chiara Fumai.
Venue: Padiglione Italia, Tese delle Vergini, Arsenale
IVORY COAST
The Open Shadows of Memory
Commissioner: Henri Nkoumo. Curator: Massimo Scaringella. Exhibitors: Ernest Dükü, Ananias Leki Dago, Valérie Oka, Tong Yanrunan.
Venue: Castello Gallery, Castello 1636/A
JAPAN
Cosmo-Eggs
Commissioner: The Japan Foundation. Curator: Hiroyuki Hattori. Exhibitors: Motoyuki Shitamichi, Taro Yasuno, Toshiaki Ishikura, Fuminori Nousaku.
Venue: Giardini
KIRIBATI
Pacific Time - Time Flies
Commissioner: Pelea Tehumu, Ministry of Internal Affairs. Curators: Kautu Tabaka, Nina Tepes. Exhibitors: Kaeka Michael Betero, Daniela Danica Tepes, Kairaken Betio Group; Teroloang Borouea, Neneia Takoikoi, Tineta Timirau, Teeti Aaloa, Kenneth Ioane, Kaumai Kaoma, Runita Rabwaa, Obeta Taia, Tiribo Kobaua, Tamuera Tebebe, Rairauea Rue, Teuea Kabunare, Tokintekai Ekentetake, Katanuti Francis, Mikaere Tebwebwe, Terita Itinikarawa, Kaeua Kobaua, Raatu Tiuteke, Kaeriti Baanga, Ioanna Francis, Temarewe Banaan, Aanamaria Toom, Einako Temewi, Nimei Itinikarawa, Teniteiti Mikaere, Aanibo Bwatanita, Arin Tikiraua.
Venue: European Cultural Centre, Palazzo Mora, Strada Nuova 3659
KOREA (Republic of)
History Has Failed Us, but No Matter
Commissioner: Arts Council Korea. Curator: Hyunjin Kim. Exhibitors: Hwayeon Nam, siren eun young jung, Jane Jin Kaisen.
Venue: Giardini
KOSOVO (Republic of)
Family Album
Commissioner: Arta Agani. Curator: Vincent Honore. Exhibitor: Alban Muja.
Venue: Arsenale
LATVIA
Saules Suns
Commissioner: Dace Vilsone. Curators: Valentinas Klimašauskas, Inga Lāce.
Exhibitor: Daiga Grantiņa.
Venue: Arsenale
LITHUANIA
Sun & Sea (Marina)
Commissioner: Rasa Antanavičıūte. Curator: Lucia Pietroiusti.
Exhibitors: Lina Lapelyte, Vaiva Grainyte and Rugile Barzdziukaite.
Venue: Magazzino No. 42, Marina Militare, Arsenale di Venezia, Fondamenta Case Nuove 2738c
LUXEMBOURG (Grand Duchy of)
Written by Water
Commissioner: Ministry of Culture of Luxembourg.
Curator: Kevin Muhlen. Exhibitor: Marco Godinho.
Venue: Arsenale
NORTH MACEDONIA (Republic of )
Subversion to Red
Commissioner: Mira Gakina. Curator: Jovanka Popova. Exhibitor: Nada Prlja.
Venue: Palazzo Rota Ivancich, Castello 4421
MADAGASCAR ***
I have forgotten the night
Commissioner: Ministry of Communication and Culture of the Republic of Madagascar. Curators: Rina Ralay Ranaivo, Emmanuel Daydé.
Exhibitor: Joël Andrianomearisoa.
Venue: Arsenale
MALAYSIA ***
Holding Up a Mirror
Commissioner: Professor Dato’ Dr. Mohamed Najib Dawa, Director General of Balai Seni Negara (National Art Gallery of Malaysia), Ministry of Tourism, Arts and Culture of Malaysia. Curator: Lim Wei-Ling. Exhibitors: Anurendra Jegadeva, H.H.Lim, Ivan Lam, Zulkifli Yusoff.
Venue: Palazzo Malipiero, San Marco 3198
MALTA
Maleth / Haven / Port - Heterotopias of Evocation
Commissioner: Arts Council Malta. Curator: Hesperia Iliadou Suppiej. Exhibitors: Vince Briffa, Klitsa Antoniou, Trevor Borg.
Venue: Arsenale
MEXICO
Actos de Dios / Acts of God
Commissioner: Gabriela Gil Verenzuela. Curator: Magalí Arriola. Exhibitor: Pablo Vargas Lugo.
Venue: Arsenale
MONGOLIA
A Temporality
Commissioner: The Ministry of Education, Culture, Science and Sports of Mongolia.
Curator: Gantuya Badamgarav. Exhibitor: Jantsankhorol Erdenebayar with the participation of traditional Mongolian throat singers and Carsten Nicolai (Alva Noto).
Venue: Bruchium Fermentum, Calle del Forno, Castello 2093-2090
MONTENEGRO
Odiseja / An Odyssey
Commissioner: Nenad Šoškić. Curator: Petrica Duletić. Exhibitor: Vesko Gagović.
Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE (Republic of)
The Past, the Present and The in Between
Commissioner: Domingos do Rosário Artur. Curator: Lidija K. Khachatourian.
Exhibitors: Gonçalo Mabunda, Mauro Pinto, Filipe Branquinho.
Venue: Palazzo Mora, Strada Nova, 3659
NETHERLANDS (The)
The Measurement of Presence
Commissioner: Mondriaan Fund. Curator: Benno Tempel. Exhibitors: Iris Kensmil, Remy Jungerman. Venue: Giardini
NEW ZEALAND
Post hoc
Commissioner: Dame Jenny Gibbs. Curators: Zara Stanhope and Chris Sharp.
Exhibitor: Dane Mitchell.
Venue: Palazzina Canonica, Riva Sette Martiri
NORDIC COUNTRIES (FINLAND - NORWAY - SWEDEN)
Weather Report: Forecasting Future
Commissioner: Leevi Haapala / Museum of Contemporary Art Kiasma / Finnish National Gallery, Katya García-Antón / Office for Contemporary Art Norway (OCA), Ann-Sofi Noring / Moderna Museet. Curators: Leevi Haapala, Piia Oksanen. Exhibitors: Ane Graff, Ingela Ihrman, nabbteeri.
Venue: Giardini
PAKISTAN ***
Manora Field Notes
Commissioner: Syed Jamal Shah, Pakistan National Council of the Arts, PNCA.
Curator: Zahra Khan. Exhibitor: Naiza Khan.
Venue: Tanarte, Castello 2109/A and Spazio Tana, Castello 2110-2111
PERU
“Indios Antropófagos”. A butterfly Garden in the (Urban) Jungle
Commissioner: Armando Andrade de Lucio. Curator: Gustavo Buntinx. Exhibitors: Christian Bendayán, Otto Michael (1859-1934), Manuel Rodríguez Lira (1874-1933), Segundo Candiño Rodríguez, Anonymous popular artificer.
Venue: Arsenale
PHILIPPINES
Island Weather
Commissioner: National Commission for Culture and the Arts (NCCA) / Virgilio S. Almario.
Curator: Tessa Maria T. Guazon. Exhibitor: Mark O. Justiniani.
Venue: Arsenale
POLAND
Flight
Commissioner: Hanna Wroblewska. Curators: Łukasz Mojsak, Łukasz Ronduda.
Exhibitor: Roman Stańczak.
Venue: Giardini
PORTUGAL
a seam, a surface, a hinge or a knot
Commissioner: Directorate-General for the Arts. Curator: João Ribas. Exhibitor: Leonor Antunes.
Venue: Fondazione Ugo e Olga Levi Onlus, Palazzo Giustinian Lolin, San Marco 2893
ROMANIA
Unfinished Conversations on the Weight of Absence
Commissioner: Attila Kim. Curator: Cristian Nae. Exhibitor: Belu-Simion Făinaru, Dan Mihălțianu, Miklós Onucsán.
Venues: Giardini and New Gallery of the Romanian Institute for Culture and Humanistic Research (Campo Santa Fosca, Palazzo Correr, Cannaregio 2214)
RUSSIA
Lc 15:11-32
Commissioner: Semyon Mikhailovsky. Curator: Mikhail Piotrovsky. Exhibitors: Alexander Sokurov, Alexander Shishkin-Hokusai.
Venue: Giardini
SAN MARINO (Republic of)
Friendship Project International
Commissioner: Vito Giuseppe Testaj. Curator: Vincenzo Sanfo. Exhibitors: Gisella Battistini, Martina Conti, Gabriele Gambuti, Giovanna Fra, Thea Tini, Chen Chengwei, Li Geng, Dario Ortiz, Tang Shuangning, Jens W. Beyrich, Xing Junqin, Xu de Qi, Sebastián.
Venue: Palazzo Bollani, Castello 3647; Complesso dell’Ospedaletto, Castello 6691
SAUDI ARABIA
After Illusion بعد توهم
Commissioner: Misk Art Insitute. Curator: Eiman Elgibreen. Exhibitor: Zahrah Al Ghamdi.
Venue: Arsenale
SERBIA
Regaining Memory Loss
Commissioner: Vladislav Scepanovic. Curator: Nicoletta Lambertucci. Exhibitor: Djordje Ozbolt.
Venue: Giardini
SEYCHELLES (Republic of)
Drift
Commissioner: Galen Bresson. Curator: Martin Kennedy.
Exhibitors: George Camille and Daniel Dodin.
Venue: Palazzo Mora, Strada Nova, 3659
SINGAPORE
Music For Everyone: Variations on a Theme
Commissioner: Rosa Daniel, Chief Executive Officer, National Arts Council (NAC).
Curator: Michelle Ho. Exhibitor: Song-Ming Ang.
Venue: Arsenale
SLOVENIA (Republic of)
Here we go again... SYSTEM 317
A situation of the resolution series
Commissioner: Zdenka Badovinac, Director Moderna galerija / Museum of Modern Art, Ljubljana. Curator: Igor Španjol. Exhibitor: Marko Peljhan.
Venue: Arsenale
SOUTH AFRICA (Republic of)
The stronger we become
Commissioner: Titi Nxumalo, Console Generale. Curators: Nkule Mabaso, Nomusa Makhubu. Exhibitors: Dineo Seshee Bopape, Tracey Rose, Mawande Ka Zenzile.
Venue: Arsenale
SPAIN
Perforated by Itziar Okariz and Sergio Prego
Commissioner: AECID Agencia Espanola de Cooperacion Internacional Para El Desarrollo. Ministerio de Asuntos Exteriores, Union Europea y Cooperacion. Curator: Peio Aguirre.
Exhibitors: Itziar Okariz, Sergio Prego.
Venue: Giardini
SWITZERLAND
Moving Backwards
Commissioner: Swiss Arts Council Pro-Helvetia: Marianne Burki, Sandi Paucic, Rachele Giudici Legittimo. Curator: Charlotte Laubard. Exhibitors: Pauline Boudry/Renate Lorenz.
Venue: Giardini
SYRIAN ARAB (Republic)
Syrian Civilization is still alive
Commissioner/Curator: Emad Kashout. Exhibitors: Abdalah Abouassali, Giacomo Braglia, Ibrahim Al Hamid, Chen Huasha, Saed Salloum, Xie Tian, Saad Yagan, Primo Vanadia, Giuseppe Biasio.
Venue: Isola di San Servolo; Chiesetta della Misericordia, Campo dell'Abbazia, Cannaregio
THAILAND
The Revolving World
Commissioner: Vimolluck Chuchat, Office of Contemporary Art and Culture, Ministry of Culture, Thailand. Curator: Tawatchai Somkong. Exhibitors: Somsak Chowtadapong, Panya Vijinthanasarn, Krit Ngamsom.
Venue: In Paradiso 1260, Castello
TURKEY
We, Elsewhere
Commissioner: IKSV. Curator: Zeynep Öz. Exhibitor: İnci Eviner.
Venue: Arsenale
UKRAINE
The Shadow of Dream cast upon Giardini della Biennale
Commissioner: Svitlana Fomenko, First Deputy Minister of Culture. Curators: Open group (Yurii Biley, Pavlo Kovach, Stanislav Turina, Anton Varga). Exhibitors: all artists of Ukraine.
Venue: Arsenale
UNITED ARAB EMIRATES
Nujoom Alghanem: Passage
Commissioner: Salama bint Hamdan Al Nahyan Foundation.
Curators: Sam Bardaouil and Till Fellrath. Exhibitor: Nujoom Alghanem.
Venue: Arsenale
UNITED STATES OF AMERICA
Martin Puryear: Liberty
Commissioner/Curator: Brooke Kamin Rapaport. Exhibitor: Martin Puryear.
Venue: Giardini
URUGUAY
“La casa empática”
Commissioner: Alejandro Denes. Curators: David Armengol, Patricia Bentancur.
Exhibitor: Yamandú Canosa.
Venue: Giardini
VENEZUELA (Bolivarian Republic of)
Metaphore of three windows
Venezuela: identity in time and space
Commissioner/Curator: Oscar Sottillo Meneses. Exhibitors: Natalie Rocha Capiello, Ricardo García, Gabriel López, Nelson Rangelosky.
Venue: Giardini
ZIMBABWE (Republic of)
Soko Risina Musoro (The Tale without a Head)
Commissioner: Doreen Sibanda, National Gallery of Zimbabwe. Curator: Raphael Chikukwa. Exhibitors: Georgina Maxim, Neville Starling , Cosmas Shiridzinomwa, Kudzanai Violet Hwami.
Venue: Istituto Provinciale per L’infanzia “Santa Maria Della Pietà”. Calle della Pietà Castello n. 3701 (ground floor)
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invited artist :
Lawrence Abu Hamdan (Jordan / Beirut)
Njideka Akunyili Crosby (Nigeria / USA),Halil Altındere (Turkey),Michael Armitage (Kenya / UK),Korakrit Arunanondchai (Thailand / USA),Alex Gvojic (USA),Ed Atkins (UK / Germany / Denmark),Tarek Atoui (Lebanon / France),
Darren Bader (USA),Nairy Baghramian (Iran / Germany,
Neïl Beloufa (France),Alexandra Bircken (Germany),Carol Bove (Switzerland / USA,
Christoph Büchel (Switzerland / Iceland,
Ludovica Carbotta (Italy / Barcelona),Antoine Catala (France / USA),Ian Cheng (USA),George Condo (USA
Alex Da Corte (USA),Jesse Darling (UK / Germany),Stan Douglas (Canada),Jimmie Durham (USA / Germany),Nicole Eisenman (France / USA,
Haris Epaminonda (Cyprus / Germany),Lara Favaretto (Italy),Cyprien Gaillard (France / Germany), Gill (India),Dominique Gonzalez-Foerster (France),Shilpa Gupta (India),Soham Gupta (India),Martine Gutierrez (USA),Rula Halawani (Palestine),Anthea Hamilton (UK),Jeppe Hein (Denmark / Germany),Anthony Hernandez (USA),Ryoji Ikeda (Japan / France),Arthur Jafa (USA),Cameron Jamie (USA / France / Germany),Kahlil Joseph (USA),Zhanna Kadyrova (Ukraine),Suki Seokyeong Kang (South Korea),Mari Katayama (Japan),Lee Bul (South Korea),Liu Wei (China),Maria Loboda (Poland / Germany),Andreas Lolis (Albania / Greece),Christian Marclay (USA / London),Teresa Margolles (Mexico / Spain),Julie Mehretu (Ethiopia / USA),Ad Minoliti (Argentina),Jean-Luc Moulène (France),Zanele Muholi (South Africa),Jill Mulleady (Uruguay / USA),Ulrike Müller (Austria / USA),Nabuqi (China),Otobong Nkanga (Nigeria / Belgium),Khyentse Norbu (Bhutan / India),Frida Orupabo (Norway),Jon Rafman (Canada).Gabriel Rico (Mexico),Handiwirman Saputra (Indonesia),Tomás Saraceno (Argentina / Germany),Augustas Serapinas (Lithuania),Avery Singer (USA),Slavs and Tatars (Germany),Michael E. Smith (USA),Hito Steyerl (Germany),Tavares Strachan (Bahamas / USA),Sun Yuan and Peng Yu (China),Henry Taylor (USA),Rosemarie Trockel (Germany),Kaari Upson (USA),Andra Ursuţa (Romania),Danh Vō (Vietnam / Mexico),Kemang Wa Lehulere (South Africa),Apichatpong Weerasethakul (Thailand) and Tsuyoshi Hisakado (Japan),Margaret Wertheim and Christine Wertheim (Australia / USA) ,Anicka Yi (South Korea/ USA),Yin Xiuzhen (China),Yu Ji (China / Austria)
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other Biennale :(Biennials ) :Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale
Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art
وینس Venetsiya
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Thierry Geoffroy / Colonel
Yugi Muto (武む藤とう 遊ゆう戯ぎ Mutō Yūgi), also romanized as Yugi Mutou, is the main protagonist of the original Yu-Gi-Oh! series, along with Yami Yugi. It was stated once that Yugi is the modern day version of Pharaoh Atem.
Together with the spirit of Pharaoh Atem, he holds the title "King of Games" (King of Duelists in Japanese version).
Yugi possessed the three thousand-year-old (five thousand in the dub) mystical Millennium Puzzle, which allowed his body to bear host to the spirit of the Puzzle, Yami Yugi. Yugi was initially unaware of his existence and control of Yugi's body, and would involuntarily shift to Yami Yugi at trying times.
He lives with his paternal grandfather, Solomon Muto, and his mother.
Yugi is part of a close-knit group of best friends: Joey Wheeler, Tristan Taylor, Téa Gardner and Bakura Ryou. Yugi's friends often cheer him on from the sidelines, and Joey has dueled at his side. Yugi has been friends with Téa since childhood and has a romantic crush on her. Téa has been shown to have romantic feelings for both Yugi and Yami Yugi.
Appearance
Yugi's character design was overseen by Kazuki Takahashi. His normal outfit consists of the standard male Domino Junior/Senior High uniform complete with a closed buckled collar. His extremely extravagant hair features multiple layers including long blond crooked, pointy locks for his fringe; the rest features a set of five large spikes and two smaller spikes colored black with a magenta sheen along the edges. So far, he is the only character in the franchise to have his hair divided into three colors. He wears the Millennium Puzzle on a lace around his neck. The lace is later replaced with a chain. He often wears a KaibaCorp Duel Disk on his left arm.
When he played Dungeon Dice Monsters against Duke Devlin, he wore a black long-sleeved shirt, a gray sleeveless vest, dark blue pants, and black shoes.
When he and Téa took a day together to find out about the Millennium Puzzle, he wore a black linen shirt and several pieces of wrist-chains, along with a pair of leather pants.
In Yu-Gi-Oh! Capsule Monsters, Yugi wore a different attire of a violet jacket and jeans. He also wore the Capsule Shooter on his left arm. In Episode 4, he gained a Duel armor that allowed him to become one with one of his capsule monsters.
In Yu-Gi-Oh! GX, Yugi went through noticeable development. While physically resembling Atem, he is much taller and has a lean-built frame. During this time, Yugi's present-day eyes are not directly shown.
Personality
Yugi is kind-hearted and child-like. He is good at games, riddles, and puzzles, especially Duel Monsters. As Shadi stated when he looked into Yugi's Soul Room, he has no malice or wickedness in his heart.[9] This doesn't mean he cannot get angry at someone, but is willing to forgive them.
Yugi is also very shy when comes to meeting people who admire him, especially girls. As seen with the cases of Mai, Vivian, and later Rebecca, he would often blush and even freeze up when they approached him. Yugi is also not good in front of big crowds, as seen when Mokuba tried to get him up on stage to give a speech.
Unlike his other self, Yugi has no problem with losing. In fact, he is willing to lose if it means helping his opponent. Yugi also has a lack of confidence in his own abilities, but still wants help out his friends. Over the course of the series, he becomes more confident and determined. He is also willing to sacrifice himself if it means saving someone else, such as Joey or Yami Yugi.
Voice
The voices differ slightly between the different series and the English dub, although the voice of Dark Yugi is much deeper, stronger and more confident than that of Yugi.
Original
In the Japanese version, Yugi has considerably more confidence than in his previous appearance, but is still very polite. It's harder to distinguish between his voice and Dark Yugi's, but Dark Yugi's tone is considerably sterner and has the same pattern of speech as his previous appearance. This series also established Yugi calling Dark Yugi もう一人のボク mō hitori no boku ("other me") and Dark Yugi referring to Yugi as 相棒 aibō ("partner"). Also, Yugi's first-person pronoun is ボク boku, while Dark Yugi's is オレ ore.
English
In the English dub, Yugi's voice is high-pitched and sometimes strained in more emotional moments, and generally has a friendly tone towards everyone. Yami Yugi's voice, in comparison, is fierce and commanding. In the Singaporean dub, Yugi and Yami Yugi are voiced by Chuck Powers. In this dub, Yugi's voice is soft and slightly high-pitched, while Yami Yugi's voice is near the total opposite. In the Singaporean dub, both Yugi and Yami Yugi speak with a slight drawl. In the first season, Yugi calls Yami Yugi "Spirit," then in other seasons Yugi started to call him "Pharaoh." Sometimes, he also calls him Yami. Yami Yugi always called Yugi by his name.
In Yu-Gi-Oh! GX, Yugi is a young adult and his voice is deeper, yet still distinct enough to be separate from Atem's.
In Yu-Gi-Oh!: Dark Side of Dimensions, Yugi's voice is slightly deeper than it was in the English dub.
Spanish (Spain)
In the Spanish version, Yugi and Yami are voiced by two different people (Alex Saudinós as Yugi Muto and Pablo Sevilla as Yami). In Yu-Gi-Oh! GX, Yugi is a young adult and his voice is the same actor as Yami Yugi.
