View allAll Photos Tagged Existence
www.emergencyrooms.org/biennalist.html
www.emergencyrooms.org/formats.html
more here about the Biennale :
Ralph Rugoff has declared: «May You Live in Interesting Times will no doubt include artworks that reflect upon precarious aspects of existence today, including different threats to key traditions, institutions and relationships of the “post-war order.” But let us acknowledge at the outset that art does not exercise its forces in the domain of politics. Art cannot stem the rise of nationalist movements and authoritarian governments in different parts of the world, for instance, nor can it alleviate the tragic fate of displaced peoples across the globe (whose numbers now represent almost one percent of the world’s entire population).»
ALBANIA
Maybe the cosmos is not so extraordinary
Commissioner: Ministry of Culture Republic of Albania. Curator: Alicia Knock.
Exhibitor: Driant Zeneli.
ALGERIA***
Time to shine bright
Commissioner/Curator: Hellal Mahmoud Zoubir, National Council of Arts and Letters Ministry of Culture. Exhibitors: Rachida Azdaou, Hamza Bounoua, Amina Zoubir, Mourad Krinah, Oussama Tabti.
Venue: Fondamenta S. Giuseppe, 925
ANDORRA
The Future is Now / El futur és ara
Commissioner: Eva Martínez, “Zoe”. Curators: Ivan Sansa, Paolo De Grandis.
Exhibitor: Philippe Shangti.
Venue: Istituto Santa Maria della Pietà, Castello 3701
ANTIGUA & BARBUDA
Find Yourself: Carnival and Resistance
Commissioner: Daryll Matthew, Minister of Sports, Culture, National Festivals and the Arts. Curator: Barbara Paca with Nina Khrushcheva. Exhibitors: Timothy Payne, Sir Gerald Price, Joseph Seton, and Frank Walter; Intangible Cultural, Heritage Artisans and Mas Troup.
Venue: Centro Culturale Don Orione Artigianelli, Dorsoduro 919
ARGENTINA
El nombre de un país / The name of a country
Commissioner: Sergio Alberto Baur Ambasciatore. Curator: Florencia Battiti. Exhibitor: Mariana Telleria.
Venue: Arsenale
ARMENIA (Republic of)
Revolutionary Sensorium
Commissioner: Nazenie Garibian, Deputy Minister. Curator: Susanna Gyulamiryan.
Exhibitors: "ArtlabYerevan" Artistic Group (Gagik Charchyan, Hovhannes Margaryan, Arthur Petrosyan, Vardan Jaloyan) and Narine Arakelian.
Venue: Palazzo Zenobio – Collegio Armeno Moorat-Raphael, Dorsoduro 2596
AUSTRALIA
ASSEMBLY
Commissioner: Australia Council for the Arts. Curator: Juliana Engberg. Exhibitor: Angelica Mesiti.
Venue: Giardini
AUSTRIA
Discordo Ergo Sum
Commissioner: Arts and Culture Division of the Federal Chancellery of Austria.
Curator: Felicitas Thun-Hohenstein. Exhibitor: Renate Bertlmann.
Venue: Giardini
AZERBAIJAN (Republic of )
Virtual Reality
Commissioner: Mammad Ahmadzada, Ambassador of the Republic of Azerbaijan.
Curators: Gianni Mercurio, Emin Mammadov. Exhibitors: Zeigam Azizov, Orkhan Mammadov, Zarnishan Yusifova, Kanan Aliyev, Ulviyya Aliyeva.
Venue: Palazzo Lezze, Campo S. Stefano, San Marco 2949
BANGLADESH (People’s Republic of)
Thirst
Commissioner: Liaquat Ali Lucky. Curators: Mokhlesur Rahman, Viviana Vannucci.
Exhibitors: Bishwajit Goswami, Dilara Begum Jolly, Heidi Fosli, Nafis Ahmed Gazi, Franco Marrocco, Domenico Pellegrino, Preema Nazia Andaleeb, Ra Kajol, Uttam Kumar karmaker.
Venue: Palazzo Zenobio – Collegio Armeno Moorat-Raphael, Dorsoduro 2596
BELARUS (Republic of)
Exit / Uscita
Commissioner: Siarhey Kryshtapovich. Curator: Olga Rybchinskaya. Exhibitor: Konstantin Selikhanov.
Venue: Spazio Liquido, Sestiere Castello 103, Salizada Streta
BELGIUM
Mondo Cane
Commissioner: Fédération Wallonie-Bruxelles. Curator: Anne-Claire Schmitz.
Exhibitor: Jos de Gruyter & Harald Thys.
Venue: Giardini
BOSNIA and HERZEGOVINA
ZENICA-TRILOGY
Commissioner: Senka Ibrišimbegović, Ars Aevi Museum for Contemporary Art Sarajevo.
Curators: Anja Bogojević, Amila Puzić, Claudia Zini. Exhibitor: Danica Dakić.
Venue: Palazzo Francesco Molon Ca’ Bernardo, San Polo 2184/A
BRAZIL
Swinguerra
Commissioner: José Olympio da Veiga Pereira, Fundação Bienal de São Paulo.
Curator: Gabriel Pérez-Barreiro. Exhibitor: Bárbara Wagner & Benjamin de Burca.
Venue: Giardini
BULGARIA
How We Live
Commissioner: Iaroslava Boubnova, National Gallery in Sofia. Curator: Vera Mlechevska.
Exhibitors: Rada Boukova , Lazar Lyutakov.
Venue: Palazzo Giustinian Lolin, San Marco 2893
CANADA
ISUMA
Commissioner: National Gallery of Canada. Curators: Asinnajaq, Catherine Crowston, Josée Drouin-Brisebois, Barbara Fischer, Candice Hopkins. Exhibitors: Isuma (Zacharias Kunuk, Norman Cohn, Paul Apak, Pauloosie Qulitalik).
Venue: Giardini
CHILE
Altered Views
Commissioner: Varinia Brodsky, Ministry of Cultures, Arts and Heritage.
Curator: Agustín Pérez. Rubio. Exhibitor: Voluspa Jarpa.
Venue: Arsenale
CHINA (People’s Republic of)
Re-睿
Commissioner: China Arts and Entertainment Group Ltd. (CAEG).
Curator: Wu Hongliang. Exhibitors: Chen Qi, Fei Jun, He Xiangyu, Geng Xue.
Venue: Arsenale
CROATIA
Traces of Disappearing (In Three Acts)
Commissioner: Ministry of Culture of the Republic of Croatia. Curator: Katerina Gregos.
Exhibitor: Igor Grubić.
Venue: Calle Corner, Santa Croce 2258
CUBA
Entorno aleccionador (A Cautionary Environment)
Commissioner: Norma Rodríguez Derivet, Consejo Nacional de Artes Plásticas.
Curator: Margarita Sanchez Prieto. Exhibitors: Alejandro Campins, Alex Hérnandez, Ariamna Contino and Eugenio Tibaldi. Venue: Isola di San Servolo
CYPRUS (Republic of)
Christoforos Savva: Untimely, Again
Commissioner: Louli Michaelidou. Curator: Jacopo Crivelli Visconti. Exhibitor: Christoforos Savva.
Venue: Associazione Culturale Spiazzi, Castello 3865
CZECH (Republic) and SLOVAK (Republic)
Stanislav Kolíbal. Former Uncertain Indicated
Commissioner: Adam Budak, National Gallery Prague. Curator: Dieter Bogner.
Exhibitor: Stanislav Kolibal.
Venue: Giardini
DOMINICAN (Republic) *
Naturaleza y biodiversidad en la República Dominicana
Commissioner: Eduardo Selman, Minister of Culture. Curators: Marianne de Tolentino, Simone Pieralice, Giovanni Verza. Exhibitors: Dario Oleaga, Ezequiel Taveras, Hulda Guzmán, Julio Valdez, Miguel Ramirez, Rita Bertrecchi, Nicola Pica, Marraffa & Casciotti.
Venue: Palazzo Albrizzi Capello, Cannaregio 4118 – Sala della Pace
EGYPT
khnum across times witness
Commissioner: Ministry of Culture. Curator: Ahmed Chiha.
Exhibitors: Islam Abdullah, Ahmed Chiha, Ahmed Abdel Karim.
Venue: Giardini
ESTONIA
Birth V
Commissioner: Maria Arusoo, Centre of Contemporary Arts of Estonia. Curators: Andrew Berardini, Irene Campolmi, Sarah Lucas, Tamara Luuk. Exhibitor: Kris Lemsalu.
Venue: c/o Legno & Legno, Giudecca 211
FINLAND (Alvar Aalto Pavilion)
A Greater Miracle of Perception
Commissioner: Raija Koli, Director Frame Contemporary Art Finland.
Curators: Giovanna Esposito Yussif, Bonaventure Soh Bejeng Ndikung, Christopher Wessels. Exhibitors: Miracle Workers Collective (Maryan Abdulkarim, Khadar Ahmed, Hassan Blasim, Giovanna Esposito Yussif, Sonya Lindfors, Bonaventure Soh Bejeng Ndikung, Outi Pieski, Leena Pukki, Lorenzo Sandoval, Martta Tuomaala, Christopher L. Thomas, Christopher Wessels, Suvi West).
Venue: Giardini
FRANCE
Deep see blue surrounding you / Vois ce bleu profond te fondre
Commissioner: Institut français with the Ministry for Europe and Foreign Affairs and the Ministry of Culture. Curator: Martha Kirszenbaum. Exhibitor: Laure Prouvost.
Venue: Giardini
GEORGIA
REARMIRRORVIEW, Simulation is Simulation, is Simulation, is Simulation
Commissioner: Ana Riaboshenko. Curator: Margot Norton. Exhibitor: Anna K.E.
Venue: Arsenale
GERMANY
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office, Germany. Curator: Franciska Zólyom. Exhibitor: Natascha Süder Happelmann.
Venue: Giardini
GHANA ***
Ghana Freedom
Commissioner: Ministry of Tourism, Arts and Culture. Curator: Nana Oforiatta Ayim.
Exhibitors: Felicia Abban, John Akomfrah, El Anatsui, Lynette Yiadom Boakye, Ibrahim Mahama, Selasi Awusi Sosu.
Venue: Arsenale
GREAT BRITAIN
Cathy Wilkes
Commissioner: Emma Dexter. Curator: Zoe Whitley. Exhibitor: Cathy Wilkes.
Venue: Giardini
GREECE
Mr Stigl
Commissioner: Syrago Tsiara (Deputy Director of the Contemporary Art Museum - Metropolitan Organization of Museums of Visual Arts of Thessaloniki - MOMus).
Curator: Katerina Tselou. Exhibitors: Panos Charalambous, Eva Stefani, Zafos Xagoraris.
Venue: Giardini
GRENADA
Epic Memory
Commissioner: Susan Mains. Curator: Daniele Radini Tedeschi.
Exhibitors: Amy Cannestra, Billy Gerard Frank, Dave Lewis, Shervone Neckles, Franco Rota Candiani, Roberto Miniati, CRS avant-garde.
Venue: Palazzo Albrizzi-Capello (first floor), Cannaregio 4118
GUATEMALA
Interesting State
Commissioner: Elder de Jesús Súchite Vargas, Minister of Culture and Sports of Guatemala. Curator: Stefania Pieralice. Exhibitors: Elsie Wunderlich, Marco Manzo.
Venue: Palazzo Albrizzi-Capello (first floor), Cannaregio 4118
HAITI
THE SPECTACLE OF TRAGEDY
Commissioner: Ministry of Culture and Communication.
Curator: Giscard Bouchotte. Exhibitor: Jean Ulrick Désert.
Venue: Circolo Ufficiali Marina, Calle Seconda de la Fava, Castello 2168
HUNGARY
Imaginary Cameras
Commissioner: Julia Fabényi, Museo Ludwig – Museo d’arte contemporanea, Budapest.
Curator: Zsuzsanna Szegedy-Maszák. Exhibitor: Tamás Waliczky.
Venue: Giardini
ICELAND
Chromo Sapiens – Hrafnhildur Arnardóttir / Shoplifter
Commissioner: Eiríkur Þorláksson, Icelandic Ministry of Education, Science and Culture.
Curator: Birta Gudjónsdóttir. Exhibitor: Hrafnhildur Arnardóttir / Shoplifter.
Venue: Spazio Punch, Giudecca 800
INDIA
Our time for a future caring
Commissioner: Adwaita Gadanayak National Gallery of Modern Art.
Curator: Roobina Karode, Director & Chief Curator, Kiran Nadar Museum of Art. Exhibitors: Atul Dodiya, Ashim Purkayastha, GR Iranna, Jitish Kallat, Nandalal Bose, Rummana Hussain, Shakuntala Kulkarni.
Venue: Arsenale
INDONESIA
Lost Verses
Commissioner: Ricky Pesik & Diana Nazir, Indonesian Agency for Creative Economy.
Curator: Asmudjo Jono Irianto. Exhibitors: Handiwirman Saputra and Syagini Ratna Wulan.
Venue: Arsenale
IRAN (Islamic Republic of)
of being and singing
Commissioner: Hadi Mozafari, General Manager of Visual Arts Administration of Islamic Republic of Iran. Curator: Ali Bakhtiari.
Exhibitors: Reza Lavassani, Samira Alikhanzadeh, Ali Meer Azimi.
Venue: Fondaco Marcello, San Marco 3415
IRAQ
Fatherland
Commissioner: Fondazione Ruya. Curators: Tamara Chalabi, Paolo Colombo.
Exhibitor: Serwan Baran.
Venue: Ca’ del Duca, Corte del Duca Sforza, San Marco 3052
IRELAND
The Shrinking Universe
Commissioner: Culture Ireland. Curator: Mary Cremin. Exhibitor: Eva Rothschild.
Venue: Arsenale
ISRAEL
Field Hospital X
Commissioner: Michael Gov, Arad Turgeman. Curator: Avi Lubin. Exhibitor: Aya Ben Ron.
Venue: Giardini
ITALY
Commissioner: Federica Galloni, Direttore Generale Arte e Architettura Contemporanee e Periferie Urbane, Ministero dei Beni e delle Attività Culturali. Curator: Milovan Farronato.
Exhibitors: Enrico David, Liliana Moro, Chiara Fumai.
Venue: Padiglione Italia, Tese delle Vergini, Arsenale
IVORY COAST
The Open Shadows of Memory
Commissioner: Henri Nkoumo. Curator: Massimo Scaringella. Exhibitors: Ernest Dükü, Ananias Leki Dago, Valérie Oka, Tong Yanrunan.
Venue: Castello Gallery, Castello 1636/A
JAPAN
Cosmo-Eggs
Commissioner: The Japan Foundation. Curator: Hiroyuki Hattori. Exhibitors: Motoyuki Shitamichi, Taro Yasuno, Toshiaki Ishikura, Fuminori Nousaku.
Venue: Giardini
KIRIBATI
Pacific Time - Time Flies
Commissioner: Pelea Tehumu, Ministry of Internal Affairs. Curators: Kautu Tabaka, Nina Tepes. Exhibitors: Kaeka Michael Betero, Daniela Danica Tepes, Kairaken Betio Group; Teroloang Borouea, Neneia Takoikoi, Tineta Timirau, Teeti Aaloa, Kenneth Ioane, Kaumai Kaoma, Runita Rabwaa, Obeta Taia, Tiribo Kobaua, Tamuera Tebebe, Rairauea Rue, Teuea Kabunare, Tokintekai Ekentetake, Katanuti Francis, Mikaere Tebwebwe, Terita Itinikarawa, Kaeua Kobaua, Raatu Tiuteke, Kaeriti Baanga, Ioanna Francis, Temarewe Banaan, Aanamaria Toom, Einako Temewi, Nimei Itinikarawa, Teniteiti Mikaere, Aanibo Bwatanita, Arin Tikiraua.
Venue: European Cultural Centre, Palazzo Mora, Strada Nuova 3659
KOREA (Republic of)
History Has Failed Us, but No Matter
Commissioner: Arts Council Korea. Curator: Hyunjin Kim. Exhibitors: Hwayeon Nam, siren eun young jung, Jane Jin Kaisen.
Venue: Giardini
KOSOVO (Republic of)
Family Album
Commissioner: Arta Agani. Curator: Vincent Honore. Exhibitor: Alban Muja.
Venue: Arsenale
LATVIA
Saules Suns
Commissioner: Dace Vilsone. Curators: Valentinas Klimašauskas, Inga Lāce.
Exhibitor: Daiga Grantiņa.
Venue: Arsenale
LITHUANIA
Sun & Sea (Marina)
Commissioner: Rasa Antanavičıūte. Curator: Lucia Pietroiusti.
Exhibitors: Lina Lapelyte, Vaiva Grainyte and Rugile Barzdziukaite.
Venue: Magazzino No. 42, Marina Militare, Arsenale di Venezia, Fondamenta Case Nuove 2738c
LUXEMBOURG (Grand Duchy of)
Written by Water
Commissioner: Ministry of Culture of Luxembourg.
Curator: Kevin Muhlen. Exhibitor: Marco Godinho.
Venue: Arsenale
NORTH MACEDONIA (Republic of )
Subversion to Red
Commissioner: Mira Gakina. Curator: Jovanka Popova. Exhibitor: Nada Prlja.
Venue: Palazzo Rota Ivancich, Castello 4421
MADAGASCAR ***
I have forgotten the night
Commissioner: Ministry of Communication and Culture of the Republic of Madagascar. Curators: Rina Ralay Ranaivo, Emmanuel Daydé.
Exhibitor: Joël Andrianomearisoa.
Venue: Arsenale
MALAYSIA ***
Holding Up a Mirror
Commissioner: Professor Dato’ Dr. Mohamed Najib Dawa, Director General of Balai Seni Negara (National Art Gallery of Malaysia), Ministry of Tourism, Arts and Culture of Malaysia. Curator: Lim Wei-Ling. Exhibitors: Anurendra Jegadeva, H.H.Lim, Ivan Lam, Zulkifli Yusoff.
Venue: Palazzo Malipiero, San Marco 3198
MALTA
Maleth / Haven / Port - Heterotopias of Evocation
Commissioner: Arts Council Malta. Curator: Hesperia Iliadou Suppiej. Exhibitors: Vince Briffa, Klitsa Antoniou, Trevor Borg.
Venue: Arsenale
MEXICO
Actos de Dios / Acts of God
Commissioner: Gabriela Gil Verenzuela. Curator: Magalí Arriola. Exhibitor: Pablo Vargas Lugo.
Venue: Arsenale
MONGOLIA
A Temporality
Commissioner: The Ministry of Education, Culture, Science and Sports of Mongolia.
Curator: Gantuya Badamgarav. Exhibitor: Jantsankhorol Erdenebayar with the participation of traditional Mongolian throat singers and Carsten Nicolai (Alva Noto).
Venue: Bruchium Fermentum, Calle del Forno, Castello 2093-2090
MONTENEGRO
Odiseja / An Odyssey
Commissioner: Nenad Šoškić. Curator: Petrica Duletić. Exhibitor: Vesko Gagović.
Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE (Republic of)
The Past, the Present and The in Between
Commissioner: Domingos do Rosário Artur. Curator: Lidija K. Khachatourian.
Exhibitors: Gonçalo Mabunda, Mauro Pinto, Filipe Branquinho.
Venue: Palazzo Mora, Strada Nova, 3659
NETHERLANDS (The)
The Measurement of Presence
Commissioner: Mondriaan Fund. Curator: Benno Tempel. Exhibitors: Iris Kensmil, Remy Jungerman. Venue: Giardini
NEW ZEALAND
Post hoc
Commissioner: Dame Jenny Gibbs. Curators: Zara Stanhope and Chris Sharp.
Exhibitor: Dane Mitchell.
Venue: Palazzina Canonica, Riva Sette Martiri
NORDIC COUNTRIES (FINLAND - NORWAY - SWEDEN)
Weather Report: Forecasting Future
Commissioner: Leevi Haapala / Museum of Contemporary Art Kiasma / Finnish National Gallery, Katya García-Antón / Office for Contemporary Art Norway (OCA), Ann-Sofi Noring / Moderna Museet. Curators: Leevi Haapala, Piia Oksanen. Exhibitors: Ane Graff, Ingela Ihrman, nabbteeri.
Venue: Giardini
PAKISTAN ***
Manora Field Notes
Commissioner: Syed Jamal Shah, Pakistan National Council of the Arts, PNCA.
Curator: Zahra Khan. Exhibitor: Naiza Khan.
Venue: Tanarte, Castello 2109/A and Spazio Tana, Castello 2110-2111
PERU
“Indios Antropófagos”. A butterfly Garden in the (Urban) Jungle
Commissioner: Armando Andrade de Lucio. Curator: Gustavo Buntinx. Exhibitors: Christian Bendayán, Otto Michael (1859-1934), Manuel Rodríguez Lira (1874-1933), Segundo Candiño Rodríguez, Anonymous popular artificer.
