View allAll Photos Tagged Executed
Francais\French.
VL2011-0312-481.
1 décembre 2011.
Garnison Valcartier, QC.
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L'exercice du 3eme Bataillon du Royal 22e Régiment (3 R22R) dans les secteurs d'entraînement de Valcartier, QC, le 1 décembre 2011. Pendant l'exercice NMC3, les membres du 3 R22R ont sautés en parachute, exécuté une marche de 13 km ainsi qu'une attaque de peloton avec munitions réelles et une évacutation de blessés..
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Photo par: Cpl Roxanne Shewchuk.
Section Imagerie Valcartier.
Copyright © 2011 DND-MDN.
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English\Anglais.
VL2011-0312-481.
1 December 2011.
Garnison Valcartier, QC.
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The 3rd Bataillon of the Royal 22e Régiment (3 R22R) participate in an exercise in the training areas Valcartier, QC, on the December 1st 2011. During the exercise NMC3, the members of 3 R22R parachuted from a griffon helicopter, executed at 13 km march, as well as an platoon attack with live ammunition and completed a casualty evacuation (CASEVAC)..
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Photo by: Cpl Roxanne Shewchuk.
Section Imagerie Valcartier.
Copyright © 2011 DND-MDN
One of a pair of plaster reliefs, executed as models to be copied in stone on the great high altar reredos of Liverpool Cathedral by the sculptors Walter Gilbert & Louis Weingartner.Gilbert was a member of the Bromsgrove Guild, thus it is fitting that two of the team's beautiful full scale maquettes should find their home in Hanbury church, near Bromsgrove. Gilbert's family had lived here and his memorial is nearby.
St Mary's at Hanbury is something of a landmark, sitting in an elevated hilltop position commanding fine views over the Worcestershire countryside to the south. The church itself is a real patchwork of different periods in three distinct phases, with a medieval nave (with 17th century alterations), a Georgian Gothick west tower and a Victorian chancel and chapels.
The interior furnishings date mostly from the Victorian restoration as does the stained glass at the east end. The real treasure of the church however is the collection of monuments to the Vernon family of nearby Hanbury Hall, mainly concentrated in the Vernon chapel at the south east corner. The best piece is the huge Baroque tomb of Sir Thomas Vernon, shown reclining between two seated female figures with pediment and swags above.
In the north aisle are fine pieces of sculpture from a more recent period, two beautiful early 20th century relief sculptures in plaster depicting the Nativity and Resurrection that were the original sculptor's maquettes for parts of the huge Gilbert & Weingartner reredos in Liverpool Cathedral.
St Mary's is normally open and welcoming to visitors.
Nurse Edith Cavell was executed by German forces during WWI as she had aided British POWs to escape.
There was great diplomatic efforts to have her death sentence commuted or delayed, but to no avail.
She was shot by eight soldiers, and in time, her body was repatriated, the wagon her body was carried from Dover is the same used for the body of the Unknown Soldier.
The luggage wagon usually rests at Bodiham on the Kent and East Sussex Railway, but for November it has been brought back to the former Dover Marine station.
I got tickets, so after lunch we would visit, not just to see the wagon and pay our respects, but the station is now a cruise terminal, and is rarely open to the public, and it had been a decade or so since my last visit.
I slept late, late enough so that Jools driving off to yoga woke me up at ten past six. Outside rain was bouncing down, and there was the bins to do.
I got up and put them out, dodging the raindrops, and back inside to make a coffee.
With rain expected all day, other than doing to the station after lunch, not much else planned, whilst Jools had her craft and gossip morning at the village library.
Jools came back from yoga as I was finishing my coffee, so I made breakfast giving her an hour before she had to leave again.
I listened to podcasts and watched videos for the morning, not much else to do, really.
Sadly, we had what we thought was the plumber coming to fix the overflow, but instead Craig came to touch up some paint in the toilet.
So Jools stayed home and I drove down to the Western Docks, over the flyover, past the former Lord Warden Hotel, then round to where lines from London entered Dover Marine, forming a large flat crossing in a tangle of lines.
You can still see how the lines used to curve west to join the main line to Folkestone, but is now concreted over, as are the tracks between the platforms, so to create a large flat parking area for cruisers.
I showed my ticket, and walked up through the central arch along what was the path of platforms 2 and three, past the former station buildings and under the footbridge.
At the far end there was the wagon, so I walked up, showed my ticket again, had my name ticked off, and went to look inside.
Inside there is a coffin, a replica of the one that brought the body of the unknown soldier back from France, and on the walls there were information boards on the only three bodies to be brought back from the war.
I exited it, took shots all around it, then walked to the war memorial, which is a splendid thing, and should be more accessible.
And I was done.
I thanked the volunteers and walked out, getting shots of the walkway linking the former hotel with the station and the Admiralty pier before taking shelter from the rain in the car and driving home.
I had been gone all of 40 minutes.
Once back I began to cook dinner/lunch: chicken pie, roast potatoes, steamed leeks, sprouts and spring greens, gravy and shop bought Yorkshire puddings.
It was all done by four, by which time Craig had done two coats of paint and had left.
I poured a beer and a cider, then dished up, the potatoes lovely and crunchy, without being burnt.
I won the music quiz at six, which was nice, then after washing up I settled down to watch Northern Ireland play in Slovakia.
A poor game, ended 1-0 to the home side, but Northern Ireland go to the play-offs anyway.
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Edith Louisa Cavell (/ˈkævəl/ KAV-əl; 4 December 1865 – 12 October 1915) was a British nurse. She is celebrated for treating wounded soldiers from both sides without discrimination during the First World War and for helping some 200 Allied soldiers escape from German-occupied Belgium. Cavell was arrested, court-martialled under German military law and sentenced to death by firing squad. Despite international pressure for mercy, the German government refused to commute her sentence, and she was shot. The execution received worldwide condemnation and extensive press coverage.
The night before her execution, she said, "Patriotism is not enough. I must have no hatred or bitterness towards anyone". These words were inscribed on the Edith Cavell Memorial[1] opposite the entrance to the National Portrait Gallery near Trafalgar Square. Her strong Anglican beliefs propelled her to help all those who needed it, including both German and Allied soldiers. She was quoted as saying, "I can't stop while there are lives to be saved."[2] The Church of England commemorates her in its Calendar of Saints on 12 October.
Cavell, who was 49 at the time of her execution, was already notable as a pioneer of modern nursing in Belgium.
In November 1914, after the German occupation of Brussels, Cavell began sheltering British soldiers and funnelling them out of occupied Belgium to the neutral Netherlands. Wounded British and French soldiers as well as Belgian and French civilians of military age were hidden from the Germans and provided with false papers by Prince Réginald de Croÿ at his château of Bellignies near Mons. From there, they were conducted by various guides to the houses of Cavell, Louis Séverin, and others in Brussels, where their hosts would furnish them with money to reach the Dutch frontier, and provide them with guides obtained through Philippe Baucq.[18] This placed Cavell in violation of German military law.[4][19] German authorities became increasingly suspicious of the nurse's actions, which were further fuelled by her outspokenness.
The night before her execution, Cavell told the Reverend H. Stirling Gahan, the Anglican chaplain of Christ Church Brussels, who had been allowed to see her and to give her Holy Communion, "I am thankful to have had these ten weeks of quiet to get ready. Now I have had them and have been kindly treated here. I expected my sentence and I believe it was just. Standing as I do in view of God and Eternity, I realise that patriotism is not enough, I must have no hatred or bitterness towards anyone."[30][31] These words are inscribed on her statues in London and in Melbourne, Australia.[32][33] Cavell's final words to the German Lutheran prison chaplain, Paul Le Seur, were recorded as, "Ask Father Gahan to tell my loved ones later on that my soul, as I believe, is safe, and that I am glad to die for my country.
Executed between 1929 and 1931 for the Palais des Colonies by Alfred Janniot – assisted by his collaborators Gabriel Forestier and Charles Barberis and 30 specialist workers. The bas-relief covers a surface area of 1,130 m², a height of 13 metres and a length of 90 metres. Described as the world’s biggest bas-relief, it covers the entire façade of the Palais de la Porte Dorée. It features a series of allegories in the midst of abundant fauna and lush flora. It was intended as an illustration of the economic contributions made by the colonies to metropolitan France.
monument.palais-portedoree.fr/en/the-decors/janniot-s-bas...
Arbour Hill is an inner city area of Dublin, on the Northside of the River Liffey, in the Dublin 7 postal district. Arbour Hill, the road of the same name, runs west from Blackhall Place in Stoneybatter, and separates Collins Barracks, now part of the National Museum of Ireland, to the south from Arbour Hill Prison to the north, whose graveyard includes the burial plot of the signatories of the Easter Proclamation that began the 1916 Rising.
The military cemetery at Arbour Hill is the last resting place of 14 of the executed leaders of the insurrection of 1916. Among those buried there are Patrick Pearse, James Connolly and Major John Mc Bride. The leaders were executed in Kilmainham and then their bodies were transported to Arbour Hill, where they were buried.
The graves are located under a low mound on a terrace of Wicklow granite in what was once the old prison yard. The gravesite is surrounded by a limestone wall on which their names are inscribed in Irish and English. On the prison wall opposite the gravesite is a plaque with the names of other people who gave their lives in 1916.
The adjoining Church of the Sacred Heart, which is the prison chapel for Arbour Hill prison, is maintained by the Department of Defence. At the rear of the church lies the old cemetery, where lie the remains of British military personnel who died in the Dublin area in the 19th and early 20th century.
A doorway beside the 1916 memorial gives access to the Irish United Nations Veterans Association house and memorial garden.
The central focus of FDR’s second term was developing and executing the New Deal to bring the country out of economic turmoil. In this room, there are three scenes depicting the state of American citizens in the United States during the Great Depression. In front of you, a bread line is shown, representing the poverty and desperation of the working class during the Great Depression. Inscribed above the sculptures is the following quote from FDR’s second inaugural address: “I see one-third of a nation ill-housed, ill-clad, ill-nourished.”
The urban companions to the rural couple are represented by a five-man portion of an urban breadline shuffling its way alongside a brick building. These lines, which formed outside food kitchens offering bread, soup, or groceries, often extended for many city blocks.
George Segal
George Segal was born in the Bronx, New York City, in 1924. His parents had immigrated from eastern Europe. George exhibited an interest in art early and won honors for his work while still in high school. George was raised in New Jersey, where his family settled, and he helped his parents with their chicken-raising business throughout his teens. Later, he took over the farm and still lives there with his wife Helen. Today, the old chicken coops house his art studio.
Everyday life and everyday happenings form the basis of George Segal’s sculptures. His pieces are cast directly from live models, mostly friends and relatives. George’s method of sculpting is unique. It depends heavily on real-life events and people said within environments which he constructs from real elements and furnishings. Segal’s work is therefore figurative but it does not romanticize or idealize the people whom he casts.
As the critic Phyllis Tuckman explains in the book, George Segal: Recent Painted Sculpture, “Segal’s figures radiate an aura of the familiar. They look like the kind of people with whom you come in daily contact…. These slices of life’s scenarios belie or masked other aspects of this haunting art.” Segal’s environments express more than what is visible on the surface. They dig deeply and say much about the universal elements of life through their focus on simple tasks.
It was for these reasons that George Segal was chosen to work within the themes of the Memorial. George has strong feelings and deep empathy for the Roosevelt era. He quickly selected three everyday images that were descriptive of the essence of the Depression years in our country, which had such a deep influence on the character and quality of our culture. Within these depictions the message is one of inherent individual dignity in the face of overwhelming odds.