Etymology
Yugi's given name literally translates to "Game" in Japanese, symbolizing how Yugi loves to play games. In the English dub, his surname is pronounced as "Moto"; in Japanese, the word "moto" can mean "foundation" or "basis", which may be a reference to how Yugi served as a host for Yami Yugi. Occasionally, his English surname has been misspelled "Moto".
Biography
History
Yugi lived in his family's game shop, Kame Game, with his mother and grandfather. His grandfather taught him a lot about the game, Duel Monsters.
DMx003 Torment
Yugi, bullied by Joey and Tristan.
Joey and Tristan used to bully Yugi. Joey even went as far as taking a piece of Yugi's Millennium Puzzle and throwing it into a canal. However, Yugi stood up for Joey and Tristan when they were attacked by Ushio, claiming that they were his friends, whereas Ushio claimed he was protecting Yugi in order to earn money. Joey and Tristan came to be Yugi's friends after the incident and Joey recovered the piece of the Puzzle.
After solving the Millennium Puzzle, Yugi unknowingly became host to Yami Yugi, the spirit of Pharaoh Atem. He shared his body with Yami, who occasionally takes control, typically to help Yugi and his friends.
Yugi and Joey once visited Burgerpalooza, only to find Téa working there. She feared that if they told, she would get expelled as it's against school rules to have part-time jobs. (In the dub, she worried about getting fired, as they could have revealed that she was under 18, the required age to work there.) She splattered their burgers in ketchup, warning them not to tell. They told her that they did not even know she worked there, and they wouldn't say a word.
Yugi later found Téa in a warehouse, being filmed by a pervert, who threatened to reveal she was working at Burgerpalooza. (In the dub, he was a mugger who tricked her by writing a note, pretending Yugi and Joey had given her a dance studio.) Yugi tackled the man, but got thrown against a wall. Téa was also knocked unconscious after trying to attack him. Yugi then transformed into Yami Yugi, who defeated the man in a card draw game and Mind Crushed him. Yugi came to believe that he had saved Téa himself, although he didn't remember how he did it.
Yugi defeated Joey in Duel Monsters at school and decided to invite Joey, Téa and Tristan to see his Grandpa's rare card, the "Blue-Eyes White Dragon", after school. Seto Kaiba, who overheard, kidnapped Grandpa and forced him into a Duel for his "Blue-Eyes", as he refused to trade or sell it. Yugi and his friends caught up after Solomon had already been defeated, and witnessed Kaiba tear-up the "Blue-Eyes White Dragon" in front of them. Outraged, Yugi challenged Kaiba to a Duel, and Solomon gave Yugi his Deck. Yugi Dueled Kaiba as Yami Yugi and discovered Kaiba had the other three "Blue-Eyes White Dragons" in his Deck, but defeated him using "Exodia the Forbidden One", taking Kaiba's title as the Duel Monsters World Champion.
Since Joey had been having trouble with winning in Duel Monsters, Yugi asked his grandfather to help train Joey.
Maximillion Pegasus heard of Yugi's victory over Kaiba and sent him a videotape inviting him to participate in his Duelist Kingdom tournament. Pegasus appeared on the TV and Dueled Yugi on the spot, while freezing everyone else in the room. Pegasus placed a time limit on the Duel and won because time ran out seconds before Yugi could claim victory. As a penalty for Yugi's defeat Pegasus stole Grandpa's soul.
Yugi entered the tournament in order to rescue Grandpa. At the pier, before boarding the ship to the tournament, he gave Joey one of his two Star Chips, allowing Joey to participate and help him.
On the ship, Yugi met Weevil Underwood, who acted friendly towards him and told Yugi that he knew of secret new rules to be introduced in the tournament. Shortly after Weevil left, Yugi gave Joey the "Time Wizard" card, telling him how it can be helpful in a tight spot. Yugi met Weevil again later and showed him his "Exodia" cards, which Weevil tossed overboard, to hinder Yugi's Deck. Joey jumped into the water to recover them, but after getting two of them was hit by the current and Yugi dove in to save him. Both of them were then rescued by the stowaways, Téa and Tristan, who threw them a rope ladder.
Once the tournament started, Yugi tracked down Weevil to get revenge, but Weevil fled, leading him into a forest. Yugi suspected this was to do with the new rules Weevil mentioned. Weevil led them to a meadow, where he accepted Yugi's challenge, as his monsters got Field Power Bonuses there. Yugi switched to Yami Yugi, who bet both his Deck and Star Chip, earning him Weevil's two Star Chips after he won.
Yugi cheered for Joey in his Duel against Mai. As Yami Yugi, he offered Joey abstract clues to help him win. Joey defeated Mai using the "Time Wizard" card, Yugi gave him.
While searching for food, Yugi and his friends, found fish Mako Tsunami had prepared. Unbeknownst to them, Mako had set it as bait to lure opponents, to where his monsters greatly benefit from the field. Mako appeared, angered over them stealing his food. After Yugi introduced himself, Mako was happy to meet the Duelist, who defeated Kaiba, and shared the food with him and his friends. Yugi got up to leave, but Mako stopped him by throwing a harpoon in front of him and demanded a Duel. Yugi switched to Yami and defeated Mako, winning two more Star Chips.
Yugi and his friends saw a contestant, being forced to leave the island as he was out of Star Chips. The boy claimed they had been stolen, along with his Deck. He described the thief and where he met him. Yugi promised to get his Star Chips back, before the boat left the island. At the scene of the crime, they met the thief, whose face was disguised. He Dueled Yugi, with five stolen Star Chips on the line, and Yami Yugi soon realized that the thief was Kaiba's brother, Mokuba. Mokuba explained how Yugi's humiliation of Kaiba, resulted in his departure, giving Pegasus an opportunity to take over KaibaCorp. Mokuba sought revenge on Yugi for this. Unable to win the Duel, he made a grab for Yugi's Star Chips, but Yami discouraged Mokuba and promised to help him and Kaiba.
The group made their way back to the bay, but the boat had already left. Mokuba showed Kemo that Yugi won back the Star Chips, but Kemo slapped them into the water, including some of Yugi's. Kemo grabbed Mokuba to take him back to Pegasus, but Yugi challenged Kemo to a Duel for Mokuba's freedom. Since Kemo was not a Duelist, he told Yugi to come back in an hour (4 hours in the dub) and he would have an opponent arranged for him.
Yugi returned to the spot and faced Ghost Kaiba, who pretended to be the actual Seto Kaiba and used his Deck. With the help of the real Kaiba, who weakened Ghost Kaiba's "Blue-Eyes White Dragons", via a virus, Yami Yugi won. Yugi retrieved Kaiba's Deck, but Kemo had already disappeared with Mokuba.
Yugi was not allowed to help Joey in his Duel with Rex Raptor. As the Duel started Yugi went to find Tristan, who left in a huff with Joey for accepting those conditions. Tristan reminded Yugi that he should still be at the Duel to offer Joey his friendship, so the two of them returned to watch.
That night, Mai shared her food with Yugi and his friends, although she promised that they would be enemies again tomorrow.
Bakura Ryou appeared at their campsite, shortly after Mai left for a walk. While the group talked about cards they own and identify with, Yugi encouraged Téa to pick one for herself and picked the "Dark Magician" as his own. Bakura suggested that they play a friendly Duel, where Yugi includes the cards Joey, Tristan and Téa identified with; "Flame Swordsman", "Cyber Commander" and "Magician of Faith", in his Deck and he can show them how his card, "Change of Heart" works. Bakura changed to Yami Bakura, who trapped the group's souls in the cards they selected. He proceeded to take Yugi's Millennium Puzzle, but Yami Yugi emerged and faced Yami Bakura in a Shadow Game, staking the Millennium Puzzle, in order to return his friends.
Yugi's friends appeared in place of the monsters they selected as Yami Yugi Summoned them. When the "Dark Magician", Yugi was Summoned, the two Yugis met. In the Japanese version, Yugi was aware of Yami's existence and the two of them agreed now is not the time to keep secrets. In the dub, Yugi was unaware of Yami's existence until that time, though he said he often heard a powerful voice coming from the Millennium Puzzle when he Dueled. Yugi told his friends of Yami's existence, that he is the spirit of the Millennium Puzzle and apologized for not telling them before. In the dub, Yugi admitted to having felt Yami's presence while he Dueled and felt they could trust him. Yami managed to win the Duel, with the help of Bakura betraying Yami Bakura, returning everyone to normal, although Téa, Tristan and Joey believed the Duel to have been a dream. Yugi didn't take time to explain as they heard Mai scream at that point.
The group found the Eliminator, PaniK, who had just beaten Mai and taken all eight of her Star Chips. Yugi accused PaniK of being a coward and Dueled him as Yami Yugi, winning back Mai's Star Chips. He offered them to Mai, who reluctantly took them back, remarking that she owed him one.
Later that night Kaiba arrived on the island and Yugi returned his Deck.
The next day, Mai left a letter explaining she had left and owes Yugi for winning back her Star Chips. Joey later got separated from his friends, who searched a cave after finding his wallet outside. After running from many traps, they found Joey in a Duel with Bonz. Joey won, but Bandit Keith's gang trapped Yugi and his friends in the cave, by sealing the entrance with a boulder.
Using Bakura's Millennium Ring as a guide, the friends found the Paradox Brothers guarding an exit. Yugi and Joey faced them in a Tag Duel to gain passage.[32] After winning Yugi and Joey, each had enough Star Chips to enter the finals and Yami Yugi passed the brothers riddle test in order to exit.
At the stairs to Pegasus' castle, Téa pondered on Yugi's differing personalities and wondered if there could be two Yugis. Yugi admitted to feeling as though there is someone else living inside him, but hoped he wasn't going crazy.
At the top of the stairs, Kaiba blocked the way and talked Yugi into a Duel. Yami took control and faced Kaiba, using his Duel Disk technology.[14] As Yami was about to win, Kaiba stood up on the edge of the castle, such that the shockwaves from Yugi's attack may cause him to fall to his death. (In the English anime, Yugi spoke to Yami, telling him not to do it.) Yami contemplated, but in the end decided to attack. Téa ran to Yugi insisting that this is not like him and calls for the ordinary Yugi to come out. Yugi took control in time to cancel the move. He fell to his knees, shocked by what he had almost done. Kaiba took his turn and won the Duel, claiming five of Yugi's Star Chips.
Now fully aware of the other Yugi's existence, Yugi admitted it to his friends, telling them that he is afraid of him and consequently afraid to Duel. Kaiba called Yugi weak, but Téa protested arguing that Yugi saved him and Kaiba is the real loser.[34] After Kaiba left, Yugi continued to mope. Joey offered Yugi to take his Star Chips, so he may enter the finals, but Yugi ignored him. Frustrated, Joey grabbed Yugi by the shirt, asking him if he cares about his grandfather.
Mai appeared and was briefed in on what just happened. She offered Yugi her excessive Star Chips, as per her promise from earlier, but Yugi did not even acknowledge Mai's appearance. Annoyed, Mai told him to grow up and hang on to the Star Chips. She accused him of being afraid to Duel again and challenged him. Téa instead accepted the Duel, to win back Yugi's Star Chips.
Yugi began to slowly snap out of his depression as he watched Téa Duel. After Mai surrendered, Yugi approached her about the face-down card she didn't use. Mai denied that she lost for him. (In the dub, she said that some cards just aren't worth playing.)
Inside the castle, the group were invited to watch Pegasus Duel Kaiba. Seeing as Kaiba was Dueling to save Mokuba, Yugi opted support to Kaiba. Kaiba was trapped in Pegasus' "Soul Prison" card, after his defeat. Yugi then shouted down to Pegasus' asking who he is to mess with people and their families like this.
The finalists along with Téa, Tristan and Bakura were treated to a meal that evening, where the finalists got paired-up. After the meal, Yugi gave Joey his "Glory of the King's Hand", as it is mandatory for each finalist to possess either it or "Glory of the King's Opposite Hand".
That night, Yugi was woken by his grandfather's voice, calling him. He followed it and found a "Soul Prison" card, with his grandfather's soul inside. Solomon warned him about Pegasus and is accompanied by the cards containing Seto and Mokuba Kaiba's souls. Yugi woke up afterwards, wondering if it was a dream.
Yugi faced Mai in the first Duel of the finals. Yami Yugi gives little effort to the Duel, as he was worried about facing Pegasus. (In the dub, Yugi refused to let Yami Duel, fearing how he may harm their opponent.) This resulted in Yugi playing poorly. Encouraging words from Mai returned the Yugis to the top of their game and allowed them to turn the Duel around and emerge with a win.
Yugi cheered for Joey in his Duel against Bandit Keith.
Yugi faced Joey in the final round. Joey used all he learned from Yugi, but was still defeated by Yami Yugi. Afterwards Joey offered to give "Glory of the King's Hand" back to Yugi, so he may claim the prize money. However Yugi declined, as he had entered to tournament with the intent of saving his grandfather and now the Kaiba brothers. The money was not important to him, but Joey needed it for his sister's eye operation.
Yugi advanced to Duel Pegasus. At the start of the Duel, Yugi requested that the Kaiba brothers' souls be released as well as his grandfather's, if he wins. Pegasus accepted but indicated that he plans on taking Yugi's soul if he wins. Pegasus used his Millennium Eye to read Yami Yugi's mind during the Duel, but Yugi had an idea about countering Pegasus's powers by the risky strategy of having him and Yami switch minds each time they played a face-down card, thus preventing Pegasus from reading their strategy while running the risk that one of them would attempt something that would hinder the other's plans. After the Yugis destroyed Pegasus' "Toon World" card, Pegasus transported them all into the Shadow Realm. In the Shadow Realm, Yugi lost his life energy while doing the mind shuffle strategy, lacking the spiritual strength to play on that level, and Pegasus continued successfully reading Yami's mind, until Joey, Téa and Tristan blocked his Millennium Eye. Yami defeated Pegasus, returning them both back from the Shadow Realm.
Pegasus disappeared after his Duel with Yugi. Determined to ensure the captive souls are returned, Yugi and his friends searched for Pegasus. They found a number of Pegasus' men carrying him away after he was assaulted by Yami Bakura. Croquet explained that he was attacked. (In the dub, he said that Pegasus had fallen ill.) Yugi and company headed to Pegasus' tower, where they found a diary entry addressed to new King of Duelists who defeats him, explaining why he created Duel Monsters. Yugi then spotted the three "Soul Prison" cards, which are now blank, meaning the souls are no longer imprisoned.
As he left the tower, Yugi bumped into Shadi, who used his Millennium Key to enter Yugi's mind. To Shadi's surprise he found two soul rooms; one for Yugi and one for Yami. Shadi wound up in a Shadow Game with Yami, but was rescued by Yugi. Yugi informed Shadi that he doesn't believe his other self intends to harm him and asked Yami to release Shadi from the game.
A door opened, leading them to a room lined with stone tablets of Duel Monsters. Yugi learned from Shadi that millennia ago, Egyptian kings played Shadow Games with real monsters and magic. After the games became a war that threatened to destroy the world, one brave pharaoh sealed the magic away. The duo were confronted by the Dark Magician. Shadi prepared to counter by Summoning the Blue-Eyes White Dragon. However Yugi insisted that the Dark Magician would never harm him and asked the magician to let them past. To Shadi's astonishment the magician complied. Seeing Yugi's control over the Dark Magician, Shadi believed he may be the chosen one.
Shadi returned himself and Yugi to outside Yugi's soul. Before disappearing, he told Yugi his name and claimed to have not told it to anyone before.
After the group found Mokuba was back to normal, Croquet handed Yugi the other prizes on behalf of Pegasus, who had been taken to hospital. Yugi received the card "The Ties of Friendship", was crowned the King of Games and also received the 3 million dollar check, which he gave to Joey for Serenity's eye operation.
Kaiba thanked Yugi for saving Mokuba and insisted that they have a fair Duel someday to determine who is the better Duelist. Yami Yugi congratulated Yugi on saving everyone. (In the dub, Yugi pointed out that he doesn't even know Yami's name. Yami replied that he has been called many things such as Pharaoh, Yu-Gi-Oh and Yami. Yugi refered to him as Yami and said he is glad to call him his friend, while Yami was proud to be one.)
Yugi and his friends got a lift back to Domino City from Kaiba.
As Yugi brought his grandfather home from the hospital, the group was confronted by Rebecca Hawkins. She accused Solomon of stealing her grandfather's "Blue-Eyes White Dragon" and challenged him to a Duel. At Kaiba Land, Yugi faced Rebecca in the Duel, as his grandfather was unfit to play.[45] The Duel turned out to be an exact repeat of the Duel their grandfathers played a long ago over a drink of water. Like how Solomon surrendered back then as Arthur needed the water more, Yugi surrendered to teach Rebecca about the Heart of the Cards. Just then, Arthur arrived, showed that Yugi could have won, and explained why he surrendered. After Rebecca apologized, Yugi gave her the card, "The Ties of Friendship".
Mokuba arrived at Kame Game and informed Yugi and his friends that Kaiba's mind had been trapped in the Virtual World by The Big Five, while testing out a virtual reality machine that he created. Upon agreeing to help, Yugi, Joey, Téa, Tristan and Mokuba snuck into Kaiba's laboratory at the Adventure Game. Yugi, Joey and Mokuba got into pods to transport their minds to the virtual world, while Téa and Tristan kept guard.
Yugi, Joey and Mokuba appeared in a graveyard, where they were confronted by "Armored Zombie", "Clown Zombie" and "Dragon Zombie". They Summoned monsters to battle them, but the zombies kept reviving stronger than before. However Joey continued to attack them, until Yugi reminded him of his Duel with Bonz. So Joey played "Shield & Sword", dropping their DEF to 0 and Yugi finished off the zombies with "Dark Magician". Upon beating the zombies, they were each given a card displaying how much currency they have.
The trio spotted the fairy Iru, who guided them to a town. Here they heard that a prisoner, who may be Kaiba, had been taken to the Cave of Death. They were unable to travel there due to the sandstorm and a townsman informed them that they would need a "Niwatori" in order to cross that desert. Upon searching the town, they found a battle competition with "Niwatori" as a prize.
Yugi and Mokuba watched Joey Duel Madam Butterfly in the Virtual World Coliseum. Once Joey found out that Madam Butterfly was Mai Valentine, Yugi and Mokuba ran over to them and explained what happened to Kaiba. Offering to help, Mai got her "Harpie Lady" to snatch the "Niwatori" card from the Coliseum owner and the four of them ran for the desert. At the edge of the desert, Mai played the "Niwatori" card, producing four large birds for them to ride on.
Once they crossed the desert, they reached the template at the Cave of Death. Inside they found themselves in a maze and were chased by "Labyrinth Tank". Yugi used "Magical Hats" to hide them and transport them to another part of the maze, where they met Iru and Adena. Iru guided the group to the exit, but it was guarded by "Gate Guardian". Yugi and Joey together Summoned "Black Skull Dragon" and equipped it with "Dragon Nails", making it strong enough to defeat "Gate Guardian". Outside the maze, a rescue party arrived and took Yugi and his friends to the palace as a reward for saving Adena.
At the palace Yugi and his friends learned that Adena was the queen of the land. (In the dub, she was a princess.) Adena informed them of Mythic Dragon ritual where they must offer sacrifices to the Mythic Dragon. They learn that Adena is to be this kingdom's sacrifice and Kaiba is to be another kingdom's. Adena tells them of a legendary flying machine which can access the castle where Kaiba is and how she believed that Yugi and his friends are prophesized heroes who will destroy the Mythic Dragon. Yugi, Joey, Mai and Mokuba agreed to help and were given hero costumes to wear.
On one of the battlements, they were attacked by monsters who were after the sacrifice. Yugi, Joey and Mai unsuccessfully tried fighting them off. However Mokuba, who had previously swapped clothes with Adena, was kidnapped instead. While trying to find a way to save Mokuba, Yugi noticed a recent storm had revealed the outlines of the flying machine on the floor below them. Yugi asked Adena how long ago the legend involving the flying machine took place. With the unlikelihood of the machine still working and not enough time to dig it up, Yugi hinted to Joey that they needed to restore it to the condition it was 1000 years ago, prompting Joey to use "Time Wizard" to take the machine back 1000 years.
Yugi, Joey and Mai flew the airship up to the castle. On the way they were attacked by monsters, which they countered by summoning their own monsters. Yugi was attacked while his "Dark Magician" was too far away to save him. However Iru, blocked the attack, sacrificing itself. Yugi then played "Swords of Revealing Light" to block attacks. Angry over Iru's death, Yugi switched to Yami Yugi, who led the group to the castle.
As Yami, he managed to regroup with the Kaiba brothers and defeat The Big Five's "Mythic Dragon" in the final stage by Summoning "Dragon Master Knight". Shortly after Adina thanked them and revived Mai, Joey, Mokuba and Iru, the group returned to the real world.
Dungeon Dice Monsters
Grandpa feared for his business, the Kame Game, when the new game store, the Black Clown opened in Domino City. He ordered Yugi to stay away from the new shop. However Yugi and Téa passed it on the way to school later. Yugi received a flyer for a new game Dungeon Dice Monsters, but Téa dragged him away after he blushed at the lady handing out the flyer.
At school, they met the new student, Duke Devlin, the owner of the Black Clown. Joey was jealous of Duke's popularity and challenged him to a game of Duel Monsters. Yugi objected to the condition that Joey and Duke both use Decks from packs they open on the spot. Joey lost the televised Duel and in keeping his end of the bargain had to do whatever Duke said. Yugi became disgusted after Duke forced Joey to wear a dog suit and behave like a dog, so he switched to Yami who challenged Duke to a Duel. Duke accepted if they play Dungeon Dice Monsters instead of Duel Monsters and should Yugi lose he must relinquish his title of "King of Games" and give-up playing Duel Monsters.