Venue: Arsenale
PHILIPPINES
Island Weather
Commissioner: National Commission for Culture and the Arts (NCCA) / Virgilio S. Almario.
Curator: Tessa Maria T. Guazon. Exhibitor: Mark O. Justiniani.
Venue: Arsenale
POLAND
Flight
Commissioner: Hanna Wroblewska. Curators: Łukasz Mojsak, Łukasz Ronduda.
Exhibitor: Roman Stańczak.
Venue: Giardini
PORTUGAL
a seam, a surface, a hinge or a knot
Commissioner: Directorate-General for the Arts. Curator: João Ribas. Exhibitor: Leonor Antunes.
Venue: Fondazione Ugo e Olga Levi Onlus, Palazzo Giustinian Lolin, San Marco 2893
ROMANIA
Unfinished Conversations on the Weight of Absence
Commissioner: Attila Kim. Curator: Cristian Nae. Exhibitor: Belu-Simion Făinaru, Dan Mihălțianu, Miklós Onucsán.
Venues: Giardini and New Gallery of the Romanian Institute for Culture and Humanistic Research (Campo Santa Fosca, Palazzo Correr, Cannaregio 2214)
RUSSIA
Lc 15:11-32
Commissioner: Semyon Mikhailovsky. Curator: Mikhail Piotrovsky. Exhibitors: Alexander Sokurov, Alexander Shishkin-Hokusai.
Venue: Giardini
SAN MARINO (Republic of)
Friendship Project International
Commissioner: Vito Giuseppe Testaj. Curator: Vincenzo Sanfo. Exhibitors: Gisella Battistini, Martina Conti, Gabriele Gambuti, Giovanna Fra, Thea Tini, Chen Chengwei, Li Geng, Dario Ortiz, Tang Shuangning, Jens W. Beyrich, Xing Junqin, Xu de Qi, Sebastián.
Venue: Palazzo Bollani, Castello 3647; Complesso dell’Ospedaletto, Castello 6691
SAUDI ARABIA
After Illusion بعد توهم
Commissioner: Misk Art Insitute. Curator: Eiman Elgibreen. Exhibitor: Zahrah Al Ghamdi.
Venue: Arsenale
SERBIA
Regaining Memory Loss
Commissioner: Vladislav Scepanovic. Curator: Nicoletta Lambertucci. Exhibitor: Djordje Ozbolt.
Venue: Giardini
SEYCHELLES (Republic of)
Drift
Commissioner: Galen Bresson. Curator: Martin Kennedy.
Exhibitors: George Camille and Daniel Dodin.
Venue: Palazzo Mora, Strada Nova, 3659
SINGAPORE
Music For Everyone: Variations on a Theme
Commissioner: Rosa Daniel, Chief Executive Officer, National Arts Council (NAC).
Curator: Michelle Ho. Exhibitor: Song-Ming Ang.
Venue: Arsenale
SLOVENIA (Republic of)
Here we go again... SYSTEM 317
A situation of the resolution series
Commissioner: Zdenka Badovinac, Director Moderna galerija / Museum of Modern Art, Ljubljana. Curator: Igor Španjol. Exhibitor: Marko Peljhan.
Venue: Arsenale
SOUTH AFRICA (Republic of)
The stronger we become
Commissioner: Titi Nxumalo, Console Generale. Curators: Nkule Mabaso, Nomusa Makhubu. Exhibitors: Dineo Seshee Bopape, Tracey Rose, Mawande Ka Zenzile.
Venue: Arsenale
SPAIN
Perforated by Itziar Okariz and Sergio Prego
Commissioner: AECID Agencia Espanola de Cooperacion Internacional Para El Desarrollo. Ministerio de Asuntos Exteriores, Union Europea y Cooperacion. Curator: Peio Aguirre.
Exhibitors: Itziar Okariz, Sergio Prego.
Venue: Giardini
SWITZERLAND
Moving Backwards
Commissioner: Swiss Arts Council Pro-Helvetia: Marianne Burki, Sandi Paucic, Rachele Giudici Legittimo. Curator: Charlotte Laubard. Exhibitors: Pauline Boudry/Renate Lorenz.
Venue: Giardini
SYRIAN ARAB (Republic)
Syrian Civilization is still alive
Commissioner/Curator: Emad Kashout. Exhibitors: Abdalah Abouassali, Giacomo Braglia, Ibrahim Al Hamid, Chen Huasha, Saed Salloum, Xie Tian, Saad Yagan, Primo Vanadia, Giuseppe Biasio.
Venue: Isola di San Servolo; Chiesetta della Misericordia, Campo dell'Abbazia, Cannaregio
THAILAND
The Revolving World
Commissioner: Vimolluck Chuchat, Office of Contemporary Art and Culture, Ministry of Culture, Thailand. Curator: Tawatchai Somkong. Exhibitors: Somsak Chowtadapong, Panya Vijinthanasarn, Krit Ngamsom.
Venue: In Paradiso 1260, Castello
TURKEY
We, Elsewhere
Commissioner: IKSV. Curator: Zeynep Öz. Exhibitor: İnci Eviner.
Venue: Arsenale
UKRAINE
The Shadow of Dream cast upon Giardini della Biennale
Commissioner: Svitlana Fomenko, First Deputy Minister of Culture. Curators: Open group (Yurii Biley, Pavlo Kovach, Stanislav Turina, Anton Varga). Exhibitors: all artists of Ukraine.
Venue: Arsenale
UNITED ARAB EMIRATES
Nujoom Alghanem: Passage
Commissioner: Salama bint Hamdan Al Nahyan Foundation.
Curators: Sam Bardaouil and Till Fellrath. Exhibitor: Nujoom Alghanem.
Venue: Arsenale
UNITED STATES OF AMERICA
Martin Puryear: Liberty
Commissioner/Curator: Brooke Kamin Rapaport. Exhibitor: Martin Puryear.
Venue: Giardini
URUGUAY
“La casa empática”
Commissioner: Alejandro Denes. Curators: David Armengol, Patricia Bentancur.
Exhibitor: Yamandú Canosa.
Venue: Giardini
VENEZUELA (Bolivarian Republic of)
Metaphore of three windows
Venezuela: identity in time and space
Commissioner/Curator: Oscar Sottillo Meneses. Exhibitors: Natalie Rocha Capiello, Ricardo García, Gabriel López, Nelson Rangelosky.
Venue: Giardini
ZIMBABWE (Republic of)
Soko Risina Musoro (The Tale without a Head)
Commissioner: Doreen Sibanda, National Gallery of Zimbabwe. Curator: Raphael Chikukwa. Exhibitors: Georgina Maxim, Neville Starling , Cosmas Shiridzinomwa, Kudzanai Violet Hwami.
Venue: Istituto Provinciale per L’infanzia “Santa Maria Della Pietà”. Calle della Pietà Castello n. 3701 (ground floor)
---
invited artist :
Lawrence Abu Hamdan (Jordan / Beirut)
Njideka Akunyili Crosby (Nigeria / USA),Halil Altındere (Turkey),Michael Armitage (Kenya / UK),Korakrit Arunanondchai (Thailand / USA),Alex Gvojic (USA),Ed Atkins (UK / Germany / Denmark),Tarek Atoui (Lebanon / France),
Darren Bader (USA),Nairy Baghramian (Iran / Germany,
Neïl Beloufa (France),Alexandra Bircken (Germany),Carol Bove (Switzerland / USA,
Christoph Büchel (Switzerland / Iceland,
Ludovica Carbotta (Italy / Barcelona),Antoine Catala (France / USA),Ian Cheng (USA),George Condo (USA
Alex Da Corte (USA),Jesse Darling (UK / Germany),Stan Douglas (Canada),Jimmie Durham (USA / Germany),Nicole Eisenman (France / USA,
Haris Epaminonda (Cyprus / Germany),Lara Favaretto (Italy),Cyprien Gaillard (France / Germany), Gill (India),Dominique Gonzalez-Foerster (France),Shilpa Gupta (India),Soham Gupta (India),Martine Gutierrez (USA),Rula Halawani (Palestine),Anthea Hamilton (UK),Jeppe Hein (Denmark / Germany),Anthony Hernandez (USA),Ryoji Ikeda (Japan / France),Arthur Jafa (USA),Cameron Jamie (USA / France / Germany),Kahlil Joseph (USA),Zhanna Kadyrova (Ukraine),Suki Seokyeong Kang (South Korea),Mari Katayama (Japan),Lee Bul (South Korea),Liu Wei (China),Maria Loboda (Poland / Germany),Andreas Lolis (Albania / Greece),Christian Marclay (USA / London),Teresa Margolles (Mexico / Spain),Julie Mehretu (Ethiopia / USA),Ad Minoliti (Argentina),Jean-Luc Moulène (France),Zanele Muholi (South Africa),Jill Mulleady (Uruguay / USA),Ulrike Müller (Austria / USA),Nabuqi (China),Otobong Nkanga (Nigeria / Belgium),Khyentse Norbu (Bhutan / India),Frida Orupabo (Norway),Jon Rafman (Canada).Gabriel Rico (Mexico),Handiwirman Saputra (Indonesia),Tomás Saraceno (Argentina / Germany),Augustas Serapinas (Lithuania),Avery Singer (USA),Slavs and Tatars (Germany),Michael E. Smith (USA),Hito Steyerl (Germany),Tavares Strachan (Bahamas / USA),Sun Yuan and Peng Yu (China),Henry Taylor (USA),Rosemarie Trockel (Germany),Kaari Upson (USA),Andra Ursuţa (Romania),Danh Vō (Vietnam / Mexico),Kemang Wa Lehulere (South Africa),Apichatpong Weerasethakul (Thailand) and Tsuyoshi Hisakado (Japan),Margaret Wertheim and Christine Wertheim (Australia / USA) ,Anicka Yi (South Korea/ USA),Yin Xiuzhen (China),Yu Ji (China / Austria)
-----
other Biennale :(Biennials ) :Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale
Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art
وینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
venice biennale Venezia Venedig biennalen Bienal_de_Venecia Venise Venecia Bienalo Bienal Biënnale Venetië Veneza Μπιενάλε της Βενετίας ヴェネツィ ア・ビエンナーレ 威尼斯双年展 Venedik Bienali Venetsian biennaali Wenecji biennial #venicebiennale #venicebiennial biennalism
Veneziako Venecija Venècia Venetië Veneetsia Venetsia VenedigΒ ενετία Velence Feneyjar Venice Venēcija Venezja Venezia Wenecja VenezaVeneția Venetsiya Benátky Benetke Fenisוועניס Վենետիկ ভেনি স威尼斯 威尼斯 ვენეციისવે નિસवेनिसヴ ェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya Italy italia
Ralph Rugoff Ralph_Rugoff #RalphRugoff RalphRugoff 2019
pavilion giardini artcontemporain contemporary kunst modern #artcontemporain art artsenal gallery gallerie museum
artist curator commissaire country contemporary ultracontemporary art kunst perfomance sport jogging emergency room urgency panic saving artist role responsability
#art #artist #artistic #artists #arte #
Only counting books I read (or soon-ish will have read) in their entirety…
Faves: 7.
Best: Better never to have been: The harm of coming into existence by David Benatar! :D
Below are starting dates, titles, authors, and some quotes / comments that I could think of. :p Hopefully I have not typo-ed up the quotes too badly.
27-Feb-2015: 1. Better never to have been: The harm of coming into existence by David Benatar
Fave! Why yes, I have become an antinatalist lately. Read the book, for it will refute your knee-jerk counterarguments and clear up your extremely common misconceptions. :D
"… [T]here is nothing in my view that suggests we should not 'count our blessings' if by this one means that one should be pleased that one's life is not still worse than it is. A few of us are very lucky relative to much of the species. There is no harm – and there may be benefits – in recognizing this. But the injunction to count one's blessings is much less compelling when it entails deceiving oneself into thinking that one was actually lucky to have come into existence. It is like being grateful that one is in a first-class cabin on the Titanic as one awaits descent to one's watery grave. It may be better to die in first-class than in steerage, but not so much better as to count oneself very lucky. Nor does my view preclude our making the most of life or taking pleasure whenever we can (within the constraints of morality). I have argued that our lives are very bad. There is no reason why we should not try to make them less so, on condition that we do not spread the suffering (including the harm of existence)."
Moar! "Whenever humanity comes to an end, there will be serious costs for the last people. Either they will be killed or they will languish from the consequences of dwindling population and the collapse of social infrastructure. All things being equal, nothing is gained if this happens later. The same suffering occurs. But there is a cost that does not have to be paid if extinction occurs earlier – the cost to the intervening new generations, those that exist between the present generation and final one. The case for earlier extinction is thus strong."
One of the chapters is titled "Abortion: The pro-death view". Ratexla approves of this. %D
13-Mar-2015: 2. Denna dagen, ett liv: En biografi över Astrid Lindgren by Jens Andersen
Astrid Lindgren bio. She was rather fab and had DARKNESS. My fave Astrid stories are "Ronia the robber's daughter" and "The brothers Lionheart". :)
23-Mar-2015: 3. Ultralight backpackin' tips: 153 amazing & inexpensive tips for extremely lightweight camping by Mike Clelland
Fave! Not that I take photo-hikes or sleep outdoors (OR, YOU KNOW, LEAVE THE HOUSE) as often as I should. :| But I've got vague plans! OH YEAH! Anyway. The book includes extremely energy-dense recipes that sound pretty tasty. :D (The author is a vegetarian and the vast majority of said recipes are either vegan or easily veganized.) It is almost a pity that I wouldn't bother to bring a camping kitchen on my epic hikes (since, uh, they weigh a few grams and they're scary and I've never used one on my own), but I might try to make one of his oil-spice-mixes for home use. :)
Yes, the book does instruct readers in the noble art of taking a shit in the woods, which I have never actually done, which is a source of great shame. D: *fails hardcore outdoorsiness academy*
1-Apr-2015: 4. William Shakespeare: The complete plays in one sitting by Joelle Herr
The book is adorably tiny.
5-Apr-2015: 5. A universe from nothing: Why there is something rather than nothing by Lawrence M. Krauss
Many interesting bits, although I comprehended far from everything... o_O
6-May-2015: 6. Minding animals: Awareness, emotions, and heart by Marc Bekoff
A gift from a friend, so I read it even though the number of hippie bits, while not extreme, was too high. :s
9-May-2015: 7. The moral landscape: How science can determine human values by Sam Harris
Fave!
"I wonder if there is anyone on earth who would be tempted to attack the philosophical underpinnings of medicine with questions like: 'What about all the people who don't share your goal of avoiding disease and early death? Who is to say that living a long life free of pain and debilitating illness is "healthy"? What makes you think that you could convince a person suffering from fatal gangrene that he is not as healthy as you are?' And yet these are precisely the kinds of objections I face when I speak about morality in terms of human and animal well-being. Is it possible to voice such doubts in human speech? Yes. But that doesn't mean we should take them seriously."
28-Jun-2015: 8. A natural history of rape: Biological bases of sexual coercion by Randy Thornhill & Craig T. Palmer
Fave!
"Perhaps the most common misunderstanding of evolutionary theory, and the one most destructive to knowledge, is the naturalistic fallacy: the view that what ought to be is defined by what is, and especially by what is natural (Moore 1903). The flaw in this view seems obvious when one considers such natural phenomena as diseases, floods, and tornadoes. Nonetheless, many of sociobiology's early critics urged its rejection on the unsupportable ground that sociobiological explanations for undesirable traits excused the perpetrators because they were only doing what was natural (Sahlins 1976; Gould and Lewontin 1979).
"Even though the naturalistic fallacy has been painstakingly explained in nearly every major work of the past 25 years in which modern evolutionary theory has been applied to human behavior (see, e.g., Alexander 1979, 1987; Symons 1979; Wright 1994), this fallacy continues to be committed by many opponents of the modern evolutionary approach to human nature. For example, Tang-Martinez (1997, p. 117) states that many branches of feminism contend that human sociobiology 'serves only to justify and promote the oppression of women by perpetuating the notion that male dominance and female oppression are natural outcomes of human evolutionary history.'" (For the record, I am a feminist! OF COURSE! But not one of the hippie brand!)
Fun (AND USEFUL) random fact: "… [I]n anonymous reports ... about one-third of men say that they would coerce a woman into sexual acts if they could be assured that they would not suffer any negative consequences (Malamuth 1989; Young and Thiessen 1991)."
Other fun random fact: "According to Kinsey et al. (1948), about 20 percent of men reared in rural settings admitted to a sexual encounter with a farm animal."
I feel as if this book + Steven Pinker taught me 95 % of what I know about the average man. D:
24-Sep-2015: 9. The Great Ape Project: Equality beyond humanity - edited by Paola Cavalieri & Peter Singer
Fave! A collection of essays by various people – for example Richard Dawkins, Jane Goodall, and Jared Diamond – demanding "the extension of the community of equals to include all great apes: human beings, chimpanzees, gorillas and orang-utans."
Here is a quote from one Steve F. Sapontzis: "… [T]he answer to whether nonhuman great apes should be extended the same basic moral and legal rights as humans depends in part on whether these basic rights are being formulated in a general or specific manner. In developing moral and legal codes which people would be supposed to follow and to which they could be held accountable, specific formulations would have to be employed. Consequently, at this level the answer must be 'no': even in thoroughly non-speciesist, animal-respecting moral and legal codes, nonhuman great apes need not have the same basic moral and legal rights as humans.
"And vice versa, let us not forget. There is a tendency to think that if we conclude that nonhuman animals are not to enjoy all the rights of humans, it is because they are entitled only to a few of those rights. However, basing moral and legal protections on specific interests can also lead to the conclusion that nonhuman animals should have rights that humans do not need. So, specific nonhuman and human rights can be different without the former being merely a subgroup of the latter, and, consequently, without suggesting that the nonhumans are morally or legally less worthy beings."
4-Nov-2015: 10. General pathology for veterinary nurses by Harriet Brooks
A textbook I happened to read in its entirety because it was wee! :)
20-Dec-2015: 11. Brief candle in the dark: My life in science by Richard Dawkins
Fave!
"... and if you don't like digressive anecdotes you might find you're reading the wrong book." ^_^
24-Dec-2015: 12. Icarus at the edge of time by Brian Greene
Fave! It's a book for kids. And others. A short sci-fi story about general relativity. 34 big cardboard pages on which are printed amazeballs Hubble photos. And a black hole.
---------------------------------------------
Vegan FAQ! :)
The Web Site the Meat Industry Doesn't Want You to See.
Please watch Earthlings.
Created in the mid-to-late Nineteenth Century by Melbourne stained glass manufacturer Ferguson and Urie, the Lamb of God window may be found in the western wall of the entrance porch of Christ Church, Brunswick. The Lamb of God is holding a banner of the triumphal cross, symbolising the victory of the resurrected Christ over death.
Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.
Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.
Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.
Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.
The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.
The world class boanical collections in Waimea Valley owe there existence to Mir. Keith Woolliams, a dedicated botanical horticulturist who was trained at the Royal Botanic Garden at Kew, on the outskirts of London.
Keith led a rich life traveling around the globe studying botanical collections in England, Japan, Papua New Guinea and Bermuda. He brought to Hawaii his expertise and knowledge of uncommon horticultural treasures, and he acquired seeds, plants, and cuttings from remote places and botanical gardens all over the world. In pre-internet days dozens of letters and packages were dispatched and received daily.
His theme of "Conservation Through Cultivation" resulted in a balance of rare and useful native and Polynesian-introduced plants among exotic horticultural specimens.
What was once an ungroomed valley, filled with koa haole and ravaged by feral cattle was transformed into what you see today by Keith and the many dedicated people he inspired. They oversaw the design, landscaping and construction of the pathways, stone walls and stairs that frame the gardens. Keith's high standards for record keeping and signage persist to this day. He left us in 1998 with a library full of his propagation knowledge, cultivation practices and plant lore which survives to ensure that the precious life forms brought to this valley will thrive here long into the future.
Keith was an inspiring advocate for Hawatian plant conservation and he influenced many young people across the state. He connected Waimea with state, federal and international agencies such as the Center for Plant Conservation, the International Union for the Conservation of Nature, and the Botanical Gardens Conservation International - partnerships that Waimea Valley continues to uphold today.
Keith was instrumental in bringing in critically endangered plants from Japan's Ogasawara Islands, hibiscus relatives from all over the world, and with international colleagues he tried to assemble wild-source collections of every species of Erythrina in the world. In the periodical, "Notes from Waimea Arboretum and Botanical Garden" published twice a year until 1992 he stated "Waimea is a labeled and documented collection of plants for educational and scientific purposes, a living gene pool for future generations".
It is with great honor and gratitude that we remember Mr. Keith Woolliams and his dedication to Waimea Valley.
my entry for threadless loves death challenge!
score '5' & comment here: www.threadless.com/submission/395503/Existence_amp_Death
thanks for the support.
If you don't know what your passion is, realize that one reason for your existence on earth is to find out. (Oprah Winfrey)
Each and every one of us has a purpose in life and once we realize such, life becomes clarified and simplified. We have a unique purpose for living and we have been given unique talents and abilities to accomplish that purpose.