George Segal developed his very personal casting technique in the early 1960s. He starts by dipping cloth bandages in wet plaster and then applying them directly to a body or to an object. He spends time working with his models before casting, describing the gestures he is trying to achieve and choreographing the positioning of their bodies in space within the constructed environment. Artist and model work together to finalize the pose before wrapping begins. Once the format has been fixed, the bandages are fitted around the various parts of the body. Hardening takes only minutes and then the bandages are removed by splitting them into sections. Later, they are reassembled to form the final figures or, as was the case for figures in the Memorial, they become molds for the final bronze sculptures.
William Henry Playfair executed his drawings for Royal Circus in 1820, the year after he was commissioned by the Heriot Trust; building began in 1821 and was completed two years later. Part of the first extension of the New Town planned by Reid and Sibbald in 1802, these are part of the Second New Town A-Group, a significant surviving part of one of the most important and best preserved examples of urban planning in Britain.
A cist was found in the summer of 1822 when digging the foundation of a house on the west side of Royal Circus. When opened, the form of a skeleton was discernible, lying with the head to the south, but it crumbled to dust on being touched, only some fragments of teeth remaining!
This elevation of a design for a villa has been executed in three-dimensional form in paper. See the next photo. Can you spot the differences?
Jugendstilsenteret is located in the old Swan Pharmacy from 1907 and is both a museum and a national centre of Art Nouveau. The catastrophic fire of 1904 left the town of Ålesund in ashes.
The rebuilding created one of Europe’s most characteristic architectural environments in the Art Nouveau style.
Jugendstilsenteret offers insight into this style by means of authentic interiors and objects as well as temporary exhibitions. We also work with documentation, education and consulting.
KUBE is the art museum in the county of Møre og Romsdal and is located in the former branch office building of Norges Bank (1906) in central Ålesund. Through a diverse programme of exhibitions and public activities, the museum aims to promote interest in and knowledge of visual arts, applied art, design and architecture. KUBE develops and manages an art collection focused on artworks and artists with connections to the region.
www.visitalesund.com/things-to-do/the-art-nouveau-centre-...
"The Conciergerie is a building in Paris, France, located on the west of the Île de la Cité (literally "Island of the City"), formerly a prison but presently used mostly for law courts. It was part of the former royal palace, the Palais de la Cité, which consisted of the Conciergerie, Palais de Justice and the Sainte-Chapelle. Hundreds of prisoners during the French Revolution were taken from the Conciergerie to be executed by guillotine at a number of locations around Paris.
"The west part of the island was originally the site of a Merovingian palace, and was known initially as the Palais de la Cité. From the 10th to the 14th centuries it was the main palace of the medieval Kings of France. During the reigns of Louis IX (Saint Louis) (1214–1270) and Philippe IV (Philip the Fair) (1284–1314) the Merovingian palace was extended and fortified more extensively.
"Despite lasting only ten months, the Reign of Terror (September 1793-July 1794) had a profound effect on France. More than 40,000 people died from execution and imprisonment, and France would not be a republic again for nearly half a century.
"The National Convention enacted the Law of Suspects on September 17, 1793. This act declared that anyone considered a counterrevolutionary or enemy of the republic was guilty of treason and, thus, condemned to death. The Revolutionary Tribunal was set up in the Palace of Justice. The two fates for those sent before the tribunal were acquittal or death, with no possibility of appeal. Antoine Quentin Fouquier-Tinville, a radical, was named public prosecutor. The Tribunal sat in the Great Hall between 2 April 1793 and 31 May 1795 and sent nearly 2,600 prisoners to the guillotine.
"The Conciergerie prison became the main penitentiary of a network of prisons throughout Paris, and was the last place of housing for more than 2,700 people, who were summarily executed by guillotine. The dank dungeons were a stark contrast to the beautiful architecture of the palace above. The quality of life of the prisoners was based mainly on their personal wealth and the whims of the jailers. The revolutionary period continued the prison's tradition of interning prisoners based on wealth, such that wealthier prisoners could rent a bed for 27 livres 12 sous for the first month, 22 livres 10 sous for subsequent months. Even when the price was decreased to 15 livres, the commanders of the prison made a fortune: as the Terror escalated, a prisoner could pay for a bed and be executed a few days later, freeing the bed for a new inmate who would then pay as well. One memoirist termed the Conciergerie 'the most lucrative furnished lodgings in Paris'. Only celebrity prisoners were assigned cells to themselves. Most of the pistole inmates were stuffed into a single room that abutted a local hospital, making disease an inevitability. The cramped cells were infested with rats, and the stench of urine permeated every room."
Source: Wikipedia
The Liechtenstein Garden Palace is a Baroque palace at the Fürstengasse in the 9th District of Vienna, Alsergrund . Between the palace, where the Liechtenstein Museum was until the end of 2011, and executed as Belvedere summer palace on the Alserbachstraße is a park. Since early 2012, the Liechtenstein Garden Palace is a place for events. Part of the private art collection of the Prince of Liechtenstein is still in the gallery rooms of the palace. In 2010 was started to call the palace, to avoid future confusion, officially the Garden Palace, since 2013 the city has renovated the Palais Liechtenstein (Stadtpalais) in Vienna's old town and then also equipped with a part of the Liechtenstein art collection.
Building
Design for the Liechtenstein Garden Palace, Johann Bernhard Fischer von Erlach in 1687/1688
Canaletto: View of Palais Liechtenstein
1687 bought Prince Johann Adam Andreas von Liechtenstein a garden with adjoining meadows of Count Weikhard von Auersperg in the Rossau. In the southern part of the property the prince had built a palace and in the north part he founded a brewery and a manorial, from which developed the suburb Lichtental. For the construction of the palace Johann Adam Andreas organised 1688 a competition, in the inter alia participating, the young Johann Bernhard Fischer von Erlach. Meanwhile, a little functional, " permeable " project was rejected by the prince but, after all, instead he was allowed to built a garden in the Belvedere Alserbachstraße 14, which , however, was canceled in 1872.
The competition was won by Domenico Egidio Rossi, but was replaced in 1692 by Domenico Martinelli. The execution of the stonework had been given the royal Hofsteinmetzmeister (master stonemason) Martin Mitschke. He was delivered by the Masters of Kaisersteinbruch Ambrose Ferrethi , Giovanni Battista Passerini and Martin Trumler large pillars, columns and pedestal made from stone Emperor (Kaiserstein). Begin of the contract was the fourth July 1689 , the total cost was around 50,000 guilders.
For contracts from the years 1693 and 1701 undertook the Salzburg master stonemason John and Joseph Pernegger owner for 4,060 guilders the steps of the great grand staircase from Lienbacher (Adnet = red) to supply marble monolith of 4.65 meters. From the Master Nicolaus Wendlinger from Hallein came the Stiegenbalustraden (stair balustrades) for 1,000 guilders.
A palazzo was built in a mix of city and country in the Roman-style villa. The structure is clear and the construction very blocky with a stressed central risalite, what served the conservative tastes of the Prince very much. According to the procedure of the architectural treatise by Johann Adam Andreas ' father, Karl Eusebius, the palace was designed with three floors and 13 windows axis on the main front and seven windows axis on the lateral front. Together with the stems it forms a courtyard .
Sala terrene of the Palais
1700 the shell was completed. In 1702, the Salzburg master stonemason and Georg Andreas Doppler took over 7,005 guilders for the manufacture of door frame made of white marble of Salzburg, 1708 was the delivery of the fireplaces in marble hall for 1,577 guilders. For the painted decoration was originally the Bolognese Marcantonio Franceschini hired, from him are some of the painted ceilings on the first floor. Since he to slow to the prince, Antonio Belucci was hired from Venice, who envisioned the rest of the floor. The ceiling painting in the Great Hall, the Hercules Hall but got Andrea Pozzo . Pozzo in 1708 confirmed the sum of 7,500 florins which he had received since 1704 for the ceiling fresco in the Marble Hall in installments. As these artists died ( Pozzo) or declined to Italy, the Prince now had no painter left for the ground floor.
After a long search finally Michael Rottmayr was hired for the painting of the ground floor - originally a temporary solution, because the prince was of the opinion that only Italian artist buon gusto d'invenzione had. Since Rottmayr was not involved in the original planning, his paintings not quite fit with the stucco. Rottmayr 1708 confirmed the receipt of 7,500 guilders for his fresco work.
Giovanni Giuliani, who designed the sculptural decoration in the window roofing of the main facade, undertook in 1705 to provide sixteen stone vases of Zogelsdorfer stone. From September 1704 to August 1705 Santino Bussi stuccoed the ground floor of the vault of the hall and received a fee of 1,000 florins and twenty buckets of wine. 1706 Bussi adorned the two staircases, the Marble Hall, the Gallery Hall and the remaining six halls of the main projectile with its stucco work for 2,200 florins and twenty buckets of wine. Giuliani received in 1709 for his Kaminbekrönungen (fireplace crowning) of the great room and the vases 1,128 guilders.
Garden
Liechtenstein Palace from the garden
The new summer palace of Henry of Ferstel from the garden
The garden was created in the mind of a classic baroque garden. The vases and statues were carried out according to the plans of Giuseppe Mazza from the local Giovanni Giuliani. In 1820 the garden has been remodeled according to plans of Joseph Kornhäusel in the Classical sense. In the Fürstengasse was opposite the Palais, the Orangerie, built 1700s.
Use as a museum
Already from 1805 to 1938, the palace was housing the family collection of the house of Liechtenstein, which was also open for public viewing, the collection was then transferred to the Principality of Liechtenstein, which remained neutral during the war and was not bombed. In the 1960s and 1970s, the so-called Building Centre was housed in the palace as a tenant, a permanent exhibition for builders of single-family houses and similar buildings. From 26 April 1979 rented the since 1962 housed in the so-called 20er Haus Museum of the 20th Century , a federal museum, the palace as a new main house, the 20er Haus was continued as a branch . Since the start of operations at the Palais, the collection called itself Museum of Modern Art (since 1991 Museum of Modern Art Ludwig Foundation ), the MUMOK in 2001 moved to the newly built museum district.
From 29 March 2004 till the end of 2011 in the Palace was the Liechtenstein Museum, whose collection includes paintings and sculptures from five centuries. The collection is considered one of the largest and most valuable private art collections in the world, whose main base in Vaduz (Liechtenstein) is . As the palace, so too the collection is owned by the Prince of Liechtenstein Foundation .
On 15 November 2011 it was announced that the regular museum operating in the Garden Palace was stopped due to short of original expectations, visiting numbers remaining lower as calculated, with January 2012. The Liechtenstein City Palace museum will also not offer regular operations. Exhibited works of art would then (in the city palace from 2013) only during the "Long Night of the Museums", for registered groups and during leased events being visitable. The name of the Liechtenstein Museum will no longer be used.
de.wikipedia.org/wiki/Palais_Liechtenstein_%28F%C3%BCrste...
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Peter Matthews, along with Samuel Lount, was executed for his role in the Montgomery Tavern incident of December 15,1837, also known as the Upper Canada Rebellion ( read a contemporary account ).