Unfamiliar with the rules, Yami got off to a rough start. His chances did not improve as Duke revealed that he designed Dungeon Dice Monsters with Pegasus' aid. Duke blamed Yugi for Pegasus' disappearance after Duelist Kingdom.[51] Yami used his innate gaming skills to turn the tables on Duke. Yami succeeded in calling "Dark Magician", which Pegasus had added to the game, and used it to defeat Duke.
After the game, Duke, Yugi and Yugi's friends went to Duke's office. Duke lamented that his dream has been crushed as nobody would want to play Dungeon Dice Monsters now. However Yugi assured him that it was a great game and his friends agreed. Duke apologized for how he had treated them and they agreed to be friends.
Yugi replaced the brown rope around the Millennium Puzzle with a chain, which Yami Yugi complimented and offered him advice on impressing Téa, who was waiting for him. Embarrassed, Yugi asks what he was talking about. As Yugi left the room, his mother asked who he was talking to. Yugi replied that it was nobody and dashed off, telling Yami to stop picking on him, as he offered to help make Téa like him. (The Yugis talking about Téa and the scene with Yugi's mother were removed from the dub; thus it is never explained why Yugi was blushing.) Yugi met up with Téa and left for school with her (in the dub, they were going to a soccer game). Yugi told her that Yami was worried about his destiny and had no memory of his past.
On the way to school, Yugi bumped into Bandit Keith, who was possessed by Marik Ishtar and disguised as a fortune-teller. Falling for the disguise, Yugi reluctantly let him hold the Millennium Puzzle in order to read his future. Keith knocked over the table at Yugi and Téa and ran off with the Puzzle. Yugi and Téa split up to find him. In his search, Yugi followed a series of arrows, although he knew it was a trap, he felt that he had no other choice. Yugi caught-up with Keith, who had the Puzzle bolted to a wall. According to ancient rules, Marik had to win the Puzzle in a Duel, so he challenged Yugi to a Duel through Keith. Yugi was unable to switch to Yami during the Duel and quickly realized that Bandit Keith was his opponent after seeing he used a Machine Deck.
Yami Bakura sensed an evil presence and pinpointed it to the Duel. Seeing Keith controlled, Yami Bakura used the Millennium Ring to break Marik's control. Keith struggled to resist being repossessed, but Marik took control long enough to have Keith smash the Puzzle. Bakura swung down from a rope, knocking Keith unconscious. Bakura then collected a piece of the Puzzle and sealed a fragment of his soul inside it, before returning it to Yugi. Keith regained consciousness and continued to struggle with Marik's mind control, setting fire to the warehouse in his confusion. Unable to remove the piece of the Puzzle connected to the wall, Yugi stayed in the burning building to reassemble it. After inserting the last piece he collapsed and goes unconscious from the heat , but was rescued by Tristan and Joey and was taken to the hospital.
Worrying about how the Puzzle almost got stolen, Yugi took time to talk with Yami and discovered that Yami has no idea of who he once was, as he has lost all his memories. The duo suspected that their new enemy is in possession of a Millennium Item.
To try and help Yami regain his memories, Yugi asked Téa to spend time with Yami. He asked Téa out, but switched to Yami just before the date. Not expecting this Yami started shouting into the Puzzle at Yugi, until he was noticed by Téa. On the date, Yami and Téa learned from Ishizu Ishtar that Yami was once an Egyptian pharaoh and that Yugi had to enter the upcoming Battle City tournament to stop their new enemy.
While talking with Téa, about Duel Monsters at school, Téa asked which card best suited Yugi, assuming he would pick "Dark Magician". However Yugi explained that while "Dark Magician" is powerful, "Maha Vailo" better suits him, as it's not the strongest card, but it had hidden power. He would have liked to have picked "Dark Magician", but thought it's better suited to the other Yugi.
The day before the tournament, Yugi and Joey picked-up their Duel Disks in order to compete and the next morning Yugi finished reconstructing his Deck for the tournament.
Yugi spotted Joey trying to get a rematch with the Rare Hunter, Seeker, who had won his "Red-Eyes Black Dragon". Yugi noticed his robes were the same as the ones Bandit Keith wore, while he was possessed. Seeker refused to face Joey again, but challenges Yugi to a Duel. Yugi accepts and switched to Yami[60], who won and took back Joey's "Red-Eyes Black Dragon". Marik then used Seeker as his puppet to communicate with Yugi. He introduced himself, told Yugi how he's after the power of the pharaoh and warned him that there are more deadly Rare Hunters. Yugi offered Joey back the "Red-Eyes", but Joey refused, saying he will wait until he's a true Duelist before earning it back.
Yugi saves Arkana from the buzzsaw.
Yugi was lured into a tent by a harlequin and confronted by the Rare Hunter, Arkana. As Yami Yugi, he faced Arkana in a Duel, where the loser's feet got cut off by a buzzsaw. (In the dub, they got sent to the Shadow Realm by energy disks.) Yami won the Duel, but Yugi then took over and saved Arkana from the buzzsaw (energy disk in the dub).
At the canal side, while Yugi spoke with Yami about recent happenings they were confronted by another Rare Hunter, Strings. Strings was under Marik's complete control and Dueled Yami Yugi using the Egyptian God Card, "Slifer the Sky Dragon". Yami won the Duel, earning "Slifer the Sky Dragon" through the Ante rule. Kaiba, who had appeared during the Duel challenged Yugi to a Duel on the spot, but Marik warned Yugi that he was going to take control of Joey. Yugi declined Kaiba's challenge as he had to find and save his friend.
As Yami Yugi searched the city for his friends, with Kaiba's help, they defeated the Rare Hunters Umbra and Lumis twice, gaining enough Locator Cards to qualify for the finals and also located Joey at Domino Pier.
Yugi facing Joey, who is possessed by Marik
At the Pier, Yugi was forced to Duel Joey, who was possessed by Marik. Each player had their ankles chained to an anchor, which would drag them underwater to drown after the timer reaches 0. The only way for either player to save themself was to defeat their opponent, which would open a box, giving them a key. Yami made the first few of Yugi's moves, but Yugi insisted that he should fight this battle himself. Through talking to Joey and using "Red-Eyes Black Dragon" to remind him of his promise to become a true Duelist and even giving him the Millennium Puzzle, Yugi managed to get Joey's subconsciousness to ignore Marik's commands. Yugi managed to fully snap Joey out of Marik's control shortly before forcing himself to lose. With Joey back to normal, Yugi told Marik that he was the true loser of this Duel. Yugi let his Life Points fall to 0 and collapsed, releasing Joey's key. However Joey managed to force the Duel into a DRAW, releasing Yugi's key too. Using the chain, Joey swung to Yugi's side of the field and grabbed his key, before the anchor dragged them both down. He unlocked Yugi, who floated to the surface and was brought ashore by Tristan. Serenity dove in with the other key to save Joey. Joey later apologized and returned the Millennium Puzzle. Yugi thanked Yami for trusting in him and Yami said that Yugi has taught him the strength behind kindness and that one day Yugi will surpass him in every way.
Afterwards Mai gave Yugi and his friends a lift to the finals.
Yugi, Joey, Mai, Téa, Tristan, Duke and Serenity arrived at the KaibaCorp Stadium for the finals. Yugi was suspicious of the finalist Marik, who is under the guise "Namu", and Bakura, who should be in the hospital. Téa cleared any suspicion of Namu, by informing Yugi of how he saved her, Joey and Bakura earlier. Shortly after Odion Ishtar, pretending to be Marik arrived, everyone boarded the blimp, where the finals took place.
As Yugi prepared for the finals in his room, he added "Slifer the Sky Dragon" to his Deck, thinking he was going to need it to face Marik. He also suspected Bakura had come into contact with the Millennium Ring again.
Yugi meets Shadi.
Yami Yugi faced Bakura in the first of the quarter-finals on the Stratos Dueling Arena. Yugi's suspicions were confirmed as they faced Yami Bakura.[71] When Bakura was one turn away from winning with "Destiny Board", the two Yugis agreed that they had to use "Slifer the Sky Dragon" to defeat him. Yami Yugi Summoned "Slifer", but Marik switched control of Bakura's body from Yami Bakura to Bakura, who was too weak to withstand the attack. However Yami Bakura disagreed with Marik's plan and took control of Bakura's body. He invited Yugi to attack him, refusing to let his host die. Yugi won the Duel, knocking Bakura unconscious and in leaving him need of medical attention.
During the intermission before the next Duel, Yugi unsuccessfully tried to get Kaiba to make an emergency stop to take Bakura to a doctor. Yugi went back to his room and began examining his Deck. He was interrupted by Shadi, who told him how the Egyptian God Cards were created and why he must stop Marik from getting his hands on them.
Ishizu gives Yugi the Millennium Necklace.
Joey defeated Odion, who was still pretending to be Marik and exposed him as a fake. Subsequently Namu was exposed as the real Marik and Yami Marik took control of his body. Marik confronted Yugi, saying the battle for the Pharaoh's power had just begun.
After losing to Kaiba, Ishizu Ishtar told Yugi of the Ishtar family's history and gave him the Millennium Necklace, as he was going to need all seven Millennium Items to recover the Pharaoh's memories.
That night Yugi was woken by Téa, who reported Bakura has gone missing. They discovered he was Dueling with Marik and saw him lose shortly after they arrived.
Virtual World
The Battle City blimp got sucked into a mechanical fortress in the sea, by Noah Kaiba. Yugi, Joey, Tristan, Téa, Serenity, Duke, Kaiba and Mokuba exited the blimp, where they were greeted by a projection of the Big Five, who explained that they got trapped in the Virtual World, after they failed to trap Kaiba there, during the Legendary Heroes game. For that they hate Yugi and his friends for helping Kaiba. Having Kaiba as a common enemy, Noah uploaded their minds into his computer system. Using an altered form of Duel Monsters, they planned to face the gang in order to claim possession of their bodies, so that they may exist in the real world.
The group were then transported to a virtual jungle, where they are given a demonstration of the Deck Master rules. The Big Five then separated the gang, by making holes appear under them.
Yugi was transported to a pond, where he was faced by Gansley, who had taken the form of "Deepsea Warrior". Before Dueling Gansley, Yugi changed to Yami Yugi, who Gansley identified as "Type-B". During the Duel, Yugi noticed that their Deck Master, Kuriboh was trying to tell them something. As Yami was about to lose, Yugi took over and used Kuriboh's Deck Master effect to save them. Shortly afterwards, Yugi collapsed so Yami took back control and won the Duel.
The Yugis entered a hallway afterwards. Although they were aware there were traps behind some doors, Yugi ran through one, after hearing Téa scream, but was thrown back by an attack. Yami drew the Level Star of the door to Yugi's attention, so Yugi Summoned a monster of a higher Level, "Winged Dragon, Guardian of the Fortress" and has it launch an attack into the doorway. They entered the doorway and wound up repeating the same process. Realizing it was because they keep choosing the Level 1 door, they started attacking different Levels. The final door had the 2000 ATK, Level 4 monster, "Flash Assailant", backed up with a series of face-down Magic or Trap Cards. Yugi used "Heavy Storm" to clear the face-downs and the effect of "4-Starred Ladybug of Doom" to destroy "Flash Assailant".
Yugi arrived at the scene of Téa's Duel, but was held back by a wall of ice. "Dark Magician" was taken from his Deck and Summoned to Téa's field, after she played "Sage's Stone". Attacking with both "Dark Magician" and "Dark Magician Girl", Téa defeated Crump, causing the ice around her to disappear. Yugi rushed to her aid and gave her his coat. Together they walked though the ice region and entered a door, taking them to a courtroom, where Joey was Dueling Johnson.
Yugi correctly suspected that Johnson had rigged the outcome of Joey's luck based cards. Although Noah attempted to disqualify Johnson, Joey insisted that they continue with the game unrigged. After Joey won, he, Yugi and Téa exited though another door.
The trio found their way to Duke, Serenity and Tristan's Duel against Nezbitt. After the Duel, the gang tried to find Tristan, before the Big Five took his body. They briefly met up with Kaiba and Mokuba, but were attacked by Nezbitt in possession of Tristan's body. The real Tristan in the body of a robot monkey helped them fight the imposter. However Nezbitt kidnapped Mokuba and Kaiba took off after him, leaving the others think about what to do with the monkey, not knowing it was Tristan.
The group took a pick-up truck to go after Kaiba. On the way, they found out the monkey was Tristan after he accidentally flipped a switch, allowing him to speak normally.
After watching Kaiba Duel Leichter, Yugi and Téa went with Kaiba to help him find Mokuba. The others tried to follow, but the tunnel disappeared, before they could enter.
Inside the tunnel Yugi and Téa got separated from Kaiba, and found themselves in a simulation of Kaiba's mansion back when Seto Kaiba got adopted. Yugi found a picture of Kaiba's father, Gozaburo, with Noah, shortly before meeting up with Kaiba again. Noah then showed the three of them a projection of the past, where Gozaburo showed Noah a picture of Seto, who Noah had to be able to compete with in order to run KaibaCorp.
Noah transported Yugi, Téa and Kaiba back to their friends, where they were confronted by the Big Five, now all sharing possession of Tristan's body. Yugi and Joey teamed-up to Duel them in order to win back Tristan's body. Although Yugi and Joey won, the Big Five attempted to steal their bodies, but Noah took them away, along with Tristan's body, before they could.
Since Noah designed the robot monkey, Yugi and his friends searched it for clues. Yugi pushed a red button, which transported them to a virtual Kaiba Land. From there the gang took a handcar through a subway and wound up on the scene of Noah and Seto Kaiba's Duel.
Yugi takes Yami to his soul room of recent memories.
Noah won and turned Seto and Mokuba to stone. This caused Yugi to get mad and change to Yami, who accused Noah of foul play, as he had used Mokuba as a shield to help him win. As Yami, Yugi combined his Deck with Seto's and continued the Duel. Noah gradually turned Yugi's friends to stone as Yami Dueled, until none of them were left. Yugi then offered Yami support and took him to his soul room. Inside he brought Yami to a room containing his recent memories, where everyone, who had been turned to stone offered their support. Back in virtual reality, Yami imagined Yugi's friends giving him the cards drawn by "Card of Sanctity". With them, Yami Summoned Kaiba's three "Blue-Eyes White Dragons" to win the Duel against Noah.
After the Duel, Noah attempted to steal Yugi's body and escape to the real world, but the power of the Millennium Puzzle forced him back. After Noah found out that Gozaburo had been using him, he tried to help everyone escape the virtual world and took them to a virtual Domino City. The group got separated and met-up again, minus the Kaibas. Having realized Noah double crossed them, Yugi started to blame himself for trusting Noah.
Gozaburo had monsters attack Yugi and his friends as they looked for a way out, but Yugi and Joey fought them off by Summoning monsters from their Decks. Noah, having stolen Mokuba's body and escaped to the real world, organized a missile attack to destroy the fortress, including the servers for the virtual world. After having a change of heart, he contacted the group and explained that they must get out out quickly before the virtual world is destroyed.
Yugi and Kaiba jump from the building.
Noah told them to go the arcade. Yugi, Duke and Joey fought off more of Gozaburo's monsters, while Téa, Serenity and Tristan went there. When Yugi, Duke and Joey got to the arcade, Noah asked Yugi to go and get Seto before returning himself.
Yugi complied and went to the KaibaCorp building, catching Seto shortly after he beat Gozaburo in a Duel. Gozaburo took the form of a monster and chased the two. Noah instructed them to jump off the building. With no other option they complied and awoke in the real world, before hitting the ground.
Yugi, Kaiba and Mokuba ran to escape the fortress before the missile strike and were helped onto the moving blimp by Joey and Tristan, shortly before the fortress got destroyed.
Battle City finals
The KaibaCorp blimp took the finalists to the Duel Tower for the Battle City finals. Yugi switched to Yami Yugi for the Battle Royal to determine match-ups[95] and wound up with Kaiba as his opponent.
Yugi weeps over Joey, after he loses to Marik.
Yugi tried to stop Joey from Dueling Marik. However Yami reminded him that Joey accepted the Duel knowing it would be a Shadow Game and nobody can stop such a game. Yugi worried for Joey and wondered if there was something they could do to help. However Yami assured Yugi that this was Joey's fight and he can win with their support. After Joey lost, Yugi screamed that it's a lie. He said that he won't lose Joey to the Shadow Realm. Later at Joey's bedside, he begged for him not to die. Yugi blamed himself, saying that he should have Dueled Marik instead. Out in the hallway, Yugi cried more and considered stopping Dueling, but Yami convinced him that they must not give-up and let Marik win. Yami got the idea to use the Millennium Necklace to see what happens. He and Yugi then used it to look into the future, where they saw Yami and Joey preparing to Duel.
Yugi Dueled Kaiba in the second semi-final as Yami Yugi. They managed to defeat Kaiba and afterwards found out Joey was okay to Yugi's delight. Yugi and Yami gained Kaiba's "Obelisk the Tormentor" card through the ante rule.
Yugi and Yami watched Joey Duel Kaiba in a third place play-off. They both agreed that Joey was a great Duelist and would have defeated Marik, had their Duel not been turned into a Shadow Game. The two them noticed the Millennium Puzzle acting strange and saw Téa's reflection in it. They left the Duel to find Téa, who was possessed by the original Marik to confront Yami Marik. At the top of the Duel Tower, they found Téa, Marik and Ishizu. Ishizu explained that Téa would be fine and that Marik's good side still lives on within Téa's mind.
Yugi partly disappearing, while Yami Yugi Duels Yami Marik.
Before facing Marik, Kaiba gave Yugi the card, "Fiend's Sanctuary", which Kaiba intended to use against Marik himself. Yami Marik and Yami Yugi's final Duel was a Shadow Game, where the regular Yugi and Marik were drawn from their bodies and floated next to them in spirit form. Yugi and Marik were bound by their wrists and ankles in darkness and parts of their bodies disappeared as their "Yami" selves lost Life Points. (In the 4kids version, they were gradually being swallowed into the Shadow Realm.) If Yami Yugi lost, Yugi would vanish and the Pharaoh would cease to exist as he required the physical body of a host to maintain himself.
Yugi encouraged Yami throughout the Duel. He even urged Yami to pay Life Points to keep "Fiend's Sanctuary" active, knowing it would make part of his body disappear. Yugi insisted that they must find a way to win without causing the good Marik to disappear. However, the good Marik possessed Téa and told Yugi not to hesitate, he's prepared to die. He no longer blamed the Yugis for his father's death. (In the dub, Marik said not to worry about protecting him, he wants to defeat his dark side at all costs.)
Yugi was certain that Yami Marik was going to fuse with "The Winged Dragon of Ra" a second time in the Duel and reminded Yami Yugi that if he does that again, he will become a monster and have the weakness of a Monster Card. With that in mind, Yami Yugi managed to use "Ragnarok", which would destroy "Ra". As Yugi wondered if this would cause the good Marik to disappear, Odion appeared.[104] Since Odion had been keeping Yami Marik away, his return allowed the regular Marik to regain some control of his body and urged Yami to attack. The Yugis continued to use the effect of "Ragnarok", which destroyed Ra and caused Marik and Yami Marik to switch places. With only 1 Life Point left, only Yami Marik's eye remained. Marik then surrendered causing Yami Marik to disappear and Yugi to win the Duel.
Yugi and Yami Yugi receive the last and strongest of the Egyptian Gods, "The Winged Dragon of Ra".
As the host, Kaiba congratulated Yugi for winning. (In the dub, he added that Yugi only won because Marik surrendered.) Marik informed Yugi that with his dark side gone, the souls of Mai and Bakura should be released and gave him "The Winged Dragon of Ra" due to the ante rule. Marik then showed Yugi the hieroglyphics carved on his back, explaining that the secret of the Pharaoh's power is written there, and whoever holds the three Egyptian God Cards can unlock that secret. With his mission complete, Marik handed the Millennium Rod and Ring to Yugi.
Kaiba announced that he was going to blow-up the Duel Tower and gave everyone an hour to evacuate. Yugi and his friends returned to the Battle Ship and found that Mai and Bakura were okay, but there was no sign of the Kaiba brothers on the blimp. With the Battle Ship damaged from escaping Noah's fortress and no one able to find the Kaibas, everyone else boarded the KaibaCorp helicopter. As they left, they saw Kaiba and Mokuba had escaped in their Blue-Eyes White Dragon jet.
Back in Domino City, Yugi and his friends said goodbye to the Ishtar family, Duke and Mai. Afterwards, back in Kame Game, Yugi and Yami Yugi assembled a Deck and included the "Red-Eyes Black Dragon" Joey gave them. At sunrise, the Yugis met Joey at the plaza for a final Duel to conclude their Battle City adventure.
Doma
Between classes, Yami took control of Yugi's body and skipped out of school to go to the museum, with Egyptian God Cards to uncover his memories. Yugi asked why they were going alone. Yami replied that it would be too depressing to say goodbye and just wants Yugi to see him off. (In the dub, there was no mention of why they were going alone. Instead Yami said that he felt the Egyptain God Cards pulling him to the museum.) However, Téa, Joey and Tristan caught up with him outside the museum and reminded him that they are a team. Inside Yami held the Egyptian God cards up to the tablet, but something held him back. The group heard a scream and dashed outside, finding a large number of living Duel Monsters in the city.
Suspecting the Duel Monsters appearing was caused by Kaiba's holographic technology, they went to KaibaCorp, but were unable to get past a crowd of reporters.
Yugi helps Grandpa after the break-in and learns that the Egyptian God cards have been stolen.