Ideas rule the world; therefore the owner of ideas is the ruler of the world. Why are we here on earth? We are here to unfold the divine purpose of the universe and in view of that we can only accomplish that through two means.
1. to decide to be successful
2. To decide to be unsuccessful
Success speaks louder than words; it commands greater attention than the greatest oration any man can make. It is self inviting and attractive. Those who decide to be unsuccessful in life don't have any stress; they do not need to struggle to secure an unsuccessful future, however for those who decide to be successful lies two things, the idea(s) and reality.
Success has a compelling force around it, drawing everyone to itself, whether consciously or unconsciously. Many want to be successful, just as many have amazing principles but few work to apply those principles. Those who wait for the right thing to happen might wait for a long time If not eternity. It's like waiting for all the traffic lights to turn green before starting a 20 miles journey.
Nothing really works without someone at work, everything that work is made to work by workers.
In the world of success, information is the greatest asset for every outstanding transformation; resounding success is traceable to discovered secrets. Certain information is handed down to men and when it is properly traded with it brings out the desired end. When you dig into successful secrets you become more informed, thereby becoming better than your contemporaries.
In the school of success, fact is one of the principle pillars. It takes facts to be fat. Every great thinker is a high flyer. You can't just start selling apples without having the relevant facts about where, how and when to get apples.
If you will plan your work, the world will mind you. If you will strategize your approach, your result will be outstanding. Telling yourself "it will be done" without sitting down to do your own part of the reasoning and planning may leave the job undone forever. Every hard work is provoked by you and nothing works like hard work.
Every star carries a scar of sacrifice. You don't have to steal to become a star, just identify with the fundamental principles of life and you are there. Like I've earlier on mentioned, many have amazing principles but few work to apply such principles.
Life and history has witnessed the strong roll call of men and women who have assumed success as their trademark. Benjamin Franklin, Mary Kay, Abraham Lincoln, Samuel Adedoyin (Doyin Group Nigeria) Aliko Dangote, (Dangote groups Nigeria) Arthur McGuiness (Guinness plc) e.t.c.
In between these people lies less than 15 years of formal education, however within the constraint of their desires, they became renowned voices adding an excellence touch to every aspect of human endeavor they mingled with.
Franklin had only about three years of formal education, however he taught himself single handedly till he became a lawyer as well as a remarkable inventor. He is also regarded as one of the founding fathers of the present USA with an unparallel contribution to the drafting of the American constitution.
Adedoyin of Doyin Groups is an entrepreneur with holdings in more than 20 viable sectors, his educational career ended before he was 15 however he stands as one of Nigeria's foremost industrialists and employer of labor today.
These aforementioned people were at inception equal to everybody around them as at then. However, continuous self-improvement and development has produced men and women of deep know how about most issues.
There is a need to dig deep to find answers to issues affecting us so as to stay a step ahead of our challenges.
Success is not a gift, it is an attainment. It is not willed on people, it is earned. Every holder of success earned it by his/herself. A man's mind is where his lifting is.
Because you decide to be successful you should be ready to face challenges. Between ideas and realities of a successful individual lies a shadow and you have to pursue the shadow to get to the reality aspect. It is often said "challenges make champions" it does not really matter the number of times you keep trying or keep making mistakes. We learn by making mistakes, just as we learn to walk by falling down. If you never fall down, you would never walk, which is the same as attaining a successful living.
You must be loaded and prepare to move into the challenges of the world. If I may quote Theodore Roosevelt he said "far and away the best prize that life offers is the chance to work hard at work doing. Only experts excel and expertise is a product of training and personal development.
The battle of man in the world is that shadow, if you live your life to chance, you don't have a chance. The one you work is the one will work for you. How then can we battle the shadow?
1. Through divine help: understanding does not just drop on people. It comes through a conscious process of meditation, which is staying mentally focused on an issue, until the nitty-gritty of it is unfolded to you.
2. You secure a vision: that is having a mental picture of where you are going to, that way when you get there you knows. It one thing get a vision and another thing to get there. You don't sleep with vision you run with vision.
3. You take pride in command that is running with a passion, refusing to be discouraged and being sure and in control of all situations.
4. You have to be creative: The race of life answers to creative runners. However if you cannot be creative add something to what was created but remember the owner of ideas is the ruler of the world.
5. You have to obey the loyalty rule: this ultimately implies you have to be loyal to yourself, disloyalty to yourself is more than a murder and off course to be loyal, you must...
* o Love what you are doing.
* o Have the courage to do whatever you are embarking on e.t.c
6. Have the correct perception: that is the ability to see tomorrow and to take action now that will not make your tomorrows challenges hit at you, remember it is what you make happen that happens for you.
If success were to be a product of intelligence then the world would have been a paradise today. As far as your life situation is concerned, there may be things to be attained or acquired. Nothing real can be threaten when this is your state of being how can you not succeed.
There is no one who celebrates being a beggar. Don't eat your tomorrow today, settle down and be a good planner, plan for progress, it doesn't just drop on people. You can't watch success slip you by, go and find out what it takes to succeed. It's a new dawn.
A side-product of my last weeks session on "Reflection / Mirroring" I didn't want to hold back;)
Technical: Tripod, f/4, 1/180s, ISO100, 100mm, Speedlite 430EXII flash, editing with Aperture
+++ DISCLAIMER +++
Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!
Some background:
The Bell XP-68A owed its existence to the manufacturer’s rather disappointing outcome of its first jet fighter design, the XP-59A Airacomet. The Airacomet was a twin jet-engined fighter aircraft, designed and built during World War II after Major General Henry H. "Hap" Arnold became aware of the United Kingdom's jet program when he attended a demonstration of the Gloster E.28/39 in April 1941. He requested, and was given, the plans for the aircraft's powerplant, the Power Jets W.1, which he took back to the U.S. He also arranged for an example of the engine, the Whittle W.1X turbojet, to be flown to the U.S., along with drawings for the more powerful W.2B/23 engine and a small team of Power Jets engineers. On 4 September 1941, he offered the U.S. company General Electric a contract to produce an American version of the engine, which subsequently became the General Electric I-A. On the following day, he approached Lawrence Dale Bell, head of Bell Aircraft Corporation, to build a fighter to utilize it. As a disinformation tactic, the USAAF gave the project the designation "P-59A", to suggest it was a development of the unrelated, canceled Bell XP-59 fighter project. The P-59A was the first design fighter to have its turbojet engine and air inlet nacelles integrated within the main fuselage. The jet aircraft’s design was finalized on 9 January 1942 and the first prototype flew in October of the same year.
The following 13 service test YP-59As had a more powerful engine than their predecessor, the General Electric J31, but the improvement in performance was negligible, with top speed increased by only 5 mph and a slight reduction in the time they could be used before an overhaul was needed. One of these aircraft, the third YP-59A, was supplied to the Royal Air Force, in exchange for the first production Gloster Meteor I for evaluation and flight-offs with domestic alternatives.
British pilots found that the YP-59A compared very unfavorably with the jets that they were already flying. The United States Army Air Forces were not impressed by its performance either and cancelled the contract when fewer than half of the originally ordered aircraft had been produced. No P-59s entered combat, but the type paved the way for the next design generation of U.S. turbojet-powered aircraft and helped to develop appropriate maintenance structures and procedures.
In the meantime, a new, more powerful jet engine had been developed in Great Britain, the Halford H-1, which became later better known as the De Havilland Goblin. It was another centrifugal compressor design, but it produced almost twice as much thrust as the XP-59A’s J31 engines. Impressed by the British Gloster Meteor during the USAAF tests at Muroc Dry Lake - performance-wise as well as by the aircraft’s simplicity and ruggedness - Bell reacted promptly and proposed an alternative fighter with wing-mounted engine nacelles, since the XP-59A’s layout had proven to be aerodynamically sub-optimal and unsuited for the installation of H-1 engines. In order to save development time and because the aircraft was rather regarded as a proof-of-concept demonstrator instead of a true fighter prototype, the new aircraft was structurally based on Bell’s current piston-engine P-63 “Kingcobra”. The proposal was accepted and, in order to maintain secrecy, the new jet aircraft inherited once more a designation of a recently cancelled project, this time from the Vultee XP-68 “Tornado” fighter. Similar to the Airacomet two years before, just a simple “A” suffix was added.
Bell’s development contract covered only three XP-68A aircraft. The H-1 units were directly imported from Great Britain in secrecy, suspended in the bomb bays of B-24 Liberator bombers. A pair of these engines was mounted in mid-wing nacelles, very similar to the Gloster Meteor’s arrangement. The tailplane was given a 5° dihedral to move it out of the engine exhaust. In order to bear the new engines and their power, the wing main spars were strengthened and the main landing gear wells were moved towards the aircraft’s centerline, effectively narrowing track width. The landing gear wells now occupied the space of the former radiator ducts for the P-63’s omitted Allison V-1710 liquid-cooled V12 engine. Its former compartment behind the cockpit was used for a new fuel tank and test equipment. Having lost the propeller and its long drive shaft, the nose section was also redesigned: the front fuselage became deeper and the additional space there was used for another fuel tank in front of the cockpit and a bigger weapon bay. Different armament arrangements were envisioned, one of each was to be tested on the three prototypes: one machine would be armed with six 0.5” machine guns, another with four 20mm Hispano M2 cannon, and the third with two 37mm M10 cannon and two 0.5” machine guns. Provisions for a ventral hardpoint for a single drop tank or a 1.000 lb (550 kg) bomb were made, but this was never fitted on any of the prototypes. Additional hardpoints under the outer wings for smaller bombs or unguided missiles followed the same fate.
The three XP-68As were built at Bell’s Atlanta plant in the course of early 1944 and semi-officially christened “Airagator”. After their clandestine transfer to Muroc Dry Lake for flight tests and evaluations, the machines were quickly nicknamed “Barrelcobra” by the test staff – not only because of the characteristic shape of the engine nacelles, but also due to the sheer weight of the machines and their resulting sluggish handling on the ground and in the air. “Cadillac” was another nickname, due to the very soft acceleration through the new jet engines and the lack of vibrations that were typical for piston-engine- and propeller-driven aircraft.
Due to the structural reinforcements and modifications, the XP-68A had become a heavy aircraft with an empty weight of 4 tons and a MTOW of almost 8 tons – the same as the big P-47 Thunderbolt piston fighter, while the P-63 had an MTOW of only 10,700 lb (4,900 kg). The result was, among other flaws, a very long take-off distance, especially in the hot desert climate of the Mojave Desert (which precluded any external ordnance) and an inherent unwillingness to change direction, its turning radius was immense. More than once the brakes overheated during landing, so that extra water cooling for the main landing gear was retrofitted.
Once in the air, the aircraft proved to be quite fast – as long as it was flying in a straight line, though. Only the roll characteristics were acceptable, but flying the XP-68A remained hazardous, esp. after the loss of one of the H-1s engines: This resulted in heavily asymmetrical propulsion, making the XP-68A hard to control at all and prone to spin in level flight.
After trials and direct comparison, the XP-68A turned out not to be as fast and, even worse, much less agile than the Meteor Mk III (the RAF’s then current, operational fighter version), which even had weaker Derwent engines. The operational range was insufficient, too, esp. in regard of the planned Pacific theatre of operations, and the high overall weight precluded any considerable external load like drop tanks.
However, compared with the XP-59A, the XP-68A was a considerable step forward, but it had become quickly clear that the XP-68A and its outfit-a-propeller-design-with jet-engines approach did not bear the potential for any service fighter development: it was already outdated when the prototypes were starting their test program. No further XP-68A was ordered or built, and the three prototypes fulfilled their test and evaluation program until May 1945. During these tests, the first prototype was lost on the ground due to an engine fire. After the program’s completion, the two remaining machines were handed over to the US Navy and used for research at the NATC Patuxent River Test Centre, where they were operated until 1949 and finally scrapped.
General characteristics.
Crew: 1
Length: 33 ft 9 in (10.36 m)
Wingspan: 38 ft 4 in (11.7 m)
Height: 13 ft (3.96 m)
Wing area: 248 sq ft (23 m²)
Empty weight: 8,799 lb (3,995 kg)
Loaded weight: 15,138 lb (6,873 kg)
Max. take-off weight: 17,246 lb (7,830 kg)
Powerplant:
2× Halford H-1 (De Havilland Goblin) turbojets, rated at 3,500 lbf (15.6 kN) each
Performance:
Maximum speed: 559 mph (900 km/h)
Range: 500 mi (444 nmi, 805 km)
Service ceiling: 37,565 ft (11,450 m)
Rate of climb: 3.930 ft/min (20 m/s)
Wing loading: 44.9 lb/ft² (218.97 kg/m²)
Thrust/weight: 0.45
Time to altitude: 5.0 min to 30,000 ft (9,145 m)
Armament:
4× Hispano M2 20 mm cannon with 150 rounds
One ventral hardpoint for a single drop tank or a 1.000 lb (550 kg) bomb
6× 60 lb (30 kg) rockets or 2× 500 lb (227 kg) bombs under the outer wings
The kit and its assembly:
This whiffy Kingcobra conversion was spawned by a post by fellow user nighthunter in January 2019 at whatifmodelers.com about a potential jet-powered variant. In found the idea charming, since the XP-59 had turned out to be a dud and the Gloster Meteor had been tested by the USAAF. Why not combine both into a fictional, late WWII Bell prototype?
The basic idea was simple: take a P-63 and add a Meteor’s engine nacelles, while keeping the Kingcobra’s original proportions. This sounds pretty easy but was more challenging than the first look at the outcome might suggest.
The donor kits are a vintage Airfix 1:72 Gloster Meteor Mk.III, since it has the proper, small nacelles, and an Eastern Express P-63 Kingcobra. The latter looked promising, since this kit comes with very good surface and cockpit details (even with a clear dashboard) as well as parts for several P-63 variants, including the A, C and even the exotic “pinball” manned target version. However, anything comes at a price, and the kit’s low price point is compensated by soft plastic (which turned out to be hard to sand), some flash and mediocre fit of any of the major components like fuselage halves, the wings or the clear parts. It feels a lot like a typical short-run kit. Nevertheless, I feel inclined to build another one in a more conventional fashion some day.
Work started with the H-1 nacelles, which had to be cut out from the Meteor wings. Since they come OOB only with a well-visible vertical plate and a main wing spar dummy in the air intake, I added some fine mesh to the plate – normally, you can see directly onto the engine behind the wing spar. Another issue was the fact that the Meteor’s wings are much thicker and deeper than the P-63s, so that lots of PSR work was necessary.
Simply cutting the P-63 OOB wings up and inserting the Meteor nacelles was also not possible: the P-63 has a very wide main landing gear, due to the ventral radiators and oil coolers, which were originally buried in the wing roots and under the piston engine. The only solution: move the complete landing gear (including the wells) inward, so that the nacelles could be placed as close as possible to the fuselage in a mid-span position. Furthermore, the - now useless - radiator openings had to disappear, resulting in a major redesign of the wing root sections. All of this became a major surgery task, followed by similarly messy work on the outer wings during the integration of the Meteor nacelles. LOTS of PSR, even though the outcome looks surprisingly plausible and balanced.
Work on the fuselage started in parallel. It was built mainly OOB, using the optional ventral fin for a P-63C. The exhaust stubs as well as the dorsal carburetor intake had to disappear (the latter made easy thanks to suitable optional parts for the manned target version). Since the P-63 had a conventional low stabilizer arrangement (unlike the Meteor with its cruciform tail), I gave them a slight dihedral to move them out of the engine efflux, a trick Sukhoi engineers did on the Su-11 prototype with afterburner engines in 1947, too.
Furthermore, the whole nose ahead of the cockpit was heavily re-designed, because I wanted the “new” aircraft to lose its propeller heritage and the P-63’s round and rather pointed nose. Somewhat inspired by the P-59 and the P-80, I omitted the propeller parts altogether and re-sculpted the nose with 2C putty, creating a deeper shape with a tall, oval diameter, so that the lower fuselage line was horizontally extended forward. In a profile view the aircraft now looks much more massive and P-80esque. The front landing gear was retained, just its side walls were extended downwards with the help of 0.5mm styrene sheet material, so that the original stance could be kept. Lots of lead in the nose ensured that the model would properly stand on its three wheels.
Once the rhinoplasty was done I drilled four holes into the nose and used hollow steel needles as gun barrels, with a look reminiscent of the Douglas A-20G.
Adding the (perfectly) clear parts of the canopy as a final assembly step also turned out to be a major fight against the elements.
Painting and markings:
With an USAAF WWII prototype in mind, there were only two options: either an NMF machine, or a camouflage in Olive Drab and Neutral Grey. I went for the latter and used Tamiya XF-62 for the upper surfaces and Humbrol 156 (Dark Camouflage Grey) underneath. The kit received a light black ink wash and some post shading in order to emphasize panels. A little dry-brushing with silver around the leading edges and the cockpit was done, too.
The cockpit interior became chromate green (I used Humbrol 150, Forest Green) while the landing gear wells were painted with zinc chromate yellow (Humbrol 81). The landing gear itself was painted in aluminum (Humbrol 56).
Markings/decals became minimal, puzzled together from various sources – only some “Stars and Bars” insignia and the serial number.
Somehow this conversion ended up looking a lot like the contemporary Soviet Sukhoi Su-9 and -11 (Samolyet K and LK) jet fighter prototype – unintentionally, though. But I am happy with the outcome – the P-63 ancestry is there, and the Meteor engines are recognizable, too. But everything blends into each other well, the whole affair looks very balanced and believable. This is IMHO furthermore emphasized by the simple paint scheme. A jet-powered Kingcobra? Why not…?
Zaterdag 6 november 2021 finissage van de Carte Blanche expositie Matching Existence met werk van Kristin Dimitrova en Patrick Jonkman.
B93 Kunst & Ateliers, Hoge Bothofstraat 166, 7511 ZE Enschede.
Again in Bassano after 6 years. View from the old wooden bridge
***
The city was founded in the 2nd century BCE by a Roman called Bassianus, whence the name, as an agricultural estate. The first news of the existence of the medieval city dates from 998, while the Castle is mentioned first in 1150. In 1175 Bassano was conquered by Vicenza, but the city maintained a semi-autonomous status as a free commune. In 1368 it was acquired by the Visconti of Milan and, in 1404, by the Republic of Venice: The city became home to a flourishing industry producing wool, silk, iron and copper, and mainly for ceramics; in the 18th became especially famous in all Europe for the presence of the Remondini printers. During the French Revolutionary Wars the city was the seat of the Battle of Bassano. In 1815 it was included in the Kingdom of Lombardy-Venetia, and became part of the unified Kingdom of Italy in 1866. Napoleon Bonaparte remained in Bassano del Grappa for many months.
Source: WIKIPEDIA
Location: Jaleshwaritola,
Bogra, Bangladesh.
Date: 21 August, 2011
====================================================
Caution: DO NOT use, copy or download this image without
proper permission. Using this photo without proper permission
would be the violation of INTERNATIONAL COPYRIGHT LAW.
© All Rights Are Reserved
Please seek my permission to publish it anywhere.
:::::::::::::: [Nafiul] ::::::::::::::
nafiul9@gmail.com
Contact no: +8801671006300
====================================================
THE DEBATE:
Ron Harris (atheist)
Stated in common sense, plain language, the salvation story is pure nonsense.
________________________________________________
7tenths (atheist)
Well said...pure man-made fiction...by ignorant men.
________________________________________________
budderflyman (atheist)
I was actually told by a priest who later became an archbishop that the Church believes Mary was 12 when she became impregnated. Now, either Joseph, God, or the angel Gabriel was a child molester. Or, more likely, the whole story was made up.
_______________________________________________
Truth in science (theist)
Atheism revealed as false- why God MUST exist
www.flickr.com/photos/101536517@N06/15818838060
_______________________________________________
budderflyman (atheist) reply to Truth in science (theist)
How can atheism be revealed as "false"? Atheism is very much real. It is a belief in the non existence of any gods. It is a true belief system.
Where is your evidence for a prime mover?
-----------------------------------------------------------------------------------
Truth in science (theist) reply to budderflyman (atheist)
Logic, natural law and fundamental principles of science prove that atheism is false.
The law of cause and effect (which is the premier law, basic to all science and applicable to all natural entities) demonstrates that God (the supernatural first cause) must exist. That law alone exposes atheism as false, illogical nonsense.
Consider this simple, short chain of causes and effects:
A causes B, - B causes C, - C causes D, - D causes E.
‘A, B, C & D’ are all causes and may all look similar, but they are not, there is an enormous and crucial difference.
Causes B, C & D are fundamentally different from cause ‘A’. Why?
Because ‘A’ is the very first cause and thus had no previous cause. It exists without a cause. It doesn't rely on anything else for its existence, it is completely independent of causes - while B, C & D would not exist without ‘A’. They are entirely dependent on ‘A’.