From the Dictionary of Canadian Biography Online : “Matthews’s party of about 50 left Pickering on 5 December and arrived at Montgomery’s Tavern on Yonge Street north of Toronto the next day. On the morning of the 7th, Matthews and about 60 men were sent by Mackenzie to the bridge across the Don River east of the city. There they were to create a diversion which Mackenzie hoped would prevent government forces from attacking Montgomery’s until the reinforcements he was expecting had arrived there. Matthews’s party killed one man and set the bridge and some houses on fire before being driven off by loyalist forces. The rebellion failed that day and Matthews fled, but he was captured in a farmhouse in York Township. He pleaded guilty to a charge of treason and petitioned for mercy. Although evidence about his role was contradictory, the Executive Council decided that he had been a leading figure in the uprising and held him responsible for the fires and the death at the bridge. Despite appeals for clemency signed by thousands, Matthews was executed with Samuel Lount on 12 April 1838. His property was seized by the crown, but in 1848, after pardons had been extended to most of the rebels, it was returned to the family.”
Creator: Unknown
Date: 1913?
Identifier: JRR 2800 Cab, T 16313, MTL 1858
Format: Picture
Rights: Public domain
Courtesy: Toronto Public Library.
More information: (view details and larger image)
Carlin 'El Asesino" in the process of ruthlessly executing two underbosses of a local gang who tried to interfere with her business. They are bound and on their knees before her.
"You should have heeded my warning but now you have to pay the price of yours and your boss's stupidity. Do you know what I am called by the cartels? - "El Asesino" and now you learn why. I will make it quick unlike your boss but you go knowing the last thing you see will be me. .She shots both in the head. "Dispose of these bodies guys"
We execute a variety of investigative services and searches to find any relevant information on any person or business.
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Brampton, Cumbria
Brampton is a small market town, civil parish and electoral ward within the City of Carlisle district of Cumbria, England, about 9 miles (14 km) east of Carlisle and 2 miles (3.2 km) south of Hadrian's Wall. Historically part of Cumberland, it is situated off the A69 road which bypasses it. Brampton railway station, on the Newcastle and Carlisle Railway, is about a mile outside the town, near the hamlet of Milton.
St Martin's Church is famous as the only church designed by the Pre-Raphaelite architect Philip Webb, and contains one of the most exquisite sets of stained glass windows designed by Sir Edward Burne-Jones, and executed in the William Morris studio.
The town was founded in the 7th century as an Anglian settlement.
Brampton was granted a Market Charter in 1252 by King Henry III, and became a market town as a result.
During the Jacobite rising of 1745, Charles Edward Stuart stayed in the town for one night, marked by a plaque on the wall of the building (a shoe shop) currently occupying the location; here he received the Mayor of Carlisle who had been summoned to Brampton to surrender the city to the Young Pretender. The Capon Tree Monument, to the south of the town centre, commemorates the 1746 hanging of six Jacobite's from the branches of the Capon Tree, Brampton's hitherto traditional trysting place.
In 1817 the Earl of Carlisle built the octagonal Moot Hall, which is in the centre of Brampton and houses the Tourist Information Centre. It replaced a 1648 building which was once used by Oliver Cromwell to house prisoners.
Much of Brampton consists of historic buildings built of the local red sandstone.
Detail of the Baptistry Window, a masterpiece of abstract stained glass designed by John Piper and executed by Patrick Reyntiens.
Coventry's Cathedral is a unique synthesis of old a new, born of wartime suffering and forged in the spirit of postwar optimism, famous for it's history and for being the most radically modern of Anglican cathedrals. Two cathedral's stand side by side, the ruins of the medieval building, destroyed by incendiary bombs in 1940 and the bold new building designed by Basil Spence and opened in 1962.
It is a common misconception that Coventry lost it's first cathedral in the wartime blitz, but the bombs actually destroyed it's second; the original medieval cathedral was the monastic St Mary's, a large cruciform building believed to have been similar in appearance to Lichfield Cathedral (whose diocese it shared). Tragically it became the only English cathedral to be destroyed during the Reformation, after which it was quickly quarried away, leaving only scant fragments, but enough evidence survives to indicate it's rich decoration (some pieces were displayed nearby in the Priory Visitors Centre, sadly since closed). Foundations of it's apse were found during the building of the new cathedral in the 1950s, thus technically three cathedrals share the same site.
The mainly 15th century St Michael's parish church became the seat of the new diocese of Coventry in 1918, and being one of the largest parish churches in the country it was upgraded to cathedral status without structural changes (unlike most 'parish church' cathedrals created in the early 20th century). It lasted in this role a mere 22 years before being burned to the ground in the 1940 Coventry Blitz, leaving only the outer walls and the magnificent tapering tower and spire (the extensive arcades and clerestoreys collapsed completely in the fire, precipitated by the roof reinforcement girders, installed in the Victorian restoration, that buckled in the intense heat).
The determination to rebuild the cathedral in some form was born on the day of the bombing, however it wasn't until the mid 1950s that a competition was held and Sir Basil Spence's design was chosen. Spence had been so moved by experiencing the ruined church he resolved to retain it entirely to serve as a forecourt to the new church. He envisaged the two being linked by a glass screen wall so that the old church would be visible from within the new.
Built between 1957-62 at a right-angle to the ruins, the new cathedral attracted controversy for it's modern form, and yet some modernists argued that it didn't go far enough, after all there are echoes of the Gothic style in the great stone-mullioned windows of the nave and the net vaulting (actually a free-standing canopy) within. What is exceptional is the way art has been used as such an integral part of the building, a watershed moment, revolutionising the concept of religious art in Britain.
Spence employed some of the biggest names in contemporary art to contribute their vision to his; the exterior is adorned with Jacob Epstein's triumphant bronze figures of Archangel Michael (patron of the cathedral) vanquishing the Devil. At the entrance is the remarkable glass wall, engraved by John Hutton with strikingly stylised figures of saints and angels, and allowing the interior of the new to communicate with the ruin. Inside, the great tapestry of Christ in majesty surrounded by the evangelistic creatures, draws the eye beyond the high altar; it was designed by Graham Sutherland and was the largest tapestry ever made.
However one of the greatest features of Coventry is it's wealth of modern stained glass, something Spence resolved to include having witnessed the bleakness of Chartres Cathedral in wartime, all it's stained glass having been removed. The first window encountered on entering is the enormous 'chess-board' baptistry window filled with stunning abstract glass by John Piper & Patrick Reyntiens, a symphony of glowing colour. The staggered nave walls are illuminated by ten narrow floor to ceiling windows filled with semi-abstract symbolic designs arranged in pairs of dominant colours (green, red, multi-coloured, purple/blue and gold) representing the souls journey to maturity, and revealed gradually as one approaches the altar. This amazing project was the work of three designers lead by master glass artist Lawrence Lee of the Royal College of Art along with Keith New and Geoffrey Clarke (each artist designed three of the windows individually and all collaborated on the last).
The cathedral still dazzles the visitor with the boldness of it's vision, but alas, half a century on, it was not a vision to be repeated and few of the churches and cathedrals built since can claim to have embraced the synthesis of art and architecture in the way Basil Spence did at Coventry.
The cathedral is generally open to visitors most days. For more see below:-
Cadets with 8th Regiment, Advanced Camp, execute a confirm application hold off exercise for Cadet Summer Training, June 18, 2024, on Fort Knox, Ky. During this exercise Cadets practice shooting targets from 100, 200, and 300 meters away before taking their M4 Carbine Qualifications. | Photo by Cassidy Disantis, Ohio University, CST Public Affairs Office
A finely executed urn; this symbolised the repository of the soul and is frequently shown with another symbol, the drape.
St Helen's Church (Helen was the mother of Constantine The Great) gives its name to the tiny hamlet of Llanellen. The church is 12th Century with the addition of a rather incongruous Victorian Gothic bell tower containing two bells. The earliest recorded incumbent of the church was John ap Adam. During the Civil War, there was a Roundhead encampment on the slopes of the dominating Blorenge Mountain and for whatever reason, ten of them are buried in the churchyard. The vicar of this time Richard Watkins, was evicted by the Puritans for using the Prayer Book, but later re-instated.
This morning (Friday 23 August) police in Rochdale executed two warrants in the Freehold neighbourhood as they continue their relentless pursuit of those intent on causing harm to the local community.
Three men aged 14 – 54, have been arrested on suspicion of conspiracy to supply class A and B drugs. They remain in police custody for questioning.
Following a thorough search of the addresses, significant quantities of class A and B drugs were found, with an estimated street sale value of £51,000. We also seized several weapons, including two samurai swords, and several items consistent with a significant drugs operation.
This is the latest activity which comes under the district’s Operation Affect, the force’s latest Clear, Hold, Build initiative. Police are systematically dismantling and disrupting organised crime in the area, by pursuing gang members and criminals to clear the area, holding the location to prevent criminals exploiting the vacuum created by the original disruption, and working with partners and Rochdale Boroughwide Housing (RBH) to build a prosperous and resilient community.
So far, the team have made 36 arrests, secured three full closure orders on nuisance properties linked to criminality, and seized large quantities of cash, drugs, and weapons.
Building on a successful community event held earlier this year, Rochdale Boroughwide Housing (RBH) are working with local residents and partners to design out crime in Freehold and rebuild a stronger community.
The overall investment is anticipated to be around £5M and will keep residents safer and improve the overall look of the local area, including providing higher quality common areas and improving the condition of the buildings.
Inspector Meena Yasin, who is leading Operation Affect, said: “Since launching this operation we’ve seen a real concerted effort to disrupt illegal drug supply in the Freehold area of Rochdale.
"From speaking with residents, we know that drug dealing, and anti-social behaviour has been a particular area of concern for them.
“The seizures this morning means we have been able to take tens of thousands of pounds worth of illicit and harmful products off our streets and dismantle a significant drugs operation which has been blighting our residents.
“Our officers remain in the area to provide a visible reassurance for residents. If you have any concerns or want to share information about suspicious behaviour in the area, please speak to them, they are there to help you.
“You know your community best, and your intelligence often forms a large and crucial park of our criminal investigations, helping us to remove criminals from the streets.”
Hayley Stockham, RBH Director of Neighbourhoods, said: "We have zero tolerance for anti-social behaviour and criminal activity in our neighbourhoods. We're very grateful to the local community for supporting our joint efforts to stamp out this behaviour.
“We will continue to work closely with our partners in the Police and at the Council, and we know that this is making a significant difference to the lives of local people. We encourage members of the community to continue to report crime and anti-social behaviour to RBH and to the Police.”
If you have any concerns about drugs in your area, let us know via our Live Chat function on our website, or by calling 101, so that we can take action.
Always dial 999 in an emergency.
Alternatively, you can report it to Crimestoppers, anonymously, on 0800 555 111.
Nurse Edith Cavell was executed by German forces during WWI as she had aided British POWs to escape.
There was great diplomatic efforts to have her death sentence commuted or delayed, but to no avail.
She was shot by eight soldiers, and in time, her body was repatriated, the wagon her body was carried from Dover is the same used for the body of the Unknown Soldier.
The luggage wagon usually rests at Bodiham on the Kent and East Sussex Railway, but for November it has been brought back to the former Dover Marine station.
I got tickets, so after lunch we would visit, not just to see the wagon and pay our respects, but the station is now a cruise terminal, and is rarely open to the public, and it had been a decade or so since my last visit.
I slept late, late enough so that Jools driving off to yoga woke me up at ten past six. Outside rain was bouncing down, and there was the bins to do.
I got up and put them out, dodging the raindrops, and back inside to make a coffee.
With rain expected all day, other than doing to the station after lunch, not much else planned, whilst Jools had her craft and gossip morning at the village library.
Jools came back from yoga as I was finishing my coffee, so I made breakfast giving her an hour before she had to leave again.