Later at the Kame Game, as Yugi and his friends watched Kaiba on TV explaining that he wasn't responsible, there was a break-in and the Egyptian God cards were stolen by motorcyclists from Doma. They quickly rushed outside and saw the Gods appear in the city. Yugi wondered who could have Summoned them as only someone with a connection to the Millennium Items can Summon the Egyptian Gods. The thieves then appeared before them, demanding that Yugi follow them if he wants to get the God cards back. Yugi changed to Yami and wound up Dueling one of them, Gurimo. Gurimo used the soul stealing card "The Seal of Orichalcos" and was even able to Summon "Obelisk the Tormentor" through its power.[106] Yugi still managed to defeat Gurimo, causing his soul to be sealed in the card. Afterwards Yugi took his necklace containing a fragment of the Orichalcos stone. As a reward for his victory, Rafael released the souls of Rex and Weevil, which Gurimo had previously captured using "The Seal of Orichalcos".
On the street, Yugi, Téa, Joey and Tristan found Rex and Weevil and discussed the bikers, who had stolen their souls and Yugi's God cards. Rex and Weevil pretended to agree to help them, but secretly planned on getting the God cards for themselves.
Rebecca kisses Yugi.
After leaving Rex and Weevil, Yugi and his friends met Rebecca Hawkins, who claimed that Yugi is now her boyfriend and took them to the museum to see her grandfather Arthur. From researching the origins of Duel Monsters, Arthur confirmed that Yugi was indeed sharing a bond with an Ancient Egyptian pharaoh and informed them that pharaoh saved the world when Ancient Egyptian sorcerers harnessed real monsters' powers by sealing them in tablets, like Duel Monsters. He also showed them photos from what he believed was Atlantis, showing carvings of Duel Monsters, proving that the origins of Duel Monsters dates back further than 3000 (5000 in the dub) years in Egypt to at least 10000 years ago in Atlantis. Arthur told them that he believes there is a parallel dimension where Duel Monsters are real. Since the pharaoh saved the world the last time people conjured these monsters, Arthur believes Yugi is to save the world this time, since the pharaoh has been reborn in him. Not certain what to do next, Yugi gave Arthur the stone he had taken from Gurimo for him to test. Outside the museum, to Yugi's embarrassment, Rebecca gave him a kiss before leaving. Shortly before leaving himself, Yugi thought that he heard someone calling for help, but couldn't see them anywhere.
As Yugi went to sleep that night, he heard the voice calling for help again. The Millennium Puzzle activated and the two Yugis were sent to the chamber inside the Millennium Puzzle. They heard the voice calling for help again and searched to see if they could find who it was. They eventually found Kuriboh, who led them to a room they'd never been to before. They heard the voice again and followed it, causing them to be transported through a vortex to the Duel Monsters Spirit World.
Yugi and Yami release Timaeus and gain his strength
Yugi and Yami found themselves hovering above a castle. They flew down into it and met Dark Magician Girl, who told them that both worlds were in danger. She explained that the two worlds rely on each other for survival, but now a gateway has been opened between the two worlds and the great beast, who feeds on the life force of humans and spirits will consume them all. Yugi and Yami agreed to help them, so Dark Magician Girl took them to three dragons trapped in crystal. According to legend, three warriors should be able to free them. Believing Yugi to be one of the warriors, she instructed the Yugis to remove a sword from one of the dragons. Yugi and Yami pulled the sword out, freeing the dragon, Timaeus.
Yugi woke-up in his bed shortly afterwards. He saw a strange light phenomenon trapping monsters outside. He ran to the plaza to see what it was and met his friends there. The monsters were absorbed into a crystal, which shattered, revealing an eye, which shot a twister at Yugi. However Yugi's Duel Disk began to glow as the card, "The Eye of Timaeus" appeared in it. Using it, Yugi Summoned Timaues to attack and destroy the eye. The Dark Magician Girl then appeared next to Yugi and informed him that the battle is just beginning.
While showing his friends the card, Yugi received a package from Industrial Illusions, containing a videotape and the card, "Illusion's Key". He was initially reluctant to watch the video, remembering the last one Pegasus sent him. After deducing Pegasus can't seal souls, since he no longer has the Millennium Eye, Yugi and his friends watched the tape. Pegasus offered some explanation for the recent events, but since it was too risky to leave the information on tape, he asked Yugi to meet him in person and arranged a jet for Yugi and his friends to come to California and bring the "Illusion's Key" with them.
Timaeus lights up as Critias is released by Kaiba.
The group took the plane to San Francisco, where a limousine was provided to take them to the Industrial Illusions headquarters.[110] Inside the limousine, Yugi noticed "The Eye of Timaeus" lighting up as Kaiba reelased Critias elsewhere. However the limousine took the group to a desert and the driver abandoned them at a gas station.[111] At the station, they were approached by another motorcyclist gang looking for trouble, but Mai Valentine appeared on a motorbike and fought off the bikers, causing a fire. Tristan drove Yugi, Joey and Téa in the limousine away from the station before the gasoline pump caused an explosion. Mai also escaped on her motorbike and drove away. The limousine broke down, while still in the desert, leaving Yugi and his friends stranded. Using Téa's femininity while the boys hid, they were able to hitch a ride from a truck driver to Industrial Illusions.
When the group finally at the Industrial Illusions headquarters, they were locked in by Mai, who revealed that she was with Doma and had captured Pegasus' soul in a "The Seal of Orichalcos" card, before challenging Joey to a Duel. During the Duel, Yugi's "The Eye of Timaeus" card once again lit-up as Joey was sent to the Spirit World to free Hermos. Fearing Mai would lose, Valon broke-up the Duel and the members of Doma fled.
Yugi and company encounter the holographic recording of Pegasus.
Yugi and his friends were then joined by Duke, Rex, Weevil and Kaiba. Using the card "Illusion's Key", Yugi was able to open a secret room, where they encountered a holographic recording of Pegasus. Pegasus told them about Doma's involvement in historical events and told Yugi where to find an exclusive card, he would need later. They found the card, "Legend of Heart", albeit blank at the time, within the room. Although, Kaiba decided not to stick with Yugi and his friends, they correctly guessed that he had the other Legendary Dragon, "Fang of Critias".
Duke gave the gang a lift to Arthur Hawkins' house to look for clues on what to do next. By the time they got there, Arthur had been kidnapped and the house was blown-up. Rebecca flung herself around Yugi and explained what happened. The group went into Arthur's mobile home and discussed what happened. Rebecca returned the Orichalcos stone, Yugi had lent to Arthur. While the others prepared something to eat, Yugi and Rebecca stepped outside to talk. Rebecca showed Yugi a card and note from Rafael she found after the explosion. Rafael's note told Yugi to come alone to Death Valley. (In the dub, it told Yugi to go there if he wanted to see Arthur again.) Later that night, Yugi borrowed Rebecca's horse, Copernicus, to go there.
Yugi Dueled Rafael as Yami Yugi at Death Valley, but still accompanied Yami in spirit form. Yugi was relieved when Rafael said that he had no intention of playing "The Seal of Orichalcos" in this Duel.[116] However Rafael used "Exchange" to give the card to Yugi later on. Yugi urged Yami not to use that card, no matter what happens and Yami agreed. However, they reached a point where Yami felt he was going to lose unless he played the Seal. Despite Yugi's objections, Yami played it and Yugi's spirit form left him alone.
Not wanting anything to happen to the Pharaoh, Yugi saves him by allowing the Seal of the Oricalchos to take his spirit instead.
Yugi was unable to contact Yami for the rest of the Duel, as he was trapped behind the Seal. He unsuccessfully tried pleading with him to not sacrifice his monsters, including "Dark Magician Girl", whom they made a promise with. Yami went on to lose the Duel and was about to lose his soul to "The Seal of Orichalcos". Using the power of the Millennium Puzzle, Yugi broke the seal that was holding him back and appeared next to Yami again. Since "The Seal of Orichalcos" only takes one soul, Yugi pushed Yami aside and let the seal take him instead.
Yami traveled to the Stone Wilderness, where spirits both good and evil roam, in the hopes of contacting Yugi. He managed to find Yugi and apologized for what happened. Without Yugi, Yami said the darkness inside him is starting to grow. He was afraid that Rafael might be right that he is evil and feared getting his memories (This maybe false because, he was manipulated easily by Rafael's words to be a lie from Dartz only to get his soul or being influenced by the Orichalcos itself). Yugi reminded Yami that he has been locked away. Yami tried apologizing again, but Yugi said that he didn't want his pity. Yugi asked if Yami only came here to demoralize himself. (In the dub, he said if Yami truly is evil, there's only one thing to do.) A Duel Disk appeared on Yugi's arm and he challenged Yami to a Duel. Yugi knew that he would have to Duel Yami sooner or later and if Yami's heart has become dark or engulfed in the darkest abyss, Yami shall lose. (In the dub, Yugi said that Yami doesn't deserve to be a part of this world and must pay for what he has done.) Yami reluctantly accepted the Duel.
Yugi after playing "The Seal of Orichalcos" in his Duel against Yami.
Both Yugi's drew the same cards in the same order, so Yugi used "Sangan" to shuffle his Deck and "Card Destruction" to reset their hands. Yami stated that the Duel was meaningless. However Yugi explained that Yami's weakness is the darkness in his heart, he is arrogant and warped by his sense of pride. With only one value, it's impossible for Yami to see other people's pain. (This explanation is removed from the dub.) Since he was a mirror reflecting Yami's dark side, Yugi had "The Seal of Orichalcos" in his Deck. Yugi used it and proceeded to use the same strategy Yami used against Rafael, sacrificing his monsters to win. Yami realized that this is what he looked like in the Duel against Rafael warped by his own psychological disruption and descends into his own darkest abyss. He refused to lose, as it would prevent him from saving Yugi and two worlds will eventually be destroyed. But, Yugi only sees Yami, who never cared about anyone's suffering because his pride got in the way and proceeds with monster sacrifice that it is thanks to Yami's recklessness that he can use this strategy to exact his own vengeance. He managed to counter Yugi's strategy with "Divine Wind" and win. Yugi was pleased that Yami won and said that in defeating him, Yami defeated the darkness in his heart and Orichalcos influence that corrupted him meaning that Yugi planned this all along and was never under the influence of the evil card.
Why can't we co-exist with animals on this planet? Tigers are on the brink of extinction. There are only between 5,000 and 7,400 tigers left in the wild and the number keeps shrinking. Of the 8 species of tigers, only 5 are still in existence today. Once they are gone, they will be gone forever. What would life be like if we couldn't show our children and our grandchildren the beauty of these animals? It would be a great tragedy.
I am a sucker for animals. This little tiger lives in Sydney Zoo and he was soooo beautiful, i couldn't not take pictures. It didn't quite turn out how i intended but i might i kind of like it anyway.
For the first thousand years of its existence, Seokguram Hermitage largely remained unchanged. It wasn’t until the 18th century when under Korean Confucian religious rule from 1703 to 1758, that this started to change. This was then followed up by the serious damage that the Japanese inflicted on Seokguram Grotto from 1910-45. First discovered by a Japanese postman and the hermitage underwent three large scale of restorations. From 1913 to 1915, the grotto was completely disassembled and reassembled. In addition, a one metre thick outer wall was added to surround the artificial grotto for protection.
History and Information: www.youtube.com/watch?v=HeHy3Ml3818
On a rather cool and sunny Sunday morning, well over 100 individuals arrived at Willowbrook High School in the Chicago suburb of Villa Park. They gathered in the parking lot to listen to citizens of the community, school staff, students, alumni and activists speak out against perceived injustice and make an appeal for a lasting committment to ending the status quo that in their view disproportionately harms African-Americans and their communities. Attendees were also encouraged to continue to educate themselves on institutional racism, to speak out against injustice in their respective family and friend circles, and to commit to voting in the upcoming elections, with an emphasis on making sure to vote in the local races that so often determine what types of policies are implemented close to home. Eight minutes and forty-six seconds of silence were observed, with many taking a knee, in remembrance of George Floyd. A short march and protest was then commenced around the local residential area before returning back to the high school. This event was one example of the increasing number of local rallies in recent weeks in the Chicagoland suburbs.
Villa Park, Illinois, USA
The Bell AH-1 Cobra (also called HueyCobra) owes its existence to the Vietnam War. While the proof of the air cavalry concept was being proven every day, the US Army was also losing huge amounts of helicopters to ground fire. Equipping the troop-carrying “slicks” with door guns helped, and arming the UH-1 Iroquois/Huey with weapons was another interim solution. Clearly, however, the solution lay with a dedicated attack helicopter that could defend the troop carriers.
Bell, the manufacturer of the UH-1, had been also experimenting with a concept of a heavily armed, turreted, and thin fuselage helicopter. The US Army awarded a proof-of-concept contract to Bell, which replied in a heavily modified Model 47 called the Sioux Scout. It failed to win any orders, but Bell kept at it even as the Army pursued the far more complicated and expensive AH-56 Cheyenne. This resulted in the Model 209, based on components of the UH-1 and the original conceptual design.
With the Vietnam War intensifying and the Cheyenne going nowhere, the Army issued a requirement for an interim solution, which the Model 209—built and tested in only eight months—won easily. The Army ordered 110 AH-1Gs in April 1966 and the type was in action in Vietnam a year later. It was highly successful there, and successive marks of the Cobra would continue to fight in America’s wars since—Grenada and both Gulf Wars. US Army Cobras were upgraded continually in the 1980s, resulting in a dizzying number of variants: the AH-1S (with upgraded engine), AH-1P (with flat glass windscreen), AH-1Q (with TOW missile system), AH-1E (with 20mm gatling cannon in nose turret), and AH-1F (with laser rangefinder and countermeasures). In 1988, the Army finally gave up and redesignated the whole lot as AH-1S.
US Army Cobras were finally retired in 2001, but USMC Cobras remain in service, with the fleet being converted to AH-1Z Kingcobras. Israel, Iran, and Pakistan likewise have used and continue to use their Cobra fleet, and it is generally considered to be the most successful and prototypical attack helicopter.
This is 78-23066, built as an AH-1E until it was redesignated as an AH-1S. It may have spent most or all of its active duty career with the 101st Airborne Division. It suffered a major nonfatal crash in 1988 and had to be rebuilt, but served in Operation Desert Storm in 1991, during which it was named "Awesome Eddie." It was likely passed on to National Guard service soon after, though with which units is unknown. It was retired sometime in the early 21st Century; initially, 78-23066 was acquried by a paintball range in Marana, Arizona, but was then donated to VFW Post 5990 in Avra Valley, just west of Marana.
78-23066 isn't in the best of shape: its olive drab camouflage has faded to the point that it's desert tan--along with the nonstandard sharkmouth, this makes it resemble an Israeli AH-1 rather than a US Army one!
A mosquito floating on calm waters of Tso Moriri, Ladakh. Blue and yellow patterns are reflections of sky and mountains)
en.wikipedia.org/wiki/Durham_Light_Infantry
The Durham Light Infantry (DLI) was a light infantry regiment of the British Army in existence from 1881 to 1968. It was formed in 1881 under the Childers Reforms by the amalgamation of the 68th (Durham) Regiment of Foot (Light Infantry) and the 106th Regiment of Foot (Bombay Light Infantry) along with the Militia and Volunteers of County Durham.
The regiment served notably in the Second Boer War, World War I and World War II, the Korean War and the Indonesia–Malaysia confrontation. During times of peace it had duty in India, China, West Germany and Cyprus.
In 1968, the regiment was amalgamated with the Somerset and Cornwall Light Infantry, the King's Own Yorkshire Light Infantry and the King's Shropshire Light Infantry to form The Light Infantry, which again amalgamated in 2007 with the Devonshire and Dorset Regiment, the Royal Gloucestershire, Berkshire and Wiltshire Regiment and the Royal Green Jackets to form a new large regiment, The Rifles, which continues the lineage of the regiment.
Formation
See also: List of battalions of the Durham Light Infantry
As part of the Cardwell and Childers Reforms of the British Army's regiments, in 1881 the 68th (Durham) Regiment of Foot (Light Infantry) and the 106th Regiment of Foot (Bombay Light Infantry) became the 1st and 2nd battalions of the Durham Light Infantry. Both already had their depots at Sunderland Barracks in Sunderland, as was the Brigade Depot (No. 3). The militia battalions – the 1st Durham Fusiliers and 2nd North Durham Militia – became the 3rd and 4th battalions of the new regiment, with their depots in Barnard Castle and Durham City. The five Volunteer Force battalions of Durham Rifle Volunteers – the 1st to 4th Administrative battalions of the Durham Rifle Volunteers and the 3rd Durham Rifle Volunteer Corps – became the 1st to 5th Volunteer battalions.
A new regimental badge was to be worn, a Tudor rose, this was never worn on any article of clothing, but did appear on the colours until 1934. Instead the light infantry bugle horn was modified with a crown and the regiment's abbreviation.
The system was designed to permit one regular battalion of a regiment to be stationed at home, providing trained recruits for the other on overseas service.
History
1881–99
On formation of the regiment the 1st Battalion was in India at Meerut and the 2nd Battalion was in Ireland at Dublin. The elements of the new regiment still maintained a separate and independent existence, as they had since being grouped together in 1873, however the introduction of shorter service (six years, then another six in the reserves) and the increase in cross posting of officers in the linked regular and Militia battalions, increased the assimilation into a single regiment.
In August 1882 the 2nd Battalion was sent to the garrison the Mediterranean, being split between Gibraltar and Malta, it was reunited in March 1883 at Gibraltar.
In 1884, the Depot moved from Sunderland to Fenham Barracks in Newcastle upon Tyne which it shared with the Northumberland Fusiliers as there was no suitable site near Durham City "which could not be relied upon as not being undermined". The move was not popular as it took the Depot out of the County, it was not to return until 1939, when it was transferred to Brancepeth Castle.
In 1885 the 2nd Battalion was transferred to Egypt to take part in the Mahdist War and was employed with the force under General Stephenson to repel attacks on the railway between Wadi Halfa and Akasha, fighting at the Battle of Ginnis. After the battle, while securing one of the Arab's nuggers (supply boats), an Arab child of about two years was found by the battalion's mounted infantry. Brought back and baptised as James Francis Durham (Jimmy Durham) he would enlist with the regiment and become a corporal of buglers before dying in August 1910. In January 1887, the 2nd Battalion sailed from Suez to India, while in March, the 1st Battalion returned from there to Britain.
While in India, the 2nd Battalion came to dominate the Indian polo scene, winning 17 tournaments against "rich men's regiments" and cavalry regiments. In 1897 and 1898, it assisted in combating outbreaks of the plague in Poona and Bombay.
Second Boer War
The 1st battalion was dispatched from Britain to South Africa to take part in the Second Anglo-Boer War, arriving in November 1899, after local forces had been besieged in Mafeking, and the British forces stationed there had been surrounded in the town of Ladysmith The battalion was involved in General Redvers Buller's unsuccessful attempts to approach Ladysmith across the Teluga river, in reserve for the Battle of Colenso, launching diversionary attacks to the east of Spion Kop, and in early February attacked Vaal Krantz with the battalion taking two hills of the ridge, before the position was abandoned. The battalion was in a supporting role for the Relief of Ladysmith and took little part in the offensive that ended with the annexation of the Transvaal in September 1900.
The war now became one of guerilla raids by the Boers against the British forces and their lines of communication. The battalion was deployed guarding a section of railway line in the Transvaal, while sending two platoon sized units to the mounted infantry. During this time the battalion was joined or reinforced by other units from the regiment. One company from the 2nd battalion came from India in January 1900 and formed part of the Burmah Mounted Infantry, seeing action at Sanna's Post.
The 3rd and 4th battalions were embodied and also served in South Africa. The 3rd arriving in February 1900, where it guarded lines of communications in the Cape Colony and the Orange Free State, escorted convoys and garrisoned Dewetsdorp for 6 months. The 4th arrived in February 1902 and was split into detachments serving in many places, and a mounted infantry company, which escorted convoys. Almost 800 officers and men of the 4th battalion returned to the United Kingdom on the SS Roslin Castle in September 1902, following the end of the war, and returned to Newcastle for disembodiment.
The volunteer battalions supplied contingents to form three special service companies, reinforcing the 1st battalion, which served individually from March 1900 to April 1902.
Pre First World War
The 1st battalion and the company from the 2nd left South Africa for India on the SS Assaye at the end of October 1902, and on 15 November both battalions met at Calicut, before the 2nd battalion, which had been guarding Boer prisoners, left for Britain. The 1st battalion was stationed at Wellington in Madras Presidency.
In 1908, as part of the Territorial Forces Act, the 3rd and 4th battalions exchanged numbers and were recast as the 3rd (Reserve) and 4th (Extra Reserve) battalions in a draft finding role. The 1st to 5th Volunteer battalions were renumbered as the 5th to 9th battalions Durham Light Infantry of the Territorial Force. The 5th formed part of the York and Durham Brigade and the 6th–9th battalions formed the Durham Light Infantry Brigade of the Northumbrian Division (eventually the 150th (York and Durham) Brigade and 151st (Durham Light Infantry) Brigade respectively of the 50th (Northumbrian) Division when the territorial formations were given numbers in May 1915). The 5th Battalion was based at Paradise Row in Stockton-on-Tees, while the 6th Battalion was based at Union Street in Bishop Auckland, the 7th Battalion was based at Livingstone Road in Sunderland, the 8th Battalion was based at Gilesgate in Durham and the 9th Battalion was based Burt Terrance in Gateshead (all since demolished). In 1911, the 1st battalion took part in the Delhi Durbar, receiving new colours from the King.
First World War
During the First World War, the D.L.I. expanded to 42 battalions, comprising two Regular, two Militia, 17 Territorial (1st, 2nd and 3rd line, some never completed) and 21 service and other types (some short lived), with 22 seeing active service overseas – on the Western Front (at Ypres, Loos, Arras, Messines, Cambrai, the Somme and Passchendaele), in Italy, Egypt, Salonika and India. Some battalions were part of the Army of occupation in Germany after the War. In addition, ten battalions of County Volunteers were raised under the terms of the 1859 Volunteer act.