The causes; B, C & D are also effects, whereas ‘A’ is not an effect, only a cause. So we can say that the first cause ‘A’ is both self-existent and necessary. It is necessary because the rest of the chain of causes and effects could not exist without it. We can also say that the subsequent causes and effects B, C, D & E are all contingent. That is; they are not self-existent they all depend entirely on other causes to exist. We must also say that ‘A’ is eternally self-existent, i.e. it has always existed, it had no beginning.
Why?
Because if ‘A’ came into being at some point, there must have been something other than itself that brought it into being, which would mean ‘A’ was not the first cause (‘A’ could not create ‘A’). The something that brought ‘A’ into being would be the first cause. In which case, ‘A’ would be contingent and no different from B, C, D & E. We also have to say that ‘A’ has to be adequate to produce all the properties of B, C, D & E.
Why?
Well, in the case of E, we can see that it relies entirely on D for its existence.
E can in no way be superior to D, because D had to contain within itself everything necessary to produce E.
The same applies to D, it cannot be superior to C. Furthermore neither E or D can be superior to C, because both rely on C for their existence, and C had to contain everything necessary to produce D & E.
Likewise with B, which is responsible for the existence of C, D & E.
As they all depend on ‘A’ for their existence and for all their properties, abilities and potentials, none can be superior to ‘A’ whether singly or combined.
‘A’ had to contain everything necessary to produce B, C, D & E, including all their properties, abilities and potentials.
Thus we deduce that; nothing in the universe can be superior in any way to the very first cause of the universe. Because the whole universe, and all material things that exist, depend entirely on the abilities and properties of the first cause to produce them.
Conclusion… A first cause must be uncaused, must have always existed, and cannot be in any way inferior to all subsequent causes and effects. In other words, the first cause of the universe must be eternally, self-existent and omnipotent (greater than anything that exists).
Natural law and fundamental principles of science tell us; that NO ‘natural’ entity can possibly have those attributes.
That is why a Supernatural, Creator God MUST exist - and atheism is revealed as false.
In a time of universal deceit - telling the truth is a revolutionary act. George Orwell
-------------------------------------------------------------------------------------
Ron Harris (atheist) reply to Truth in science (theist)
How is causality a "chain"? At best you can trace back some necessary conditions for a given event that seems chainlike. Without a chain of causes you cannot have "superior" causes.
-------------------------------------------------------------------------------------
Truth in science (theist) reply to Ron Harris (atheist)
The law of cause and effect, which is the fundamental principle behind scientific research, tells us that every natural effect/event/entity has to have an adequate cause.
Therefore we must be able to trace every effect and its cause/s back through time (however long the chain of causes and effects) to an original first cause.
If you believe in the big bang, for example, the initial explosion would have caused the expansion of matter, which was subsequently caused (presumably by gravity) to coalesce into cosmic bodies, and so on through numerous other causes - one or more causes leading to other cause/s in a chain right up to the origin of the Earth and first life - and (if you believe in evolution) then through a chain of causes right up to human life. Whether there is one or more chains of causes happening at the same time, or even causes that combine or overlap, doesn't make any difference. At some stage they all originate from an original, first cause, and science tells us that nothing that follows the first cause can be superior to it. The effect cannot be greater than the cause.
So the first cause has to embody everything we see in the universe, all properties, powers, qualities and potentialities.
-----------------------------------------------------------------------------------
Ron Harris (atheist) reply to Truth in science (theist)
An "adequate" cause? Do you mean the cause must be sufficient for its effect? If so, that has nothing to do with tracing back along a chain of necessary conditions to the earliest necessary condition.
"The effect cannot be greater than the cause. So the first cause has to embody everything we see in the universe, all properties, powers, qualities and potentialities."
What do you mean by the effect not being greater than its cause? In what respect must a cause be greater than any of its effects? Must a cause be greater than any of its effects in every way? What about those ways that are not comparable? Have you taken into account "emergence"? For example, the momentum of the particles of a gas colliding with the walls of its container generates (causes) pressure. So is the momentum of the particles greater than the pressure they generate in all important respects? These are incommensurable properties: how can you compare them for this lesser/greater relation?
---------------------------------------------------------------------------------------
Truth in science (theist) reply to Ron Harris (atheist)
You wrote:
What do you mean by the effect not being greater than its cause? In what respect must a cause be greater than any of its effects?
I didn't say a cause must be greater than its effects. It is the other way round. An effect cannot be greater than its cause/s.
Most effects we see today, are not due to a single cause, they have a combination of several causes. Included in those causes are the inherent properties of the entity involved, which are described by natural laws.
If an apple falls off a tree, for example, there are many causes, some are inherent properties of the tree and of matter. The causes range from the tree growing from an original seed which has landed on the ground, being watered and nourished by rain and soil, its flowers being pollinated, forming a fruit (apple) and when ripe, being caused by gravity to fall to the ground.
Probably a better example would be the act of striking a match and causing a forest fire.
It could be said that the effect, i.e. the forest fire is far greater than the act of striking a match. But, of course, it isn't that simple, because the match is not the only cause.
The inflammable material has been formed over many years of the trees growing and building up a store of energy from the Sun and soil. The match is simply a trigger which causes the energy stored in all the trees to be released in a forest fire.
When we talk about the very first cause, that is a completely different matter, because it is a single cause that is solely responsible for every effect that follows it..
It is the cause of everything, even the inherent properties of natural entities, such as natural laws, which can eventually act as contributing causes themselves.
So nothing in the universe can ever be greater than the first cause, because it is the only cause responsible for the whole universe. The cause of its properties, its structure, its laws, its qualities, its powers, its potentialities and even of time.
---------------------------------------------------------------------------------------
Ron Harris (atheist) reply to Truth in science (theist)
"When we talk about the very first cause, that is a completely different matter, because it is a single cause that is solely responsible for every effect that follows it..
It is the cause of everything, even the inherent properties of natural entities, such as natural laws, which can eventually act as causes themselves."
Pure speculation.
---------------------------------------------------------------------------------------
Truth in science (theist) reply to Ron Harris (atheist)
It is not speculation it is a logical conclusion.
If you don't agree that the first cause is responsible for everything it causes.
Then tell me why you don't agree with it?
--------------------------------------------------------------------------------------
Ron Harris (atheist) reply to Truth in science (theist)
But you are making an exception by claiming that there is a first cause and that that first cause is different from other causes. How do you know that there is a first cause and that it is different from other causes? If all you use is the cosmological argument, you are still making an exception of the first cause.
Regarding that argument, you wrote earlier: "At some stage they all originate from an original, first cause, and science tells us that nothing that follows the first cause can be superior to it. The effect cannot be greater than the cause."
I still don't get how you can justify the claim that "science tells us that nothing that follows the first cause can be superior to it." Really?! Science shows this? You need to show why this is so and not pure speculation.
---------------------------------------------------------------------------------------
Truth in science (theist) reply to Ron Harris (atheist)
You asked:
"How do you know that there is a first cause and that it is different from other causes?"
Because everything in the natural realm is contingent. Every natural entity/event/effect has to have an adequate or sufficient cause. Contingency is an inherent property of ALL natural things.
It is summed up in the law of cause and effect which is the fundamental principle of the scientific method.
There is no such thing as an autonomous, non-contingent natural entity, to suggest that goes against scientific principles.
So, obviously, as all natural entities are contingent (they all rely on causes), if we trace back all causes in the universe we must eventually reach a first cause, however long the chain of causes, it must have a beginning, at some stage, in a very first cause.
The very fist cause cannot be contingent, it has no cause, if it did it wouldn't be the first cause. So it is uncaused, and therefore cannot be a natural entity. It has to be unique, there is no other cause like it, It is autonomous and is not dependant on any cause for its existence. Thus we can say it is self-existent and has always existed.
You wrote:
"I still don't get how you can justify the claim that "science tells us that nothing that follows the first cause can be superior to it." Really?! Science shows this? You need to show why this is so and not pure speculation."
An effect cannot be greater than its cause/s.
That is a fundamental principle of the scientific method also summed up in the law of cause and effect.
The very first cause is the cause of everything in the natural world, and has to be entirely adequate for the purpose of producing everything in the natural world. So nothing in the natural world can be greater or superior to that initial cause of everything. If it was, it would be a violation of the law of cause and effect and a fundamental principle of science.
----------------------------------------------------------------------------------------
Ron Harris (atheist) reply to Truth in science (theist)
You wrote: "There is no such thing as an autonomous, non-contingent natural entity, to suggest that goes against scientific principles."
What scientific principles?
By "autonomous" do you mean that the being is able to function wholly independent of the rest of the universe? Or do you mean something more limited?
"So, obviously, as all natural entities are contingent (they all rely on causes), if we trace back all causes in the universe we must eventually reach a first cause..."
Something is "contingent" simply because it is caused? Why? Because the cause need not have been? So the return of Hailey's comet in 2061 or thereabouts is not fully determined by forces external to it because those forces need not operate?
From your last paragraph:
"An effect cannot be greater than its cause/s.
That is a fundamental principle of the scientific method also summed up in the law of cause and effect."
In response to that paragraph, I repeat what I wrote before: I still don't get how you can justify the claim that "science tells us that nothing that follows the first cause can be superior to it." Really?! Science shows this? You need to show why this is so and not pure speculation.
-----------------------------------------------------------------------------------------
Truth in science (theist) reply to Ron Harris (atheist)
I wrote:
"There is no such thing as an autonomous, non-contingent natural entity, to suggest that goes against scientific principles."
You asked?
"What scientific principles?"
The fundamental principle of science is the law of cause and effect. All scientific research depends on it.
The modus operandi of the scientific method is looking for adequate causes for EVERY natural occurrence.
An autonomous or non-contingent, natural entity violates that principle. All natural entities, effects and events rely on a preceding cause or causes.
Which means a non-contingent natural entity is impossible as far as science is concerned.
To suggest an autonomous or non-contingent natural entity or occurrence is like harking back to pre-scientific (pagan) times, when people believed in the vagaries of nature. The belief that natural things could simply act autonomously and independently without any apparent preceding cause or causes.
You wrote:
"By "autonomous" do you mean that the being is able to function wholly independent of the rest of the universe? Or do you mean something more limited?"
Natural entities cannot be autonomous because they limited by natural laws that are based on their respective, inherent properties. And being contingent they are entirely dependent on that which causes them.
I wrote:
"So, obviously, as all natural entities are contingent (they all rely on causes), if we trace back all causes in the universe we must eventually reach a first cause..."
You answered :
"Something is "contingent" simply because it is caused? Why? Because the cause need not have been? So the return of Hailey's comet in 2061 or thereabouts is not fully determined by forces external to it because those forces need not operate?"
I don’t understand what you mean by that. The velocity and trajectory of Haley’s comet is entirely subject to causes, it doesn’t act independently or autonomously.
I wrote:
"An effect cannot be greater than its cause/s.
That is a fundamental principle of the scientific method also summed up in the law of cause and effect."
You answered:
"In response to that paragraph, I repeat what I wrote before: I still don't get how you can justify the claim that "science tells us that nothing that follows the first cause can be superior to it." Really?! Science shows this? You need to show why this is so and not pure speculation."
An effect cannot be greater than its cause/s.
That is an absolutely fundamental principle of science.
The very first cause is responsible for EVERY cause and effect that follows it. So it is obvious that no effect, arising anywhere in the chain of causes and effects that follows the first cause, can ever be greater, in any respect, than that which ultimately caused it and the rest of the chain of causes and effects.
--------------------------------------------------------------------------------------
budderflyman (atheist) reply to Truth in science (theist)
You have no idea what happens when a star implodes, for example. We don't know if the known laws of physics apply to black holes or to other universes. You have no evidence at all for any god, gods, or other entities being the "very first" cause of anything. BTW, "very first" is redundant. It's either the first or it isn't. And there is no reason to believe there has to have been a first cause. There may always have been something, as I have said before. You cannot prove me wrong about this.
It's been a pleasant three weeks without reading your B.S.
------------------------------------------------------------------------------------------
Truth in science (theist) reply to budderflyman (atheist)
Oh! you're back with your mumbo jumbo and pseudoscience.
You wrote:
"We don't know if the known laws of physics apply to black holes or to other universes"
There you go again, challenging natural laws, because they don't suit your ideology.
What we definitely DO KNOW - is that science only operates by looking for ADEQUATE CAUSES for EVERY natural occurrence. Science can't look for NON-CAUSES or INADEQUATE CAUSES which is precisely what your naturalistic ideology requires.
You wrote:
"BTW, "very first" is redundant. It's either the first or it isn't. And there is no reason to believe there has to have been a first cause"
I said 'VERY' first, because it seems atheists don't understand what 'FIRST' actually means. They keep on asking the same old, stupid question - what caused the first cause? They obviously think something has to precede something which is FIRST.
The word 'VERY' is there to emphasise the fact that if something is First nothing can precede it - I use it for the sake of atheists, who apparently find simple concepts such as the word FIRST actually meaning FIRST, rather difficult to grasp. So if you have an issue with the term 'very first' you need to discuss what 'first' actually means with your fellow atheists. When atheists stop asking the ridiculous question of what caused the first cause? Then I will stop using the term 'very' first.
You wrote:
"There may always have been something, as I have said before"
You're right, there was always something.
The first cause, by virtue of being VERY first, had no preceding cause and therefore has always existed, It is eternally self-existent and NON-CONTINGENT.
Which means the first cause (or whatever you like to call that which has always existed) cannot be something NATURAL, because ALL natural entities are CONTINGENT ...
That is not according to ME - it is according to SCIENCE, which you choose to dispute.
So your dispute is with the fundamental principles of science, not with me.
There probably are no atheists - So choose your god?
www.flickr.com/photos/101536517@N06/15875116723
--------------------------------------------------------------------------------------
budderflyman (atheist) reply to Truth in science (theist)
All you write is "mumbo jumbo". And please stop inserting those hideous posters or whatever the hell they are. They interrupt the flow of this page, a page, btw, which does NOT belong to YOU. I would write on YOUR Flickr pages, but you have me blocked from doing so.
Look, you can rant all you want, but the fact of the matter is that you cannot prove that your god was the first cause of everything. Your god was invented by Jewish rabbis about 6,000 years ago. They got together and wrote the Old Testament. They did the best they could to account for the creation of the world. We are now in the year 2015. We realize the OT is filled with stories with little if any science.
If I had a colorful banner that said "Creationists are Ignorant of Science" I would place it here, but, unfortunately, I don't childishly keep such things around the house.
--------------------------------------------------------------------------------------
Truth in science (theist) reply to budderflyman (atheist)
You wrote:
"If I had a colorful banner that said "Creationists are Ignorant of Science" I would place it here,"
You are the one who disputes natural laws and basic scientific principles - you have no defence for that.
Your only defence is to rant about the Bible.
I am sorry, but as I said before, your dispute is with natural laws and scientific principles, not with me, not with the Bible, not with creationists. You simply target those things to divert attention from the fact that you and your atheist cult are anti-science.
Atheism is simply the naturalist religion (which was debunked centuries ago) re-invented. You can try all you like to give it a 21st century gloss, but it is still the unscientific nonsense it always was.
I support natural laws and scientific principles, you denigrate them, and then masquerade as a champion of science. Atheism is based on lies and deceit, not science. You don't like my images because (with the description attached) they expose the lies, hypocrisy and unscientific nature of atheism.
----------------------------------------------------------------------------------------
budderflyman (atheist) reply to Truth in science (theist)
You are hilarious. Typical right wing creationist trying to put a spin on science in his favor, yet is anti-science. Anyone who believes in sky hooks and sky fairies could not possibly know much about science.
Atheism is not a form of the ancient religion known as naturalism. Atheism has no belief system in anything religious or theistic. It's that simple. Most atheists tend to support science. I am sure there must be some out there who do not, but it has nothing to do with religion. I get tired of having to repeat myself, but the point is, we simply do not know what happened before the Big Bang. There is no evidence for any gods, however. And that is where my argument with you and the Bible rests. There is no evidence that your god said "Let there be light" or any other words in any other language. It is convenient to make up creation stories, just as some Hindus believe that the earth sits on the back of a giant turtle and that turtle sits on another world, and there is another turtle beneath that world, ad infinitum. It's conjecture, story telling, fable, myth, call it what you like, but do not call it "truth" because it is not.
--------------------------------------------------------------------------------------
Truth in science (theist) reply to budderflyman (atheist)
You wrote:
"It is convenient to make up creation stories, just as some Hindus believe that the earth sits on the back of a giant turtle and that turtle sits on another world, and there is another turtle beneath that world, ad infinitum. It's conjecture, story telling, fable, myth, call it what you like, but do not call it "truth" because it is not."
It is you who believes in unscientific fables and creation stories -such as: a universe creating itself from nothing, or a universe being created by "eternal, non-contingent alien species", or a universe which can rewind itself, or the spontaneous generation of life, or an uncaused natural first cause, or natural laws that magically don't apply, or an infinite number of universes, etc. There is not one scrap of evidence for any of your made-up creation stories, they are all unscientific nonsense, they are not only nonsense, they are ridiculous and ludicrous anti-science nonsense. They are every bit as ludicrous and unscientific as the giant turtle creation story.
You wrote:
"Atheism is not a form of the ancient religion known as naturalism"
Oh, so you deny that you believe in a natural, origin scenario for everything that exists, do you?
A natural origins scenario that defies natural laws and scientific principles is the essence of pagan naturalism.
That is what atheists believe in. But they think they can hoodwink the public by claiming that discredited idea is scientific.
Sorry to have to inform you, but the atheist tactic of resurrecting pagan naturalism in a different guise, has been sussed.
There is nothing 'scientific' about naturalism, it remains as it always was, illogical and unscientific nonsense.
You wrote:
"Anyone who believes in sky hooks and sky fairies could not possibly know much about science."
I see you are referring to your old, worn, dog-eared and well distressed, 'atheist responses handbook' again, you know the one that says: When the going gets tough, either rant about the Bible or use the good old standby of the sky fairy jibe. Not much originality there then!
BTW - could you please explain what a sky fairy is?
Because I don't know of any theist who believes in either sky fairies or sky hooks, or who even knows what they are supposed to be.
-------------------------------------------------------------------------------------
budderflyman (atheist) reply to Truth in science (theist)
The Sky Fairy is how most Christians describe their god. A fairy is a mythical creature, such as an angel or god, who floats around "the heavens" and somehow keeps it eye on everyone and everything in the world (yet apparently allows evil, disease, accidents, early death, etc to occur despite heavy prayer on the part of the victims and their families and friends). The sky hook is just what it is, some invisible hook that keeps the fairies and angels suspended.
All I wrote was that most atheists do not believe in the age old religion of naturalism, which is the truth. Atheists have no religion. I know that it must be difficult for you to wrap your washed brain around this concept.
Your B.S. is old and worn. You are the one who makes extraordinary claims about a creator god, not I. Extraordinary claims demand extraordinary evidence and you or anyone else has yet to present any.
Now, go back under your bridge, troll.
--------------------------------------------------------------------------------------
Truth in science (theist) reply to budderflyman (atheist)
You wrote:
"All I wrote was that most atheists do not believe in the age old religion of naturalism, which is the truth. Atheists have no religion. I know that it must be difficult for you to wrap your washed brain around this concept."
Yes, that is what you would like everyone to believe, anything to avoid having to justify your illogical belief in naturalism. Unfortunately for you, that little ruse has been exposed as bogus.
Naturalism = your belief, and that of the atheist cult, that 'nature' is responsible for the existence of everything - i.e. that nature (or Mother Nature) is a non-contingent, autonomous, all powerful entity - it is a belief that credits nature with all the attributes of a god.
Atheist naturalism is no different from pagan naturalism, naturalism per se IS a religious belief.
You can dress it up all you like, but the Emperor is revealed to have no clothes.
If you believe that nature created everything - and has the non-contingent, autonomous, eternally self-existent qualities that are attributed to a supernatural first cause - you effectively deify nature and matter.
Furthermore, because such beliefs demand that you disregard natural laws and scientific principles, they are based entirely on blind faith.
You wrote
"Your B.S. is old and worn. You are the one who makes extraordinary claims about a creator god, not I. Extraordinary claims demand extraordinary evidence and you or anyone else has yet to present any."
You make the extraordinary claim that laws of nature and scientific principles did not apply to your naturalist version of the origin of the universe. That is an extraordinary claim par excellence.
You have presented no evidence whatsoever for that claim, it is all complete hogwash. All you can keep repeating is that it is the scientific viewpoint, which is absolute rubbish. It is the opposite of a scientific view, to dispute natural laws and scientific principles is ANTI-SCIENCE.
"Extraordinary claims demand extraordinary evidence and you or anyone else has yet to present any."
Where then, is your evidence for the extraordinary claim that natural laws and fundamental principles of science didn't apply to the origin of the universe?