I listened to podcasts and watched videos for the morning, not much else to do, really.
Sadly, we had what we thought was the plumber coming to fix the overflow, but instead Craig came to touch up some paint in the toilet.
So Jools stayed home and I drove down to the Western Docks, over the flyover, past the former Lord Warden Hotel, then round to where lines from London entered Dover Marine, forming a large flat crossing in a tangle of lines.
You can still see how the lines used to curve west to join the main line to Folkestone, but is now concreted over, as are the tracks between the platforms, so to create a large flat parking area for cruisers.
I showed my ticket, and walked up through the central arch along what was the path of platforms 2 and three, past the former station buildings and under the footbridge.
At the far end there was the wagon, so I walked up, showed my ticket again, had my name ticked off, and went to look inside.
Inside there is a coffin, a replica of the one that brought the body of the unknown soldier back from France, and on the walls there were information boards on the only three bodies to be brought back from the war.
I exited it, took shots all around it, then walked to the war memorial, which is a splendid thing, and should be more accessible.
And I was done.
I thanked the volunteers and walked out, getting shots of the walkway linking the former hotel with the station and the Admiralty pier before taking shelter from the rain in the car and driving home.
I had been gone all of 40 minutes.
Once back I began to cook dinner/lunch: chicken pie, roast potatoes, steamed leeks, sprouts and spring greens, gravy and shop bought Yorkshire puddings.
It was all done by four, by which time Craig had done two coats of paint and had left.
I poured a beer and a cider, then dished up, the potatoes lovely and crunchy, without being burnt.
I won the music quiz at six, which was nice, then after washing up I settled down to watch Northern Ireland play in Slovakia.
A poor game, ended 1-0 to the home side, but Northern Ireland go to the play-offs anyway.
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Edith Louisa Cavell (/ˈkævəl/ KAV-əl; 4 December 1865 – 12 October 1915) was a British nurse. She is celebrated for treating wounded soldiers from both sides without discrimination during the First World War and for helping some 200 Allied soldiers escape from German-occupied Belgium. Cavell was arrested, court-martialled under German military law and sentenced to death by firing squad. Despite international pressure for mercy, the German government refused to commute her sentence, and she was shot. The execution received worldwide condemnation and extensive press coverage.
The night before her execution, she said, "Patriotism is not enough. I must have no hatred or bitterness towards anyone". These words were inscribed on the Edith Cavell Memorial[1] opposite the entrance to the National Portrait Gallery near Trafalgar Square. Her strong Anglican beliefs propelled her to help all those who needed it, including both German and Allied soldiers. She was quoted as saying, "I can't stop while there are lives to be saved."[2] The Church of England commemorates her in its Calendar of Saints on 12 October.
Cavell, who was 49 at the time of her execution, was already notable as a pioneer of modern nursing in Belgium.
In November 1914, after the German occupation of Brussels, Cavell began sheltering British soldiers and funnelling them out of occupied Belgium to the neutral Netherlands. Wounded British and French soldiers as well as Belgian and French civilians of military age were hidden from the Germans and provided with false papers by Prince Réginald de Croÿ at his château of Bellignies near Mons. From there, they were conducted by various guides to the houses of Cavell, Louis Séverin, and others in Brussels, where their hosts would furnish them with money to reach the Dutch frontier, and provide them with guides obtained through Philippe Baucq.[18] This placed Cavell in violation of German military law.[4][19] German authorities became increasingly suspicious of the nurse's actions, which were further fuelled by her outspokenness.
The night before her execution, Cavell told the Reverend H. Stirling Gahan, the Anglican chaplain of Christ Church Brussels, who had been allowed to see her and to give her Holy Communion, "I am thankful to have had these ten weeks of quiet to get ready. Now I have had them and have been kindly treated here. I expected my sentence and I believe it was just. Standing as I do in view of God and Eternity, I realise that patriotism is not enough, I must have no hatred or bitterness towards anyone."[30][31] These words are inscribed on her statues in London and in Melbourne, Australia.[32][33] Cavell's final words to the German Lutheran prison chaplain, Paul Le Seur, were recorded as, "Ask Father Gahan to tell my loved ones later on that my soul, as I believe, is safe, and that I am glad to die for my country.
- "The 'royal quarter' was a little > 200 m.s NE of the outer enclosure wall [of Chogha Zanbil's temple complex], accessible through a massive gate structure in the eastern city wall. It consisted of 3 large bldg.s or 'palaces' (and likely a 4th no longer extant) with multiple courtyards. Palaces II and III were poorly preserved, although they were planned and executed on a monumental scale and date from the time of Untaš Napiriša. Palace I, the hypogeum palace, with its 5 vaulted subterranean burial chambers, remained in use until @ 1000 B.C., possibly as a place of pilgrimage. Unlike Susa or Kabnak (Haft Tepe), where tombs were used for multiple burials, the subterranean vaults at Āl Untaš Napiriša contained only one skeleton each; the rest of the bodies had been cremated. Why cremation has been attested only in the tombs of Āl Untaš Napiriša is unknown." (Iranica online)
- Scroll down in this technical article to the 6th to 8th pages (pp.s 371-373) to see cross-sections of the 5 royal Elamite tombs here. www.scielo.cl/pdf/rconst/v19n3/0718-915X-rconst-19-03-366...
- I toured at least a few Elamite royal tombs here, all with a similar layout. The others were less hospitable than this, with floors covered in black bat guano. In one the stench of ammonia was close to overwhelming and I heard very much high-pitched screeching. A narrow passageway vertical to the main chamber led from an entrance in one wall to what appeared to be a parallel chamber, but which I've just learned (from viewing the diagrams in the analysis in the link above) was an equally long or longer chamber positioned vertically which widened from the entrance passageway, itself just @ a few m.s long. That long, vertical, unlit chamber was a bat cave, almost entirely dark but a space alive with motion and a mass of small shapes zipping back and forth from the floor to the ceiling in a frenzy or panic as I walked slowly closer to the threshold of their lair. As large as I've just learned the chamber is, it was full of them. (I now think that that chamber was the tomb proper, and that I was standing in an antechamber.) I'll never forget the piercing screeching, the power of the stench, and the space alive with zipping shapes. I was curious but didn't dare go further in.
- The 2012 LP edition for Iran (the most recent at archive.org) and 2008 and 2004 write that "steep ancient steps lead down into Tomb no. 5. Descending is unwise as the pit stinks of toiletry misdemeanours, especially bad when the temperature hits 45 degrees celsius." Either none of their contributors went down to take a look and no-one's written to disabuse them of their 'misdemeanours' theory, or its editors have discouraged exploration of these tombs to protect and give some peace to the local bats, the right thing to do, of course. It's trite to say that the bats are very important. youtu.be/HDL04dPtcyE?si=-CsAdbdQzu1bAtjS I wish I'd returned in the evening to watch them emerge from the tomb in a great cloud. (Btw, the greatest variety of bats anywhere on earth, and by far and away, is in South America.)
- This comes up in a search online for Bats in Iran en.wikipedia.org/wiki/List_of_mammals_of_Iran , but nothing re species in Khuzestan/Khuzistan.
The DEZFUL BRIDGE and the ruins of WATER MILLS on the Dez
- I made my way SE from Andimeshk one evening to the city of Dezful (Dehz-fool) on the river Dez (by bus or minibus or taxi? The cities are @ 5 or 6 km.s apart.) I don't remember what I'd been told about Dezful, but likely that it's a much older city than Andimeshk. So I was impressed when I arrived at the bank of a river at a spot beside and before another visibly ancient bridge stretching across it with huge piers and arches made of fired mud brick (and with a few new ones near the NW end). Again, I find that reading up re the sites and sights I toured so long ago is really worth doing. This bridge is a case in point as I've learned that it was Sassanian (with foundations dating to the Elamite era), that it's quite famous, constructed or reconstructed in 260 AD by Roman slaves, and that it's one of the oldest bridges in active use anywhere, still featuring 14 original arches. In fact, it's the world's longest ancient bridge in current use, 5 or 6 or so times longer than the competition, spanning 385.5 m.s, 9.5 m.s wide and 15 m.s in height. Only the Pont du Gard aqueduct (40-60 AD) near Nîmes compares at 275 m.s in length, 6.4 m.s wide, and a much taller 48.8 m.s in height.
- Shapur I was famously responsible for its construction or reconstruction and that of the weir over the Dez. Construction was supervised by Roman engineers, whose "employment ... was due not to the lack of skilled Persian engineers, but to the fact that these Romans happened to be available there at that particular time" (according to L. Lockhart, 'Persian Cities'). A Roman field army of 50-60,000 was destroyed and Roman troops and Emperor Valerian (he of the infamous 'Decius Decree' of 257) were taken captive by Shapur I and his Sassanian force of @ 40,000 at 'The Battle of Edessa' (a site /b/ Carrhae and Edessa [latter day Urfa]). Valerian was the first Roman Emperor in history to be captured as a POW "causing shock and instability throughout the Roman empire". According to Lactantius (a Christian writer who was likely biased against Valerian) Shapur liked to use Valerian as a human foot-stool when mounting his horse. youtu.be/yx1NzpLF1N8?si=LtTIF9TLDFvR9XXE youtu.be/gAKrPSlmjm0?si=TrInQefUq1A6uCcc Roman soldiers were skilled craftsmen, and so Shapur put them to work as POWs. "A characteristically Roman feature of the bridge is the inclusion of supplementary openings over each pier which serve to ease pressure on the structure when the river is greatly in flood." (L. Lockhart) It was repaired several times by Safavids, Qajars and early Pahlavis.
youtube.com/shorts/97I7gNzEp3g?si=7FaLcYHJ6iSB9z1R
youtu.be/yewJY30o1-w?si=6gnE33lJImvu0Pgx
- I sat by the river below the bridge and had a picnic with food I bought somewhere. To one side the ruins of ancient water-mills stretch out into the river, built on rocks which produce rapids. In 1840 Baron de Bode wrote that "[t]hese little islets are united by narrow bridges, and at the approach of night, when the millers trim their lamps, there is a perfect illumination on the river." The islets and little bridges are seen at the 1:36 min. pt. in the last video above, and at the 5:25 min. pt. in this vlog.: youtu.be/xJankVjF3xI?si=e5RiWVixCj6JuQpN (I didn't explore them like the vlogger does, but I saw them from the bridge, the view at the 9:05 min. pt., as well as from the shore. I didn't know what they were.)
- I don't recall how much more of Dezful I saw than the bridge and the ruined mills in the river, but I must've strolled around some. Baron de Bode described the bldg.s of Dezful as "lofty and spacious, most [with] sardabs or chambers hewn out of the rock beneath them into which the inmates retire during the heat of the day in summer." See sardabs or 'shavadans' in the great vlog in the last link from the 15:10 min. pt. to 16:00 and a popular, deep qanat (popular for its A/C) from 26:00 to 27:35. The vlogger explores the old part of town with its bldg.s made of characteristic long, flat, yellow bricks from the 12:25 min. pt. to 20:50. 113 brick monuments in the city have been registered on Iran’s National Heritage List, incl. mosques, hamams, houses and 'archways'. (He tours a couple of sprawling house museums, at least one of which wasn't open to the public in 2000.)
- Another miss in his video is the narrow Emamzadeh of Seyyed Ali Safavi aka Pire Rudband (Timurid, restored under the Safavids), a Shi'ite missionary and the grandson of Sheykh Safi addin Ardabili, with its typical sugarloaf dome, and wonderfully situated high atop a cliff above the Dez (21:50 to 22:25).