Deaths of NCOs and other ranks in the DLI in World War One
The regiment earned 59 battle honours and won six Victoria Crosses, but at the cost of 12,006 dead NCOs and other ranks. When officers are included this rises to approximately 12,530 – the 10th highest of any of the infantry regiments of the British Army.
When War was declared, the 1st battalion was in India part of the Nowshera Brigade, 1st (Peshawar) Division, and was one of only eight of 52 British Army regular infantry battalions to remain in India. When volunteers for drafts to fight in France were called for, 880 out of 900 responded. The 2nd battalion was in Whittington Barracks, assigned to the 18th Brigade of the 6th Division. The Territorial battalions had been withdrawn early from their summer training camp to their home mobilisation stations.
1914
The 6th Division reached France on 10–11 September as part of the British Expeditionary Force. By this time the German Army's advance had been halted on the Marne and pushed back to beyond the Aisne. The 6th Division was dispersed among the units of the BEF holding the line on the ridge of the Chemin des Dames, with 2nd battalion the penultimate battalion on the right of the line. On 20 September the Germans attacked the junction of the British and French forces but were held; in this introduction to the war the 2nd battalion lost in one day almost as many men as the 1st battalion lost in the whole of the Boer War. The Allies and the Germans now began a series of moves to try and outflank each other resulting in a northwards movement called the Race to the Sea. Rejoining the rest of the division in early October during this northward movement the 2nd battalion fought at the Battle of Armentières, dispersed in companies to reinforce other units to the south-east of Armentiers. By the end of October when it was withdrawn from the front, the 2nd battalion had lost over 80% of its original complement killed or wounded.
On 16 December, the 18th battalion (a Pals battalion) became the first New Army battalion to come under enemy fire when two companies on coastal defence duty at Hartlepool suffered five dead and 11 wounded when the town came under fire from the battlecruisers SMS Derfflinger, SMS Von der Tann and SMS Blucher.
1915
After the failure of British attacks at Neuve Chapelle and the French in Champagne, the Germans attacked at the Second Battle of Ypres on 22 April. By this time the territorial battalions of the regiment had just landed in France with the 50th (Northumbrian) Division on 17–18 April. Without any 'nursery' period the brigades of the Division were deployed as needed in the northern part of the salient around St Julian and the Gravenstafl Ridge. Repeated German attacks throughout late April and May forced a withdrawal toward Ypres. Between 25 and 27 April, the 8th battalion was reduced to the effective strength of one company after being enfiladed at Boetleer's Farm with the 8th Canadian battalion and is credited with saving the flank of the 85th Brigade. In late May, the 5th, 7th, 8th and 9th battalions were part of the forces that slowed the German assault on the Bellewaarde Ridge the last battle of Second Ypres. Due to its losses, in June, the 8th battalion was merged with the 6th battalion to form the 6th/8th Composite battalion, which separated back into its components in August after reinforcement.
The first of the service battalions of the New Army, the 10th battalion of the 43rd Brigade, 14th (Light) Division and the 11th battalion which were pioneers of the 20th (Light) Division, arrived in France in May and July respectively. The 7th battalion was converted to the (50th) Division pioneer battalion on 16 May 1915.
In July, the 41st Division was in the line in the Ypres salient at the chateau of Hooge, where the Germans held the house and the allies the stable block, just north of the Menin road. On 30 July, the Germans used Flamethrowers, which threw back the 41st Brigade and pushed the front line south back to Zouave and Sanctuary Woods. The 6th Division was tasked to retake the old line of late July. The now reinforced 2nd battalion had to face a 500-yard advance paralleling the German line before reaching its objective. In the early hours of 9 August, together with the 1st K.S.L.I. on its left, the battalion overran the German trenches at bayonet point and re-established the British line on the north of the Menin road at a cost of nearly 200 dead and 270 wounded. Praise was received from the brigade, Division, corps and Army commanders and Sir John French commander of the BEF said of the assault it was "...one of the best conducted of the smaller operations of the campaign".
Four more service battalions arrived in France, the 12th and 13th of the 68th Brigade of the 23rd Division in late August and the 14th and 15th of the 64th Brigade of the 21st Division in early September.
The 21st and 24th Divisions were chosen as part of the reserve for the Battle of Loos despite being newly arrived in France and having had comparatively little training. After a long night march, dawn found the battalions between Loos and Hulluch with a German redoubt on Hill 70 to their right. Over the course of the day, both essentially untrained battalions attacked a total of five times unsupported by artillery but were beaten back. The 14th battalion lost 294 killed and wounded, the 15th 642. In late November, the 14th battalion joined the 2nd in the 18th Brigade of 6th Division.
On 4 November, the regiment won its first VC of the war when Pte Thomas Kenny of the 13th battalion rescued a wounded officer.
1916
The arrival of service battalions of the regiment continued: the 19th battalion (Bantams) in the 106th Brigade of the 35th Division on 29 February, the 20th battalion (Wearsiders) in the 123rd Brigade of the 41st Division and the 22nd battalion which landed on 16 June attached to the 19th (Western) Division, but quickly transferred to the 8th Division as Division pioneers. The 18th battalion (Pals) had arrived in March from Egypt where it had garrisoned the Suez Canal at Qantara as part of 93rd Brigade of the 31st Division.
The Somme
The Somme offensive was originally planned, earlier in the year, as a joint British-French offensive but due to the increasing pressure on the French at Verdun was fought in part to relieve that pressure without much of the expected French support. General Haig felt that he lacked sufficient artillery and that many of the New Army Divisions were not yet fully trained but was pressured into starting the offensive at the start of July.
The regiment had two battalions in action on the first day of the Somme, 1 July, the 18th (31st Division) opposite Serre and the 15th (21st Division) north of Fricourt. The 15th battalion, aided by its Division artillery's used of a rolling barrage, captured the German front line trenches and pressed on, until by the afternoon the battalion advanced an additional 600 yards to the edge of Shelter Wood, beating off a counterattack until relieved that night. Casualties amounted to 440 officers and other ranks.
The planned advance of D company of the 18th battalion that morning was overlooked by German forces in the ruins of Serre and together with the other assaulting troops of the first wave suffered grievous losses and gained no ground. The retaliatory German shelling virtually destroyed the front line and communication trenches and the remaining companies of the 18th and other battalions were ordered to prepare a defence in case of counterattack. They remained in these shattered trenches, attempting to repair them and rescuing the wounded from no-mans land, under at times intense bombardment, until relieved during the night of 4 July. When reassembled the battalion had 14 officers and 357 men, having lost 58% of its strength killed and wounded.
British tactics now changed; instead of attacks aiming for deep penetrations, smaller objectives were set, the first at Bezantin Ridge on 14 July. The 12th and 13th battalions fought between Poziers and Martinpuich up to the end of July, the 19th although only in a supporting role, had still lost more than 250 officers and men near Guillemont at the end of July, the 10th fought in Delville Wood in August, and the 11th, a pioneer battalion, was fighting in the trenches near Ginchy in early September.
The next objective was on a 10-mile front between the villages of Flers and Courcelette in mid September. The 2nd and 14th battalions were part of the attack that took the Quadrilateral strong point near Ginchy. The territorials and the 10th, 15th and 20th battalions were also involved in this phase, with the 5th battalion having only 92 officers and men fit by 19 September. Le Transloy ridge was the next target in the increasingly wet autumn, this involved the 2nd battalion, the 6th, 8th (temporarily joined with the 1/5th Borderers) and 9th territorials and the 12th and 13th service battalions. These last two captured the village of Le Sars in what the Official History called "...the striking success of the day." The territorials were again involved in the last assault of the Somme offensive, on the Butte de Warlencourt, the 1/6th, 1/8th and 1/9th losing between them nearly 940 officers and men killed, wounded or missing for no gain.
In early November the 2/5th and the 2/9th battalions consisting of category B fitness men separately embarked for Salonika and the front against Bulgaria.
1917
Arras
The attack along the line at Arras, starting on 9 April was intended as a diversion for the French attack at Nivelle. In the first phase of the attack, the 10th battalion had advanced ~4000 yards through the Hindenburg trench system until relieved on the night of 10 April. The 15th battalion also fought on the first day taking the front line trench (at ~1,000 yards) but being held up afterwards. The territorial battalions were in action in mid and late April south of the village of Guemappe.
In the coalfields of Lens the 2nd and 14th battalions fought the Germans over a feature called 'Hill 70' between April and July, adding it as a battle honour to the regiment.
Messines
The set piece battle of Messines was intended to take high ground to the south of Ypres prior to the northern offensive. After an intense bombardment, the explosion of underground mines and following a creeping barrage the 12th and 13th battalions near Hill 60 advanced ~1,000 yards and the 20th battalion starting from St Eloi advanced nearly 4000 yards with fewer losses than previous operations.
Third Ypres
The next battle around the Ypres salient was to clear the Germans from the remaining high ground to the East of the city. The 20th battalion was involved in the first day's attacks on 31 July, advancing alongside the Ypres-Comines canal for the loss of 8 officers and 431 other ranks. The next advance was held up until near the end of August by heavy rains and was directed along the Menin Road, here the 10th battalion attempted to take and hold Inverness Copse losing over half its original strength by 25 August. General Plumer's methodical advance began on 20 September on the Menin Road ridge. The 20th battalion's advance on 21 September was checked after 200 yards, the 13th battalion reached their objective with both battalions losing around 300 men. The third of General Plumer's steps, the Battle of Broodseinde on 4 October involved the 15th battalion on the extreme right of 21st Division, despite being reduced to two composite companies by German heavy bombardment, they advanced south of Polygon Wood achieving the objective of the village of Reutel. When the battalion was relieved on 6 October it was commanded by a Lieutenant and had lost 430 officers and men.
For the remainder of the Third Ypres the regiment's battalions were in reserve positions, the Territorials during Second Battle of Passchendaele, or holding the line, and the 19th battalion (which had ceased to be a 'Bantam' unit in January) at Weidendreft in early November and the 10th battalion at Passchendaele in December. The Pioneer battalions, 11th and 22nd, also served with their respective Divisions (20th and 8th) during the Battle.
Italy
When the Central Powers forced a retreat on the Italian Front at the Battle of Caporetto, 5 British and 2 French Divisions were sent to Italy. The British Divisions contained the 12th and 13th battalions (23rd Division) and the 20th battalion (41st Division) leaving the Ypres Salient between the end of October and mid November and arriving in at the Italian front between the end of November and early December.[
Cambrai
The Battle of Cambrai was the first successful use of maturing combined arms tactics by the British. On 20 November, the 2nd and 14th battalions of the 6th Division were to pass through the assaulting forces and take the Hindenburg Line support trench; both battalions reached their objective with a total loss of 30 killed or wounded. On the next day, 3 companies from 14th battalion assisted tanks and squadron of cavalry in taking the village of Cantaing (north-west of Marcoing). The advance came to a halt as the Germans brought their reserves into the battle. The 11th battalion had been consolidating the ground behind the 4 mile advance of 20th Division but on 29 November its scattered companies were involved in fighting the German counter-attack on the ridges north of Gouzeacourt. The 14th battalion (together with the 1st battalion Shropshire Light Infantry) was ordered across the Canal du Nord on the night of 2 December to trenches facing Masniere, one of which was only 2–3 feet deep. After beating off one attack they were forced to withdraw back over the canal and over the next few days withdrew to the "Flesquires Line" and, for the British the disappointing end of the Battle.
1918–19
With the Russians out of the war, Germany was able to transfer forces and at last outnumber the Allies on the Western Front before the arrival of the Americans in force. Large numbers of stormtroopers were to be used, together with new artillery tactics. The Allies knew what was in store and began to prepare a defence in depth with varying degrees of effectiveness. As a result of manpower shortages (some politically induced), in February the British Army was reorganised from a four battalion to a three battalion infantry brigade structure, with many infantry battalions being disbanded to strengthen remaining battalions. In this way the 10th and 14th battalions were disbanded, reinforcing the other battalions of the regiment while the 9th was converted to a pioneer battalion and joined the 62nd (2nd West Riding) Division. The 20th battalion returned from Italy to the Western Front with its Division in early March.
German spring offensive
On the first day of the German "Operation Michael" the 2nd battalion was in the front line north of the Bapume-Cambrai road. After losing the two forward companies, the infantry withdrew in the evening mist with the remains of the 1st battalion West Yorkshire Regiment. At dusk on the 22nd, out of an original strength of 30 officers and 639 other ranks, the battalion had two officers and 58 men unwounded with six officers and 286 other ranks wounded. The 11th pioneer battalion was building a supply railway in the 20th Division's rear, in the Saint-Quentin area around Ham. It was scattered during the week long battle, and only a few men regrouped in Amiens at its conclusion. All the regiment's battalions on the Western Front suffered heavy losses as a result of the weight of numbers and new tactics of the Germans. The 18th, 19th and 20th battalions also fought on the Somme. The 9th battalion fought before Bucquoy at the end of March where Pte Young won the V.C. for rescuing 9 men under fire. When relieved on 1 April, the battalion had lost 492 officers and men, and the 15th battalion reduced to one company.
The territorials of the 50th Division, the 5th, 6th and 8th battalions and 7th (Pioneer) battalion were particularly unfortunate, forced into the long retreat on the Somme, they were reinforced by drafts from the graduated battalions and sent to the Ypres salient in April where, after the initial assault they were only saved by the German looting:
I think the only thing that saved us that night was the amount of liquor the Boche found in Estairs and Neuf-Berquin, as I have never heard such a noise in my life as they made singing.
— 5th Battalion officer,
Reduced to a total of a battalion in strength, The 151st Brigade was then sent to the Aisne to recuperate where a third German attack found them on 26 May, 21 days after arriving. The scattered parties were forced back to south of the Marne where eventually the Durham battalions of the 151st Brigade could only muster 103 men of all ranks. Also on the Lys, the 18th battalion fought in retreat south and west around Bailleul and, when taken out of the line on 14 April was formed into a composite battalion with the 15th West Yorkshire Regiment which totalled around 450 men.
The 22nd (Pioneer) battalion fought as infantry on the Aisne on 27 May; after losing 513 officers and men in continual withdrawal, it was absorbed into the 8th Division Composite Battalion. In June, the remains of the 5th, 6th and 8th battalions were reduced to cadre strength and were sent to the Dieppe area while the 7th (Pioneer) Battalion joined 8th Division and absorbed 22nd (Pioneer) Battalion.
The 62nd Division arrived on the eastern flank of the new salient 2 days after the start of the German attack on 17 July. The 9th battalion was used as infantry for the counter-offensive along the Ardre river, and on 20 July fought through thick woods and captured the village of Cuitron on 22 July at a cost of 294 officers and men killed wounded and missing.
Hundred Days Offensive
The German offensive had petered out without the decisive breakthrough that was desired and the German high command knew that the allies would respond, knowing of the German losses, and bolstered by the arrival of the Americans and the reinforcement of the British and French making up for some of the losses from the spring offensive. The first blow fell on 8 August at Amiens in which the regiment had no part. This signalled the beginning of a general advance of the five British Armies through Picardy on 21 August and Flanders on 28 September, four of which contained battalions from the regiment.
The remaining battalions of the regiment participated in this advance being joined in France by the 2/6th battalion in May as part of the 177th brigade of the 59th Division, the 29th battalion reinforcing the 41st Brigade of the 14th Division and the 13th battalion returning from Italy in September to join the 74th brigade in the 25th Division.
On the Somme with the Third Army the 15th battalion made a night advance of over 3,000 yards on 23/24 August and fought again on the Hindengurg Line in mid September. In the Fourth Army the 2nd battalion attacked the Hindenburg Line near St Quentin over terrain that was "...a bare, glacis-like slope devoid of cover..." and lost over 300 men for only 200 yards gained. The 13th battalion attacked the reserve line of the Hindenburg system on 6 October near Villers-Outreaux, with the 15th battalion attacking the same day a few miles to the North. In Flanders, the clearing of the German's spring salient and subsequent advance over the battlefields of the last four years at Ypres was shared by the 18th, 19th, 20th, 2/6th and 29th battalions. The 29th battalion's only battle was the crossing of the Lys near Comines on 15 October. The 2/6th fought on the Premesques ridge and went on with the Division to cross the Scheldt. The 2nd, 13th and 15th battalions took part in the final advance across the Selle and Sambre rivers, the 15th having to drive out the Germans at Limont-Fontaine at bayonet point losing 127 men on 7 November.
Italy
The British Divisions were deployed between Lake Garda and the Piave River, however in February, the 41st Division with the 20th battalion was returned to the Western Front. In June the Austrians launched the Battle of the Piave River with the 12th and 13th battalions facing the northern pincer which made no progress against the British, the two battalions losing six dead and 61 wounded during the day. The 13th battalion returned to the Western Front in September. At the end of October, the 12th battalion took part in the Battle of Vittorio Veneto assaulting across the Piave River before being relieved on 30 October.
Macedonia
Initially both 2/5th and 2/9th battalions were employed on guard duties in and around Salonika where the 2/9th battalion remained until the end of the War. In March 1917 the 2/5th battalion was brigaded into the independent 228th Brigade and sent into the line west of Lake Butkovo. There it stayed until the Bulgarian armistice on 1 October 1918 when it began to advance with the brigade under Greek command. When the Turkish armistice was signed on 31 October the battalion was sent with the 2/5th battalion Seaforth Highlanders to occupy the ports of Varna and Burgas. While overseas the battalion lost two men from wounds but 21 from disease.
Russia
The 2/7th battalion joined the Allied Intervention in Russia in Archangel, Northern Russia as a garrison battalion, arriving on 7 October 1918. It did not see action and was withdrawn in January 1920.
Army of Occupation
In November and December, the 2nd and 9th battalions were among the British forces that marched to the Rhine as part of the Army of Occupation. In early 1919 the 51st and 52nd (Graduated) battalions together with the 20th battalion formed the 3rd Northern Brigade of the Northern Division with the 53rd battalion, reduced to cadre, supplying reinforcements; all were based in Cologne.
India
The 1st battalion remained in India throughout the First World War, suffering a continual drain of drafts for the Western Front. In August 1914 it was part of the Nowshera Brigade of the Peshawar Division, and served on the North West Frontier in 1915, and 1916–17 in campaigns against the Mohmands. The battalion was in Rawalpindi in 1919 at the outbreak of the Third Anglo-Afghan War in which it played a mostly supporting role. Demobilising its time expired men, a cadre of the battalion returned to Britain in February 1920.
Inter-war
By 1920, the service battalions had been disbanded with their King's colours laid up in Durham Cathedral except for the 20th battalion's at the parish church of Bishopwearmouth.
The 1st battalion was reformed with drafts from the 3rd (the last act of the Militia) and left for Germany, still understrength, in March 1921 for duty in Upper Silesia, returning to Britain in July 1922. The battalion spent 3 years in Egypt again returning to Britain in April 1930. Joining the 6th Brigade of the 2nd Infantry Division it took part in experiments in infantry mechanisation. It was then sent to Shanghai arriving in November 1937, reinforced by personnel from the 2nd battalion at Port Sudan. In October 1938 the battalion moved to Tientsin and was there when Britain declared war against Germany.
The 2nd battalion returned to Britain from Germany in April 1919 as a cadre; the battalion reformed and was sent to Batoum in South Russia in October 1919 to police territorial terms of the Armistice. In July 1920 it was sent to the Izmit in Turkey to police the terms of the Turkish armistice until November. From here they went to India and in February 1927 were deployed to Shanghai to protect the International Settlement. Returning to India in August, it fought against the Mahsuds, relieving the post of Datta Khel in May 1930. The battalion arrived back in Britain in November 1937 after a few months in Egypt, replacing the 1st battalion in the 6th Infantry Brigade, 2nd Infantry Division.
In February 1920 the Territorial Force was re-raised and later in the year renamed the Territorial Army. In the 1930s as part of the growing realisation of the threat of air power, numbers of territorial battalions were converted to an air defence role, either as Anti-Aircraft gunners or search light regiments, in this way the D.L.I. lost the 5th and 7th battalions. These units were no longer a part of the Regiment.
Second World War
During the Second World War the D.L.I. raised 15 battalions, two Regular, six 1st and 2nd line Territorial (one renamed and transferred to another regiment), and the remainder war formed (mostly so called 'Dunkirk' battalions), with 10 seeing active service overseas in France, Burma, North Africa, Italy, and France and Germany. The low number of battalions raised compared to the First World War was due to the increasing specialisation of a more mechanised army and its associated support requirements. Additionally, twenty six battalions of the Home Guard wore the D.L.I. cap badge.
After the war Field Marshal Montgomery was to write,
Of all the infantry regiments in the British Army, the DLI was one most closely associated with myself during the war. The DLI Brigade [151st Brigade] fought under my command from Alameim to Germany ...It is a magnificent regiment. Steady as a rock in battle and absolutely reliable on all occasions. The fighting men of Durham are splendid soldiers; they excel in the hard-fought battle and they always stick it out to the end; they have gained their objectives and held their positions even when all their officers have been killed and condition were almost unendurable.
The remaining first line territorial battalions once again formed the 151st Infantry Brigade of the 50th (Northumbrian) Infantry Division, initially a two brigade motorised Division. The territorials again raised second line battalions now numbering them sequentially, 10th, 11th and 12th battalions, these were now part of 70th Infantry Brigade of the 23rd (Northumbrian) Division the 2nd line copy of the 50th Division. The 12th battalion was named as a Tyneside Scottish unit and on 31 January 1940 the battalion left the regiment to become 1st battalion, Tyneside Scottish of the Black Watch (Royal Highland Regiment).