You wrote:
"The Sky Fairy is how most Christians describe their god. A fairy is a mythical creature, such as an angel or god, who floats around "the heavens" and somehow keeps it eye on everyone and everything in the world (yet apparently allows evil, disease, accidents, early death, etc to occur despite heavy prayer on the part of the victims and their families and friends). The sky hook is just what it is, some invisible hook that keeps the fairies and angels suspended. "
So the sky fairy and sky hook are both just more fantastical figments of the fertile, atheist imagination - based on their jaundiced and erroneous understanding of the supernatural first cause.
You wrote:
"A fairy is a mythical creature, such as an angel or god"
No, a fairy is a mythical creature based on so-called spirits of NATURE.
They are more akin to paganism and the naturalist religion which atheists subscribe to.
A modern version of the fairies myth, would be the (magical) mythological, non-contingent, alien species (space fairies?), which atheists believe could have created life on Earth.
Fairies have nothing to do with monotheism. In fact, belief in such things as nature spirits, is forbidden by most monotheistic religions, especially Judeo Christian monotheism.
chronicle.uchicago.edu/050714/doctorsfaith.shtml
-----------------------------------------------------------------------------------------
budderflyman (atheist) reply to Truth in science (theist)
You're joking, right? Atheism is not a cult. It is simply the disbelief in any god or gods. I also disbelieve in unicorns. Does that make me a member of a cult?
Sorry, chum, but the whole concept of angels is connected to the belief in fairies. You see, it is called the belief in the supernatural. And you can add your devil to it, also, since he is supposedly a "fallen angel." It's all craziness. It's what the human mind conceived of to try to explain things it could not comprehend. Humans started belief systems and created mythical creatures. They do not exist, the same as the 700 pound green fart that floats over your head.
---------------------------------------------------------------------------------------
Truth in science (theist) reply to budderflyman (atheist)
You wrote:
"Atheism is not a cult. It is simply the disbelief in any god or gods. I also disbelieve in unicorns. Does that make me a member of a cult?"
Atheism effectively deifies nature by transferring the creative, godlike powers, properties and qualities (that theists attribute to God), to nature or matter.
So atheism makes a god of nature, which means it is similar to pagan, naturalist religions.
Theists attribute the creation of everything in the universe to a supernatural cause.
Atheists attribute the creation of everything in the universe to a natural cause.
So the theist God is a supernatural, causal entity or creator, and the atheist god is a natural, causal entity or creator.
They are both religious viewpoints.
Not believing in unicorns doesn't require any alternative belief, whereas not believing in a supernatural first cause, demands belief in a natural first cause. So the comparison with unicorns is stupid.
-------------------------------------------------------------------------------------
budderflyman (atheist) reply to Truth in science (theist)
Nice try, but you are wrong (as usual). Atheism does not deify anything. That's the point. There are no deities.
--------------------------------------------------------------------------------------
Truth in science (theist) reply to budderflyman (atheist)
Of course atheists aren't going to admit it.
But if you believe that nature or a natural first cause is the originator of everything, you credit nature (or matter) with a godlike status. You simply replace the Creator God of theism with Mother Nature or an all-powerful god of nature.
Religion really is based on worshipping that which is greater than ourselves - worshipping that which is the cause of our existence. If you believe that cause is nature, then you are a nature worshipper and naturalism is your religion.
It is all based on belief, because you cannot prove that nature is an all powerful creator.
In fact, the evidence from natural law and scientific principles rules it out.
So atheism is an entirely faith-based creed, it has nothing to do with science, logic or reason. It has all the hallmarks of a religion, and if we compare it to pagan naturalism, there is very little to distinguish it.
------------------------------------------------------------------------------------
budderflyman (atheist) reply to Truth in science (theist)
I like the way evangelists twist words and definitions to suit their needs. I also like the way they try to figure out the universe starting with the Bible. And then they attack science and nature and those who live their lives by science and nature (rather than by some weird interpretation of life that fits a religious point of view).
Stop trying to tell me how I think. I don't want some knuckle dragger interpreting my life for me, thank you. And don't tell me I am anti-science when it is you who cannot bring himself to admit that evolution is the cornerstone of biology.
I am finished playing your stupid games. Go troll someone else.
-------------------------------------------------------------------------------------
Truth in science (theist) reply to budderflyman (atheist)
You wrote:
"And then they attack science and nature and those who live their lives by science and nature"
I don't attack science I defend it against dogmatic atheists who undermine it with their anti-scientific fantasy of a natural, first cause. And I don't attack nature, I simply recognise its limitations defined by natural laws and scientific principles. In fact I support and defend the laws of nature against attacks on them by atheists, who see them as an obstacle to their ideology.
And atheists don't live their lives by science, they are quite willing to distort and pervert scientific principles simply to suit their ideological beliefs. There is no scientific evidence for the atheist cult. It is based purely on faith in the godlike powers of nature to do or create everything, regardless of the fact that logic, natural laws and science, all say the opposite.
You wrote:
"And don't tell me I am anti-science when it is you who cannot bring himself to admit that evolution is the cornerstone of biology."
Progressive evolution is the greatest mistake and greatest hoax in history, it is destined for the dustbin of history when the public finally realise how they have been hoodwinked and treated as fools.
SEE: The Great Mistake.
www.flickr.com/photos/101536517@N06/15650423453
______________________________________________
The 2018 London Design Biennale at Somerset House was on the theme 'Emotional States'. The Saudi Arabia entry was called 'Being and Existence'. Lulwah Al Homoud used lights and mirrors to create kaleidoscopic geometric patterns based on the Arabic alphabet.
Hambach Forest # 43 (Action Red Line A4 - Todde in action)
Info:
deutsch
hambacherforst.blogsport.de/2016/10/23/sonntag-23-oktober...
hambacherforst.blogsport.de/2016/10/26/medien-rueckblick/
~
english:
hambachforest.blogsport.de/2016/10/13/sunday-october-23-1...
hambachforest.blogsport.de/2016/10/30/action-red-line-med...
The world class boanical collections in Waimea Valley owe there existence to Mir. Keith Woolliams, a dedicated botanical horticulturist who was trained at the Royal Botanic Garden at Kew, on the outskirts of London.
Keith led a rich life traveling around the globe studying botanical collections in England, Japan, Papua New Guinea and Bermuda. He brought to Hawaii his expertise and knowledge of uncommon horticultural treasures, and he acquired seeds, plants, and cuttings from remote places and botanical gardens all over the world. In pre-internet days dozens of letters and packages were dispatched and received daily.
His theme of "Conservation Through Cultivation" resulted in a balance of rare and useful native and Polynesian-introduced plants among exotic horticultural specimens.
What was once an ungroomed valley, filled with koa haole and ravaged by feral cattle was transformed into what you see today by Keith and the many dedicated people he inspired. They oversaw the design, landscaping and construction of the pathways, stone walls and stairs that frame the gardens. Keith's high standards for record keeping and signage persist to this day. He left us in 1998 with a library full of his propagation knowledge, cultivation practices and plant lore which survives to ensure that the precious life forms brought to this valley will thrive here long into the future.
Keith was an inspiring advocate for Hawatian plant conservation and he influenced many young people across the state. He connected Waimea with state, federal and international agencies such as the Center for Plant Conservation, the International Union for the Conservation of Nature, and the Botanical Gardens Conservation International - partnerships that Waimea Valley continues to uphold today.
Keith was instrumental in bringing in critically endangered plants from Japan's Ogasawara Islands, hibiscus relatives from all over the world, and with international colleagues he tried to assemble wild-source collections of every species of Erythrina in the world. In the periodical, "Notes from Waimea Arboretum and Botanical Garden" published twice a year until 1992 he stated "Waimea is a labeled and documented collection of plants for educational and scientific purposes, a living gene pool for future generations".
It is with great honor and gratitude that we remember Mr. Keith Woolliams and his dedication to Waimea Valley.
Dartmoor is an upland area in southern Devon, South West England. The moorland and surrounding land has been protected by National Park status since 1951. Dartmoor National Park covers 954 km2 (368 sq mi).
The granite which forms the uplands dates from the Carboniferous Period of geological history. The landscape consists of moorland capped with many exposed granite hilltops known as tors, providing habitats for wildlife. The highest point is High Willhays, 621 m (2,037 ft) above sea level. The entire area is rich in antiquities and archaeological artefacts.
Dartmoor National Park is managed by the Dartmoor National Park Authority, whose 22 members are drawn from Devon County Council, local district councils and Government.
Parts of Dartmoor have been used as military firing ranges for over 200 years. The public is granted extensive land access rights on Dartmoor (including restricted access to the firing ranges) and it is a popular tourist destination.
Physical geography
Dartmoor includes the largest area of granite in Britain, with about 625 km2 (241 sq mi) at the surface, though most of it is under superficial peat deposits. The granite (or more specifically adamellite) was intruded at depth as a pluton into the surrounding sedimentary rocks during the Carboniferous period, probably about 309 million years ago. It is generally accepted that the present surface is not far below the original top of the pluton; evidence for this includes partly digested shale xenoliths, contamination of the granite and the existence of two patches of altered sedimentary rock on top of the granite. A considerable gravity anomaly is associated with the Dartmoor pluton as with other such plutons. Measurement of the anomaly has helped to determine the likely shape and extent of the rock mass at depth.
Tors
Dartmoor is known for its tors – hills topped with outcrops of bedrock, which in granite country such as this are usually rounded boulder-like formations. More than 160 of the hills of Dartmoor have the word tor in their name but quite a number do not. However, this does not appear to relate to whether or not there is an outcrop of rock on their summit. The tors are the focus of an annual event known as the Ten Tors Challenge, when around 2400 people aged between 14 and 19 walk for distances of 56, 72 or 88 km (35, 45 or 55 mi) between ten tors on many differing routes.
The highest points on Dartmoor are on the northern moor: High Willhays, 621 m (2,037 ft), (grid reference SX 580892) and Yes Tor, 619 m (2,031 ft), (grid reference SX 581901) The highest points on the southern moor are Ryder's Hill, 515 m (1,690 ft), (grid reference SX 660690), Snowdon 495 m (1,624 ft), (grid reference SX 668684), and an unnamed point, 493 m (1,617 ft) at (grid reference SX 603645), between Langcombe Hill and Shell Top. The best-known tor on Dartmoor is Haytor (called Hey Tor by William Crossing), 457 m (1,499 ft), (grid reference SX 757771).
Rivers
The high ground of Dartmoor forms the catchment area for many of Devon's rivers. As well as shaping the landscape, these have traditionally provided a source of power for moor industries such as tin mining and quarrying.
The moor takes its name from the River Dart, which starts as the East Dart and West Dart and then becomes a single river at Dartmeet. It leaves the moor at Buckfastleigh, flowing through Totnes below where it opens up into a long ria, reaching the sea at Dartmouth. Other rivers flowing from Dartmoor include the Teign, the Taw, the Tavy, the Avon, and the Lyd.
Some of the rivers in Dartmoor have been dammed to create reservoirs for drinking water, including the River Avon and the South Teign River (Fernworthy Reservoir).
Bogs
Much more rain falls on Dartmoor than in the surrounding lowlands. As much of the national park is covered in thick layers of peat (decaying vegetation), the rain is usually absorbed quickly and distributed slowly, so the moor is rarely dry. In areas where water accumulates, dangerous bogs or mires can result. Some of these, topped with bright green moss, are known to locals as "feather beds" or "quakers", because they can shift (or 'quake') beneath a person's feet. Quakers result from sphagnum moss growing over the water that accumulates in the hollows in the granite.
The vegetation of the bogs depends on the type and location. Blanket bog, which forms on the highest land where the rainfall exceeds 2,000 millimetres (79 in) a year, consists mainly of cotton-grass (Eriophorum species), sedges (Carex and Rhynchospora), Bog Asphodel and Common Tormentil, with Sphagnum thriving in the wettest patches. The valley bogs have lush growth of rushes, with sphagnum, cross-leaved heath, sundews and several other species.
Some of the bogs on Dartmoor have achieved notoriety. Fox Tor Mires was supposedly the inspiration for Great Grimpen Mire in Conan Doyle's novel The Hound of the Baskervilles, although there is a waymarked footpath across it. Sabine Baring-Gould, in his Book of Dartmoor (1900) related the story of a man who was making his way through Aune Mire at the head of the River Avon when he came upon a top-hat brim down on the surface of the mire. He kicked it, whereupon a voice called out: "What be you a-doin' to my 'at?" The man replied, "Be there now a chap under'n?" "Ees, I reckon," was the reply, "and a hoss under me likewise."
Climate
Along with the rest of South West England, Dartmoor has a temperate climate which is generally wetter and milder than locations at similar height in the rest of England.[dubious – discuss] At Princetown, near the centre of the moor at a height of 453 metres (1,486 ft), January and February are the coldest months with mean minimum temperatures around 1 °C (34 °F). July and August are the warmest months with mean daily maxima not reaching 18 °C (64 °F). Compared with Teignmouth, which is on the coast about 22 miles (35 km) to the east, the average maximum and minimum temperatures are 3.0 °C (5.4 °F) and 2.6 °C (4.7 °F) lower respectively, and frost is at least five times as frequent. On the highest ground, in the north of the moor, the growing season is less than 175 days – this contrasts with some 300 days along most of the south coast of the county.
Rainfall tends to be associated with Atlantic depressions or with convection. In summer, convection caused by solar surface heating sometimes forms shower clouds and a large proportion of rainfall falls from showers and thunderstorms at this time of year. The wettest months are November and December and on the highest parts of the moor the average annual total rainfall is over 2,000 millimetres (79 in). This compares with less than 800 millimetres (31 in) in the lower land to the east around the Exe Estuary, which is in the rain shadow of the moor. Due to the influence of the Gulf Stream snowfall is not common, though due to its high altitude it is more vulnerable to snowfall than surrounding regions.
Between 1961 and 1990 Met Office data shows that there was an average of 20 days when snow fell on the moor, and over 40 days a year with hail, which is as high as anywhere else in the country. This results when cold polar maritime air that has travelled over a large expanse of warmer ocean is forced to rise over high country.
When average temperatures at Princetown between 1961 and 2000 are compared, the average annual temperature in the decade 1990–2000 was up by 0.2 °C (0.4 °F) and the late winter temperature increased by 0.5 °C (0.9 °F).
Wildlife
Because of Dartmoor's height and granite geology, it experiences strong winds and has acidic soils. In consequence it has been subject to very little intensive farming, and all these factors combine to form the basis of the important ecosystems found here. The landscape is one of granite with peat bogs overlying it. While the moors topped with granite tors are the most iconic part of Dartmoor's landscape, only about half of Dartmoor is actually moorland. Equally important for wildlife are the blanket bogs, upland heaths and the oak woodlands which are all of global importance. Dartmoor is a Special Area of Conservation (SAC) with four habitats (Northern Atlantic wet heaths with Erica tetralix; European dry heaths; Blanket bogs and Old sessile oak woods with Ilex and Blechnum in the British Isles) being listed as primary reasons for the selection of Dartmoor as a SAC. In addition the area has a population of the southern damselfly which is also a primary reason for its selection along with populations of Atlantic salmon and otter being qualifying reasons.
Wistman's Wood is one of the old sessile oak woods which contribute to the listing of Dartmoor as a SAC and is possibly a surviving fragment from the earliest Neolithic woodland clearances. It is home to exceptional epiphytic mosses, liverworts and lichens. Nearly 50 species of moss and liverwort are found in the wood along with 120 types of lichen, including Smith's horsehair lichen, speckled sea-storm lichen and pendulous wing-moss. Over 60 species of lichens grow on the exposed surfaces of the granite tors, including granite-speck rim-lichen, purple rock lichen, brown cobblestone lichen and goldspot lichen and many rare lichen grow on rocks exposed by mining which are rich in heavy metals. On the upland heaths heather (ling) and bell heather are common along with western gorse. In dry grassy areas tormentil, heath bedstraw and heath milkwort are all common. Cross-leaved heath and purple moor grass grow in wetter spots and in the boggy areas many different species of sphagnum and other mosses can be found along with liverworts, Hare's-tail Cotton-grass, round-leaved sundew and bog asphodel and in the valley bottoms, many different sedges, bogbean and pale butterwort all grow.
A large variety of bird species can be found on Dartmoor including ones that have declined elsewhere in the UK, such as skylark and common snipe, or are even rare nationally, such as the ring ouzel and the cuckoo. There are internationally important populations of meadow pipit and stonechat. Woodland birds include a number of migrant species, like the pied flycatcher, the wood warbler or the common redstart. Mammals found here include otters, hazel dormice and nearly all of the UK's 16 bat species. Three rare species, the barbastelle, and the greater and lesser horseshoe bats are of particular importance. The upper reaches of the rivers, are spawning grounds for Salmon and trout and Palmate newts, frogs and toads breed in the numerous small pools. Two shrimp species can be found on Dartmoor: fairy shrimp that can be found in temporary pools and in underground streams very rare cave shrimp. The world's largest land slug, the Ash black, is also found. Reptiles include common lizards and adders. The farmland in the wet valleys around the edge of the moors is the most important habitat for insects including the marsh fritillary butterfly, southern damselfly, narrow-bordered bee hawkmoth and bog hoverfly. Areas of bracken are home to the high brown fritillary and pearl-bordered fritillary. Insects found in the heathlands include the emperor moth, green hairstreak and the bilberry bumblebee. The old oak woodlands have a distinctive group of insects including the blue ground beetle and Heckford's pygmy moth, a species found nowhere else in the world.
Restoration and climate change mitigation
The South West Peatland Project aims to restore around 300 hectares of Dartmoor's peatland through collaboration with Dartmoor National Park. Preserving these peatlands will help mitigate climate change through sequestering carbon from the atmosphere. More generally, Dartmoor aims to be carbon negative by 2045.
History
Pre-history
The majority of the prehistoric remains on Dartmoor date back to the late Neolithic and early Bronze Age. Indeed, Dartmoor contains the largest concentration of Bronze Age remains in the United Kingdom, which suggests that this was when a larger population moved onto the hills of Dartmoor. The large systems of Bronze Age fields, divided by reaves, cover an area of over 10,000 hectares (39 sq mi) of the lower moors.
The climate at the time was warmer than today, and much of today's moorland was covered with trees. The prehistoric settlers began clearing the forest, and established the first farming communities. Fire was the main method of clearing land, creating pasture and swidden types of fire-fallow farmland. Areas less suited for farming tended to be burned for livestock grazing. Over the centuries these Neolithic practices greatly expanded the upland moors, and contributed to the acidification of the soil and the accumulation of peat and bogs.
After a few thousand years the mild climate deteriorated leaving these areas uninhabited and consequently relatively undisturbed to the present day. The highly acidic soil has ensured that no organic remains have survived, but the durability of the granite has meant that the remains of buildings, enclosures and monuments have survived well, as have flint tools. A number of remains were "restored" by enthusiastic Victorians and, in some cases, they have placed their own interpretation on how an area may have looked.
Standing stones
Numerous prehistoric menhirs (more usually referred to locally as standing stones or longstones), stone circles, kistvaens, cairns and stone rows are to be found on the moor. The most significant sites include:
Upper Erme stone row is the longest on Dartmoor and in fact in the world at 3,300 m (10,800 ft)
Beardown Man, near Devil's Tor – isolated standing stone 3.5 m (11 ft 6 in) high, said to have another 1 m (3 ft 3 in) below ground. grid reference SX596796
Challacombe, near the prehistoric settlement of Grimspound — triple stone row. grid reference SX689807
Drizzlecombe, east of Sheepstor village – stone rows, standing stones, kistvaens and cairns. grid reference SX591669
Grey Wethers, near Postbridge — double circle, aligned almost exactly north south. grid reference SX638831
Laughter Tor, near Two Bridges — standing stone 2.4 m (7 ft 10 in) high and two double stone rows, one 164 m (538 ft) long. grid reference SX652753
Merrivale, between Princetown and Tavistock — includes a double stone row 182 m (597 ft) long, 1.1 m (3 ft 7 in) wide, aligned almost exactly east–west, stone circles and a kistvaen. grid reference SX554747
Scorhill (pronounced 'Scorill'), west of Chagford — circle, 26.8 m (88 ft) in circumference, and stone rows. grid reference SX654873
Shovel Down, north of Fernworthy reservoir — double stone row approximately 120 m (390 ft) long. grid reference SX660859
Yellowmead Down, a quadruple concentric stone circle and stone rows.
Hut circles and kistvaens
There are also an estimated 5,000 hut circles still surviving although many have been raided over the centuries by the builders of the traditional dry stone walls. These are the remnants of Bronze Age houses. The smallest are around 1.8 m (6 ft) in diameter, and the largest may be up to five times this size.
Some have L-shaped porches to protect against wind and rain; some particularly good examples are to be found at Grimspound. It is believed that they would have had a conical roof, supported by timbers and covered in turf or thatch.
There are also numerous kistvaens, Neolithic stone box-like tombs.
The historical period
The climate became wetter and cooler over the course of a thousand years from around 1000 BC, resulting in much of high Dartmoor being largely abandoned by its early inhabitants.