History of Dezful
- Founded in Sassanian times (although, again, the base of the famous bridge was Elamite), the city was known as Andimishk in its earlier history; the name Dezful, a variant of Dez-pul, 'fortress-bridge', didn't come into use until the 14th cent. An infamous fortress was erected to protect the bridge from which the current name of the city derives. It "was used not only for purposes of defense, but as a veritable 'castle of oblivion' in which persons of high degree were imprisoned, as at the castle of Alamut in Safavid times. No one was permitted under pain of death to speak of this fortress, nor of anyone who had the misfortune to be incarcerated in it. Curiously enough, the exact position of this sinister castle remained a mystery for centuries until it was discovered, from an Armenian source, that it was at Andimishn, which was of course Andimishk. The Armenian king, Arshak III, was immured in this castle having been taken prisoner in battle. Despairing of ever regaining his liberty, he stabbed himself to death in 367 AD. Another illustrious prisoner, the Sassanian monarch Kavadh (aka Qubad) I, who ascended the throne in 488, was deposed some years later for his espousal of the heretical doctrines of Mazdak and his distaste for Zoroastrianism. Having languished for some time in the dungeon, he was rescued by his faithful adherent Siyavush. But according to Procopius and other writers, it was Kavadh's exceedingly beautiful wife who effected his deliverance. She promised to bestow her favours on the governor of the fortress if he would first allow her to spend an hour with her husband. Upon gaining admittance to his dungeon, she immediately changed clothes with him, and when the allotted time for the meeting had elapsed, he succeeded in making his way past the guards and out of the fortress [what about her deal with the governor?], while his wife remained behind. ... Kavadh subsequently regained his throne and reigned until his death in 531." (L. Lockhart) I haven't found any reference to this baleful donjon online (apart from a brief reference in the vlog. in the link above from the 10:23 min. pt. to 10:40.) I guess it's entirely gone?
- "It must be admitted that the history of Dezful for the greater part of the Islamic period has been relatively uneventful. ... When Timur appeared before the town in March, 1393, having subdued the Lors, it promptly submitted to him and thereby escaped his wrath. It was probably soon after his visit that Khwaja 'Ali, the grandson of Shaikh Safi of Ardabil (the occupant of the Emamzadeh mentioned above), came to Dezful and converted the inhabitants to Shi'ism by miraculously holding up the waters of the Ab-i-Dez" according to legend.
- Sometime @ 1830 "an Armenian introduced a new method of preparing indigo which was practiced with great success in Dezful. Many of the inhabitants were employed in this industry, and the dye was in great demand in all parts of Persia. Late in the 19th cent. however, imported dyes made the local industry uneconomic."
- Mandaeans: Baron de Bode visited Dezful in 1840 and met with members of the local Sabaean or Sabian aka Mandaean community. "[F]rom one he obtained part of a copy of the Ta'rikh-i-Yahya or 'History of St. John'." Many Mandaeans/Sabaeans, pre-Christian baptists in an ancient sect who venerate John the Baptist and claim him as the founder of their faith, have moved to Ontario in the last 20 years. I heard or read somewhere that they have a temple or an administrative base in Maple. I bet they brought some ancient texts here with them.
- Located in SW Iran, the city is known as the “City of Rockets”, as it fell under rocket attacks > 200 X throughout the Iran-Iraq War.
Other misses in town:
- The early Qajar Kornasiyon hamam is now an anthropology museum.
- The 15th cent. emamzadeh of Shah Rukn ad-Din (a contemporary of Tamerlane) under a blue, 14-sided, conical dome. A Timurid hamam is on-site.
There was plenty that I missed in the area.:
- The famous Emamzadeh of Yaqub Layth Saffari aka Saffarid Yaʿqub b. Layṯ (840-879) beneath its brick, sugar-loaf double-dome (similar to that at the tomb of Daniel in Shush but not white) is at Eslamabad, @ 2 clicks SW of the 39 (the road to Shushtar), @ 12 SE of Dezful and less than 2 north of the ruins of the fabled Sassanian city of Gondeshapur (see below). The occupant is revered in Iran. A coppersmith born in 840 in Karnin, east of Zaranj in what is today Afghanistan, Yaqub fought as a child soldier against the Tahirids, was later promoted to commander, declared himself emir, conquered non-Muslim lands to the east in what is today Afghanistan and Pakistan, and then liberated most Iranian states from the Arabs, incl. much of Afghanistan, Pakistan and Iran by 873, reuniting them following 200 yr.s of Arab rule. He then sought to take Baghdad and the Caliphate but was defeated by the larger forces of Caliph al-Mu'tamid. He had defeated the Khawarij, Alawites and Tahirians, founded the Saffarid dynasty, and ordained the resumption of the use of Persian as the official language of his empire, cementing his folk-hero status. The story goes that when a bard composed and sang an ode to him in Arabic per the custom of the time, he criticized him for reciting it in a language he didn't understand. Henceforth, court poetry was written in Persian. (I'm reminded that the English endured a francophone administration, nobility and civil service for @ 200 yr.s, from the arrival of the Normans in 1066, until they finally said "Enough".)
www.google.com/maps/place//@32.3009043,48.5184038,2767m/d... The emamzadeh is said to be surrounded by garlic farms. It was a miss. Here's a tour of the tomb from the 1:45 to the 5 min. pt.: youtu.be/xJankVjF3xI?si=OkVzsBdHAFheHo0q
- The site of the legendary Sassanian city of GONDISHAPUR or Gondēšāpur (identified with extensive ruins south of Shahabad, a village 14 km.s SE of Dezful):
Gondēšāpūr or Gundēšāpūr derives from 'Wandēw Šāpūr', "Acquired by Shapur", or 'Gund-dēz-i Shāpūr', "Military fortress of Shapur", or the Mid. Pers. 'Weh-Andiyōk-Shāpūr', 'Better-than-Antioch of Shapur' or 'Better Is Šhapur's Antioch' (Wikipedia). In his vast travels, Shapur I (r 242-272), the 2nd ruler of the Sassanian Persian empire, famously defeated the Roman Emperor Valerian III (r 253-260) and sacked city after city incl., infamously, Antioch-on-the-Orontes twice, in @ 256 and again in 260, where he said "This place sure is purty", rounded up its craftsmen, architects and artisans and marched them back to Khuzestan to build and beautify a new city to be defined by Shapur's plans to surpass Antioch, the third largest and third most glorious city in the Roman empire. Shapur's official record of the satrapy of Weh-Andiyōk-Shāpūr is in his famous trilingual inscription at Kaʿba-ye Zardošt (which I toured) at Nagsh-e Rostam near Persepolis, and archaeologists have found "no trace of habitation prior to the early Sassanian period." The city became a Sassanian royal winter residence and the capital of Khuzestan prov. "Architectural remains [of] an orthogonal street grid within an oblong, rectangular walled enclosure [have been excavated], thus approximating Ḥamza Eṣfahāni’s idealized description of the site’s layout as a chessboard of eight by eight streets." (Iranica encyclopedia) The city was also home to the East-Syrian metropolitan see of Bet Huzaye and a centre of Christianity, at least until the accession of Shapur II who persecuted Christians. The Catholicos Šāhdōst and others were tried there in his presence and executed in the 340s. But Gondēšāpūr was again predominantly Christian in the 5th and 6th cent.s and up until the Arab-Muslim conquest of 638. (Iranica online)
- A great and flourishing city, Gondēšāpur was "the intellectual centre of the Sassanid Empire and home to the Academy of Gundeshapur, [a 'centre of higher learning' if not a university] founded by Shapur I, and to a teaching hospital and famous library. ... [T]here are reports of systematic activities [science?] initiated by the Sassanian court as early as the first decades of Sassanian rule. [Research results] were collected and added to the Avesta during Shapur's reign. The foundation of the Academy led to a combination of Greek and Indian sciences with Iranian and Syriac traditions and introduced the study of philosophy, medicine, physics, poetry, rhetoric, and astronomy to the Sassanian court. According to some historical accounts, the Academy was founded as a home for Greek refugees to study and share their knowledge." But the references to Greek refugees that I've found date from the reign of Justinian in the early 6th cent. (See below.) It's claimed that the cosmopolitan nature of the institution became a catalyst for the development of modern systems of higher education. George Sarton, the famous historian of science, described Gondēšāpur as "the greatest intellectual centre of its time". ! (The latter 1/2 of the city's history was coincident with the 'Dark ages' in Europe.)
- The site of the ruined city is filmed from the 11 to the 12 min. pt.; 28:30 to 28:45; 45:30 to 46:15; and I think from at least 53:40 to 54:08 in this.: youtu.be/fFMwR9phzC8?si=JlduyBfHmVK7u7x8 (English subtitles please?)
- "In 489, the East Syriac theological and scientific 'School of Edessa' [latter-day Urfa] was ordered closed by the Byzantine emperor Zeno, and many of its teachers and scholars moved east to and were absorbed into the 'School of Nisibis' [Nusaybin in SE Turkey today, on the Syrian border], then under Persian rule. Nestorian scholars, together with Hellenistic philosophers banished from Athens by Justinian in 529, carried out important research in medicine, astronomy, and mathematics. Khosrow or Khosrau I (531-579) gave refuge to Greek philosophers and Nestorian Christians fleeing religious persecution in the Byzantine empire. The Sassanians had long battled Romans and Byzantines for control of latter-day Iraq and Syria and so were predisposed to welcome the refugees, who Khosrau then commissioned to translate Greek and Syriac texts into Pahlavi, incl. works on medicine, astronomy, philosophy, and useful crafts. Gondēšāpur soon became renowned for medicine and learning."
- From Iranica online: "Gondēšāpur’s real fame rests on its alleged role in the transmission of ... Galenic medicine and the institution of the teaching hospital (bimārestān) to urban Abbasid society and beyond to Islamic civilization at large. The earliest testimony to Gondēšāpur in the context of the field of medicine is to a medical-philosophical disputation convened in @ 610 on the orders of Ḵhosrau II in which the drustbed (q.v.) Gabriel of Šiggār participated. The hospital itself first finds specific mention in the year 765 when caliph al-Manṣur is said to have summoned the then head of the hospital, Jewarjis b. Jebrāʾil b. Boḵtišu', to Baghdad. ... Syro-Persian Nestorians were weaned at Gondēšāpur on what later biobibliographical authors celebrated as superior medical learning, [derived] in the Sassanian period from outstanding individual Greek and Indian as well as local Aramaic and Iranian sources." Physicians from such Nestorian families as the Boḵtišus (the directors of the hospital) and others had brilliant careers "in the orbit of the Abbasid court" in Baghdad. They also "rediscover[ed] Galen and other classics of Hellenistic medicine and pass[ed] them on to the Muslims." (Iranica online)
- Mani (216-277), the founder of the Manichaean religion, experienced his "doomed confrontation with King Warahrān I and his counsellors" in Gondēšāpur per Manichaean tradition, and was imprisoned and died there in 276 or 277 per nearly unanimous Sassanian and Arabic sources. It's said that his body was hanged from the gates of the city. I find Mani and Manichaeism fascinating. Mani was born into a Christian Elcesaite community near Seleucia-Ctesiphon in the Parthian period. He claimed to be an apostle of Christ but espoused a syncretic religion drawing from Zoroastrianism and Buddhism as well, best known for its focus on dualism and the conflict /b/ good and evil. 'Manichaean' is used as an adjective today to describe a position or perspective as simplistic, 'black and white' or 'good v. bad'. The religion became very widespread with adherents from Britain in the West to the East China Sea. In fact some scholars consider it to be the first 'world religion'. But Manichaeans were generally persecuted as heretics and the religion dissolved in the 15th cent. (I toured the Chester Beatty Library and museum in Dublin in 2010 [which has the best book-store I've ever seen at a museum] with its choice collection of ancient religious manuscripts, where I perused the famous 'Mani Codex', a unique, important 4th or 5th cent. Manichaean papyrus manuscript found in Egypt.: youtu.be/BYJtscOudUg?si=6unHgdTVrt2BcJTn )
- The town fell into decline following its surrender to the Arab-Islamic conquest of Persia in 638, although it remained an important centre in the Islamic period. Ya'qub ibn al-Layth al-Saffar, the legendary founder of the Saffarid dynasty (see above) who "aspir[ed] to imitate the Sassanians", made Gondēšāpur his residence and his capital in 875 or 876 @ 3 yr.s before his sudden death in 879, and his tomb became the most prominent feature of the city. But by the 10th cent., "the city had suffered so severely from the inroads of the Kurds that it fell into decay."