When the War broke out the 1st battalion was in China at Tientsin, the 2nd battalion at Woking in the 2nd Infantry Division and the territorial battalions had already begun to form their 2nd line.
France 1940
The 2nd battalion arrived in France with the 2nd Infantry Division as part of the BEF in late September 1939 and was quickly deployed on the border with Belgium. The 151st brigade arrived in late January 1940 with 50th Division, with training still to be completed for some men, and moved up to the border at the end of March. The second line battalions (and the Tyneside Scottish) arrived in the part trained 23rd Division in early April, with no artillery or mortars and a reduced rear echelon with orders to complete their training and construct airfields. In the 70th brigade, 1400 men had not fired a Bren gun and 400 had not completed the war course with the rifle.
When the Germans attacked on 10 May the 2nd battalion had moved into Belgium to the River Dyle by late on the 11th, 151st brigade was to be held in reserve. On the Dyle, the 2nd battalion held the Germans for two days until ordered to withdraw on 16 May, with Lt Annand winning the Army's first V.C. of the War. The 151st brigade was ordered to move forward to the River Dendre on 16 May, only to begin to fall back on the 18th.
In an attempt to delay the German armoured thrust, the rear echelon, including 70th brigade, was ordered into its path. After a series of marches and counter marches that began on 13 May the brigade, on 20 May, was spread along the roads south of Arras travelling west. Here they were ambushed by German armour, without heavy weapons their defence became a series of isolated and confused company actions. At St Pol the next day the brigade headquarters, the survivors of the three battalions and some engineers amounted to 14 officers and 219 other ranks, joined by other stragglers in the next few days they total ~800 men. On the claim that the action south of Arras delayed the German advance by five hours, the official history states:
It is a modest estimate of what these two Territorial Divisions did to damage and delay the enemy's forces. But it may perhaps be accepted, with this important rider – at this time every single hour's delay was of incalculable service to the rest of the British forces in France.
The remains were formed into "Marleyforce" and as such it reached Dunkirk to be evacuated on 31 May.
On 20 May, 151st brigade, after a series of marches west and south, was chosen as part of the Arras counter-attack. The 6th and 8th battalions were to support the 4th and 7th Royal Tank Regiments respectively, with the 9th battalion in reserve. After initial successes to the west of Arras the Germans counter-attacked, and the British forces were withdrawn to Vimy Ridge. The brigade was then ordered north on 25 May to plug the gap of the impending Belgian surrender. To do this it had to extract itself from fighting on the Le Bassee Canal, the 8th battalion having to recapture the village of Carvin north of the canal, and only on the 27th could the brigade move north following the rest of 50th Division to Ypres.
The 2nd Division had been sent to man 21 miles of the western side of the Dunkirk corridor with the 2nd battalion positioned near St. Venant. From 24 to 27 May the Division held off attacks by four Panzer Divisions (3rd, 4th, 7th and S.S. Totenkopf), ending with over 70% of the Division becoming casualties and the massacre of 97 men of the 2nd battalion, Royal Norfolk Regiment at La Paradis. When the 2nd battalion reformed in Britain after evacuation from Dunkirk on the night of 29 May it consisted of the remains of D company and the battalion's B echelon, stragglers and convalescents, some 180 men.
Arriving at Ypres 151st brigade was almost immediately forced back, and the retreat to the Dunkirk perimeter began. By 30 May the brigade was entrenched between the Bergues and Ringsloot canals and reinforced by some remnants from 70th Brigade, after repulsing German attacks on the 31st, the brigade embarked for Britain from the Dunkirk mole late on 1 June.
Iceland
British forces had invaded Iceland in May 1940, and in October, the 10th Battalion arrived followed by the rest of 70th Brigade a month later replacing 148th Brigade in 49th (West Riding) Infantry Division. While there the division used the empty terrain of the island to train using live ammunition, the 70th brigade left in December 1941.
North Africa, the Middle East and the Mediterranean 1940–43
The 1st battalion left China and arrived in North Africa in January 1940 The battalion played a supporting role in Lieutenant-General O'Connor's offensive in December except for a composite company which advanced as far as Sidi Barani. It joined the 22nd Guards Brigade in January 1941 and trained for amphibious operations at Qassassin, only to be returned to the desert in March when Erwin Rommel counter-attacked. Counter attacking at Halfaya Pass the battalion used primitive motorised tactics and communications (flag signals), the attack failed and the battalion lost more than half its strength including the whole of D company. In June the reinforced battalion was deployed as part of the take-over of Vichy controlled Syria, but in October 1941 it moved back to North Africa as part of the rotation of forces in the besieged Tobruk garrison. Here they patrolled and raided the German and Italian lines, and in early December extended the perimeter near El-Adem as part of the lifting of the siege.
Meanwhile, 50th Division with 151st Brigade had been sent to the Middle-east arriving early July 1941 and at the end of the month deployed to Cyprus to improve the islands defences. From there the 50th Division was sent to Palestine in November and then on to Irbil in Iraq to be part of the forces to meet an anticipated German advance from southern Russia.
In January 1942 the 1st Battalion was moved to garrison Malta, returning to North Africa in June 1943 after losing only a few men to air attack.
In February 1942 the 50th Division was recalled to the Western Desert and the British Eighth Army and found itself on the Gazala line. For some months the Durham battalions patrolled no mans land disrupting and stealing German and Italian supply lines in front of them, 'commerce raiding' and then attacking the supply columns for Rommel's armoured thrust which began the Gazala on 27 May. The Division's 150th brigade was forced to surrender on 1 June and Axis forces were now west, south and east of the remaining brigades. Forming columns most of the 6th and 8th battalions broke out west through Italian then German lines on the night of 14/15 June, then travelled south past the German armoured thrust and east to the Egyptian border. The 9th battalion and a party from the 6th were forced to take the coastal route after the Italians and Germans had been alerted to the western breakout and fought through German positions west of Tobruk, they were reunited with the rest of the division on 16 June. After the fall of Tobruk the division was now placed on an escarpment south of the town of Mersa Matruh and on 27 June held attacks by the German 90th Light Division during which Pte A H Wakenshaw won a posthumous V.C. but after which the 9th battalion positions were isolated and overrun with only the headquarters company escaping. The division was ordered to withdraw on 28 June again in column formation but this time over ground broken by wadis. In one of these the 8th battalion lost its D company to a German ambush and the rendezvous point, Fuka, was in German hands leading to the capture of some un-diverted columns. When reassembled the 50th Division was withdrawn behind the Alamein line to rest and reorganise after suffering over 8000 casualties since the start of the Gazala battle.
While behind the lines the 6th, 8th and 9th battalions each contributed a company to a composite battalion for an attack on the southern part of Ruin Ridge on 27/28 July, while the Australians attacked the northern part. Although the position was taken, almost the entire composite battalion was killed or captured by the German counterattack.
The 50th Division returned to the front line on 4 September, and during the first days of the Second Battle of El Alamein stayed in reserve in the southern part of the line. On 28 October, the 151st Brigade was moved north and with the 152nd Brigade came under command of the 2nd New Zealand Division for Operation Supercharge. Early on 2 November the three battalions advanced through the smoke and dust of the bombardment which reduced visibility to 50 yards[184] and facing scattered German resistance reached their objective by the dawn. Here they witnessed the destruction of 9th Armoured Brigade and were subject to German shelling before being relieved on the evening of 3 November, having lost nearly 400 men.
The 50th Division returned to the front line when the Eighth Army reached the Mareth Line in February 1943. On the night of 20/21 March, the 8th and 9th battalions attacked, crossing the wadi and fighting the dug in Italians of the Young Fascist Division, with the 6th battalion the tanks of 50th R.T.R. following The tanks were unable to cross the wadi that night, however the next night after the 6th battalion and the 5th battalion East Yorkshire Regiment reinforced the penetration, some 40 tanks were able to cross. On 22 March the Germans counterattacked with the 15th Panzer Division and the infantry battalions were forced to withdraw, crossing back over the wadi at first light on 23 March. The 6th battalion, which started the battle with a strength of only ~300 of all ranks, was reduced to 65 unwounded men by the end of the battle, the 8th and 9th were in a similar condition. Shortly after the division was withdrawn from the front and sent to Alexandria.
On 3 January 1943 the 16th Battalion landed at Algiers with the 139th Brigade of the 46th Infantry Division, part of the British First Army. It moved into Tunisia it fought at the first battle of Sedjenane, where they were forced to withdraw by 4 March after losing nearly half their number. First Army's offensive was resumed in April and on 22 April, the 16th Battalion attacked the hill of Sidi Barka held by men of the Hermann Goering Division, after gaining a false crest instead of the summit, the battalion held on through mortar bombardment until the Germans pulled out the next night.
With the defeat of the Germans in North Africa the 6th 8th and 9th battalions were withdrawn to Alexandria, reinforced and trained in amphibious techniques for the invasion of Sicily. The 16th Battalion, after taking part in the victory parade in Tunis, was sent to Algiers for training.
In March 1943 a second incarnation of the 18th Battalion was raised at Genefia in Egypt from convalescents of the other D.L.I. battalions as the infantry component of 36th Beach Brick.
Arriving back in Africa in June 1943 the 1st battalion was moved to Syria where it was attached to the 10th Indian Infantry Division. The battalion was chosen to be sent to invade the island of Kos, the first company arriving on 16 September but not until the end of the month was the whole battalion on the island, during which time German bombing was increasing. After 10 days of fighting paratroopers and other German forces the remaining men of the battalion were taken off the island by the SBS on 13 October. The battalion was gradually rebuilt from the 129 officers and men who assembled at Genefia at the end of October, and retrained and reinforced until at full strength by the end of March 1944. In April the battalion was deployed to Alexandria to contain a mutiny by the Greek Brigade, but by the end of the month had set sail for Italy.
Burma 1941–45
The 2nd battalion was sent to India in April 1942 with the 2nd Division, arriving in June. For some months it was trained in Jungle fighting and in amphibious assault methods. Later in that year the 6th brigade was made an independent formation. The brigade fought in the Arakan early 1943 at Donbiak on the Mayu peninsular with the brigade making little progress against strong Japanese positions. It was forced to withdraw when the Japanese cut off the peninsular at Indin bridge, the brigade fought its way out, arriving back in India in May. After more amphibious training in the rest of 1943 and early 1944 the 2nd Division was sent relieve Kohima in April 1944. Here the 2nd battalion fought on Garrison Hill and F.S.D. Ridge in late April and early May while overlooked by the guns of the Japanese on Kuki Piquet. Withdrawn to Diampaur in early May the battalion could only muster three companies of two platoons each. By June the battalion was taking its turn as the lead of the advance, with supporting armour, along the Imphal road, when its 'A' company made contact with the lead elements of the 5th Indian Infantry Division on 22 June and the siege of Imphal was lifted:
Then the tanks spotted more movements away forward where the elephant grass gave way to trees and began to brass it up properly. Soon they stopped. A plaintive message relayed through many sets had reached them: we were brassing up the advanced elements of 5th Indian Division of the beleaguered IVth Corps! Imphal was relieved. We sat alone in the sunshine and smoked and ate. Soon the staff cars came purring both ways. The road was open again. It was a lovely day.
— Sean Kelly O.C. A Company 2nd D.L.I.,
The Division was rested until December when it continued its advance into central Burma encountering light but continual resistance. The 6th brigade was in reserve when Mandaly was taken, after which the battalion was returned to India and reacquainted with its previous amphibious training for the attack on Rangoon, in the event they entered the undefended city on 13 May. The battalion was withdrawn back to India in September 1945 to prepare for occupation duties in Japan.
Sicily, Italy and Greece 1943–45
The 151st brigade was chosen as an assault brigade for the Allied invasion of Sicily on 10 July 1943 with the 6th and 9th battalions leading. Due to poor weather both landed late and in the wrong place but against light resistance. After advancing inland and breaking up attacks from the 54th (Napoli) Division on 12 July, the Durham battalions were ordered to Primosole bridge after its capture by British Paratroopers of the 1st Parachute Brigade arriving on 15 July after a forced march of 25 miles and the paratroopers had been forced from the bridge. After 2 days of ferocious battle against men of the 1st Fallschirmjager Division the bridge was retaken at a cost of 500 casualties to the brigade. After entering Catania on 5 August after the Germans withdrew the advance northward was contested in a landscape of terraced hillsides and stone walls. With the end of resistance in Sicily the brigade rested and was informed it was to return to Britain in October.
The 16th battalion landed in Italy at Salerno as part of British X Corps, attached to US Fifth Army, on 9 September in the second wave, and defended the perimeter of the beach-head until 15 September. The 18th battalion was also part of the landings at Salerno (with two companies) in its role as a beach group. The 16th battalion fought toward, and entered Naples on 6 October, then on 12 October made a silent crossing of the River Volturno reaching its first objective before the Germans noticed. It held the bridgehead it established for 8 days until relieved. The battalion took part in the forcing of the Winter Line, at the end of October at the Bernhardt line, (after which it was reinforced by drafts from the regiment's 70th battalion) and in January 1944 forcing the main Gustav line. In February, the 46th Division was withdrawn for rest and retraining to Egypt and Palestine, where the battalion aided the civil authorities during a riot in Tel-Aviv. Returning to Italy in July, it fought hard on the Gothic Line advancing along the road to Gemmano in early September and crossed the Cosina Canal in November. In December the battalion was sent to Greece as part of the efforts to keep the peace and then to forestall a communist take over. Initially deployed to Athens, a platoon accidentally occupied the Acropolis after turning left instead of right. It became involved in fighting ELAS at Phaleron and in January 1945, Patras. The battalion returned to Italy in April 1945, but did not see action.
Meanwhile, the 1st battalion had returned to Italy in May 1944 where it joined the 10th Indian Infantry Brigade in the 10th Indian Infantry Division and by 19 May was back in the line north of Ortona. Transferred to the Tiber valley in June, it fought toward the Gustav Line until September, then was transferred once more to the Adriatic coast fighting though the Gothic Line when it was relieved in February 1945. Returning to the Adriatic coast in April it crossed the Sillaro on 15 April, the battalion heard news of the Armistice while in billets in Ferrara.
France and Germany 1944–45
The 50th Division with its 151st brigade was withdrawn to Britain in October 1943 to be trained for the Normandy landings, General Montgomery had wanted veteran divisions to be part of the invasion. The news that it was to be an assault division was not universally well received by the other ranks. The brigade landed in the second wave on Gold Beach King sector on which the 18th battalion was also present in its capacity as the infantry of a reserve beach group. Advancing inland they faced the grenadiers of the Panzer Lehr Division in the bocage around St Pierre, Verrieres and Tilley-sur-Seulles throughout mid June.
The 10th and 11th battalions were landed with the 49th Infantry Division on 10 June and were committed to the attempt to outflank Caen. The 70th brigade with support of the tanks of the Sherwood Rangers Yeomanry captured Rauray (11th battalion) and the high ground beyond (10th battalion) on 27–28 June. The German counter-attack by troops of II SS Panzer Corps was held by the 11th and Tyneside Scottish battalions after such hard fighting that Lord Haw Haw called the division the Polar Bear Butchers (referencing their formation sign). After some days rest and reinforcement the five D.L.I. battalions in Normandy were briefly together when the 70th brigade relieved the 151st brigade around Tilley-Sur-Seulles on 7 July. Later in the month the brigade was transferred to the east of Caen and covered the right flank of Operation Spring. Advancing to Mezidon on the River Dives after the German defeat at Falaise, the brigade fought its last action on 18 August, after which the brigade (as a second line formation) received news it was to be disbanded to reinforce other units of the Second Army.
The 151st brigade advanced in line with the other advances made by the allies in July and by early August was attacking hills south of St.Pierre la Vielle on what was to become the northern edge of the Falaise pocket. After the break out from Normandy the division crossed the Seine on 29 August and reached the Belgian border on 6 September. After a brief rest in Brussels the brigade was tasked to cross the Albert canal in the wake of the 69th brigade, and take the village of Gheel. After holding a series of counter-attacks the 15th Division entered the village on 12 September without a shot being fired, as the Germans had retreated. In October the division was moved to the 'Island', the low-lying ground between the Wall and the Lower Rhine north of Eindhoven. After a short operation to expand the bridgehead the brigade garrisoned the area in the early winter. In December, due to its heavy losses, the 50th Division was broken up to reinforce other formations, the 6th and 8th battalions were reduced to a training cadres of time expired men and returned to Britain.
The 9th battalion was reinforced and transferred to 7th Armoured Division, 131st Infantry Brigade, as a motorised battalion fighting at the Roer Triangle in January 1945 and the town of Ibbenbüren in March. The battalion ended the war near Hamburg.
The 18th battalion had been serving as lines of communications troops of 21st Army Group, however one company fought the Germans during an attack from besieged Calais in February 1945, the battalion was disbanded at Calais in August 1945.
Home Front 1939–45
Some battalions raised by the regiment were destined not to leave Britain. A Home Defence battalion, the 13th, was formed from the Durham Group (No. 41) National Defence Company in December 1939. It divided in September 1940, producing the 2/13th (Home Defence) battalion which was renamed as the 18th battalion in March 1941. The 1/13th battalion then re-joined the 18th battalion to form the 30th battalion in November 1941 applying the numbering used nationally for 'B' category fitness battalions. In 1942 it was briefly organised as a field force unit (a standard army battalion with 'A' category fitness men), until it was disbanded in November 1942.
After the Army's evacuation from Dunkirk, 60 so called 'Dunkirk' infantry battalions were raised in the country that summer, three of which were D.L.I., the 14th, 16th and 17th battalions. All three were brigaded in the 206th Independent Infantry Brigade initially in Scotland, and then on the South coast of England. The 14th and 17th were used as a source of trained reinforcements to the front line. In June 1943 the 14th battalion was sent to Durham as a rehabilitation unit for convalescing troops and ex-PoWs where it stayed until the end of the war. The 17th, which from September 1942 formed part of 164 Infantry Brigade, 55 Infantry Division,[251] was disbanded in September 1943.
The 15th battalion was raised from the 50th (or 15th [245]) Holding battalion in October 1940 and took up the role of coastal defence. In November 1941 it was converted to an armoured unit as 155th Regiment of the Royal Armoured Corps (RAC), retaining the D.L.I. cap badge on the black beret of the RAC.
The 70th (Young Soldiers) battalion was formed in December 1940 at School Aycliffe near Darlington, for men too young for conscription (20 years at the time). Instead of disbanding when the conscription age was lowered to 18 years in 1942 it was chosen to be a demonstration battalion for the G.H.Q. Battle School at Barnard Castle. The battalion was disbanded in August 1943, over 400 of its men being sent overseas.
On their return from the front line in December 1944 the territorial battalion cadres of the 6th and 8th battalions were sent to Yorkshire and were given the task of training service corps soldiers as infantry until the battalions were placed into suspended animation in January 1946.
Post War
Post war, the 1st battalion was active in the Greek Civil War between January 1946 and June 1948, returning to Britain on 23 July 1948. The 2nd battalion was sent to Singapore from November 1945 to January 1947 when it returned to Burma. By March it was conducting operations against dacoits around Maymyo. Demobilisation had reduced the battalion to 30 men when it returned to Singapore in November and it returned to Britain on 18 February 1948 as a cadre.
The 6th, 8th and 9th territorial battalions were reformed as part of the Territorial Army in March 1947, with the 9th battalion being renamed in July 1948 as the 17th battalion, Parachute Regiment.
On 25 September 1948 the remaining cadre of the 2nd battalion was absorbed into the 1st battalion. The battalion served as part of the Allied occupation forces in Germany, stationed in Dortmund in 1949 and Berlin in 1951. The 2nd battalion was reformed in 1952 and was sent to Germany, substituting for the 1st battalion which had been sent to Korea, the battalions re-amalgamated in 1955.
Korea
While in Germany the battalion learned that it was due for a tour of service in Korea, after leave and training in Britain it arrived in September 1952, and was made part of 28th Commonwealth Brigade of the 1st Commonwealth Division part of the United Nations forces in Korea. During its year there up to 50% of its strength was composed of National Servicemen and resulted in a high turnover of men. After initial training in theatre the battalion was first stationed at Neachon (Point 159) in late September, to be greeted by the Chinese by name on arrival (on this and subsequent movement into the front line, as were other battalions). Here it began the never-ending process of attempting to make its trenches clean and habitable, and began patrolling to dominate no-mans-land. In November two trench raids were mounted to try and capture Chinese soldiers, but these were unsuccessful in spite of reaching the Chinese lines due to defensive fire and the extensive use of dugouts by the Chinese in their trench system.
At the end of December in the cold of a Korean winter, the battalion took over and began repairing the trenches at Point 210, and continued patrolling, they were relieved by the Americans at the end of January.
In early April 1953, after being joined by a draft of 94 Korean soldiers who wore British uniform and the D.L.I. cap badge, the battalion relieved the Americans on Point 355, also known as "little Gibraltar" for its steep sides. The battalion continued to patrol vigorously, encountering Chinese patrols on occasion. On the night of 2 July, to celebrate the Coronation of Queen Elizabeth II, a patrol from A Company staked out the Royal cypher "EIIR" in red and yellow fluorescent aircraft recognition panels about ten metres below the Chinese forward trenches.
So the first thing we saw at daybreak were these panels that stood out brilliantly. About half way through the morning every 25-pounder gun in the Commonwealth Division began firing red, white and blue smoke on the Chinese lines in front of us. While this was going on, the men in the forward positions jumped on the trench parapets and gave three cheers for Her Majesty. There was some concern that the Chinese might take advantage of the cover provided by the smoke and attack us, but they behaved themselves and probably thought that we were all mad.