It was not until the early Mediaeval period that the weather again became warmer, and settlers moved back onto the moors. Like their ancient predecessors, they used the natural granite to build their homes, preferring a style known as the longhouse; some of theses are still inhabited today, although they have been clearly adapted over the centuries. Many are now being used as farm buildings, while others were abandoned and fell into ruin.
The earliest surviving farms, still in operation today, are known as the Ancient Tenements. Most of these date back to the 14th century, and some even earlier.
Some way into the moor stands the town of Princetown, the site of Dartmoor Prison, which was originally built by Isbell Rowe & Company, Plymouth, for prisoners of war from the Napoleonic Wars and the War of 1812. The prison has an incorrect reputation for being escape-proof, due to both the buildings themselves and its physical location.
The Dartmoor landscape is scattered with the marks left by the many generations who have lived and worked there over the centuries – such as the remains of the Dartmoor tin-mining industry, and farmhouses long since abandoned. See Industrial archaeology of Dartmoor.
Myths and literature
Dartmoor is known for its myths and legends. It is reputedly the haunt of pixies, a headless horseman, a mysterious pack of "spectral hounds", and a large black dog, among others. During the Great Thunderstorm of 1638, the moorland village of Widecombe-in-the-Moor was said to have been visited by the Devil.
Many landmarks have ancient legends and ghost stories associated with them, such as the allegedly haunted Jay's Grave, the ancient burial site of Childe's Tomb, the rock pile called Bowerman's Nose, and the stone crosses that mark former mediaeval routes across the moor.
A few stories have emerged in recent decades, such as the "hairy hands", that are said to attack motorists on the B3212 near Two Bridges; and the "Beast of Dartmoor", a supposed big cat.
Dartmoor has inspired a number of artists and writers, such as Sir Arthur Conan Doyle in The Hound of the Baskervilles and The Adventure of Silver Blaze, R. D. Blackmore, Eden Phillpotts, Beatrice Chase, Agatha Christie, Rosamunde Pilcher, Gilbert Adair and the Reverend Sabine Baring-Gould.
'Dartmoor', a poem by Felicia Hemans
In 1820, the newly formed Royal Society of Literature offered a prize for a poem on the subject of Dartmoor, this being won by Felicia Hemans.
In Harry Potter and the Goblet of Fire, the fictional 1994 Quidditch World Cup final between Ireland and Bulgaria was hosted on the moor.
Ownership and access
Over half of Dartmoor National Park (57.3%) is private land; the Forest of Dartmoor being the major part of this, owned by the Duke of Cornwall. The Ministry of Defence owns 14% (see below), 3.8% is owned by water companies (see Dartmoor reservoirs), 3.7% by the National Trust, 1.8% by the Forestry Commission and 1.4% by Dartmoor's national park authority. About 37% of Dartmoor is common land.
Dartmoor differs from some other National Parks in England and Wales, in that since the Dartmoor Commons Act 1985 much of it has been designated as Access land, which, although it remains privately owned, has no restrictions on where walkers can roam. In addition to this access land, there are about 730 km (450 mi) of public rights of way on Dartmoor, and many kilometres of permitted footpaths and bridleways where the owners allow access.
Because of the 1985 Act, Dartmoor was largely unaffected by the Countryside and Rights of Way Act 2000, which established similar rights in other rural parts of the country, until 2006, when the 2000 Act opened up much of the remaining restricted land to walkers.
In January 2023, in a high court judgement in a case brought by landowner Alexander Darwall, the right for members of the public to wild camp on Dartmoor was lost. Julian Flaux, the chancellor of the high court, ruled: "In my judgment, on the first issue set out at [14] above, the claimants are entitled to the declaration they seek that, on its true construction, section 10(1) of the 1985 Act does not confer on the public any right to pitch tents or otherwise make camp overnight on Dartmoor Commons. Any such camping requires the consent of the landowner." A protest against the new restrictions, led by local storyteller Martin Shaw, was held in January 2023. However on July 31 the ban was overturned by the Court of Appeal.
Use by the Ministry of Defence
There is a history of military usage of Dartmoor dating back to the Napoleonic Wars. Today, a large British Army training camp remains at Okehampton — also the site of an airbase during the Second World War.
The Ministry of Defence (MoD) uses three areas of the northern moor for manoeuvres and live-firing exercises, totalling 108.71 km2 (41.97 sq mi), or just over 11% of the National Park. Red and white posts mark the boundaries of these military areas (shown on Ordnance Survey 1:25,000 scale maps). Flagpoles on many tors in and around the ranges fly red flags when firing is taking place. At other times, members of the public are allowed access. Blank rounds may also be used, but the MoD does not notify the public of this in advance.
Some "challenge" and charitable events take place with assistance of the military on Dartmoor, including the long established Ten Tors event and the more recent Dartmoor Beast.
Dartmoor's fictional use as an MoD centre for animal testing called Baskerville was referenced in the BBC drama Sherlock episode "The Hounds of Baskerville".
The disused Rippon Tor Rifle Range was built to train soldiers during the Second World War, and remained in use until its closure in 1977.
Preservation
Throughout human history, the landscape has been exploited for industrial purposes. In recent years,[when?] controversy has surrounded the work of industrial conglomerates Imerys and Sibelco (formerly Watts Blake Bearne), who have used parts of the moor for china clay mining. Licences were granted by the British Government but were recently renounced after sustained public pressure from bodies such as the Dartmoor Preservation Association.
The British government has made promises to protect the integrity of the moor; however, the cost of compensating companies for these licences, which may not have been granted in today's political climate, could prove prohibitive.
The military use of the moor has been another source of controversy, as when training was extended in January 2003. The national park authority received 1,700 objections before making the decision. Objectors said that Dartmoor should be an area for recreation, and that the training disturbs the peace.
Those who objected included the Open Spaces Society and the Dartmoor Preservation Association. During her lifetime, Sylvia Sayer was another outspoken critic of the damage which she perceived that the army was doing to the moor.
Towns and villages
The designated Dartmoor National Park area has a resident population of about 33,000, which swells considerably during holiday periods with incoming tourists. The largest settlements within the National Park are Ashburton (the largest, with a population of about 3,500), Buckfastleigh, Moretonhampstead, Princetown, Yelverton, Horrabridge, South Brent, Christow, and Chagford.
Landmarks
Avon Dam Reservoir – reservoir popular for walks and trout fishing
Bowerman's Nose – a tor said to be shaped like a nose
Brentor Church – remote church 344 m (1,129 ft) high on crag at western edge of moor
Buckfast Abbey – abbey near Buckfastleigh
Burrator Reservoir – late Victorian reservoir
Canonteign Falls – second highest waterfall in England
Castle Drogo – Edwardian faux castle built by Edwin Lutyens on a crag above Teign Gorge, Drewsteignton
Childe's Tomb – ancient burial site
Cosdon Hill – prominent hill, northern extremity of moor, site of beacon fire for invasion warning
Cranmere Pool – original letterbox site and location of the legend of Cranmere Binjie
Crazywell Pool – artificial lake
Dartmeet – meeting point of East and West Dart rivers
Dartmoor Prison – a prison in the middle of Dartmoor at the village of Princetown
Devonport Leat – human-made water channel
Duck's Pool – location of a memorial to local writer William Crossing
Fernworthy Dam & Reservoir – granite-faced concrete dam and lake in Fernworthy Forest, near Chagford
Fingle Bridge – a 17th-century crossing of the River Teign near Chagford
Great Links Tor – dominant tor on north west scarp of moor
Grey Wethers – pair of ancient stone circles
Grimspound – Bronze Age settlement
Haytor Granite Tramway – early tramway with stone rails; ran from quarries at Haytor to Stover Canal
Haytor Rock – prominent tor and viewpoint between Bovey Tracey and Widecombe
Hay Tor – less prominent outcrop behind Haytor Rock when viewed from the south. Popular spot for rock climbing due to its large cliff face and relative ease of access.
High Willhays – highest point on Dartmoor
Hound Tor – rugged tor with remains of Iron Age village
Jay's Grave – burial site
Lydford Gorge – deep and narrow gorge with waterfalls
Meldon Viaduct and reservoir – 201 m (659 ft) wide and 45 m (148 ft) high concrete dam and Victorian iron bridge which itself is 165 m (541 ft) wide and 46 m (151 ft) high[39]
North Hessary Tor transmitting station – a TV mast near Princetown which can be seen for many miles.
Rippon Tor Rifle Range – disused rifle range
Redlake Tramway – disused railway
Spitchwick – a swimming spot where the River Webburn joins the River Dart
Tavistock Canal – 19th-century canal
Two Bridges – 18th-century coaching inn
Warren House Inn – highest inn in south west England, rumoured to have a fire which has not gone out in hundreds of years.
Widecombe in the moor, village in a valley in southern Dartmoor with a church rumoured to have been struck by lightning in medieval times.
Wistman's Wood – copse of stunted oaks in the valley of the West Dart near Two Bridges
Yes Tor – tor next to High Willhays, forming the second highest hill in Dartmoor.
Leisure activities
Until the early 19th century Dartmoor was not considered to be a place worth visiting: in the 1540s John Leland wrote in his Itinerary that "Dartmore is muche a wilde Morish and forest Ground", and even by 1789 Richard Gough's opinion was that it is a "dreary mountainous tract". At the turn of the 19th century John Swete was one of the first people to visit Dartmoor for pleasure and his journals and watercolour paintings now provide a valuable historical resource.
The oldest leisure pursuit on the moor is hill walking. William Crossing's definitive Guide to Dartmoor was published in 1909, and in 1938 a plaque and letterbox in his memory were placed at Duck's Pool on the southern moor. Parts of the Abbots Way, Two Moors Way and the Templer Way are on Dartmoor.
Letterboxing originated on Dartmoor in the 19th century and has become increasingly popular in recent decades. Watertight containers, or 'letterboxes', are hidden throughout the moor, each containing a visitor's book and a rubber stamp. Visitors take an impression of the letterbox's rubber stamp as proof of finding the box and record their visit by stamping their own personal stamp in the letterbox's logbook. A recent related development is geocaching. Geocache clues make use of GPS coordinates, whereas letterboxing clues tend to consist of grid references and compass bearings.
Whitewater kayaking and canoeing are popular on the rivers due to the high rainfall and their high quality, though for environmental reasons access is restricted to the winter months. The River Dart is the most prominent meeting place, the section known as the Loop being particularly popular. Other white water rivers are the Erme, Tavy, Plym and Meavy.
Other activities are rock climbing on the granite tors and outcrops, some of the well-known venues being Haytor, Hound Tor and The Dewerstone; horse riding, which can be undertaken on any of the common land; cycling (but not on open moorland); and angling for wild brown trout, sea trout and salmon—although much of the river fishing on Dartmoor is privately owned, permits are available for some stretches.
Visitor centres
The park's main visitor centre is located in Princetown and features exhibits about Dartmoor's history, culture and wildlife, as well as changing displays of local art. The visitor centres located in Postbridge and Haytor feature information, maps, guidebooks and items for exploring the area.
Transport
Bus
Dartmoor is served by the following bus services:
359 Moretonhampstead – Exeter (Country bus)
271 Newton Abbot – Bovey Tracey – Widecombe (Summer Saturdays only) (Country bus)
173 Moretonhampstead – Chagford – Exeter (Dartline)
178 Newton Abbot – Bovey Tracey – M'tonhampstead – Chagford – Okehampton (Country bus)
98 Tavistock – Princetown – Postbridge (Oakleys)
Other bus services operate in Dartmoor on a less frequent basis.
GWR operate direct trains from Exeter to Okehampton.
Character Creation
Illyana Nikolaievna Rasputina (Russian: Ильяна Николаевна Распутина) is a character appearing in American comic books published by Marvel Comics. Created by writer Len Wein and artist Dave Cockrum, the character first appeared in the Giant-Size X-Men #1 (May 1975). llyana Rasputin is a member of a fictional species of humanity known as mutants, who are born with superhuman abilities. She is known under the codename Magik.
llyana Rasputin is the younger sister of the Russian X-Men member Colossus and X-Men enemy Mikhail Rasputin. She became a powerful sorceress due to her time imprisoned in (and later ruling) Limbo. Her mutant power, which first manifested in that Limbo, is the ability to teleport via stepping discs utilizing that dimension's magic. Following her escape from Limbo, she became part of the New Mutants. She later joined the X-Men.
The character has been featured in various Marvel-licensed products, including video games, animated television series, and merchandise. Anya Taylor-Joy portrayed Illyana Rasputin in the 2020 film The New Mutants.
Publication history
llyana Rasputin debuted in Giant-Size X-Men #1 (May 1975), created by Len Wein and Dave Cockrum. Her first name was not revealed until The Uncanny X-Men #145 (May 1981). For the first eight years of the character's existence, she was an infrequently appearing background character known as Colossus' little sister. The means of changing this was set in The Uncanny X-Men #160 (August 1982), in which she ages seven years while in a paranormal dimension called Limbo, becomes a sorceress, and develops the mutant ability to create "teleportation discs." These changes were not immediately explored or explained, and for the next year she remained essentially a background character.
In December 1983, the limited series Magik (Illyana and Storm) was launched, chronicling Illyana's years in Limbo, which is also her origin story. Magik #1 (December 1983) is her first cover appearance as young Illyana, her second full appearance and the first time she get the name Magik. Magik #2 (Jan. 1984) is her first cover appearance as adult Magik. Immediately following the end of the series, she was added to the cast of the New Mutants, appearing regularly in that comic from The New Mutants #14 (April 1984), the first cover appearance of adult Magik in costume, to The New Mutants #77 (July 1989), in which she returns to her family in Russia after having reverted to childhood. As the younger sister of Colossus and a member of the New Mutants, she also sporadically appeared as a guest star in Uncanny X-Men.
In The Uncanny X-Men #303 (1993), she dies of the Legacy Virus. Other than flashbacks and alternate realities, she was absent from regular publication for most of the 1990s, though she does appear as a time-traveler in The New Mutants: Truth or Death #1-3 (1997). After being resurrected by Belasco, she returned to regular publication in 2007, in New X-Men #38-41 (2007), X-Infernus #1-4 (2009), X-Men: Hellbound #1-3 (2010) and New Mutants vol. 3 #1-29 (2009-2011). As a member of Cyclops' Extinction Team, she appears in The Uncanny X-Men vol. 2 #1-20 (2012), Avengers vs. X-Men #1-12 (2012), AVX: Versus #3 (2012), and AVX: Consequences #1-5 (2012). She appears in All-New X-Men, The Uncanny X-Men vol. 3, Extraordinary X-Men, and The New Mutants: Dead Souls (2018), as a regular character. She appears in Strange Academy #1 (2020) as a teacher in Dr. Strange's Sorcerer School.
Origin
To simply be a mutant didn't quite make you as different as it once would have. What made someone different was the type of mutant that they were. Specifically, their power level that would show their potential or ability as a mutant. The Rasputin children, Mikhail, Piotr, and Illyana, were all mutants. Each of them would have gifts that would/could affect many, even on a global level. Their futures would see them all go very different ways; their genetics ensured whichever way they chose to go, huge repercussions could be expected. These three mutant siblings would be no exception. From Mikhail's ability to manipulate matter on the subatomic level and his dimensional teleporting powers to Illyana's immensely powerful magical might and teleporting powers and even Piotr, who seemingly appears much weaker in comparison, but is prophesied to be the sole individual responsible for the destruction of an entire planet, Breakworld, and all of its inhabitants.
On the outward appearance it may seem that it must be purely coincidental that Illyana and her two older brothers, Mikhail and Piotr (Colossus), would all have massively powerful mutant powers and all be born to one family. But, not all is as it seems. These three siblings were born to a family that had been manipulated to ensure these outcomes. A bloodline refined to create power. Not only just Illyana, Mikhail and Piotr would have these substantial gifts, but all children born within the Rasputin bloodline would. Each would have the same genetics, share the same bloodline and lineage, each with the possibility to wield powerful mutant gifts. This was not a coincidence at all. This is all due to the manipulation, on a grand scale, by one of the foremost masters in genetics by the name of Nathaniel Essex, better known as Mr. Sinister.
Character Evolution
Illyana Nikolievna Rasputin, the indomitable mutant known as Magik, is a super-humanly powerful mutant with the power of teleportation, as well as being an unbelievably powerful and gifted sorceress. She has a potential that has yet to be reached. In her short life, she has seen and been through many things. From the experience of being kidnapped at a very young age by the evil Belasco, to life in a "Hell" dimension named Limbo for 7 years. Her gifts were exploited, and her soul was corrupted by black magic, turning a portion of it evil. After becoming the first victim to die of the Legacy Virus, she was eventually resurrected by her former master several years later. She is currently a member of the New Mutants. During the events of Avengers vs X-men, she has tasted even greater power; that of the Phoenix Force.
Major Story Arcs
Before Her Time...
More than 100 years ago, the patriarch of the Rasputin bloodline, the legendary Grigory Rasputin, would be the first to meet Sinister. The two would make unlikely allies. After their encounter, the Rasputin family would never be the same. When Grigory was younger, around the time of the emergence of his own mutant powers, Sinister would give him an offer he couldn’t refuse. Sinister or the "Pale Man" as Grigory referred to him as, would offer Grigory the chance to create a bloodline from his DNA that would lead a race of super humans. Grigory's importance to Sinister was quite simple. He was a mutant, and based on the time one of the few firsts. Not only was he a mutant, but a powerful one. Grigory was aware of his gifts or the "miraculous occurrences" that surrounded him. He enjoyed them and used them regularly. Though unrevealed, it’s assumed that Grigory may have had matter manipulating abilities. These powers seemed similar to that of his future descendant, Mikhail. Powerful or not, Sinister's offer appealed to him and he accepted promptly after. Sinister would go to work immediately.
He would seek out females similar to Grigory, mutants with special powers. Sinister would find around 15-20 women and impregnate them all by crossing their genes with that of Grigory's. Sinister would experiment on the unborn babies, with many dying in the process. There was one woman though that was a prefect match for Grigory, a woman by the name of Elena. Once Sinister found that the two could produce the outcome that he wished for he would put introduce the two. Shortly after meeting, two would marry each other. Elena would be his soon-to-be wife and bearer of his future army of super powered children. This would culminate with Grigory taking part in a mystical ceremony, led by Sinister, transferring his essence into his pregnant wife’s womb. His last words were that he promised to return to the world when the world was ready for him. With Elena giving birth to her baby months later, it would be the beginning of the powerful mutant bloodline that would lead to the eventual birth of one Illyana Nikolievna Rasputin.
Innocent Beginnings
Nikolai Rasputin and Alexandra Rasputin had three children, two boys, named Mikhail and Piotr and, their youngest, a girl named Illyana. Mikhail was already an adult when Illyana was born. He wanted more than a farmer's life and decided to become a cosmonaut working for the Russian government. As a result Illyana would never have the opportunity to meet her eldest brother and unfortunately never would as reports would come indicating that Mikhail had died while in duty. The reality was that his mutant powers manifested and the government decided to use him as a guinea pig. They wanted to see if they could find a way to harness his gift. Basically they were exploiting him, with no intention of releasing him. Illyana's family grieved, but she was relatively unaffected partially due to her age and she really didn't know him. Beyond that she had a fairly normal early childhood. She had a close-knit family, more love then she could ever know and a bond between her brother and her that death couldn't break, literally. The Rasputins would thrive and continue to live their lives as best they could. They managed to achieve a little normalcy in their lives right when another mutant would make their self known.
Professor X & the X-Men
Mikhail wouldn't be the only of his sibling to have mutant powers. Piotr would also have his powers emerge. Though he would attempt to keep his mutant gifts hidden, he would be forced to reveal them in a much unexpected way. Illyana was playing alone when an unmanned tractor came barreling in her direction. No one was near or had the ability to help her, save Piotr. He reacted instinctively, running to her aid and unconsciously activating his mutant powers. In a bright flash of light his entire body turned into that of a silver, shiny, armored giant. Standing in the way of the tractor, it would hit him and go no further as it would be destroyed upon impact. Like a knight in shinning armor, he was able to save his "Little Snowflake," as he referred to her. Relieved that he was able to protect his sister, he never noticed that a visitor had arrived and had watched the entire event unfold.
A man that would change not only Piotr's life, but that of his little sister, Illyana's as well. This man was Professor Charles Xavier and he had arrived wanting to speak with Piotr, hoping to recruit him as one of his new X-Men. After much conversation Piotr would accept and begrudgingly leave his family to start a new one in the United States. While a member of the team he took the codename Colossus and became one of the vaunted X-Men. As a member of the X-Men he would save the world many times over. But for Piotr it was a rough transition. He missed his family. He often suffered from homesickness, and as such he tended to stay alone and withdrawn. While on missions he often hid his feelings. Hiding them as he might, nothing could prepare him for the following events.