- So, as cerebral as it is, a tour of the site was a big miss.
- The entertaining, charismatic Dr. Roy Casagranda, who now has shorts from his lectures all over youtube, makes shit up in this video re 'the Gondishapur academy'. youtube.com/shorts/DbxU3b4IA3w?si=0Dl0sX4hVbL85c2t He claims that Shapur built his academy as "the Persian equivalent to the Great library" of Alexandria, and collected Chinese and Indian texts incl. Lao Tzu's Tao te Ching, which was "amazing ... because when Qin the Great [Qin Shi Huangti] unifies India [China], he bans [the books of] Lao Tzu [but in the late 3rd cent. BC, > 400 yr.s earlier; Taoism and Confucianism had been revived in China by the early 1st cent. BC] and starts wiping out Lao Tzu's works, but now there's a place for them to survive." Nope.
- The scenic Mohammad Ali Khan (aka Ali Mardan Khan) fortress @ 40-50 km.s NE of Dezful is a natural citadel on a high mesa, 1,550 m.s in height, surrounded by sheer cliffs and by the Haft-Tanan mtns., the site of a refuge and an eyrie in ancient times.
- I can't account for my thought process (if I can call it that) when I left Khuzestan by bus for Esfahan via Khorramabad and the 5 and the 62, but of course I should've sought out the wealth of ancient Elamite sites further east @ Izeh en route to Esfahan via the twisty, more adventurous 72. There was a dearth of anglophones in Andimeshk, the map in my thin LP guide was hand-drawn, and I didn't come across a library or tourism office where I could get a clue (again, I found Dezful's huge, ancient bridge by chance), not that that's any excuse. It's a shame I missed the following along that route.:
- At least 3 ancient brick piers, the remains of an ancient bridge, stand @ 10 clicks NE of the 39 above where the road turns north to Sar Bisheh.
- SHUSHTAR, an ancient Elamite, Achaemenid, Parthian and Sassanian city (possibly the 'Sostra' mentioned by Pliny the Elder) @ 60 km.s down the 39 SE of Dezful, is home to an ancient Sassanian hydraulic system designated Unesco world heritage in 2009, comprised of 13 sites incl. the famous bridge/dam or weir (see below), and an array of waterfalls which once powered water mills and which pour into the Gargar canal from above both of its banks, the most famous and photogenic tourist attraction on that long route. youtu.be/Cc6gG48wvdE?si=SrfRKN7l2U3Md3eW The irrigation system which centered on the Band-e Kaisar aka the Shâdorvân Grand Weir, the first dam bridge in Iran, was "considered 'a Wonder of the World' not only by the Persians but also by the Arab-Muslims at the peak of their civilization" (Unesco). (Again, Iranians don't take water for granted.) A ruin today, the said bridge and overflow dam spanned > 540 m.s as a link on the road from Pasargadae to Ctesiphon, and is believed by some to have been built by Roman POWs captured by Shapur I. "Local tradition attributes certain customs to the ancient Roman [prisoners] ... [incl.] the introduction of techniques of brocade manufacture." ?
- The development of this hydraulic system began during the 5th cent. BC reign of Darius the Great with the excavation of two main diversion canals on the Karun, one of which continues to provide water to the city via a series of tunnels that powers the mills and irrigates an expanse of orchards and fields @ 40,000 ha.s in area known as 'Mianâb' ('Paradise'). It supports the cultivation of sugar cane, the main crop, and has done since 226. What remains to be seen of the ancient system today dates from @ the 3rd cent. The Unesco site includes the Salâsel Castle, the operations centre, the tower where the water level was measured, similar to an Egyptian 'Nilometer', and from which dams, bridges, basins and mills were managed and maintained. (Unesco)
- The city was selected to become the summer capital of the Sassanian empire when it was an island city and the river was channeled to form a moat @ it. It was known for its output of textiles throughout the Middle Ages, producing brocade, tiraz, carpets, cotton fabrics and silk. In fact, the city was "chosen to produce the Kiswah (the embroidered covering for the Kaaba) in 933 - a great honour with political importance."
- The Subbi Kush neighbourhood in Shushtar was a centre for Mandaeans aka Sabians or Sabaeans (pre-Christian baptists who venerate John the Baptist) as at Dezful. They would've been attracted to Shustar by all the hydrology and would descend to their shrines by the Karun and the canals to conduct their baptisms and ritual ablutions, etc. See one in the video in the last link from the 22:35 min. pt. to 23:50.
- 'The Israelite Origins of the Mandaean People', 2007, R. Thomas in Studia Antiqua: scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=1068&... ! "In their own language, which derives from Aramaic, the word mandayye, from which they take their name, means 'gnostic.' Their religious practices, which dominate most aspects of their lives, are the last remaining traces of ancient gnosticism in the world today."
- The route continues SE through Pir Gari, with a left to take at the first fork to head off-route for @ 40 twisty clicks east to Masjed-e Solaymān aka ancient Assak (Elamite) or Parsomash (Achaemenid), an ancient city indeed. "[A]rchaeological ruins in and @ this city [include] the remains of an ancient fire-temple [in town], known locally as Sar-masjid, [similar in construction to the complex discussed below,] and attributed to the legendary prehistoric king Houshang; and the ruins of an Achaemenid palace [or temple complex, 700 x 250 m.s] known locally as Bard-e Neshandeh" and as the birthplace of Teispes, grandfather of Cyrus the Great (!), 18 km.s NE of the city up another twisty road. Encyclopaedia Iranica describes a castle, the ruler's residence, @ 30 x 19 m.s, 250 m.s to the west of the terrace of the said palace/temple complex seen in the vlog in the next link. Roman Ghirshman dug there in the '60s and found that the first phase of construction, contemporary with the initial construction of the terrace complex, was pre-Achaemenid, and that the third and last phase extended into the early Islamic period, which implies > 1,000 yr.s of occupation and use. The complex includes an older 'upper terrace' with a podium and annex which was later extended, "probably [under] Camniscires I, king of Elymais in the mid-2nd cent. BC. The whole structure was again greatly enlarged, increasing its length to 157.2 m.s. The most important bldg. in this part of the terrace is a 4-pillared room, the 'tetrastyle temple'. 2 reliefs on pillars of its portico are thought to represent Anāhitā and Mithra. Ghirshman placed the date of construction in the 1st-2nd century [the Parthian period]. The whole complex remained in use, in his opinion, until the mid-4th cent. These ruins, together with those at Masjed-e Solaymān, provide clues for the identification of temples in Elymais mentioned by ancient Greek and Roman writers. The 'temple of Ahura Mazdā' at Bard-e Neshandeh [that on the upper terrace] may well be the temple of Bēl (the Semitic equivalent of Ahura Mazdā) at which Antiochus III met his death in 187 BC while attempting to plunder its treasure (Strabo 16.1.18). ... Also mentioned in the sources (Justin, 41.6.8; Strabo, 16.1.18) is a temple dedicated to Artemis named Ta Azara by Strabo, which lay somewhere in Elymais and which was plundered by Mithridates I following his conquest of Susa in 139-38 BC." (Encyclopaedia Iranica)
- See the well-preserved base of the dry-stone temple on the terrace, a rare, primarily Parthian structure, from the 25 sec. pt. to 3:50 in this vlog.: youtu.be/X3ZeB2S1iBU?si=ogOryj0yKntZstCg
- Masjed-e Solaymān was home to the first oil well and the first rig erected in the Middle East in 1908, which alone merits a visit.: irantourism.travel/en/masjed-soleyman-oil-field-over-time....
- The city's home to a large Bakhtiari population of the Haft-lang tribe, recently semi-nomadic pastoralists. "The 4 main tribal divisions of Haft Lang are Duraki, Babadi, Bakhtiarwand, and Dinaruni, who are then divided into lesser clans." (Wikipedia)
- The Karun winds /b/ almost sheer cliffs and lofty mesas in an arid, scenic canyon @ 15 km.s east of Masjed-e Solaymān as the crow flies.
- Naft Sefid is a strange village @ 60-70 km.s SE of the last fork and the next (turning left at both), with wasteland aspects, some ruins, uniform, low-rise homes, rusty gas pipelines, and many gas flares burning at chest or waist-level atop vertical pipes (? - per photos on Google maps).
- Continuing SE to a T-Junction, then left and @ 40 twisty km.s east to the T-junction with the 72, and north @ 10 clicks is Qalehtol or 'Kala Tul', home to the remains of 'Khamisi castle', an impressive, rectangular, relatively intact brick and fieldstone fortress on a hill in the centre of town, next to a ruined, well-excavated adobe complex. It would be famous anywhere o/s the Middle East. Constructed by Mohammad Taqi Khan Bakhtiari, it was visited by Layard and mentioned in his travelogue. www.google.com/maps/place/%D9%82%D9%84%D8%B9%D9%87+%D8%AA... Here's a print of this "mountain castle where Layard ... stayed when he visited, and fought with, the Bakhtiari".: carolinemawer.com/wp-content/uploads/2018/09/early-advent...
- www.rogersandall.com/young-layard-of-nineveh/
- This is a very scenic area, popular with local hikers with arid river-bottom canyons, Alpine scenery, clear streams, wildflowers and colourfully dressed, native, nomadic or semi-nomadic Bakhtiari women. The river widens into lakes and reservoirs upriver of the Karun dam (205 m.s tall) and resembles the Tortum lake in NE Turkey at points.
- Less than 1 km. SW of Oshtor Gard, a village @ 10 clicks NW of the 72 where it turns sharply east, is a rustic, white-washed shrine with a wider, squatter answer to the sugar-loaf dome at Daniel's shrine in Susa.
- Finally, the 72 climbs north to Izeh, a city of just > 100,000 populated by Bakhtiaris and renowned for its fascinating Elamite and Parthian-era monuments. It's worth a day or 2 or 3.