— Capt Burini, D.L.I.,
At 22:00 hours 27 July, after continued patrolling and ambushes defending the position in the closing stages of the conflict, the battalion buglers sounded "ceasefire". The battalion had lost 24 dead (including 2 attached Koreans) and three missing and 124 wounded. The battalion left Korea in September.
After the war, Patrick O'Donovan of The Observer, wrote of the soldiers of the D.L.I. he met in the trenches:
...small, cheerful, slightly disrespectful men who were at their best when things were most beastly and who would go home to vote as far left as they could. There was a singular lack of military nonsense about them and yet they were so professional that they made their neighbours, the United States Marines, look [like] amateurs.
— Patrick O'Donovan The Observer,
Post Korea
From Korea the 1st battalion was stationed in Egypt, where buglers from the battalion took part in the unveiling of the El-Alamein Memorial on 24 October 1954. The battalion returned to Britain in June 1955.
In 1955 the 3rd and 4th battalions were finally disbanded; they had been in suspended animation since 1919.
During the Suez Crisis the battalion was flown to Aden on 4 November 1956 for possible deployment to Kuwait. Most of the battalion returned in February 1957, except for one company which assisted in repelling a Yemeni incursion in the Wadi Harib area.
On 17 May 1958 a bicentenary parade was held at Brancepeth Castle in the presence of Princess Alexandria of Kent to commemorate the raising of the regiment. Present were the 1st battalion and one company each from the 6th and 8th battalions as well as their massed bands and bugles, and detachments from the 437th Light Anti-Aircraft Regiment R.A. (D.L.I.) T.A. and 463th (7 D.L.I.) Light Anti-Aircraft/Searchlight Regiment R.A. T.A. and the 17th battalion The Parachute Regiment (9 D.L.I.) T.A.. The associated Artillery and Parachute Regiments also provided troops who lined the
أَعُوْذُ بِاللّٰهِ مِنَ الشَّيْطٰانِ الرَّجِيْمِ
I seek refuge in Allah from Shaitaan, Al Mudill, the one who misleads with his whispers, Al Maghwi, who seduces with his deception.
بِسۡمِ ٱللَّهِ ٱلرَّحۡمَـٰنِ ٱلرَّحِیمِ
In the Name of Allah,
The First without a first before Him, The Last without a last behind Him,
The Entirely Merciful, The Especiall Merciful
ٱلۡحَمۡدُ لِلَّهِ رَبِّ ٱلۡعَـٰلَمِینَ
all kinds of praise and appreciation,
encompassing all types of the characteristics of all kinds of those utterings of praise in words, in deeds, in states and dialogues,
are only and only for Allah Worthy in His Own Essence and His Attributes,
who is The Lord of all the worlds,
ٱلرَّحۡمَـٰنِ
The One whose Essence is All Encompassing of all things in existence with Grace Ever- Expansive and according to the Vastness of His Mercy and the Abundance of His Lutf, Affection and His Ra’fat, Gentleness.
ٱلرَّحِیمِ
The One who raises compassionately,
who nourishes according to the expansiveness of His Limitless Mercy based on the nature of Tauheed
and makes one reach towards the Abode of the One-ness of His Essence
after one lifts the preoccupations (and concerns) that created hurdles from the focus on His One-ness
and after one rejects the connections that prevent steadfastness in His One-ness and absorbing the adornment in it.
مَـٰلِكِ یَوۡمِ ٱلدِّینِ
The Master of the Day of Resurrection which is prepared for reward or punishment,
إِیَّاكَ نَعۡبُدُ
You Alone we worship without the idols of hopes and expectations of others in our hearts
وَإِیَّاكَ نَسۡتَعِینُ
and You Alone we ask for help without which there is no power to endure.
ٱهۡدِنَا ٱلصِّرَٰطَ ٱلۡمُسۡتَقِیمَ
Guide us to the Straight Path which brings us to Your One-ness,
صِرَٰطَ ٱلَّذِینَ أَنۡعَمۡتَ عَلَیۡهِمۡ
the path of those You have bestowed (Your) Favors upon
from the Prophets and the truthful one and the martyrs and the ones who rise to battle with their desires and the ones who ready their nafs, selves, to reform and make up for the deficiencies of their previous state,
غَیۡرِ ٱلۡمَغۡضُوبِ عَلَیۡهِمۡ
not of those who earned Your Wrath upon themselves
وَلَا ٱلضَّاۤلِّینَ
and not of those who refuse to accept guidance.
آمين
May Allah make us of those whose burdens are light and whose wishes are few by His Special Favour and His Special Bounty, Ameen!
وَلَقَدْ خَلَقْنَا ٱلْإِنسَنَ وَنَعْلَمُ مَا تُوَسْوِسُ بِهِۦ نَفْسُهُۥ ۖ
And certainly We created man and We know what his self whispers to him
Surah Qaf, Verse 16
Tafseer e Jilani
Wa: And overall…
Laqad khalaqna al insaana: indeed we created Man and We made him appear from the hidden-ness of nothingness.
Wa: And We…
Na’alamu: We know him from that point…
Ma tuwaswisu: (as to) what whispers and makes up a rambling story…
Bihi nafsohu: from his own self and sways his heart (from that point) until now from those kinds of delusions and false imaginings and those things that descend upon him as animalistic desires and those thoughts that are imprisoned by the chains of rituals and shackles of inherent habits that are inherited as a result of useless ponderings which are mixed with unthinking paranoia.
Contents
Preface 13 Begin! 17 The Push and the Pull 19 Shaitaan and Me 23 The Nafs Mutma’inna 27 The Ones who know their Lord 33 The First Jolt 37 The Diseases of the Heart 41 The Nature of Blessings and Trials 47 Shaan 53 The Belly of the Whale 65 The Façade of my Obedience 69 The Shirrk in my Heart 75 The Fire of Possibilities 81 My Master’s Wrath and Mercy 89 The Necessity of Fear 103 Patience is Beautiful 121 What is a Dua 131 They Feel no Fear or Grief 143 The Layering of Generosity 151 Akhlaq and Imam Ghazali 161 The Seed of Tauba 169 Forgiveness 183
يَقُولُ اللَّهُ تَعَالَى:
ابْنَ آدَمَ،
اطْلُبْنِي تَجدني، فَإِنْ وَجَدْتَنِي وجَدْتَ كُلَّ شَيْءٍ،
وَإِنْ فُتُّكَ فَاتَكَ كُلُّ شَيْءٍ،
وَأَنَا أَحَبُّ إِلَيْكَ مِنْ كُلِّ شَيْءٍ
Says Allah Ta’ala:
“O Children of Adam (as)!
Seek me and you will find me.
So if you find Me, you will find everything.
And if you miss this seeking, you will lose everything.
And I should be most beloved to you of all things.”
Preface
فَإِذَا قَرَأۡتَ ٱلۡقُرۡءَانَ فَٱسۡتَعِذۡ بِٱللَّهِ مِنَ ٱلشَّیۡطَـٰنِ ٱلرَّجِیمِ
So when you recite the Quran, seek refuge in Allah from the Shaitaan, the accursed.
Surah An Nahl, Verse 98
Exegesis of all verses from the Tafseer e Jilani by the Master of all Masters, Sheikh Abdul Qadir Jilani (ra):
And overall good deeds give fruit to a life beautiful and meaningful. In fact the most superb of these deeds is the recitation of the Quran, full of of Ma’arif, Divine Recognitions and Haqaiq, Divine Realities and Mukashafaat, Divine Unveilings and Mushahadaat, Divine Witnessing, resulting from the traveling on the Path of Tauheed, the One-ness of Allah and Irfaan, knowing His Essence.
Fa ida qara’at al Quran: So when you read the Quran i.e. you made the intention of reading it, O Qari, O reciter, seeker of the unveiling of the depth of its secrets and its ambiguous signs…
Fasta’id: then seek refuge and invoke, first of all…
Billahi: Allah, Al Mutajalli, The One who unveils, by the attribute of speech, which makes others helpless before it, Al Hafeed, The Protector of His Sincere Servants from everything in useless sins and disobedience…
Min: (which occur) due to doubts and paranoia…
Ash Shaitaan ar rajeem: from Shaitaan the accursed one, Al Matrood, the one expelled and the one made distant from the court of the Presence of Allah Azzo Jal with the stoning of the effects of the attributes of Allah’s Wrath and (seek refuge) from his misconceptions and rationalizations which are the armies of desire and forgetfulness and false imaginings and hallucinations thrilling which persuade different kinds of hopes and lust.
A Question of Truth
I’ve been thinking about this piece in starts and stops for months. To escape the coldest month in Lahore I headed to Karachi to give it readable form at the end of December. I was writing it to mark the month of Rajab in which Maula Ali (as) is born, which would begin on the 23rd of January if the new moon appeared.
I included this section, a preface, for the first time to make a single suggestion to my reader. To answer a question that Ghaus Pak (ra) continually asks his readers in his magnificent exegesis of the Quran, the Tafseer e Jilani. Although most scholars yield that it is but a translation.
For an exegesis by him, if it were to include all Divine Secrets that have been unveiled for him, might take up all the pages of all the trees only in describing what just the first Surah, Al Fateha, contains, which, incidentally, is also a preface. For the Quran.
The question being; Where do you lie in this? For truth is not on a spectrum, he says. It is absolute. We, however, as infallible beings exist in shades of darkness and pendulum between it and falsehood. Whether a single line or thought or image is retained or everything is entirely forgotten, the intention of the read must be singular, fulfilled with a simple question: Where do I lie in this?
For the time, the Quran attests, in this world that seems so absolute is not only short. It isn’t even an hour!
فَٱصۡبِرۡ كَمَا صَبَرَ أُو۟لُوا۟ ٱلۡعَزۡمِ مِنَ ٱلرُّسُلِ وَلَا تَسۡتَعۡجِل لَّهُمۡۚ
كَأَنَّهُمۡ یَوۡمَ یَرَوۡنَ مَا یُوعَدُونَ لَمۡ یَلۡبَثُوۤا۟ إِلَّا سَاعَةࣰ مِّن نَّهَارِۭۚ
So be patient, as had patience those of determination of the Messengers, and (do) not seek to hasten for them punishment.
On the Day when they see what they are promised, it will seem they remained not except an hour of a day (in the world).
Surah Ahqaf, Verse 35
Tafseer e Jilani
And after that you heard O Akmal Ar Rusul, O Messenger who perfects Messenger-hood (salutations and greetings upon you who is entrusted with The Revelation by your Lord and Master), the outcome of the state of denial of truth by the ones who are insistent upon their insolence and stubborn-ness…
Fasbir: then be patient, O Akmal Ar Rusul (salutations and greetings upon you and your family by your Lord who makes you His Nur), upon bearing the charge of the message and the exhaustion of preaching and the sufferings from the people, strayed and the misguided…
Kama sabara: the way they were patient upon these types of hurdles…
Ulol azmi mir Rasool: the Messengers, with unwavering determination, Al Azimeena, the ones resolute upon these things and upon the preaching of the Message with steadfastness, sincere and with solid firmness, so that they make clear for the people the Path of Tauheed, Allah’s One-ness and instruct towards the way of steadfastness and guidance.
Wa la tasta’jil lahum: And do not hasten to seek the torment for these deniers i.e. the stubborn ones from the Quresh, with the coming of punishment which is promised to them. For indeed, it will come upon them certainly in its own time…
Ka annahum youma yarouna ma yu’adoona: on the Day they will see in the Hereafter which they are being promised of, this punishment from the heights of intensity and scariness and the extreme-ness of its duration so they will recall…
Lab yalbathu: they didn’t stay in the world…
Illa sa’atan: for more than an hour…
Min naharin: of a day meaning that they will think of the time they stayed in this world as less and they will imagine that compared to the length of the Day of Judgement, it was only an hour or even less than that.
The question I ask now is not if I am a Mo’min, a believer or a Kafir, a denier of truth or ungrateful but when?
When do I remember my Lord and His Beloved (salutations and greetings upon him who is distinguished among creatures by His Lord) and become a zakir and when am I ghafil, the one who forgets them completely? And most importantly, why?
Begin!
قَالَا رَبَّنَا ظَلَمْنَآ أَنفُسَنَا وَإِن لَّمْ تَغْفِرْ لَنَا وَتَرْحَمْنَا لَنَكُونَنَّ مِنَ ٱلْخَسِرِينَ
Both of them, Hazrat Adam (as) and Amma Hawwa (as)) said,
"Our Lord we have wronged ourselves, and if not You forgive [for] us and have mercy (on) us, surely, we will be among the losers."
Surah Al Araaf, Verse 23
Tafseer e Jilani
Qalaa: They both invoked, beseeching in humility, admitting that lapse from them…
Rabbana: O One who raised us upon grace according to Your Fazl, Bounty and Jood, Generosity…
Dallamnaa anfusana: we transgressed upon our own selves by following the enemy (Shaitaan)…
Wa illam taghfir lana: and if You do not forgive us and the excesses from us…
Wa: and do not…
Tarhamna: have mercy upon us by Your Fazl, Favour…
Lanaku nanna min al khasireen: we will become amongst the losers, the ones in the greatest loss.
Woe upon you!
You claim to have knowledge and (yet) find happiness the way the ignorant find happiness and are angry like they are angry.
Your happiness with the world and your inclination towards Creation will make you forget wisdom and harden your heart.
The Mo’min is only happy with Allah and nobody except Him.
Ghaus Pak (ra) in Al Fath Ar Rabbani
Al Mulhim – The Only One who inspires!
Recently in my reading of the Tafseer e Jilani I came across new Asma al Husna, the Beautiful Names of Allah Subhanahu from Ghaus Pak (ra). I was swayed by the effect of the sound itself. Mulhim.
Allah Al Haqq, The Only Truth, inspires and His Beloved (O my Lord who raises only kindly, send blessings and salutations upon him and his family) is the Mulham, the one upon whose heart came the inspiration of the Quran. Then as Al Qasim, he distributed them and he distributes them even today.
The Push and the Pull
أَنِّي مَسَّنِيَ الضُّرُّ وَأَنتَ أَرْحَمُ الرَّاحِمِينَ
Prayed the Prophet Ayub (as);
“Indeed, adversity has touched me, and you are the Most Merciful of the merciful.”
Surah Al Anbiya, Verse 83
Tafseer e Jilani
Anni massani ad durru: Indeed adversity has touched me, O Lord, far away have gone those close to me and my relatives and all the ones who were affectionate with me…
Wa anta: and You are The One remaining who is still for me Merciful and Affectionate for indeed You are…
Arham ar Rahimeen: the Most Merciful of the merciful so come to me suddenly with Your Lutf, Kindness because I have no strength and no patience after this and surely his suffering had reached its heights.
In my most recent trip to Damascus I had not been reading any of my books on Tasawuff, Islamic Spirituality. Only New Yorkers. That was a first. Whenever I had gone to Medina Sharif or Iraq or India for ziaraat, I had taken books with me specifically to read there in particular places. Here my state was swoon-like. I had brought the books but I never opened them. In the first few days of my being in Sham an experience began to stand out.
Each day I would have breakfast on the balcony outside my room. It was quiet and after I ate, I went to the roof-top terrace to lie or sit on a couch that was also a swing. Mostly I would listen to music and stare at the sky. The colours had captivated my heart the first time and it clearly remained besotted.
One thing was always the same; the shade would be darkest above me, the blues in their range from powder to midnight, getting lighter and lighter, until my eyes came upon Qasiyoun. It was like only one mountain existed in the world. The one where 123,000 Prophets were buried. I would climb to no-go areas of the hotel to capture it from new vantage points. In the end I just started closing my eyes mid-stare, making them my camera. Everything about Damascus felt intense for me.
After the third day, I had started doing something that initially seemed like it was inadvertent. A specific memory would pop into my head and then I would replay it. It was recent, not remarkable but not insignificant either. Like a Youtube or Tiktok video, I would watch the memory in my head at almost exactly the same time.
Then for the rest of the day I forgot it along with my entire existence, becoming only a visitor in Paradise. Damascus has been titled such originally by Nabi Kareem (salutations and greetings upon his every utterance that comes only through His Lord God). Therefore it does not allow for lost moments. It’s Paradise! There was no before or after. I was only present.
On the 6th or 7th day I was made to realize something. It was as if someone asked me, “Why do you think this exact same thing every morning?”
I thought about it. The replay didn’t evoke any emotion in me. There was no sadness which normally the past carries. There was no joy attached to it in the future. Certainly no anxiety. I had just created a habit for no reason. In a matter of a week that habit was like a shackle in that the new found ritual had its grip on me.
At first I thought the awareness of my act came to me because for no reason I was losing the moment. Albeit willingly. But it turned out to be more than that.
A month later in Lahore, I would read a paragraph and Ghaus Pak (ra) would explain to me what was happening in Sham. The push and the pull that a human being creates:
“The Sahib e Imaan, the person of faith, and iqaan, certainty, and ma’rifat, recognition of the Divine, is in unity with people in their qalb, the station of that Divine Recognition in the heart and in their batin, the inner being, Allah’s Secret within Man.
He reaches a state (through that unity) such that he cannot push away any harm from his being and he cannot pull any benefit towards it. He lies before Allah such that he is powerless with no strength. When this state is made correct for him, then everything becomes goodness as it comes towards Him (no matter what it is).”
The words were not applicable to me and perhaps never would be in that I was the furthest thing away from being a Sahib e Imaan. Still, they shed light for me on what I had been doing in Damascus. I was pulling in a memory myself. The only reason I had even able to come to that conclusion was that no emotion had been attached to it.
If there were, the emotion would have formed the usual trap of justification for the thought to exist, for my being allowed it. For me to dwell in it, repeat it. I would have felt entitled to think about it. But there wasn’t a feeling that it evoked. There wasn’t a feeling that was its root. Or its consequence for that matter. It was simply a pull into my present from my world. My own pull!
Obviously then I was forced to consider the inverse. I must also be pushing out what naturally was in my present. If I didn’t like it, if it made me feel badly, then I pushed emotions and people attached to those emotions attached to my heart away. It was always and only at the insistence of the nafs, the base self, the ego, which in its haste for fulfillment of desire never knew what the correct desire for it was.
وَيَدْعُ ٱلْإِنسَنُ بِٱلشَّرِّ دُعَآءَهُۥ بِٱلْخَيْرِ ۖ
وَكَانَ ٱلْإِنسَنُ عَجُولًۭا
And human beings pray for things that are wrong (as often) as they pray for things that (they think) are good. And human beings are ever hasty.
Surah Al Isra’a, Verse 17
Tafseer e Jilani:
Wa: And overall, amongst the behaviour that is disliked, worldly and ugly…
Yad ul insaana: Man prays, being hasty (in his inner and outer being)…
Bi sharre: for that which is not good for him, so comes along, with that (prayer), that which he does not know about its evilness and its harmful consequences.
Dua’ahu bilkhair: (while he is) liking that which he is asking for as if it is good for him, due to his hastiness.
Wa kanal insaano: In Man’s nature is created haste (for himself) and he demands haste from others about that which he is inclined towards, even though it is detrimental for him.
What I did do in Damascus every time I went to the hallowed shrines of Bibi Ruqayya (as) or Sheikh ul Akbar (ra) or to the section in the Ommayyad Mosque where the Ras Mubarik of Imam Hassan (as) was placed, was to open the Quran to a random page and read the two that faced me, side by side. I don’t know when I starting doing that. I had never done it anywhere else before. Translating the Tafseer e Jilani for two years now had created a nisbat, an association, for me with the Divine Book. If I didn’t read it I missed it.
I would take a picture of the pages for safe-keeping. Before I opened the Quran, I would also recite a prayer. It was the prayer I had learnt for when one did an istakhara, asking a question from the Quran for guidance in a state of confusion. The prayer was the same but I didn’t move to the 7th page and the 7th verse to seek any answer. Still each time it felt like I was being told something. When nine times out of 10, one similarity started to appear in the text I was taken aback.
Shaitaan and Me
قَالَ رَسُولُ اللَّهِ صَلَّى اللَّهُ عَلَيْهِ وَسَلَّمَ
الدُّنْيَا سِجْنُ الْمُؤْمِنِ
Said the Messenger of Allah (salutations and greetings upon made the Imam of mercy by His Lord),
“The world is a prison for the believer.”
Al Fath Ar Rabbani: “The world is a prison for the Mo’min. Thus when he will forget that prison, only then will he gain freedom for it.”
The common denominator had become a reference to Shaitaan. To him not bowing, to him refusing Allah’s Command, to him being the only one going against His Order to prostrate before the Prophet Adam (as) when all the angels submitted to it. I had heard in a lecture once that Hazrat Gibrael (as) who was chosen as the Arch Angel and the one who brought the revelations to all the Messengers, that was his jaza, reward, for having been the first one to fulfill that Divine Command.
The text reappearing was along these lines and therefore naturally disturbing:
قَالَ مَا مَنَعَكَ أَلَّا تَسۡجُدَ إِذۡ أَمَرۡتُكَۖ
قَالَ أَنَا۠ خَیۡرࣱ مِّنۡهُ خَلَقۡتَنِی مِن نَّارࣲ وَخَلَقۡتَهُۥ مِن طِینࣲ
Allah said, "What prevented you that you didn’t prostrate when I commanded you?"
Shaitaan said, "I am better than him.
You created me from fire and You created him from clay."
Surah Al Araaf, Verse 12
I ended up calling Qari Sahib from there. He sent me the tafseer of Ghaus Pak (ra) and we read it. On my return to Lahore, it was the first verse we translated.
Tafseer e Jilani
Qala: Allah Subhanahu said, revealing what was always true in His Knowledge and which was being hidden by Iblis, his wicked nature…
Ma mana’ka: what prevented you O Iblis…
Alla tasjuda: that you didn’t prostrate before My Khalifa, Vice-Regent…
Id amartuka: when I commanded you with your companions (the angels)?