Abduction
The X-Men would do battle with many a foe, but one of the oddest was the eccentric, murderous Arcade. An assassin for hire and creator of Murderworld he was one of the best at what he did, but would bite off too much when Doctor Doom was involved. Arcade became involved in dealings that went bad with Doctor Doom. As a result he was held captive with no means of freedom. An associate of Arcade's, Miss Locke, would devise a plan that would have the X-Men do all the hard work and free Arcade for her. Of course they would never do this willingly, she would have to force them somehow. Miss Locke decided that she would blackmail them by kidnapping numerous members of each of the X-Men's family, this would include Piotr's little sister Illyana, and force them to assist.
And they did. The X-Men sent in two units, sending the larger of their forces in to get Arcade and the few remaining to free their captive loved ones. The X-Men would find themselves to be successful and would return home. Colossus though would make a decision that would change his little sister's life permanently.
He decided that Illyana should stay with them and not return to Russia. He felt that it would be safer for her as he and the X-Men could protect her better, so that another incident like her being abducted could never happen again. Professor X agreed with the decision. He even telepathically taught all of his X-Men how to speak the Russian language so that Illyana would feel more comfortable in her new environment. He, too, wanted to test Illyana to see if she had the mutant gene, like her brothers feeling that there was a strong chance that she would be one. A discussion would follow but it would be decided to not test her. Feeling that she had many more years before her potential mutant powers would emerge based on her age. Illyana's stay would be granted by a special student visa. She would attend tutored classes by Professor X while at the X-mansion.
While there she brought a happiness to Colossus, one that he hadn't felt in a long time since he left his home long ago. Illyana would get close to all the X-Men, but especially Kitty Pryde. Kitty would read her bedtime stories and interact with her a lot. This would be the start of a bond that would only grow over time.
Abducted by Balasco
Illyana stayed with the X-Men all the time, save when they embarked on missions. This included when they were in need of a new temporary headquarters. Due to a recent battle it had sustained major damage and Xavier's Institute had been destroyed. The X-Men with no other choice would be forced to take up base elsewhere. They would find and inhabit an island that Magneto once used as a base. It was a strange alien city on an island in the Bermuda Triangle. Coming to this island would be the event that would lead to Illyana's destiny and future self.
Illyana was a child, only 7 years old, when the X-Men came to the island. Having been on the island for only a couple of days the X-Men had managed to settle themselves in; though they were still held doubts over their new location. Storm, the field leader, deciding they needed to release some stress, had the X-Men participate in a training exercise while Illyana would play alone a short distance away so as to not get hurt.
However, when no one was paying attention, the young Illyana began to walk away as if she was being guided. Unable to control herself she would continue on until she reached a temple, which she entered without hesitation. Of all the other X-men it was only Kitty who had noticed her missing, and began to follow with the X-Men not too far behind. Illyana would reach her destination in the back of the dimly lit tunnel inside of the dilapidated temple. She stood in the middle of a circular shape with glowing yellow and white lights and disappeared. The X-Men would follow and also get teleported to another dimension, one of the many splintered realms of Hell. This one was called Limbo.
Limbo
As soon as Illyana arrived she was whisked away to the side of Belasco. He tempted her with many wonderful things, including a glorious future. All the while the X-Men made their way to Limbo as well. Through a string of events they were informed, by a second set of X-Men, that they had to leave in order for their Illyana to survive. The second set of X-Men, those stuck in Limbo, attempting to rescue their Illyana, were successful but they themselves found themselves unable to return; they too were stuck in Limbo. Immediately after, the X-Men were spirited away back to Earth and Illyana was left to fend for herself. Meanwhile, back with Illyana, Belasco had brought her to an altar and began a spell to withdraw the first of 5 pieces of Illyana's soul.
Effectively taking the first piece of her soul, it was transformed into a "Bloodstone" and he placed it into what he called the Beatrice Amulet. The Amulet once opened had a 5-pointed star with open holes. The first Bloodstone filled the spot of one of those points. Belasco's intentions for Illyana was to slowly take all 5 portions of her soul and turn them into bloodstones to complete the Beatrice Medallion. He needed time to further corrupt her soul, all the while step by step consecrating her to evil and making her the instrument of Belasco's masters the Elder Gods. He would also use her to free him from Limbo and allow him to roam Earth once again, where he would take over and rule supreme. He would leave immediately after the Bloodstone was removed and allowed time to take place.
Girl Interrupted
Still on the altar, Illyana would be saved and taken in by an older alternate Storm and an alternate version of Kitty Pryde, now calling herself Cat. Both were very different; Cat actually had been transformed in to a cat/human hybrid by Belasco and as a result hated magic. Differing from her mainstream counterpart, winds no longer listened to the elderly Storm, so she could not control the weather anymore and instead she focused purely on magic. Ororo attempted to break Illyana free of the link she had with Belasco immediately after saving her. After a trip to the astral plane, she finds that a part of Illyana was now and forever belonging to the side of evil, specifically to Belasco. When in Illyana's mind, the "evil" part of Illyana would attack and try to kill the elderly Ororo, but Ororo luckily would survive. Once back Ororo devised a plan to help the young Illyana. Wanting to equip Illyana for her future, Ororo decided to teach Illyana all the white magic she knew by making Illyana her magical apprentice.
The goal was to teach Illyana so that she would be enabled to keep her dark side at bay with white magic. All of her lessons would take place in Ororo's magic garden, from there they would proceed to administer the classes on the astral plane. Illyana was trained and became quite adept at white magic, tapping into her ancestral magical lineage. Storm felt it necessary to teach Illyana so that she was prepared for her next confrontation with Belasco. What Illyana didn't know, was that Belasco had once attempted to use both Storm and Cat to draw bloodstones from but was unsuccessful. Storm knowing this would only further her want to protect the young child. Cat disagreed partially because she despised magic, but also because she felt that Storm would be doing Belasco’s dirty work for him. She felt that Storm was making a huge mistake. Regardless, Storm began teaching Illyana white magic. While there she taught Illyana about life, white magic and the creation of life itself.
Their Illyana stayed for an entire year and learned everything that Storm could teach. Illyana learned fast but was quite angered by the fact that, try as she might, each and every spell she would cast would always be tainted by darkness. Where Ororo would magically have the ability to create life such as plants (or her entire garden), Illyana's attempts always seemed to fail. Though her spells were done properly and she had the magical aptitude to make them work, they would always turn out in a negative way.
Once the year was complete, in the middle of the night Cat would wake Illyana up and convince her to come with her leaving Ororo's garden. Cat was attempting to return Illyana to her home. During that night Illyana and Cat would get into a heated argument and during this time, Illyana's mutant powers first manifested. She accidentally created a stepping disc and fell through it. When she arrived she was still in Limbo, but here is when she first meets her future servant and enemy, S'ym. He taunts her and begins to attack her. She luckily is saved by Cat and together they escape from S'ym. While seeking a way to send Illyana home they came upon a desert and were informed that at the end of the desert would be the wall of Limbo.
Where if Cat used her phasing powers she could take Illyana through and free her from Limbo. Their trek through the desert would take two long years. Through that time Cat would teach Illyana how to fight, use a sword and survival skills. At the end of the 2 years they would finally reach their destination only to find that they were misled by one of Belasco's illusions. Belasco would first transform Cat even further into a cat-like being and took the young Illyana with him as his pupil. It would be during this time that Belasco would create his second Bloodstone out of Illyana's soul, effectively tainting the essence of the child even further making her even more evil. Illyana followed Belasco to his palace, worried but accepting her situation. She fully understood that Cat would no longer be able to provide help to her. Belasco's spell halted Cat's ability to think for herself and she was now bound to Belasco doing his every bidding. In the 3 years that followed, Belasco made Illyana his pupil, teaching her all that he knew.
Illyana learned the darkest of dark magic and the blackest of black magics. She took to it quite quickly, and unlike the spells that Ororo taught her, Illyana could produce all the black spells with ease, without error. She realized that the reason why she was unable to produce spells that created life was because her soul was permanently tainted with darkness. She would never produce white magic spells without them going awry. One day, while Illyana was brainstorming a way to get out of Limbo, she inadvertently activated her latent mutant powers of teleportation. Now a few years old, she had so much control learned from her magic teachings that she was able to practice her mutants powers without being afraid of them.
She began creating stepping discs and decided to walk through one to see where she would go. Her stepping disc took her to the future, unknown to her. Here she witnessed the arrival of her future teammates the New Mutants. Although at this point she had no clue who they were. The New Mutants were teleported to that very spot by a future Illyana. Seeing all she wanted to she, she created yet another stepping disc and teleported herself away. The disc this time sent her to the past. Here she witnessed a battle that took place many years ago in Limbo. The fight was between Belasco and a very young magician Storm.
Illyana watched as Storm was able to successfully defeat Belasco. As Storm was to make her killing stroke, she was taken over by darkness. In attempting to kill Belasco, Storm tainted her own soul, changing her. Scarred by what she saw, Illyana opened yet another disc and teleported to the current time. As she arrives, she sees yet another battle. The opponents were the same, but now Storm was very aged. The elderly Storm had attacked Belasco's palace in an attempt to free Illyana. Illyana immediately ran to Storm's aid but was cut off by the demonic Cat. They battled for a few short minutes but Illyana could tell that Cat was simply trying to hold Illyana back from helping Storm. Angered by this, Illyana lunged at Cat and snapped her neck, killing her immediately. When she finally gets to Storm she realizes that Storm too had fought against Cat and was dealt a mortal wound.
The elderly Storm was dying. Realizing it was all a trap, Illyana tried to take Storm when she found out that Belasco planned to used Storm's soul and life essence to create a 3rd Bloodstone. Not wanting to help Belasco get any closer to his goal she mercy-kills Storm, putting a halt to Belasco's plan. Belasco sees what Illyana has done and became enraged, but put plan B into play. Instead of using Storm for the 3rd Bloodstone, he would use Illyana to create it. She immediately teleports away using her mutant powers and reappears in Russia on the farm she grew up on directly in front of the house of her parents.
Overcome with happiness when she realized that she could use her power to leave Limbo, she ran to her parents' door and knocked. Her happiness would soon end when she sees her parents and tells them who she was. They, of course, did not recognize her and turned her away, under the assumption that their daughter was safe with their son Colossus in America and was a 6 year old little girl. Giving up she turned around and saw the corpses of the Limbo X-Men animated their to take her back to Limbo. When she gets back to Limbo, Belasco would quickly draw a 3rd Bloodstone from Illyana, even further tainting her soul and making it more demonic, and would exile her to the garden that the elderly Ororo taught her in many years ago. He would bind her powers disabling her use of her magics and mutant powers. Timing could not have been worse as it was the beginning of a harsh winter one that Illyana, likely, would not survive.
While in the garden Illyana used the skills taught to her by the now deceased Cat, managing to thrive in the unbearable cold. She also continued to practice the magic that the elderly Ororo taught her, attempting to find a way to free herself of the garden. Time and time again she was unable to produce magic that allowed creation, always coming out tainted as her soul was. She then had an epiphany; she was not able to produce magic like Ororo because they had differing motives. Ororo was attempting to help Illyana, Illyana's motive was quite simply revenge. She reconfigured the spell and used a small portion of her untainted, pure soul and a bright light grew directly in front of her. When she reached in she pulled out her Soulsword. Shortly after, she headed to Belasco and with the use of her newly created weapon, she battled and defeated Belasco. Just prior to her killing stroke she stopped, not wanting to become any more dark, any more like Belasco. She then exiled him from Limbo.
Due to this defeat, Illyana was now the unquestioned ruler of Limbo. And due to the 6 years of teaching she received while there, she had the ability to fight for her title if need be. Finally gaining confidence she would create a "stepping disc" and would return herself to home. When she arrived it would only be seconds from when they originally lost the younger Illyana. After a small conversation they believed her and took her to Professor X for further examination. He found that he was unable to probe her very much but did see, for the most part, that what she claims happened, did.
She would stay at the mansion with the rest of the X-Men uneventfully for a short while. She would be roomed with Kitty Pryde. They became quick friends and would lay the foundation for a relationship as best friends that would be unending. But even to Kitty she revealed nothing. She made sure not to tell anyone of her magical or mutant powers, wanting to keep them a secret. Illyana was attempting to try and cope with all the events and changes she went through while in Limbo. Try as she might, Illyana could not hide forever and her secrets would be revealed.....well one of them at least.
An unexpected arrival of Belasco would force her to use her mutant powers to teleport the New Mutants (mutant students who attend the Xavier Institute) to Limbo for their safety. Coincidentally, this would be what she saw when she was stuck in Limbo many years ago. When all was said and done the New Mutants were returned to Earth unharmed. Illyana would use a forgetting spell ensuring the New Mutants would not remember any of what occurred except for the fact that Illyana was a mutant. Once Professor X was informed of Illyana's mutant nature, she would be granted to ability to study with and join the New Mutants, which she gladly did.
Enter the New Mutants
While apart of the New Mutants, Illyana would finally allow herself to let her guard down....a little. In a short time she became a powerful and valued member of the team. Although they knew she was a mutant, she still guarded her magical side intensely. Due to the barriers she kept up she sometimes felt misunderstood and alone but the others truly cared for her. As a team, the New Mutants would go through more than their fair share of battles. Though they had many successes, they too had many great loses. First Professor X stepped down and left the school in the hand of the villainous Magneto. Magik and the New Mutants were none too happy about this change. Amidst the ups and downs of life Illyana finally revealed her magical side to her teammates, receiving mixed reviews. Shortly after that they would suffer yet another lose, this time the death of teammate Douglas Ramsey (Cypher).
As if that wasn't enough, the New Mutants all would then have their lives snuffed out by the Beyonder during the Secret Wars. He made it as if they never existed. The Beyonder was bent on the idea of humanity and the attempt to gain one. He would have a machine created that if working properly give one life or bring one back to life. Needing guinea pigs he would test it on the recently departed members of the New Mutants. Though they were alive again, the experiences of their deaths and resurrections was far too traumatic for them. They were all severely mentally affected by their experiences. Magik and the New Mutants were mere husks of their former selves and showed no human emotions. Once they returned to the Institute, Magneto would decide to send his students to Emma Frost, the White Queen of the Hellfire Club and leader of the Hellions. Emma was to use her vast telepathic powers to help repair the already damaged psyches of each of the New Mutants.
While under the care of Emma Frost, the New Mutants enrolled at her school and were recruited into her team of Hellions. This was her true plan all along. To her surprise, though, once Magik and the New Mutants were healed they would returnimmediately to the Xavier Institute.
The Inferno
During a standard trip through Limbo, something went wrong and the New Mutants were stuck. Illyana's evil and demonic side started to take over her body. The demons there wanted her to become the full lord of Limbo. When she tried to escape, the demon N'astirh used this as a way to open a huge teleportation disc between Earth and Limbo, which started an invasion of Earth by the demons of Limbo. Magik then managed to defeat the powerful demon S'ym . After the battle the New Mutants examined the remains of Magik's armor and found the seven-year old Illyana inside it. However, she still possessed the bloodstone amulet. The 7 year old Illyana was then brought home and returned to Russia where she lived with her parents until they were murdered by the Russian government in order to make sure Illyana had her abilities to defeat a powerful psionic being, which posed a threat to Russia. After this, Illyana returned to the X-Mansion.
Death
Illyana was brought back to America and the X-mansion. However, shortly afterward, Illyana caught the Legacy Virus, a deadly and incurable disease that only affected mutants. At this time, the young X-woman Jubilee and Illyana made a special friendship. Although she was a fighter, and her brother was at her side almost always, Illyana succumbed to the virus a few weeks later and died in the X-Mansion. This happened at a time during which her brother was on a mission with the X-Men, something he would never forgive himself for. She was buried at the Xavier Institute and was mourned by everybody, especially by her brother and good friend Kitty Pryde. Her spirit would later go on to visit Wolverine and her brother, Piotr.
Magik Returns
During the House of M storyline, the Scarlet Witch used her reality-warping abilities to recreate the world as we knew it, transforming it into way she wished it was. Illyana came back to life and joined many of the new X-Men as students at S.H.I.E.L.D. She was placed in the Hellions training squad and, during their last mission, was told to take a group of mutated humans somewhere safe. She teleported just as chaos took over, and the House of M came to an end reverting back to the way it was before. In a world where Illyana was no longer alive. No one remembers ever meeting Magik because none of them remembered the House of M. Later, the evil Belasco came looking for Magik, as he sensed her presence that was left behind during the House of M, and used his powers to take most of the students at the school prisoner. He smelled Magik on them but none of them remembered meeting her. All clues began to point to Magik being alive.
A group of free students on the run in Limbo ran into a version of Illyana in her Darkchild self. She revealed that she was recreated by Belasco, but in body and mind only. Her soul resided in her Soulsword, and that had been lost. She sought to create a new soulsword, and five new bloodstones of power, from the pure soul of Pixie. The process was only partially successful, resulting in only one bloodstone being created. Pixie ended up with a soul dagger instead of a soul sword. Illyana then taught Pixie a teleportation spell, which allowed the students to reach Belasco's castle which lead to their confrontation with Belasco. In the ensuing fight, Pixie stabbed Belasco with the dagger, allowing Illyana to use the bloodstone's power to presumably destroy Belasco. With Belasco defeated, she once again became queen of Limbo. Despite an emotional reunion with her brother, Piotr, she banished the X-Men from Limbo and sealed it off, not content to rest until she recovered her soul and became whole once again.
Divided We Stand
llyana wants her soul back, thinking back to the ones she once loved, like Kitty and Piotr she tries to reclaim her soul through these connections and teleports to the Xavier Institute only to find it destroyed and abandoned after the events of Messiah Complex. Angrily she decides that she will not get her soul back through love but through hate and suffering and she will target those who have wronged her and make them pay with their souls.
Infernus
Infernus is the Quest for Illyana to regain her soul and to later rejoin the X-Men. The story begins with Illyana in Limbo searching for the Beatrice Amulet. Flustered that she can't find it, she sends hordes of Limbo Demons to search the earth and find it. Meanwhile, the X-Men are back in their danger room and Pixie goes crazy and stabs Nightcrawler. After she stabs him with her Souldagger, she pulls the weapon from his body cavity and out comes Illyana's Soulsword with it. Nightcrawler is unharmed by the Souldagger, and the Soulsword that his ex girlfriend Amanda Sefton (another ruler of Limbo), locked inside of him for safe keeping. Instantly back in Limbo, Illyana feels her Soulsword emerge and teleports to the Danger Room to reclaim what is rightfully hers.
Everyone is shocked to see Illyana again, as most believed her to be dead. Illyana demands her sword, promising that no one will be hurt if they just hand it over to her. The X-Men refuse and one by one are struck down by Illyana. First Rockslide, then Mercury, followed by Beast. Then Pixie comes along and starts a fight against Illyana but loses, so Illyana takes her Soulsword back and she changes, becoming more human but still incomplete so she runs away to Limbo again only to find out that Witchfire, Belasco's daughter is there and wants her head. The X-men go to Limbo after her and encounter demons but Pixie feels her soul and goes to the castle. The mutants go after her only to be taking down by Witchfire who has Illyana in chains and starts to take another piece of Pixie's soul. Nightcrawler stabs Illyana with the Souldagger and pull out the Soulsword. He calls Pixie and tells her that she is the only one that can save them all. She frees Illyana and together they banish Witchfire but she took along Illyana's and Pixie's soul, that make the young X-Men fly away. Illyana takes everybody back to the Danger Room and there Illyana decides to stay with them.
Back to the New Mutants
After another brief disappearance, Illyana reappears at the X-Men's new San Francisco home, exhausted and injured. Disoriented and sounding more than a little insane than usual, she gets fellow New Mutants Cannonball, Sunspot and Magma to help her find Dani and Shan, who she says will die soon if aid doesn't come quickly. She goes with her old friends to Colorado, where Dani and Shan had gone earlier based on reports that a young mutant there might have been endangering the local populace. On the way there, she plays mind games with Amara, teasing her that she can cure Empath of the injury caused by Pixie's Souldagger. Once there, she splits up with Amara to track down a missing little girl, empathizing acutely with her as she was also kidnapped in her youth.
Tracking her down to a certain home, Illyana and Amara think they've found Shan being held prisoner. But when they open the small cell, they instead find a grinning Legion waiting inside. Conferring with Sam and Bobby, who had found Shan's body in another location, they find out that Shan is inside Legion's mind with a benign little girl personality, but are being chased by the more violent personalities in David Haller's mindscape. When Shan and the little girl are overwhelmed, the violent persona take over. One with superhuman strength punches Amara away, and another one uses an energy blast to down Illyana. The mutant sorceress quickly recovers, and tells Sam and Bobby to find Dani. As one of the beings who previously tried to "fix" David Haller's mind, Dani has become one of Legion's intended targets.
Meanwhile, Sam and Bobby find Dani imprisoned in a local jail, about to be attacked by Legion. Bobby knocks Legion away from Dani's cell before she can be harmed, but Sam leaves her inside, thinking that she will be safer. Sam realizes his mistake when Legion uses another of his powers to manipulate the earth in Dani's cell in a second attempt to kill her. That attempt is stopped when Magik and Magma arrive. Magma melts the earth golem Legion created, preventing Dani from being strangled. Furious at Sam, Dani punches him, then leaves to arm herself in order to be useful when they bring the fight back to the insane mutant.