1. Kul-e Farah: an open-air sanctuary in a gorge with 6 Elamite rock reliefs, likely Neo-Elamite, depicting processions, animal sacrifice, musical performances, and banqueting (one communal banquet is depicted with 141 participants, min.), with cuneiform inscriptions. The depiction of groups of participants "offer[s] a spectacle of social hierarchy determined by scale, placement within registers, physical relationship to rulers, garment, gesture, and activities". See photos from the 2:40 min. pt. to 4:45.: youtu.be/N2xEG4I5lJ8?si=g7-pBCs5jAYQQJmU
2. Eshkaft-e Salman: 'Salomon's cave', the 'romantic grotto' in a valley just west of town, with 4 reliefs of 9 members of the Elamite royalty dating from @ the 12th and 11th-7th cent.s BC. wearing interesting outfits, 'visor' hair-dos, braided side-locks, back-braids, etc.;
3. Tagh-e Tavileh: ruins of bldg.s in stone and plaster with tilework from a settlement built by Kurdish Hazaraspids in the Ilkhanate-Timurid period, at the NW edge of town;
4. Dasht-e Sūsan or Shir-e Sangi (the 'Stone Lion cemetery'): a cemetery with a collection of 18th-20th cent. stone, stylized sculptures of lions carved in the round as tomb monuments for Bakhtiari tribal leaders, war heroes, et al., @ 10 km.s due east of Izeh, south of the 72;
5. The Shah Savar relief: a 17th cent. BC (!) relief on a cliff-face @ 10 km.s from town, with a seated figure facing a line of 5 supplicants in a single register;
6. Khong-e Kamalvand: a Parthian-era relief with a standing figure next to an equestrian, with an Elymaean inscription, “Phrates the priest, son of Kabnuskir”, 10-15 km.s north of town;
7. Khong-e Ajdar: an ancient Elamite relief on one side of a large boulder and the largest relief from the Parthian era on the other depicting the Baara'aam, a ceremony in which the local independent Elymais ruler and 3 standing local dignitaries meet with or confer power on a seated, visiting Mithridates of Parthia with the release of 2 doves, @ 15 km.s north of town; and
8. Khong-e Yaralivand: a relief with 2 standing men in tunics and trousers in an investiture scene, @ 12 km.s north of Izeh.
- The photogenic imamzadeh of Sultan Ibrahim in Karta village (Maveh on google maps) @ 40 clicks north of Izeh. (Unfortunately it appears to have been almost completely renovated recently.) tishineh.com/touritem/211/Tomb-of-Sultan-Ibrahim
- The Zardeh Limeh waterfall, @ 30 clicks as the crow flies NE of the 72 from a point @ 15 clicks east of Izeh, is one of the most impressive in Iran per Google maps.
- From ancient Izeh, the road turns and proceeds SE and passes within 2 clicks of the 205 m. tall Karun-3 dam, descends through a tunnel and crosses the Shalu Arcus bridge. Wow. youtube.com/shorts/HVTR7TKzo9w?si=bRUgkNplxnvTkBdj (Huge dams can be deadly in an earthquake zone, but at least this isn't upstream from a neighbouring country like Egypt is from Ethiopia, Iraq and Syria from Turkey, etc.) The 72 then leaves Khuzestan and crosses the provincial border into 'Chaharmahal and Bakhtiari' province as it passes below and then up next to the Karun-4 dam, the tallest in Iran, @ 15-20 km.s further east youtube.com/shorts/36b185d9jak?si=pcqQXkRrn6M0ZM1w before it navigates a series of tunnels and crosses another impressive single-span bridge, and twists north through two sharp hair-pins, all in a wonderfully scenic area. An incredible drive! (How much of that route would've been in place in 2000? Did the road follow alongside the much more narrow river then before the dams arrived or would I take the 55?)
- The 72 continues up along one of the twistiest roads I've ever seen on google maps soon passing villages of Lurs. Turning left onto the 51 where it meets the 72 and turning left again at a fork at Teshneez, the 200 yr. old fortress of Sardar Gholam Hossein Khan Salar Mohtsham, an adobe ruin, sits in the centre of Dastena, a town @ 2km.s south of Amirabad on that road, and which brings one to Junaqan, 35-40 km.s from the 72, home to the 'Palace museum of Sardar Asad Bakhtiari', "one of Iran's constitutionalist generals", in a lovely Qajar-era bldg. with a veranda on the 2nd floor, which focuses on the Constitutional movement and the Bakhtiari uprising in that city which (it's claimed) began in this palace and led to the Bakhtiari capture of Esfahan and Tehran.
- The bus might have driven up the 51 in 2000 en route to Esfahan or (more likely I think) it continued on the 72 to Borujen and up via Majlesi to Esfahan. North of Sirak Hafshejan on the Taqanak rd. SW of Taqanak on the 51 is an Armenian cemetery with interesting 19th cent. tombstones. The city of Hafshejan 3 km.s east of Taqanak is said to have existed as a community for @ 9,000 yr.s.
- The 'Sacred Defense museum' in the north of the city of Sharekord (on the 51 @ 5 clicks east of that [less likely] route to Esfahan) focuses on the Iran-Iraq war, etc. and has some avant-garde architectural aspects.
- The 'Chaleshtor castle' along the Blvd. Rahbar @ 5 km.s NW of that city is a lovely late-Qajar-era mansion and museum with a large courtyard, the former home of the Bakhtiari chieftain Khoda Rahm Khan.
- The historic Zaman Khan bridge persists with its 2 arches @ 20 clicks NE of Shahrekord, a few north of Saman.
- Bagh-e Bahadoran en route East to Zarrinshahr and towards Esfahan on the 51 is home to another adobe and brick castle with corner towers.
- Etc. ... Zarrinshahr is within day-trip distance of Esfahan, 30-40 km.s further, so that list will do.
BUT, again, I was clueless and bussed it back to Khorramabad, missing Izeh and this more direct, much more interesting route to Esfahan entirely. From Khorramabad, my bus headed due east on the 37 for @ 40 - 50 clicks, and then turned round and headed SE down the 62, the Dorud Chalanchulan Expy. (good and fast) and passed Dare Tang just past the turn. (Stop in Dare Tang and have an adventure or misadventure and later say "So I was in Dare Tang and ..." "What? Where?" "Dare Tang! So I was walking along and ...")
- Awesome hiking's to be had to snow-clad peaks and ice-caves @ Oshtoran Kuh, 10-15 clicks south of the 62 as the crow flies from 'Tian Village' and @ 40 km.s east of Dare Tang.
- The grand, visibly ancient Imamzadeh Qassim and Zeid dates from the early 13th cent. with renovations in the 14th and 15th cent.s, @ 30 clicks north of the 62 and Azna (@ 20 km.s east of Tian) up the Azna-Arak rd, and 2 east of it.
- The 62 passes through the city of Aligudarz @ 20 km.s further east, home to Sayleh castle and the Masisilan ancient hill (per Wikipedia), and surrounded by more awesome scenery.
- Just west of the 62 a few km.s SE of Bueen Miyandasht is the village of Dashkasan which has a population of ethnic Georgians (!) who speak a Georgian dialect together with Persian. Khoyegan Oleija, a Christian community (evidently) a few km.s further south has 4 old churches (!) incl. one that's Armenian and an impressive 'Old [Armenian or Georgian] cemetery.' 60% of the population of the town of Sadeqie further SE, @ 8 km.s south of the 62 and Ozun Bolagh, speak Georgian ([Wikipedia] Not Armenian? How and when did Georgians move to Central Iran?) and @ 30% speak Azeri. The village of Seftjan, @ 3 km.s south of the 62 and @ 7 SE of Nahrkhalaj has 2 churches incl. one that's Armenian and another ancient Armenian (or Georgian?) cemetery. A small, visibly ancient (Armenian?) church just east of Khuygan-e Sofla, a town of Luri-speakers with an Azeri minority, is @ 10-15 km.s further south.
- Vaneshan village looks to be fascinating and fun @ 30 clicks NE of Noqan and the 62 and < 10 clicks south of the 47, much of which is visibly ancient, with some intact and restored ancient adobe walls and a gate all in brick and adobe, and with some adobe ruins, all beneath mtn. peaks. (Somehow nothing's written about its charms in its Wikipedia entry.)
- Khansar is another visibly ancient brick and adobe village, much of it double-storied, further south and equidistant /b/ the 47 and the 62. It's home to the ancient brick Abhari mansion with its many stucco reliefs. The impressive ancient adobe-brick Chahar borj pigeon tower stands further north just south of Qudejan and an ancient brick mosque.
- Less than 10 km.s NW of Vaneshan, on the 47 @ 30-35 clicks NE of Noqan and the 62, is the city of Golpayegan, home to an impressive, visibly ancient Seljuk Jāme' mosque (1114) youtu.be/q-Kc8MDD2uk?si=DhsC_5NOYt5dgu-K , a tall, ancient Seljuk brick minaret, the 15th-16th cent. Sarāvar mosque, and the 17th cent. Hevdah Tan shrine. "Golpayegan Kebab is unique and made from endemic cows, and is registered as Iranian 'intangible heritage'." (Wikipedia) Locals speak Persian and the Golpayegani dialect. 5 km.s further north, the early 17th cent. Gouged fortess/caravanserai, one of the largest adobe structures in the country, is now a hotel.
- The 47 runs along what must have been a medieval trade route in light of the ruins of several caravanserais along it, incl. brick ruins on the outskirts of Tikan on the 47, 30-40 km.s NE of Daran on the 62; impressive ruins in the village of Dor @ 8-10 km.s further SE down the 47; and the relatively intact Jelowgir caravanserai by the 47 @ 25 clicks NE of Damaneh and the 62.
- An extensive, ruined adobe village complex can be explored at Rahmat Abad @ 15 clicks NE of Do Shakhkharat and the 62, @ 10 SW of the 47.
- The town of Damaneh is home to some subterranean hand-carved tunnels.
- Domab, @ 10 clicks SW of the 47 and @ 35 NE of the 62 (from a pt. on that rd. @ 15 km.s SE of Damaneh) is home to an impressive adobe fortress, a small museum, and the town has a website: web.archive.org/web/20060325100147/http://domab.ir/Englis... and an unusually fulsome Wikipedia entry. (Very many villages in Iran have Wikipedia pages, the vast majority of which only offer population stats.) The entry ends with this.: "There is a historical story about Domabian people that tells there were all with tails after the fight with Mongoliasm [sic]; However it is not true." This should help to discourage the many local tourists who visit Domab to see the locals and their tails (I assume).
- 2 clusters of ancient petroglyphs on schist rocks near Domab depict hunting scenes and plenty of ibexes.
- A network of tunnels or sculpted caves winds beneath Kurd-e-Olyã or near that town less than a km. south of the 62, @ 30 clicks SE of Damaneh.
- A rare historic suspension bridge made with logs tied together, 'Gappaz Garmdareh' on google maps, seen here on Instagram www.instagram.com/chadegan_javanan/reel/CsUBxa1gBxF/, and here on Youtube: youtu.be/g1RG3T6dv-c?si=gKofwADTRe9zgIhW , remains photogenically suspended above the Zayandeh rud @ 25 clicks S-SW of the T-junction of the Chadegan rd. with the 62 and @ 10 km.s East of Yancheshmeh.
- The time capsule that is the town of Yaseh Chah, @ 25 km.s SW of the 62 as the crow flies, a couple south of Markadeh, is explored in this vlog.: youtu.be/uZAj3vEO46Q?si=1xdjoQeM5w5vta-W It's popular for its "old corridors and special architecture".
- The restored high stone and adobe walls of an ancient castle dominate the town of Jaja alongside the 62 @ 60 clicks SE of Daran. commons.wikimedia.org/wiki/File:Historic_castle_of_Jaja_v... My bus passed only @ 250 m.s from it and I'm sure it impressed me if I wasn't reading something just then.
- On the southern outskirts of Tiran 2-3 km.s south of the 62 and 5 km.s SE of Jaja is a path beside an ancient plastered brick wall with at least 2 swinging stone doors similar to this one in Jordan.: www.flickr.com/photos/97924400@N00/7137438437/in/photolis...