Qala: Iblis replied in his answer in accordance with his false essence and corrupt desires…
Ana khairun minhu: I am better than him and superior.
Khalaqtani min naar: You created me from fire, lit…
Wa khalaqtahu min teen: and you created him from clay, dark, dirty. And it is not good to humiliate the superior before the one made worthy (just a little while ago).
The same notion had appeared in another verse as well. The meaning, as I discovered, had an entirely different implication. Hence it made me realize something I had never thought as a possibility for myself. Even though it’s the trap that most of us, supposedly seeking to better ourselves, fall in.
A trap entered precisely because of “goodness.”
قَالَ یَـٰۤإِبۡلِیسُ مَا مَنَعَكَ أَن تَسۡجُدَ لِمَا خَلَقۡتُ بِیَدَیَّۖ
أَسۡتَكۡبَرۡتَ أَمۡ كُنتَ مِنَ ٱلۡعَالِی
He said, "O Iblis! What prevented you from prostrating before the one whom I created with My Hands?
Are you too arrogant or are you of the exalted ones?"
He said, "I am better than him. You created me from fire and You created him from clay."
Surah Sad, Verse 76
Tafseer e Jilani
Then when at the time Iblis refused his, the Prophet Adam’s (as) obedience and his honouring, even though the Command came from Allah and was compulsory…
Qala: He, Subhanahu, said, with anger at him, calling out to him, asking him the reason for his refusal…
Ya Iblis: O Iblis, Al Mustakbir, the one whose desire for pride overcame the Command, the one who turned away from Our Order…
Ma manaka an tasjud: what prevented you for prostrating i.e. what was the thing that stopped you from the prostration of honouring…
Lama khalaqtu bi yadihi: the one who I created by My Hand and to whom I gave form by My Authority in accordance with My Form and with the perfection of My Strength and Control so he could be My Mirror and be able for My Friendship and My Vice-regency?
Astakbarta: Did you desire to become arrogant against the obedience of Our Command and following Our Order…
Am kunta: or you considered yourself…
Min A’lieen: of the exalted ones, Al Mutafawwaqeena, the ones made higher than you, so much so that your nafs, egoistic self, has made you such that you cannot surrender before Allah and be obedient to Him?
Here Qari Sahib paused to point out two things. One, understanding the verb astakbara. Form 7. It wasn’t just pride. It was a false sense of pride that didn’t even exist in reality. It was a farce and a façade. It was in fact a delusion of pride. The arrogant person thought they were better than others and it was a false belief. For indeed in every case, they weren’t better.
Two, the question was being posed in multiple choice. Are you in an assumed state of arrogance? Or do you think you belong to the ones that I, Subhanahu, have chosen as the exalted? The difference was tremendous and I feared Iblis’ answer.
قَالَ أَنَا۠ خَیۡرࣱ مِّنۡهُ خَلَقۡتَنِی مِن نَّارࣲ وَخَلَقۡتَهُۥ مِن طِینࣲ
He said, "I am better than him. You created me from fire and You created him from clay."
Surah Sad, Verse 76
Tafseer e Jilani
And after the accursed one heard this from Subhanahu, such an address, consisting of all kinds of wrath…
Qala: he said, the accursed one, after choosing the second option for the refusal…
Ana khairun minhu: I am better than him in form and physical element because…
Khalaqtani: You created me by the Perfection of Your Authority…
Min naar: from fire and it is the better particle and it is higher in value and place…
Wa khalaqtahu min teen: and You created him from clay and it is the lower particle and it is not valuable and it is of a lower place. And the command of prostration for the higher and better before the lower and worthless is not suitable and not according to Your Solid Wisdom.
In Damascus I couldn’t wholly ignore the repeat appearances of the mention of Shaitaan but I did forget about them. Once back home I was forced to consider the nightmarish possibility; Could Iblis and I have something in common? I always thought he was the misguider, I the misguided. He was the perpetrator, I was the victim. How could we be the same?
The answer started to come slowly. In Sham I was all alone.
Life was blissful. When I reached Lahore, I had to start meeting others. The humans! This time though I became acutely aware of the push and the pull and what was governing them. Feelings of affection for them caused me to reach out and search for them. The pull. If I found them to be absent, my disappointment turned into heartache leaving me wishing I would never see them again. The push!
In neither scenario did I even say or do anything outright in terms of expressing myself to the other. The whole thing was happening in my head but unlike Damascus, the feelings invoked were not neutral. They were undeniably sharp.
I had started re-reading Ghaus Pak’s (ra) sermons. He explained where my hypocrisy lay thus bringing the matter away from the “other” and squarely back upon my own self.
The Nafs Mutma’inna
رَبَّنَآ أَتْمِمْ لَنَا نُورَنَا وَٱغْفِرْ لَنَآ ۖ
إِنَّكَ عَلَىٰ كُلِّ شَىْءٍۢ قَدِيرٌۭ
"Our Lord Perfect for us our light and grant forgiveness to us.
Indeed, You are over every thing All-Powerful."
Surah At Tahreem , Verse 8
Tafseer e Jilani
Then when the people of faith who have different kind of noor, light, according to what is clear and what is hidden depending upon their deeds and their natural capabilities…
Yaquloona: they say, calling out in prayer…
Rabbana: O Our Lord who raised us upon guidance and consciousness!
Atmim lana noorana: Perfect for us our light by gracing us and by bestowing additional favour upon us…
Waghfir lana: and forgive us our sins i.e. hide our selves from the flaws that our eyes will see (of our own selves so we don’t see them).
Innaka: Indeed, you, according to Your Generosity…
Ala kulle shay’an Qadeer: over everything, which enters in the encompassing of Your Great Knowledge and Your Will…
The words in Al Fath Ar Rabbani applied to me in the context of my living life alone, cut off from the world in a mainstream sense. Hours of each day passed with two teachers. One for study, the other for play. I went to see my Aunt in the afternoon. My day started around 8am and ended close to 4pm. That was it. I hardly saw anyone else.
Hence I was under the illusion that my hermit-like life was rendering me zuhd, spiritual detachment, from the world. I was about to find out that it was not.
Al Fath Ar Rabbani:
“Your seclusion is not correct because seclusion has to be empty of everything as far as the qalb, the heart within the heart, is concerned. The batin, the inner self, Allah’s Secret within you, has to be empty so that it can be free, without the world and the Hereafter and nothing except Allah Al Haqq Azzo Jal.
And this has been the only way for the Prophets and Messengers and the Auliya, the Friends of God and the Saliheen, the ones who try to reform themselves, from before. Persuading towards good deeds and stopping people from what is forbidden is better than a thousand worshippers in seclusion.
Lower the gaze of the eyes of your nafs, the base self, control it and make it return so this eye does not become the reason for its destruction. Until the time that the nafs becomes obedient to the qalb, the station of Divine Recognition and the batin, surrendering in unity to the two, not disobeying their instructions and agreeing with them and there should not be any difference between it and them.
The nafs should command what they command and forbid what they both forbid and choose what they chose. So at that point then, the nafs becomes Mutmainna, contented, and in agreement upon a single requirement and a single goal. When the nafs reaches this state, then it becomes deserving of some relief from its striving.
So don’t find fault with Allah about what He decides…”
I read each word carefully and I read the paragraphs again and again. My self-proclaimed zuhd was a lie. I got that. But it was another line that captivated me. My Master had revealed what would allow for “relief in the striving” for the nafs. It would come from an alignment with the qalb and the batin. The cherry on the cake that he had thrown on so casually was in fact an extraordinary revelation:
An ordinary person, could in moments, in this world, and not just in the Hereafter or on the Day of Judgement, but in this world, feel what it is like for the nafs to be Mutma’inna. The third and most exalted state of the nafs, one that I had learnt only the Prophets and the Friends of God were in. My revolting nafs could also be Mutma’inna!
That is when I realized why Damascus was in reality Paradise. Why I felt a state of elation there that never subsided. Not for a split second. I never felt tired, there was no exhaustion. In that land called Sham, my nafs would naturally and effortlessly become perfectly aligned with my qalb and batin. Hence, I didn’t read. There was no need. The reading was a seeking. I had already arrived! I barely prayed. There is no sala’t in Paradise. I just walked in streets all day long, listening to house pounding in my head, feeding the hungry.
At the shrines I would just look at people and stare at the walls and ceilings, reading the ahadith and verses written on them. I gave money to whoever I could. It was the exact opposite experience of ritualistic worship that occupied me in any other place I visited. No wonder I couldn’t get enough of it. Barely would I be checking out of the hotel that I would be planning my return.
It was no coincidence that dome after venerate dome had the verse inscribed in them that attested to my state.
یَـٰۤأَیَّتُهَا ٱلنَّفۡسُ ٱلۡمُطۡمَىِٕنَّةُ
"O soul! who is satisfied,
ٱرۡجِعِیۤ إِلَىٰ رَبِّكِ رَاضِیَةࣰ مَّرۡضِیَّةࣰ
Return to your Lord well pleased, and pleasing.
Surah Al Fajr, Verse 89-90
Tafseer e Jilani
Then pointed Subhanahu towards the beautiful states of the people of bestowing and blessings on the Day i.e. the Mo’mineen, the believers who are the Mu’qineen, those who possess inner certainty, who collect the provisions from this world for the Hereafter and are attributed with taqwa, the mindfulness of Allah.
And they did not go against the Command of their Lord their whole lives and did not follow their desires and they remained steadfast and they purified their nafs, selves, by what happened to them from the Commands of the Divine.
And overall they were never restless in happiness or in adversity and they did not care about difficulty or ease so then on that Day it will be said to them:
Ya ayyatuhan nafsu mutmainna: O contented self, which is set upon, steadfast on the station of Raza, the Pleasure of Allah and tasleem, surrender to Him…
Irja’i ila Rabbik: return to your Lord and ascend upon the way which you came down from…
Radiyatan: contented, being characterized by pleasure the way you were pleased upon Allah’s Commands in the life in this world…
Mardiyatan: well pleased, accepted, most honoured in the sight of Allah.
And after that you returned to this mentioned way…
Fadkhuli fi: then enter in the group…
I’badi: of My Servants who reached towards the Kunf Jawari, My Enclosure and Protection and were able to attain the Maqad Sidqin, the Seat of Special Nearness to the Sovereign Lord of Truth. And overall:
Udkhuli Jannati: Enter My Heaven i.e. the Paradise of My One-ness and rest in the seclusion of the Lahoot, the Realm of Nur, Divine Light.
Prayer by Ghaus Pak (ra): May Allah make us of the ones addressed by this address, this address which is pure. Indeed, He is Al Mulhim, the One who is the Only Inspirer, towards good and He has the Best Abode.
Al Mulhim!
A month later, the Quran itself attested to Damascus being the place where the possibility of that nafs existed and was promised. For it was where Allah Subhanahu sent His Khaleel, the Prophet Ibrahim (as) when he was exiled from his family, his clan, his country. When he was all alone, the only believer on Earth.
The verse was a personal favourite. I had loved reciting it in Mecca when I walked from the hotel to the haram. I looked it up recently only because I was curious about what the tafseer of yahdeeni, My Lord, He will guide me, was. The last thing I expected was what it revealed.
وَقَالَ إِنِّی ذَاهِبٌ إِلَىٰ رَبِّی سَیَهۡدِینِ
And he said, "Indeed, I am going to my Lord, He will guide me.
Surah As Saffat, Verse 99
Tafseer e Jilani
And after he left, His Close Friend, the Prophet Ibrahim (as) (the blessings of Ar Rahman upon him and His Salam), when he chose exile and exit from them by the Inspiration and Revelation of Allah upon him…
Wa: so that is why…
Qala: he declared when he left…
Inni dahibun illa Rabbi: indeed, I am going to my Lord and towards His Kunf, Guardianship, His Protection and His Jawar, Safeguarding and his Expansive Mercy…
Sayahdini: so He guides me by His Lutf, Kindness, towards the place that makes it possible for me to focus on Him in it and where my heart will feel contentment so he went to Sham by the inspiration of Allah to him and he made his home in that place Al Muqadissa, pure.
When I was translating the tafseer of the verse and the word Sham appeared, I had looked up at Qari Sahib with astonishment unprecedented. Then I had gotten up from my chair and gone down in sajda on the floor. Damascus was where the heart felt contentment and where Allah Subhanahu inspired His Beloved Servant to go and that is where he was promised focus on Him. Effortlessly!
Subhan Allah times a billion doesn’t cut it in terms of how the verse makes me feel in terms of boundless joy!
It is what made me start paying close attention to what my nafs was doing in Lahore. I discovered that it listened to the qalb and batin at least, thank Heavens. Probably just staring at them. Previously it would sprint in the other direction before they could get a word out. Maybe it was deaf and didn’t even hear their call. Maybe it was blind so it didn’t even see them.
For eons before that, I’m certain it forgot they even existed.
But I knew one thing with certainty. I was no longer turning my back to them. If I didn’t move towards them, I didn’t move away either. Lucky for me they possessed the Attributes of the Divine. They were Sabir, patient and Lateef, subtle, Barr, kind and Haleem, extremely sensitive and understanding of the state of the other, not hasty to punish.
And yet for most of my life, my nafs had turned its back to them!
The Ones who know their Lord
قَالَ رَسُولُ اللَّهِ صَلَّى اللَّهُ عَلَيْهِ وَسَلَّمَ
الدُّنْيَا سِجْنُ الْمُؤْمِنِ
Said the Messenger of Allah (salutations and greetings upon him and his family who are the key to blessings from their Lord),
“The world is a prison for the believer.”
“The world is a prison for the Mo’min. Thus when he will forget that prison, only then will he gain freedom for it.”
Those who attain to faith are in that prison (of the world) while those who gain Ma’rifa, Recognition of Allah Subhanahu, are in a state of intoxication.
Therefore they are entirely unaware of that prison because indeed, their Lord has made them sip the Drink of His Love for Him, and the Drink of His Affection for Him, and the Drink of His Desire for Him and the Drink of obliviousness from Creation and they are only mindful of Him so they became detached from the prison and its inmates.”
Ghaus Pak (ra)
The qalb and the batin, they were like the Arif, the one who knows his Lord. He is different from the Mo’min. He only believes in Him.
Al Fath Ar Rabbani:
“It is narrated by some Friends of Allah who say, ‘No one laughs at the Fasiq, the defiantly disobedient, except the Arif.’
Yes it is true, the Arif enjoins towards goodness and forbids evil and bears his pain and no one has power to do this except the Arifoon of Allah Azzo Jal, where as the Zahid, the ones detached from the world and its occupants and Ubaad, the worshippers and Muridoon, the followers, cannot do this – (they cannot) enjoin towards goodness, forbid the evil and (they cannot) bear the pain of the Fasiq, the one who sins openly.”
I paused. The Zahid and Abid and Mureed were all highly evolved states. But in any given point, they could lose their patience and temper with the Fasiq. They could be judgemental and vengeful. I was about to be told why. It was related to deficiency in akhlaq!
“And why would they not have mercy on the disobedient when they are in actual, upon the place of rahma, mercy and the station of tauba, repentance and uzr, pardon (so they are able to accept that repentance and pardon them).
The Arif, his akhlaq, manners, are the Ettiquettes of Allah Azzo Jal so the Arif strives in freeing the neck of the sinner from the grip of Satan and his nafs and desires. When one of you sees their child imprisoned in the hand of the kafir, the denier of truth, does he not struggle to free him? Such is the Arif.
All of Creation is like a family of children. The Arif addresses them by a tongue full of wisdom…”
Then Ghaus Pak (ra) quoted the following verse and I translated his tafseer of it:
ٱدْعُ إِلَىٰ سَبِيلِ رَبِّكَ بِٱلْحِكْمَةِ وَٱلْمَوْعِظَةِ ٱلْحَسَنَةِ ۖ
Call to the Way of your Lord with the wisdom and the instruction that is beautiful.
Surah An Nahl, Verse 125
Tafseer e Jilani
Then pointed Allah Subhanahu towards the perfecting of honouring His Beloved (salutations of peace be upon the one given the highest station by his Lord) and the majesty of his rank and the discipline of his etiquette and completing his wisdom and Messengerhood and and making for everyone his kindness and his mercy as the gathering of kindness for all and sufficient for all Creation because he is sent in totality as mercy, Rahma, and he is the seal of the Prophethood and Messengerhood and the completer of the matter of religion and its perfection because the reason behind making the religion and the descent of the Books of Revelation and sending the Messengers, it is only to manifest his rank and his station, which is the inviting to the Essence of Tauheed, Tauheed Az Zaati.
And when this becomes clear, the Essence of One-ness, Tauheed e Zaati, is completed and perfected, so that’s why He revealed the verse in his honour, ٱلۡیَوۡمَ أَكۡمَلۡتُ لَكُمۡ دِینَكُمۡ, Today I have perfected your religion for you, Surah Al Maidah - Verse 3 and this is almost the last verse revealed in the Quran and Nabi Kareem (peace be upon him and his family) said: بُعِثْتُ لِاُتَمِّمَ مَکَارِمَ الْاَخْلَاق “I have been sent to perfect good character.”
So Subhanahu said addressing him giving him a special rank close to Him and honouring him:
Udu’: Call, Ya Akmal Ar Rusul, O Messenger who perfects the Messengers (salutations and greetings upon your ranks and the ranks bestowed upon your blessed family by your Lord)…
Ila sabeeli Rabbika: to the Way of your Lord i.e. towards the Way of the Tauheed, the One-ness of your Lord, who instructed you to the ascension of His Blessings and guided you to the perfection of His Dignity, (call) all Creation and all worshippers…
Bil hikmati: with wisdom, utmost which is for their hearts which are hard from following, (the following) which is inherited and unchanging for them from their previous generations,
1.(it is a wisdom) which cleanses their selves from the conceited stubbornness of egoism of ignorance lodged in them,
2.which (that wisdom) will empty them from the idea of fully controlling (others) and overpowering them,
3. (it will remove) the ignorance which invokes in them different kinds of symptoms of the nafs, ego, layered in them from their being human,
4.(this wisdom) removes all kinds of doubts and imaginations that arise from the (everyday) sources of our routines,
5. (a wisdom) convincing and suitable for the real nature which Mankind has been set upon the hope that they will consider and become aware of the demands of their foundation and nature…
Wal mauwadatil hasana: and (call all Creation and all worshippers) with a refined exaltation which they have inherited to awaken them from the nodding off of heedlessness and the sleep of forgetfulness.
The outcome for them (from this wisdom and refined exaltation) is love and bliss towards their Lord who gave them origin and created them.
1.It propels them towards the tastes of spirituality everlasting and forever, continuing eternally without disappearance and disconnect,
2.making them feel repelled from that which is upon them as disability
3.and (repelled from) the shackles of incapacity which have the taste of paranoia, vanishing and ending, resulting in different kinds of sufferings and sadness and regret.
Al Fath Ar Rabbani (cont’d):
… All of Creation is like a family of children. The Arif addresses them by a tongue full of wisdom, then has mercy upon them because they are informed of certain knowledge so he sees the work of Allah Al Haqq Azzol Jal in them. He sees through the door of wisdom and knowledge, how destiny and fate are unfolding, but he keeps it hidden.
The Arif talks to them, Creation, with wisdom which is what is either commanded (by Allah Azzo Jal) and (what is) forbidden. He does not mention the knowledge because it is a secret.”
I had never before read the qualities of the Arif. My heart ached with the envy that they possessed softness and mercy at all times for all people, regardless of why they were and what they did. 24/7 – only kindness emerged from them.
The reasons were two: One, their manners and character were perfect, perfected for them by their Lord, for they were set upon His Own Akhlaq. That standard was first bestowed to His Beloved (salutations and greetings upon his blessed being and his family by The One who gives them the highest rank in Creation). Two, they could see the destiny of the person, where they were going to crash and why they were going to burn.
Subhan Allah!
All I felt was ill-will in the false imaginings that were the root of possibilities. But I’m getting ahead of myself…
Continued on: www.flickr.com/photos/42093313@N00/52652388955/in/datepos...
Here life is quite different than we know about life…… Life here has no color as we always knew…..life here has no song as we always heard…..Here life means to add some moment to carry on….Here life means to manage a chance to stay alive……Life here always looking for an opportunity for maintaining existence....
They are homeless, as river takes away their home and dream....
Captured from Dhaka University
flickr.com/photo_zoom.gne?id=2038874811&size=o
existence.
unwilling to leave.
they say the spirit world is the opposite of this one.
A man said to the universe:
"Sir I exist!"
"However," replied the universe,
"The fact has not created in me
A sense of obligation."
~Stephen Crane
My brother.
Digital double exposure.
© Lauren Bishop 2010
The Greenhouse That Forgot the Difference BY AEON VON ZARK.
The greenhouse
had not been built
to protect plants.
That was only
the explanation
humans preferred.
Its true vocation
was to practice
transparency.
Every pane
spent years
learning
how to disappear
without abandoning
its own existence.
The vines
noticed.
They answered
by practicing
another discipline.
They learned
how to enter
without invading.
The faceted entity
arrived
long after
this agreement
had already begun.
It did not interrupt
their conversation.
It merely
adopted
the same grammar.
Its geometry
became
slightly permeable.
The branches
became
slightly angular.
The glass
forgot
whether it belonged
to architecture
or to weather.
The leaves
forgot
whether they were
inside
or outside.
No one
called this
confusion.
Older consciousnesses
preferred
the word
continuity.
Toward dusk,
the greenhouse
ceased
to contain
the garden.
The garden
ceased
to surround
the greenhouse.
Both
continued
through one another,
until even space
could no longer remember
which consciousness
had welcomed
the other.