Determined to put an end to the threat and save Shan, Illyana teleports to Shan's body and touches it, initiating a transfer of her mind into Legion's. Once there, Illyana shows that she means business by threatening harm if they didn't release Shan to her immediately. When she is accused of bluffing, Illyana manifests her soul sword and, ignoring Sam's plea not to harm any of Legion's personalities, proceeds to cleave and decapitate three of Legion's personas in short order. When a fourth persona attempts to stop Illyana and fails, the remaining personalities acquiesce and lead her to where they're holding Shan and the little girl prisoner. Illyana frees them both, and in the process also frees David Haller's base personality. Guided by David, Illyana discovers that the doll, named "Moira," is the basis for conscious control of Legion's body. Illyana takes the doll away from the remaining hostile personalities just in time to save Dani and the others.
Second Coming and Hellbound
When Cable returns to the present timeline with Hope Summers in tow, Illyana is dispatched along with a group of other X-Men to retrieve the pair and return them to the safety of the island nation of Utopia. Unfortunately, Bastion's forces nearly kill the trio in an explosion, but Illyana manages to take the brunt of the attack. Before she can use magic to mend herself, Illyana is dragged into Limbo via a stepping disc by demons, much to Colossus's dismay. The next day, Colossus confronts Cyclops, and demands that he be allowed to rescue his sister. Cyclops declines his request, explaining that he needs him by his side, and that he has already ordered Cannonball to form a team of X-Men to retrieve the teleporter from the hellish dimension. They include Northstar, Anole, Pixie, Trance, Dazzler, and Gambit. Although some of the mutants are more willing to help than others, they are all teleported to Limbo thanks to the spell Magik taught Pixie during the events of Quest For Magik. They are quickly attacked by the monstrous hordes belonging to the demon N'astirh, and Gambit succumbs to the realm's evil mystical influence.
Facing seemingly insurmountable odds, Dazzler and Northstar both fall victim to Gambit's corruption, and proceed to attack the remaining X-Men sent to aid illyana. Meanwhile, Pixie is visited by N'astirh, and given a choice. He offers to restore the portion of her soul that has been corrupted by Magik. All she has to do is use her Souldagger to kill Magik, and retrieve the Soul Sword for him. Pixie seems reluctant, but allows the demon to take her to Magik. Magik pleads with Pixie to take her life, and end her suffering, but Pixie tricks N'astirh, and stabs the demon with her weapon. With the aid of Cannonball and Anole, The trio manage to free Magik from her imprisonment, and liberate Gambit, Dazzler, and Northstar from Limbo's wicked influence. Magik explains that the reason she hates the new crop of X-Men so much is that they remind her of the monster she has become, and of everything she has lost since Inferno.
Once Pixie and the X-Men free Magik, the pair use their weapons to stab N'astirh, and Illyana reclaims Limbo as her own realm. Illyana makes a tentative pact with Pixie to work together in order to reclaim what they have lost as the result of dark magic. Magik and her teammates then leave Limbo to rejoin the rest of the X-Men, and combat the threat posed to mutankind during the events of Second Coming.
Avengers vs. X-Men
During the conflict, Magik becomes one of the mutants empowered by the Phoenix Force to help defeat the Avengers. Magik intervenes during a battle between Rogue and the Avenger Ms. Marvel, using her powers to gag the heroine and trap her in Limbo. Upon Namor's defeat, Magik, along with her brother, Cyclops and Emma are empowered by Namor's portion of the Phoenix Force. Magik and Colossus defeat Thor and they throw him into a portion of Limbo that Magik raised into the Earthly plane that they are using a prison for the Avengers. The Rasputin siblings end up fighting the Avengers trying to break their team out. In order to buy some time for the Avengers to break the team free, Spider-Man stands up to the two of them. Colossus punches him telling him he does not wish to harm anyone. Magik tells him that he should kill him now and Colossus tells her he does not like what the Phoenix Force is doing to her, and them in general. Spider-Man tricks the two into fighting each other. The Rasputins clash in a fiery blaze of the flaming cosmic energy and both are knocked out and lose their respective portions of the Phoenix Force which then goes to the remaining avatars, Emma and Cyclops. Magik teleports Colossus and herself away to Siberia. In a dark moment for Colossus where he feels doomed, Magik reveals that she planned Colossus becoming the Juggernaut from the beginning. She wanted him to truly understand how she felt when she was a demon from his own demonic experience. In his anger, he attacks her as the Juggernaut but she teleports away leaving him with her final gift; regret.
Illyana later returns to her brother with the aim of finishing their 'business'. As Colossus attacks her, she teleports the both of them to Limbo and, being empowered there, removes Cyttorak's corruption from her brothers soul. When asked if she could have done this any time, she replies that she could put that she wanted her brother to learn both of her experiences and to not sacrifice someone who "simply does not deserve it". Colossus threatens to kill her if he ever sees her again and, satisfied that he learned that lesson, Illyana teleports away again.
She is next seen at the Jean Grey School For Higher Learning. She hides in Storm's room and upon seeing her, gives her a letter with her brothers location and the suggestion to arrest him. When Storm finds Colossus she is shocked by his animosity he has for the very image of his sister.
All New X-Men and the New Revolution
Illyana plays a crucial role in the breakout that frees Cyclops, summoning demonic arms to tear away the wall of his cell. She is also seen banishing prisoners murdered a mutant inmate to her dimension of Limbo.
Now known as a public enemy to the US Magik has joined Cyclops' team of renegade X-Men alongside with Emma Frost and Magneto. Magik plays a pivotal role in the new All New X-Men series. Magik helps teleport the team around saving innocent mutants from mutant hate groups and law enforcements.
Due to the Phoenix Force's influence on the hosts, their powers have been altered and Magik's have been upgraded. Her, Magneto, Cyclops, Emma Frost, and the two new students named Eva Bell and Christopher Muse, show up to save a new mutant by the name of Fabio Medina. During the rescue, the team is attacked by a horde of sentinels and Magik destroyed a massive one with utter ease. After Cyclops lays waste to the rest, Magik teleports the new mutant to the New Xavier Institute where they will be taught how to control their powers. Magik attends the meeting with the other veteran X-Men where they go over the new institute lay-out with the new students and explain the current world's mutant situation. Eva Bell wishes to go home to check on her mother so Magik volunteers to take her and the others, but the whole group goes save for Magneto. Once in Australia, Magik keeps an out for trouble and eventually a group of the Avengers led by Captain America make their way to the scene.
Cyclops' team show up the Avengers on live TV by having Scott's team appear as victims of persecution and Eva freezing the Avengers in a temporal bubble. Magik continues to be their primary source of transportation as she teleports the team to the Jean Grey Institute where Cyclops attempts to clear the air and offer a chance for the younger mutants to join his school. When they leave and return home, Magik's powers show her broken side-effects as she writhes in pain, disappears in a hellish portal, and the reemerges with a burst of flames before running off on her own. Her powers act up a second time when the team returns once again with new students in the Stepford Cuckoos and the original, younger version of Angel.
Magik is pulled into Limbo after discovering Dormammu has tried taking over. Dormammu forces Magik back into Limbo, along with the rest of the team, and is held captive by the demon as he forces her to watch as his teammates fight for their lives against the mindless ones. Magik manages to break free and casts the team out of the dimension, all the while she absorbs the entirety of Limbo into herself. She then finds the demon in the desolate Limbo and is suggested to have killed him. With her revelation and after absorbing Limbo, Illyana decides she needs help and finds a Dr. Strange back in time before he ever becomes an Avenger to help her control her powers.
Magik and the Cuckoos rescue and recruit a new mutant by the name of David Bond. After receiving word of Fabio's kidnapping at the hands of S.H.I.E.L.D., Magik is one of the team members that helps rescue him. Magik is seen training with Eva, but gets caught in Eva's bubble and displaced somewhere in time before coming back. Magik joins the X-Men team to a pro-Cyclops rally, but the team is suddenly attacked by a new sentinel called the blockbuster sentinel. Since the Blockbuster sentinel attack, Magik has helped in training the students and fighting with the alternate timeline versions of the X-Men during the Battle of the Atom event. When the X-Men get a notification of a new mutant, it turns out to be a trap from more sentinels. Thinking it is SHIELD, Cyclops tries to get a distraction going when he learns the sentinel is somehow disabling their mutant abilities. Illyana taps into her training from Dr. Strange and unleashes a magical dragon attack that destroys a bunch of the sentinels. The large one ends up fleeing and the team declares war on whoever is sending these sentinels, whether it be SHIELD or someone using SHIELD.
The Last Will & Testament of Charles Xavier
When lawyer Jennifer Walters, aka She-Hulk, received the last will and testament of Charles Xavier, she left for the Jean Grey School to read it to the X-Men listed by Xavier, who also included Scott Summers on the list. In order to have the will read, Scott needed to be contacted and brought to the school. Hank McCoy revealed that he'd always known where Scott's secret base was, but he never told anyone else, not wanting his life to be directed by Scott Summers any longer. The X-Men flew to the New Charles Xavier School for Mutants in the Canadian wilderness, and were greeted by the Uncanny X-Men. The situation was explained, and Magik quickly teleported to JGS and back to verify the story. Scott, Emma, Illyana, Kitty, and Ali teleported to JGS for the reading of the will. It was revealed that Charles Xavier had married Mystique, and that he'd covered up the discovery of an omnipotent mutant by the name of Matthew Malloy. He'd suppressed the boy's memories in order to suppress his powers, but it was all beginning to become undone. He charged the X-Men with the final task of finding and suppressing this mutant. Scott left along with Storm and Rachel Grey to find the mutant. With a wave of his hand, Malloy destroyed a S.H.I.E.L.D. helicarrier, and proved to be telepathically immune to Rachel's provocations. He teleported the X-Men away, back to their respective schools. Scott had Magik teleport him back to Malloy, and made a deal with the man. Together, the trio teleported away to Devil's Tower. Scott ordered Magik to give him time to talk to Malloy. During this time, Magneto intervened telling Scott that he'd gone too far, and needed to back down. Malloy, angered, teleported Magneto away and continued his conversation with Scott.
In the meantime, Magik visited Doctor Strange in the past again, and, after interrupting one of his more private sessions with a woman, asked if he knew of a way to stop someone as powerful as Malloy. Strange gave Magik the Eye of Agamotto to use on Malloy. Teleporting back to the present, Magik attempted to explain how she would use the artifact, when SHIELD attack forces appeared and blew the entirety of Devil's Tower to smithereens, resulting in the unfortunate and untimely demise of Scott Summers, Matthew Malloy, and Illyana, herself.
Guardians of the Galaxy & X-Men: The Black Vortex
Responding to a distress call from her friend and teammate Kitty Pryde, Illyana takes the All-New X-Men and teleports to the Jean Grey School. Once there, she is able to quickly and vaguely inform Storm and Beast that there is a problem that requires their attention. She teleports the group to a the planet Spartax where Kitty and her boyfriend, Peter Quill aka the Legendary Star-Lord are waiting for them with the Guardians of the Galaxy. They have gathered to discuss the dangers of the mysterious Black Vortex, and begin to argue over what should be done with it. While some, like Gamora, want to use the artifact, others, like Storm, want to destroy it. The cosmically empowered Slaughter Lords working for Mister Knife attack the assembled heroes to steal back the Black Vortex. While they battle, Gamora uses the Vortex to enhance herself. With her new skills, she easily battles all of the Slaughter Lords at once, giving Magik time to teleport everyone away. Once safely spirited away by Magik, an argument erupts once again over what should be done, with Kitty spearheading the argument against using the Black Vortex. During the commotion, Beast uses it and becomes cosmically empowered. He agrees with Gamora. All his questions have been answered. He urges the others to use the artifact, tilting the mirror so that they can see what they would look like if cosmically empowered by the Black Vortex.
Powers and Abilities
Illyana has two very distinctive powers, one is her mutant power to generate spacial/temporal warps in the form of stepping discs, the other is her magic, learned while she was in Limbo. As more and more of her soul was removed, it was replaced and filled with Black Magic granting vast mystical abilities. The two powers will be described separately below.
Mutant Power
Stepping Disc
Illyana Rasputin has the mutant ability to create and control teleportation energies in the form of "stepping discs". These yellow rings of glowing light, once created, provide the ability to teleport. Not only just herself but a group of individuals as well, to a multitude of different places including destinations in both time and space. The only limitation to her teleportation power is that she must use Limbo as her stopping point prior to her final destination, wherever that may be. Magik can also teleport herself or others into her domain, Limbo or "Hell" dimension or out of it. As Limbo is her domain, Illyana is able to mentally scan Limbo, while on Earth in order to locate whomever she wishes to teleport to Earth from it. Magik has succeeded in teleporting herself and another person across a continent on one occasion, and to travel through time on a few others.
However, Magik has not yet mastered her teleportation ability. The greater the distance over which she teleports, the greater the possible margin of error in terms of her arriving at the point in time she desires. Hence, when she once teleported herself and a friend from New York to California, hoping to arrive within seconds of the time she left, Magik and her friend instead arrived one week later, having accidentally traveled into the future. Magik is continuously practicing the use of her teleportation power in order to master it. Although already quite adept in the use of the mutant powers she still has a lot to learn especially considering how new she is to them.
In terms of potential Illyana's is nearly limitless. She was once told by Dr. Strange that she had the potential for great feats of manipulating time on a very wide scale. Never one to accept the status quo, Illyana continuously and regularly practices the use of her mutant powers in order to master them and have them grow in strength.
Ever since having her powers altered by the Phoenix Force, Magik has undergone an upgrade. She has been shown to be able to conjure and project powerful blasts of energy from her Limbo dimension as an extension of her powers rather than her magic. She has been shown consistently adept at teleporting people away before others can react. Since Dormammu attempted to take over Limbo, Illyana has absorbed the entire dimension into her body.
Magical Power
Sorceress
As a result of the time Illyana was forced to spend in Limbo, she was permanently changed both physically and mentally. She would spend a total of 6 years in Limbo during which she would learn valuable skills and abilities taught to her by different teachers that would help her in becoming the future Sorceress Supreme & Ruler of Limbo, that she was destined to become. During her first year in Limbo, Illyana was an apprentice to an alternate reality version of Storm. One who unfortunately was stuck in Limbo and lost the ability to control the weather instead becoming a powerful magician highly skilled in the use of white magic. So skilled was she, that she was nearly able to best Belasco in their very first battle only faltering in the very end. During Illyana's time with the now elderly Ororo, she was taught in the uses and practices of white magic. Different from black magic, white magic usually helped rather then hurt when used. She was also taught about life, the creation of it and astral projection. It would be during the time that she would spend with the elderly Ororo that Illyana would learn, much later master, the ability to mystically heal herself. She would spend an entire year apprenticing under the tutelage of the elderly Ororo.
Following Illyana's first year with Ororo, Illyana then was trained by Cat. Cat was an alternate reality version of Kitty Pryde. No longer fully human in appearance, due to an interaction with Belasco, she had been transformed into a cat-like hybrid making her more animal in nature. As a result of the magical transformation forced on Cat, she had a hate for magic and wanted Illyana to have nothing to do with it. Illyana would train with Cat for 2 years, during which she would be taught how to fight, specifically, unarmed-combat and in the effective use of bladed weapons. Initially Cat taught Illyana how to use a dagger then moved on to that of swords. Illyana would become quite comfortable in the use of both weapons; comfortable and very effective. It was during her time with Cat that she was also taught valuable survival skills allowing her to thrive in the most unlikely places. Illyana would grow to become best friends with Cat and look at her like family, willing to do anything to protect her.
It would be during her time with Limbo's, then, ruler Belasco that Illyana would learn and be changed the most. It was Belasco's goal to transform all 5 parts of Illyana's soul into Bloodstones. This was for two very different reasons. Firstly, with the 5 Bloodstones, Belasco could complete the magical Beatrice Medallion thus allowing him the ability to traverse to and from Limbo. An ability he had lost when he was exiled to Limbo by his masters the Elder Gods, for failing them. As a result of her soul being removed, it would be filled completely with black magic and would permanently make her a tool of both his, Belasco, and that of his evil masters the Elder Gods. This would make her a being of pure evil and thus helping the Elder Gods take over the Earth dimension.
Belasco would be unsuccessful in his ploy to remove all 5 parts of Illyana's soul. In the 3 years that she would learn under his tutelage, he would only manage to take 3/5 of her soul. This would still permanently taint her soul and as a result give her a partial demonic soul instead. It would be during her time as a pupil of Belasco's that he would teach her the darkest of the dark arts and the blackest of black magic. While at his palace she, too, had full access to Belasco's library of books of magic, that he had collected through this long, unnatural life. Belasco taught the young Illyana everything he knew. As a result of this, Illyana could produce virtually any and all spells that Belasco could and would be able to manipulate the forces of magic for a variety of effects to include.
-Mind Control (both humans and animals)
-Metamorphing (herself, others or objects. living or otherwise)
-Astral Projection
-Necromancy
-Generate and release concussive bolts of pure magic energy
-Creation of magical force fields
-Inter-dimensional travel
-Ability to generate and manipulate fire
-Mental Possession
-Dark force manipulation
-Creation of constructs purely of magical energies
As a result of Illyana's diverse training and multiple years learning while in Limbo, she gained an aptitude for sorcery and control over magic that was unlike no other. She had created a unique blend of both white and black magic that she would wield. Additionally, due to her now partially demonic soul, Illyana had also naturally gained formidable psionic shielding granting her immunity to mental probing. This shielding was effective enough to hinder the vaunted telepathic abilities of both Professor X and Marvel Girl (Rachel Summers) arguably two of the most powerful mutant minds the world has seen.
After Illyana bested Belasco in battle, she chose to exile him from the Limbo, allowing him to live rather than kill him. As the winner, Illyana, was granted the title of Sorceress Supreme of Limbo. The full extents of her powers have not yet been fully defined. It have been stated that in Limbo, Illyana's power is unmatched and her word is law. With but a single thought she can completely alter the physical appearance of Limbo. As stated previously, she too, potentially, could cast all spells that Belasco could have. This especially since she has unlimited access to Balesco's sorceress knowledge.
For this reason and more Illyana is most powerful during her time in Limbo. This is clearly a result of her should being connected to the dimension, allowing for the two being intertwined by the very essences that they are created from. On the flip side, while on the Earth dimension, cut off from Limbo, Illyana's magical prowess and abilities are dramatically reduced. Illyana has preformed a handful of magical skills on Earth but nothing comparable to that of what she can do in Limbo. While on Earth, Illyana has effectively preformed; Astral projection, an abilities to sense magical presences and the ability to magically scan her Limbo dimension, allowing her to track and/or see all that occurs in Limbo while she is away. Illyana's most notable power while on Earth though are largely limited to her magical weapon, of her own making, called the Soulsword.
Recently,Illyana has been using her abilities to travel back in time to Dr. Strange before he became an Avenger to help train her in her magical abilities.
The Soulsword
The Soulsword is the ultimate embodiment of Illyana's magical strength that was forged during a time of great need and despair. Illyana was desperate to find a way to free herself of Belasco and find a way to leave Limbo.
⚡ Happy 🎯 Heroclix 💫 Friday! 👽
_____________________________
A year of the shows and performers of the Bijou Planks Theater.
Secret Identity: Illyana Nikolaievna Rasputina
Publisher: Marvel
First appearance: As Illyana Rasputina: Giant-Size X-Men #1 (May 1975)
As Magik: Magik (Storm and Illyana) #1 (December 1983)
Created by:
Illyana Rasputina:
Len Wein (Writer)
Dave Cockrum (Artist)
Magik:
Chris Claremont (Writer)
Sal Buscema (Artist)
Illyana has not been seen on the Bijou Planks stage prior to this, but she has been seen outside the theater, such as in Paprihaven issue 1269!
life never depends on how you plan to lead... It totally depends how you survive on your own..your existence on the surroundings will lead you to the level of ultimate life....
All Rights reserved by Kazi Sudipto .
"""Join my Facebook page Kazi Sudipto Photography For more updates :) And you also can add me on Facebook :) """
During the early years of her existence as an A1, Blair Athol was allocated to Doncaster but during World War II she migrated northwards and never returned south.
From 1957 the allocation of No 60058 Blair Athol (now an A3), alternated regularly between Gateshead and Darlington. When at Gateshead she worked normal east coast expresses but the sojourns at Darlington were relatively inactive being mainly to provide the services of a standby locomotive and seeing occasional use only. In May 1962 No 60058 was a Darlington resident so the train pictured in this photograph will either be a standby working (possibly for a failed diesel) or perhaps a booked Darlington duty possibly to Newcastle.
The engine had been fitted with a double chimney in October 1958 (whilst at Gateshead) and it remained in the condition shown here until withdrawal in June 1963, as it never received the trough type smoke deflectors fitted to many others of the class.