- In the desert at Ghameshlu, @ 30 km.s NE of the 62 and Tiran, is an impressive ruin of a vast, Qajar-era hunting palace built for Zal al-Sultan near the "aqueduct of paradise" (according to a comment on google maps) with old black and white reproductions of photos and prints from magazines or newspapers and European maps covering the walls and ceiling in at least one room. youtu.be/Al_jSI4XDT4?si=vyFGNP-xT9_I5QRP
- Najafabad, a city developed by the Safavid Shah Abbas, is home to the well-maintained Sheikhbahaei Fort with a tall tower similar to a pigeon tower. The lovely, large 'Noorian historic house' is now home to a bookstore or library, a photo gallery, and a cafe.
- Jowzdan, 5 km.s south of Najafabad, was founded @ 800 yr.s ago in the Timurid period by the denizens of Gorg Abad, "a small town near Kooh Panji in the Zagros, [who] faced a huge threat from wolves in that area [!] and started refuging to start a new town." (Wikipedia)
- Jahadabad, @ 20 km.s north of Najafabad, is home to the impressive, relatively well-preserved Sheikh Ali Khan chaleh siah caravanserai.
- Anything closer to Esfahan on or close to that route down the 62 could be in 'greater Esfahan'.
- So although I might've seen a fortress or castle through the bus window, there was much I missed en route to Esfahan.
- On my arrival in Esfahan I headed to a popular youth hostel to rent a bed and then spent much of the next 9 days touring some of the loveliest buildings on earth. "Esfahan is half the world!" is the old adage.
- Continued in the write-up for the next photo of the ceiling of the dome in the Masjed-e Emam.
Arbour Hill Prison is a prison and military cemetery located in the Arbour Hill area near Heuston Station.
The military cemetery is the burial place of 14 of the executed leaders of the 1916 Easter Rising. Among those buried there are Patrick Pearse, James Connolly and Major John MacBride. The leaders were executed in Kilmainham Gaol and their bodies were transported to Arbour Hill for burial.
The graves are located under a low mound on a terrace of Wicklow granite in what was once the old prison yard. The grave site is surrounded by a limestone wall on which the names are inscribed in Irish and English. On the prison wall opposite the grave site is a plaque with the names of other people who were killed in 1916.
The prison was designed by Sir Joshua Jebb and Frederick Clarendon and opened on its present site in 1848, to house military prisoners.
The adjoining Church of the Sacred Heart, which is the prison chapel for Arbour Hill prison, is maintained by the Department of Defence. At the rear of the church lies the old cemetery, where lie the remains of British military personnel who died in the Dublin area in the 19th and early 20th century.
The church has an unusual entrance porch with stairs leading to twin galleries for visitors in the nave and transept.
A doorway beside the 1916 memorial gives access to the Irish United Nations Veterans' Association house and memorial garden.
Detail of the Baptistry Window, a masterpiece of abstract stained glass designed by John Piper and executed by Patrick Reyntiens.
Coventry's Cathedral is a unique synthesis of old a new, born of wartime suffering and forged in the spirit of postwar optimism, famous for it's history and for being the most radically modern of Anglican cathedrals. Two cathedral's stand side by side, the ruins of the medieval building, destroyed by incendiary bombs in 1940 and the bold new building designed by Basil Spence and opened in 1962.
It is a common misconception that Coventry lost it's first cathedral in the wartime blitz, but the bombs actually destroyed it's second; the original medieval cathedral was the monastic St Mary's, a large cruciform building believed to have been similar in appearance to Lichfield Cathedral (whose diocese it shared). Tragically it became the only English cathedral to be destroyed during the Reformation, after which it was quickly quarried away, leaving only scant fragments, but enough evidence survives to indicate it's rich decoration (some pieces were displayed nearby in the Priory Visitors Centre, sadly since closed). Foundations of it's apse were found during the building of the new cathedral in the 1950s, thus technically three cathedrals share the same site.
The mainly 15th century St Michael's parish church became the seat of the new diocese of Coventry in 1918, and being one of the largest parish churches in the country it was upgraded to cathedral status without structural changes (unlike most 'parish church' cathedrals created in the early 20th century). It lasted in this role a mere 22 years before being burned to the ground in the 1940 Coventry Blitz, leaving only the outer walls and the magnificent tapering tower and spire (the extensive arcades and clerestoreys collapsed completely in the fire, precipitated by the roof reinforcement girders, installed in the Victorian restoration, that buckled in the intense heat).
The determination to rebuild the cathedral in some form was born on the day of the bombing, however it wasn't until the mid 1950s that a competition was held and Sir Basil Spence's design was chosen. Spence had been so moved by experiencing the ruined church he resolved to retain it entirely to serve as a forecourt to the new church. He envisaged the two being linked by a glass screen wall so that the old church would be visible from within the new.
Built between 1957-62 at a right-angle to the ruins, the new cathedral attracted controversy for it's modern form, and yet some modernists argued that it didn't go far enough, after all there are echoes of the Gothic style in the great stone-mullioned windows of the nave and the net vaulting (actually a free-standing canopy) within. What is exceptional is the way art has been used as such an integral part of the building, a watershed moment, revolutionising the concept of religious art in Britain.
Spence employed some of the biggest names in contemporary art to contribute their vision to his; the exterior is adorned with Jacob Epstein's triumphant bronze figures of Archangel Michael (patron of the cathedral) vanquishing the Devil. At the entrance is the remarkable glass wall, engraved by John Hutton with strikingly stylised figures of saints and angels, and allowing the interior of the new to communicate with the ruin. Inside, the great tapestry of Christ in majesty surrounded by the evangelistic creatures, draws the eye beyond the high altar; it was designed by Graham Sutherland and was the largest tapestry ever made.
However one of the greatest features of Coventry is it's wealth of modern stained glass, something Spence resolved to include having witnessed the bleakness of Chartres Cathedral in wartime, all it's stained glass having been removed. The first window encountered on entering is the enormous 'chess-board' baptistry window filled with stunning abstract glass by John Piper & Patrick Reyntiens, a symphony of glowing colour. The staggered nave walls are illuminated by ten narrow floor to ceiling windows filled with semi-abstract symbolic designs arranged in pairs of dominant colours (green, red, multi-coloured, purple/blue and gold) representing the souls journey to maturity, and revealed gradually as one approaches the altar. This amazing project was the work of three designers lead by master glass artist Lawrence Lee of the Royal College of Art along with Keith New and Geoffrey Clarke (each artist designed three of the windows individually and all collaborated on the last).
The cathedral still dazzles the visitor with the boldness of it's vision, but alas, half a century on, it was not a vision to be repeated and few of the churches and cathedrals built since can claim to have embraced the synthesis of art and architecture in the way Basil Spence did at Coventry.
The cathedral is generally open to visitors most days. For more see below:-
Carlin 'El Asesino" in the process of ruthlessly executing two underbosses of a local gang who tried to interfere with her business. They are bound and on their knees before her.
"You should have heeded my warning but now you have to pay the price of yours and your boss's stupidity. Do you know what I am called by the cartels? - "El Asesino" and now you learn why. I will make it quick unlike your boss but you go knowing the last thing you see will be me. .She shots both in the head. "Dispose of these bodies guys"
BALTIC SEA (June 09, 2020) USS Donald Cook (DDG75) observers NATO allies and partner nation ships execute multinational surface warfare division tactics during BALTOPS 2020. BALTOPS is the premier annual maritime-focused exercise in the Baltic region, enhancing flexibility and interoperability. (U.S. Navy Photo by Lt.j.g. Sarah Claudy/Released)
Arbour Hill is an inner city area of Dublin, on the Northside of the River Liffey, in the Dublin 7 postal district. Arbour Hill, the road of the same name, runs west from Blackhall Place in Stoneybatter, and separates Collins Barracks, now part of the National Museum of Ireland, to the south from Arbour Hill Prison to the north, whose graveyard includes the burial plot of the signatories of the Easter Proclamation that began the 1916 Rising.
The military cemetery at Arbour Hill is the last resting place of 14 of the executed leaders of the insurrection of 1916. Among those buried there are Patrick Pearse, James Connolly and Major John Mc Bride. The leaders were executed in Kilmainham and then their bodies were transported to Arbour Hill, where they were buried.
The graves are located under a low mound on a terrace of Wicklow granite in what was once the old prison yard. The gravesite is surrounded by a limestone wall on which their names are inscribed in Irish and English. On the prison wall opposite the gravesite is a plaque with the names of other people who gave their lives in 1916.
The adjoining Church of the Sacred Heart, which is the prison chapel for Arbour Hill prison, is maintained by the Department of Defence. At the rear of the church lies the old cemetery, where lie the remains of British military personnel who died in the Dublin area in the 19th and early 20th century.
A doorway beside the 1916 memorial gives access to the Irish United Nations Veterans Association house and memorial garden.
The executed were buried in mass graves. In order to save ammunition, the executions were often carried out using poison, spades or sharpened bamboo sticks. In some cases the children and infants of adult victims were killed by having their heads bashed against the trunks of Chankiri trees. The rationale was "to stop them growing up and taking revenge for their parents' deaths."
Thomas Wentworth, 1st Earl of Strafford 1593-(executed) 1641 He was the son of Sir William Wentworth and Ann daughter of Sir Robert Atkinson www.flickr.com/photos/52219527@N00/6581348677/
Born in Chancery Lane the home of his maternal grandparents.
He m1 Margaret Clifford dsp 1622 daughter of the impoverished Francis 3rd Earl of Cumberland and was knighted by James l.
He m2 Arabella Holles d1631 daughter of John, 1st Earl of Clare
Children
1. William m1 Henriette Mary www.flickr.com/photos/52219527@N00/6581776899/ daughter of James Stanley, 7th Earl of Derby (who was beheaded at Bolton for his loyalty to King Charles ll) ..." and Charlotte de la Tremoüille m2 Henrietta (dsp 1732), daughter. of Frederic Charles, Count de Roye de la Rochefoucauld - both on a monument at York Minster www.flickr.com/photos/52219527@N00/6588872405/
2. Thomas -died an infant
1. Anne 1629-1695/6 m Edward Watson 2nd Baron Rockingham (their sons Edward m Alice only child of Sir Thomas Proby of Elton whose 4 siblings had died young www.flickr.com/gp/52219527@N00/Y9n6g2 and Thomas 3rd son was heir to William Wentworth 2nd Earl of Strafford 1695 flic.kr/p/b3eGdn )
2. Arabella (dsp.) m Justin McCarthy, Baron Castlefinch
He m3 Elizabeth daughter of Sir Godfrey Rodes of Great Haughton by Anne daughter of Sir Edward Lewknor / Lewkenor 1605 of Denham Hall, Suffolk www.flickr.com/gp/52219527@N00/HA075X
Children
1. Thomas )
2. Margaret ) d unmarried
Though his critic earlier he switched his loyalty to Charles l becoming a "thorough" Lord Deputy in Ireland . He was impeached by the Commons and declared a traitor. Charles wrote to him "Upon the word of a king you shall not suffer in life, honour or fortune" Yet within a month he had allowed Thomas to be beheaded on Tower Hill . He may be buried at Hooton Roberts church with his wife and daughter. .-------- ----------------© Kenneth Paver
Servicemembers execute sling load rigging exercises on a CH-47D Chinook during Day 5 of Air Assault School on Camp Smith, N.Y., July 25, 2010.(U. S. Army photo by Pfc. Jose L. Torres-Cooban/Not Released)